Podcasts about Primary Stages

The King's Wife offers a bold new perspective on the story of Katherine of Aragon, the first wife of Henry VIII, as she navigates the pressures of queenship and the fight to secure her legacy. A revolutionary pop musical by two-time Grammy-nominated songwriter Jamie Floyd and award-winning playwright Mêlisa Annis, this bold reimagining of history explores Katherine's resilience and the enduring impact of extraordinary women.Mêlisa Annis (bookwriter) is an award-winning playwright and theater-maker. Mêlisa has developed and presented work at and with Playwrights Horizons, Rosalind Productions, Primary Stages, BMG Music, The Lark, Parsnip Ship, The New School, The Playground Experiment, Rattlestick Theater, Tangent Theater, RAL Productions, Red Bull Theater, The Ambassadors Theatre Group (London), Arcola Theatre (London), Berkley Rep, Theatre for a New City, Colorado Springs Fine Arts Centre. Radio Drama: Mêlisa was lead writer on radio series For Spacious Skies which was awarded the True West Award, CO, her play Beginnings was awarded the Spirit of The Festival Award, Ireland, and she is currently developing a radio series based on love letters sent between soldiers during the American civil war. Mêlisa was the recipient of the Parity Commission for her play Charlie's Waiting, and is excited to be continuing development of her play The Inheritance of a Long-Term Fault with Clutch Productions. Mêlisa is a frequent contributor to the BBC, BBC Wales and S4C and she's a proud Welsh speaker. Diolch mawr i Peter.Jamie Floyd (Music, Lyrics, Co-Arranger) is a Nashville-based, independent 2x Grammy-nominated songwriter and recording artist. Her songs have been recorded by artists such as Kelly Clarkson, Kesha, Miranda Lambert, Ronnie Dunn, Madi Diaz, Sturgill Simpson, Lizzy McAlpine and Brian Wilson. She has written extensively for film and TV, including the finale for Dolly Parton's A Country Christmas Story. As an artist, she has toured nationally and internationally, performing at Stagecoach, The Grand Ole Opry, The Bluebird Cafe and the Country Music Hall Fame to name a few. Floyd's journey in the music industry, including her experience as the “Grammy-nominated waitress,” was featured alongside Garth Brooks, Emmylou Harris & Jason Isbell in the critically acclaimed documentary “The Last Songwriter,” which advocated for the Music Modernization Act. In addition to The King's Wife, she is currently working working on two other new musical theatre projects: That Boy Ain't Right and Killin' It: A Howdy Horror Murder Mystery Musical. Her latest single “Sad Girls Do” was featured on Spotify's “Fresh Finds: Best Of 2023″ playlist, which highlights the best of all-genre independent releases.

Pamela Weiler GraysonPam's musical, Urban Momfare (composer/lyricist/co-book writer), won a Best Musical award, at the New York International Fringe Festival, garnered four stars and a Critics Pick from Time Out, and also played at the Fringe Encore Series. Pam's award-winning plays and musicals have been seen on stages throughout New York and nationally, including Primary Stages, Naked Angels, Theatre Now New York, The Group Rep/Lonny Chapman Theatre (North Hollywood, CA), Southwest Theatre Productions (Austin, TX - Blue Ribbon Winner of their Rising Artists Series), Arts on the Lake (Kent Lakes, NY), Cincinnati Lab Theatre, Emerging Artists Theatre (NYC - multiple works), and The Chain Theatre (NYC). Her play Observant was the recipient of a 2024 grant from The New York State Council on the Arts and a SemiFinalist in the Jewish Plays Project's 12th National Jewish Playwriting Contest. Her play The Club was one of three prize-winning plays of the Word Wave Lake Tahoe One Act Play Competition. She is the co-writer, with Alice Jankell, of Cicadas, The Musical, featured on Season 2 of the top-rated Amazon streaming series, The Other F Word. Pam's songs have been performed at The Metropolitan Room, The Laurie Beechman Theatre, The Duplex, and Don't Tell Mama. She has written for The New York Times and The New York Observer, among others. Pam is a member of Kate Moira Ryan's advanced playwriting workshop and a board member of Emerging Artists Theatre. She was a writer-in-residence at Kervigo Ensemble Theatre (NY), for the 2020–2021 season and is an inaugural member of Theatre Now New York's International Musical Writers Lab. Dramatists Guild member. Education: Brown University, Fordham Law School, New York Theatre Workshop, and The BMI Musical Theatre Workshop. Pam is on the New Play Exchange. See her page at newplayexchange.org/user.Alice JankellAlice is a director, writer actress as well as the Artistic Director of The Philipstown Depot Theatre.​For Disney, Alice helped to create and develop new Broadway musicals.  As Associate Artistic Director of The Williamstown Theatre Festival, her directing work included AS YOU LIKE IT,  DINAH WAS, and ENOUGH ROPE, the special event on Dorothy Parker starring Elaine Stritch.  Alice has worked and learned in venues as varied as the Mark Taper, the L.A. Opera, The Public Theatre, New York Theatre Workshop, La Mama, and City Theater, among many others, as well as in film and TV.  Alice was the Creative Director of F.A.B. Women (For, About, and By Women) under The Barrow Group's Off-Broadway umbrella, helming the company of 125 professional female writers, actors and directors.  During her tenure, F.A.B. Women generated and produced 48 new plays.With Putnam Theatre Alliance, Alice co-created Freedom Project, directed and filmed MORE BEAUTIFUL, a brand new play by Craig Lucas, and co-created and directed DIRT.  Alice is currently preparing to direct Martha Pichey's new play, ASHES & INK, Off-Broadway this fall.Alice's own scripts have appeared across the country, and a collection of her plays has been published by Leicester Bay Theatricals.  Her play, THE SWEET SPOT, opened at Off-Broadway's 59E59 Theaters last winter, and her musical (with Pam Weiler Grayson) about urban motherhood (Director/Co-Writer), won a Best Musical Award from the NY International Fringe Festival, was a Critic's Choice, and garnered 4 stars from Time Out. Her many favorite acting roles include a solo performance, backed by the L.A. Philharmonic at the Hollywood Bowl, and a lead in the Off-Broadway premier of Arlene Hutton's LETTERS TO SALA.   Alice has taught acting at Carnegie Mellon.Alice is a founding member of Putnam Theatre Alliance, a New York Theatre Workshop Usual Suspect, member of The Actors Studio PDW and PDU, and The National Musical Theatre Workshop, founding member Putnam Theatre Alliance.

Amerikin runs at 59E59 Theater A through April 13th. For more information, please visit www.59e59.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Listen: Lauren Class Schneider talks to Amber Reauchean Willams, performer in “Amerikin,” presented by Primary Stages at 59 E 59. Amber Reauchean Willams “Class Notes” actively covers New York's current theater season on, off, and off-offBroadway. Victor Williams and Amber Reauchean Williams in Primary Stages’ 2025 production of AMERIKIN, photo read more The post Class Notes: Amber Reauchean Willams “Amerikin” appeared first on BroadwayRadio.

For the latest Whisper in the Wings from Stage Whisper, we bring you the latest show from Primary Stages, Amerikin. And joining us to talk about this fabulous work is the actor Victor Williams. We had a great time discussing this timely and provocative show, as well as getting to know Victor. So make sure you tune in and get your tickets while you can!Primary Stages PresentsAmerikinMarch 18th- April 13th@ 59E59 TheatersTickets and more information are available at 59e59.org And be sure to follow Victor to stay up to date on all his upcoming project and productions:primarystages.org@officialvictorwilliams

Scott Killian has composed scores for Zvi Gotheiner (over 30 works), Shapiro & Smith Dance, Cherylyn Lavagnino, David Dorfman, Susan Marshall, Ralph Lemon, Bebe Miller, Alwin Nikolais and Murray Louis. His works have been performed with Alvin Ailey American Dance Theatre, Limon Dance Company, Hubbard Street Dance Chicago, PACT Dance (South Africa), et al. Venues include The Joyce Theater, Lincoln Center, New York City Center, New York Live Arts, Jacob's Pillow, The Annenberg Center and many regional venues. As a dance musician, he is a regular accompanist at NYC's Gibney 890 Studios and NYU Tisch School of the Arts. As a composer and sound designer for theater, Scott has created works for over 120 professional productions in NYC and at many regional theaters. NYC theatrical venues include Manhattan Theatre Club, The Public Theater, New York Theater Workshop, MCC, Red Bull Theatre, Primary Stages and Rattlestick Theatre. Regional theatres include George Street Playhouse (over 25 productions); Berkshire Theatre Group (Resident Composer--over 50 productions), Alley Theatre (Houston), Shakespeare Theatre (DC), Seattle Repertory Theatre, A.C.T. (San Francisco). Cleveland Playhouse, Shakespeare and Company, Cincinnati Playhouse, Huntington Theatre, Williamstown Theatre Festival.

Olivia Daniels is a Canadian performer, director and producer. She holds a BFA in Drama from New York University's Tisch School of the Arts, where they studied at Playwrights Horizons Theatre School and The New Studio on Broadway. Olivia also holds a minor in Philosophy. At the beginning of the COVID-19 pandemic, they co-founded Artists in Residence, a theatrical platform supporting artists' mental health by providing opportunities for connection and social engagement.  Driven by a love of collaboration and community building, they worked to create spaces where artists feel supported, seen, and respected for their individuality. With every new project, striving to embody a spirit of openness, discovery, and joy!  Ilana Khanin is a director of experimental new plays and musicals. Her work has been developed and presented at Ars Nova ANT Fest, Prelude, HERE Arts Center, New Ohio, Judson, Governors Island, The Tank, The Brick, Primary Stages, Theaterlab, Dixon Place, Samuel French Festival, and the Center at West Park. Artist-in-residence at Montclair State University New Works Initiative (2019-2020), and the Baryshnikov Arts Center (2023). She has worked as an associate director for Lila Neugebauer, Annie-B Parson, and Lee Sunday Evans at venues including Playwrights Horizons, Playmakers Rep, Abrons Arts Centre, and Carolina Performing Arts. Associate Artist with Big Dance Theater (BAM, London's Old Vic, Berlin's Deutsches Theater, among other venues). Her work has been supported by the Canada Council for the Arts, the Toronto Arts Council, and the Puffin Foundation. BFA and MA: NYU. PhD candidate: University of Toronto. I Was Unbecoming Then In a high school music room in North Vancouver, twelve teenage girls assemble to practice and perfect their parts, desperate to please Bruce, the choir director.As with any group of girls -As with any choir -They are constantly listening to each otherTuning and re-tuningAdjusting to each other's movements, sounds, and rhythmsFinding dissonance and harmony.I Was Unbecoming Then is an intimate new musical mixing hormones and harmonies.

In our season finale, the importance of reinvention is never clearer than in the stories from playwright Gordon Farrell's career, where he had to keep coming back to what drew him to writing in the first place in order to continue moving forward. Gordon Farrell's play, "The Lifespan Of A Fact," starring Daniel Radcliffe, Tony-Award winner Cherry Jones, and Emmy Award winner Bobby Cannavale performed on Broadway from 2018 to 2019. It was co-written with Jeremy Kareken & David Murrell, directed by Leigh Silverman, and produced by eight-time Tony Award winner Jeffrey Richards. Gordon was trained as a playwright at the Yale School of Drama and went from there to work with major Hollywood studios, initially as a story analyst for Warner Brothers and Columbia Pictures, and eventually as a screenwriter. He has written for hire and sold screenplays to Universal Pictures, Warner Brothers, MGM and ITC. He has worked with Robert Simonds (producer of Big Daddy, The Wedding Singer); Neil Moritz (producer of XXX, I Know What You Did Last Summer, Fast and Furious) and Bruce Berman (producer of Matrix, Three Kings, Mad Max: Fury Road). Working in independent film, Gordon has written for and sold projects to NYC indie producer Norman Twain (producer of Lean on Me, Boycott, Scar, My Dog Tulip). Gordon's first independent screenplay, Girls Who Smoke, premiered in 2011. It went to be an official selection at over a dozen film festivals, ultimately winning the Audience Choice Award in Seattle at the Post Alley Film Festival. As a playwright, Gordon developed a trilogy of monologue plays for women, The Red Anthology, on New York's Lower East Side from 2009 to 2014. He developed it into an immersive walk through theater experience which ran Off-Broadway in 2024. His plays have also been produced in San Francisco, at the Alleyway Theatre in Buffalo, at the Yale School of Drama in New Haven, and at Primary Stages in New York. He authored the book for a series of award-winning musicals based on the life and death of Sherlock Holmes, which ran for three seasons in Buffalo, NY. He is the author of The Power of the Playwright's Vision, published by Heinemann Press in 2001 which has been translated internationally and is now a standard playwriting text on four continents. Gordon Farrell IMDB Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via nextchapterpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Jonathan and Devon chat with six-time TONY Award Nominee Chad Beguelin about his new novel "SHOWMANCE" and his life as a Broadway writer. About SHOWMANCE: Noah Adams's career as a playwright is circling the drain, thanks to a scorching review of his first Broadway musical. So when a family emergency sends him back to his Podunk hometown of Plainview, Illinois, he figures he'll hide out for a bit. But to Noah's horror, his agent has secretly arranged for him to stage an amateur version of the career-ruining musical at the local community theater. As if trying to work with a bunch of artless amateurs wasn't enough, Noah runs into Luke, the jerk from his high school years, everywhere he goes. Luke somehow grew up to be beloved by everyone in town…and undeniably gorgeous. As rehearsals begin, Noah is surprised by his cast's insights, the warmth of the town he'd dismissed, and the reality of what happened with Luke all those years ago. Just how much has Noah misjudged? Available at Penguin Books Guest - Chad Beguelin Chad Beguelin is a six-time Tony® nominee. His works include Disney's Aladdin (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics), The Prom (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics) and The Wedding Singer (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award nomination for Outstanding Lyrics). He also wrote the lyrics for the Broadway musical Elf, which broke several box office records at the Al Hirschfeld Theatre. His play Harbor premiered Off-Broadway at Primary Stages. He is the recipient of the Edward Kleban Award for Outstanding Lyric Writing, the Jonathan Larson Performing Arts Foundation Awards, the Gilman & Gonzalez-Falla Musical Theater Award and the ASCAP Foundation Richard Rodgers New Horizons Award. Chad is a graduate of New York University's Tisch School of the Arts Graduate Dramatic Writing Program. He currently lives in Bridgehampton with his husband Tom and their dog, Tucker.  Produced and edited by Jonathan Cook Intro music by JK/47 You can watch the full video of this episode at https://www.youtube.com/@GatherbytheGhostLight Gather by the Ghost Light merch is available at www.ghostlightpubs.com (Ghost Light Publications) If you would like to further support this podcast, please visit Gather by the Ghost Light is increasing public knowledge of emerging writers and actors (buymeacoffee.com) If you enjoy this podcast, please please please leave a rating on your preferred podcast app! For more info or if you wish to contact us, please visit www.gatherbytheghostlight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Powerhouse actors Cecily Strong and Andrea Syglowski provide insights into their acting careers, and how they navigated life's complexities throughout their journey. The two talk about the show they currently co-star in,“Brooklyn Laundry”, their admiration for playwright John Patrick Shanley, and the play's portrayal of women. Cecily opens up about how she relates to the play's themes, reflecting on her own experiences of loss and self-discovery, particularly the loss of her cousin to brain cancer and the impact it had on her outlook on life and love. This loss inspired her to write her memoir, "This Will All Be Over Soon". She recalls her time on SNL, and what made her shift from comedy to “serious acting”. Andrea shares her love for teaching acting, how she deals with uncertainties. Both recall their motivations for pursuing careers in the theater, highlighting the joy of storytelling and the opportunity to connect with audiences, and perseverance. Andrea Syglowski is an actress who was last seen in “DIG” at Primary Stages. Her additional stage credits include Broadway's “Passover”, off-Broadway's “Halfway Bitches Go Straight to Heaven” and “queens”. Her TV credits include “Evil”, “New Amsterdam”, “Blue Bloods”, “Elementary”, “The Good Wife”, and “How to Get Away with Murder”.  Cecily Strong is best known for her work as a cast member on Saturday Night Live from 2012 to 2022, which garnered her multiple Emmy Award nominations. She was most recently seen on Apple TV's hit musical series, “Schmigadoon!”, in addition to film credits that include “The Female Brain”, the recent “Ghostbusters” reboot, as well as Melissa McCarthy's “The Boss”, “The Bronze”, and “The Meddler”. She made her New York stage debut in 2021 and hasn't looked back since.  Together, Andrea and Cecily are 50% of the four-member cast of “Brooklyn Laundry”, a world premiere play written by Tony and Pulitzer Prize-winning author, John Patrick Shanley. Connect with Cecily and Andrea: Instagram: @justcaseylikes Twitter: @justcaseylikes TikTok: @justcaseylikes Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Hayley and Amy chat with playwright and producer Kelley Girod, the founder of The Fire This Time Festival and Director of New Works at the Apollo, about the vital importance of building community, uplifting the visibility of people and stories and voices we have not yet experienced, stepping into discomfort to create sustainable practices in theatre, and more! Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Kelley GirodMusic: Chloe Geller Episode Resources: The Fire This Time Festival The Apollo and the Apollo's Victoria Theater Frigid NYC Parity Productions - This Stretch of Montpelier National Black Theatre Guest Bio: Kelley Nicole Girod (she/her) is a playwright and producer, as well as Director of New Work at the world-famous theater The Apollo. In addition, Kelley continues to serve as Executive Director of OBIE award-winning The Fire This Time Festival, a platform for early-career Black playwrights, which she founded in 2009. Kelley is also an award-winning playwright (Parity Productions Commission, Sundance IDP Grant Recipient, Atlantic Launch New Play Commission, Sheen Center Fellow, Stein and Liberace Fellow, John Golden Fellow ) whose work has been developed/presented at Atlantic Theater Company, Sheen Center for Thought and Culture, The Fire This Time Festival, Harlem 9, Primary Stages, Project Y, Poetic Theater Productions, Classical Theater of Harlem, Frigid NYC, Planet Connections Theater Festival, The Field, Dixon Place, and Stanford University's TAPS Program. She was recently named the recipient of 2023 New York Innovative Theater's prestigious Ellen Steward Award. She was also a 2020 nominee of the prestigious Paul Robeson Award. Kelley has served as a guest lecturer at Yale School for Drama, Stanford University's Theater Department, and Cal State-Fullerton. Kelley has also held the positions of Programming Associate at The Sheen Center for Thought and Culture and Producing Director at The Billie Holiday Theater. In addition, Kelley is editor of The Fire This Time Festival's first anthology of plays, published with Bloomsbury UK/Methuen Drama and titled 25 Plays from The Fire This Time Festival, A Decade of Recognition, Resistance, Rebirth and Black Theater. Kelley is a 2008 graduate of Columbia's MFA Playwriting program. Find Kelley Online: The ApolloThe Fire This Time FestivalFacebookLinkedIn Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Kate Hamill stops by the show to talk about Dracula, one of her many stage adpatations. This conversation is a full meal on taking risks, making writing fun, advocacy, and feminism.In this episode, we discuss:How Kate became a playwright on a bet with her friendThe dramatic question she crafted for Dracula and some of her other worksIntentionally writing fun characters and feminist playsAdvocacy, unions, and surviving toxic behavior in the industryAnd more!Resources MentionedDracula: A Feminist Revenge Fantasy, ReallyDracula is playing through December 24, 2023 at Portland Center Stage About Our Guest Kate Hamill is an actor/playwright and she was the 2017 Wall Street Journal Playwright of the Year. Her work includes her play Pride & Prejudice, at Primary Stages / HVSF, Sense & Sensibility at Bedlam; Vanity Fair at the Pearl Theatre, Mansfield Park at Northlight , Little Women at Primary Stages and the Jungle Theatre, Dracula at Classic Stage Company, Ms. Holmes & Ms. Watson – Apt. 2B at Kansas City Rep, Emma at the Guthrie, and The Scarlet Letter. Her plays have been produced off-Broadway, at A.R.T., the Guthrie, Seattle Rep, PlayMaker's, Folger, OSF, Trinity Rep, Pittsburgh Public, Dorset Theatre Festival, Shakespeare Theatre of DC, Dallas Theater Center, Kansas City Rep, Long Wharf, A.C.T., Actors Theater of Louisville, & others. Her play The Little Fellow (or: The Queen of Tarts Tells All) is currently at the Cygnet Theater, and Emma at the Denver Center next year. She is currently developing a new adaptation of The Odyssey, a Christmas play called Scrooge for Senate; and several original plays including The Piper and The Light and The Dark. Kate has been one of the most-produced playwrights nationwide every season from 2017-2023. Connect with Our Guestkate-hamill.comTwitter/X InstagramConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

It's been a while since true crime writer Ellison Oswalt had a bestseller, and the strain is starting to show on Ellison, his wife Tracy, and their kids Trevor and Ashley.  Local law enforcement isn't keen on him, either, as his last few books didn't cast them in too fond a light. So Ellison and his family take up residence in a modest Pennsylvania ranch house with something of a history – something we learn when we watch as a family is lynched in the house's back yard.  Unfortunately, this may be his last chance at the big time, so Ellison neglects to inform Tracy of this, and when things start going bump in the night, and the home movies left behind reveal ominous clues about a killer's identity, Ellison finds himself turning from the hunter to the hunted.  A helpful deputy steps in to assist, as well as a professor of the occult, but by the time they reveal their own information, the situation has devolved from strange… to sinister. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-28:47Honor Roll and Detention (spoiler-heavy): 28:48-1:00:57Superlatives (spoiler-heavier): 1:00:58-1:23:12 Director Scott DerricksonScreenplay C. Robert Cargill & Scott DerricksonFeaturing Michael Hall D'Addario, Vincent D'Onofrio, Clare Foley, Ethan Hawke, James Ransone, Juliet Rylance, Fred Dalton Thompson Hannah Cabell is a New York-based actor, director, and writer. She wrote, directed, and starred in the short film Lost Nation, which won Best NH Short at the 2023 New Hampshire Film Festival. As well as the feature version of Lost Nation, she has written The Hills and the Sky, about an archivist's obsession with Betty and Barney Hill's 1961 alien abduction, and the comedy television pilot Brother Husbandry. Hannah's acting credits include “The Black List,” “The Good Fight,” “Madam Secretary,” “Mr. Robot,” and “The Leftovers,” and she currently plays Judge Renee Gittens on “Law & Order.” Film work includes The Surrogate, Luce, and Thine Ears Shall Bleed (upcoming). She has been nominated for Lortel and Drama Desk awards for her stage performances. MFA, NYU. Ryan King is a screenwriter, playwright, and actor who grew up in Central Texas and now lives in New York with his wife and daughter. He wrote the screenplay for Black Flies, which premiered at the Cannes Film Festival this year, starring Sean Penn and Tye Sheridan, after being selected for the 2018 Black List of Hollywood's favorite unproduced screenplays. His original thriller screenplay, The Tutor, starring Garrett Hedlund and Noah Schnapp. HAs a playwright, he's been a member of the Ars Nova Playgroup, the Primary Stages Dorothy Strelsin New American Writers Group, the Working Farm @ SPACE on Ryder Farm, and the Clubbed Thumb Early Career Writers Group. His plays have been developed by Cape Cod Theatre Project (twice), Williamstown Theatre Festival, Naked Angels, Rattlestick Theatre, Clubbed Thumb, Colt Coeur, Primary Stages, SPACE on Ryder Farm, Ars Nova, Theater of NOTE, Tofte Lake Emerging Artists Program, and Ground Up Productions, and his short play Antares Returning was produced as part of Fit Club's 2017 Spring Fling festival and nominated for Best Short Play by the NY Innovative Theatre Awards. As an actor, he has appeared regionally and Off-Broadway. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Sinister by Christopher Young. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Happy Mindful Monday Everyone! In this week's episode, our host Allie Brooke interviews the amazing Ashley Sumner. Ashley is the CEO and founder of Liminal, a modern coaching platform supporting people to unlock their full potential. Matched to you. Flexible. More effective. Born with a driving purpose to inspire transformation in others, she's dedicated over 15 years to forging connections as a founder, community builder, experience designer, and romantic matchmaker. Her previous stints include NeueHouse, Wanderlust, Primary Stages, and Breakout. Wanting to drive greater impact and build more accessible communities, Ashley launched Quilt in 2017, a social marketplace that took root by empowering homeowners across the United States to host supportive community conversations in their homes. In 2020, Quilt quickly evolved into a mental health-focused social audio app that helped over one hundred thousand people get through the pandemic. Ashley is a lifelong seeker dedicated to self-exploration with the help of wellness practitioners, healers, and therapists from all corners of the world. Her latest venture connects her professional matchmaking expertise with her healing passion. Launched in September of 2023, Liminal matches people with highly curated coaches for progress-driven accountability in the career and purpose space. These days you can find her working by a pool in Miami, like every other New Yorker. When she's not working, she's dancing. Episode Topics How to explore your options when you want to make a pivot in your life? (Shifting from an unresourceful state  to a resource state)  How can we shift from productivity equals my worth to a more self-compassionate mindset? How can we use Human Design to assist in finding our purpose?  How To Connect w| Ashley Ashley's Instagram Liminal's Instagram Liminal's Website Free 1-week trial and $100 off code for Liminal coaching! Use Code THEGROWTHMINDSETGAL100  ***October-November Book Club*** ⁠⁠"The Origins of You" by Vienna Pharaon⁠⁠ MINDSET COACHING PROGRAM! ⁠⁠⁠⁠Application Form⁠⁠⁠⁠ 3-month Mindset Coaching Program with 45-60 minute sessions and Weekly SLACK Check-ins! Apply for a FREE discovery call with me! Allie's Socials Instagram:@thegrowthmindsetgal TikTok: @growthmindsetgal Email: thegrowthmindsetgal@gmail.com Hey Growth Mindset Gang! If you subscribe to the podcast, you get access to extra episodes with no ads that include specific Q&As from the audience. You also have access to a weekly group chat where I send motivational quotes and useful journal prompts! ⁠⁠⁠⁠Sign up here⁠⁠⁠⁠ Links from the episode Growth Mindset Gang ⁠⁠⁠⁠Instagram Broadcast Channel⁠⁠⁠⁠ Podcast Guest⁠⁠⁠⁠ Google Form⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠ Growth Mindset Gal Podcast ⁠⁠⁠⁠Email List Form⁠⁠⁠⁠ Better Help Link: Save 10%  ⁠⁠⁠⁠https://betterhelp.com/growthmindsetgal⁠⁠⁠⁠ 1rst Phorm ⁠⁠⁠⁠Protein Powder (Caramel Latte)⁠⁠⁠⁠ ⁠⁠⁠⁠Collagen Powder (Salted Caramel)⁠⁠⁠⁠ ⁠⁠⁠⁠Protein bars (Choloate Chip Cookie Dough)⁠⁠⁠⁠

We all want to be our best selves and reach our goals. We want connection and purpose in our lives. It can be a hard and lonely road with a lot of speed bumps and wrong turns. Ashley Sumner, the CEO and founder of Liminal, talks with us about a modern coaching platform she created to support people to unlock their full potential.  For Sarah and I, when we hear the word coach, we automatically put our guard up in the same way as when we hear the word MLM. Of course we were hesitant, but we are always open to listening to someone's story. Ashley shares with us that she is working to destigmatize the idea of having a coach by vetting each coach and putting parameters around the process. One of the most fascinating aspects of Liminal is that they match you with a coach based on your specific needs. This isn't the first time that Ashley has been interested in matchmaking.  Be sure to stay until the end of the episode where Ashley tells us her story of how she became a real life matchmaker early in her career. We hope you enjoy our conversation with Ashley as she shares another possible tool for your mental health tool box. Xo, Amy & Sarah Learn more about Liminal on their website.  Follow Liminal on Instagram  and Linkedin. A little more information about Ashley:  Born with a driving purpose to inspire transformation in others, she's dedicated over 15 years to forging connections as a founder, community builder, experience designer, and romantic matchmaker. Her previous stints include NeueHouse, Wanderlust, Primary Stages and Breakout. Wanting to drive greater impact and build more accessible communities, Ashley launched Quilt in 2017, a social marketplace that took root by empowering homeowners across the United States to host supportive community conversations in their homes. In 2020, Quilt quickly evolved into a mental health focused social audio app that helped over one-hundred thousand people get through the pandemic. Ashley is a lifelong seeker dedicated to the practice of self-exploration with the help of wellness practitioners, healers, and therapists from all corners of the world. Her latest venture connects her professional expertise in matchmaking with her passion for healing. Launched in April of 2023, Liminal matches people with hand-picked wellness guides for self exploration.   Find all things UTI here. Have a story to share? Contact us here. Help us out with a short survey for what you want to hear next on the pod. Starting your own podcast and want an easy and affordable platform? Get your first month FREE by using this link. *The Unqualified Therapists Podcast is not giving medical advice as they are not actual doctors (Hence the name: Unqualified

Lisa Barnes has spent two tours of duty as an actress in New York. First, after graduating from the University of Southern California's theatre department, she spent a number of years in the Big Apple. She acted in plays Off-Broadway and in regional theaters while studying with the legendary Stella Adler. As well, along with a favorite StoryBeat guest, Casey Childs, Lisa co-founded the renowned off-Broadway theatre company, Primary Stages.            She subsequently headed to Los Angeles where she performed in television and theatre, winning numerous acting awards, including two Los Angeles Drama Critics Circle Awards. But in time, a stage show she did in L.A., directed by the late, great Orson Bean, moved Off-Broadway, and Lisa then spent more than a decade in Gotham once again.             Occasionally, when in New York, Lisa performs “All of Us,” a piece that she co-wrote via Zoom with 6 other New York actress-writers during the two-year Covid lockdown. 

On this episode, Matt Tamanini is in conversation with the star of the recently extended Off-Broadway premiere of Theresa Rebeck’s new play “Dig,” Andrea Syglowski. “Dig” is presented by Primary Stages. Having starred in the world premiere of the show in 2019, Andrea discusses what goes into returning to a piece read more The post Special Episode: Andrea Syglowski on Rebeck’s Tragicomedy ‘Dig’ appeared first on BroadwayRadio.

Andrea Syglowski is a riveting actress who has thrived on stage in film and TV. Just a few of Andrea's credits include Pass Over, Halfway Bitches Go Straight to Heaven, Queens. Lost in Yonkers. Venus in Fur, A Doll's House and Dear Elizabeth. Andrea currently stars in the hit play Dig by Theresa Rebeck. Presented by Primary Stages, Dig is playing at 59e59 Theaters. This episode was recorded on October 3, 2023. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on What's My Frame I'm joined by award-winning composer and sound designer Lindsay Jones. Lindsay's resume is extensive spanning mediums, genres and decades. He not only is a Tony nominee, a respected professor but an extremely passionate advocate for the arts and safe working conditions. Lindsay's Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill; and a nomination for a Tony for Best Score and Best Sound Design of a Play. His off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 500 productions in regional theatres across the US. Awards include seven Joseph Jefferson Awards and twenty-four nominations, 2 ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. In film/television, he has created original score for over 35 projects, including HBO Films' A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; TV shows such as Sony Pictures' series Family Practice for Lifetime Television, shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices and Cleveland. In podcasts, Lindsay is the in-house composer/sound designer for the weekly podcast The Imagine Neighborhood, produced by the Committee For Children, and for the ongoing Play On series for Next Chapter Podcasts. Other podcast and audio drama work includes A Streetcar Named Desire (starring Audra McDonald) for Audible, Team Up (starring Susan Sarandon and Timothy Busfield) for Marvel, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Hamlet for KPBS/The Old Globe, Soundstage for Playwrights Horizons, Twelfth Night and Measure For Measure for Chicago Shakespeare, and The Intersect for Micromass. In education and advocacy Lindsay is an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he's taught include Yale, Juilliard, Northwestern, Purdue, Depaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. He is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. He is also a founding member of NO MORE 10 Out Of 12's, an advocacy group dedicated to safe working environments in theatre. Now let's get to the conversation!! To learn more about Lindsay's work visit his site, here To get plugged in with TSDCA --- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠@whatsmyframe⁠⁠⁠ TikTok: ⁠⁠⁠@whatsmyframe⁠⁠⁠ ⁠⁠⁠IMDb⁠⁠⁠ ⁠⁠⁠What's My Frame? official site ⁠⁠⁠ ⁠⁠⁠Join our monthly newsletter!⁠⁠⁠ What's My Frame? merch⁠⁠⁠⁠ Proceeds will be donated to the SAG-AFTRA Foundation to support actors affected by the strikes. --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

On today's episode we are joined with Ashley Sumner, a Connection Specialist, and the creator of Liminal, the niche coaching marketplace for daily, bite-size guidance. Born with a driving purpose to inspire transformation in others, she's dedicated 15 years to forging connections as a performer, founder, community builder, experience designer, and romantic matchmaker. Her previous stints include NeueHouse, Wanderlust, Primary Stages and Breakout. Wanting to drive greater impact and build more accessible communities, Ashley launched Quilt in 2017, a social marketplace that took root by empowering thousands of homeowners across the United States to host supportive community conversations in their homes. In 2020, Quilt quickly evolved into a mental health focused social audio app that helped over one-hundred thousand people get through the pandemic.   Ashley is a lifelong seeker dedicated to the practice of self-exploration with the help of wellness practitioners, coaches and therapists from all corners of the world. Her latest venture connects her professional expertise in matchmaking with her passion for personal growth through connection. Launched in 2023, Liminal is turning the inaccessible and expensive coaching model into an easy, interactive and affordable format, focused on niche coaching categories like style, accountability, spirituality, dating, budgeting, and more. Because every day is easier with a coach by your side. These days you can find her working by a pool in Miami, like every other New Yorker. When she's not working, she's dancing.   In this discussion, Ashley dives into all things community, connections and coffee chats and how that has led her to where she is today. If you're ready for a conversation that breaks down barriers and will help you no matter what stage of business you're in..grab your coffee and headphones and let's dive in!   Connect with Forward Female Instagram: @forwardfemale @hernextbigmove Website: Forward Female Website Join Community: https://theforwardfemale.mn.co/ Accountability Club: https://theforwardfemale.mn.co/ Schedule Consultation: https://calendly.com/the-forward-female/discovery-call HoneyBook: http://share.honeybook.com/forwardfemale Email Us: hello@forwardfemale.com    Connect with Ashley Instagram: @ashleyjsumner & @stay.liminal Website: www.stayliminal.com

Producer-Director Casey Childs founded Primary Stages, a leading New York City Off-Broadway theater, in 1984. Primary Stages has produced over 175 new plays, giving playwrights the opportunities to see their new works staged, including: Christopher Durang, Tina Howe, John Patrick Shanley, Lee Blessing, David Ives, Donald Margulies, Theresa Rebeck, and A.R. Gurney among many others. Casey directed many of those productions for the company, as well as helming new plays at other Off-Broadway theaters.            He served as the Artistic Program Director for the New Dramatists from 1982-1985 where he worked with numerous leading American playwrights in their early years.Casey's the recipient of the Carnegie Mellon University Commitment to New Playwrights Award, as well as the winner of two Emmy Awards and many nominations for his extensive work in television.               He's a past Vice President of the Directors Guild of America and a past trustee of the National Association of Television Arts and Sciences.              At Primary Stages Casey launched the Einhorn School of Performing Arts, the Fordham/Primary Stages MFA in Playwriting program, and the Primary Stages Off-Broadway Oral History Project, which has documented over 190 interviews with the leaders of the Off-Broadway movement.             Casey's taught at many universities including Duke, Columbia and NYU, and he's currently an Associate Fellow at Grace Hopper College at Yale University. 

Mahira Kakkar: Off-Broadway: 7 Minutes, Waterwell; Here We Are, Theater for One; Addressless, Rattlestick; Opus, Primary Stages; Harper Regan, Atlantic; Romeo and Juliet, Public Theater; The Winter's Tale, TFANA; When January Feels Like Summer, EST; Henry VI, NAATCO; Arturo Ui, Classic Stage Company; Ms. Witherspoon, Playwrights Horizons; Clive, The New Group. Regional: Life of Pi, A.R.T.; Skylight, McCarter Theatre; Rafta Rafta, Old Globe; Our Town, OSF; Monsoon Wedding, Berkeley Rep; Bedroom Farce, Huntington Theater Company; Inana, Denver Center; The Crucible, Cleveland Playhouse; Five Mile Lake, McCarter Theatre; Comedy of Errors, Hartford Stage, Jesus in India, Magic Theater. Film/TV: “A Suitable Boy” (series lead), “Manifest” (recurring), “New Amsterdam,” “Blue Bloods,” “The Blacklist,” “Louie,” “Odd Mom Out,” “Sweet Refuge,” “Bite Me,” Hank and Asha (Napa Valley Film Festival Best Actress, Wild Rose Festival Best Actress, Slamdance Audience winner, Bronze Lens winner), “Law & Order,” “Orange Is the New Black.” Training: Juilliard, SITI, Harold Guskin; B.A. Jadavpur University. mahirakakkar.com Salma Qarnain is a versatile Pakistani American actor, thrilled to be making her Broadway debut in the adaptation of one of her favorite books. She is a two-time Helen Hayes Award recipient, an AUDELCO nominee, and an award-winning theater and film producer. She has performed across major networks (ABC, NBC, CBS, HBO, HBO Max, Hulu, Showtime), regionally, Off-Broadway, and Off-West End. Most recently, she produced the 2023 Oscar-qualified short film, Silent Partner (19 festivals / 4 Oscar qualifiers; 8 awards / nominations) and Speak Up Brotha!, which is premiering at the Oscar-qualifying Cleveland International Film Festival. Selected credits: Bars and Measures (Off-Broadway); Acquittal (Off-Broadway); Rain + Zoe Save the World (Off-West End); “That Damn Michael Che” (RECUR, HBO Max); “FBI” (CBS); “The Blacklist” (NBC); “Law & Order: SVU” (NBC); “For Life” (ABC). Graduate of Stanford, MIT, Harvard Business School. Proud member of SAG•AFTRA, AEA, Equity. Thank you to Roderick, Gary, Lolita, Max, Finn, Duncan, Benton, Patrick, A.R.T, and Annette for getting me here. Love you, X! For my sisters Ayesha, Sonia, and Zehra and my parents Qarnain and Rashida in the stars. IG: @salma.qarnain; salmaqarnain.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

  David Saint is in his 25th season as Artistic Director of George Street Playhouse. He has directed 43 mainstage productions at GSP, having most recently helmed Ken Ludwig's Dear Jack, Dear Louise. Additional productions include Fully Committed and Tiny Beautiful Things for the GSP virtual season, Midwives, and Conscience, in addition to The Trial of Donna Caine, American Hero, American Son, I Love You, You're Perfect, Now Change and An Act of God starring the legendary Kathleen Turner in the 2017-18 season. His time here has been marked by collaborations with such artists as Keith Carradine, Tyne Daly, Rachel Dratch, Sandy Duncan, Boyd Gaines, A.R. Gurney, Uta Hagen, Jack Klugman, Dan Lauria, Kathleen Marshall, Elaine May, Anne Meara, David Hyde Pierce, Chita Rivera, Paul Rudd, Stephen Sondheim, Marlo Thomas, Eli Wallach, and many others including a remarkable partnership with Arthur Laurents. In addition, many new award-winning works have begun their life here during his tenure such as The Toxic Avenger, Proof, The Spitfire Grill, Joe DiPietro's Clever Little Lies, and It Shoulda Been You. He has directed Final Follies at Primary Stages, Clever Little Lies at Guild Hall in East Hampton, NY and off-Broadway at West Side Theatre, as well as the National tour of West Side Story. In July 2016, he directed a two-night concert performance of West Side Story at the legendary Hollywood Bowl. In Summer 2019, he directed a revolutionary new production of West Side Story for IHI Stage Around in Tokyo and served as Associate Producer for the new film version of West Side Story directed by Steven Spielberg. 

Jamie deRoy discsses her father backing "The Pajama Game" and "Damn Yankees"; her dad being a big fan of Broadway; getting advice from Harold Prince her senior year of high school to stay in Pittsburgh; her leaving for NY fter one year in college; working with Larry Keith and Margot Moser; Sidney Simon; Margot Moser wants her to stay in NY and take voice lessons with her teacher; getting cast in The Drunkard; becoming friends with its musical coordinator, Barry Manilow; getting hired in the mountains and having Barry write the charts; not writing patter; opening for Irving C. Watson; being a popular opening act with comedic songs; opening for Joan Rivers; performing in the Monkey Bar with Crandall & Charles and Mel Martin; Norman Steinberg; Jeffrey Richards has Jamie watch The Complete Works of William Shakespeare Abridged; she becomes co-producer; revival of show is paused by 9/11; producing Mr. Saturday Night; it was supposed to follow The Lehman Trilogy but COVID hit; Jamie performs a duet with Tyne Daly at a benefit for Primary Stages; COVID closed Broadway; many people quit acting; a British cast gets stranded in NY; Jamie gets COVID in October 2022; producing Beetlejuice, Tina, Fiddler on the Roof, Angels in America and The Inheritance; two most emotional theatre events - the end of The Inheritance and the first "Jamie deRoy and Friends" which paid tribute to cabaret critic Bob Harrington in 1992; producing The Lion, The Two of Us (with Jay Johnson) and Say Goodnight Gracie (with Frank Gorshin); seeing understudies; co-starring with Rene Auberjonois in Threepenny Opera; how sitting next to Martin Scorcese got her cast in Goodfellas and how leaving to go to Cannes got her a bigger part that wasn't cut; appearing in See No Evil, Here No Evil; recording nine albums; her TV show of over thirty years, Jamie deRoy and Friends; what shows she has currently out and about to come out; working with Judy Gold; and making sure to tape everything.

We were incredibly honored to be joined by our guest on this brand new episode of Whisper in the Wings from Stage Whisper. We got the chance to sit down with director BD Wong to talk about his latest show, Yes, I Can Say That! We chatted about the origins of this show, the importance of it, and the some of BD's own incredible stories from the theatre. This was a tremendous interview and one that should not be missed (just like the show)! So grab your best friend and tune in!Primary Stages in association with Jamie deRoy PresentYes, I Can Say That!Now- April 16th@ 59E59 TheatersTickets and more information available at 59e59.org or primarystages.orgAnd be sure to follow BD Wong on social media to stay up to date on all of his many projects and productions:Twitter and IG: @wongbd

This episode is also available as a blog post: https://thecitylife.org/2023/03/15/casting-announced-for-roger-q-masons-the-pink-with-breaking-the-binary-theatre-in-association-with-primary-stages/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Melissa reconnects with playwright Deborah Zoe Laufer. They first met when Melissa interviewed her about her play, Be Here Now. Now we be here again to talk about one of Deb's (apparently many) stage adaptations, The Three Sisters of Weehawken, based of course on Chekhov's Three Sisters. In this episode, we discuss:Why Deborah set her adaptation in New JerseyWhich of Chekhov's 3 sisters we areWhat message Chekhov's plays have for us today How writers groups influence her writing processAnd more!Resources MentionedThe Three Sisters of Weehawken by Deborah Zoe LauferMelissa's first interviews with Deborah : The Be Here Now Interview, On Playwriting Pt. 1 & Pt. 2About Our GuestDeborah Zoe Laufer's plays have been produced at Steppenwolf Theatre Company, Cincinnati Playhouse in the Park, Cleveland Playhouse, Geva, The Humana Festival, Everyman, Primary Stages, Ensemble Studio Theatre, and hundreds of other theaters around the world. Plays include Be Here Now, End Days, Rooted, Informed Consent which was a NYTimes critic's pick, Leveling Up, Out of Sterno, The Last Schwartz, Sirens, Meta, The Three Sisters of Weehawken, Fortune, dozens of short plays, and the musicals, Window Treatment, and By Any Other Name, written with composer, Daniel Green. Deb is a recipient of the Helen Merrill Playwriting Award, the Lilly Award, The ATCA Steinberg citation, and grants and commissions from the National Endowment for the Arts, The Alfred P. Sloan Foundation, The Edgerton Foundation, The National New Play Network, and the Lincoln Center Foundation. Her work has been developed by The Eugene O'Neill Playwrights Conference, Theatre Lab, PlayPenn, The Cherry Lane Alternative, The Missoula Colony, LOCAL Theatre, Asolo Rep, The Baltic Playwrights Conference, and more. Her plays are published or recorded by Concord/Samuel French, Smith and Kraus, Playscripts, LA Theatreworks, and Premieres. She is a graduate of Juilliard, an alumna of the BMI Lehman Engel Advanced Musical TConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).

Whether you refer to it as "sunsetting" or "supernova'ing," what's true is that there are few resources to guide those wanting to intentionally shutdown an organization's operations. While a multitude of resources exist dedicated to starting and scaling ventures, the same can't be said when one finds themself on the other end of the organizational life cycle. In this episode, host Tim Cynova connects with guests who were tasked with leading companies through this final phase. We'll hear how they came to the decision, how they approached the work, and what resonates for them as they reflect on it all.This episode include two conversations. The first is with Michelle Preston and Megan Carter who helped lead the transition at SITI Company. The second is with Jamie Bennett who helped lead the transition at ArtPlace America. In all of this, we consider how centering values when closing a company can help us even when we're not.MEGAN E. CARTER is a creative producer, strategy consultant, and dramaturg with a track record of sustained success in theatre, interdisciplinary performing arts and live events. Most recently, she led SITI Company, an award-winning theater ensemble, through a comprehensive legacy plan, archive process, and finale season. She is currently a creative consultant with A TODO DAR Productions on rasgos asiaticos, a performance installation by Virginia Grise and Tanya Orellana exploring migration, borders, and family. Megan has developed and produced new and classic works Off-Broadway, as well as internationally at theatres, venues, and festivals like The Fisher Center at Bard, BAM, City Theatre in Pittsburgh, Singapore International Festival of the Arts (SIFA), REDCAT (LA), Teatr Studio (Warsaw), Wuzhen Theatre Festival (Wuzhen, China), Under the Radar Festival, the Huntington Gardens (LA, site-specific), International Divine Comedy Theatre Festival at Małopolska Garden of Arts in (Krakow), the Walt Disney Modular Theater (LA), Classic Stage Company, Cherry Lane Theatre, WP Theater, the World Financial Center (site-specific). At WP Theater, she led the Lab for Directors, Playwrights, and Producers and managed new play development and commissions. Megan served as dramaturg on the American Premiere of Jackie by Elfriede Jelinek and has edited the English translations of a number of Jelinek's plays, including Rechnitz and The Charges (The Supplicants). She has also edited the SITI Company anthology – SITI COMPANY: THIS IS NOT A HANDBOOK, coming out in 2023. Megan has been on faculty at the Brooklyn College, SITI Company Conservatory and California Institute of the Arts. She is currently on faculty at Primary Stages' Einhorn School for the Performing Arts (ESPA). Education: MFA in Dramaturgy, Brooklyn College/CUNY; BA in Theatre, Centenary College of Louisiana.MICHELLE PRESTON began her career in arts administration at the Columbus Symphony Orchestra before coming to New York City where she has worked with Urban Bush Women, Bill T. Jones/Arnie Zane Dance Company and the School of American Ballet. She began at SITI Company in 2012 as the Deputy Director and served as Executive Director from 2014-2022. While at SITI, Michelle produced 9 world premieres, 17 domestic and international tours, and 5 New York City seasons. She also led the multi-year strategic planning process that resulted in the SITI Legacy Plan, a comprehensive set of activities meant to celebrate the accomplishments and preserve the legacy of the ensemble before the organized and intentional sunset at the end of 2022. She is currently the Executive Director of the José Limón Dance Foundation. She holds an M.F.A. in Performing Arts Management from Brooklyn College and a B.F.A. in...

In this episode, Adam and Budi speak with the Head of the Drama Division at Juilliard, Evan Yionoulis.Evan Yionoulis, an Obie award-winning director and nationally-recognized teacher of acting, is  Richard Rodgers dean and director of Juilliard's Drama Division.  Before that, she served twenty years on the faculty of Yale School of Drama, where she was a professor in the practice of acting and directing and a resident director at Yale Repertory Theatre, as well as Lloyd Richards chair of the department of acting from 1998 to 2003. She has directed new plays and classics in New York and across the U.S., enjoying collaborations with major American playwrights, including Adrienne Kennedy and Richard Greenberg. She directed the critically acclaimed world premiere of Kennedy's He Brought Her Heart Back in a Box for Theatre for a New Audience, where she previously directed her Ohio State Murders (Lortel Award for Best Revival) and the Off-Broadway premiere of Howard Brenton's Sore Throats.  She opened Manhattan Theatre Club's Biltmore Theatre (Broadway) with Greenberg's The Violet Hour, directed his Everett Beekin at Lincoln Center Theater, and received an Obie Award for her direction of his Three Days of Rain at Manhattan Theatre Club, having directed the premieres of all three at South Coast Repertory.   At Yale Repertory Theatre, she directed Cymbeline, Richard II, The Master Builder, George F. Walker's Heaven, Brecht's Galileo, Gozzi's The King Stag (which she adapted with her brother, composer Mike Yionoulis and Catherine Sheehy), Caryl Churchill's Owners, the world premiere of Kirsten Greenidge's Bossa Nova, and numerous other productions including Kiss, by Guillermo Calderón. Other credits include productions at the Mark Taper Forum, the Huntington, NY Shakespeare Festival, the Vineyard, Second Stage, Primary Stages, Dallas Theatre Center, Actors Theatre of Louisville, Denver Center, Williamstown Theatre Festival, and many others.  She directed Seven, a documentary theatre piece about extraordinary women from across the globe who work for human rights, in New York, Boston, Washington, Aspen, London, Deauville, and New Delhi. Her short film, Lost and Found, made with Mike Yionoulis, premiered at Cleveland International Film Festival.  Their most recent collaborations are the multi-platform project Redhand Guitar, about five generations of musicians across an American century, and The Dread Pirate Project, about the malleability of identity between the digital and natural worlds.She has received a Princess Grace Foundation Fellowship, Works-in-Progress Grant, and the foundation's prestigious Statuette. She serves as president of the executive board of SDC, the labor union representing stage directors and choreographers. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

The transcript for this episode is available here. Ryan J. Haddad is an actor, playwright, and autobiographical performer based in New York. His acclaimed solo play Hi, Are You Single? was presented in The Public Theater's Under the Radar Festival and continues to tour the country. Other New York credits include My Straighties (Ars Nova/ANT Fest), Noor and Hadi Go to Hogwarts (Theater Breaking Through Barriers), and the cabaret Falling for Make Believe (Joe's Pub/Under the Radar). Regional theatre: The Maids, Lucy Thurber's Orpheus in the Berkshires (Williamstown Theatre Festival), and Hi, Are You Single? (Guthrie Theater, Cleveland Play House, Williamstown Theatre Festival). He has a recurring role on the Netflix series "The Politician." Additional television: "Bull," "Madam Secretary," and "Unbreakable Kimmy Schmidt." Haddad is a recipient of IAMA Theatre Company's Shonda Rhimes Unsung Voices Playwriting Commission and Rising Phoenix Repertory's Cornelia Street American Playwriting Award. His work has been developed with The Public Theater, Manhattan Theatre Club, New York Theatre Workshop, Berkeley Repertory Theatre, Noor Theatre, Rattlestick Playwrights Theater, Primary Stages, and Pride Plays. His writing has been published in the New York Times, Out Magazine, and American Theatre. Ryan is an alum of The Public Theater's Emerging Writers Group and a former Queer|Art Performance and Playwriting Fellow, under the mentorship of Moe Angelos. @ryanjhaddad and ryanjhaddad.com. Related Links: Ryan's Website Dark Disabled Stories at The Public Theater Tickets and Information Hi, Are You Single? Woolly Mammoth Theatre Trailer The Politician on Netflix For 2023, we're inviting our listeners to participate in Ask Judy in a new way. We want you to send us voice memos with messages and questions for Judy that we'll feature in an episode of The Heumann Perspective. If interested, please send yours to media@judithheumann.com Check out the video version of this episode on Judy's YouTube channel.  Intro music by Lachi. Outro music by Gaelynn Lea.

An actress and filmmaker, Jennifer Westfeldt is perhaps best known for writing, producing and starring in the indie films Kissing Jessica Stein (Indie Spirit Nomination, Golden Satellite Award, GLAAD Media Award, multiple Audience Awards), Ira & Abby (Best Actress/HBO Comedy Festival, multiple Audience Awards), and Friends with Kids (Top Ten Films of 2012, New York Magazine, NPR), which also marked her directorial debut. Her television credits include Younger,This Is Us, Girls, 24, Grey's Anatomy, Private Practice, Notes from the Underbelly, and Children's Hospital, among others.  Jennifer made her Broadway debut opposite Donna Murphy in Wonderful Town, directed by Kathleen Marshall, for which she received a Tony nomination, a Theater World Award and a Drama League Award. Other notable stage work includes the world premieres of Scott Z. Burns' The Library at the Public Theater, directed by Stephen Soderbergh; Nell Benjamin's The Explorer's Club at Manhattan Theater Club; Nicky Silver's Too Much Sun opposite Linda Lavin at The Vineyard Theater; Joe Gilford's Finks at NYSAF; Cusi Cram's A Lifetime Burning at Primary Stages; and Alexandra Gersten-Vassilaros' Big Sky at The Geffen Playhouse.  On the writing side, Jennifer recently adapted Robinne Lee's novel The Idea of You to the screen; the film, starring Anne Hathaway and directed by Michael Showalter, is shooting this fall for Amazon Studios. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Writer-director, Charlie Peters, was raised in New York City before spending his high school years at Stonyhurst College in Lancashire, England, where he was classmates with the director Charles Sturridge and actor Edward Duke.  Charlie then studied theater at the University of Connecticut and subsequently received a Schubert Fellowship to do graduate work in playwriting at Carnegie Mellon University here in Pittsburgh.  While at CMU, his plays were acted by fellow students including Holly Hunter and Cherry Jones.  After graduating, he returned to New York to work as a playwright. His plays have been produced at La Mama Experimental Theatre Club, Primary Stages, Playwrights Horizons, The Actors Theater of Louisville and The Edinburgh Festival.  In 1978, Charlie was brought to Los Angeles by Columbia Pictures as part of a program looking for new writers, a program that turned out to be little more than a publicity stunt to distract from the bad PR Columbia had received as a result of its head, David Begelman, embezzling money from various actors.  Charlie's first produced movie, Paternity, is based on a play he'd written while at CMU. It starred Burt Reynolds and was directed by David Steinberg.  He's had a dozen other movies pr oduced including Blame It On Rio directed by Stanley Donen, Kiss Me Goodbye directed by Robert Mulligan, and Her Alibi, directed by Bruce Beresford. He's also directed two of his own: Passed Away with Bob Hoskins, Maureen Stapleton and Frances McDormand and Music From Another Room with Jude Law and Brenda Blethyn. Charlie has doctored over forty other produced movies and many more unproduced ones.  Renee Zellweger won The Golden Bear Award at The Berlin Film Festival for the 2010 movie, My One and Only, that Charlie wrote. Hs most recent film was 5 Flights Up based on the novel by Jill Ciment, which starred no less than Morgan Freeman and Diane Keaton.  

Godfrey L. Simmons, Jr. is an award-winning actor, producer, director, and playwright who has spent over thirty years amplifying the voices of marginalized people and communities. And he is a father to Samuel. He is Artistic Director for HartBeat Ensemble in Hartford, CT, where he has co-produced the Off-Broadway virtual production of American Dreams with Working Theater, . In 2012, he co-founded Civic Ensemble, a regional theatre in Ithaca, NY. For Civic, he directed Eugene O'Neill's All God's Chillun Got Wings and appeared in Judy Tate's Fast Blood and Athol Fugard's My Children! My Africa!. Godfrey was a Producing Artist for Off-Broadway's Epic Theatre Ensemble for four years, appearing in The Winning Side, A More Perfect Union, Widowers' Houses (which Godfrey co-adapted with Ron Russell), Measure for Measure, Einstein's Gift, and A Hard Heart, among other plays. Also for Epic,.he co-wrote and starred in a documentary play about the election of President Barack Obama, Dispatches From (A)mended America. Godfrey and his colleague Brandt Adams, traveled throughout the American South interviewing 100 Southerners about the election. He won the 1999 Audelco Award for Best Supporting Actor for his performance in John Henry Redwood's Old Settler opposite Leslie Uggams at Primary Stages. He appeared in award-winning productions at Playwrights Horizons (Betty's Summer Vacation, Obie Award-Best Play) and Round House Theatre (Home, Helen Hayes Award-Best Production). His radio show The Griot Hour appeared from 2015-2019 on the Ithaca, NY Community Radio station WRFI, where he has just begun co-hosting the Black Lives Matter Forum. Godfrey is a 2012 TCG/Fox Fellow and a lifetime member of Ensemble Studio Theatre. --- Support this podcast: https://anchor.fm/thecreativealchemist/support

About the Guest Randy Redd made his Broadway debut in PARADE at Lincoln Center directed by Harold Prince. Broadway and Off-Broadway credits include MAY WE ALL, Max Vernon's THE VIEW UPSTAIRS, ALLEGRO at Classic Stage Company directed by John Doyle, Alain Boublil's MANHATTAN PARISIENNE directed by Graciela Daniele, and PUMP BOYS & DINETTES at City Center Encores. Other credits include MILLION DOLLAR QUARTET, RING OF FIRE directed by Richard Maltby, Jr., Randy Newman's FAUST, THE BURNT PART BOYS, Terrence McNally's SOME MEN, the American premiere of Andrew Lloyd Webber's BY JEEVES directed by Alan Ayckbourn, David Greig's MIDSUMMER, LUCKY STIFF, ONE MAN BAND with James Lecesne, and SMOKE ON THE MOUNTAIN. Film and TV credits include https://www.youtube.com/watch?v=L1HQ5OP9E8c (“Beautiful Creatures”) and “The Last 5 Years” directed by Richard LaGravenese, https://www.youtube.com/watch?v=iJjmpO8k9m0 (“After The Storm”) directed by Hilla Medalia, "Kinsey" directed by Bill Condon, “From Broadway With Love” (PBS), “All-American New Years” (FOX), "The Wright Verdicts", Good Morning America, the Today Show, the Tony Awards, the Macy's Thanksgiving Day Parade with Wynonna Judd, and Show Biz After Hours with Frank DiLella, a monthly variety show at Birdland. He has worked as an actor, writer, musician, and director at Manhattan Theater Club, Lincoln Center Theater, Classic Stage Company, Tectonic Theater, Atlantic Theater Company, Naked Angels, Second Stage, New York Musical Theater Festival, The Kennedy Center, Goodspeed, Geffen Playhouse, Primary Stages, York Theater, Emelin Theater, City Theatre, Cincinnati Playhouse In The Park, New Stage Theatre, Pittsburgh CLO, Charlotte Repertory Theater, the Flat Rock Playhouse, the Coconut Grove Playhouse, Stamford Center For The Arts, the Arden Theater, New World Stages, the Cape Playhouse, the Actor's Playhouse, and more. Recordings: https://itunes.apple.com/us/album/showfolk/id305047066 (SHOWFOLK) with Tony Award-winner Rachel Bay Jones, Robin Skye's https://itunes.apple.com/us/artist/robin-skye/id383949971 (HOUSE OF LOVE), LUCKY STIFF, NEO, Jason Robert Brown's WEARING SOMEONE ELSE'S CLOTHES and the Original Cast Recordings of PARADE, RING OF FIRE, THE BURNT PART BOYS and THE VIEW UPSTAIRS. In concert: Carnegie Hall, Jazz at Lincoln Center, Town Hall, Symphony Space, Cooper Union, St. John the Divine, Feinstein's, Ars Nova, Birdland and Joe's Pub. Links North Carolina Theatre http://www.randy-redd.com/ (Randy Redd's Website) Connect with Us Facebook @beltlinetbroadway Twitter @beltlinetobway Instagram @beltlinetobroadway

About Amelia: Amelia Campell was most recently in the Lucille Lortel nominated Coal Country at The Cherry Lane Theater. She was nominated for a Tony Award for her first Broadway play Our Country's Good in 1991. Additional select theater: Broadway: A Small Family Business; Translations; The Herbal Bed; Waiting in the Wings; A Streetcar Named Desire. Off B'way: Middle of the Night(Keen Company); Taking Care of Baby(MTC); The Exonerated(Culture Project); The Fall to Earth(59E59); Philip Roth in Khartoum(LAByrinth); The Misanthrope(NYTW); Tryst(Promenade); Love, Janis(Village Theater). Regional: A Midsummer Nights Dream; The Night of the Iguana; Desire Under the Elms. Film & T.V includes Anthony Arkin's “Sender”; “Things Like This”(upcoming); “I Am Michael”; “Stand Clear of the Closing Doors”; “Coming Up Roses”; “Leaves of Grass”; “The Paper”; “Bull”; “Mindhunter”; “The O.A.”; “Alpha House”; “Third Watch”; “Law&Order”/“Law&Order Criminal Intent”; “A Dog Year”(HBO) “My Louisiana Sky”(Showtime). Amelia has been an acting coach since 2005. She co-created the audition workshop “What's Stopping You?” with Jack Doulin at HB Studios. She also co-created the groundbreaking on-set/on camera workshop “Being On Camera” with Anthony Arkin, which they have been teaching together since 2012. They currently teach their workshops at Primary Stages school ESPA. Amelia teaches at Pace University in their FTVC B.F.A. Acting program. What makes Amelia nervous about auditions: Expectations for what good means What is your personal best? Rejection is constant That little voice still shows up "The biggest thing you have to sell is yourself." Humans are messy and flawed, and you have to remember as an actor you have to be that too. Prepping for an audition: First step: Script analysis Start to get a sense of what I'm wearing and hair Shoes can even help Read it and move around You have to think of an audition as your role for the time you are working on it “Doubt kills more dreams than failure ever has.” Learn to apologize less. Tips for Newbie Actors: Pay attention You don't know everything Be interested and curious Want to learn and grow Choose to grow into the best version of yourself What is that? What does that look like? It's ok to be new and it's ok not to say anything. When in doubt leave it out. Listen and absorb.

Hello listeners! This week's guest on the show is MARGOT CONNOLLY! Margot Connolly is a playwright originally from Pleasantville, NY. Her plays include Belfast Kind (Winner, JPP's Jewish Playwriting Contest, Patty Abramson Prize Finalist), Quiz Out (Princess Grace Finalist, 2019 Kilroy's Honorable Mention), The Twitch (Princess Grace Finalist), and Tough. Her work has been produced and developed through Williamstown Theatre Festival, the Playwrights Center, the Drama League, the Jewish Plays Project, Repertory St. Louis, the American Academy of Dramatic Arts, Primary Stages and The Juilliard School, among others. She has an EST/Sloan commission, was a 2010-2011 Core Apprentice at the Playwrights Center and has been a finalist for the Jerome Fellowship, the Emerald Prize, and the Princess Grace Award. She received her BA from Bennington College and her MFA from the University of Iowa's Playwrights Workshop. She is a recent graduate of the Lila Acheson Wallace American Playwrights' Program at Juilliard. To learn more about Margot and her work, be sure to check out her website: https://writemargotwrite.weebly.com/about.html New Play Exchange: https://newplayexchange.org/users/3182/margot-connolly GLISTENS: Cho - Pachinko Sam - 13 Ukrainian guards on Snake Island Margot - Ukraine ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by Samuel Johnson, Laura Robertson, Luke O'Dea (APRA) --- Send in a voice message: https://anchor.fm/beckettsbabies/message Support this podcast: https://anchor.fm/beckettsbabies/support

“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info

Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info

“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info

Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info

“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info

NEIL TYRONE PRITCHARD is a Liberian-American, New York-based Actor/Singer/Teaching Artist. His most recent Acting Credits include: Halfway Bitches Go Straight To Heaven (LAByrinth Theater Company/Atlantic Theater Company), There's Always The Hudson (The Goodman Theatre) The Berlin Electric (Park Ave Armory/Trusty Sidekick), The Prizefighter of P.S. 217 (New Victory LabWorks), The Mendelssohn Electric (Park Ave Armory/Trusty Sidekick), The Stowaway (Classic Stage Company/Trusty Sidekick), Clover (La Mama), Queen Latina and Her Power Posse (Cherry Lane Theater), AT BUFFALO (NYMF). He has been a part of workshops and concerts at Sundance  TheaterLAB, Manhattan Theater Club, Dorset Theater festival, Joe's Pub, Bowery Poetry Club, Lincoln Center Theater, and Primary Stages. He is currently on staff at the Park Avenue Armory where he brings Arts Education to public schools throughout the five boroughs. A Proud New York City Public School Kid and A Member of LAByrinth Theater Company and Actors Equity.  

Cindy Cooper (who also writes as Cynthia L. Cooper) often addresses topic of justice, women and human rights in lightly stylized plays that use a blend of drama and comedy.  Her plays have been produced in New York at Primary Stages, The Women's Project, Wings, Lincoln Center's Clark Studio, MultiStages, New Circle Theatre Co, WOW Café, Museum of Tolerance, and many other venues, as well as in Chicago, Minneapolis, DC, Philadelphia, Boston, L.A., Montreal, Budapest and Jerusalem. A two-time Jerome Fellow, her plays are in 17 volumes and she has won awards from Pen & Brush, Samuel French, the Malibu International Festival, Quixote Foundation, and others. She is the founder of ReproFreedomArts.org, a theater group that has travelled to 20 states to open up conversations about reproductive rights, and she is one of four artistic instigators of StatueFest, a new theater project about women who deserve statues. Cindy is also a journalist and an author; her book, ‘Mockery of Justice,' was made into a CBS-TV movie. Prior to becoming a playwright, she worked as a lawyer for underserved clients. She is on the Executive Committee of Honor Roll Playwrights and lives in New York City.   FIND HER HERE: www.cyncooperwriter.net FB: Cynthia L. Cooper TW/Insta @cyncooperwrtr Also: www.ReproFreedomArts.org   Host: Emily Stamets (@theemilystamets) Original music: Jaclyn S. O'Connor Graphics: Tiffany Spence

Summary:In this episode, Adrian Ellis speaks with Jesse Cameron Alick, about his recently published study, commissioned by the Sundance Institute, based on extensive interviews of artists, arts administrators and thought leaders. The focus is the state of live performance as we 'emerge from the cave' of Covid. They discuss the key findings and themes of the study – particularly the skepticism that artists interviewed expressed about the the commitment of larger cultural institutions to artists, to their local communities, and to equity and inclusion.After, Adrian is joined by fellow host Criena Gehrke to discuss key takeaways. They discuss the moral, political, economic... and artistic! – responsibilities that 'anchor institutions' need to balance.DOWNLOAD TRANSCRIPTReferences:  Emerging from the cave – Reimagining our future in theater and live performance  Sundance Institute Bio: Jesse Cameron Alick is a dramaturg, producer, poet, playwright, essayist, artistic researcher and science fiction expert. He is currently the Associate Artistic Director of the Vineyard Theater in NYC. Jesse is an active freelance dramaturg at various off-Broadway theatres in the city, nationwide and in the UK, as well as a regular artistic consultant for the Sundance Institute. Jesse studied writing with Adrienne Kennedy and has taught theatre courses, lectured at classes and mentored students at a myriad of programs (Lewis and Clark, NYU, Goddard, UT Austin, Primary Stages, Playwrights Horizons school, Fordham). Previously, Jesse co-founded the Subjective Theater Company at 19, moved on to become the company's first resident playwright and then took the helm as Producer and Artistic Director. Jesse ran Subjective for 10 years and staged 15 full productions around Manhattan and Brooklyn. He was also formerly Company Dramaturg at the Public Theater, where he was in charge of commissions, readings and workshops, the Emerging Writers group and production dramaturgy.

Jessie talks turkey-- er, brisket, rather, with Lindsay Jones for his Dadplicant interview, Lindsay Jones is an award-winning composer and sound designer. In theatre, he has been nominated for the Tony Awards of Best Score and Best Sound Design of a Play. His Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill. His off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 500 productions in regional theatres across the US. Awards include seven Joseph Jefferson Awards and twenty-four nominations, 2 ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. In film, he has created original score for over 35 projects, including HBO Films' A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices and Cleaveland. In television and commercials, Lindsay created the score for Sony Pictures' series Family Practice for Lifetime Television, as well as Brothers-In-Law for Jay-O Productions. Original music for commercials includes clients like Martha Stewart, Staples, Nike, Smarty Pants, and many others. In podcasts, Lindsay is currently the in-house composer/sound designer for the weekly podcast The Imagine Neighborhood, produced by the Committee For Children. Other podcast and audio drama work includes A Streetcar Named Desire (starring Audra McDonald) for Audible, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Soundstage for Playwrights Horizons, and The Intersect for Micromass. In video games, Lindsay created the original music and sound design for The Digits: Fraction Blast, available now on iOS and Android platforms. In education, Lindsay is currently an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he's taught include Yale, Juilliard, Northwestern, Purdue, Depaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. In advocacy, Lindsay is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. In 2018, Lindsay and John received a special citation from USITT for their work on behalf of the theatre community. Taking Dadplications is an Opus Nox Media production. Music and cover art by Nick Jenkins. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/taking-dadplications/support

Art Bell and Vinnie Favale discuss the early days of the Comedy Channel and interveiw writer/producer Scott Carter about develooping and launching "Night After Night with Alan Havey" and "Politically Incorrect with Bill Maher" for the Comedy Channel and Comedy Central. - Scott Carter has been Executive Producer/Writer for “Real Time with Bill Maher” since it debuted on HBO in 2003. He produced the first 1,100 episodes of “Politically Incorrect With Bill Maher” from its 1993 Comedy Central debut to its 1997 move to ABC. While at “P.I.”, Carter received eight Emmy nominations and three consecutive CableAce Awards for Best Talk Series. He has served as creator, producer or writer for “Root Of All Evil With Lewis Black” (Comedy Central, 2008), “Earth To America” (TBS, 2005), “The Conspiracy Zone With Kevin Nealon” (Spike, 2002-3), “Exhale With Candice Bergen,” (Oxygen, 2000-1). In 1997, Variety named him one of the “50 Creatives to Watch.” In 2007, he was a co-recipient of the Producer’s Guild of America’s Johnny Carson Award for “Real Time.” A former stand up comedian, Carter has written and performed two full-length monologues, “Heavy Breathing” and “Suspension Bridge,” at the Edinburgh Fringe Festival, The Aspen Comedy Arts Festival, The Kilkenny (Ireland) Murphy’s Cats Laugh Festival, the Cleveland Performance Festival, Dixon Place, Primary Stages, Manhattan Punchline, etc. He is former Producing Director and a founding member of The Invisible Theatre, now in its 42nd season in Tucson, Arizona. Carter lives in Los Angeles with his wife, interior designer Bebe Johnson.

Stephanie Klapper (Stephanie Klapper Casting) is a New York-based Casting Director whose work is frequently seen on Broadway, Off-Broadway, regionally, internationally, on television, and on film. Projects she has cast have won numerous awards, including the Tonys, OBIES, Artios, Drama Desk, Pulitzer Prize, Sundance Audience Award, Cannes Prize Du Publique, and Comic Con awards. Frequent and long time collaborators include Primary Stages, Mint Theater Company, New York Classical Theatre, american vicarious, The Peccadillo, Masterworks, Resonance Ensemble, Hudson Valley Shakespeare Company, Cincinnati Playhouse, Capital Repertory Theatre, Actors Theatre of Louisville, Adirondack Theatre Festival, Ford's Theatre, Kansas City Rep, The New Theatre, as well as many more both in New York and regional theatres around the country.

follow Carolina: @carolinakaydo follow Adrián: @adrian.burke follow La Mezcla: @lamezclapod About Carolina: Carolina Do is an actor, playwright, producer. She is a firm believer in, and advocate for, art to address and activate change in the community it serves. Co-founder of The Sống Collective. Broadway: Tracy Lett's Linda Vista and Bess Wohl's Grand Horizons. NYC theater: Loading Dock, The Tank, New Dramatists, Primary Stages, The Flea. TV/Film: FBI: Most Wanted, Children of The Dust, Catfight, Queens The Series. Her play, My Mother's Daughter was recently a semifinalist for Space on Ryder Farm and a finalist for BRICLab. www.carolinado.com Upcoming: Collective Stories, May 20th @8pm ET, Streaming Live on Youtube. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam Szymkowicz, playwright, stopped by to talk with Padraic at the SETC. Adam's work has been presented or developed at such places as Portland Center Stage, MCC Theater, Ars Nova, South Coast Rep, Playwrights Horizons, LCT3, LAByrinth Theater Company, The Lark, Rattlestick Playwrights Theater, Primary Stages and The New Group, among others. Published plays include Deflowering Waldo, Pretty Theft, Food For Fish, Hearts Like Fists, Incendiary, Clown Bar, The Why Overhead, Adventures of Super Margaret, 7 Ways To Say I Love You, Rare Birds, Marian Or The True Tale of Robin Hood, Kodachrome, Mercy and Nerve. His plays are published by Dramatists Play Service, Samuel French, Playscripts, Broadway Play Publishing, Original Works Publishing, and featured in New York Theatre Review, the Dionysian, NYTE's Cino Nights, Geek Theater, and numerous Smith and Kraus books. He's the Playwrights Program Manager at The Juilliard School. Adam has interviewed over 1000 playwrights on his blog.

Playwright Chisa Hutchinson stopped by the studio to chat about her experience from her first play, She Like Girls, to her latest, Proof of Love, that was commissioned and produced by Audible. Chisa has worked with The Lark Play Development Center, New Dramatists, Keen Company, Penumbra, Primary Stages, Writers Theatre of New Jersey, NJPAC, and she's currently teaching creative writing at Delaware University and three film projects in development. Also, we had a special guest, her dog Smitty, you get to hear a little from him as well.