Podcasts about degas

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn't stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite different. Comparing Ravel and Debussy is a bit like comparing Haydn and Mozart. At first glance, there are many similarities, but if you look and listen more closely, Ravel and Debussy(like Mozart and Haydn) had totally different approaches, goals, and styles. All of the constant comparisons and attempts at making the composers compete with each other had a real impact on Debussy and Ravel. Initially they were friends and mutual admirers of each others work, but they slowly drifted apart over time until they stopped speaking to each other altogether. We'll talk about this complicated personal relationship, as well as looking at these differences in their music, not from a critical standpoint, but from the perspective of bringing out what is so wonderfully unique about their music. We'll also talk about Ravel's arrangements of two Debussy's greatest orchestral works: his two piano arrangement of Debussy's Nocturnes, and his piano 4 hands arrangement of the legendary Prelude to the Afternoon of a Faun. Join us on another collaboration with G Henle Publishers! Recordings: Nocturnes Claudio Abbado with London Symphony Anne Shasby, Richard McMahon, Piano Prelude to the Afternoon of a Faun Ravel arrangement: Jean-Pierre Armengaud and Olivier Chauzu Debussy Arrangement: Charles Badami and Anthony Olson 

Ma dov'è finita la pianista? Seguiamo la piccola "Petite" in questa ricerca sulle punte da danza fra le opere di Edgar DegasTesto e voce di Claudio DugheraProgetto e montaggio a cura di Claudia MartoreProduzione: Fondazione TRGTecnico di registrazione e chitarra: Mattia MontiLe opere di Degas che hanno ispirato questa storia:Ballerina di 14 anniLa scuola di danzaFoyer della danza al teatro dell' OperáPlace de la ConcordeCarrozza alle corse L'assenzioNel negozio di cappelliAUDIO CREDITS:Free music for non-commercial use from Fesliyan Studios

The artist Degas suffered retina disease for the last fifty years of his life, switching from paint to pastel because the chalk lines were easier to see. Renoir had to have brushes placed between his fingers when arthritis made them clench like claws; and when surgery left Matisse immobile, he turned to collage, directing assistants to attach colored pieces of paper to a larger sheet on the wall. What followed in each case was a creative breakthrough: Degas’s Blue Dancers, Renoir’s Girls at the Piano, Matisse’s The Sorrows of the King, and other masterpieces. By adapting to their trial, beauty emerged from their infirmity. In a similar way, Paul wasn’t planning to visit Galatia during his early missionary journeys. An illness forced him there (Galatians 4:13). Whether it was the illness he mentions in 2 Corinthians 12:7, an eye problem (Galatians 4:15), or something else, we don’t know. But Paul sought a different climate, wound up in Galatia and, even though he was ill, started preaching. Ironically, the Holy Spirit performed miracles through him (3:2–5) and the Galatian church was born. This surprising outcome may never have happened without Paul’s illness. What trial have you faced, and how did it change the direction of your life? By refocusing your gifts, you too may see God bring beauty out of your infirmity.

In 1990, on Saint Patrick's Day, two thieves posing as police officers pulled off the biggest art heist in history, stealing 13 priceless works from the Isabella Stewart Gardner Museum. Decades later, the crime remains unsolved. Who took the art, and where is it now?We're telling this story tonight.

During an intimate examination of a suspicious Degas, Olivia and Alex's professional facade crumbles as more of their shared past comes to light. Their passionate encounters in the gallery's private spaces reveal a deeper conspiracy involving their former mentor Marcus and gallery owner Isabella Thorne. When evidence suggests they're being watched, Olivia and Alex must work together to uncover who's really orchestrating their reunion. The episode culminates in a dangerous sting operation where personal and professional boundaries blur completely.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

Rupert Degas, a world-class voice actor known for his hilarious impressions of President Trump, Walter White, Gordon Ramsay, and more, joins Simon to share his incredible carnivore diet transformation. Once a food-and-wine-loving 50-year-old, Rupert lost 30kg, regained his energy, and rediscovered his zest for life. We dive into his journey, his time in Bali with Dr. Chaffee and Simon, and his no-nonsense advice for anyone looking to take control of their health without dogma. Plus, you won't want to miss his spot-on impressions sprinkled throughout this conversation! Follow Rupert here! Instagram https://www.instagram.com/rupert_degas/ YouTube https://www.youtube.com/@UC6w-SbTugVtCpUZTm9eDSXw Join Dr. Chaffee's Carnivore Challenge: https://www.howtocarnivore.com/

Hawk has the news with some interesting new studies, Sauce shares what the latest NFL news and what he thinks the Vikings should do as free agency approaches

Hawk has the news with some interesting new studies, Sauce shares what the latest NFL news and what he thinks the Vikings should do as free agency approaches

Hawk has the news with some interesting new studies, Sauce shares what the latest NFL news and what he thinks the Vikings should do as free agency approaches

video version:https://youtu.be/DO5EMN49YGkLisa Fevral:https://www.youtube.com/channel/UCJdvK5wMriowQqbGC7G0lDAhttps://twitter.com/LisaFevralhttps://www.instagram.com/lisafevral/

Notre invitée culture nous entraîne au 19ᵉ siècle, aux prémices du mouvement impressionniste. Dans « Les Collectionnistes » , Christelle Reboul joue Jeanne, l'épouse de Paul Durand-Ruel, grand marchand de tableaux qui fut le premier admirateur (et collectionneur) de Claude Monet. Renoir, Degas, et Pissarro… sous le regard effaré de sa femme. Christelle Reboul alias Jeanne Durand-Ruel est l'invitée d'Elisabeth Lequeret. ► https://www.theatremontparnasse.com/spectacle/les-collectionnistes/

Notre invitée culture nous entraîne au 19ᵉ siècle, aux prémices du mouvement impressionniste. Dans « Les Collectionnistes » , Christelle Reboul joue Jeanne, l'épouse de Paul Durand-Ruel, grand marchand de tableaux qui fut le premier admirateur (et collectionneur) de Claude Monet. Renoir, Degas, et Pissarro… sous le regard effaré de sa femme. Christelle Reboul alias Jeanne Durand-Ruel est l'invitée d'Elisabeth Lequeret. ► https://www.theatremontparnasse.com/spectacle/les-collectionnistes/

Antonia Caicedo Holguín photographed by Imogen Forte. Antonia Caicedo Holguín (b. 1997 in Colombia) is deeply influenced by her hometown of Cali, Colombia, from the people who inhabit the city to the vibrant salsa music and dance culture of the region. By exploring everyday life, memory, and imagination, Caicedo Holguín chronicles her life, friends, and family. “A key component of my practice is the playfulness of writing narratives. The characters I build hold the charm, depth, and presence of literary protagonists.” Drawing inspiration from contemporary painters like Paula Rego and Lynette Yiadom-Boakye, as well as old masters like Degas and Manet, her work often depicts fleeting moments of intimacy and moments of solitude. Often the subjects of Caicedo Holguín's paintings seem to be in a state of introspection, or lost in reverie. She works with a variety of materials, including oil paint and unconventional materials like coffee grounds, coffee dyes, natural Latin American pigments, and found objects. Caicedo Holguín received her Master of Arts in 2023 from the prestigious Slade School of Fine Art, at University College London in London, England. She has exhibited internationally, and has received the following awards and grants: The Olive Award, in recognition of art process experimentation, The Slade School of Fine Art, UCL, 2023, The Sarabande Foundation, Emerging Artist Fund, 2023, The Chelsea Arts Club Trust MA Materials and Research Award, 2022, and The Elizabeth Greenshields Foundation Grant, 2021. She was a featured guest on the 250th episode of The Art Newspaper's podcast, The Week in Art, hosted by Ben Luke in 2023. She was featured in The Art Newspaper, in an article titled “Art stars of tomorrow? Four of my favourite artists from the Slade School degree show in London” by Dr. Chibundu Onuzo in 2023, and again in 2024 in the article “I commissioned an artist for the first time: here's what it taught me about what it really means to be a ‘collector'.” The artist lives and works in London, England. Antonia Caicedo Holguín, My Friend Hannah Uzor - Portrait in the Studio 2024 Oil and oil pastels on canvas 47 x 43 in (119.38 x 109.22 cm) Antonia Caicedo Holguín, Her Heart Sets the Beat, 2024 Acrylic, oil, and pastels on canvas 67.25 x 66.50 in (170.82 x 168.91 cm) Antonia Caicedo Holguín, Sunkissed 2024, Acrylic and oil on canvas, 47 x 43 in (119.38 x 109.22 cm)

"Eu desenhei loucamente para que, quando não tivesse mais olhos, pudesse enxergar com as pontas dos dedos." A frase é de Suzanne Valadon, artista pioneira que desafiou convenções em sua vida e obra, e que agora ganha uma grande retrospectiva no Centro Pompidou de Paris. Anticonformista por natureza, Valadon demolia regras – inclusive ao pintar escandalosos nus masculinos, algo impensável para sua época.  Filha de pai desconhecido e criada no ambiente boêmio e popular de Montmartre do início do século 20, Suzanne Valadon começou trabalhando como modelo para grandes nomes da pintura da época, como Toulouse-Lautrec e Renoir. Mas ela não se contentou em ser apenas musa e conquistou seu espaço como artista reconhecida nesse meio eminentemente masculino. Valadon desafiou constantemente as normas sociais e artísticas de sua época. De origem modesta e filha de uma lavadeira, ela lutou para conquistar um lugar para si no mundo da arte, apesar dos preconceitos associados ao fato de ser mulher e às suas origens.Nathalie Ernoult, curadora da exposição no Centro Pompidou de Paris, fala sobre o começo de sua carreira em Montmartre. "Ao chegar em Paris, Suzanne Valadon trabalhou em diversos pequenos empregos para se sustentar e ajudar sua mãe, mas essas ocupações eram mal remuneradas. Foi então que lhe sugeriram se tornar modelo, uma atividade mais bem paga na época. Em Montmartre, onde existia um verdadeiro 'mercado de modelos', ela rapidamente chamou a atenção dos maiores artistas do século 19, como Puvis de Chavannes, Renoir e Toulouse-Lautrec. Para Suzanne, posar como modelo não representava apenas uma imersão no mundo da arte que marcaria profundamente seu destino, mas uma verdadeira oportunidade financeira. Ser modelo para ela significava ganhar mais dinheiro", precisa Ernoult.Autodidata e filha de uma lavadeiraEla se reinventou e forjou sua identidade mudando seu primeiro nome (de Marie-Clémentine para Suzanne). Desde muito jovem, não se conformou com as expectativas tradicionais das mulheres de sua época, como conta Flore Mongin, autora de uma biografia sobre a artista. "Marie-Clémentine Valadon, futura Suzanne Valadon, chegou a Paris aos 5 anos com sua mãe, em um ambiente popular marcado pela miséria. Criada sozinha pela mãe lavadeira, ela cresceu em Montmartre, um bairro vibrante de Paris, que foi um terreno fértil para o seu desenvolvimento. Desde a infância, demonstrou uma personalidade forte e um gosto acentuado pelo desenho, características que se tornariam centrais em sua trajetória artística. Montmartre, com sua efervescência cultural, foi o cenário de sua evolução, moldando a mulher e a artista que ela se tornaria, da infância à adolescência", afirma a escritora.Suas representações das mulheres romperam com os clichês da época, mostrando corpos naturais e não idealizados em poses cotidianas, como detalha a curadora da mostra, que fala sobre uma de suas obras mais transgressoras, a "Odalisca". Suzanne Valadon "revisita e transgride o modelo clássico da odalisca em uma de suas obras-primas. Diferentemente da odalisca tradicional, frequentemente retratada nua e em uma postura sensual, seu modelo aqui está vestido, usando um pijama descontraído, com calças listradas e uma regata", contextualiza."A mulher fuma um cigarro, com livros displicentemente colocados ao seu lado, e sua expressão é séria, distante de qualquer sugestão de sedução. Valadon apresenta aqui a imagem de uma mulher livre e moderna dos anos 20, rompendo completamente com o arquétipo das odaliscas idealizadas. Tendo sido ela mesma modelo e posado para nus reclinados, Valadon conhecia profundamente a forma como os pintores representavam e objetificavam o corpo feminino. Com essa pintura, ela oferece uma visão radicalmente diferente", sublinha a especialista do Pompidou."Você é uma de nós": o apoio de DegasMas é o impressionista Edgar Degas, o artista mais importante do grupo de Montmartre na época, quem vai desempenhar um papel-chave na vida de Suzanne Valadon, como relata a curadora da mostra, Nathalie Ernoult. "Com os recursos que tinha à disposição, Suzanne Valadon desenhava sem cessar, em qualquer lugar que pudesse. Enquanto posava como modelo, observava atentamente os artistas ao seu redor, analisando suas técnicas de pintura e esboço. Dotada de um grande senso de observação e de uma memória visual impressionante, ela aprendeu a desenhar quase instintivamente, de forma autodidata", lembra."Um dia, ela teve a coragem de mostrar seus desenhos a Bartholomé e Toulouse-Lautrec, que imediatamente reconheceram seu talento. Lautrec a incentivou fortemente a apresentar seu trabalho a Edgar Degas, encontro que marcaria uma virada decisiva em sua carreira artística. Degas, que era uma figura central da época, se tornaria mais tarde um de seus maiores apoiadores e mentores", destaca. Foi Edgar Degas quem reconheceu seu talento, comprou seus desenhos e disse: "Você é uma de nós."Entre os amores escandalosos que Suzanne nunca escondeu, figura uma relação relâmpago com Eric Satie, como conta a biógrafa da artista. "Sim, Montmartre era um lugar propício para os amores, e de fato Eric Satie ficou muito apaixonado. Ele foi um amor transitório de Suzanne Valadon e também um amante passageiro, já que a história deles não durou muito tempo. Eram duas personalidades muito fortes que não estavam necessariamente destinadas a se entender", conta Flore Mongin.Apesar do reconhecimento, Valadon enfrentou muitos desafios. Ela foi recusada por não ter um "mestre" reconhecido na Escola de Belas Artes de Paris. E mesmo quando começou a pintar, sua ousadia escandalizava – como no caso de "Adão e Eva", onde retratou seu jovem amante nu a seu lado.Com a exposição no Centro Pompidou de Paris, até o dia 26 de maio de 2025, e os novos livros dedicados a ela, Suzanne Valadon finalmente sai do esquecimento para ocupar o lugar que merece na história da arte.

Fluent Fiction - French: Facing Fears: A Winter Day's Journey in the Art Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2024-12-21-23-34-01-fr Story Transcript:Fr: Les flocons de neige tourbillonnaient doucement dans l'air froid alors que Julien, Corinne et Élodie marchaient vers le grand musée d'art.En: The snowflakes swirled gently in the cold air as Julien, Corinne, and Élodie walked towards the grand art museum.Fr: Les décorations de Noël illuminaient l'entrée.En: The Christmas decorations illuminated the entrance.Fr: Bien que l'extérieur soit glacé, l'intérieur du musée était chaleureux, rempli de lumière douce et de musique festive.En: Although the outside was icy, the inside of the museum was warm, filled with soft light and festive music.Fr: Julien souriait, impatient de voir l'exposition impressionniste.En: Julien was smiling, eager to see the Impressionist exhibition.Fr: Il aimait particulièrement Monet et sa façon de capturer la lumière.En: He particularly loved Monet and his way of capturing light.Fr: Cependant, un nuage de souci assombrit son enthousiasme.En: However, a cloud of worry darkened his enthusiasm.Fr: En fouillant dans sa poche, il réalisa qu'il avait oublié quelque chose d'important chez lui. Son médicament pour l'anxiété.En: While rummaging through his pocket, he realized he had forgotten something important at home—his medication for anxiety.Fr: Ses mains tremblaient légèrement.En: His hands trembled slightly.Fr: "Qu'y a-t-il, Julien ?" demanda Corinne, remarquant son agitation.En: "What is it, Julien?" asked Corinne, noticing his agitation.Fr: Elle lui prit la main avec un sourire rassurant.En: She took his hand with a reassuring smile.Fr: "J'ai oublié mes médicaments," murmura Julien, une pointe de panique dans la voix.En: "I forgot my medication," murmured Julien, a hint of panic in his voice.Fr: Élodie, en ajustant ses lunettes de curator, écouta avec attention.En: Élodie, adjusting her curator glasses, listened attentively.Fr: "Tu vas y arriver, Julien. On est là pour toi." Élodie le guida plus loin dans le musée, vers une salle tranquille.En: "You can do it, Julien. We're here for you." Élodie guided him further into the museum, towards a quiet room.Fr: Ils passèrent devant des tableaux de Renoir et Degas, leurs couleurs vives réconfortant Julien comme une couverture.En: They passed by paintings by Renoir and Degas, their vivid colors comforting Julien like a blanket.Fr: Malgré la beauté autour de lui, son cœur battait vite.En: Despite the beauty around him, his heart was racing.Fr: Dans une salle bondée autour d'un chef-d'œuvre de Monet, l'anxiété atteignit son paroxysme.En: In a crowded room around a Monet masterpiece, his anxiety reached its peak.Fr: La foule, le bruit, tout semblait tourner.En: The crowd, the noise, everything seemed to spin.Fr: Julien ferma les yeux, essayant de respirer profondément.En: Julien closed his eyes, trying to breathe deeply.Fr: Élodie et Corinne sentirent son trouble.En: Élodie and Corinne sensed his distress.Fr: "Viens avec moi," dit doucement Corinne, l'amenant à un espace plus calme.En: "Come with me," said Corinne softly, leading him to a quieter space.Fr: Élodie les suivit, cherchant un endroit apaisant.En: Élodie followed, looking for a soothing spot.Fr: Ils trouvèrent une petite alcôve avec une vue sur un jardin enneigé à travers une grande fenêtre.En: They found a small alcove with a view of a snow-covered garden through a large window.Fr: "Assieds-toi, Julien." Corinne tapota le banc à côté d'elle.En: "Sit down, Julien." Corinne patted the bench beside her.Fr: Julien s'assit, le regard fixé sur le paysage immaculé dehors.En: Julien sat down, his gaze fixed on the pristine landscape outside.Fr: Élodie posa une main réconfortante sur son épaule.En: Élodie placed a comforting hand on his shoulder.Fr: "Ferme les yeux. Inspire profondément," conseilla-t-elle.En: "Close your eyes. Breathe deeply," she advised.Fr: Julien ferma les yeux, imitant les mouvements calmes de Corinne et Élodie.En: Julien closed his eyes, mimicking the calm movements of Corinne and Élodie.Fr: Il se concentra sur sa respiration, lentement.En: He focused on his breathing, slowly.Fr: Le battement de son cœur commença à ralentir.En: The beating of his heart began to slow.Fr: Les images paisibles de Monet, des eaux scintillantes et des nénuphars dansaient dans son esprit.En: Peaceful images of Monet, shimmering waters, and water lilies danced in his mind.Fr: Progressivement, ses muscles se relâchèrent, et la terreur s'éloigna à pas légers.En: Gradually, his muscles relaxed, and the terror retreated lightly.Fr: "Merci," souffla-t-il, reconnaissant pour leur soutien.En: "Thank you," he whispered, grateful for their support.Fr: Après quelques moments de calme, il rouvrit les yeux.En: After a few moments of calm, he opened his eyes.Fr: Le monde lui parut plus serein et accueillant.En: The world seemed more serene and welcoming.Fr: Ils se relevèrent ensemble, prêts à continuer de profiter de l'exposition.En: They stood up together, ready to continue enjoying the exhibition.Fr: Julien sourit, le poids de l'anxiété s'étant allégé.En: Julien smiled, the weight of anxiety much lighter.Fr: Bien que le froid de l'hiver soufflât toujours au-dehors, à l'intérieur, tout était paisible, tout était lumineux.En: Although the winter chill still blew outside, inside, everything was peaceful, everything was bright.Fr: Pour la première fois depuis longtemps, il sentit qu'avec ses amis à ses côtés, il pouvait affronter ses peurs.En: For the first time in a long while, he felt that with his friends by his side, he could face his fears.Fr: Le musée et ses couleurs étaient un endroit merveilleux où se retrouver, et il s'y sentait chez lui.En: The museum and its colors were a wonderful place to reconnect, and he felt at home there. Vocabulary Words:the snowflake: le floconto swirl: tourbillonnergentle/gently: doux/doucementthe decoration: la décorationto illuminate: illuminerto rummage: fouillerthe anxiety: l'anxiététo tremble: tremblerthe agitation: l'agitationthe curator: le curatorattentively: avec attentionthe vivid color: la couleur vivethe masterpiece: le chef-d'œuvreto reach a peak: atteindre son paroxysmeto spin: tournerto sense: sentirto lead: amenerthe quiet space: l'espace tranquillethe alcove: la alcôvethe window: la fenêtreto mimic: imiterthe serene: sereinthe landscape: le paysagethe water lily: le nénupharto relax: se relâcherthe terror: la terreurto retreat: s'éloignergrateful: reconnaissantto reconnect: se retrouverthe fear: la peur

Dans la nuit du 18 mars 1990, à Boston, deux hommes déguisés en policiers s'introduisent dans le musée Isabella Stewart Gardner à Boston. Ils ligotent et bâillonnent les gardes dans le sous-sol puis dérobent cinq Degas, trois Rembrandt, un Vermeer, un Manet, un Flinck, un gobelet chinois en bronze et un fleuron français en forme d'aigle. Valeur totale du butin : 500 millions de dollars. Les faux policiers viennent de commettre le plus grand vol de l'histoire dans un musée privé.elles ont disparu de la circulation

We're in between boroughs this week as Alex goes gaga for Miss Lala (as painted be Degas). She wowed the crowds in Paris and London with her phenomenal strongwoman act, on the trapeze, holding herself, and others, with her teeth. Her portrait is still wowing the crowds at the National Gallery. Pop in to pay her a visit and decide for yourselves, what do you see at first glance? Is she jumping? We know more about her performances than her life, but there are moments when we can glimpse her, moving to London, appearing at the Royal Aquarium, getting married. A mixed race pocket rocket gymnast who performed as at Black Venus and one half of Les Deux Papillons. She was last recorded applying for a passport, on the brink, maybe, of a leap across the oceans into the unknown. But we can admire her still, as Degas saw her that night, in white and gold, dazzling the Parisiennes high above the Cirque Fernando. Oh and we go off on a tangent for the benefit of Mr Kite. That makes a change, it's usually Fiona who does the tangents. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Isabella Stewart Gardner Museum heist, one of the most audacious art thefts in history, took place on March 18, 1990, when two men disguised as Boston police officers gained entry to the museum, subdued the guards, and stole 13 priceless works of art worth an estimated $500 million. Among the stolen pieces were masterpieces by Rembrandt, Vermeer, and Degas. Despite decades of investigation, including links to organized crime and several tantalizing leads, the stolen art remains missing, and the identities of the thieves—who were eventually named by the FBI—are now believed to be deceased. The case, still active, continues to captivate the art world as investigators pursue new leads, offering hope that the missing works may one day be recovered.(commercial at 7:36)to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

¿Qué es un ser humano?, maridajes con Félix Lanz, un teatro radiofónico de Alicia Parente sobre las bailarinas de Degas y la cosmeticorexia.

This week, we spoke with Karen, a person who likes art - especially impressionist art, like Monet's Haystacks and Degas's The Dance Class. Here are some links to museums that display some of the paintings Karen told us about in this episode, and more: Art Institute of Chicago (Haystacks) Musée Orsay (La Balançoire) Van Gogh Museum (Undergrowth) Musée de l'Orangerie (The Water Lilies) Musée Orsay (The Dance Class) We're always looking for more guests to tell us about the things you love, so please reach out through our ⁠⁠⁠⁠⁠podcast guest submission form⁠⁠⁠⁠⁠! You can also follow us @throuthewindow on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tumblr ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠to stay up-to-date on our projects, and don't forget to use #LoveThisThingCast to tell us about the things you love!

Nous sommes le 15 avril 1874, au 35 boulevard des Capucines à Paris, dans les studios du célèbre Nadar, photographe et écrivain. C'est là que se tient, durant un mois, ce qui deviendra l'une des plus fameuses expositions de l'histoire de l'art, celle qui donnera son nom à un mouvement révolutionnaire : l'Impressionnisme. Pissaro, Sisley, Degas, Renoir, Cézanne, Monet figurent parmi les trente artistes exposées. Ah, j'oubliais une femme, elle s'appelle Berthe Morisot. Elle y présente une œuvre réalisée deux auparavant, intitulée « Le berceau ». Une scène de maternité qui deviendra un thème très présent dans son travail à venir. Pour l'heure, le tableau est à peine remarqué … enfin … une poignée de critiques, tout de même, admettent quelques qualités comme la grâce et l'élégance. Après avoir cherché en vain à le vendre, Berthe Morisot ne l'exposera plus et « Le berceau » restera dans la famille jusqu'à son acquisition par le musée du Louvre en 1930. Aujourd'hui, il est le tableau le plus célèbre de l'artiste et une image de la maternité partagée aux quatre coins du globe. Mais comment la représentation de la maternité a-t-elle évoluée, depuis l'Antiquité, dans son expression artistique ? Sujets traités : Maternité, art, Nadar, photographe, écrivain, Impressionnisme, Pissaro, Sisley, Degas, Renoir, Cézanne, Monet , Berthe Morisot., berceau, tableau, Avec nous : Anne Hustache, historienne de l'art. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Nesse Café Antagonista você vai ficar sabendo sobre a ciência das nádegas, os diferentes cafezinhos que você bebe, sobre o sequestro do papa, uma lua fake e photoshops engraçados!Ser Antagonista é fiscalizar o poder. Apoie o jornalismo Vigilante:  https://bit.ly/planosdeassinatura   Acompanhe O Antagonista no canal do WhatsApp.  Boletins diários, conteúdos exclusivos em vídeo e muito mais.   https://whatsapp.com/channel/0029Va2S...   Ouça O Antagonista | Crusoé quando quiser nos principais aplicativos de podcast.  Leia mais em www.oantagonista.com.br | www.crusoe.com.br  

In Episode 362, artist, curator and recent PhD (from U.C. Santa Barbara) Maiza Hixson co-hosts this episode's OLD NEWS, featuring updates on: protests, including the case of #metoo being spray-painted onto Gustave Courbet's painting ‘Origin de monde,' and how the article had a correction stating that the image was of a vulva, rather than a vagina; the sentencing of a woman who was involved in the vandalism of a Degas sculpture in Washington, D.C.; the vandalism on the façade of the home of Brooklyn Museum director Ann Pasternak, and how these protesters are attempting to draw attention to the various corporate ties in the art world; protests and letters relating to the war in Gaza, and the very powerful people who are influencing university protests and various politics through corporate channels; the Kehinde Wiley controversy related to accusations of sexual assault made against him; the work of the Yes Men, and how it's not about disruption, it is disruption, as exemplified in a recent intervention at a fundraising event involving a new housing development; how Maurizio Cattelan's recent bullet-hole sculptures represent the insular culture of the art world; how Leonardo da Vinci was in the vanguard of eating, in that he was one of our early vegetarians; and whether we can qualify artists as being progressives, including taking a closer look at their carbon footprints; and the wide-ranging art and fandom of Miranda July.

A new series has been released this morning (3 July) on Netflix. It is called Man with 1,000 Kids, and Netflix is billing it as the true story of Jonathan Meijer, a man accused of travelling the world, deceiving women into having his babies - via sperm donation - on a mass scale. Nuala talks to Jonathan Meijer, the sperm donor, to mums Natalie and Suzanne, who had a baby conceived with Jonathan's donor sperm, to Natalie Hill, the executive producer who pitched the original idea for these films to Netflix and to Rachel Cutting, director of compliance and information at the Human Fertilisation and Embryology Authority (HFEA), the UK's independent regulator of fertility treatment.A new report from AutoTrader has found that there's a stark gender divide when it comes to going green with your vehicle choice. Hyper-masculine marketing, highly technical jargon and anxieties around running out of charge are just some of the reasons they give on why women feel excluded from making the switch to electric vehicles. Nuala talks to Erin Baker, who is the editorial director at AutoTrader and author of the report. It's 150 years since the first Impressionist exhibition was held in Paris in 1874. The artists involved included Monet, Renoir, Degas, Morisot, Pissarro, Sisley and Cézanne, and just one female artist was included in that first exhibition, Berthe Morisot. But women artists were involved with Impressionism, and 150 years on, the National Gallery of Ireland is holding an exhibition to put their work front and centre. The director, Caroline Campbell, joins Nuala McGovern to talk about the exhibition, Women Impressionists, and the four female pioneers who were integral to the artistic movement.Presenter: Nuala McGovern Producer: Laura Northedge

March 18, 1990. Boston, Massachusetts. In the early morning hours of March 18, 1990, a security guard at the Isabella Stewart Gardner Museum buzzed in two men dressed as police officers. Those two men revealed themselves to be thieves, who quickly tied up both of the guards. They stole 13 pieces of art including works by Rembrandt, Degas, and Vermeer. Despite a large reward offer from the museum and over 30 years of investigation by the FBI, none of the artwork has been recovered. How were these men able to pull off the largest art heist in the world?Get TONS of bonus content from Generation Why at: patreon.com/generationwhyListen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/generationwhy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nous sommes le 15 avril 1874, à Paris, au 35, boulevard des Capucines. C'est là que s'ouvre une exposition qui va marquer l'histoire de l'art et bousculer notre perception du monde. Celle qui donnera son nom à un mouvement révolutionnaire : l'Impressionnisme. Pissaro, Sisley, Degas, Renoir, Cézanne, Monet, Berthe Morisot figurent parmi la trentaine d'artistes présentés. C'est une exposition qui embarrasse la presse. Jamais encore, en effet, des artistes n'ont eu l'audace d'organiser eux-mêmes un salon indépendant, de s'émanciper de l'Académie. Même si Courbet et Manet ont eu l'impudence d'exposer leurs propres œuvres dans leurs propres pavillons quelques années plus tôt, ce n'est tout de même pas la même chose. Les journaux conservateurs hésitent à faire de la réclame à une telle manifestation, mais garder le silence sur un tel événement ne serait pas professionnel. Dès le 17 avril, un premier article paraît, il est publié par « Le Rappel » et signé par Ernest d'Hervilly qui, contre toute attente, est plutôt bienveillant, il écrit : « On ne saurait trop encourager cette entreprise hardie, depuis longtemps conseillée par tous les critiques et tous les amateurs ». Mais les caricaturistes vont beaucoup s'amuser de la nouvelle façon de peindre. Émile Cardon, dans le grand quotidien populaire « La Presse », ironise : « Piquez au hasard des taches rouges ou bleues, vous aurez une impression ». Revenons, aujourd'hui, aux origines de l'Impressionnisme … Avec nous : Anne Hustache, historienne de l'art. Sujets traités : impressionnisme, art, peinture, Pissaro, Sisley, Degas, Renoir, Cézanne, Monet, Berthe Morisot, exposition, Courbet, Manet Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

The publication in April of Stanford University's Artificial Intelligence Index Annual Report has provided the art world with much food for thought. We look at the implications for artists and institutions with Louis Jebb, the managing editor of The Art Newspaper and our technology specialist. As the Centre Pompidou in Paris is taken over on all its floors by what it calls the “ninth art”—graphic novels and comics—we talk to Joel Meadows, the editor-in-chief of Tripwire magazine and a comics aficionado, about the rise of this subculture in museums and the market. And this episode's Work of the Week is Edgar Degas' Miss La La at the Cirque Fernando (1879), which depicts a Black circus performer, Anna Albertine Olga Brown, who was briefly known as Miss La La. She and the painting are the subject of a new exhibition at the National Gallery in London opening next week. We talk to Anne Robbins, the curator of paintings at the Musée d'Orsay in Paris, and external curator of the exhibition, and Sterre Overmars, the curatorial fellow for post-1800 paintings at the National Gallery, about the painting.Comics on Every Floor, Centre Pompidou, Paris, until 4 November.Discover Degas & Miss La La, National Gallery, London, 6 June-1 September. Hosted on Acast. See acast.com/privacy for more information.

Today's story: Impressionism, the art movement that celebrates bright colors, thick brushstrokes, and outdoor settings, turns 150 years old this month. Though Monet, Degas, Renoir, and others are celebrated in museums and art schools around the world, their work was initially rejected by the art establishment.Learn this English expression: Use 'fall into' to describe how things fit into categoriesFull lesson: https://plainenglish.com/679 --Upgrade all your skills in English: Plain English is the best current-events podcast for learning English.You might be learning English to improve your career, enjoy music and movies, connect with family abroad, or even prepare for an international move. Whatever your reason, we'll help you achieve your goals in English.How it works: Listen to a new story every Monday and Thursday. They're all about current events, trending topics, and what's going on in the world. Get exposure to new words and ideas that you otherwise might not have heard in English.The audio moves at a speed that's right for intermediate English learners: just a little slower than full native speed. You'll improve your English listening, learn new words, and have fun thinking in English.Then, in the second half of each episode, listen up for a discussion on common English expressions and phrasal verbs. Try to use them in your daily life!Plain English is more than a podcast: Do you like listening to Plain English? If so, you'll love being a member at PlainEnglish.com. Joining is easy and one membership level is free. Join today and unlock great member benefits that will help you improve your listening, boost your confidence in conversation, learn new words, and improve your English skills.https://plainenglish.com/joinTake a quiz, do interactive exercises, join a live conversation call, watch a step-by-step video lesson, get feedback on your writing, and more.

Adrian Dunbar is co-curator of the Beckett Unbound Festival that takes place in various venues across Liverpool this weekend and sees him directing Beckett's radio play All That Fall in a disused reservoir in total darkness. He explains why he thinks Samuel Beckett is an incomparable writer whose appeal never fades. As two new exhibitions about Edgar Degas open at different ends of the UK, Nick looks at the importance and impact of this French Impressionist artist with Pippa Stephenson-Sit, the curator of Discovering Degas on now at the Burrell Collection in Glasgow and with Anne Robbins, the curator of Discover Degas & Miss La La, which opens at the National Gallery in London on June 6th. Anne is now curator of paintings at the Musée d'Orsay.The Biafran war, 1967 - 1970, was the first major conflict in post-colonial Africa, and when images of starving Biafran children with distended bellies began to be seen in the West, the modern humanitarian aid industry was launched. Award-winning novelist Chigozie Obioma has turned to the Biafran War for his new novel, The Road To The Country, which takes the reader to the front lines of the ferocious military confrontation.Presenter: Nick Ahad Producer: Ekene Akalawu

In today's bonus edition of Behind the Mic, host Jo Reed is celebrating the 30th anniversary of Naxos AudioBooks with narrators David Timson and Rupert Degas. Naxos has been publishing their audiobooks with a focus on classic literature and classical music since 1994. Hear more about the extraordinary history of Naxos from narrators who have been with the publisher for decades. Get a behind-the-scenes look at the start of the publisher, favorite productions Timson and Degas have worked on, and their thoughts on some of the many talented actors recording audiobooks for Naxos, and the many people behind the scenes directing and producing them. Read more about Naxos AudioBooks and their 30th anniversary in our article. Today's bonus episode is sponsored by Naxos AudioBooks. For more information on Naxos and their audiobook productions, visit their website: naxosaudiobooks.com/ Discover thousands of audiobook reviews at AudioFile's website. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:52:30 - Grand bien vous fasse ! - par : Ali Rebeihi - Claude Monet, Sisley, Degas, Auguste Renoir, Camille Pissaro, Berthe Morisot ont contribué à changer notre regard… Coup de projecteur ce matin sur un courant pictoral majeur.

C'était jeudi dernier, nous étions partis, Pietro, Lisa et moi avec nos amis Alice et Toby à Trouville-sur-Mer, en Normandie. Nous avons profité du jour férié pour faire cette petite escapade à la mer. La petite ville de Trouville a été lancée à la fin du XIXe siècle par les peintres : Boudin, Courbet, Monet, Whistler, Corot, Bonnard, Degas, entre autres. Un peu plus au nord, se trouve Dieppe, sa concurrente de l'époque, qui elle avait été lancée par les Anglais. Dieppe doit aussi être la ville la plus présente sur ce podcast, après Paris parce que nous y sommes beaucoup allés en vacances.  À Trouville, c'est la grande plage qui était appréciée et c'est vrai qu'elle est vraiment belle. Marcel Proust a passé plusieurs étés à Trouville.  www.onethinginafrenchday.com  

durée : 01:29:32 - Toute une vie - par : Luc Ponette - Edgar Degas a eu une longue carrière, près de soixante ans, durant laquelle il n'a cessé d'expérimenter des techniques diverses - peinture, pastel, dessin, sculpture - pour trouver des expressions novatrices. Portrait de ce peintre mal connu pour qui la recherche de la vérité était toute sa quête. - invités : Martine Kahane Conservateur général du patrimoine; Henri Loyrette Conservateur et historien de l'art; Anne Roquebert; Anne Pingeot Historienne de l'art

Today's episode dives into the conspiracy theory that the famous painter Degas may have been Jack the Ripper. Does this theory have any weight at all or is it just more internet ramblings? Larp with us at the Reckoning only 12 tickets left (Hadrian empire) Subscribe to our Patreon Follow us on Instagram Listen to our sister podcast: History of Everything Learn more about your ad choices. Visit megaphone.fm/adchoices

The Legend of Ned Ludd - writer Joe Ward Munrow and director Jude Christian discuss their new play at the Liverpool Everyman theatre which explores the changing nature of work over the centuries and around the world in the the face of automation.The shortlist for the Women's Prize for Fiction was announced today - journalist Jamie Klingler assesses the selection.As the Walker Art Gallery in Liverpool prepares to show off its latest acquisitions, curator Kate O'Donoghue explains what the their new Degas and Monet works will bring to their collection.Artist Mohammad Barrangi discusses his new installation - One Night, One Dream, Life in the Lighthoue - at the Stanley and Audrey Burton Gallery in Leeds University, inspired by his residency at the university's Special Collections. Presenter: Nick Ahad Producer: Ekene Akalawu

durée : 00:15:49 - Les Odyssées - par : Laure Grandbesançon. - Amis ou rivaux, Edouard Manet et Edgard Degas s'observent, s'admirent, se jalousent, se fâchent ! Compétition ! Imitation ! Exaltation ! Création ! Et en toile de fond, Paris en plein chantier sous l'impulsion de Napoléon III.

Stéphane Bern raconte un événement qui a réuni des peintres dont certains n'avaient pas fait bonne impression pour être exposés au très officiel Salon, une exposition qui s'est tenue il y a tout juste 150 ans et qui leur a permis, au fil du temps, de se faire un nom. Ou la véritable histoire de la première exposition des Impressionnistes… Comment est né le plus important mouvement artistique de la seconde moitié du 19e siècle ? D'où vient le terme “impressionnisme” ? De quelle façon Monet, Degas, Morisot et les autres représentants de ce mouvement se sont-ils affranchis des codes artistiques de leur époque ? Pour en parler, Stéphane Bern reçoit Anne Robbins et Sylvie Patry, commissaires de l'exposition "Paris 1874. Inventer l'impressionnisme" et l'expédition immersive en réalité virtuelle "Un soir avec les impressionnistes" présentées au musée d'Orsay à Paris, jusqu'au 11 août prochain.

durée : 00:58:02 - Le Cours de l'histoire - par : Xavier Mauduit - Le 15 avril 1874, dans l'ancien atelier de Nadar, au 35, boulevard des Capucines à Paris, s'ouvre une exposition retenue par la postérité comme la première exposition impressionniste. Cézanne, Degas, Monet, Morisot, Pissarro, Renoir, Sisley sont quelques-uns des artistes qui présentent leurs œuvres. - invités : Sylvie Patry Directrice artistique, Mennour, Paris; Anne Robbins Conservatrice peinture au musée d'Orsay

Joanna Oltman Smith was new to direct action when she agreed to walk into the National Gallery in Washington, D.C. with fellow activist Tim Martin, smear water-soluble kids' finger paint on the glass display case containing a Degas statue called "Little Dancer", and read off a statement about the importance of protecting actual, living children as well as we do sculptures of them. Smith and Martin figured they would be charged with trespassing, and maybe even vandalism, but each is now facing two felony charges, including one of "conspiring against the United States government." As we covered last month, one thing that makes it easy to criminalize protest is the steady hum of content that paints climate activists as fringe weirdos or out-of-touch elitists. We think it's important to meet these people and bring their stories and voices to you directly. Learn more about your ad choices. Visit megaphone.fm/adchoices