Theatre located in London
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16 episodes with Southwark Playhouse
39 episodes with Southwark Playhouse
18 episodes with Southwark Playhouse
16 episodes with Southwark Playhouse
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4 episodes with Southwark Playhouse
7 episodes with Southwark Playhouse
3 episodes with Southwark Playhouse
2 episodes with Southwark Playhouse
Glee star, actor and stage star Kevin McHale joins Johnny Seifert on Secure The Insecure Podcast this week.Kevin opens up about the success and filming of Glee, his coming out journey and his grief journey when a few of his co-stars passed away in recent years. Plus, Kevin talks about his new show, The Frogs at The Southwark Playhouse.To see Kevin in The Frogs visit: www.southwarkplayhouse.co.ukTo contact The Samaritans visit: www.samaritans.org.uk or call them on 116 123Secure The Insecure is the celebrity mental health podcast that airs on Mondays available to watch on Youtube or listen to on Apple Podcasts and Spotify. Make sure you subscribe/rate/review where you are watching or listening to Secure The Insecure.Follow Johnny Seifert on Social Media:Twitter: www.twitter.com/JohnnySeifertInstagram: www.instagram.com/johnnyseifertInstagram: www.instagram.com/securetheinsecurepodcastTikTok www.tiktok.com/johnnyseifert92 Hosted on Acast. See acast.com/privacy for more information.
Welcome dear listeners, to our series of ‘Talk Haunts' – a chat that's all scary ... just for you. So, grab a hot chocolate, maybe a tea, pull up a chair … because this is Haunted UK Podcast's Talk Haunts – Theatre Ghosts and Superstition with Stu Thompson and Lotty Holder from Radiant Boy – a new supernatural play soon to open at Southwark Playhouse – described as a coming-of-age drama meets The Exorcist! Join us as we chat to the lead actor Stu Thompson and producer Lotty Thompson all about the haunting story of Radiant Boy, the array of ghosts in London theatres as well as the many superstitions which haunt the acting profession. Sit back and enjoy as we discuss Shakespeare (although not the M word!), the hauntings at Theatre Royal, Drury Lane and more frighteningly: our mutual fear of demons and of the exorcism rite!Please check out the extended interview on Haunted UK Podcast Patreon where Stu and Lotty reveal their biggest fears plus the North East urban legend which inspired the play.Radiant Boy opens at Southwark Playhouse May 21st – 14th June. Tickets are available herePresented by Steven Holloway and Marie WallerProduced by Pink Flamingo Home StudiosScript editor: Marie Waller Proofreading The Haunted UK Podcast has teamed up with Northumbria University who are interested in sleep paralysis. Sleep paralysis is when people wake up and are unable to move and often see vivid experiences. We would particularly like to hear from people who are over eighteen years old and have paranormal experiences during sleep paralysis.We are proud to be a part of this fantastic study, and we'd love for all of you listeners to get involved if you've had any experience with sleep paralysis ... no matter how small.Get in touch using the following links:https://www.surveymonkey.com/r/ThingsThatBumpEmma.barkus@northumbria.ac.uknick.neave@northumbria.ac.ukcontactus@hauntedukpodcast.comDo you have an interesting story which features the paranormal? Or even ideas or stance on the paranormal that you would like to discuss? If so, we would love you to be a guest on Talk Haunts. Please get in touch via:Website: https://hauntedukpodcast.com/Instagram: Haunted UK PodcastTwitter/X: @hauntedukpodWe are also now on Facebook – please join us there!We're waiting for your stories …You can support us, access bonus material (including extra Talk Haunts, Short Haunts, Tour Haunts – and now Movie Haunts!), join our growing community – and follow us for updates at Haunted UK Podcast PatreonYou can now also support us at:ko-fiThank you!
When Sean Daniels decided to change his relationship with alcohol, he turned to what he knew best: theatre.His play, The White Chip, shares his story - and the community that helped him find his way to recovery.Welcome to The Next Round, the podcast that explores what people did next.While some keep their post-booze lives quiet, others shout them loud and proud, helping themselves - and inspiring you.Like Sean, his play The White Chip is moving on too: transferring from Off-Broadway to the Off-West End this summer.Could he have written a play while still drinking? Well, yes - until he couldn't.As a professional artist and director, Sean found healing by translating the chaos of his recovery into something tangible and transformative – a play.Today, Sean's autobiographical show, The White Chip, is not just another production. It's a raw, hilarious, and hopeful exploration of addiction and recovery, set to debut at London's Southwark Playhouse. But it's also a testament to what happens when you take your darkest moments and create a light for others to follow.“The art form did help to save me, because it was a way to try to process what happened.”For Sean, getting sober didn't mean leaving creativity behind – it meant reclaiming it. Early on in recovery, on just his third day of sobriety, he wrote a monologue trying to capture his confusion and pain. That piece remains almost untouched in the final version of the play. Writing gave him a lifeline, a way to understand a collapse that seemed impossible to explain at the time.He also poured his energy into community work, founding the Recovery Arts Project, an initiative using theatre to change the narrative around addiction. It's part of Sean's larger mission: not just to tell his story, but to reshape how society talks about addiction and creativity.“The opposite of addiction isn't abstinence – it's community.”Through his work, Sean challenges one of the most persistent myths: that great artists must suffer for their art, and that alcohol fuels creativity.“The idea that part of what it costs you to be a really great artist is that you have to destroy your life – that's 100% not true.”Sean's journey into addiction mirrored the glamorous chaos of the theatre world: late nights, endless parties, endless justification. At first, he says, drinking seemed to fuel his success, making him a more “fun” director, a better networker, someone who could juggle 4 a.m. drinks and 9 a.m. meetings with ease. Until it didn't.“It worked for me until it didn't, which is a pretty standard version of the story.”Find Club Soda:The Club Soda Tasting Room is at 39 Drury Lane, London, WC2B 5RRFind us on Instagram
In this insightful episode of MusicalTalk, Nick Hutson catches up with West End star and friend of the show, Emma Williams, for an honest chat about her remarkable 20-year journey in the theatre industry. From her breakout role in Chitty Chitty Bang Bang to her recent work on the innovative production Scissorhandz at the Southwark Playhouse, Emma reflects on how the landscape of musical theatre has evolved—and how becoming a parent has shifted her perspective both on and off stage. Expect laughter, wisdom, and a touch of nostalgia in this illuminating conversation between two industry friends. Tune in for a blend of behind-the-scenes anecdotes, industry insight, and a look at what it really means to balance artistry with real life.
This week: welcome to the age of the strongman ‘The world's most exclusive club… is growing,' writes Paul Wood in this week's Spectator. Membership is restricted to a very select few: presidents-for-life. Putin of Russia, Xi of China, Kim of North Korea and MBS of Saudi Arabia are being joined by Erdogan of Turkey – who is currently arresting his leading domestic political opponent – and Donald Trump, who ‘openly admires such autocrats and clearly wants to be one himself'. ‘This is the age of the strongman,' Wood declares, ‘and the world is far more dangerous because of it.' Despite their bombast, these ‘are often troubled characters', products of difficult childhoods. But ‘the real danger' lies in their ‘grandiose plans' and ‘wish to secure their place in history by redrawing the map' whether over Ukraine, Taiwan or even Greenland. What drives them, and how worried should we be? Paul joined the podcast alongside the Financial Times journalist, and author of The Age of the Strongman, Gideon Rachman. (1:01) Next: Tesla owners, beware! Jonathan Miller writes in the magazine this week about the phenomenon of Tesla cars being defaced, damaged, and even set fire to. The brand's association with its owner Elon Musk has made it an ‘accessible but indefensible' target for activists. And, despite Musk's role in the Trump administration, this issue isn't confined to the US. Jonathan joined the podcast from his hamlet in the south of France to talk about how local Tesla-owners are preparing to fight back. A representative from the activist group Tesla Takedown did initially accept an invitation to join the podcast… (15:50) And finally: are theatre matinees experiencing a revival? Playwright Jonathan Maitland highlights the resurgent popularity of theatre matinees in the arts lead of the magazine. Matinees have a long history within theatre and now offer a greater convenience for diverse audiences in a post-pandemic age. Jonathan's new play, Wilko: Love and Death and Rock n Roll, is a good example of this. At London's Southwark Playhouse until the 19th April, they've put on extra matinee performances to cope with demand (a small number of tickets are still available). Jonathan joined the podcast alongside Nica Burns, the theatre producer and co-owner of the Nimax Theatres group which runs six West End theatres including the Palace, the Apollo and the Garrick. (22:25) Presented by William Moore and Lara Prendergast. Produced by Patrick Gibbons.
This week: welcome to the age of the strongman ‘The world's most exclusive club… is growing,' writes Paul Wood in this week's Spectator. Membership is restricted to a very select few: presidents-for-life. Putin of Russia, Xi of China, Kim of North Korea and MBS of Saudi Arabia are being joined by Erdogan of Turkey – who is currently arresting his leading domestic political opponent – and Donald Trump, who ‘openly admires such autocrats and clearly wants to be one himself'. ‘This is the age of the strongman,' Wood declares, ‘and the world is far more dangerous because of it.' Despite their bombast, these ‘are often troubled characters', products of difficult childhoods. But ‘the real danger' lies in their ‘grandiose plans' and ‘wish to secure their place in history by redrawing the map' whether over Ukraine, Taiwan or even Greenland. What drives them, and how worried should we be? Paul joined the podcast alongside the Financial Times journalist, and author of The Age of the Strongman, Gideon Rachman. (1:01) Next: Tesla owners, beware! Jonathan Miller writes in the magazine this week about the phenomenon of Tesla cars being defaced, damaged, and even set fire to. The brand's association with its owner Elon Musk has made it an ‘accessible but indefensible' target for activists. And, despite Musk's role in the Trump administration, this issue isn't confined to the US. Jonathan joined the podcast from his hamlet in the south of France to talk about how local Tesla-owners are preparing to fight back. A representative from the activist group Tesla Takedown did initially accept an invitation to join the podcast… (15:50) And finally: are theatre matinees experiencing a revival? Playwright Jonathan Maitland highlights the resurgent popularity of theatre matinees in the arts lead of the magazine. Matinees have a long history within theatre and now offer a greater convenience for diverse audiences in a post-pandemic age. Jonathan's new play, Wilko: Love and Death and Rock n Roll, is a good example of this. At London's Southwark Playhouse until the 19th April, they've put on extra matinee performances to cope with demand (a small number of tickets are still available). Jonathan joined the podcast alongside Nica Burns, the theatre producer and co-owner of the Nimax Theatres group which runs six West End theatres including the Palace, the Apollo and the Garrick. (22:25) Presented by William Moore and Lara Prendergast. Produced by Patrick Gibbons.
Wendi Peters is starring as Florence Foster Jenkins in the revival of Glorious! at the Hope Mill Theatre in Manchester.Glorious! was nominated for Best New Comedy at the 2006 Olivier Awards and tells the true story of American socialite Florence Foster Jenkins, dubbed ‘the worst singer in the world', who was known for her flamboyant costumes, enigmatic performances and decidedly off-key voice. The revival is directed by Kirk Jameson. Wendi is an icon of stage and screen. Most recently she played Mother Superior in the UK tour of Sister Act. Just a few of her other theatre credits include Big The Musical, White Christmas, Oh What A Lovely War and many more. Wendi received huge acclaim for creating the role of Diana in the UK premiere of You Are Here at Southwark Playhouse, with her performance featuring in West End Frame's Top 5 Performances of 2021. On screen Wendy is beloved for her iconic performance as Cilla Battersby-Brown in Coronation Street (ITV), a role she played from 2003 to 2007 and again in 2014. Wedi has worked extensively on screen, most recently she played Nina Bulsara for a year in Doctors (BBC). In this episode Wendi discusses all-things Glorious! and also reflects on the path of her career, including some of the non-performing jobs she did early on, how Coronation Street changed things, what makes her say yes or no… and lots more along the way.Glorious! runs at the Hope Mill theatre in Manchester until 30th March 2025. Visit www.hopemilltheatre.co.uk for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
Imagine losing it in public, a video going viral and the whole world calling you a bad mother. That's what happens in playwright and actor Anna Morris's new play Son of A Bitch, now at Southwark Playhouse. Anna chats to Hannah about raging in public, viral videos, empathy, and the pressure on women to be mothers. Good mothers. Excellent mothers. You can book tickets for Son of A Bitch here: https://southwarkplayhouse.co.uk/productions/son-of-a-bitch/ Learn more about your ad choices. Visit megaphone.fm/adchoices
In the fourth part of this short series of guest episodes before we get back to continuing the journey through the Shakespeare and Jonson cannon today's episode is a repeat of episode 32 of the podcast, first released in late 2020. Having just produced an episode on satyr play on the main podcast and another on the papyologists who rediscovered the play Trackers for the fledgling Patreon account I was very pleased to be able to talk to theatre director Jimmy Walters who have produced a revival of the play The Trackers of Oxyrhincus by Tony Harrison. To hear from first-hand experience what it was like to produce a modern adaptation of a Greek play, especially something as rare as the satyr play was a real treat. It is, I think, worthy of another listen if you heard it at the time, or a first listen if you have only joined us for the later theatrical periods.Jimmy Walters has been a professional actor and then director for almost twenty years. In his directing career he has presented work at most of London's most prestigious off-west end venues, including the Finborough Theatre, Southwark Playhouse and the Jermyn Street Theatre and at other venues around the UK. Since 2022 he has been Education Practitioner for Shakespeare's Globe leading Shakespeare workshops onsite for children of all ages.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.
Claire-Marie Hall (Operation Mincemeat) returns to co-host The West End Frame Show!Andrew and Claire discuss Now That's What I Call A Musical (Milton Keynes Theatre, UK Tour) as well as the latest news about the Mattel Wicked dolls mishap, 13 Going On 30, Hadestown, Scissorhandz and more. Claire is currently starring as Jean Leslie & others in the West End production of Operation Mincemeat. She was part of the musical's original cast, originally performing it at the Southwark Playhouse and Riverside Studios before transferring to the West End's Fortune Theatre.Next year Claire will reunite with the original cast of Operation Mincemeat for the musical's Broadway transfer. Performances will begin in New York at the Golden Theatre on 15th February 2025, ahead of an official opening night on 20th March.Claire's theatre credits also include: The Innkeeper's Wife in The Wicker Husband (Watermill Theatre), The Grinning Man (Trafalgar Studios), Tuptim in The King and I (Leicester Curve & National Tour), Gabriella High School Musical (Hammersmith Apollo & National Tour) and Cosette in Les Miserables (Queen's Theatre).At the age of 11, Claire made her professional debut as Ngana in the National Theatre's touring production of South Pacific. In this episode, Claire discusses her journey with Operation Mincemeat and how it feels to be taking the musical to Broadway!Follow Claire on Instagram: @claire_m_hall Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
John Dagleish and Clare Foster are In The Frame! John is playing Benjamin Button and Clare is playing Elowen Keene in the West End production of The Curious Case of Benjamin Button. After winning Best Musical Theatre Production at the 2024 Off West End Awards for its run at the Southwark Playhouse – with a different cast – the show has transferred for a run at the Ambassadors Theatre. John won an Olivier Award for his performance as Ray Davies in The Kinks musical Sunny Afternoon (Hampstead Theatre / Harold Pinter Theatre). His theatre credits also include: Spike (The Watermill Theatre), Cratchit (The Park Theatre), Sylvia (The Old Vic), A Christmas Carol (The Old Vic), Common (National Theatre), A Midsummer Night's Dream (The Young Vic), The Winter's Tale/Harlequinade (Branagh Theatre Company at The Garrick) and Shoot/Get Treasure/Repeat (Royal Court).Clare recently performed in Best of Enemies (Young Vic / Noel Coward Theatre). Some of her musical credits include Guys and Dolls (Chichester Festival Theatre), Merrily We Roll Along (Menier Chocolate Factory / Harold Pinter Theatre), Finding Neverland (Curve), Crazy For You (Regents Park Open Air Theatre / Novello Theatre), Avenue Q (Noel Coward Theatre) and We Will Rock You (Dominion Theatre). Clare was nominated for an Olivier Award for her performance in Travesties (Menier Chocolate Factory / Apollo Theatre). Recorded backstage, in this episode John and Clare discuss how they first met, their approach to tackling such huge roles and their musical theatre trauma... plus more. The Curious Case of Benjamin Button is booking at the Ambassadors Theatre until 15th February 2025. Visit www.benjaminbuttonmusical.com for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Hiba Elchikhe is starring as Neeta in the world premiere of Here And Now: The Steps Musical. Featuring the music of Steps, Here And Now has an original book by Shaun Kitchener and is directed by Rachel Kavanaugh, with choreography by Matt Cole. This show runs in Birmingham at the Alexandra Theatre this month.After covering Molly Ghost The Musical's Asia Tour, Hiba starred as Princess Jasmine in the Australian production of Disney's Aladdin. She went on to perform in Antony and Cleopatra (National Theatre, Fiver and Lift (both Southwark Playhouse) and Millennials (The Other Palace). Hiba starred as the title role in the UK premiere of Brooklyn (Greenwich Theatre) and played Pritti in Everybody's Talking About Jamie (West End & LA).Most recently Hiba starred in the West End premiere of The Time Traveler's Wife and toured the US in Disney Princess The Concert Tour with music director Benjamin Rauhala.Recorded inside Here And Now's rehearsal studios, in this episode Hiba discusses why it's such a special show to be a part of. She also talks about the twists and turns of the past few years of her career and the incredible opportunities that have come her way.Here And Now runs at the Birmingham Alexandra between the 9th and 30th November. Visit www.thestepsmusical.com for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Spooky Season is back. We have a week of brilliant audio drama coming your way. Today is The Revival by Corinne Sailsbury Voice Actors: Alex – Fergus John McCann Iona – Elaine Stirrat Corinne Sailsbury Corinne Salisbury is an Edinburgh-based playwright. She's had plays produced at the Traverse Theatre and the Scottish Storytelling Centre (both commissioned by Strange Town for their youth theatre groups); and digital commissions from Paines Plough and from the National Theatre of Scotland/BBC for the SCENES FOR SURVIVAL series. She's a past Playwrights Studio Scotland New Playwrights Award winner, and was longlisted for the Channel4 New Writers Scheme 2024 and nominated for the Adopt a Playwright Award 2024. She's had development processes supported by Playwrights' Studio Scotland, National Theatre of Scotland, Royal Conservatoire of Scotland, Creative Scotland and the Peggy Ramsay Foundation. Her work has been performed at venues including Hampstead Theatre, Theatre503, the Spiegeltent, Southwark Playhouse, Live Theatre Newcastle, Camden People's Theatre, the Yard Theatre, the Old Vic Theatre, New York's Public Theater, the Tron, the Traverse, the CCA, Leith Depot, the Village pub and the Hidden Door Festival. Her play GIRLBOSS is published in Routledge's anthology ‘Short Plays with Great Roles for Women' The Revival A ghost hunter and property developer meet in an abandoned theatre to communicate with the voices of the past. What could possibly go wrong. OUR WEBSITE - www.persistentandnasty.co.uk HIPA GUIDES: HIPA GUIDES Equity Toolkit: Link Stellar Quines: Link Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE
Mickey-Jo recently had the chance to sit down with global musical theatre star Keala Settle (Waitress, Les Misérables, & Juliet) to discuss her upcoming appearance in the new musical FLY MORE THAN YOU FALL at Southwark Playhouse in London. Known to audiences for her role in The Greatest Showman as well as various stage performances, Keala is also a Tony Award and Drama Desk nominee who will appear in the upcoming Wicked movie. In this brief interview, during the show's final rehearsals before starting preview performances, we discussed the musical's themes, her recent and upcoming stage appearances and the tricky topic of identity for a performer whose resumé and heritage span the globe. Comment down below with who you'd love for Mickey-Jo to interview next! • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ book tickets to see FLY MORE THAN YOU FALL: https://southwarkplayhouse.co.uk/productions/fly-more-than-you-fall/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Jordan Frazier is In The Frame!Jordan recently completed her run as Angelica in the West End production of Hamilton.After growing up in the US, Jordan spent several years performing on multiple highly acclaimed cruise ships. After moving to London, Jordan was cast as Zahara in the international tour of Bat Out Of Hell. Despite completing rehearsals, sadly the production didn't open due to the Covid-19 theatre shutdown. Jordan starred alongside Wendi Peters as Ruby in You Are Here at the Southwark Playhouse before joining Hamilton as the understudy for all three Schuyler Sisters. She later became the Schuyler Sisters standby and then took over as Angelica full-time. Most recently Jordan has been workshopping the Chaka Khan musical I'm Every Woman, starring as Chaka.Jordan's theatre credits also include: River in In Pieces, Sweet Thang in Nina Simone: Four Women, Lola in Damn Yankees and Dorothy in The Wizard of Oz.Jordan is fluent in Spanish - her Spanish theatre credits include Tiffany in Confessions of Women from East L.A. Jordan has also completed several cruise contracts as a Principal singer. Her screen credits include Ava in Sun Rosè & Romance, Jenny in Love At First Sight (Netflix), Jacquie in Feuds (Disney+), Woman in Power XL (advert) and Toyota Commercial (USA advert). Follow Jordan on Instagram: @jordanbfrazier Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Katie Bernstein returns to co-host The West End Frame Show! Andrew and Katie talk about the sad loss of Dame Maggie Smith, Gavin Creel and Ken Page. They also discuss Buyer and Cellar (King's Head Theatre), Cake (The Other Palace) and A Chorus Line (Wycombe Swan Theatre, UK Tour) as well as the latest news about Operation Mincemeat, West End Musical Halloween, Hadestown, Choir Of Man and lots more. Katie was most recently in Power of Sail and Habeas Corpus, both at the Menier Chocolate Factory. Her West End credits include The Man in the White Suit, The Play That Goes Wrong, Mrs Henderson Presents and Urinetown. Katie was in Allegro at the Southwark Playhouse and the 2013 concert tour of Rent. She also works extensively on screen. Follow Katie on Instagram: @katiebernsteinukHosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
In this special episode of MusicalTalk, host Nick Hutson takes you behind the scenes with the National Youth Music Theatre (NYMT), a prestigious organisation that has been nurturing the talents of young performers for over four decades. Founded in 1976, the NYMT has a storied history of launching the careers of some of the UK's brightest stars in musical theatre. Nick sits down with current cast members of the NYMT on the exciting day of their world premiere performance of "Catastrophe Bay" at the Southwark Playhouse Elephant. We dive into the creative process and what it means to be part of such an iconic institution. We also hear from NYMT alumnus Josh Barnett, who reflects on his time with the company and how it shaped his career.
Today Elaine chats with Isley Lynn and Libby Rodliffe the co-writers and performer of Jobsworth. We chat the inspiration for the show, shame around debt and our lack of honestly when it comes to finical maters, the comedy of bad bosses and we have a great laugh. Jobsworth - Pleasence Courtyard - Upstairs Dates: 31st July - 26th AUGUST (not 14th) @ 1.45 pm Tickets available here: https://tickets.edfringe.com/whats-on/jobsworth Jobsworth Bea's secretly working three full-time jobs. All at the same time. And she's still financially f*cked. Between looking after luxury flats and dogsitting the world's ugliest pooch, she's neck-deep in employers and it's only a matter of time until someone finds out she's breaking all her contracts. Armed with nothing but her smarmiest boss' dirty secret, can Bea get herself out of the red and into the black (and into the fit intern's bed)? Or will the plates she's been spinning come crashing down around her and her dysfunctional family? A riotous comedy about snakes and surviving capitalism. Libby Rodliffe Libby trained at Royal Central School of Speech and Drama. Theatre credits include: JOBSWORTH (Vault Festival), Skin a Cat (Assembly Rooms: Edinburgh Fringe & UK Tour), Who Are We Now? (Southwark Playhouse), Trapped (Cockpit Theatre), Mr Kolpert (Lion & Unicorn Theatre). TV credits include: Best Interests, Call the Midwife and His Dark Materials (BBC). Feature film credits include: Spencer (Komplizen) and Big Boys Don't Cry (Six from Eight). Isley Lynn Isley is an American-born, London-based playwright and poet. Their play THE GLUE opened at Royal Welsh College of Music and Drama and transferred to the Young Vic this year.They won the ‘Most Promising Playwright Award' at the Evening Standard Theatre Awards 2023 for their play THE SWELL, which opened to great acclaim at the Orange Tree Theatre and received a 2024 Olivier Awards nomination for Outstanding achievement in affiliate theatre, as well as being nominated for Best New Play, Best Director and Best Production at the 2023 Offies. Isley's play SKIN A CAT played at The Bunker as their premiere production in 2016. It was nominated for four Off West End Awards, including Best New Play. It was originally performed as part of the Vault Festival in London in January 2016, and was awarded ‘Pick Of The Year' by the festival. It was picked up by Playground Entertainment for TV adaptation.Isley is currently under commission to Vicky Graham Productions, Chichester Festival Theatre, Theatre Royal Bury St Edmunds, and is writing a new musical with Emmy The Great and Tom Hughes. They are a graduate of the Royal Court Young Writers Programme (2012), the Royal Court Invitation Studio Group (2013), the Soho Theatre Young Company from 2011-2012, and The Bush Theatre's Emerging Writers' Group. HIPA GUIDES: HIPA GUIDES OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE
Musical theatre writers Caitlyn Burt & Amir Shoenfeld (When We Strike) co-host The West End Frame Show!Andrew Caitlyn and Amir discuss A Chorus Line (Sadler's Wells) and I'm Gonna Marry You Tobey Maguire (Southwark Playhouse) as well as the latest news about Lin-Manuel Miranda's new musical, Your Lie In April, Dear Evan Hansen in Australia, The History Boys and lots more. Caitlyn and Amir were the first writing team to be selected for the Cameron Mackintosh Composer Residency, hosted by Theatr Clwyd in 2022. They are the creators of new musical in development, Otto Weidt's Brush And Broom Workshop For The Blind and their very Australian audio musical Sheila The Tiny Turtle is featured on the podcast Bite-Sized Broadway.Their song 'Looking at the Moon' was selected by Tony winner Jason Robert Brown as the winner of the Song For Our Time initiative for Tarento Productions in 2020. Their new punk-rock musical When We Strike is premiering at the Southwark Playhouse later this month as part of BYMT's new season. The show tells the story of the Match Girls' strike – the strike that sparked the British labour movement – with a company of all-female and non-binary performers and musicians.When We Strike runs at the Southwark Playhouse on 30th and 31st August. Visit www.southwarkplayhouse.co.uk for info and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Aviva Tulley is currently starring as Dorothy in The Wizard of Oz. Aviva has been touring in The Wizard of Oz for the past seven months ahead of its upcoming West End run at the Gillian Lynne Theatre. She has received rave reviews for her performance and blew everyone away with her rendition of 'Somewhere Over The Rainbow' at The Big Night of Musicals at the AO Arena. Aviva played Erzulie in the British Theatre Academy's revival of Once On This Island at the Southwark Playhouse before starring as Nabulungi in The Book of Mormon on tour and in the West End. In this episode, Aviva discusses all-things The Wizard of Oz as well as learning to accept who she is, navigating her path in theatre without going to drama school and lots more. The Wizard Of Oz tours to Wolverhampton and Sunderland prior to running in the West End at the Gillian Lyne Theatre 15th August - 8th September 2024. Visit www.wizardofozmusical.com for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Creative RiskArtists and creatives, GET RISKY! Candid convos, expert interviews & actionable advice.Listen on: Apple Podcasts Spotify
Carly Anderson most recently starred as Polly in Susan Stroman's revival of Crazy For You. The production opened at the Chichester Festival Theatre before transferring to the Gillian Lynne Theatre for an acclaimed West End run. Some of Carly's early theatre credits include The Sound of Music (UK Tour), South Pacific (Barbican Centre & National Tour), My Fair Lady (Sheffield Crucible Theatre), Avenue Q (Seoul), Candide (Menier Chocolate Factory) and Sunset Boulevard (ENO London Coliseum). Carly originated the role of Gwen in the premiere of Sunny Afternoon at the Hampstead Theatre which subsequently transferred to the Harold Pinter Theatre in the West End, winning the 2015 Olivier Award for Best New Musical. Carly starred as Clio/Kira in the UK premiere of Xandu at the Southwark Playhouse and as Glinda in the 2016-17 international tour of Wicked. Some of Carly's screen credits include Traces (Alibi) and Trust Me (BBC). Follow Carly on Instagram: @anderson_carly Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
In today's episode, we are joined by Ricky Dukes, Artistic Director of the Lazarus Theatre Company, to discuss the work of the Lazarus Theatre Company, why classical plays, including Shakespeare, are still relevant for audiences today, and the upcoming (and timely) Lazarus Theatre Company production of Julius Caesar. About Ricky Dukes Ricky is a working-class, award-winning Director, Practitioner and Teacher based in the West Midlands and London. In 2007 he founded Lazarus Theatre Company and is the company's current Artistic Director for which he won Best Artistic Director in the 2012 Fringe Report Awards. His work is ensemble led with actor detail at its heart creating large scale visual, visceral, and vibrant theatrical experiences. Founded in 2007 Ricky has gone on to direct over 40 productions for Lazarus Theatre Company. He is currently working on a new production of Shakespeare's Rowley's Julius Caesar which will open at Southwark Playhouse in Sept 2024. Notable productions include: The Changeling, Middleton & Rowley, Southwark Playhouse, 2023. Hamlet, Shakespeare, Southwark Playhouse, 2023. Doctor Faustus, Marlowe, Southwark Playhouse, 2022. Salomé, Oscar Wilde, Southwark Playhouse, 2021. Macbeth, Shakespeare, Greenwich Theatre, 2020. Edward II, Christopher Marlowe, Tristan Bates Theatre / Greenwich Theatre, 2017 /2018. Caucasian Chalk Circle, Brecht, Jack Studio Theatre / Greenwich Theatre, 2016 /2017. Tis Pity She's A Whore, John Ford, Tristan Bates Theatre, 2016. Dido, Queen of Carthage, Christopher Marlowe, Greenwich Theatre, 2013. About Lazarus Theatre Company Lazarus Theatre Company is an award-winning ensemble, reimagining and revitalising classic plays in visual, visceral and vibrant productions. Follow them on Instagram and Twitter at @LazarusTheatre About Lazarus Theatre Company's 2024 production of Julius Caesar Lazarus Theatre Company will return to Southwark Playhouse Borough with a glimpse into the behind the scenes of government politics in a multimedia reinterpretation of Shakespeare's Julius Caesar. Set within a government spin room, this uncanny insight into the inner workings of politics and media engages with what we are fed and how we consume news. In what is set to be a hotly contested electoral year in the UK, US and across Europe, Julius Caesar's investigation into what we can trust in the media and through our screens presents a crucial look at the current landscape of media, AI and public opinion. A striking reimagining, which exposes the plots and betrayal at the forefront of the classic story, this political thriller will use an innovative blend of technology and staging to present both sides of the political coin. Expect dramatic and striking theatrics as Lazarus's ensemble present a raucous and bloody production that sees The Thick of It meets West Wing. Julius Caesar will run Friday September 6th – Saturday October 5th, 2024 at Southwark Playhouse Borough, The Large, 77-84 Newington Causeway, London SE1 6BD. Captioned Performance Saturday 21st September 2024 Relaxed Performance Saturday 28th September 2024, 3pm, 7.30pm Streamed Performance Thursday 17th October 2024 Tickets are available online at https://southwarkplayhouse.co.uk/productions/julius-caesar/ ---- Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Additional sound effects from https://www.zapsplat.com/ Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod
Actriz | Creadora Teatral | Profesora de DramaPepa Duarte, nuestra invitada de esta ocasión, es una hacedora, creadora y forjadora teatral con un don para la provocación y un talento para la improvisación, imposibles de desestimar. Limeña de nacimiento (de un barrio llamado Barranco), Pepa vive desde hace una buena cantidad de años en Londres, ciudad desde la cual construye experiencias teatrales incómodamente reflexivas, politicamente divergentes, anticonformistas y anticolonialistas.Pepa es una fascinante cuenta cuentos, impregnados de humor critico. Una imparable gastadora de experiencias teatrales, que en torno a temas como la migración, el feminismo, las tradiciones y los conflictos de genero, crea espacios de dialogo cultural y puestas en escena que son siempre vitales reivindicaciónes de valores universales como la diversidad y la anti homologación. Desde que Pepa llegó a Londres para hacer un master de actuación y creación teatral en RADA (Royal Academy of Dramatic Arts), esta ciudad se ha vuelto su centro de operaciones creativas, permitiéndole a su vez volcar la mirada hacia problemáticas sociales de escala universal. Uno de sus personajes más populares, Señorita Rita, es una encantadora latina bio-drag-queen que se abre paso en el Reino Unido con subversivo humor feminista y con escalofriante información estadística acerca de temas como femicidio, racismo y discriminación. Por otra parte, la segunda temporada teatral de Eating Myself en Londres, fue un éxito de audiencias, y recibió excelentes comentarios por parte del la critica. Pepa es la autora y la actriz de esta obra que examina con gracia y con agudeza, la alienante relación que existe entre los cuerpos, sus apetitos, los roles de géneros y los estigmas sociales vinculados al alimento como símbolo de coherción social y de estatus. Esta obra pone de manifiesto de una manera incómodamente elocuente, la incidencia contradictoriamente complejo que juega la nutrición en nuestras vidas. Eating Myself es una obra que ha logrado además, diseminar un mensaje de relevancia universal, mas allá de las salas de teatro británicas, rindiendo palpable la fe que Pepa deposita en el teatro como herramienta de empoderamiento creativo.Para el momento en el que esta entrevista fue llevada a cabo, en Londres, Pepa estaba a cargo de la dirección del Southwark Playhouse's Young Company, era facilitadora de clases de drama para el Old Vic Theatre y Tender Charity y había liderado cursos de drama y creación teatral para King's College, Latin American Women's Rights Services y Routes, certificando con diversificadas acciones, su compromiso con la función inclusiva del teatro en la comunidad. Como creadora y como docente, para Pepa Duarte el teatro ha sido desde muy niña, una herramienta para la exploración y la discusión de la experiencia social, que permite reír, jugar, soñar, y al mismo tiempo, denunciar, transformar y resistir.¡Y ahora, disfruten la entrevista!__________You can also watch this episode on Youtube, where English, Italian and Spanish subtitles are available. You can also visit the Metralla Rosa website for more details.__________Enlaces relacionadosSeñorita Rita: InstagramPepa Duarte: Support the Show.
Two time Olivier nominee Fabian Aloise is back In The Frame!Fabian is the co-director and choreographer of Kathy And Stella Solve A Murder which is about to open in the West End at the Ambassadors Theatre following two sold out runs at the Edinburgh Fringe Festival and a tour. He's also preparing to make his Broadway debut as the choreographer of Sunset Boulevard starring Nicole Scherzinger and directed by Jamie Lloyd, having received an Olivier nomination for his work on the West End production which ran to huge acclaim at the Savoy Theatre. Some of Fabian's recent work as a choreographer includes the first international non-replica production of Wicked in Hamberg, Germany, the London production of Bring It On, Cabaret in Paris, SpongeBob The Musical on tour and In Dreams in Leeds and Toronto. Originally from Canada, Fabian trained as a ballet dancer in Melbourne, Australia but, after being told he wouldn't make it as a ballet dancer, pursued a career in musical theatre. As a performer, Fabian appeared in many shows including the West End productions of We Will Rock You and Legally Blonde. He went on to work as an assistant, associate and resident choreographer; he was the resident choreographer for the West End production of Matilda The Musical for five years. Fabian then began working as a choreographer, with his early work including The View UpStairs at Soho Theatre, The Rink at Southwark Playhouse and Evita at Regent's Park Open Air Theatre directed by Jamie Lloyd, for which he received his first Olivier nomination. Having done the fourth episode of In The Frame five years ago, Fabian is back to discuss all things Kathy & Stella and Sunset Boulevard, as well as how he feels about the evolution of musical theatre choreography, whether he wants to take on more directing work and the many different paths his career has taken him down so far.Kathy And Stella Solve A Murder runs at the Ambassadors Theatre 25th May - 14th September. Visit www.kathyandstella.com for info and tickets. Sunset Boulevard begins previews on Broadway on 28th September. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Past Present FeatureA filmmaker appreciation podcast hosted by Emmy-winning director...Listen on: Apple Podcasts Spotify
Emmanuel Akwafo (Sappho / For Black Boys) co-hosts The West End Frame Show!Andrew and Emmanuel discuss Sister Act starring Beverley Knight (Dominion Theatre) as well as the latest news about the Tony Award nominations, Lempicka closing, Titanique's West End transfer, Lucie Jones starring in The Baker's Wife, casting for The Bodyguard in Slovenia and lots more. Emmanuel played Pitch in the original cast of For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy at the Royal Court and for the play's first sold out West End run at the Apollo Theatre.Some of his other theatre credits include Lady Jelly-Bottom in Cinderella (Lyric Hammersmith), Amiens in As You Like It (Globe Theatre), Tim T in Primary Playwrights (Soho Theatre), Dame Trott in Jack and the Beanstalk (Lyric Hammersmith) and Mr Martin in The Bald Soprano (Leicester Square Theatre).Emmanuel is currently playing the Narrator in Sappho by Wendy Beckett which is spreading queer joy at the Southwark Playhouse. Fusing ancient poetry with modern music, Greek chorus with contemporary dance, Sappho is described as a thrilling adult fairy tale of mythic proportions that may – or may not – have happened.Follow Emmanuel on Instagram: @eman.akwafo. Sappho runs at the Southwark Playhouse until 25th May, visit www.southwarkplayhouse.co.uk for tickets. Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
[TW//references to suicide] Love addiction is as a very serious issue with far-reaching consequences. It can lead to broken relationships, career setbacks, parenting challenges, financial difficulties, legal troubles, and health risks like STDs. In extreme cases, it can escalate to tragic outcomes such as stalking, domestic violence, suicide or murder. Today's guest is Darren, a multi-talented creative who identifies as a love avoidant/fantasy addict. For anyone curious about what love addiction is and if it applies to them - this is the podcast for you! Five years ago, following a break up, Darren contemplated taking his life but has since completely turned his life around with the help of fellowship & therapy and he helps others do the same! Huge thanks to Darren for being so honest so that we can break down the stigma and unpack the finer details around these important topics. I know so many people will identify with your experience and journey ❤️ More on Darren - Darren is a writer, producer, actor and director. An award winning film & theatre maker and in 2017 he was nominated for an Olivier Award for the opera La bohème at the former Trafalgar Studios and won an Off West End Award for Doubt, A Parable at Southwark Playhouse with a further 14 nominations in other theatre works. His debut film as writer & director Blueberry Smoothie won the New York Award for Best Short LGBTQ+ and for his performance in Blueberry Smoothie he won best Performance at the LGBTQ+ Toronto Film Festival 2023. Topics - 0:00 Intro 2:45 Darren's rock bottom & starting recovery 5:45 What does 'acting out' mean to Darren? 9:38 Why loneliness kills 13:35 The power of step 4 18:35 How did Darren learn he is a love avoidant fantasy addict? 23:35 The emotional pain from Sex & Love addiction & how SLAA works 27:15 Your brain on sex & love 28:10 What is love addiction for some people? 30:35 Finding a sponsor in SLAA 33:55 Using fantasy as a creative 35:50 The benefits of recovery 39:10 How to be 'present'? 42:30 Ongoing maintenance 45:15 Why are so many creatives suffering? For anyone struggling with these topics Darren suggests reaching out to - SLAA - https://slaauk.org This Podcast is not for profit but my goal is to break even. To help me make more please donate here. Thank you! https://bit.ly/3kSucAs Follow Darren Instagram - https://www.instagram.com/creativedazzle Podcast - https://theatreaudiencepodcast.com/ Follow Oliver Instagram - https://bit.ly/3IemHLY Facebook - http://bit.ly/3w8S1Gx TikTok - https://bit.ly/3YGLsYm LinkedIn - http://bit.ly/3kp4ymC Threads - https://bit.ly/3svw7yL X - http://bit.ly/3GQYj2l Listen or watch on: (please subscribe/follow & rate/review) Spotify - https://bit.ly/3QsOSf5 YouTube - https://bit.ly/4a3ajKK Apple - https://apple.co/3PajZvQ
Ep 313: There is a new England related football performance taking place in London. It's called Why I stuck a flare up my arse for England at Southwark Playhouse. I chat with curator of it, Alex Hill to find out what it's about and how it came about. Running Time: 26:40 Join the debate in our Facebook group at http://bit.ly/2hnHBzi http://www.threelionspodcast.com http://www.Twitter.com/3LionsPodcast http://www.Twitter.com/Russell_Osborne
In addition to playing The Phantom in The Phantom of the Opera, Jon Robyns is preparing to celebrate his 20 year theatre career with a very special solo concert.Jon will play His Majesty's Theatre - home of Phantom - on Sunday 26th May in a show produced by West End Musical Productions.Jon joined the West End production of The Phantom of the Opera last April. His West End credits include: Jean Valjean in Les Misérables (having previously played Enjolras and Marius), King George in Hamilton, alternate Huey in Memphis, Scrooge & others in Dickens Abridged, Galahad in Spamalot and Princeton & Rod in Avenue Q.Jon's other theatre credits include: Robbie in The Wedding Singer (UK & Ireland Tour), Emmet in Legally Blonde (Leicester Curve), Eddie in Sister Act (UK & Ireland Tour), Caractacus Potts in Chitty Chitty Bang Bang (West Yorkshire Playhouse), Jamie in The Last Five Years (Greenwich Theatre), Hollis in Road Show (Menier Chocolate Factory), Mark in Rent (Frankfurt) and alternate Chris in Miss Saigon (UK & Ireland Tour). Jon is also a writer and last year premiered his musical Then, Now & Next – co-written with Christopher J Orton – at the Southwark Playhouse.In this episode Jon discusses his upcoming solo show at His Majesty's and all things Phantom, as well as decisions he has made throughout his career, delving into writing musicals and lots more. Jon plays His Majesty's Theatre in concert on Sunday 26th May. Visit www.lwtheatres.co.uk/whats-on/jon-robyns/ for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
If you find watching sport in public a bit intimidating, Set Piece Social will be for you. This week, Jen chats to Naomi Fitzgibbons and Kate Hetherington about their pioneering new project to get women watching women's sport. Hannah's talking to writer Farine Clark about her new play London Zoo, and what inspired her career changes from medicine through journalism and into the arts. In Rated or Dated, Mickey (*screeches to a stop in a 1974 Gran Torino*) has had us watching 2004's Starksy & Hutch (*doesn't run out of fingers on one hand counting female roles*). And in BT, we've got some good news and some more good news and some more good news. Also some bad news. But let's focus on the positive eh? More info about London Zoo at the Southwark Playhouse here: https://southwarkplayhouse.co.uk/productions/london-zoo/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Carly Anderson / @anderson_carly recently starred as Polly in Crazy for You at the Gillian Lynne Theatre in London. Carly's stage credits include playing Polly in Crazy For You at Chichester Festival Theatre; Glinda in Wicked in the international tour; Betty Schaefer in Sunset Boulevard at the London Coliseum / ENO; Kira/Clio in Xanadu at Southwark Playhouse; Gwen in Sunny Afternoon at Hampstead Theatre and the Harold Pinter Theatre; Candide at the Menier Chocolate Factory; Avenue Q in Seoul; My Fair Lady at the Sheffield Crucible Theatre; South Pacific at the Barbican Theatre and on National tour; and The Sound of Music. Carly's TV credits include Traces (Alibi) and Trust Me (BBC). *2 week Broadway Fitness Program - No Cost/Commitment www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Carly Anderson / @anderson_carly recently starred as Polly in Crazy for You at the Gillian Lynne Theatre in London. Carly's stage credits include playing Polly in Crazy For You at Chichester Festival Theatre; Glinda in Wicked in the international tour; Betty Schaefer in Sunset Boulevard at the London Coliseum / ENO; Kira/Clio in Xanadu at Southwark Playhouse; Gwen in Sunny Afternoon at Hampstead Theatre and the Harold Pinter Theatre; Candide at the Menier Chocolate Factory; Avenue Q in Seoul; My Fair Lady at the Sheffield Crucible Theatre; South Pacific at the Barbican Theatre and on National tour; and The Sound of Music. Carly's TV credits include Traces (Alibi) and Trust Me (BBC). *2 week Broadway Fitness Program - No Cost/Commitment www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 39: Joey PhillipsJoey Phillips embarked on his career at the young age of 13 with a breakthrough role in the sensational musical, 'Billy Elliot'. This production, based on the beloved feature film of the same name, directed by Stephen Daldry and featuring music by Elton John, saw Phillips co-originating the role of Michael, best friend of Billy Elliot.Following this success, Phillips ventured into numerous television roles, including Half- moon Investigations, Doctors, The Royal, Holby City, Casualty and also played opposite Juliet Stevenson, Peter Capaldi and Alfie Allen in Jimmy McGovern's critically acclaimed Accused' for the BBC. Joey made his feature film debut as the leading role of Eddie in Stephen Cookson's ‘My Angel' playing opposite Timothy Spall, Brenda Blethyn and Celia Imrie. He won Best Newcomer at the Monaco International Film Festival for his performance.Phillips went on to train at the prestigious Guildhall School of Music and Drama and after graduating has enjoyed a successful career in theatre including productions such as ‘God's and Monsters' at Southwark Playhouse, Rodolpho in Arthur Miller's ‘A View From the Bridge' at The Gate Theatre Dublin, ‘Who Cares?' At The Lowry theatre in Manchester, ‘Romeo and Juliet' & ‘Richard III' at Shakespeare's Rose Theatre, ‘A Christmas Carol' at the RSC and ‘Breaking the Code' opposite Edward Bennet.Now, after captivating audiences on stage and screen, Joey makes a return to television in the highly anticipated seventh season of Outlander where he portrays Denzell Hunter — a Quaker who faced expulsion from his community after choosing to serve as a surgeon for the Continental Army during the Revolutionary War.#HYGYSTPOD #haveyougotyoursh*ttogether #HYGYST #caitlinoryan #JoeyPhillips #outlanderHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.
Joanna Woodward / @thejoannawoodward is currently starring as Clare in the West End production of “The Time Traveler's Wife” and was seen before on the West End in Pretty Woman. Joanna is an internationally renowned singer, actress, and burlesque dancer with multiple performances in theatres and cabaret clubs all around the world. She grew up in Glastonbury, Somerset. Training: She received training in Acting and Musical Theatre at the Central School of Speech and Drama and achieved a BA Honours Degree. Theatre: Joanna has numerous stage credits that show her skills wonderfully. The roles she has played include Princess Atlanta in The Adventures of Jason and the Argonauts at Scoop Amphitheatre; Glauke in Medea; Kimberley in Pages: Promised Land at the Union Theatre; Princess in Sleeping Beauty, and Puss in Boots at the Newbury Corn Exchange; Audrey in Little Shop of Horrors at the Kilworth House Theatre; Tinker Bell in Lost Boy at the Charing Cross Theatre and Finborough Theatre; Mary in The Life at the Southwark Playhouse; Emily in Zombies: The Musical and Eulpha Miziam in Confessions at The Other Palace. She understudied Beth/Meg/KT in Merrily We Roll Along at the Harold Pinter Theatre, Menier Chocolate Factory. She understudied and played Carole King in Beautiful: The Carole King Musical at the Aldwych Theatre. *Free Broadway Fitness Program: www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Joanna Woodward / @thejoannawoodward is currently starring as Clare in the West End production of “The Time Traveler's Wife” and was seen before on the West End in Pretty Woman. Joanna is an internationally renowned singer, actress, and burlesque dancer with multiple performances in theatres and cabaret clubs all around the world. She grew up in Glastonbury, Somerset. Training: She received training in Acting and Musical Theatre at the Central School of Speech and Drama and achieved a BA Honours Degree. Theatre: Joanna has numerous stage credits that show her skills wonderfully. The roles she has played include Princess Atlanta in The Adventures of Jason and the Argonauts at Scoop Amphitheatre; Glauke in Medea; Kimberley in Pages: Promised Land at the Union Theatre; Princess in Sleeping Beauty, and Puss in Boots at the Newbury Corn Exchange; Audrey in Little Shop of Horrors at the Kilworth House Theatre; Tinker Bell in Lost Boy at the Charing Cross Theatre and Finborough Theatre; Mary in The Life at the Southwark Playhouse; Emily in Zombies: The Musical and Eulpha Miziam in Confessions at The Other Palace. She understudied Beth/Meg/KT in Merrily We Roll Along at the Harold Pinter Theatre, Menier Chocolate Factory. She understudied and played Carole King in Beautiful: The Carole King Musical at the Aldwych Theatre. *Free Broadway Fitness Program: www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back with a totally fetch episode about the brand new Mean Girls movie!Ahead of Mean Girls opening in the West End in June, the stage musical has been adapted into a brand new film. Directed by Samantha Jayne and Arturo Perez Jr, Tina Fey has once again written the movie's script. The cast includes Angourie Rice as Cady Heron, Reneé Rapp as Regina George, Auliʻi Cravalho as Janis, Jaquel Spivey as Damian, Avantika as Karen and Bebe Wood as Gretchen. This episode is co-hosted by writer and actor Jenna Fincken.Jenna wrote and starred in her one-person play Ruckus which had a sold-out, highly acclaimed run at the 2022 Edinburgh Fringe Festival. Later that year, the show transferred to London for a run at the Southwark Playhouse. Jenna was nominated for an Offie Award for Best Lead Performance in a Play and Ruckus was nominated for Best Off-West End production at the WhatsOnStage Awards. She's about return to the show for a tour. In this episode, Andrew and Jenna delve into their thoughts about the new Mean Girls movie and Jenna discusses why she's so excited to take Ruckus on tour. You can see Ruckus at the Mercury Theatre, Colchester 9th - 10th February, North Wall, Oxford 20th - 21st February, Harlow Playhouse 15th March and MAST Mayflower Studios, Southampton 19th March. For info and tickets, visit www.jennafincken.com.Mean Girls is in cinemas now. Hosted by Andrew Tomlins@AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Earlier this month Mickey-Jo was invited to Southwark Playhouse Elephant, one of London's leading off West End venues, to see UNFORTUNATE: The untold story of Ursula the Sea Witch. This is a musical parody of Disney's The Little Mermaid which he first saw in 2018 at the Edinburgh Fringe Festival. Check out the review for Mickey-Jo's thoughts on this show and who he thinks might be its ideal audience... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
[TW//OCD, POCD, Obsessions, Compulsions] Actor Ria Fay's anxiety, panic, fear, intrusive thoughts and compulsions were out of control. The pandemic proved to be a challenging period for the world, but it was especially harrowing for those dealing with Obsessive Compulsive Disorder (OCD). Ria has suffered OCD symptoms since aged 5 and today she provides a poignant and powerful account of what it's like to live with untreated OCD, recounting how her condition reached it's lowest point during the pandemic, posing a significant threat to her acting career. However, this low point became the catalyst for Ria's remarkable recovery. With the support of her loved ones, she managed to conquer her demons. Through this ordeal, Ria learned that even in the darkest moments, you can discover inner strength and freedom and she shares it all to help anyone struggling with OCD, anxiety, worry and intrusive thoughts. Approximately 1-2% of the population in the UK, or around three-quarters of a million people, are affected by OCD, although the actual numbers could be higher due to many keeping their condition hidden. More on Ria - Ria is Co-Artistic Director of Concept Theatre graduating from East 15 Acting School. She is about to appear in The Polar Express in Edinburgh this Christmas and this summer produced the theatre show SONS which sold out at both Vault Festival and Brighton Fringe and has since been nominated for an OffFest award. She has worked with OCD Action & performed her show "I'm Just a Little Bit OCD". The show later toured London in 2022 to Southwark Playhouse, Chickenshed and The Cockpit with support from Arts Council England and The National Lottery Community Fund. She recently recorded "Director of Me", for Radio 4, detailing a month in the life of someone with OCD. Topics - 0:00 Intro 02:27 Ria's rock bottom 12:00 The emotional strain of OCD 14:15 What is OCD? 16:10 Obsessions, intrusive thoughts & seeking reassurance 20:15 The subsets/themes of OCD 24:25 What Is Pedophile OCD? 28:50 The power of sharing your intrusive thoughts 31:26 Breaking the stigma surrounding OCD 33:45 Managing compulsions 38:15 What's the cause of Ria's OCD? 39:50 The role of medication/therapy in OCD recovery 47:35 Dealing with the acting industry & OCD For information and support Ria recommends - https://ocdaction.org.uk https://www.ocduk.org https://www.treatmyocd.com/ This Podcast is not for profit but my goal is to break even. To help me make more please donate here. Thank you! https://bit.ly/3kSucAs Follow Ria Instagram - https://instagram.com/riafay Facebook - https://www.facebook.com/Riafay94 Twitter/X - https://x.com/RiaFay9 Concept Theatre - https://www.concepttheatre.co.uk Follow Oliver Instagram - https://bit.ly/3IemHLY Threads - https://bit.ly/3svw7yL Facebook - http://bit.ly/3w8S1Gx LinkedIn - http://bit.ly/3kp4ymC TikTok - https://bit.ly/3YGLsYm Twitter - http://bit.ly/3GQYj2l Listen or watch on: (please subscribe/follow & rate/review) Spotify - https://bit.ly/49SJeeo Apple - https://apple.co/3PajZvQ YouTube - https://bit.ly/49RrCj1 or search 'School of Rock Bottom' where you listen to your podcasts.
Olivier nominee Tyrone Huntley is currently playing Che in Nikolai Foster's revival of Evita at Leicester Curve.Tim Rice and Andrew Lloyd Webber's musical premiered in the West End in 1978, before transferring to Broadway the following year. Tyrone is performing opposite Martha Kirby as Eva Perón. Next year Tyrone will star alongside Imelda Staunton as Barnaby Tucker in Hello Dolly! at the London Palladium.This is the first time Tyrone has returned to Curve since playing Seaweed in Hairspray in 2014. Tyrone's theatre credits include TJ in Sister Act (UK & Ireland Tour), The Doctor in The Book of Mormon (Prince of Wales Theatre), understudy Sporting Life in Porgy and Bess (Regent's Park Open Air Theatre), Gator in Memphis (Shaftesbury Theatre) and CC in Dreamgirls (Savoy Theatre). Tyrone received an Olivier Award nomination for his performance as Judas in Jesus Christ Superstar at Regent's Park Open Air Theatre, a role he later reprised for the musical's US tour. Some of his recent theatre work includes Living Newspaper: Beyond Touch (Of A) Screen (Royal Court), The View Upstairs (Soho Theatre), Leave To Remain (Lyric Hammersmith), A Midsummer Night's Dream (Watermill Theatre), Angry (Southwark Playhouse) and Homos, Or Everyone In America (Finborough Theatre). Tyrone also works on screen, with credits including The Flatshare (Paramount+), A Small Light (Disney+) and Tomorrow Morning (Visualize Films). Alongside acting, Tyrone made his directorial debut with Ain't Misbehavin' which ran at the Mercury Colchester and Southwark Playhouse. More recently he was acociate director for The Drifters Girl (Garrick Theatre).Speaking from his dressing room before a day of tech, in this episode Tyrone discusses Nikolai Foster's vision for Evita and what rehearsals have been like. He also delves into his career and lots more along the way. Evita runs at Leicester Curve until 13th January 2024. Visit www.curveonline.co.uk for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Join us on this thrilling podcast episode where the discussion starts with the rockin' world of Lizzie The Musical at Southwark Playhouse. Join us for a toe-tapping journey through this production that reimagines the infamous tale of Lizzie Borden with killer tunes and fierce performances. In this episode, we take a moment to shine a spotlight on Propel - MAST Mayflower and their outstanding support for new work, producers, writers, and artists. Discover how their innovative initiative propels creativity to new heights! Embark on an historical odyssey at the London Coliseum with The Mongol Khan, a theatrical extravaganza that delves into the grandeur of conquest, power, and drama. This immersive production catapults audiences into ancient landscapes, weaving a tapestry of sights and sounds that bring history to life. From opulent set designs to poignant performances, every element is meticulously crafted, promising not just a play but a visual and emotional feast. The stellar cast breathes life into historical figures, making them vivid and compelling. Beyond recounting events, the play is a celebration of cultures, a coming together of diverse influences that shaped the course of history. Don't miss this unmissable experience that transcends the ordinary and embraces the extraordinary, securing your seat for a journey through time, culture, and the indomitable spirit of the human story. Get an exclusive pass to the Hadestown Press Event at Jack Solomon's! Join us behind the velvet ropes as we chat with the stars, creators, and get a sneak peek into the fantastical world of this musical phenomenon that's been making waves. Step into the world of Dear England through an intimate conversation with the incredibly talented cast. In this engaging discussion, Will Close, Will Fletcher, and Josh Barrow offer profound insights into the depths of their characters, shedding light on the intricacies of their portrayal. Dive into the creative process as they unravel the layers of bringing this thought-provoking production to life, exploring the challenges, inspirations, and the collaborative effort that shaped the narrative. Gain a unique perspective on the emotional landscapes they navigate within the play and the resonance it holds in the broader context of societal reflections. This conversation goes beyond the stage, providing a behind-the-scenes glimpse into the dedication and passion that infuse every moment of this compelling production. Don't miss this opportunity to connect with the artists behind Dear England, as they share their perspectives on theatre, storytelling, and the profound impact of this resonant play. Tune in for a theatre-packed episode that promises to ignite your passion for the stage!
Jacob Fowler (Heathers / Cinderella) co-hosts The West End Frame Show!Andrew and Jacob discuss Two Strangers (Carry a Cake Across New York) (Kiln Theatre), Super You In Concert (Lyric Theatre) and The Play That Goes Wrong (Duchess Theatre) as well as the latest news about Hadestown, Dear Evan Hansen, Tammy Faye, Next To Normal and lots more. Jacob joined Heathers in 2021, understudying JD at The Other Palace and went on to takeover the role. Jacob returned to Heathers this year, reprising his performance as JD for the musical's 2023 UK tour which recently completed its run.Jacob won the 2020 BBC reality show Little Mix: The Search and went on to support Little Mix on their Confetti Arena Tour. His theatre credits also include playing Prince Topher in Rodgers and Hammerstein's Cinderella (Hope Mill Theatre), Bobby in Dreamboats and Petticoats (UK Tour), Mohr in Vanara: The Legend (Hackmey Empire), Hunter in In Pieces (Turbine Theatre) and Kings Of Broadway (Palace Theatre). Next year Jacob is reuniting with Grace Mouat - who he starred opposite in Cinderella - in the brand new musical Before After at the Southwark Playhouse. Follow Jacob on Instagram: @thejacobfowler Before After runs at the Southwark Playhouse 7th February – 2nd March 2024. Visit www.southwarkplayhouse.co.uk for info and tickets. You can hear Jacob on season seven of In The Frame. Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Ben Adams has written a brand new score for Police Cops The Musical.The show recently opened at the Southwark Playhouse following a run at the Edinburgh Fringe Festival.Ben also co-wrote the beloved musical Eugenius which premiered at the London Palladium ahead of two runs at The Other Palace and its most recent revival at the Turbine Theatre. Ben is a member of the group A1 who won a BRIT Award in 2001 for Best Newcomer and have had two number one singles. He first ventured into theatre as a performer, starring in pantomime before playing Nick Hurley in the 2017 UK & Ireland tour of Flashdance The Musical. Most recently Ben returned to the stage as Galileo in the Norwegian production of We Will Rock You in Oslo, when he now lives with his family.Ben continues to tour the world with A1 and the band Subwoolfer whilst undertaking various writing projects within the music world and beyond. In this episode, Ben reveals how he ventured into theatre and ended up writing Eugenius and why he still has big aspirations for the show. He also discusses all things Police Cops, his writing process and lots more. Police Cops The Musical runs at the Southwark Playhouse Borough until 14th October 2023. Visit www.southwarkplayhouse.co.uk for info and tickets. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Hello, Hello! In this special edition of Indie Talk, we miss Bonsai Nick but bring on two fantastic guest hosts. Director and Producer Maggie Contreras (https://instagram.com/maggiecontreras) and Actress and Producer Charity Wakefield (https://instagram.com/charitywakefield). Both worked on the incredible documentary Maestra, Executive Produced by David Letterman's Production company, Worldwide Pants. We talk about: Pros and cons of filming in Cuba Why Producers are elite problem solvers How they got access to the musicians featured in their film Maestra What steps are required to produce in France effectively The tricks to getting the most out of a cast and crew The need for a Documentary Filmmaker union Producer Papa Bear once again stumps and educates us with an all-new Things We Should Know and much more... Enjoy! The MAKE IT podcast is brought to you by the Voice of the Filmmaker program, which is sponsored by Women in Film and Television, Nashville (a 501(c)(3) non-profit organization). If you like what we're doing, please donate here: https://www.bonsai.film/donate. How you can continue to enjoy MAKE IT content: Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe. The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry. We provide a platform for filmmakers to provide advice, lessons learned, personal reflections, and insights through our Filmmaker Conversations, Mistakes in the Making, Industry Insights, Indie Talks, and Film Investment Series. We are the go-to film podcast for independent creatives! More on Charity Wakefield Instagram - @charitywakefield Twitter - @charitywakefld CHARITY WAKEFIELD's resumé boasts a colorful spectrum of critically and commercially acclaimed work that illustrates her fantastic talent. Charity stars in Hulu Original drama series THE GREAT, starring Elle Fanning and Nicholas Hoult. Written and executive produced by Tony McNamara (The Favourite) and directed by Matt Shakman (Game of Thrones, Succession), the series charts the rise to power of Catherine the Great and her explosive relationship with her husband, Peter, the emperor of Russia. The series has been nominated for Golden Globe, SAG, Emmy, MTV, and BAFTA Awards. Since playing the romantic ‘Marianne Dashwood' in the BBC mini-series of Jane Austen's celebrated SENSE AND SENSIBILITY, she has appeared in some of our most noteworthy productions, including the critically acclaimed Channel 4 drama ANY HUMAN HEART, the Golden Globe and BAFTA-winning and Emmy-nominated WOLF HALL, THE HALCYON (ITV), Ron Howard's Emmy nominated GENIUS (Nat Geo); CLOSE TO THE ENEMYdirected by Stephen Poliakoff for BBC2, the global phenomenon DOCTOR WHO; playing opposite Jack Whitehall in Sky One's BOUNTY HUNTERS, an ‘action-comedy-drama' also starring Oscar nominee Rosie Perez. International projects include working alongside Jennifer Lawrence and Bradley Cooper in the Susanne Bier-directed SERENA, crime thriller THE PLAYER for NBC with Wesley Snipes, and supernatural drama MOCKINGBIRD LANE also for NBC. Charity made history as the first woman to play Shakespeare at The Globe Theatre, London, in Nicole Charles's ‘exhilarating' all-female production of EMILIA, which had a West End transfer to the Vaudeville Theatre. Additional theatre credits include a ‘beautifully executed' (LA Times) THE CHERRY ORCHARD at the Olivier Theatre at the National Theatre, SEMINA, THE BLACKEST BLACK and NO NAUGHTY BITS all at the Hampstead Theatre; CANDIDA at the Theatre Royal Bath and THE RIVALS with Celia Imrie at the Southwark Playhouse. As a producer, Charity's credits include the female-led, jet-black comedy A SERIAL KILLER'S GUIDE TO LIFE, which was long-listed for the Breakthrough Producer award at the 2019 British Independent Film Awards and can be viewed on all VoD sites (Apple TV, Itunes, Amazon, BT, Virgin, etc). Additional producing credits include short films WRAPS, which is now being made into a feature, and MEMENTO VITAE. More on Maggie Contreras Instagram is @MaggieContreras @MaestraMovie www.MaggieContreras.com Maestra is a new feature documentary following five internationally-based women as they prepare for and perform in ‘La Maestra'—the only competition in the world for female orchestra conductors. Personal stories of survival, passion, and perseverance are woven together with the drama and excitement of this one-of-a-kind event created to break yet another glass ceiling for women. Maggie Contreras' directorial debut had its world premiere in competition at the 2023 Tribeca Festival, where it won an audience award. Previously, she was the producer behind documentary films tackling a wide range of topics, from comics to solar energy. Jonathan Scott's Power Trip (PBS Independent Lens ‘20) is the titular HGTV celebrity and activist's journey across the USA to examine the antiquated utility monopoly system and how solar holds the key to energy freedom. In 2017, Gilbert also premiered at the Tribeca Film Festival and was distributed by Gravitas Ventures with exclusive SVOD on Hulu. Her work has been seen on AMC, NFL, and Quibi. Whether it's working with brands or in the field on her next film, Maggie is fueled by the power of true stories.
Welcome to the latest episode of our thrilling podcast! We kick things off with the brand new British musical Then, Now & Next at Southwark Playhouse, composed by Christopher J Orton and Jon Robyns and starring West End sensation Alice Fearn, all under the masterful direction of Julie Atherton.Get ready to be transported back in time with 80s Live, the ultimate retro concert featuring iconic hits by legends like Wham!, Madonna, Duran Duran, and Bon Jovi, and many others, live on stage.For all the Quentin Tarantino fans out there, don't miss Tarantino Live, a pulsating rock experience celebrating the films and soundtracks of this legendary director, playing for a limited time at Riverside Studios.Next up, the Chichester Festival Theatre's west end transfer of Crazy for You, featuring the incredible talents of Charlie Stemp and Carly Anderson, directed by Broadway legend Susan Stroman.Last but not least, we explore the thought-provoking play Secret Thoughts at the Omnibus Theatre as part of their AI festival, and delve into the creative process with an exclusive interview with director Paloma Jacob-Duvernet.Join us as we uncover the magic of these captivating productions, filled with stunning performances, nostalgic tunes, and thought-provoking themes. Don't miss a moment of our latest episode!
Christine Allado and Adrian Hansel are currently starring as Meat and Brit in the West End revival of We Will Rock You.Returning to London 21 years after its premiere at the Dominion Theatre, We Will Rock You is currently playing to sold-out houses at the London Coliseum where it's playing a 12-week limited season. Some of Christine's theatre credits include Tzipporah in The Prince of Egypt (Dominion Theatre), Peggy & Maria in Hamilton (Victoria Palace Theatre), Vanessa in In The Heights (Kings Cross Theatre) and Dovee in Here Lies Love (National Theatre). Later this year Christine will star in Stephen Sondheim's Old Friends at the Gielgud Theatre.Some of Adrian's theatre credits include Samuel in The Distance You Have Come (Cockpit & Apollo Theatres), Benny Southstreet in Guys and Dolls (Sheffield Crucible), Seaweed J Stubbs in Hairspray (Shaftesbury Theatre), alternate Four Eyed Moe in Five Guys Named Moe (Marble Arch Theatre) and Ken in Ain't Misbehavin' (Southwark Playhouse). We Will Rock You runs at the London Coliseum until 27th August 2023. Visit www.wewillrockyoulondon.co.uk for info and tickerHosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Christopher J Orton has colaborated with Jon Robyns to write the brand new musical Then, Now & Next.The show is currently premiering at the Southwark Playhouse, in a production directed by Julie Atherton and starring Alice Fearn.Christopher is an actor, composer, lyricist and writer. His writing credits include My Land's Shore as well as Grace Notes, The Gory Story of Edward Polidori, Dracula, This Time Next Week, B.O.A.T.S, The Road to the Port of Barry, Elephant Juice and Are you Sitting F**king Comfortably?. As an actor, Christohpher was in the West End production of Spamalot alongside Jon Robyns which is when they started working on Then, Now & Next. His other stage credits include Tom (UK tour), The Hired Man (Leicester Curve), Dickens Abridged (Arts Theatre) and Oliver! (The Watermill Theatre).Then, Now and Next runs at the Southwark Playhouse (Borough) until 29th July 2023. Visit www.southwarkplayhouse.co.uk for information and tickets.Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Get ready for an episode filled with theatrical brilliance as Natalie and Darren delve into a wide range of incredible productions! They'll immerse themselves in the dazzling world of Guys and Dolls at the Bridge Theatre, featuring a cast of theatre royalty including Daniel Mays, Andrew Richardson, Celinde Schoenmaker, Marisha Wallace, and Cedric Neal. Prepare to be enchanted by the classic charm and toe-tapping tunes of this beloved musical, promenade style. Next, they'll explore the comic gem How to Succeed in Business Without Really Trying at Southwark Playhouse, a delightful show that combines sharp wit, catchy songs, and uproarious humour and starring Olivier Award and Tony Award legend Tracie Bennett. Get ready to laugh out loud as they uncover the hilarious escapades of ambitious office worker J. Pierrepont Finch. Intrigue awaits as they discuss Philip Ridley's gripping narrative of memory, manipulation, and power in Leaves of Glass, which recently had a revival at Park Theatre. Brace yourself for a thought-provoking journey through the complexities of human relationships and the haunting echoes of the past starring Eastenders favourite actress Kacey Ainsworth. Prepare for laughter aplenty as they uncover London's bleaking hilarious new comedy, Bleak Expectations, based on the award-winning comedy by Mark Evans, with the talented Sally Phillips as our narrator. Join them at the Criterion Theatre for a rollicking adventure through the absurd and absurdly funny world of Dickensian parody. And don't miss the mesmerising performance by Dickie Beau in Re-Member Me at Hampstead Theatre, where he expertly channels the voices of past Hamlets in a captivating lip-sync show. Get ready to be swept away by the artistry and emotional depth of this truly unique theatrical experience. Tune in for an episode that celebrates the magic of the stage, showcasing a variety of genres and performances that will leave you entertained, inspired, and eager for your next theatre-going adventure.
The Guilty Feminist Culture Club: Strike! at Southwark PlayhousePresented by Alison Spittle with special guests Tracy Ryan, Mary Manning, Karen Gearon and Liz DeasyRecorded 18 April at Southwark Playhouse. Released 20 April 2023.The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon.More about Alison Spittlehttps://twitter.com/AlisonSpittlehttps://www.instagram.com/alisonspittleMore about Strike!https://southwarkplayhouse.co.uk/productions/strikehttps://twitter.com/ardenttheatrehttps://www.ardenttheatre.co.ukhttps://twitter.com/406_daysBig Speeches with Jessica ReganLast Sunday of each month from 26 March. 3:00pm via Zoom. https://guiltyfeminist.com/big-speeches/For more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:Guilty Feminist at Soho Theatre 30, 31 May https://sohotheatre.com/shows/the-guilty-feminist-4Guilty Feminist at Kings Place 5 June, 22 June, 24 July: https://www.kingsplace.co.uk/?s=guilty+feministGuilty Feminist Live in Chichester, Monday 21 August: https://www.cft.org.uk/events/the-guilty-feministlive“Never Have I Ever” written by Deborah, Chichester Festival Theatre, 1-30 September: https://www.cft.org.uk/events/never-have-i-everThank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.
We could all do with a little refresher in adulting from time to time, says Sarah Knight, author of the multi-million selling No F*cks Given Guides. Sarah's back on the podzine this week, to talk about the latest in the series, Grow The F*ck Up, as well as giving Jen a few pointers on where grown-ups go wrong, why self-awareness can be a real drag but is absolutely crucial, and how to ask for what we want. Hannah's chatting to Davinia Hamilton and Marta Vella, the Maltese actors and writers behind Blanket Ban, a play about Malta's total ban on abortion, which opens at the Southwark Playhouse on 25 April. In JOTB, Jen's asking how on earth it can be possible that women's football isn't cool enough, as she talks all things international. And it's mashed potato and strong nana game at the ready in Rated or Dated, as Mick takes us to her leader, Steven Spielberg, to revisit UFO blockbuster Close Encounters of the Third Kind. Is it out of this world? Find out.Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.
To be or not to be..... 90 minutes?!?What do you get when you cut all of the adults out of Hamlet??Listen to the episode and find out as we Shakespeare our way through London!!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're starving artists, dammit!!) - per episode if you like! -On Patreon, go here: https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!Episode Sources:Years and years of experience with Shakespeare from two rather opinionated theatre professionals, you dicks!!!! And history, you rapscallion bastards!!!
Natalie and Darren discuss a plethora of theatre we've seen in February and recommendations of what's on in March. Productions reviewed in this episode include: Frozen at Theatre Royal Drury Lane, Tina - The Tina Turner Musical at The Aldwych, Mother Goose at Chichester Festival Theatre, Windfall at Southwark Playhouse, Sylvia at The Old Vic, I *** You In My Spaceship at Vaults, Buff at Vaults, David Copperfield & Cirque Beserk at Riverside Studios.
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