Podcast appearances and mentions of mary page marlowe

Az Impresszió rovat vendége: Puskás Tamás igazgató-rendező

Rozhovor dramaturga Vladimíra Fekara s režisérem Januszem Klimszou. Česká premiéra Mary Page Marlowe bude 10. září v Městském divadle Zlín.

Celebrating one year of Call Time (!!), Katie checks in with actor (Mary Page Marlowe, These Paper Bullets!, Dance Dance Revolution, The Skin of Our Teeth, and currently: The Minutes on Broadway), Ariana Venturi.

On this episode of Half Hour, Erin Cook, Steppenwolf's universally beloved company manager of more than ten years, joins Caroline Neff for a lovely and lively conversation. Cook shares stories from her path to Steppenwolf, and she talks about what it is like being communicating with, and caring for, the more than fifty actors, writers and directors that constitute the Steppenwolf Ensemble. Plus, Erin reflects on her singular relationships with two of Steppenwolf's visionary artistic directors: Martha Lavey and Anna D. Shapiro.Interview begins at 3:14.  Erin Cook is the Company Manager & Assistant to the Artistic Director at Steppenwolf Theatre Company, where she has worked since 2008. Previously, Erin has worked at TimeLine, The Milwaukee Repertory Theatre and Utah Shakespeare along with a slew of restaurant and coffee shop jobs! Erin's top five shows at Steppenwolf are a combination of the things she has seen and worked on: The Brother/Sister Plays by Tarell Alvin McCraney, Middletown by Will Eno, The Seafarer by Conor McPherson, Mary Page Marlowe by Tracy Letts and Who's Afraid of Virginia Woolf? by Edward Albee.Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE

Ensemble member Sandra Marquez sits down with Cliff Chamberlain for this insightful and inspiring conversation. Marquez shares stories from her singular childhood in the Central Valley of California, and reflects on her journey in Chicago theatre—and how she hopes to make it easier for the next generation of actors. Plus, Marquez talks about her legendary performances as Clytemnestra, and what it was like to play that single role over the course of four years and three productions. Interview begins at 3:43.Sandra Marquez joined the Steppenwolf Theatre Company ensemble in 2016, where her acting credits include: Nora in A Doll’s House, Part 2, The Roommate, The Doppelgänger (an international farce), Mary Page Marlowe, The Motherf**ker with the Hat, A Streetcar Named Desire, Sonia Flew and One Arm. Directing credits at Steppenwolf include La Ruta and I Am Not Your Perfect Mexican Daughter. At Teatro Vista, where she is a longtime company member and former Associate Artistic Director, she directed Fade, My Mañana Comes, Breakfast Lunch & Dinner and Our Lady of the Underpass. She is the recipient of a Jeff Award for her work in Teatro Vista’s A View from the Bridge. Marquez completed a three-year arc playing Clytemnestra in Court Theatre’s Iphigenia Cycle (Iphigenia at Aulis, Electra and Agamemnon).Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE

Spoiler Alert! In this episode, we catch up with the cast of Village Rep's Mary Page Marlowe backstage at the Woolfe Street Playhouse. We'll discuss the show in-depth and with plenty of detail, so be sure to see it before you give us a listen.For tickets and information, please visit us online. Photography by Liz DurenVillage Idiocy Logo by Nat Jones, Bottom Line Digital Communications 

For tickets and info, please visit the Woolfe Street Playhouse online.Photography by Liz DurenVillage Idiocy Logo by Nat Jones, Bottom Line Digital Communications

Marcus Doshi designs lighting and sets for theatre, dance, opera, and collaborates with artists and architects on non-performance-based work. Doshi is a frequent collaborator with New York’s Theatre for a New Audience, where his work has been seen in 11 plays, including The Skin of Our Teeth, A Doll’s House/The Father in rep., Othello (2009 — Lucille Lortel Award Nomination) and Hamlet (2009 – Drama Desk Award Nomination). He is also a frequent collaborator with Chicago’s Steppenwolf Theatre Company, where he has designed the world premieres of Linda Vista, Mary Page Marlowe, and Visiting Edna, as well as several others including Pass Over, which was later filmed for Amazon by Spike Lee. Other New York credits include productions for Juilliard Opera (Les Mamelles de Tirésias, Der Kaiser von Atlantis, La Calisto), Lincoln Center Theatre, the Public Theatre, the Vineyard Theatre, and New York Theatre Workshop, among others. His work has been seen at virtually every important regional theater nationwide. Internationally he has designed for the Comedie Francaise, the Festival d’Aix-en-Provence, Les Théâtres de la Ville de Luxembourg, La Monnaie in Brussels, the Edinburgh Festival Fringe, the Royal Opera House Linbury Studio, the National Theater of Sarajevo, the Sydney Festival, among many other venues. Doshi holds degrees from Wabash College and Yale University, and is a tenured Associate Professor of Theatre at Northwestern University, where he teaches in the MFA Design and Directing programs.

Ett samtal om kvinnans åldrar, om tidens gång; om att vara kvinna och skådespelare, om de roller kvinnor både får och förväntas spela. Medverkande: skådespelarna Melinda Kinnaman, Nina Rashid och Mia Benson och Ellen Nyman som alla går att se i Tracy Letts pjäs Mary Page Marlowe. Bisittare: kulturjournalist och kritiker Åsa Beckman. Vem är hon? Vad är hon? Med utgångspunkt i några aktuella föreställningar på Dramaten hålls under våren 2019 fyra samtal med fokus på kvinnliga rollgestalter och kvinnans roll på teatern. Hur har det sett ut historiskt och hur ser det ut idag? Samtalen leds av Anneli Dufva. Presenteras av Dramaten&.

This week we’re feeling Erato (2:50), the mass of recent album releases (6:15), Gboard (15:00), and Mary Page Marlowe (24:35). We also discuss what circumstances or conditions can ruin our experiences with pop culture (31:00). Follow us on Twitter: https://twitter.com/FeelingItPod

Tracy Letts, the Pulitzer Prize-winning playwright (August: Osage County) and Tony Award-winning actor (Who’s Afraid of Virginia Woolf), has a new play running at his home company, Chicago-based Steppenwolf Theatre. The play, Mary Page Marlowe, tells the story of one woman at various points throughout her life. And to accomplish this, she is played by six talented actresses with a supporting cast of equal caliber. New York Times theater critic Charles Isherwood visited the Windy City to see the production and offers his impressions of the play, Anna D. Shapiro’s direction, reasons behind dividing the title role into a half dozen parts and whether it may land in New York in the near future.