Podcast appearances and mentions of Thomas Pynchon

El grupo asturiano afincado en Madrid DRUGOS nos visita hoy para presentarnos su tercer disco, Haz ruido mientras puedas. Hablamos con dos de sus integrantes, Jano Díaz y Luis García. También recibimos a Elena Rosillo, que en su sección underground nos habla de Thomas Pynchon y de su relación con la nueva película de Paul Thomas Anderson Una batalla tras otra. Repasamos con Conxita Casanovas los estrenos que llegan a la cartelera esta semana, y también escuchamos vuestros enjambres, que nos han ido llegando al taller literario de Sabina Urraca.Escuchar audio

This episode of Welcome To The Party Pal dissects the black comedy action thriller film written, co-produced, and directed by Paul Thomas Anderson, One Battle After Another. It is loosely based and inspired by the 1990 novel Vineland by Thomas Pynchon. The film stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti (in her film debut). Join in as hosts Michael Shields and River Jordan visit a heated showdown in Batkin Cross, traverse the hilly terrain of Anza-Borrego Desert State Park, and enjoy a few small beers all while giving just due praise to PTA's most recent masterpiece. Hosted on Acast. See acast.com/privacy for more information.

This week we're excited to present a conversation with One Battle After Another cast member Benicio del Toro as he discusses his performance in Paul Thomas Anderson's new film that's been heralded as one of the year's finest. This conversation was moderated by FLC Senior Programmer Tyler Wilson. Paul Thomas Anderson's most viscerally thrilling film to date is a total blast, an epic, comic adventure of the weird new America that spans years and stretches from across the treacherous rolling-hill highways of the southwest and beyond. Inspired by Thomas Pynchon's Vineland, but with a flavor and cinematic rush that's pure PTA, One Battle After Another is an exhilarating, ultimately moving portrait of undying commitment to family amidst the mania of our contemporary world.

As the year winds down and the calendar flips over, we're ringing in the New Year with a special bonus episode dedicated to one of our favorite—and most elusive—writers: Thomas Pynchon. In this New Year's Eve edition of Ticket Stubs, we gather to talk about what Pynchon's work has meant to us over the years, why his voice remains so singular in modern literature, and how his obsessions with paranoia, the past, and slapstick continue to resonate. From there, we dive into One Battle After Another, the recent adaptation of Vineland from director Paul Thomas Anderson, another favorite of ours. Then, we share our thoughts on Pynchon's long-awaited new novel, Shadow Ticket, before closing things out by putting our cards on the table with our own personal rankings of his novels. Whether you're a longtime Pynchon devotee, a curious newcomer, or just looking to close out the year with a little chaos and conspiratorial joy, we hope you'll spend what's left of 2025, or perhaps even the earliest part of 2026...or actually anytime in the foreseeable (or not?) future...with us. Any and all digressions are welcome when it comes to discussing this artist and his work. And believe me, we take digressions aplenty! As always, please like, subscribe, rate, and review us on Apple Podcasts, Spotify, YouTube, and wherever else you listen. Got thoughts or questions? Email us at huffmanbrothersproductions@gmail.com.

Happy (almost) New Year! We're closing out our Thomas Pynchon mini-revue with his latest novel, "Shadow Ticket". Along for the ride is friend of the pod, author TJ Martinson! Topics of discussion include Pynchon's relationship to pop culture, the use of alternate history in literature, and whether Pynchon offers us as readers an 'out' to our present circumstances.As always, we hope you enjoy the conversation!Check out TJ's books here!

John Ross, during his schoolboy days in New Zealand, was interested in far-flung places such as South America, Papua New Guinea, Ancient Greece and Rome, as well as books on World War One and Two. He read a lot of youth fiction starting at 10 years old, but as a teenager, had a voracious appetite for nonfiction. In his 20s he discovered a few wonderful fiction writers, but has still kept mostly to nonfiction through the decades.His first books were Willard Price's Adventure series and Gerald Durrell books on real-life animal collecting. He also read detective and war stories (Biggles) and lots of travel accounts and travel guides.Robert Louis Stevenson was a favorite—Treasure Island, Kidnapped—and later discovered that Stevenson was a very good essayist too. John also enjoyed Rudyard Kipling's Kim.The ancient Greeks left a great impression on him: Herodotus (The Histories) and Thucydides (The Peloponnesian War)In his early 20s he started reading proper literature:Anna Karenina, Dr Zhivago, George Orwell, and Joseph Conrad. He loved Peter Hopkirk's The Great Game series featuring colorful adventurers and spies in exotic locations. In his early 30s he discovered Raymond Chandler and in his 40s H.P. Lovecraft.For books on Asia and East Asia, he started reading about Burma in the late 1980s, and early 1990s, and Mongolia in the mid-1990s, and increasingly China and Taiwan, and even some works on Japan.Some well known book titles that made an early impression were Lost Horizon by James Hilton, Burmese Days by George Orwell, The Good Earth by Pearl S. Buck, and Jonathan Spence's China books. Also books on Asia by Maurice Collis.Amy's ReadingAs a child, Amy remembers reading Black Beauty (Anna Sewell, 1877), Walter Farley's series The Black Stallion (1941), and a book called Ponies Plot (Janet Hickman, 1971). She loved all the required reading for school (some books now banned): English literature such as Graham Greene's Brighton Rock, Shakespeare's plays, and lots of Roald Dahl, including Charlie and the Chocolate Factory, and James and the Giant Peach; and American authors John Steinbeck (1930s–1950s), J. D. Salinger's Catcher in the Rye (1951), Nathaniel Hawthorne's The Scarlet Letter (1850), Harriet the Spy by Louise Fitzhugh (1964) and A Separate Peace (1959) by John Knowles. She recalls that in first grade, her teacher read to the class Little Pear (1931), by Eleanor Francis Lattimore, about a Chinese boy.From her parents' book collection she read Little Women, by Louisa May Alcott (1868), and  Wuthering Heights (1847) Emily Bronte as well as stories by Charlotte Bronte and other classics.In college she moved into more popular literature, again much of it required reading for her classes: works by Thomas Pynchon, Jerzy Kosiński, Blind Date (1977) and The Painted Bird (1965) the latter of which—notably—had a scene on bestiality and would probably be banned as college reading these days!.In high school, her father paid her to read books, and she vividly remembers excerpts from Henry Hazlitt's The Foundations of Morality (1964), which still influences her choices in life today. She credits her father's books for her interest in philosophy and a basic understanding of free-market economics.Once she knew she was headed to Japan, she read Edwin Reischauer's  The Japanese Today (1988), and Japan as Number One, by Ezra Vogel (1979) which were her first books to read about Asia (other than Shogun). For most of her childhood she preferred non-fiction and didn't start reading fiction seriously till she arrived in Japan and read Haruki Murakami. Now she reads everything!At the end of the podcast Amy & John encourage listeners to write in to ask for suggestions on what books on Asia to give friends or family. They'll choose one to talk about at the end of each show with appropriate suggested reading. Since the BOA Podcast doesn't have an email address (yet), they ask you submit requests via social media:Follow BOA on Facebook and contact via Messenger or sign up for the BOA newsletter, from which you can reply directly to each email. There is a BOA Twitter (X) account, but they appear to be locked out at the moment (sigh).They also ask listeners to subscribe to the podcast, leave a review and share it with your friends so that Amy & John can have a happier holiday.May your holidays be bibliophilic: full of black ink, long words, excessive pages and new books! The Books on Asia Podcast is co-produced with Plum Rain Press. Podcast host Amy Chavez is author of The Widow, the Priest, and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island. and Amy's Guide to Best Behavior in Japan.The Books on Asia website posts book reviews, podcast episodes and episode Show Notes. Subscribe to the BOA podcast from your favorite podcast service. Subscribe to the Books on Asia newsletter to receive news of the latest new book releases, reviews and podcast episodes.

Luz Pichel nos acompaña para celebrar la reedición en un único volumen de La uña rota de dos de sus poemarios fundamentales: Casa pechada, el libro que escribió en gallego tras la muerte de su padre y Cativa en su lughar, poemario reescrito a partir del anterior pero en castrapo, un dialecto reivindicado por Luz Pichel a través de estos poemas que se pueden leer como un gesto político, pero también como un ejercicio de memoria íntima y de altísimo vuelo poético. Por su parte, Ignacio Elguero nos recomienda otros títulos: Entre las criaturas y las cosas (Ed. Visor), antología de Juan Antonio González Iglesias que reúne diez libros suyos, junto a una muestra de poemas sueltos e inéditos y La extinción de Irena Rey (Ed. Anagrama), novela de Jennifer Croft, que nos ofrece aquí una historia a medio camino entre el thriller, la sátira y la distopía protagonizada por un puñado de traductores. En su sección, Javier Lostalé abre su ventanita poética a Un mar que nadie mira (Ed. Reino de Cordelia), el séptimo poemario de la escritora madrileña Marina Casado. Luego, Sergio C Fanjul nos sumerge en el particularísimo universo del enigmático escritor estadounidense Thomas Pynchon, muy en boga últimamente debido al reciente estreno de una película basada en su novela Vineland y del que se espera que se publique su próxima obra en 2026. Acabamos el programa junto a Mariano Peyrou, que nos sugiere la lectura de Esto dijo una cabra (Ed. La Garúa), volumen de haikus del poeta vietnamita Mai Van Phan, autor reconocido internacionalmente, pero hasta ahora inédito en español.Escuchar audio

This week, we jump forward over 50 years into Thomas Pychon's career (and over all his most read books) to discuss 2013's "Bleeding Edge"! Along for the ride through Y2K is friend of the pod, Dan.Topics of discussion include reading the 2010s through the 2000s, the role of technology and espionage in Pynchon's works, and 9/11.As always, we hope you enjoy the conversations.

We do have our favorite but surely wouldn't mind if Thomas Pynchon won the Nobel Prize too . . . and in Episode 32 we finish off 2025 by considering Shadow Ticket, the noir detective take on the 1930s by a writer who was surely a key influence on the early DeLillo (we read from an unpublished DeLillo letter summarizing that relationship) but who also seems to have been reading works like Running Dog over the years (or so we imagine in unpacking Shadow Ticket scenes invoking Chaplin and a “German Political Celebrity” named Hitler). We try to understand how Pynchon's latest examination of historical and potential fascism works in its 1932 setting, ranging from Milwaukee to Hungary, where reluctant protagonist and “sentimental ape” and “sap” Hicks McTaggart keeps adding on to his P.I. “tickets” in a strange search for a Wisconsin heiress and her Jewish musician lover but also what might ultimately be justice (a far from simple thing). Shadow Ticket is loads of serious fun, where Pynchon manages to examine the direst of turning points amidst scenes of bowling alley and motorcycle lore, dairy strikes, Prohibition's black markets, dance hall and speakeasy glamour, and something called “Radio-Cheez.” Bela Lugosi, vampires, a beautiful pig in a sidecar, and some of the most tasteless lamps in the world also play a role. The real content here for Hicks, though, is the prospect of spiritual and other forms of peace in a world where weapons from clubs to guns and submarines operate according to mysterious laws of “apport” and “asport,” occult material that interweaves with Hicks's strike-breaking past and raises connections to Gravity's Rainbow. Is Hicks's fellow orphan and young protégé Skeet Wheeler the father of Vineland's Zoyd, headed out to California as the novel ends? What's the meaning of Hicks failing to return to his home country, and what does cheese gangster Bruno Airmont's submarine fate have to do with Bleeding Edge? Are Hungary's shifting borders a new kind of “Zone”? What's going on in the novel's many Statue of Liberty references and its anachronistic allusions to a “Face Tube” for flirtation in bars? And how does this always funny writer, now in his late eighties, keep coming up with all these absurd songs (we sing some) and hilarious mock-movies like the one featuring “Squeezita Thickly” swimming in soup pots (Shirley Temple, is that you?)? Teasing out many connections to Gravity's Rainbow, Against the Day, and Vineland, this episode makes reference to just about all of Pynchon's other works, including even V. and his earliest short stories. At the same time, you need come to it with nothing but an interest in Pynchon's life and work. We doubt that we get every reference to history or previous Pynchon right or mount interpretations we won't later want to revise, but on this brand-new and captivating late work from a masterful author, we hope in nearly three hours of deep conversation and laughter that we've made a good start on the many critical readings to come. A partial list of references and quotations that we mention or paraphrase in this episode . . . On “prefascist twilight”: “And other grandfolks could be heard arguing the perennial question of whether the United States still lingered in a prefascist twilight, or whether that darkness had fallen long stupefied years ago, and the light they thought they saw was coming only from millions of Tubes all showing the same bright-colored shadows. One by one, as other voices joined in, the names began, some shouted, some accompanied by spit, the old reliable names good for hours of contention, stomach distress, and insomnia – Hitler, Roosevelt, Kennedy, Nixon, Hoover, Mafia, CIA, Reagan, Kissinger, that collection of names and their tragic interweaving that stood not constellated above in any nightwide remoteness of light, but below, diminished to the last unfaceable American secret, to be pressed, each time deeper, again and again beneath the meanest of random soles, one blackly fermenting leaf on the forest floor that nobody wanted to turn over, because of all that lived, virulent, waiting, just beneath.” (Pynchon, Vineland (1990)) On “second sheep”: “Our common nightmare The Bomb is in there too. It was bad enough in '59 and is much worse now, as the level of danger has continued to grow. There was never anything subliminal about it, then or now. Except for that succession of the criminally insane who have enjoyed power since 1945, including the power to do something about it, most of the rest of us poor sheep have always been stuck with simple, standard fear. I think we all have tried to deal with this slow escalation of our helplessness and terror in the few ways open to us, from not thinking about it to going crazy from it. Somewhere on this spectrum of impotence is writing fiction about it.” (Pynchon, “Introduction,” Slow Learner (1984)) The “Sloth essay paragraph” mentioned midway through: “In this century we have come to think of Sloth as primarily political, a failure of public will allowing the introduction of evil policies and the rise of evil regimes, the worldwide fascist ascendancy of the 1920's and 30's being perhaps Sloth's finest hour, though the Vietnam era and the Reagan-Bush years are not far behind. Fiction and nonfiction alike are full of characters who fail to do what they should because of the effort involved. How can we not recognize our world? Occasions for choosing good present themselves in public and private for us every day, and we pass them by. Acedia is the vernacular of everyday moral life.” (Pynchon, “Nearer, My Couch, To Thee” (1993)) Don DeLillo Papers, Harry Ransom Center, University of Texas-Austin The Motherland Calls statue, Volgograd: https://en.wikipedia.org/wiki/The_Motherland_Calls  Pareidolia defined: https://en.wikipedia.org/wiki/Pareidolia

Luc Tuymans talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Tuymans, who was born in 1958 in Mortsel, Belgium, and lives and works in Antwerp, has transformed the territory of painting in the late 20th and 21st centuries. Using photographs and images from film and other media, he tackles a breadth of subjects and motifs, including contemporary politics, cataclysmic historical events, art history, and apparently banal everyday objects and environments, with paintings that are redolent with atmosphere and poetic power. Tuymans's process of finding the images and deciding how to transform them is slow and precise, and worked through in various stages before it reaches the canvas, where he makes the final piece in oil on a single day. In the resulting pictures, the motif can be veiled or oblique, and sometimes close to abstract, and he has used the term “authentic forgeries” to describe them. In this way, they articulate the elusiveness of representation through painting—a quality Tuymans has described as the medium's “belatedness”—as well as the subjective nature of experience and memory, both personal and collective. He discusses the early impact of Piet Mondrian and Léon Spilliaert, his ongoing admiration for Francisco de Goya, and his response to Théodore Gericault and Mark Rothko in recent series of paintings. He reflects on the importance of literature, including the writings of Thomas Pynchon, and film, especially the painterly approach of David Lynch. He gives insight into his studio life and his singular approach to image-making, and answers our usual questions, including the ultimate: what is art for? Luc Tuymans: The Fruit Basket, David Zwirner New York, until 19 December; David Zwirner, Los Angeles, 24 February-4 April 2026; Luc Tuymans, Basilica di San Giorgio Maggiore, Venice, Italy, until 22 February 2026. Hosted on Acast. See acast.com/privacy for more information.

Thomas Pynchon's latest novel, "Shadow Ticket," has a lot to say about politics, so Jason Dick checks in with Sean Carswell, the official Pynchon scholar of the Political Theater podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Pynchon's latest novel, "Shadow Ticket," has a lot to say about politics, so Jason Dick checks in with Sean Carswell, the official Pynchon scholar of the Political Theater podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

With THE MASTER OF CONTRADICTIONS: Thomas Mann and the Making of The Magic Mountain (Yale University Press), Morten Høi Jensen brings us a masterful biography of one of the great novels of the 20th century and shows how it and its author speak to our present moment. We talk about Morten's history with Mann's novel, his weeks of research in the sanatoria of Davos and his discovery of how much of The Magic Mountain's world is intact a century later, and how Mann's novel changed for him in the process of writing this book. We get into Mann's political transformation from a nationalist into an antifascist, how art & politics can make for a disastrous mix, Mann's rivalry with his novelist brother Heinrich, and what it was like to write about a novel about life in a TB clinic while in the middle of a pandemic. We also discuss the weird connection I draw between Mann and Thomas Pynchon, how Morten became a literary biographer via the biography of another novel, spiritualism before and after WWI, how he came around on the chapter of The Magic Mountain that bored him in his earlier readings, why Robert Musil resented Mann, whether it's okay to write margin notes and never look at them, and more. Follow Morten on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about Paul Thomas Anderson and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things that Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in this live-before-a-studio-audience Recall This Book conversation. Pete situates the inspirational novel as a pivot-point ("funniest novel you've ever read") for Thomas Pynchon, who traces what happens to counter-insurgency from the post-1960's when it meets the complacency of the Reagan era. Ethan, who defends practically every PTA movie but Hard Eight (despite John's affection for it) points out the significance of centering non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the cartoon supervillainy of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, Ethan sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema. Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation. Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club. Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy. Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we start our mini-revue of the works of Thomas Pynchon with his first novel: "V." We discuss our individual relationships with Pynchon's writing, his place in the larger world of contemporary literature, and what we liked and disliked about this strange first novel of his. As always, we hope that you enjoy the conversation!

It's time to reignite the rivalry, as our hosts Jon and Fil return for their biannual check-in to ask the question of all questions, "Are you an Anderson guy, or an Anderson guy?"That's right, folks. With both Wes Anderson and Paul Thomas Anderson releasing films this year, you better believe that we are back with a new instalment of ANDERSON vs ANDERSON! This year, Wes Anderson is here with his 12th feature, THE PHOENICIAN SCHEME. This quirky comedy stars Benicio del Toro as a ruthless tycoon, who launches the massive “Phoenician Scheme,” a nation-building infrastructure, but he's sabotaged by enemies manipulating the bolt market and inflating his costs. Desperate to cover the financial gap, he begs his partners, including his resentful brother, for more funding, while also trying to mend his relationship with his nun daughter (Mia Threapleton) who goes along for the ride. Features fun appearances from Michael Cera, Tom Hanks, Bryan Cranston, and Richard Ayoade. And Wes Anderson's opponent, of course, is Paul Thomas Anderson, who delivered the biggest film of his life with his 10th feature, ONE BATTLE AFTER ANOTHER. Leonardo DiCaprio takes the lead in this Thomas Pynchon inspired action thriller/stoner comedy, playing Bob: a washed-up revolutionary who lives in a state of stoned paranoia, surviving off-grid with his spirited and self-reliant daughter, Willa (Chase Infiniti). When his evil nemesis (Sean Penn) resurfaces and Willa goes missing, the former radical scrambles to find her as both father and daughter battle the consequences of their pasts. It's the spectacle of the year, and one of PTA's strongest films he's ever made. And for those looking for links, the boy of the year, Benicio del Toro rip roars his way through this film in a show-stealing performances as Sergio St. Carlos. He's had a few beers, and he's ready to save the revolution!Which film do you think Jon and Film will pick to come out on top, as Anderson and Anderson battle it out once again? What was your favourite of the two?Don't miss ONE BATTLE AFTER ANOTHER showing from 70mm at The Prince Charles Cinema from 26th December. For full listings and tickets visit: https://princecharlescinema.com/If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast at http://instagram.com/ThePCCPodcast

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Better late than never, we're back with a conversation about Paul Thomas Anderson's recent critical and box office sensation One Battle After Another. PTA loosely adapts (and updates) Thomas Pynchon's 1990 novel Vineland, setting the story against the backdrop of an indeterminate moment in the 21st century to tell a story of washed-up revolutionary Bob Ferguson (Leonardo DiCaprio), who is dragged back into the fray when an old enemy (Sean Penn) resurfaces and threatens his teenage daughter (Chase Infiniti). The film represents the first time in over 20 years that Anderson has set a story in contemporary times, and he uses the opportunity to examine the current landscape of America, its political fissures, and to lay out his personal vision of a hopeful future staked out by the next generation...But Anderson also readily betrays the limits of his political vision, and his myopic understanding of the circumstances that have produced and perpetuated this country's bigotries and oppressive hierarchies. While One Battle After Another offers countless pleasures as an obeject of undeniable cinematic energy and craftsmanship, it fails to elucidate a coherent sociopolitical ideology, even as it readily co-opts and aestheticizes the langauge and iconography of radical leftwing militancy.We unpack the film's many contradictions, and key in to what makes OBAA a simultaneously riveting and frustrating watch. Then, we discuss the film's treatment of race and the cadre of brilliant Black actresses who mine depth and nuance out of Anderson's elliptical storytelling. Finally, we call for a deeper discourse about the film that makes room for its many contradictions and shortcomings, arguing that these jagged edges make the film a more urgent and enduring work than insistences on its perfection.Read Angelica Jade Bastién, on One Battle After Another at VultureRead Lyvie Scott on One Battle After Another at Inverse....Our Theme Song is "Mirror" by Chris Fish.

Have you ever encountered a challenge so vast and convoluted that you had to take multiple runs at it over the span of many years? If so, you may relate to the cautionary tale contained herein. If not, well, bonnie for you! Perhaps there's some value here for if and when you do encounter your own personal Everest. Today's episode is an audio journal of my attempt to read Thomas Pynchon's 1100-page metahistorical explosion of a novel, "Against the Day." Join me on this intimate journey of struggle, joy and self-discovery. #ThomasPynchon #AgainstTheDay #Pynchon #ShadowTicket #OneBattleAfterAnother #ReadAlong #BigBooks #OleTommyPincher #EpicNovels #MetahistographicalNovels #Coattails #FameChasing #Drafting #TakingAdvantageOfAnothersNotoriety #DidIMentionThomasPynchon? #PaulThomasAnderson #Fiction #LiteraryFiction #LiterallyFiction #Higgenbaum #Reading #Paper #Words #Ink #PrintingPress #MartinLuther #HumanLanguage #1883WorldsFair #Dirigible #GravitysRainbow #1085Pages #DeepLiteraryAnalysis #StunningInsight #Juggling Higgenbaum's Mitzvah is produced, written, performed and scored by Scott Pinkmountain Join the Higgenbaum's Mitzvah mailing list at www.higgenbaumsmitzvah.com Follow along on Bluesky @higgenbaum.bsky.social

Get yourself a couple of small beers, pop The Battle of Algiers on and enjoy a (French) 75 minutes with Graham and Simon talking about arguably THEE film of 2025 - Paul Thomas Anderson's One Battle After Another. The story of a gone-to-seed revolutionary fighting to protect his daughter from a simultaneously ridiculous and plausible nemesis, it's a big-budget epic with the soul of a weird little cult political satire.It also has tons of musicians in the cast, from an attention-grabbing role for Teyana Taylor to the drummer from Haim, and several others you might have missed. We'll guide you through all its cameos and real-life inspirations, as well as talking about what it takes - and what it cuts - from its source novel, Thomas Pynchon's Vineland. Plus, we pitch the Pop Screen New Testament...If you want to be part of a club just as exclusive as - but substantially less right-wing than - the Christmas Adventurers, we've got a Patreon where we're about to drop an exclusive episode of this very show concerning the Kinks and the origins of a British TV classic... Plus, written articles on The Twilight Zone and Doctor Who, an end-of-month round-up podcast called Last Night... and some exciting new features coming for 2026. To find out more, follow us on Bluesky, Instagram and Facebook.

In Ep. 210, Laura McGrath, author of the popular Substack newsletter, textCrunch, joins Sarah to take a sharp look at the State of the Publishing Industry in 2025. This packed episode covers a high-level look at the top sales and book trends, as well as Laura's insights into the future of the book world for 2026. Also, Laura shares her favorite books of 2025! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Laura McGrath's book Middlemen (publishing April 28, 2026) is available for pre-order here: Amazon | Bookshop.org  Fiction's performance in the sales charts since 2019. The trend seen in nonfiction over the past few years and where it may be headed. The continued debate about whether 2025 has a "Book of the Year." Surprising sales trends in religious books and imprints. How self-publishing still brings us successful authors. What Laura sees in her research that she thinks publishers should be paying attention to. A bit about the current outlook for mid-list and debut authors. Laura's predictions for 2026 book trends. State of the Publishing Industry in 2025 HIGH-LEVEL OVERVIEW [2:45]  Onyx Storm (Empyrean, 3) by Rebecca Yarros (2025) | Amazon | Bookshop.org  [7:49] Fourth Wing (series, 1) by Rebecca Yarros | Amazon | Bookshop.org [8:58]  The Women by Kristin Hannah (2024) | Amazon | Bookshop.org  [9:21] James by Percival Everett (2024) | Amazon | Bookshop.org  [9:59] The God of the Woods by Liz Moore (2024) | Amazon | Bookshop.org  [10:02] Flashlight by Susan Choi (2025) | Amazon | Bookshop.org  [10:25] The Dream Hotel by Laila Lalami (2025) | Amazon | Bookshop.org  [11:58] The Emperor of Gladness by Ocean Vuong (2025) | Amazon | Bookshop.org  [12:04] A Guardian and a Thief by Leela Tapryal (2025) | Amazon | Bookshop.org  [12:31] The Names by Florence Knapp (2025) | Amazon | Bookshop.org  [13:19] Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [13:57] The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [13:59] 2025 BOOK SALES & TRENDS [14:41]   The Martian by Andy Weir (2011) | Amazon | Bookshop.org [17:03]  The River Is Waiting by Wally Lamb (2025) | Amazon | Bookshop.org  [21:38]   The Bright Years by Sarah Damoff (2025) | Amazon | Bookshop.org  [21:40]   Heart the Lover by Lily King (2025) | Amazon | Bookshop.org [21:42]  BIG BOOK STORIES OF 2025 [30:18]  Catch-22 by Joseph Heller (1961) | Amazon | Bookshop.org  [33:30]  V by Thomas Pynchon (1963) | Amazon | Bookshop.org  [33:32]  Portnoy's Complaint by Philip Roth (1969) | Amazon | Bookshop.org  [33:41]  The Intuitionist by Colson Whitehead (1999) | Amazon | Bookshop.org  [33:47]  The Mothers by Brit Bennett (2016) | Amazon | Bookshop.org  [33:54]  2026 PUBLISHING PREDICTIONS [42:29]  Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [4:41] Pick a Color by Souvankham Thammavongsa (2025) | Amazon | Bookshop.org [43:55]  Discipline by Larissa Pham (January 20, 2026) | Amazon | Bookshop.org [45:01]  Under Water by Tara Menon (March 17, 2026) | Amazon | Bookshop.org [45:07]  Laura's 3 Favorites Books of 2025 [45:31]  Culpability by Bruce Holsinger (2025) | Amazon | Bookshop.org [46:17]  Wild Dark Shore by Charlotte McConaghey (2025) | Amazon | Bookshop.org[47:59]  The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [49:38] Other Links The New York Times | The Dogged, Irrational Persistence of Literary Fictionby Gerald Howard The Walrus | Publishing Has a Gambling Problem by Tajja Isen Time | How Taylor Jenkins Reid Became a Publishing Powerhouse by Lucy Feldman Book Riot | How Much Does Genre Matter to Readers? (Podcast Episode) Public Books | Who Cares About Literary Prizes? by Alexander Manshel, Laura B. Mcgrath, & J. D. Porter

Will, Jared, & Kourtney (!) sit down to discuss one of the hottest and most controversial films of the year, Paul Thomas Anderson's One Battle After Another.Does legendary auteur PTA deliver another ingenious adaptation of a Thomas Pynchon novel, or is this movie too radical for its own good? Do the hosts, inspired by the film, regret drinking Modelo during the podcast? Are the portrayals of people of color in this film offensive, and how uncomfortable are our hosts in even discussing that topic? Listen to find out!One Battle After Another is available on these streaming services.The Weather Underground documentary that Kourtney references which Perfidia's Letter is inspired by can be found here (letter is at 1:16:19).The article by "Black Girl Watching" that Kourtney references can be found here."Gymnopedie No. 3" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/You can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY

Julian, Madeline, and Emilio are rejoined by Brendan McDonald, former producer of the iconic podcast WTF with Marc Maron, for a bonus episode about Paul Thomas Anderson's latest masterpiece, One Battle After Another. Kicking off with a check-in on Brendan's life following WTF's end this past October, the group roll through the many hills of PTA's new film, including its roots in Thomas Pynchon's novel Vineland, numerous thematic and aesthetic connections to his greater filmography, and its balancing of political commentary and the personal struggles that coincide. Much time is also spent praising of the film's phenomenal cast, be it Leonardo DiCaprio delivering comic and dramatic beats with equal prowess, Chase Infiniti commanding the screen with her evocative breakout performance, or Teyana Taylor using limited screentime to maximal effect, among other examples. Keeping track of the time and remembering the password, with or without format punch-cards, the group draw from their many combined viewings to highlight a film that truly shines like a beacon with its expansive worldview, sincerity, and attention to detail in the uncertainty-laden present of 2025. Listen to the WTF archives and look back on the podcast's legacy at wtfpod.com.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Suri is up for another bangin' Loose Reads with Rosetta and Milly! Today, she chats about Thomas Pynchon's new novel Shadow Ticket. Whakarongo mai nei! Thanks to Timeout Bookstore!

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.   TGTPTU enters its final pairing of Squib Games (Season 15) with the 1850s (and 1980s) invasion of Nicaragua with WALKER (1987), a film by Alex Cox.   Beset with difficulties filming, beloved by many a cineast, bewildering to divers critics of its day, Walker tells the story of the titular William Walker, a filibuster (also known as a “freebooter”) who prior to the American Civil War took private troops to Nicaragua and toppled its aristocratic government under the principles of Americanism and Manifest Destiny before setting himself up as dictator. Written by Rudy Wurlitzer whose novel Nog got comparisons to and favorable praise from podfav scribbler Thomas Pynchon, the movie's plot follows the structure of a biopic only to undercut its titular antihero's self-(righteous/delusion/destructive ß strike as appropriate) bravado and speechifying with montages both of actual conditions caused by his actions and of anachronisms culminating in a helicopter airlift—a direct reference to the American intervention supporting the Contras—as the acid western melts guest host Jack's mind.   What is arguably Alex Cox's final feature film (although IMDB will credit him with allegedly ten or eleven films made afterwards), Walker (the film) was a triumph of determination and workarounds. The director and lead actor Ed Harris (not to be confused with next week's film lead Peter Weller) took pay cuts and invested their own money into the passion project when political interference arose. Despite Cox possibly believing his Rated R anarchistic movie would be a hit with wide audience appeal, the movie was dumped in early December against populist cinema hits of that year with critics and audiences not a fan of a film about an unredeemable man like Walker (nor was at least one TGTPTU host).   Full of slow motion and juicy squibs, the Joe Strummer-scored film brings a punk rock sensibility pokes a finger in the eye of the historical biopic and leaves American nationalism blinking.    Now forgive us while we betray every principle we've ever had and those who supported us. (To paraphrase Walker, the movie not the character or historical figure.)THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Ocean waves, ocean waves. One of the best-loved movies of the fall has been Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER. The Better Than the Movie crew is joined by Rene Franco, the head of Skylight's Rabbit Hole Reading Club, to discuss the flick and also the novel which provided some inspiration, Thomas Pynchon's kooky and kaleidoscopic Vineland.  Hosted by Justin Remer, Allan Traylor, and Tyler Austin.  Produced by Justin Remer.  Recorded at the LAPL Octavia Lab, with remote recording via Zencastr.  Check out the "Better Than the Movie" audiobook playlist on Libro.FM - https://libro.fm/playlists/skylight-better-than-the-movie Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

In this A24 vibe discussion, these film reviewers discuss what many critics are calling "the film of the decade" in One Battle After Another. Paul Thomas Anderson directed this Thomas Pynchon adaptation while Leonardo Dicaprio, Teyana Taylor, Sean Penn, and Chase Infiniti star in it. It revolves around a revolutionary group named the French 75, and a love triangle that forms between two revolutionaries and an immigration detention center officer. On top of being a Best Picture favorite, One Battle After Another has garnered a lot of conversation around its portrayal of fascist America. Is it worth the hype? Caution: movie spoilers.Intro- 0:00 to 1:34.Film Discussion- 1:34 to 1:15:26.Film Ratings/Outro- 1:15:26 to End.Upcoming podcast release schedule-November 12th- The Kill Team.November 19th- We're All Going to the World's Fair.November 26th- Waves.December 3rd- Gummo.

Jason Dick and Sean Carswell discuss how Thomas Pynchon's novel “Vineland” led to Paul Thomas Anderson's movie “One Battle After Another,” the conversation those two works have about American culture and politics, as well as the 1960s left, the Nixonian right, Reaganism, the drug war, Trumpism and, for good measure, Emerson's concept of the level of divine justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Dick and Sean Carswell discuss how Thomas Pynchon's novel “Vineland” led to Paul Thomas Anderson's movie “One Battle After Another,” the conversation those two works have about American culture and politics, as well as the 1960s left, the Nixonian right, Reaganism, the drug war, Trumpism and, for good measure, Emerson's concept of the level of divine justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's finally here and we got to read it! Shadow Ticket, the newest (and perhaps final) novel by Thomas Pynchon is out in the wild and we are here with a spoiler-free review for those who may not have had a chance to read it as of yet.We will have a longer, more in-depth review episode out on 31 October 2025, so stay tuned for that if you wanted a more nuanced discussion of our thoughts on the novel.If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Music: Béla BartókAs always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Paul Thomas Anderson's One Battle After Another has been the talk of the town since its wide release last month—from critics to filmmakers to audiences, the reception has been nothing short of euphoric. Loosely inspired by Thomas Pynchon's novel Vineland, the film opens in an unspecified present, detailing the activities of a militant group led by a Black revolutionary (played by Teyana Taylor). Years after her disappearance, her partner (Leonardo DiCaprio) and their daughter (newcomer Chase Infiniti) are hunted down by an old enemy, Sean Penn's Colonel Steven J. Lockjaw. The chase takes them across California, with an assortment of other characters becoming embroiled along the way.  The movie is an unabashedly fun, feel-good action flick—one that also calls back to films as disparate as The Searchers, Commando, and Running on Empty. But is it among the greatest of the decade, as some have claimed? Film Comment Editors Clinton Krute and Devika Girish invited critics and programmers Miriam Bale and Adam Piron on the Podcast to discuss the film's successes and failures, how it fits into PTA's larger body of work, and its engagement with American history and the present. If there's one thing the four agreed on, it's that One Battle After Another is indeed a “very rich text.”

Hello, reel ravers! This week, Mary and Dave take a pause on McQuarrying and talk about Paul Thomas Anderson's new film One Battle After Another in a discursive conversation that takes in conspiracy theories, the works of Thomas Pynchon, WWI political shenanigans, a spirited defense of Leonardo DiCaprio, a brief Beach Boys aside, a heartfelt […]

In episode 1950, Jack and Miles are joined by comedian and co-host of The Worst Idea of All Time, Tim Batt, to discuss… Prince Andrew Agrees To Give Up Royal Titles, Kim K Is The Thomas Edison Of Our Time - Merkin Edition, Who Is The Real World Christmas Adventurers Club? And More! Prince Andrew gives up royal titles including Duke of York after ‘discussion with king’ Jeffrey Epstein survivor Virginia Giuffre, in her own words Met Police looking into claims Andrew sought information on accuser Kim K Is The Thomas Edison Of Our Time - Merkin Edition An Antifascist Movie at a Fascist Moment How P.T. Anderson Channeled Thomas Pynchon’s Preoccupations for ‘One Battle After Another’ ‘One Battle After Another’ and ‘Vineland’— What Paul Thomas Anderson Used and Cut Out of Thomas Pynchon’s Novel The John Birch Society Is Back Did the John Birch Society Win in the End? Masonic Symbolism in PTA Movies ABUNDANCE OF SYMBOLS IN `MAGNOLIA’ HAS FILMGOERS LOOKING FOR CLUES How do people think the Christmas Adventurers Club are absurd when Bohemian Grove actually exists Clarence Thomas and Bohemian Grove: What goes on at the all-male club? Inside Bohemian Grove Redwoods Hideaway for the Elite Goes On, but Protest Days Fade Bohemian Grove annual event is underway in the Bay Area, per the FAA Billionaire at Bohemian Grove told staff to clean his underwear by hand, lawsuit says Berkeley Law School Drops Boalt Name Over Racist Legacy Chinese Exclusion Act The Bohemian minstrel show The Bohemian Grove: Symbolism Behind the Owl and Cremation of Care LISTEN: Sana Sana by Nathy PelusoSee omnystudio.com/listener for privacy information.

This week we're excited to present a conversation with Paul Thomas Anderson, Leonardo DiCaprio, Sean Penn, Benicio del Toro, Teyana Taylor, Regina Hall, and Chase Infiniti as they discuss their hit film One Battle After Another, which was recently presented on 70mm at our Walter Reade Theater. This conversation was moderated by NYFF Artistic Director Dennis Lim. In One Battle After Another, washed-up revolutionary Bob (Leonardo DiCaprio) exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa (Chase Infiniti). When his evil nemesis resurfaces after 16 years and Bob's daughter goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past. Paul Thomas Anderson's most viscerally thrilling film to date is a total blast, an epic, comic adventure of the weird new America that spans years and stretches from across the treacherous rolling-hill highways of the southwest and beyond. Inspired by Thomas Pynchon's Vineland, but with a flavor and cinematic rush that's pure PTA, One Battle After Another is an exhilarating, ultimately moving portrait of undying commitment to family amidst the mania of our contemporary world One Battle After Another is now in theaters.

TENE discuss the new 2025 Paul Thomas Anderson film "One Battle After Another." Music credits: "Algiers November 1, 1954" – Ennio Morricone And Gillo Pontecorvo – Battle Of Algiers - Original Motion Picture Soundtrack (1967) "Zyklus" – Karlheinz Stockhausen – Cycle For One Percussionist (In Two Different Versions) / Klavierstück No. X (1970) "Mao-Mao" – Claude Channes – La Chinoise (1967) Subscribe to patreon.org/tenepod @tenepod.bsky.social  x.com/tenepod

Writer/director Paul Thomas Anderson returns to the big screen with his epic action comedy film One Battle After Another. We took in this $175 million budget, 162-minute film in full IMAX at the Burbank 16. It goes without saying, go see this movie on the big screen! Marvel at Sean Penn's beautiful mug as big as you can see it! Then once you've taken it all in, you might enjoy our hawt take. The movie stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti. It is loosely based on Thomas Pynchon's 1990 novel Vineland. It's got a wild score by Jonny Greenwood. It's undoubtedly going to be up for a bunch of Oscar nominations. Check it out! Then hear our hawt take review!

1:44:13 – Frank in New Jersey, plus the Other Side. Topics include: Card table spaceship, contract bridge, Shadow Ticket by Thomas Pynchon,Sheepshead, the other city, dimensions, Cycling Frog Margarita, other worlds, Ancient Lights by Davis Grubb, Ancientighra, lost Jack Kerouac story found, World’s Smallest Boombox, Grateful Dead 6/10/73, and much more… plus the Other Side (at 1:03:38)… […]

Few movies have ever been as timely as Paul Thomas Anderson's latest film One Battle AfterAnother, which traces the battle between revolutionary resistance groups trying to protectimmigrants and an authoritarian government run by racists. There are scenes from the moviethat feel like they are being played out right now on the streets of Chicago, Los Angeles andPortland. Although it presents a stylized version of reality, the film raises important questionsabout different strategies of resistance. David Klion, a frequent guest, wrote about the moviefor The New Republic. David and I talked about the film, its roots in actual history but alsovariance with that history as well as its relationship with the Thomas Pynchon novel Vineland.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, the boys cover “Fight Club”, the 1999 movie that is both an of-its-time dark satire and a should-have-been-released-in-2025 heat check. Before we dive into it, we need to get drinking! So we discuss the new Paul Thomas Anderson “Dr. Strangelove”-esque gripping satire (maybe?), “One Battle After Another”, the new Daniel Day-Lewis film “Anemone”, directed by his son, Ronan Day-Lewis, and John made it to the red carpet premier of Guillermo del Toro's latest fright film “Frankenstein”. We also discuss “Highest 2 Lowest” and “Swiped”. It's a busy show! Grab a beer and listen to us drunkenly talk about movies!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 04:12 “One Battle After Another”; 12:06 “Anemone”; 17:27 “Frankenstein”; 21:53 1999 Year in Review; 44:00 Films of 1999: “Fight Club”; 1:32:58: What You Been Watching? 1:51:15 Next Episode Additional Cast/Crew: David Fincher, Chuck Palahnuik, Jim Uhls, Brad Pitt, Edward Norton, Meat Loaf, Zach Grenier, Helena Bonham Carter, Jared Leto, Holt McCallany, Dust Brothers, Jeff Cronenweth, James Haygood, Daniel Day-Lewis, Ronan Day-Lewis, Sean Bean, Samantha Morton, Leonardo DiCaprio, Benicio Del Toro, Paul Thomas Anderson, Sean Penn, Thomas Pynchon, Teyana Taylor, Regina Hall, Alana Haim, Guillermo del Toro, Mary Shelley, Oscar Isaac, Jacob Elordi, Christoph Waltz, Mia Goth, Charles Dance, Felix Kammerer, David Bradley, Lars Mikkelsen, Lily James. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/Tags: Highest 2 Lowest, Final Destination: Bloodlines, The Lost Bus, Swiped. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

2:09:28 – Frank in New Jersey, plus the Other Side. Topics include: Hudson Yards, stadiums, Little Spain, Edge, 2WTC, Back to the Future, vertical hold, Vessel, giant pigeon statue, Porchlight, The Shed, Viola’s Room, Sleep No More, Life and Trust, dark rides, 40th High School Reunion, Concept III, Shadow Ticket by Thomas Pynchon released today, Rush returns […]

This week the hosts begin a month of classic Universal monster movies beginning with Dracula (1931). From wiki: "Dracula is a 1931 American pre-Code vampire film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker.[3] Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée."Also discussed: spiders, Sparks, transcendental meditation, One Battle After Another, Thomas Pynchon, Meiko Kaji films, and more.  NEXT WEEK: The Old Dark House (1932) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

durée : 00:09:07 - Le Masque et la Plume - Trois ans après "Licorice Pizza", Paul Thomas Anderson revient avec "Une bataille après l'autre", adaptation d'un roman de Thomas Pynchon, avec Leonardo DiCaprio, Sean Penn et Benicio del Toro. Le film mêle satire politique, action et comédie. Qu'en ont pensé les critiques du Masque? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Paul Thomas Anderson's latest film has car chases, explosions, secret societies, and and confused ex-revolutionaries...but did it make Drea cry? Find out the answer, plus our favorite underground cabals from film history, on this episode with special guest, noted critic Michael Phillips.What's GoodAlonso - Brian Earl's Of Christmases Long, Long AgoDrea - COVID booster/Worm Charming ChampionshipMichael - being with us (and Gov. Pritzker)Kevin - The Big Show at The EarlITIDICThe Tilly Norwood situationLA Times Editorial: Oscars International Feature Category Is Broken; No Easy FixStaff PicksAlonso - Smashing TimeDrea - FairylandMichael - SpartacusKevin - Apollo 13Check out Michael's appearances on Filmspotting and his piece on Ebert.com Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

One Battle After Another is the 11th feature film directed by Paul Thomas Anderson. It is written and produced by Anderson and inspired by the novel Vineland by Thomas Pynchon. It stars Leonardo DiCaprio, Sean Penn, Benicio Del Toro, Regina Hall, Teyana Taylor, Chase Infiniti, and more. It is the widest release, the widest opening, and the highest-grossing opening of Anderson’s career. One Battle After Another is currently the No. 1 movie in the world. And: The Lowdown is the second television series created by Sterlin Harjo. It is set in Tulsa, Oklahoma, in the same fictional universe as the first Harjo-created TV series, Reservation Dogs. It stars Ethan Hawke and Keith David. GUESTS: James Hanley: Co-founder of Cinestudio at Trinity College Rich Hollant: Founder and principal of CO:LAB, a hall of fame designer, and a co-partner at CENTER Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Irene Papoulis: Wrote a short textbook called The Essays Only You Can Write Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

One Battle After Another is a 2025 American action thriller film produced, written, and directed by Paul Thomas Anderson,[inspired by the 1990 novel Vineland by Thomas Pynchon. It stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti, and follows an ex-revolutionary who must rescue his daughter from a corrupt military official.Hosted by Ausha. See ausha.co/privacy-policy for more information.

For this week's main podcast review, Josh Parham, Cody Dericks, Giovanni Lago, Brendan Hodges, and Will Mavity join me to review and discuss the latest film from Paul Thomas Anderson, "One Battle After Another," starring Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti. Inspired by the 1990 novel Vineland by Thomas Pynchon, the film follows an ex-revolutionary turned stoner father who must rescue his daughter from an overpowering military officer and aspiring white supremacist. It has garnered some of the best reactions, reviews, and audience ratings of Paul Thomas Anderson's career, at a time when many feel that a politically charged yet massively entertaining film like this (that can be experienced in a wide range of theatrical formats) is wholly necessary for the times we're living in. But what did we think of it? Please tune in as we discuss the writing, direction, performances, score, cinematography, its politics, awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Support the show at patreon.com/leftreckoning What is going on with Your Party? Matt and David dive in the fallout from the Corbyn v. Sultana feud and what it means for what felt like a promising start for the UK left. Plus, Democratic socialism, the people like it. New poll show Democratic socialism is now mainstream. - https://jacobin.com/2025/09/new-poll-democratic-socialism-mainstream/Agree? you can join DSA here: https://act.dsausa.org/donate/membership/JOIN MATT & DAVE DSA's Phonebank! http://dsausa.us/LRPBMatt Lech and Devin Thomas O'Shea delve into the works of Thomas Pynchon, particularly focusing on 'Vineland'. They explore Pynchon's unique narrative style, his historical context, and the political themes embedded in his literature. They dive into the relevance of Pynchon's themes in today's political landscape and concludes with reflections on his literary legacy.