Podcasts about Erato

SynopsisFor some composers, what made them popular in their own day is not always what makes them popular today. Take, for example, Italian Baroque composer Tomaso Albinoni, who was born in Venice on today's date in 1671.Albinoni was the son of a wealthy paper merchant, so he was sufficiently well-off, not to have to land a job with the church or some noble patron. He was most famous as an opera composer and travelled outside Italy to lead productions. Unfortunately, his opera scores were never published and so were lost to posterity. He did, however, publish several collections of instrumental works, and it is on these that his fame rests today.By a quirk of fate, nowadays Albinoni's best known work, his famous Adagio in g minor, was not one those works published in the 18th century. Rather, it was a 20th century recreation by musicologist Remo Giazotto based on a rather skimpy surviving sketch. No matter that there are scads of other Albinoni Adagios equally ravishing and straight from his own quill pen. In 1996 the Erato label even issued an album consisting of nothing but 22 original and legitimate Albinoni Adagios and slow movements — plus the famous Adagio that was cooked up by Remo Giazotto tossed in for good measure!Music Played in Today's ProgramTomaso Albinoni (1671-1751): Adagio, from Concerto No. 12; I Solisti Veneti; Claudio Scimone, conductor; Erato 0630-15681-2

durée : 00:05:15 - Classic & Co - par : Anna Sigalevitch - Ce matin, Anna Sigalevitch nous parle de "Daphnis et Chloé" de Ravel par l'orchestre philharmonique de Strasbourg dirigée par Aziz Shokhakimov, un disque qui vient de paraître sur le label Erato.

Host Sarah Burke speaks with Paulette Erato, a leader in the podcasting world and founder of Latinas in Podcasting. They discuss Paulette's journey into podcasting, the importance of representation, and the creation of a supportive community for child-free Latinas. Paulette shares her experiences at podcasting conferences, the challenges of societal expectations, and the evolution of her podcasting community. More About Paulette: Paulette Erato is a dynamic leader in the podcasting world, dedicated to amplifying Latina voices and empowering women to take charge of their narratives. As the founder and organizer of the Latinas in Podcasting community and annual Virtual Summit, Paulette brings together emerging and established voices in the podcasting industry, creating a platform for education, inspiration, and community.An award-winning former event planner, Pauletteseamlessly blends her expertise in event management with her passion for storytelling, producing virtual experiences that are both impactful and inclusive. She is also the host of La Vida Más Chévere de Childfree Latinas, a podcast that challenges toxic cultural norms and encourages women to design their best lives on their own terms.With a keen focus on helping new podcasters navigate the complexities of launching and growing their shows, Paulette is a mentor, speaker, and advocate for diversity in media. Her work has made her a sought-after voice in the podcasting community, particularly among Latina women who are ready to make their mark in the industry. Find her online at the following: ⁠latinasinpodcasting.com⁠ Website Instagram Threads Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:22:31 - Disques de légende du vendredi 09 mai 2025 - En 1983 paraissait chez Erato les " Vêpres de la Bienheureuse Vierge Marie " de Claudio Monteverdi par l'Ensemble de Lausanne, les Saqueboutiers de Toulouse et l'Ensemble d'instruments anciens sous la direction de Michel Corboz

durée : 00:22:31 - Disques de légende du vendredi 09 mai 2025 - En 1983 paraissait chez Erato les " Vêpres de la Bienheureuse Vierge Marie " de Claudio Monteverdi par l'Ensemble de Lausanne, les Saqueboutiers de Toulouse et l'Ensemble d'instruments anciens sous la direction de Michel Corboz

durée : 00:19:37 - Disques de légende du mercredi 30 avril 2025 - John Eliot Gardiner enregistre un nouvel opus purcellien durant ses grandes années chez Erato : The King Arthur.

durée : 01:27:49 - Edgar Moreau, un virtuose vif-argent - par : Aurélie Moreau - Un nouveau disque d'Edgar Moreau, violoncelliste aux dons remarquables, est paru le 8 novembre chez Erato, avec notamment les Variations rococo de Tchaïkovski dirigées par Michael Sanderling et la sonate de Chopin avec le pianiste David Kadouch.

Alain Lanceron est le Président de Warner Classics & Erato, seuls labels classiques d'une major du disque, poste qu'il occupe depuis 2014 suite au rachat d'EMI par le groupe Warner. Une multinationale au catalogue impressionnant : Maria Callas, Herbert Von Karajan, Nathalie Dessay, Martha Argerich, Gautier et Renaud Capuçon, Daniel Barenboim, Alexandre Tharaud, Laurence Equilbey, Elisabeth Schwarzkopg, Hélène Grimaud… Quand on l'interroge sur son enfance, on n'est pas surpris que ce Niçois d'origine de 75 ans ait fait une si longue carrière dans la musique classique. Musiques : Carmen “Habanera” Conchita Supervia “Overture” Verdi : Un Ballo In Maschera. Royal Opera House Covent Garden, Sir Colin Davis “Le Crépuscule des Dieux” de Richard Wagner, mis en scène par Patrice Chéreau et dirigé par Pierre Boulez à Bayreuth en 1980 Norma: Act I: Casta diva · Maria Callas, Orchestre National de l'Opéra de Paris dirigé par Georges Sebastian “Overture” d'Alcina de Handel, dirigé par William Christie avec les Arts Florissants Fauré: 3 mélodies, Op. 7, N°1, Après un rêve - Barbara Hendricks avec Michel Dalberto Grieg: Lyric Pieces, Book 2, Op. 38: N°1, Berceuse - Bertrand Chamayou Piano Concerto en ré majeur, Op. 61a. Allegro non troppo - Yehudi Menuhin, Sinfonia Varsovia, François-René Duchâble Musique originale : Léonie Pernet

durée : 00:15:38 - Le Disque classique du jour du jeudi 20 mars 2025 - Découvrez l'intégralité des enregistrements du pianiste Michel Béroff pour le label Erato, de 1968 à 1994, réunis pour la première fois dans un coffret de 42 disques.

durée : 00:15:38 - Le Disque classique du jour du jeudi 20 mars 2025 - Découvrez l'intégralité des enregistrements du pianiste Michel Béroff pour le label Erato, de 1968 à 1994, réunis pour la première fois dans un coffret de 42 disques.

durée : 00:05:00 - Classic & Co - par : Anna Sigalevitch - Beethoven wars, ce sera samedi prochain, le 22 mars, au Grand Théâtre de Provence à Aix en Provence, et le disque vient de paraître sur le label Erato.

Maurice Ravel was born 150 years ago, on March 7, 1875, and he is the subject of numerous tributes this season. Bertrand Chamayou recorded the complete piano works ten years ago for Erato ('No one who loves French music or exquisite piano-playing will want to miss this' wrote Patrick Rucker in Gramophone), a set that incidentally has just been released on LP. So, by way of a supplement, he has curated a programme that weaves a handful of Ravel transcriptions together with tributes and memorials by other composers. James Jolly went to visit Bertrand at his home in Paris this week to talk about the new album, but also to discuss Ravel's place in the pianist's repertoire.  This Gramophone Podcast is given in association with Wigmore Hall

durée : 01:29:04 - invité : Michel Beroff, pianiste - par : Lionel Esparza - Michel Béroff, pianiste français, aura bientôt 75 ans. A l'occasion, Erato sort en coffret de 42 disques ses enregistrements publiés par Emi. Il est l'invité du jour pour nous en parler.

durée : 01:29:04 - invité : Michel Beroff, pianiste - par : Lionel Esparza - Michel Béroff, pianiste français, aura bientôt 75 ans. A l'occasion, Erato sort en coffret de 42 disques ses enregistrements publiés par Emi. Il est l'invité du jour pour nous en parler.

Naturphänomene wie die Gravitation, aber auch sommerliches Grillengezirp oder die Spatzen in einem Gebüsch dienen Katherine Balch als Inspirationsquelle. Als Tochter eines Wissenschaftler-Paars ist für Balch die Verbindung von Musik und Naturwissenschaft nichts Ungewöhnliches. Themen in der Sendung: 01:25 Aktualität: Kommt das Aus für das Musiktheater in Luzern? (Christian Oechslin) 10:30 Talk Mit der US-amerikanischen Komponistin Katherine Balch. (Joseba Zbinden) 29:00 Neuerscheinungen Zwei grosse Unbekannte des deutschen Schlagers? Der Dokumentarfilm «Im Schatten der Träume» frisch in den Kinos. Grenzgänge zwischen Barock und Jazz: «Terra mater» mit Christina Pluhars Ensemble L'Arpeggiata und der Sängerin Malena Ernmann, erschienen bei Erato. (Elisabeth Baureithel) 47:10 Swiss Corner: Zum Tod der Sängerin Edith Mathis.

Robert Frede Kenter is a multiple Pushcart-nominated poet,  a BOTN nominee, a writer of experimental prose, a performer, an editor, a visual artist, a multiple grant recipient, book designer & EIC/Publisher of Ice Floe Press (www.icefloepress.net). Books include FATHER TECTONIC (forthcoming, Ethel Zine Press, 2025), & hybrid collections, EDEN (2021), & Audacity of Form (Ice Floe Press, 2019). Robert's in many anthologies incl. Shine #1 (2024 publ. by Samantha Terrell), Kireji /Cutting Words (Nun Prophet Press, 2024), After Hours: Beat Culture Made New (Broken Spine Press, 2024).  The Book of Penteract (Penteract Press, 2022), Seeing in Tongues (Steel Incisors, 2023), Reformatting the Pain Scale (Olney Books, 2023), Glisk and Glimmer (Sidhe Press, 2023), Deep Time #1 (Black Bough Press, 2021),  & numerous Fevers Of The Mind anthologies incl.: The Chelsea Underground (2023) for John Cale, Warhol & the Factory. Recent journals: Cable Street, Harpy Hybrid, Storms Journal, Cutbow Q, Street Cake,  Feral, Erato, Setu, WatchYrHead, Visual Verse, & others. Robert contributed poetry to the recent 40th anniversary exhibition for the band, Bronski Beat (UK).   

durée : 01:28:39 - Relax ! du jeudi 02 janvier 2025 - par : Lionel Esparza - A l'occasion des 80 ans de William Christie, le label Erato fait paraître un coffret de 61 disques rassemblant pour la première fois l'intégrale des enregistrements du claveciniste et chef d'orchestre parus chez Erato ou Virgin Classics entre 1994 et 2011.

durée : 01:28:39 - Relax ! du jeudi 02 janvier 2025 - par : Lionel Esparza - A l'occasion des 80 ans de William Christie, le label Erato fait paraître un coffret de 61 disques rassemblant pour la première fois l'intégrale des enregistrements du claveciniste et chef d'orchestre parus chez Erato ou Virgin Classics entre 1994 et 2011.

durée : 01:28:59 - Relax ! du lundi 09 décembre 2024 - par : Lionel Esparza - Pour la première fois depuis le début de sa carrière, voici l'intégralité des enregistrements réalisés par Paavo Järvi pour Virgin Classics, EMI et Erato entre 1996 et 2023 dans un coffret de 31 CD. Avec en bonus l'interprétation de la "Symphonie en ré mineur" de César Franck.

durée : 01:28:59 - Relax ! du lundi 09 décembre 2024 - par : Lionel Esparza - Pour la première fois depuis le début de sa carrière, voici l'intégralité des enregistrements réalisés par Paavo Järvi pour Virgin Classics, EMI et Erato entre 1996 et 2023 dans un coffret de 31 CD. Avec en bonus l'interprétation de la "Symphonie en ré mineur" de César Franck.

Poseedor de un lenguaje propio de Xenakis que conecta arquitectura y música a nivel estructural propone, con la música estocástica, la utilización de estructuras matemáticas en la praxis compositiva. Desarrolla el sistema UPIC y es pionero en el uso del algoritmo en la composición musical.____Has escuchadoLa Légende d'Eer. Nuevo remix en estéreo, a partir de la cinta original de siete canales, realizada del 3 al 4 de junio de 2004 por Gerard Pape. Mode (2005)Metastaseis (1953-1954). SWF Symphony Orchestra; Hans Rosbaud, director. Col Legno (2000)Oresteïa. Les Euménides (1965-1966, rev. 1989). L'Ensemble de Basse-Normandie; Dominique Debart, director; Ensemble Vocal d'Anjou; Robert Weddle, director de coros. Salabert Actuels (1990)Pléïades. Métaux (1978). Les Pléiades; Sylvio Gualda, director. Erato (1992)____Selección bibliográficaBARTHEL-CALVET, Anne-Sylvie, “MÉTASTASSIS-Analyse: un texte inédit de Iannis Xenakis sur Metastasis”. Revue de Musicologie, vol. 89, n.º 1 (2003), pp. 129-187*CASTANET, Pierre Albert, “We Must Open Our Ears and Eyes”: A Philosophical Lesson from the Polymath Iannis Xenakis”. Itamar. Revista de investigación musical: territorios para el arte, n.º 9 (2023), pp. 95-106DI SCIPIO, Agostino, “Compositional Models in Xenakis's Electroacoustic Music”. Perspectives of New Music, vol. 36, n.º 2 (1998), pp. 201-243*GIBSON, Benoît, The Instrumental Music of Iannis Xenakis: Theory, Practice, Self-Borrowing. Pendragon Press, 2011HARLEY, James, “The String Quartets of Iannis Xenakis”. Tempo, n.º 203 (1998), pp. 2-10*—, Xenakis. His Life in Music. Routledge, 2004HARLEY, Maria Anna, “Music of Sound and Light: Xenakis's Polytopes”. Leonardo, vol. 31, n.º 1 (1998), pp. 55-65*HILL, Peter, “Xenakis and the Performer”. Tempo, n.º 112 (1975), pp. 17-22*JONES, Evan, “Residue-Class Sets in the Music of Iannis Xenakis: An Analytical Algorithm and a General Intervallic Expression”. Perspectives of New Music, vol. 39, n.º 2 (2001), pp. 229-261*KANACH, Sharon, “Xenakis's Hand, or The Visualization of the Creative Process”. Perspectives of New Music, vol. 40, n.º 1 (2002), pp. 190-197*KANACH, Sharon (ed.), Performing Xenakis. Pendragon Press, 2010KIOURTSOGLOU, Elisavet, “An Architect Draws Sound and Light: New Perspectives on Iannis Xenakis's Diatope and La Légende d'Eer (1978)”. Computer Music Journal, vol. 41, n.º 4 (2017), pp. 8-31*LIZ, Ángel, “La alianza artes/ciencias a través de la obra de Iannis Xenakis”. Quodlibet: Revista de Especialización Musical, n.º 39 (2007), pp. 98-114*LUQUE, Sergio, “The Stochastic Synthesis of Iannis Xenakis”. Leonardo Music Journal, vol. 19 (2009), pp. 77-84*MÂCHE, François-Bernard, Portrait(s) de Iannis Xenakis. Bibliothèque Nationale de France, 2002MARCO ARAGÓN, Tomás, “Xenakis o la implacabilidad de la idea”. En: Jesús Villa Rojo (coord.), Músicas actuales: ideas básicas para una teoría. Ikeder, 2008*NAKIPBEKOVA, Alfia (ed.), Exploring Xenakis: Performance, Practice, Philosophy. Vernon Press, 2019PAPE, Gérard, Iannis Xenakis and the Ethics of Absolute Originality. UTEURP, 2023PARDO, Salgado, “El sonido cinemático. Iannis Xenakis”. En: Begoña López Herranz (coord.), Campos interdisciplinares de la musicología: V Congreso de la Sociedad Española de Musicología (Barcelona, 25-28 de octubre de 2000). Sociedad Española de Musicología, 2002*PECK, Robert W., “Toward an Interpretation of Xenakis's Nomos Alpha”. Perspectives of New Music, vol. 41, n.º 1 (2003), pp. 66-118*REYNOLDS, Roger, “Xenakis:… Tireless Renewal at Every Instant, at Every Death…”. Perspectives of New Music, vol. 41, n.º 1 (2003), pp. 4-64*REYNOLDS, Roger y Karen Reynolds, Xenakis Creates in Architecture and Music: The Reynolds Desert House. Routledge, 2022SERRA, Marie-Hélène, “Stochastic Composition and Stochastic Timbre: GENDY3 by Iannis Xenakis”. Perspectives of New Music, vol. 31, n.º 1 (1993), pp. 236-257*SOLOMOS, Makis, Iannis Xenakis. P. O. Éditions, 1996—, “El universo de la sonoridad en Xenakis”. Quodlibet: Revista de Especialización Musical, n.º 10 (1998), pp. 3-18*—, “The Unity of Xenakis's Instrumental and Electroacoustic Music: The Case for ‘Brownian Movements'”. Perspectives of New Music, vol. 39, n.º 1 (2001), pp. 244-254*—, “De l'apollinien et du dionysiaque dans les écrits de Xenakis”. En: Formel, informel: musique-philosophie. Editado por Makis Solomos, Antonia Soulez y Horacio Vaggione. L'Harmattan, 2003SOLOMOS, Makis (ed.), Iannis Xenakis: la musique électroacoustique. L'Harmattan, 2015SOUSTER, Tim, “Xenakis's Nuits”. Tempo, n.º 85 (1968), pp. 5-18*STERKEN, Sven, “Towards a Space-Time Art: Iannis Xenakis's Polytopes”. Perspectives of New Music, vol. 39, n.º 2 (2001), pp. 262-273*VARGA, Bálint A., Conversations with Iannis Xenakis. Faber and Faber, 1996XENAKIS, Iannis, Formalized Music: Thought and Mathematics in Composition. Pendragon Press, 1992—, Música de la arquitectura. Akal, 2009*XENAKIS, Iannis et al., “Xenakis on Xenakis”. Perspectives of New Music, vol. 25, n.º 1-2 (1987), pp. 16-63*XENAKIS, Iannis y Bálint András Varga, Conversations with Iannis Xenakis. Faber and Faber, 1996 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

durée : 01:27:49 - Edgar Moreau, un virtuose vif-argent - par : Aurélie Moreau - Un nouveau disque d'Edgar Moreau, violoncelliste aux dons remarquables, est paru le 8 novembre chez Erato, avec notamment les Variations rococo de Tchaïkovski dirigées par Michael Sanderling et la sonate de Chopin avec le pianiste David Kadouch.

durée : 00:04:42 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch nous parle de “Mille affetti”, le nouvel album de Bruno de Sá (sorti chez Erato).

durée : 00:19:33 - Disques de légende du mercredi 13 novembre 2024 - En 1982 paraissait chez Erato une version remarquable du " Davis & Jonathas " de Marc-Antoine Charpentier. Enregistrée à l'opéra de Lyon, elle réunissait le contre-ténor Paul Esswood, la soprano Colette Alliot Lugas et l'English Bach estival baroque orchestra dirigés par chef suisse Michel Corboz.

durée : 00:19:33 - Disques de légende du mercredi 13 novembre 2024 - En 1982 paraissait chez Erato une version remarquable du " Davis & Jonathas " de Marc-Antoine Charpentier. Enregistrée à l'opéra de Lyon, elle réunissait le contre-ténor Paul Esswood, la soprano Colette Alliot Lugas et l'English Bach estival baroque orchestra dirigés par chef suisse Michel Corboz.

This week, I'm joined by Cassandra Erato, the CEO of Spaulding Clinical. Cassie joins to talk about the vital role clinical research plays in advancing medicine. Spaulding Clinical specializes in phase one testing of new drug products before they move on to later stages of testing. Cassie talks about the impact of their research, including a significant study related to the opioid epidemic. We also touch on Spaulding Clinical's commitment to community involvement and supporting the next generation of healthcare professionals.Links referenced in this episode:spauldingclinical.comspauldingpays.com

Send us a textJourney into the world of cybersecurity with Idan Plotnik, a true pioneer in the field, as he revisits the path that led him to become a leading figure in tech innovation. Starting with a childhood fascination for computers, Idan advanced to play a pivotal role in the Israeli cyber security unit, eventually founding Erato, which caught the eye of Microsoft. He shares insights from his tenure as General Manager for Software Engineering at #Microsoft and how his encounters with Satya Nadella ignited his passion to launch his first company in 2019. This episode unravels the stark differences between nimble startups and the often sluggish corporate giants, offering a compelling narrative for aspiring entrepreneurs and industry veterans alike. Explore the sophisticated challenges of ensuring software and cloud security in today's fast-paced tech environments. With cloud platforms like AWS, Azure, and GCP enabling swift deployments, safeguarding software architecture before cloud deployment becomes crucial. Dive into the intricacies of Apiiro's ASPM platform, which revolutionizes the detection and management of code changes for enhanced security measures. The conversation expands into the realm of AI, highlighting emerging threats and innovative risk-management strategies employed by companies like Apiiro. This episode promises essential insights into balancing development speed with security needs, preparing listeners for the future trajectory of AI in software security.Support the showFollow the Podcast on Social Media!Instagram: https://www.instagram.com/secunfpodcast/Twitter: https://twitter.com/SecUnfPodcastPatreon: https://www.patreon.com/SecurityUnfilteredPodcastYouTube: https://www.youtube.com/@securityunfilteredpodcastTikTok: Not today China! Not today

Joe Erato and Mike Van de Bogert, hosts of the Locations Unknown podcast, join us for a lively, laughter-filled conversation. Locations Unknown is a podcast that delves into unexplained and unsolved disappearances in America's wilderness, highlighting some of the eerie circumstances that often accompany these cases, such as search and rescue efforts being hampered by storms and missing individuals being found in semi-conscious states with no memory of their disappearance. In our conversation, we get a behind-the-scenes look at everything that goes into Locations Unknown, the cases that stay with Mike and Joe the most, and whether the stories they uncover have changed how they spend time outdoors. They also share some of their wildest wilderness tales—including camping overnight with armed park rangers searching for an aggressive grizzly in Glacier National Park—and even some stories that I, Maddie, "haven't told listeners yet." It's a fun, unforgettable chat that left me grinning ear to ear long after our interview. Tune in to hear from the iconic hosts of Locations Unknown!  You can follow Who Runs This Park on TikTok, Instagram, Facebook or YouTube, can email us at info@whorunsthispark.com or check us out online at whorunsthispark.com.  Sign up for the Who Runs This Park's newsletter at linktr.ee/whorunsthispark.  Who Runs This Park is produced by Maddie Pellman with music by Danielle Bees.

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Huw Montague Rendall is a singer who is making waves in the musical world, and he has just released his debut album with orchestra, 'Contemplation'. Signed to Erato by Alain Lanceron, Rendall gives us a superb showcase of his talents with a programme that ranges widely, and reveals many different facets of this fine young artist. Huw's partners for the album are the Opéra Orchestre Normandie Rouen and conductor Ben Glassberg. The son of two distinguished singers – the mezzo Diana Montague and the tenor David Rendall – Huw talks to James Jolly about 'Contemplation'.

durée : 00:13:21 - Le Disque classique du jour du lundi 26 août 2024 - Un bel hommage à la pianiste française Catherine Collard avec ce nouveau coffret qui regroupe tous ses enregistrements pour Erato, EMI et VIRGIN CLASSICS

durée : 00:13:21 - Le Disque classique du jour du lundi 26 août 2024 - Un bel hommage à la pianiste française Catherine Collard avec ce nouveau coffret qui regroupe tous ses enregistrements pour Erato, EMI et VIRGIN CLASSICS

The use of an MK3 Emergency transceiver on the TARDIS identifies a distress signal and brings the craft to the lush jungle world of Chloris, where metal in all forms is a rare and prized commodity. The Fourth Doctor and Romana venture out to discover the remains of an enormous egg in the jungle, and when they meet the inhabitants they find a matriarchy ruled through fear by the icy and callous Lady Adrasta. Without metal to make the tools needed to keep the jungle under control, lush plant life dominates. The Lady Adrasta controls the planet's very last metal mine, holding on to power through the Huntsman and the Wolfweeds. Her throne room contains an array of metal including a shield patterned in the same way as the remnants of the shell. She mentions the Creature which dwells in a deep pit on Chloris. Romana is captured by a party of scavengers, keen to find and hoard more metal. They are impressed by K9. The robot enables her escape and she is briefly reunited with the Doctor before he leaps into the Pit himself, determined to get to the bottom of the mystery and the Pit. Within it he encounters Organon, an astrologer thrown there by Adrasta earlier, and then comes face to face with the Creature: the vast shapeless blob rolls over him. The Doctor calculates it is not, however, dangerous, and is fascinated to note it is a herbivore which produces metal from within itself. It also forms a tentacle and draws a picture which the Doctor recognises as the shield from Adrasta's throne room. Lady Adrasta, her lady-in-waiting Karela, the Huntsman, his Wolfweeds, and some guards, enter the Pit and make their way to the Doctor, Organon, and the Creature. The scavengers have raided the throne room for booty, including the alien shield. It exerts influence over two of them, who take it to the Pit and place it on the Creature. It turns out the shield is a communication device. Erato, as the Creature is named, is the Tythonian ambassador to Chloris and came to negotiate a treaty exchanging metal for chlorophyll fifteen years earlier. Its craft was the vast egg found in the jungle. However, Adrasta realised her power was dependent on control of the planet's metal supply and so imprisoned Erato to maintain her status. The Huntsman sets the Wolfweeds on Adrasta as Erato rolls over them both, devouring the Wolfweeds and leaving behind Adrasta's web-covered corpse. The Doctor arranges to have Erato lifted from the Pit. Adrasta's sidekick, Karela, attempts to capitalise on the situation and seize power herself—but with the help of K9 the Doctor brings it to nought. The Doctor has rescued the Tythonian just in time – it seems Tythonus has declared war on Chloris over the missing ambassador, and has despatched a neutron star to collide with Chloris' star and destroy the system. It is due to collide within the next twenty-four hours. Erato weaves a metal covering around the star, enabling the Doctor, using the TARDIS gravity beam, to draw the star off course and neutralise the danger. The Doctor's last act on Chloris is to push the Huntsman, now one of the de facto rulers, toward a mutually beneficial trade agreement with Erato and the Tythonians.

durée : 00:58:38 - Le Quatuor Artemis, intense et passionné - par : Aurélie Moreau - Le Quatuor Artemis a enthousiasmé le public et la critique tout au long de sa carrière, par ses interprétations empreintes de modernité tout en restant attachées aux valeurs classiques. L'intégrale de ses enregistrements paraît aujourd'hui (Erato).

durée : 00:58:46 - Michael Spyres, souplesse vocale et virtuosité - par : Aurélie Moreau - Michael Spyres est le soliste de l'album « In the shadows », dédié à Wagner et aux compositeurs qui ont participé à l'éclosion du modèle vocal du ténor wagnérien (Erato). En plus de ce disque, aujourd'hui : des airs de Mozart, Massenet, Offenbach…

Title: A composer's mortal blow Tracks: Giovanni Antonio Pandolfi Mealli: Passacaglia Artist: Christina Pluhar & L'Arpeggiata Publisher: ‘Via Crucis', Erato, 2010

durée : 00:58:51 - invitée : Sabine Devieilhe, soprano - par : Aurélie Moreau - Richard Strauss considérait Mozart comme « le plus sublime des compositeurs ». Sabine Devieilhe et le pianiste Mathieu Pordoy, ont enregistré un disque de lieder de ces deux auteurs, qui paraît aujourd'hui chez Erato. Nous le découvrons avec vous.

durée : 00:17:49 - Le Disque classique du jour du lundi 18 mars 2024 - Pour célébrer le centenaire du légendaire Sir Neville Marriner, voici un coffret de 80 Cds qui rassemble tous les enregistrements du chef britannique réalisés entre 1970 et 2000 pour EMI, Erato, Virgin et Teldec

The uplifting sound of the horn, particularly in an orchestral setting, is familiar to audiences worldwide – but how do you play this wonderful instrument? Charlotte Smith interviews former London Symphony, London Philharmonic and current Royal Opera House principal horn David Pyatt, who takes her through her first horn lesson.   This episode is sponsored by Bang & Olufsen.   Musical excerpts: Brahms Symphony No. 1 London Symphony Orchestra/Jonathan Pasternack Naxos 8.572448 (2011) https://www.naxos.com/CatalogueDetail/?id=8.572448   Franz Strauss Nocturno for Horn and Piano, Op 7 from David Pyatt Recital David Pyatt (horn); Martin Jones (piano) Erato 9029534229 (1998) https://www.warnerclassics.com/release/recital-horn-works   Interview recorded at the Royal Academy of Music, London: https://www.ram.ac.uk Student horn loaned with kind permission by Paxman Musical Instruments, London: https://www.paxman.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

I read from -er to erato.     If I'm reading this correctly, the Equal Rights Amendment was proposed in 1923 (over 100 years ago!) and still hasn't been added. Hmmmm. https://en.wikipedia.org/wiki/Equal_Rights_Amendment     "Zwinglianism" is a fun word to say. Go ahead, try it. "Zwinglianism" https://en.wikipedia.org/wiki/Theology_of_Huldrych_Zwingli     The word of the episode is "eraser".     Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube   "The Dictionary - Letter E" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

SynopsisOn today's date in 1853, Giuseppe Verdi's opera Il Trovatore (or The Troubador) had its premiere performance at the Teatro Apollo in Rome.It proved an immediate hit. True, some did complain at the time about its gloomy, complicated and downright confusing plot. But Verdi's music setting had such great tunes and such energetic verve that Il Trovatore quickly became the most popular of all his operas in the 19th century.Its tunes were soon heard emanating from street corner barrel-organs, and, as a true sign of popularity, there were even comic parodies of its melodramatic blood and thunder storyline.Reviewing a New York production in 1862, American composer and music critic William Fry had these observations: “Il Trovatore has a wonderful plot, beyond human comprehension. ... As to the music, there are some charming, popular, ingenious, artistic, great points; then, there are some others egregiously vulgar and rowdy. The ‘Anvil Chorus,' for example, is about equal to a scene of mending a sewer set to music.”And as for parodies, in the 1935 film A Night at the Opera, Il Trovatore — and opera, in general — receives a devastating sendup at the hands of the Marx Brothers.Music Played in Today's ProgramGiuseppe Verdi (1813-1902) [arr. Franz Liszt] Miserere, fr Il Trovatore; Daniel Barenboim, piano Erato 75457; and Anvil Chorus, fr Il Trovatore; Chicago Symphony and Chorus; Georg Solti, cond. London 466 075

Bertrand Chamayou, who won Gramophone's Recording of the Year in 2019 for his Erato album of two Saint-Saëns piano concertos, has turned his attention to two groundbreaking composers. John Cage was a great admirer of the music and aesthetic experiments of the Frenchman, Erik Satie - and Chamayou has created a programme for Erato that links the two, 'Letter(s) to Erik Satie'. James Jolly caught up with Bertrand Chamayou at his Festival Ravel in St Jean de Luz in south-west France this summer to talk about the project.

durée : 00:53:48 - Le grand atelier - par : Vincent Josse - Philippe Jaroussky, contre-ténor français le plus célèbre au monde, est l'invité du Grand Atelier à l'occasion de la sortie de son album "Forgotten arias", chez Erato. Il est accompagné de Michel Blanc, à l'affiche du film "Marie-Line et son juge" de Jean-Pierre Améris. - réalisé par : Stéphanie TEXIER

SynopsisAmerican opera composer Jake Heggie and his librettist Terrence McNally decided to follow their Dead Man Walking – a successful but harrowing opera about capital punishment – with a lighter, more comic work, Great Scott.Now, McNally winced when people called Great Scott a “comic” opera, since it deals with a serious topic – for opera lovers, at least, namely, “Does opera still matter?”Great Scott is set in a large U.S. city with a respected – but struggling – opera company. The city also has a powerhouse professional football team. In Great Scott, international opera star Arden Scott returns to her hometown to save the opera company by staging the world premiere of a long-lost Italian bel canto work, Rosa Dolorosa, Figlia di Pompei. Unfortunately, the scheduled premiere falls on the same day as the home team's first Super Bowl.Does the diva save the opera company? And who wins the Super Bowl?Well, you'll just have to listen to the opera to find out!Fortunately, a Dallas Opera recording of Great Scott was made at its premiere on today's date in 2015 – featuring the powerhouse American mezzo-soprano Joyce DiDonato in the title role.Music Played in Today's ProgramJake Heggie (b. 1961) “Rosa Dolorosa” Overture, fr Great Scott - Joyce DiDonato, mezzo-soprano; Dallas Opera; Patrick Summers, conductor Erato 9029594078

Welcome to Season 2 of Theater Life Uncensored!In this first episode, you'll get an exclusive sneak peek into what's coming up this season! I'll also share some exciting stats about the show—it's been an exciting journey thus far!But that's not all!It's been a strange time in our industry the past couple of years, and a lot has changed. The old ways of having a sustainable career no longer work.So I'm going to give you two pieces of advice of how to forge ahead and ensure you always have money coming in from your art, even during pandemics, strikes, or whatever else comes your way!Let's dive into this season!Episode Highlights:[01:00] Exciting Updates Since Last Season[04:21] New for This Season[12:16] What We've Learned From the Past Few Years[14:44] Advice for a New Era[23:43] Reduce Your Overwhelm and Save Money/TimeFor detailed show notes, please visit: JimCooney.me/new-eraTo help support the show, leave a tip at: JimCooney.me/podcast-tipReady for a career and life you love? Check out Amplified Artists!Download Your FREE Dream Career Blueprint: JimCooney.me/blueprintWant free tips and strategies each week? Join my mailing list!Connect with Me: Web - JimCooney.me Instagram - @JimCooneyNYCLike this podcast? Please consider leaving a 5-star rating and review! It helps other people find out about the show. (Apple Podcast Users: Click here, scroll to the bottom, tap to rate with five stars, and select “Write a Review.”)

SynopsisBy a coincidence, the last two symphonies of Soviet composer Sergei Prokofiev premiered on today's date: His Sixth Symphony premiered in Leningrad in 1947, and his final, Seventh Symphony, in Moscow, in 1952.The Sixth Symphony is tragic in tone, and Prokofiev confided that it was about the physical and emotional wounds suffered by his countrymen during World War II. The Sixth was premiered at the opening concert of the Leningrad Philharmonic's 1947 season and was applauded warmly by both audiences and the official Soviet critics. But early in 1948, Prokofiev somehow ran afoul of the Central Committee of the Communist Party, and his Sixth was quickly withdrawn from further performances.Prokofiev's Seventh was intended to be a symphony for children, a kind of symphonic Peter and the Wolf, written in a deliberately populist style and with a wary eye on the dictates of the Central Committee. It's an airy, almost transparently melodic score. Originally, it had a wistful, somewhat melancholic ending, with the music trailing off into silence. During the final dress rehearsals, however, Prokofiev wrote an alternative, perhaps more “politically correct” finale, decidedly chipper and upbeat in tone.Music Played in Today's ProgramSergei Prokofiev (1891 – 1953) Symphony No. 6 - National Symphony; Leonard Slatkin, cond. RCA/BMG 68801Symphony No. 7 - French National Orchestra; Mstislav Rostropovich, cond. Erato 75322

SynopsisAs the 20th century drew to its close, some who followed the development of opera were struck by the number of new American operas on American themes.On today's date in 2000, one of these new operas debuted in San Francisco. Dead Man Walking, an opera in two acts, was based on a 1993 book by Sister Helen Prejean, a book also made into a successful movie. The libretto for the operatic version of Sister Prejean's book was crafted by Terrance McNally and set to music by American composer Jake Heggie.Now, an opera based on eyewitness accounts of American prisoners on death row might seem an unlikely topic for an opera, but Sister Prejean didn't think so.“I love the way the opera captures essential human conflicts: love or hate, compassion or vengeance, redemption or condemnation,” she said. “… From the beginning, I told McNally and Heggie that I'd trust them to compose the opera if they wove into its center the quest for redemption. They got it. And I could tell by the stillness in the auditorium and the tumultuous applause at the end that the audience also really gets it.”Music Played in Today's ProgramJake Heggie (b. 1961) Dead Man Walking - San Francisco Opera; Patrick Summers, cond. Erato 86238

Jozlyn, Gaby, Angela, and Lloyd chat with the host of La Vida Mas Chevere Podcast, Paulette Erato, and discuss the childfree experience. As per Paulette, being childfree is the least interesting thing about her. But it is a core identity. And finding other childfree Latinas or Latines like her hasn't always been easy. They are routinely slandered and made to believe there's something wrong with them for not wanting to have children.Refusing to conform to societal norms puts them at odds with their culture. But also knowing that bearing and raising children is not meant for them is a massive measure of self-awareness, boundaries, and frankly, peak adulting. So while she thinks being childfree is as natural for her as having curly hair, brown eyes, and being right-handed, She tries to make sure that part of her is visible. If only so that other childfree Latines looking for examples of a thriving life outside society's expectations can use her as a model.Many believe that having a baby is a woman's most important achievement and society places a great deal of pressure on women to become mothers. People always seem to frown upon those who are not following the "standard protocol" of getting married in their young adult years, having a couple of kids and then growing old and retiring.Great news! Women can have fulfilling lives without children! We unpack a lot during this episode but this is a very important conversation that needs to be had.Support the showFollow all the Chaos - Website - https://www.keepingupwithchaos.net/ FB - https://www.facebook.com/keepingupwithchaospodcast

Synopsis There is an ancient curse, popularly attributed to the Chinese, “May you live in interesting times!” The French composer Etienne-Nicolas Mehul, who was born on this date in 1763, certainly lived and worked in an “interesting” time, politically and musically speaking. His creative life spanned both the French Revolution and the Napoleonic Empire, and since Mehul live and worked in Paris, he found himself at the epicenter of some extremely “interesting” events. As one of the leading French composers of his day, he was commissioned to write patriotic works for state occasions, and had friends and supporters in high places, including Napoleon himself. His operas, both dramatic and comic, were greatly admired by his contemporaries, although sometimes these proved too “politically incorrect” for the Parisian censors. Beethoven (not always “P-C” himself) was a Mehul fan and borrowed some striking theatrical effects from one of Mehul's operas to use in his own opera, Fidelio. Apparently this admiration – and the borrowing – was reciprocated. The last movement of Mehul's First Symphony (in g minor) shows the impact of Beethoven's dramatic Fifth Symphony (in c minor) of a few years earlier. Music Played in Today's Program Étienne-Nicolas Méhul (1763 - 1817) Symphony No. 1 Les Musiciens du Louvre; Marc Minkowski, conductor. Erato 45026