Podcast appearances and mentions of Thomas Pynchon

In Ep. 210, Laura McGrath, author of the popular Substack newsletter, textCrunch, joins Sarah to take a sharp look at the State of the Publishing Industry in 2025. This packed episode covers a high-level look at the top sales and book trends, as well as Laura's insights into the future of the book world for 2026. Also, Laura shares her favorite books of 2025! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Laura McGrath's book Middlemen (publishing April 28, 2026) is available for pre-order here: Amazon | Bookshop.org  Fiction's performance in the sales charts since 2019. The trend seen in nonfiction over the past few years and where it may be headed. The continued debate about whether 2025 has a "Book of the Year." Surprising sales trends in religious books and imprints. How self-publishing still brings us successful authors. What Laura sees in her research that she thinks publishers should be paying attention to. A bit about the current outlook for mid-list and debut authors. Laura's predictions for 2026 book trends. State of the Publishing Industry in 2025 HIGH-LEVEL OVERVIEW [2:45]  Onyx Storm (Empyrean, 3) by Rebecca Yarros (2025) | Amazon | Bookshop.org  [7:49] Fourth Wing (series, 1) by Rebecca Yarros | Amazon | Bookshop.org [8:58]  The Women by Kristin Hannah (2024) | Amazon | Bookshop.org  [9:21] James by Percival Everett (2024) | Amazon | Bookshop.org  [9:59] The God of the Woods by Liz Moore (2024) | Amazon | Bookshop.org  [10:02] Flashlight by Susan Choi (2025) | Amazon | Bookshop.org  [10:25] The Dream Hotel by Laila Lalami (2025) | Amazon | Bookshop.org  [11:58] The Emperor of Gladness by Ocean Vuong (2025) | Amazon | Bookshop.org  [12:04] A Guardian and a Thief by Leela Tapryal (2025) | Amazon | Bookshop.org  [12:31] The Names by Florence Knapp (2025) | Amazon | Bookshop.org  [13:19] Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [13:57] The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [13:59] 2025 BOOK SALES & TRENDS [14:41]   The Martian by Andy Weir (2011) | Amazon | Bookshop.org [17:03]  The River Is Waiting by Wally Lamb (2025) | Amazon | Bookshop.org  [21:38]   The Bright Years by Sarah Damoff (2025) | Amazon | Bookshop.org  [21:40]   Heart the Lover by Lily King (2025) | Amazon | Bookshop.org [21:42]  BIG BOOK STORIES OF 2025 [30:18]  Catch-22 by Joseph Heller (1961) | Amazon | Bookshop.org  [33:30]  V by Thomas Pynchon (1963) | Amazon | Bookshop.org  [33:32]  Portnoy's Complaint by Philip Roth (1969) | Amazon | Bookshop.org  [33:41]  The Intuitionist by Colson Whitehead (1999) | Amazon | Bookshop.org  [33:47]  The Mothers by Brit Bennett (2016) | Amazon | Bookshop.org  [33:54]  2026 PUBLISHING PREDICTIONS [42:29]  Audition by Katie Kitamura (2025) | Amazon | Bookshop.org  [4:41] Pick a Color by Souvankham Thammavongsa (2025) | Amazon | Bookshop.org [43:55]  Discipline by Larissa Pham (January 20, 2026) | Amazon | Bookshop.org [45:01]  Under Water by Tara Menon (March 17, 2026) | Amazon | Bookshop.org [45:07]  Laura's 3 Favorites Books of 2025 [45:31]  Culpability by Bruce Holsinger (2025) | Amazon | Bookshop.org [46:17]  Wild Dark Shore by Charlotte McConaghey (2025) | Amazon | Bookshop.org[47:59]  The Wilderness by Angela Flournoy (2025) | Amazon | Bookshop.org  [49:38] Other Links The New York Times | The Dogged, Irrational Persistence of Literary Fictionby Gerald Howard The Walrus | Publishing Has a Gambling Problem by Tajja Isen Time | How Taylor Jenkins Reid Became a Publishing Powerhouse by Lucy Feldman Book Riot | How Much Does Genre Matter to Readers? (Podcast Episode) Public Books | Who Cares About Literary Prizes? by Alexander Manshel, Laura B. Mcgrath, & J. D. Porter

Will, Jared, & Kourtney (!) sit down to discuss one of the hottest and most controversial films of the year, Paul Thomas Anderson's One Battle After Another.Does legendary auteur PTA deliver another ingenious adaptation of a Thomas Pynchon novel, or is this movie too radical for its own good? Do the hosts, inspired by the film, regret drinking Modelo during the podcast? Are the portrayals of people of color in this film offensive, and how uncomfortable are our hosts in even discussing that topic? Listen to find out!One Battle After Another is available on these streaming services.The Weather Underground documentary that Kourtney references which Perfidia's Letter is inspired by can be found here (letter is at 1:16:19).The article by "Black Girl Watching" that Kourtney references can be found here."Gymnopedie No. 3" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Our outro track is "Gymnopedie No. 1" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/You can listen to Reno Championship Wrestling & Spellbound and Gagged anywhere you get podcasts.Email the show at debaserpod@gmail.comFollow Debaser on Instagram, Bluesky, and Facebook.Follow Will on Instagram and Jared on Bluesky.Cover art by @DogBitesBackNY

Julian, Madeline, and Emilio are rejoined by Brendan McDonald, former producer of the iconic podcast WTF with Marc Maron, for a bonus episode about Paul Thomas Anderson's latest masterpiece, One Battle After Another. Kicking off with a check-in on Brendan's life following WTF's end this past October, the group roll through the many hills of PTA's new film, including its roots in Thomas Pynchon's novel Vineland, numerous thematic and aesthetic connections to his greater filmography, and its balancing of political commentary and the personal struggles that coincide. Much time is also spent praising of the film's phenomenal cast, be it Leonardo DiCaprio delivering comic and dramatic beats with equal prowess, Chase Infiniti commanding the screen with her evocative breakout performance, or Teyana Taylor using limited screentime to maximal effect, among other examples. Keeping track of the time and remembering the password, with or without format punch-cards, the group draw from their many combined viewings to highlight a film that truly shines like a beacon with its expansive worldview, sincerity, and attention to detail in the uncertainty-laden present of 2025. Listen to the WTF archives and look back on the podcast's legacy at wtfpod.com.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Suri is up for another bangin' Loose Reads with Rosetta and Milly! Today, she chats about Thomas Pynchon's new novel Shadow Ticket. Whakarongo mai nei! Thanks to Timeout Bookstore!

Suri is up for another bangin' Loose Reads with Rosetta and Milly! Today, she chats about Thomas Pynchon's new novel Shadow Ticket. Whakarongo mai nei! Thanks to Timeout Bookstore!

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.   TGTPTU enters its final pairing of Squib Games (Season 15) with the 1850s (and 1980s) invasion of Nicaragua with WALKER (1987), a film by Alex Cox.   Beset with difficulties filming, beloved by many a cineast, bewildering to divers critics of its day, Walker tells the story of the titular William Walker, a filibuster (also known as a “freebooter”) who prior to the American Civil War took private troops to Nicaragua and toppled its aristocratic government under the principles of Americanism and Manifest Destiny before setting himself up as dictator. Written by Rudy Wurlitzer whose novel Nog got comparisons to and favorable praise from podfav scribbler Thomas Pynchon, the movie's plot follows the structure of a biopic only to undercut its titular antihero's self-(righteous/delusion/destructive ß strike as appropriate) bravado and speechifying with montages both of actual conditions caused by his actions and of anachronisms culminating in a helicopter airlift—a direct reference to the American intervention supporting the Contras—as the acid western melts guest host Jack's mind.   What is arguably Alex Cox's final feature film (although IMDB will credit him with allegedly ten or eleven films made afterwards), Walker (the film) was a triumph of determination and workarounds. The director and lead actor Ed Harris (not to be confused with next week's film lead Peter Weller) took pay cuts and invested their own money into the passion project when political interference arose. Despite Cox possibly believing his Rated R anarchistic movie would be a hit with wide audience appeal, the movie was dumped in early December against populist cinema hits of that year with critics and audiences not a fan of a film about an unredeemable man like Walker (nor was at least one TGTPTU host).   Full of slow motion and juicy squibs, the Joe Strummer-scored film brings a punk rock sensibility pokes a finger in the eye of the historical biopic and leaves American nationalism blinking.    Now forgive us while we betray every principle we've ever had and those who supported us. (To paraphrase Walker, the movie not the character or historical figure.)THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Ocean waves, ocean waves. One of the best-loved movies of the fall has been Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER. The Better Than the Movie crew is joined by Rene Franco, the head of Skylight's Rabbit Hole Reading Club, to discuss the flick and also the novel which provided some inspiration, Thomas Pynchon's kooky and kaleidoscopic Vineland.  Hosted by Justin Remer, Allan Traylor, and Tyler Austin.  Produced by Justin Remer.  Recorded at the LAPL Octavia Lab, with remote recording via Zencastr.  Check out the "Better Than the Movie" audiobook playlist on Libro.FM - https://libro.fm/playlists/skylight-better-than-the-movie Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band. 

In this A24 vibe discussion, these film reviewers discuss what many critics are calling "the film of the decade" in One Battle After Another. Paul Thomas Anderson directed this Thomas Pynchon adaptation while Leonardo Dicaprio, Teyana Taylor, Sean Penn, and Chase Infiniti star in it. It revolves around a revolutionary group named the French 75, and a love triangle that forms between two revolutionaries and an immigration detention center officer. On top of being a Best Picture favorite, One Battle After Another has garnered a lot of conversation around its portrayal of fascist America. Is it worth the hype? Caution: movie spoilers.Intro- 0:00 to 1:34.Film Discussion- 1:34 to 1:15:26.Film Ratings/Outro- 1:15:26 to End.Upcoming podcast release schedule-November 12th- The Kill Team.November 19th- We're All Going to the World's Fair.November 26th- Waves.December 3rd- Gummo.

Dissens auf hohem Niveau - Martina Läubli, Martin Ebel und Dirk Knipphals diskutierten im ausverkauften Heilbronner Schießhaus vier auf der SWR Bestenliste im November verzeichneten Romane: Martina Clavadetschers „Die Schrecken der anderen“ (C.H. Beck), Thomas Pynchons „Schattennummer“ (Rowohlt), Ian McEwans „Was wir wissen können (Diogenes Verlag) und Anja Kampmanns „Die Wut ist ein heller Stern“ (Hanser Verlag). Schon beim ersten Roman, der besprochen wurde, war sich die Jury uneins. Während Martina Läubli (NZZ) die Genrevielfalt und den Einfallsreichtum von Clavadetschers Roman lobte, kritisierte Dirk Knipphals (taz) nicht nur die skurrilen Figuren, sondern vor allem die betont unernste Tonlage der Prosa, die nicht zum Thema passen würde: vergangene und gegenwärtige NS-Verstrickungen in der Schweiz. „Die Schrecken der anderen“ steht auf Platz 7 der November-Bestenliste. Martin Ebel (Tages-Anzeiger) gestand, mit „Schattennummer“ den ersten Roman von Thomas Pynchon gelesen zu haben. Er sei so befremdet wie beeindruckt von dem unberechenbaren Text, der sich psychologischen Lesarten verweigere. Knipphals sah in der Doppelbödigkeit die eigentliche Qualität dieser Literatur: Pynchons Romane seien immer beides, Pulp und hohe Sprachkunst, die sich nicht zuletzt im Spiel mit musikalischen Themen und auch in politischen Spitzen zeige. Für Martina Läubli, die sich zwar über viele Ideen des Autors amüsieren konnte, war Pynchons Roman (Platz 3) aber schlichtweg 200 Seiten zu lang. Bei Ian McEwan (Platz 2) wurde es nahezu religiös. Dirk Knipphals nannte den Autor einen „Hohepriester“, Martin Ebel sogar einen „gnädigen Literaturgott“, der Nachsicht mit seinen fehlgeleiteten Figuren habe. Was Martina Läubli nicht davon abhielt, das ihrer Meinung nach etwas zu routinierte Konstruieren und Erzählen zu hinterfragen. Vor allem der zweite Teil des Romans, der sich in einer erwartbaren Kriminal- und Liebesgeschichte verläppere, habe sie weniger überzeugt. Große Einigkeit zum Abschluss bei Anja Kampmann. In poetischer Prosa erzähle die Autorin, wie die Nazis auch das proletarische Milieu der Hamburger Reeperbahn ab 1933 zu kontrollieren beginnen. Der in kurzen Szenen „hingetupfte“ Roman sei zwar eindeutig historisch verortet, gleichwohl gehe die Autorin auch der aktuellen Frage nach, warum eine Diktatur mit aller Gewalt auch die Herrschaft über den weiblichen Körper durchsetze. „Die Wut ist ein heller Stern“ (Platz 1) gehörte zu den herausragenden Romanen dieser Saison, befand die Jury. Aus den vier Büchern lasen Antje Keil und Dominik Eisele. Durch den Abend – eine Kooperation mit dem Literaturhaus Heilbronn – führte Carsten Otte.

Da ist er wieder, der große Unbekannte, mittlerweile 88 Jahre alt. Mit einer Hommage an die schwarzen Krimis. Milwaukee, 1932: Ein Privatdetektiv sucht die Erbin einer Käsefabrik und landet in Europa zwischen Nazis und Agenten. Pynchon eben.

Jason Dick and Sean Carswell discuss how Thomas Pynchon's novel “Vineland” led to Paul Thomas Anderson's movie “One Battle After Another,” the conversation those two works have about American culture and politics, as well as the 1960s left, the Nixonian right, Reaganism, the drug war, Trumpism and, for good measure, Emerson's concept of the level of divine justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Dick and Sean Carswell discuss how Thomas Pynchon's novel “Vineland” led to Paul Thomas Anderson's movie “One Battle After Another,” the conversation those two works have about American culture and politics, as well as the 1960s left, the Nixonian right, Reaganism, the drug war, Trumpism and, for good measure, Emerson's concept of the level of divine justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

our 1990s module kicks off with vineland by thomas pynchon and an existential dilemma: are we starting off this module with a lie? after talking about getting our hands on media before its release date, we detour to discuss radiohead's live “hail to the thief” album, which shreds expertly weaves right into the novel description via paul thomas anderson's upcoming “loose adaptation” of vineland. joey shares his pov coming into this (and how it failed him); we talk about the misdirection of vineland not really being a novel about zoyd and discuss who the main character really is. we talk about the novel being structurally strange, pynchon's exploration of 60s counter-culture (and the yippie to yuppie pipeline), and the amount of time he's taken to publish his work. we critique the things that pynchon doesn't do very well and admire him for what he does. shreds gives tips on reading a book where you get lost within the plot. we ask: please, write in about this book. also: happy halloween. reading list for season seventeen vineland by thomas pynchonmao ii by don delilloall the pretty horses by cormac mccarthytrainspotting by irvine welshnotes of a crocodile by qiu miaojinsabbath's theater by philip roththe atlas by william t. vollmanni love dick by chris krausthe poisonwood bible by barbara kingsolverfrom hell by alan moore

It's finally here and we got to read it! Shadow Ticket, the newest (and perhaps final) novel by Thomas Pynchon is out in the wild and we are here with a spoiler-free review for those who may not have had a chance to read it as of yet.We will have a longer, more in-depth review episode out on 31 October 2025, so stay tuned for that if you wanted a more nuanced discussion of our thoughts on the novel.If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Music: Béla BartókAs always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

Paul Thomas Anderson's One Battle After Another has been the talk of the town since its wide release last month—from critics to filmmakers to audiences, the reception has been nothing short of euphoric. Loosely inspired by Thomas Pynchon's novel Vineland, the film opens in an unspecified present, detailing the activities of a militant group led by a Black revolutionary (played by Teyana Taylor). Years after her disappearance, her partner (Leonardo DiCaprio) and their daughter (newcomer Chase Infiniti) are hunted down by an old enemy, Sean Penn's Colonel Steven J. Lockjaw. The chase takes them across California, with an assortment of other characters becoming embroiled along the way.  The movie is an unabashedly fun, feel-good action flick—one that also calls back to films as disparate as The Searchers, Commando, and Running on Empty. But is it among the greatest of the decade, as some have claimed? Film Comment Editors Clinton Krute and Devika Girish invited critics and programmers Miriam Bale and Adam Piron on the Podcast to discuss the film's successes and failures, how it fits into PTA's larger body of work, and its engagement with American history and the present. If there's one thing the four agreed on, it's that One Battle After Another is indeed a “very rich text.”

Hello, reel ravers! This week, Mary and Dave take a pause on McQuarrying and talk about Paul Thomas Anderson's new film One Battle After Another in a discursive conversation that takes in conspiracy theories, the works of Thomas Pynchon, WWI political shenanigans, a spirited defense of Leonardo DiCaprio, a brief Beach Boys aside, a heartfelt […]

In episode 1950, Jack and Miles are joined by comedian and co-host of The Worst Idea of All Time, Tim Batt, to discuss… Prince Andrew Agrees To Give Up Royal Titles, Kim K Is The Thomas Edison Of Our Time - Merkin Edition, Who Is The Real World Christmas Adventurers Club? And More! Prince Andrew gives up royal titles including Duke of York after ‘discussion with king’ Jeffrey Epstein survivor Virginia Giuffre, in her own words Met Police looking into claims Andrew sought information on accuser Kim K Is The Thomas Edison Of Our Time - Merkin Edition An Antifascist Movie at a Fascist Moment How P.T. Anderson Channeled Thomas Pynchon’s Preoccupations for ‘One Battle After Another’ ‘One Battle After Another’ and ‘Vineland’— What Paul Thomas Anderson Used and Cut Out of Thomas Pynchon’s Novel The John Birch Society Is Back Did the John Birch Society Win in the End? Masonic Symbolism in PTA Movies ABUNDANCE OF SYMBOLS IN `MAGNOLIA’ HAS FILMGOERS LOOKING FOR CLUES How do people think the Christmas Adventurers Club are absurd when Bohemian Grove actually exists Clarence Thomas and Bohemian Grove: What goes on at the all-male club? Inside Bohemian Grove Redwoods Hideaway for the Elite Goes On, but Protest Days Fade Bohemian Grove annual event is underway in the Bay Area, per the FAA Billionaire at Bohemian Grove told staff to clean his underwear by hand, lawsuit says Berkeley Law School Drops Boalt Name Over Racist Legacy Chinese Exclusion Act The Bohemian minstrel show The Bohemian Grove: Symbolism Behind the Owl and Cremation of Care LISTEN: Sana Sana by Nathy PelusoSee omnystudio.com/listener for privacy information.

Thomas Pynchon: Schattennummer | Aus dem Englischen Nikolaus Stingl, Dirk van Gunsteren | Rowohlt Verlag 2025 | Preis: 26 Euro

Wilm, Jan www.deutschlandfunkkultur.de, Lesart

Wilm, Jan www.deutschlandfunkkultur.de, Lesart

This week we're excited to present a conversation with Paul Thomas Anderson, Leonardo DiCaprio, Sean Penn, Benicio del Toro, Teyana Taylor, Regina Hall, and Chase Infiniti as they discuss their hit film One Battle After Another, which was recently presented on 70mm at our Walter Reade Theater. This conversation was moderated by NYFF Artistic Director Dennis Lim. In One Battle After Another, washed-up revolutionary Bob (Leonardo DiCaprio) exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa (Chase Infiniti). When his evil nemesis resurfaces after 16 years and Bob's daughter goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past. Paul Thomas Anderson's most viscerally thrilling film to date is a total blast, an epic, comic adventure of the weird new America that spans years and stretches from across the treacherous rolling-hill highways of the southwest and beyond. Inspired by Thomas Pynchon's Vineland, but with a flavor and cinematic rush that's pure PTA, One Battle After Another is an exhilarating, ultimately moving portrait of undying commitment to family amidst the mania of our contemporary world One Battle After Another is now in theaters.

PLUS: South Park is having a moment; Thomas Pynchon's timely new novel; stemming loneliness with kindness; and the life of legendary actor John Candy.

¿Cómo crear un filme que, al mismo tiempo, sea una pieza de autor, un producto de alcance masivo y un objeto que deje una marca en la cultura? la última ocasión en que un realizador había intentado algo parecido —Quentin Tarantino con Érase una vez en Hollywood— éste fue tan alabado como fustigado por cierta parte de público y crítica, pero en general se salió con la suya: su película va camino de convertirse en un clásico. El punto ahora es qué ocurre si a todo el mix anterior agregas una lectura abiertamente política, una que se sitúa de lleno ya no en el pasado reinventado (y lejano) sino en un presente totalmente reconocible, sobre todo para una conflictuada izquierda progresista y una derecha autoempoderada. Pues bien, eso es lo que pone sobre la mesa One Battle After Another: filmada en Vistavision, 65mm, con película física (el formato de mayor nitidez y espectacularidad disponible), protagonizada por Leonardo DiCaprio, en un registro tan maduro como satírico; realizada con efectos especiales prácticos, de abrumadora finura y destreza; basada tangencialmente en una novela del elusivo Thomas Pynchon (rescatando de paso mucho mejor su universo literario y humanista que Inherent Vice, la anterior adaptación de su obra); ambientada, por último, en un Estados Unidos abiertamente reconocible, un mundo de grupos de interés, bandos opuestos, sociedades secretas y armas automáticas, en el que efectivamente se dan cruciales batallas (públicas y privadas) día tras día; en fin, todo ello da cuenta de un extraordinario esfuerzo técnico y artístico, tal vez el más complejo y el más frontal emprendido por Paul Thomas Anderson, en la cumbre de su profesión e influencia en el medio. Wow, qué película y qué ambición. De eso y más se habla en este podcast.

TENE discuss the new 2025 Paul Thomas Anderson film "One Battle After Another." Music credits: "Algiers November 1, 1954" – Ennio Morricone And Gillo Pontecorvo – Battle Of Algiers - Original Motion Picture Soundtrack (1967) "Zyklus" – Karlheinz Stockhausen – Cycle For One Percussionist (In Two Different Versions) / Klavierstück No. X (1970) "Mao-Mao" – Claude Channes – La Chinoise (1967) Subscribe to patreon.org/tenepod @tenepod.bsky.social  x.com/tenepod

Writer/director Paul Thomas Anderson returns to the big screen with his epic action comedy film One Battle After Another. We took in this $175 million budget, 162-minute film in full IMAX at the Burbank 16. It goes without saying, go see this movie on the big screen! Marvel at Sean Penn's beautiful mug as big as you can see it! Then once you've taken it all in, you might enjoy our hawt take. The movie stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti. It is loosely based on Thomas Pynchon's 1990 novel Vineland. It's got a wild score by Jonny Greenwood. It's undoubtedly going to be up for a bunch of Oscar nominations. Check it out! Then hear our hawt take review!

Nesta edição do podcast cinematório café, nós analisamos o filme "Uma Batalha Após a Outra" (One Battle After Another, 2025), de Paul Thomas Anderson. Estrelado por Leonardo DiCaprio, Teyana Taylor, Sean Penn, Chase Infiniti, Benicio Del Toro e Regina Hall, o longa é um dos melhores lançamentos do ano e forte candidato ao Oscar 2026. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Inspirado no livro "Vineland", de Thomas Pynchon (mesmo autor de "Vício Inerente"), "Uma Batalha Após a Outra" conta a história de Bob Ferguson (DiCaprio), um antigo revolucionário que é arrastado de volta a um mundo de perigos e conspirações quando sua filha, Willa (Infiniti), é colocada em risco. Em meio a confrontos intensos e situações imprevisíveis, ele precisa desafiar seu próprio passado para tentar salvá-la, em uma história marcada por ação incessante e reviravoltas inesperadas. Quem se senta à mesa conosco neste podcast é Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder". O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. Este episódio contém trechos meramente ilustrativos das músicas "One Battle After Another" (2025), de Jonny Greenwood; "The Revolution Will Not Be Televised" (1971), de Gil Scott-Heron; e "Dirty Work" (1971), de Steely Dan. Todos os direitos reservados aos artistas.    

1:44:13 – Frank in New Jersey, plus the Other Side. Topics include: Card table spaceship, contract bridge, Shadow Ticket by Thomas Pynchon,Sheepshead, the other city, dimensions, Cycling Frog Margarita, other worlds, Ancient Lights by Davis Grubb, Ancientighra, lost Jack Kerouac story found, World’s Smallest Boombox, Grateful Dead 6/10/73, and much more… plus the Other Side (at 1:03:38)… […]

Following their first director analysis of Paul Thomas Anderson, Ryan and Dylan check out the latest offering of Anderson's career and decide whether One Battle After Another is another masterpiece from PTA.

1:44:13 – Frank in New Jersey, plus the Other Side. Topics include: Card table spaceship, contract bridge, Shadow Ticket by Thomas Pynchon,Sheepshead, the other city, dimensions, Cycling Frog Margarita, other worlds, Ancient Lights by Davis Grubb, Ancientighra, lost Jack Kerouac story found, World’s Smallest Boombox, Grateful Dead 6/10/73, and much more… plus the Other Side (at 1:03:38)… […]

Few movies have ever been as timely as Paul Thomas Anderson's latest film One Battle AfterAnother, which traces the battle between revolutionary resistance groups trying to protectimmigrants and an authoritarian government run by racists. There are scenes from the moviethat feel like they are being played out right now on the streets of Chicago, Los Angeles andPortland. Although it presents a stylized version of reality, the film raises important questionsabout different strategies of resistance. David Klion, a frequent guest, wrote about the moviefor The New Republic. David and I talked about the film, its roots in actual history but alsovariance with that history as well as its relationship with the Thomas Pynchon novel Vineland.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Metz, Christian www.deutschlandfunk.de, Büchermarkt

Few movies have ever been as timely as Paul Thomas Anderson's latest film One Battle AfterAnother, which traces the battle between revolutionary resistance groups trying to protectimmigrants and an authoritarian government run by racists. There are scenes from the moviethat feel like they are being played out right now on the streets of Chicago, Los Angeles andPortland. Although it presents a stylized version of reality, the film raises important questionsabout different strategies of resistance. David Klion, a frequent guest, wrote about the moviefor The New Republic. David and I talked about the film, its roots in actual history but alsovariance with that history as well as its relationship with the Thomas Pynchon novel Vineland.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

O Cinem(ação) entra de cabeça no caos e na genialidade do novo filme de Paul Thomas Anderson, Uma Batalha Após a Outra. Livremente inspirado em Vinland, de Thomas Pynchon, o longa combina thriller político, comédia de erros e ação insana, consolidando mais um marco na carreira do diretor de Sangue Negro e Trama Fantasma.Com trilha sonora intensa de Johnny Greenwood, Uma Batalha Após a Outra acompanha Bob Ferginson (Leonardo DiCaprio), um ex-revolucionário paranoico que precisa resgatar a filha Willa das mãos do vilão caricato Coronel Lock Jaw (Sean Penn). O podcast analisa como Anderson transforma essa trama delirante em um retrato ácido da geração Millennial - perdida entre ideais frustrados e o peso do passado.Rafael Arinelli, Ieda Marcondes, Diego Quaglia e Camila Henriques exploram as escolhas visuais e temáticas do diretor, as atuações marcantes e o equilíbrio entre ironia e emoção. Também refletem sobre a figura de Perfídia Beverly Hills, mãe de Willa e símbolo das contradições revolucionárias.Com cenas que parecem montanhas-russas de tensão e um final otimista, Uma Batalha Após a Outra reafirma que, mesmo em meio ao caos, ainda há espaço para esperança e resistência.Este episódio contém spoilers - veja o filme e volte para essa conversa intensa e apaixonante sobre um dos trabalhos mais ousados de P.T.A.!• 04m57: Pauta Principal• 1h14m47: Plano Detalhe• 1h34m11: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Cami): Filme: Amigas Curtindo Adoidado• (Ieda): Artigo: Sim, somos humanos• (Ieda): Jogo: No, I'm not a Human• (Diego): Filme: The Mastermind• (Diego): Filme: Totalmente Selvagem• (Rafa): Série: Montando uma BandaEdição: ISSOaí

This week, the boys cover “Fight Club”, the 1999 movie that is both an of-its-time dark satire and a should-have-been-released-in-2025 heat check. Before we dive into it, we need to get drinking! So we discuss the new Paul Thomas Anderson “Dr. Strangelove”-esque gripping satire (maybe?), “One Battle After Another”, the new Daniel Day-Lewis film “Anemone”, directed by his son, Ronan Day-Lewis, and John made it to the red carpet premier of Guillermo del Toro's latest fright film “Frankenstein”. We also discuss “Highest 2 Lowest” and “Swiped”. It's a busy show! Grab a beer and listen to us drunkenly talk about movies!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 04:12 “One Battle After Another”; 12:06 “Anemone”; 17:27 “Frankenstein”; 21:53 1999 Year in Review; 44:00 Films of 1999: “Fight Club”; 1:32:58: What You Been Watching? 1:51:15 Next Episode Additional Cast/Crew: David Fincher, Chuck Palahnuik, Jim Uhls, Brad Pitt, Edward Norton, Meat Loaf, Zach Grenier, Helena Bonham Carter, Jared Leto, Holt McCallany, Dust Brothers, Jeff Cronenweth, James Haygood, Daniel Day-Lewis, Ronan Day-Lewis, Sean Bean, Samantha Morton, Leonardo DiCaprio, Benicio Del Toro, Paul Thomas Anderson, Sean Penn, Thomas Pynchon, Teyana Taylor, Regina Hall, Alana Haim, Guillermo del Toro, Mary Shelley, Oscar Isaac, Jacob Elordi, Christoph Waltz, Mia Goth, Charles Dance, Felix Kammerer, David Bradley, Lars Mikkelsen, Lily James. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/Tags: Highest 2 Lowest, Final Destination: Bloodlines, The Lost Bus, Swiped. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Alexander Larman and Susannah Clapp join Tom to discuss I Swear, a film which tells the life story of John Davidson MBE who was diagnosed with Tourette's age 15.They also talk about Thomas Pynchon's new novel Shadow Ticket.Booker shortlisted novelist Tibor Fischer assesses the Hungarian writer László Krasznahorkai who has won the Nobel Prize in Literature.As the complete works of Seamus Heaney is published, Owen McDonnell reads the previously unpublished poem Swallow.Plus, Tom and guests discuss Susan Sarandon's UK debut on stage in Tracy Letts' play, Mary Page Marlowe.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Send us a textWelcome to the launch of our epic 5th season on Fabulous Film & Friends! This is the big one! The one that everyone will be talking about for years to come. Why? Because this is the episode where I finally get to trash the Barbie movie as we dive into the idea of “When Good Directors Go Bad.”Inspired by the recent release of 2025's Paul Thomas Anderson/ Leonardo DiCaprio domestic terror extravaganza One Battle After Another which also stars Benicio Del Toro, Teyana Taylor, Chase Infiniti, Regina Hall, Tony Goldwyn, Alana Haim and Sean Penn, we're going to analyze just went wrong with this promising cinematic spectacle and compare it to another creative disaster that should've been an artistic and thematic slam dunk considering its pedigree, 2023's Barbie directed by Greta Gerwig and starring Margot Robbie, Ryan Gosling, America Ferrera, Ariana Greenblatt, Simu Liu, Rhea Perlman and Will Ferrell.  I'm your host Gino Caputi and returning to their mics pretty much right where they left them last season are little sis' Roseanne Caputi and actor photobug Gordon Alex Robertson. Alex, you're going to start this season out of the hot seat again as Roseanne is going to continue to thrill us with factoids about the directors in question Hit us again with the facts, Teach! Before we sharpen the bayonets and light the fuses: the synopses. Barbie follows the titular blonde doll as she awakes blissfully in the female run Barbie Land each day, ignoring her supposed boyfriend Ken, and partying with her fellow Barbies all night. One night during a sensationally choreographed and costumed dance party, she has an existential crisis about mortality and develops flat feet, causing her to leave Barbieland on a journey to “the real world” to find the source of her angst. Realizing her depressed feelings stem from a psychic connection to her original owner, Gloria, Barbie reconnects with Gloria and Gloria's daughter and the trio travel back to Barbieland.  Upon their return, however, they are dumbfounded to find that Ken has taken over and has brainwashed all the other Barbies into subservience to him and his fellow Kens. A battle of the sexes ensues. One Battle After Another loosely adapts Vineland, a novel by Thomas Pynchon. It follows Bob Ferguson, a bomb expert drawn into the terrorist group the French 75. Amid the group's revolutionary chaos, Bob fathers a daughter named Willa with the fiery tempered and uncontrollable Perfidia Beverly Hills. Perfidia also has a complicated relationship with the mannered and single-minded Colonel Steven Lockjaw. She is soon caught during a botched bank robbery, and Lockjaw strikes a deal with her, leading her to name names. Years later, after most of his French 75 cohorts have been hunted down by Lockjaw, Bob is still on the run in Northern California with Willa. But Lockjaw finds and captures Willa so Bob must confront the unstoppable colonel for once and for all.  Where did these two talented filmmakers go off the rails?  Find out! Watch the video podcast on Youtube:https://youtu.be/dBbbcNCNAj4

Rise and Shine! What Time is It? Well, Comrades Josh and Andrew take a look at PTA's explosive new thriller One Battle After Another. Together, they praise the film's views on rebel militias, family, and the current political climate as well as gush over the comedy, the cast, a Support the Girls reunion, the rolling hills, and the Thomas Pynchon of it all. Then they'll have One More Thing about One Battle (and some other things too)!Next week, Alex McPherson returns with his pick for the show, Edgar Wright's Hot Fuzz! Until then, read on at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTake-Up.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us @thetakeupstl on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

2:09:28 – Frank in New Jersey, plus the Other Side. Topics include: Hudson Yards, stadiums, Little Spain, Edge, 2WTC, Back to the Future, vertical hold, Vessel, giant pigeon statue, Porchlight, The Shed, Viola’s Room, Sleep No More, Life and Trust, dark rides, 40th High School Reunion, Concept III, Shadow Ticket by Thomas Pynchon released today, Rush returns […]

Send us a textIn this solo episode of The Fixate & Binge Podcast, host Joe Curdy dives headfirst into ONE BATTLE AFTER ANOTHER — Paul Thomas Anderson's most politically charged and urgent film to date. (And, on a personal note, Joe also pulls back the curtain to reveal two major reasons why he is usually very positive about rating films!)Based on Thomas Pynchon's 1990 novel Vineland, Anderson's latest work unfolds as a sprawling and provocative look at revolution, authoritarianism, and the fight for human dignity in a fractured America. Through Joe's lens, this episode explores how Anderson translates Pynchon's chaos and satire into a modern reflection of the world today — where undocumented immigrants are hunted and forcibly deported by a draconian U.S. government under Donald J. Trump's leadership.With spoilers throughout, Joe shares his Letterboxd review and a deeply personal reflection on the film's themes, visual style, and political relevance. ONE BATTLE AFTER ANOTHER isn't just another PTA epic — it's a call to look at the moral decay beneath the surface of American life, and a cinematic act of resistance against the “New American Order.”Whether you're a longtime Paul Thomas Anderson devotee or simply curious how cinema can mirror our modern political reality, this episode offers a raw, unfiltered deep dive into a film that's bound to spark conversation.⚠️ Spoiler Disclaimer:This episode contains major spoilers for ONE BATTLE AFTER ANOTHER. If you haven't seen the film yet, you may want to watch it first before listening.Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcast

In this episode of the Superstructure podcast, Scott Ferguson is joined by independent film scholar Jonathan Haynes to discuss Paul Thomas Anderson's acclaimed new film, One Battle After Another. The conversation centers on the film's contribution to popular political cinema under the authoritarian violence of the second Trump administration. Scott and Jonathan affirm One Battle's unapologetically leftist perspective as a breath of fresh air within a current political climate of despair–a feeling emblematized by films such as Ari Aster's Eddington. Specifically, the episode examines how One Battle, which draws loose inspiration from Thomas Pynchon's 1990 novel Vineland, deliberately removes specific historical markers to place the story in an ambiguous present of ongoing revolution and counter-revolution. The hosts evaluate One Battle's controversial representation of leftist violence, highlighting the film's focus on countervailing infrastructures in addition to punctuated actions. They also speculate about the meaning of the film's rich aesthetic choices, including the mobile telephoto lenses that transform a conventional car chase into a dizzying allegory of an American culture unclear about its driving motivations and aims. Finally, Scott and Jonathan consider the complex, racialized eroticism between the revolutionary mother and the white-supremacist commander (played by Teyana Taylor and Sean Penn), which gives rise to the central character, Willa (Chase Infinity). Willa, they argue, embodies the entangled, embattled, and yet still hopeful left politics that the film ultimately celebrates.Music: “Yum” from “This Would Be Funny If It Were Happening to Anyone but Me” EP by flirting.flirtingfullstop.bandcamp.com/Twitter: @actualflirting

2:09:28 – Frank in New Jersey, plus the Other Side. Topics include: Hudson Yards, stadiums, Little Spain, Edge, 2WTC, Back to the Future, vertical hold, Vessel, giant pigeon statue, Porchlight, The Shed, Viola’s Room, Sleep No More, Life and Trust, dark rides, 40th High School Reunion, Concept III, Shadow Ticket by Thomas Pynchon released today, Rush returns […]

This week the hosts begin a month of classic Universal monster movies beginning with Dracula (1931). From wiki: "Dracula is a 1931 American pre-Code vampire film directed and co-produced by Tod Browning from a screenplay written by Garrett Fort and starring Bela Lugosi in the title role. It is based on the stage play Dracula by Hamilton Deane and John L. Balderston, which in turn is adapted from the 1897 novel Dracula by Bram Stoker.[3] Lugosi portrays Count Dracula, a vampire who emigrates from Transylvania to England and preys upon the blood of living victims, including a young man's fiancée."Also discussed: spiders, Sparks, transcendental meditation, One Battle After Another, Thomas Pynchon, Meiko Kaji films, and more.  NEXT WEEK: The Old Dark House (1932) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

durée : 00:09:07 - Le Masque et la Plume - Trois ans après "Licorice Pizza", Paul Thomas Anderson revient avec "Une bataille après l'autre", adaptation d'un roman de Thomas Pynchon, avec Leonardo DiCaprio, Sean Penn et Benicio del Toro. Le film mêle satire politique, action et comédie. Qu'en ont pensé les critiques du Masque? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Paul Thomas Anderson's latest film has car chases, explosions, secret societies, and and confused ex-revolutionaries...but did it make Drea cry? Find out the answer, plus our favorite underground cabals from film history, on this episode with special guest, noted critic Michael Phillips.What's GoodAlonso - Brian Earl's Of Christmases Long, Long AgoDrea - COVID booster/Worm Charming ChampionshipMichael - being with us (and Gov. Pritzker)Kevin - The Big Show at The EarlITIDICThe Tilly Norwood situationLA Times Editorial: Oscars International Feature Category Is Broken; No Easy FixStaff PicksAlonso - Smashing TimeDrea - FairylandMichael - SpartacusKevin - Apollo 13Check out Michael's appearances on Filmspotting and his piece on Ebert.com Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

One Battle After Another is the 11th feature film directed by Paul Thomas Anderson. It is written and produced by Anderson and inspired by the novel Vineland by Thomas Pynchon. It stars Leonardo DiCaprio, Sean Penn, Benicio Del Toro, Regina Hall, Teyana Taylor, Chase Infiniti, and more. It is the widest release, the widest opening, and the highest-grossing opening of Anderson’s career. One Battle After Another is currently the No. 1 movie in the world. And: The Lowdown is the second television series created by Sterlin Harjo. It is set in Tulsa, Oklahoma, in the same fictional universe as the first Harjo-created TV series, Reservation Dogs. It stars Ethan Hawke and Keith David. GUESTS: James Hanley: Co-founder of Cinestudio at Trinity College Rich Hollant: Founder and principal of CO:LAB, a hall of fame designer, and a co-partner at CENTER Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Irene Papoulis: Wrote a short textbook called The Essays Only You Can Write Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

One Battle After Another is a 2025 American action thriller film produced, written, and directed by Paul Thomas Anderson,[inspired by the 1990 novel Vineland by Thomas Pynchon. It stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti, and follows an ex-revolutionary who must rescue his daughter from a corrupt military official.Hosted by Ausha. See ausha.co/privacy-policy for more information.

INSTANT REACTION: ONE BATTLE AFTER ANOTHER (2025) Many critics are calling Paul Thomas Anderson's One Battle After Another (2025) a “blockbuster.” But is that really what it is? In this spoiler-free instant reaction, Jason digs into the hype and interrogates whether Anderson has truly delivered his first large-scale crowd-pleaser...or something more complicated. The $175 million action thriller, inspired by Thomas Pynchon's Vineland and released by Warner Bros. Pictures, stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti. It follows an ex-revolutionary forced to rescue his daughter from a corrupt military official, set against a backdrop of revolution, betrayal, and power. Credits Host: Jason Produced by: Binge Movies Franchisees: Heather, Dan, Jason, Matt, Pete Support: patreon.com/bingemovies

For this week's main podcast review, Josh Parham, Cody Dericks, Giovanni Lago, Brendan Hodges, and Will Mavity join me to review and discuss the latest film from Paul Thomas Anderson, "One Battle After Another," starring Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti. Inspired by the 1990 novel Vineland by Thomas Pynchon, the film follows an ex-revolutionary turned stoner father who must rescue his daughter from an overpowering military officer and aspiring white supremacist. It has garnered some of the best reactions, reviews, and audience ratings of Paul Thomas Anderson's career, at a time when many feel that a politically charged yet massively entertaining film like this (that can be experienced in a wide range of theatrical formats) is wholly necessary for the times we're living in. But what did we think of it? Please tune in as we discuss the writing, direction, performances, score, cinematography, its politics, awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Support the show at patreon.com/leftreckoning What is going on with Your Party? Matt and David dive in the fallout from the Corbyn v. Sultana feud and what it means for what felt like a promising start for the UK left. Plus, Democratic socialism, the people like it. New poll show Democratic socialism is now mainstream. - https://jacobin.com/2025/09/new-poll-democratic-socialism-mainstream/Agree? you can join DSA here: https://act.dsausa.org/donate/membership/JOIN MATT & DAVE DSA's Phonebank! http://dsausa.us/LRPBMatt Lech and Devin Thomas O'Shea delve into the works of Thomas Pynchon, particularly focusing on 'Vineland'. They explore Pynchon's unique narrative style, his historical context, and the political themes embedded in his literature. They dive into the relevance of Pynchon's themes in today's political landscape and concludes with reflections on his literary legacy.