Podcast appearances and mentions of mary page marlowe

World Cup winner and nominee for World Rugby Player of the Year, Meg Jones, joins Nuala McGovern. Following the Red Roses' win at the weekend, many have named Meg their player of the tournament. Meg reflects on the big win and how the death of both of her parents last year powered her on. A ‘carent 'is an adult child who is caring for one or both of their ageing parents, in-laws or elderly relatives. Many ‘carents' will be balancing work and family alongside. Dr Jackie Gray, a retired GP and founder of The Carents Room, joins Nuala to discuss, along with Kendra and Rachel who provide care for their parents. Award-winning actor Andrea Riseborough is one of five women portraying Mary Page Marlowe on stage at the Old Vic in London. The play is described as a “time-jumping mosaic” that spans 70 years in the life of an accountant and mother of two from Ohio. Andrea joins Nuala to discuss sharing the role with Susan Sarandon, and how this seemingly simple story of an ordinary woman invites audiences to reflect on our own lives. Author Bridget Collins discusses her latest novel, The Naked Light, a haunting gothic tale of ancient darkness, and a love that defies convention. It's set in England and focuses on three “surplus women” after the first world war.Presenter: Nuala McGovern Producer: Dianne McGregor

Melanie La Barrie is In The Frame! Melanie is currently playing Nurse in the UK premiere of Mary Page Marlowe, marking her return to The Old Vic where she previously performed in The Lorax. Melanie is also reuniting with artistic director Matthew Warchus who directed her as Mrs Phelps in the original cast of Matilda. Mary Page Marlowe is written by Tracy Letts, with cast also including Susan Sarandon and Andrea Riseborough. Melanie is also preparing to star as Death in the concert production of The Book Thief at the Prince of Wales Theatre in October. Some of Melanie's other theatre credits include Madame Morrible in Wicked (Apollo Victoria), Madame Thénardier in Les Misérables (Queen's Theatre) and Bow Belles in Dick Whittington (National Theatre). Melanie was the original Mrs Corry in Mary Poppins, the original Angélique in And Juliet (in the West End and on Broadway) and most recently she starred as Hermes in the original West End cast of Hadestown, picking up the WhatsOnStage Award for Best Supporting Performer in a Musical. Recorded backstage at The Old Vic, in this episode Melanie discusses what makes Mary Page Marlowe a dreamy job and why she's delighted to be reuniting with two of her Matilda cast mates, Lauren Ward and Eleanor Worthington-Cox. Melanie also discusses her approach to this industry, her reflections on special times Hadestown, And Juliet and Matilda… and lots more.Mary Page Marlowe runs at The Old Vic until 1st November 2025. Visit www.oldvictheatre.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Susan Sarandon to lead ‘Mary Page Marlowe’ in London, discussing Broadway summer marketing, more stars join Broadway Barks Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio read more

Az Impresszió rovat vendége: Puskás Tamás igazgató-rendező

Rozhovor dramaturga Vladimíra Fekara s režisérem Januszem Klimszou. Česká premiéra Mary Page Marlowe bude 10. září v Městském divadle Zlín.

Celebrating one year of Call Time (!!), Katie checks in with actor (Mary Page Marlowe, These Paper Bullets!, Dance Dance Revolution, The Skin of Our Teeth, and currently: The Minutes on Broadway), Ariana Venturi.

On this episode of Half Hour, Erin Cook, Steppenwolf's universally beloved company manager of more than ten years, joins Caroline Neff for a lovely and lively conversation. Cook shares stories from her path to Steppenwolf, and she talks about what it is like being communicating with, and caring for, the more than fifty actors, writers and directors that constitute the Steppenwolf Ensemble. Plus, Erin reflects on her singular relationships with two of Steppenwolf's visionary artistic directors: Martha Lavey and Anna D. Shapiro.Interview begins at 3:14.  Erin Cook is the Company Manager & Assistant to the Artistic Director at Steppenwolf Theatre Company, where she has worked since 2008. Previously, Erin has worked at TimeLine, The Milwaukee Repertory Theatre and Utah Shakespeare along with a slew of restaurant and coffee shop jobs! Erin's top five shows at Steppenwolf are a combination of the things she has seen and worked on: The Brother/Sister Plays by Tarell Alvin McCraney, Middletown by Will Eno, The Seafarer by Conor McPherson, Mary Page Marlowe by Tracy Letts and Who's Afraid of Virginia Woolf? by Edward Albee.Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE

Ensemble member Sandra Marquez sits down with Cliff Chamberlain for this insightful and inspiring conversation. Marquez shares stories from her singular childhood in the Central Valley of California, and reflects on her journey in Chicago theatre—and how she hopes to make it easier for the next generation of actors. Plus, Marquez talks about her legendary performances as Clytemnestra, and what it was like to play that single role over the course of four years and three productions. Interview begins at 3:43.Sandra Marquez joined the Steppenwolf Theatre Company ensemble in 2016, where her acting credits include: Nora in A Doll’s House, Part 2, The Roommate, The Doppelgänger (an international farce), Mary Page Marlowe, The Motherf**ker with the Hat, A Streetcar Named Desire, Sonia Flew and One Arm. Directing credits at Steppenwolf include La Ruta and I Am Not Your Perfect Mexican Daughter. At Teatro Vista, where she is a longtime company member and former Associate Artistic Director, she directed Fade, My Mañana Comes, Breakfast Lunch & Dinner and Our Lady of the Underpass. She is the recipient of a Jeff Award for her work in Teatro Vista’s A View from the Bridge. Marquez completed a three-year arc playing Clytemnestra in Court Theatre’s Iphigenia Cycle (Iphigenia at Aulis, Electra and Agamemnon).Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE

Spoiler Alert! In this episode, we catch up with the cast of Village Rep's Mary Page Marlowe backstage at the Woolfe Street Playhouse. We'll discuss the show in-depth and with plenty of detail, so be sure to see it before you give us a listen.For tickets and information, please visit us online. Photography by Liz DurenVillage Idiocy Logo by Nat Jones, Bottom Line Digital Communications 

For tickets and info, please visit the Woolfe Street Playhouse online.Photography by Liz DurenVillage Idiocy Logo by Nat Jones, Bottom Line Digital Communications

Marcus Doshi designs lighting and sets for theatre, dance, opera, and collaborates with artists and architects on non-performance-based work. Doshi is a frequent collaborator with New York’s Theatre for a New Audience, where his work has been seen in 11 plays, including The Skin of Our Teeth, A Doll’s House/The Father in rep., Othello (2009 — Lucille Lortel Award Nomination) and Hamlet (2009 – Drama Desk Award Nomination). He is also a frequent collaborator with Chicago’s Steppenwolf Theatre Company, where he has designed the world premieres of Linda Vista, Mary Page Marlowe, and Visiting Edna, as well as several others including Pass Over, which was later filmed for Amazon by Spike Lee. Other New York credits include productions for Juilliard Opera (Les Mamelles de Tirésias, Der Kaiser von Atlantis, La Calisto), Lincoln Center Theatre, the Public Theatre, the Vineyard Theatre, and New York Theatre Workshop, among others. His work has been seen at virtually every important regional theater nationwide. Internationally he has designed for the Comedie Francaise, the Festival d’Aix-en-Provence, Les Théâtres de la Ville de Luxembourg, La Monnaie in Brussels, the Edinburgh Festival Fringe, the Royal Opera House Linbury Studio, the National Theater of Sarajevo, the Sydney Festival, among many other venues. Doshi holds degrees from Wabash College and Yale University, and is a tenured Associate Professor of Theatre at Northwestern University, where he teaches in the MFA Design and Directing programs.

Ett samtal om kvinnans åldrar, om tidens gång; om att vara kvinna och skådespelare, om de roller kvinnor både får och förväntas spela. Medverkande: skådespelarna Melinda Kinnaman, Nina Rashid och Mia Benson och Ellen Nyman som alla går att se i Tracy Letts pjäs Mary Page Marlowe. Bisittare: kulturjournalist och kritiker Åsa Beckman. Vem är hon? Vad är hon? Med utgångspunkt i några aktuella föreställningar på Dramaten hålls under våren 2019 fyra samtal med fokus på kvinnliga rollgestalter och kvinnans roll på teatern. Hur har det sett ut historiskt och hur ser det ut idag? Samtalen leds av Anneli Dufva. Presenteras av Dramaten&.

This week we’re feeling Erato (2:50), the mass of recent album releases (6:15), Gboard (15:00), and Mary Page Marlowe (24:35). We also discuss what circumstances or conditions can ruin our experiences with pop culture (31:00). Follow us on Twitter: https://twitter.com/FeelingItPod

Tracy Letts, the Pulitzer Prize-winning playwright (August: Osage County) and Tony Award-winning actor (Who’s Afraid of Virginia Woolf), has a new play running at his home company, Chicago-based Steppenwolf Theatre. The play, Mary Page Marlowe, tells the story of one woman at various points throughout her life. And to accomplish this, she is played by six talented actresses with a supporting cast of equal caliber. New York Times theater critic Charles Isherwood visited the Windy City to see the production and offers his impressions of the play, Anna D. Shapiro’s direction, reasons behind dividing the title role into a half dozen parts and whether it may land in New York in the near future.