Podcasts about Seamus Heaney

Faye Toogood is perhaps best known for her Roly-Poly chair, among the more famous pieces of furniture to come out of the 2010s and take over the zeitgeist, but the London-based designer's artistry and craft runs much deeper and spans much wider. She began finding, collecting, cataloging, producing, and editing her “assemblages” long before she ever had a name for them, and her design career has been marked by exactly that, beginning with the debut of Assemblage 1 (2010) and through to her latest, Assemblage 8: Palette (2024). On the whole, Toogood's creations serve as material investigations and discipline-defying attempts to better understand herself. Without formal training in design, Toogood—who was the Designer of the Year at the Maison&Objet design fair in Paris this past January and the Stockholm Furniture Fair's Guest of Honor in February—uses what she describes as the feeling of being “a fraud in the room” to her advantage. Through her work, she is an enigma; with projects across furniture, interiors, fashion, and homewares, she's unwilling to be defined by a single output and has instead built a multilayered practice and belief system that allows her to be “all heart and hands.” On this week's Time Sensitive—our debut of Season 11—Toogood talks about the acts of creation and connection, and how each underscores the enduring play that's ever-present in her work.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Faye ToogoodToogood[3:49] Assemblage 1[7:43] Assemblage 7[13:28] Seamus Heaney[14:50] Isamu Noguchi[14:50] Kan Yasuda[17:23] Roly-Poly chair[18:06] Rachel Whiteread[20:07] Barbara Hepworth Museum and Sculpture Garden[22:45] Matisse Chapel[25:40] “Ways of Seeing”[29:57] “Womanifesto!”[36:55] Assemblage 8[52:17] “The World of Interiors”

Santa Cruz poet, journalist, and author, Addie Mahmassani, buzzes into the Hive to talk Irish poetry with Dion O'Reilly. We read William Butler Yeats, Seamus Heaney, Samuel Beckett and Eamon-GrennanAddie Mahmassani is originally from the East Coast, where she completed a PhD in American Studies. This spring she is finishing an MFA in poetry at SJSU. She covers Arts & Entertainment for Metro Silicon Valley and other Bay Area papers and served as poetry editor of Reed Magazine, Issue 156. Her first book, a feminist history of the American folk revival, is forthcoming with University of Iowa Press.

“The form of the poem, in other words, is crucial to poetry's power to do the thing which always is and always will be to poetry's credit: the power to persuade that vulnerable part of our consciousness of its rightness in spite of the evidence of wrongness all around it, the power to remind us that we are hunters and gatherers of values, that our very solitudes and distresses are creditable, in so far as they, too, are an earnest of our veritable human being.”-Seamus Heaney, in his 1995 Nobel acceptance speech This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Our guest today is writer  Ralph Dartford who works for the National Literacy Trust and is the poetry editor of literary journal Northern Gravy.   Ralph kindly made the journey from Bradford to the Lockwood residence in Sheffield, and we settled down in my living room with mugs of tea and a plate of biscuits, surrounded by books and looked down upon by at least three pictures of Larkin. Ralph also co-organises the fantastic Louder Than Words festival that takes place in Manchester every autumn, and is a celebration of writing about music. They gather together amazing writers, broadcasters and musicians to discuss, explore and debate all things music and music industry related.  I hope we will continue to see Ralph at more PLS events.Larkin poems mentioned:The Whitsun Weddings, Dockery and Son, Mr Bleaney, For Sidney Bechet, High Windows, Cut Grass, To The Sea, MCMXIV, Here, BroadcastAll What Jazz: A Record Diary 1961-1971 (1985) by Philip LarkinThe Oxford Book of Twentieth Century English Verse - ed.  Philip Larkin (1973) I am happy to see Mr. Larkin's taste in poetry and my own are in agreement ... I congratulate him most warmly on his achievement. - W. H. Auden, The GuardianPoets/writers/musicians mentioned by RalphKae Tempest, Joelle Taylor, Ted Hughes, Seamus Heaney, Vicky Foster, Steve Ely, Chris Jones, Ian Parks, John Betjeman, John Cooper Clarke, John Hegley, Simon Armitage, Carol Ann Duffy, Michael Stewart, Blake Morrison, Count Basie, John Coltrane, Sidney Bechet, Alan Bennett, Stewart Lee, David Quantick, Ray Davis, Blur,  Van Morrison,  Hang Clouds, Evelyn Glennie, Kingsley Amis, Andrea Dunbar, Helen MortOther references:Adlestrop (1914) by Edward Thomas https://www.edwardthomaspoetryplaces.com/post/adlestropArthur Scargill:  “Arthur Scargill, the miners' leader and socialist, once told The Sunday Times, ‘My father still reads the dictionary every day. He says your life depends on your power to master words.” Martin H. Manser, The Penguin Writer's ManualBob Monkhouse https://www.theguardian.com/news/2003/dec/30/guardianobituaries.artsobituariesLongbarrow Press https://longbarrowpress.com/Valley Press https://www.valleypressuk.com/Kes (1968) by Barry HinesRalph is Poetry Editor for Northern Gravy https://northerngravy.com/Ralph reads Geese and England's Dreaming from House Anthems  https://www.valleypressuk.com/shop/p/house-anthemsGareth Southgate https://www.bbc.co.uk/news/uk-england-london-57816651 Simon Armitage Larkin Revisited Radio 4 https://www.bbc.co.uk/sounds/brand/m0019yy2Nick Cave- Honorary Vice President for the Philip Larkin Society- Desert Island Discs https://www.bbc.co.uk/programmes/m0027cglLyn's English teacher 1982-1989 https://petercochran.wordpress.com/remembering-peter/The Ted Hughes Network https://research.hud.ac.uk/institutes-centres/tedhughes/James Underwood https://www.bloomsbury.com/uk/early-larkin-9781350197121/Albums mentioned:OK Computer (1997) by Radiohead , Sergeant Pepper's Lonely Hearts Club Band (1967) and The White Album (1968) by The Beatles, Park Life (1994) by BlurSummertime in England by Van Morrison https://www.vice.com/en/article/summertime-in-england-a-monologue-on-van-morrison/Events:https://louderthanwordsfest.com/"My Friend Monica": Remembering Philip Larkin's Partner Monica JonesSat 22 Mar 2025 4:00 PM - 5:00 PM Ken Edwards Lecture Theatre 2, University of Leicester, LE1 7RHhttps://www.tickettailor.com/events/literaryleicester/1538331A celebration marking 70 years of Philip Larkin's 'The Less Deceived'For World Poetry Dayhttps://www.eventbrite.com/e/a-celebration-marking-70-years-of-philip-larkins-the-less-deceived-tickets-1235639173029?aff=oddtdtcreatorProduced by Lyn Lockwood and Gavin HoggPlease email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com

Hello to you listening in Hamburg, Germany!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Motivate Your Monday and your host, Diane Wyzga.  We are living in a time of historic upheaval. But what if this currently confusing, chaotic, confounding, cultural churn is stumbling toward change that reveals the hidden roots of social injustice for what they are so that we can reconfigure for good?How easily the safeguards can be leaped. And they have been. We can clutch our pearls and bemoan the times we live in; or, we can invite our feelings of hopelessness to give way to action, to repair, restore, and renew out of the ashes of the old ways. We are responsible for making change because we're the only “sentient force” that can.Question: What one small grand gesture are you committed to take on behalf of what you love and care for?These words from the Irish poet Seamus Heaney may motivate and sustain you wherever your feet touch the ground, whatever progress you are intent on making today.    “History says, Don't hopeOn this side of the grave...But then, once in a lifetimeThe longed-for tidal waveOf justice can rise upAnd hope and history rhyme.” [“The Cure at Troy” Seamus Heaney]BONUS: Seamus Heaney reads his poem, The Cure at TroyThe Cure at Troy (full text)"Human beings sufferThey torture one another,They get hurt and get hard.No poem or play or songCan fully right a wrongInflicted and endured. The innocent in gaolsBeat on their bars together.A hunger-striker's fatherStands in the graveyard dumb.The police widow in veilsFaints at the funeral home. History says, Don't hopeOn this side of the grave…But then, once in a lifetimeThe longed-for tidal waveOf justice can rise up,And hope and history rhyme. So hope for a great sea-changeOn the far side of revenge.Believe that a further shoreIs reachable from here.Believe in miraclesAnd cures and healing wells. Call miracle self-healing:The utter, self-revealingDouble-take of feeling.If there's fire on the mountainOr lightning and stormAnd a god speaks from the sky That means someone is hearingThe outcry and the birth-cryOf new life at its term.It means once in a lifetimeThat justice can rise upAnd hope and history rhyme. [From "The Cure at Troy: A Version of Sophocles' Philoctetes"] You're always invited: “Come for the stories - stay for the magic!” Speaking of magic, would you subscribe and spread the word with a generous 5-star review and comment - it helps us all - and join us next time!Meanwhile, stop by my Quarter Moon Story Arts website to:✓ Check out Communication Services I Offer,✓ For a no-obligation conversation about your communication challenges, get in touch with me today✓ Stay current with Diane on LinkedIn, as “Wyzga on Words” on Substack, and now Pandora Radio Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved. 

In this conversation, Owen Ó Súilleabháin discusses the rich tapestry of Irish and Celtic culture, exploring themes such as the influence of family and cultural heritage, the significance of names and identity, the challenges of language preservation, and the evolving diversity within modern Irish society. He emphasizes the importance of storytelling, traditional music, and poetry, particularly the unique tradition of limericks while reflecting on the historical context and contemporary relevance of these cultural elements. In this conversation, Owen Ó Súilleabháin discusses the profound role of poets in society, particularly focusing on Seamus Heaney and William Butler Yeats. He explores the cultural landscape of Northern Ireland, the significance of poetry and folklore, and the impact of geography and climate on Irish identity. The dialogue also delves into Celtic traditions and the importance of community engagement in preserving cultural heritage.https://www.turasdanam.com/membershipKeywordsIrish culture, Celtic heritage, language preservation, identity, poetry, family influence, cultural genius, diversity, traditional music, storytelling, poetry, Seamus Heaney, Northern Ireland, Irish culture, folklore, Celtic traditions, community, geography, climate, storytelling

Piero Boitani"Plato's Poem"Il Poema di PlatoneA cura di Paolo FebbraroElliot Edizioniwww.elliotedizioni.comNel 2023, Piero Boitani ha pubblicato Timeo in paradiso. Metafore e bellezza da Platone a Dante: un ampio saggio che ripercorre la lunga via che il Timeo, il dialogo platonico più celebre durante il Medioevo, ha compiuto nella filosofia e nell'immaginario delle culture occidentali. Parallelamente alla stesura di quel trattato, Boitani ha scritto un poema in lingua inglese che tratta lo stesso argomento, se mai è possibile che la prosa critica e la poesia dicano la stessa cosa in modi diversi. Un esperimento “bizzarro”, secondo le parole dello stesso autore. Di fatto, da Platone a Ovidio, da Gesù di Nazareth a Boezio, da Tommaso d'Aquino a Dante, il lettore di questo poema in 27 sezioni trova davanti a sé una serie di personaggi e di visioni a cui la poesia contemporanea lo ha da tempo disabituato. Cosicché il Poema di Platone, che Paolo Febbraro ha tradotto e interpretato, è al tempo stesso un'opera stupefacente e il nuovo manifestarsi di ciò che la poesia è stato da sempre, ovvero misura e conoscenza.Piero Boitani (Roma, 1947) è anglista, biblista, studioso del mito e delle sue riscritture. Nel 2016 ha vinto il premio Balzan per la letteratura comparata. Ha pubblicato una trentina di volumi, molti dei quali tradotti nelle principali lingue europee. È direttore letterario della Fondazione Valla e socio nazionale dell'Accademia dei Lincei.Paolo Febbraro (Roma, 1965) è poeta, prosatore, saggista. Fra i suoi libri più recenti: Come sempre. Scelta di poesie 1992-2022 (2022) e Il diario di Kaspar Hauser (nuova edizione riveduta, 2023). Ha tradotto Seamus Heaney, Edward Thomas, Michael Longley, Geoffrey Brock.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

The Irish poet Michael Longley, who died on 22nd January 2025, was described by Seamus Heaney as 'a keeper of the artistic estate, a custodian of griefs and wonders.' He devoted a lifetime to the art of poetry and won numerous poetry prizes.In 1968, violence erupted in Northern Ireland, the beginning of 30 years of the Troubles. In the third episode of this series of The Essay, first broadcast in 2024, he talked about writing poems that remembered some of those who were victims of the the violence and his most famous poem, Ceasefire, which looks to Homer's great epic poem The Iliad as it reflects on the cost of peace.As well as Ceasefire, he reads his poems The Troubles, The Ice-cream Man, and All of these People from the collection Ash Keys: New Selected Poems (Cape Poetry), published to mark his 85th birthday on 27th July 2024. Presenter: Olivia O'Leary Producer: Claire Cunningham Executive Producer: Regan HutchinsMichael Longley's Life of Poetry is a Rockfinch production for BBC Radio 3.

Irish poet Michael Longley, who died on 22nd January 2025, was described by Seamus Heaney as 'a keeper of the artistic estate, a custodian of griefs and wonders.' He devoted a lifetime to the art of poetry and won numerous poetry prizes.He is recognised as a very fine love poet and in this episode of Michael Longley's Life of Poetry, first broadcast in 2024, he reads poems that address the gift of a decades-long love and marriage and the inevitability of ageing. After a lifetime dedicated to poetry, he says, 'I can't imagine that I would be alive now if I hadn't had poetry propelling me forward.'He reads his poems The Pattern, The Linen Industry and Age from his collection Ash Keys: New Selected Poems (Cape Poetry), published to mark his 85th birthday on 27th July 2024, and Foam from his collection The Slain Birds.Presenter: Olivia O'Leary Producer: Claire Cunningham Executive Producer: Regan HutchinsMichael Longley's Life of Poetry is a Rockfinch production for BBC Radio 3.

The Irish poet Michael Longley, who died on 22nd January 2025, was described by Seamus Heaney as 'a keeper of the artistic estate, a custodian of griefs and wonders.' He devoted a lifetime to the art of poetry and won numerous poetry prizes.In this episode of The Essay, first broadcast in 2024, he described his refuge from the city streets of Belfast in County Mayo, in one of the most remote and beautiful parts of the west of Ireland. He had been writing about its nature and landscape for over 50 years and it provided endless inspiration for poems. In more recent years he recognised the threat of climate change and he expresses the hope that younger generations will take greater care of the world.He reads his poems The Leveret, Remembering Carrigskeewaun, Stonechat and The Comber from his collection Ash Keys: New Selected Poems (Cape Poetry), published to mark his 85th birthday on 27th July 2024, and Merlin from his collection The Slain Birds.Presenter: Olivia O'Leary Producer: Claire Cunningham Executive Producer: Regan HutchinsMichael Longley's Life of Poetry is a Rockfinch production for BBC Radio 3.

The Irish poet Michael Longley, who died on 22nd January 2025, was described by Seamus Heaney as 'a keeper of the artistic estate, a custodian of griefs and wonders.' He devoted a lifetime to the art of poetry and won numerous poetry prizes.In the second episode of this series of The Essay, first broadcast in 2024, he talked with presenter Olivia O'Leary about his World War 1 poems, many of which were inspired by his own father's experience of having fought in the war, although he rarely talked about it. Michael's poems link the Great War and the Northern Ireland Troubles.He reads his poems Citation, Harmonica, The Sonnets and Wounds from the collection Ash Keys: New Selected Poems (Cape Poetry), published to mark his 85th birthday on 27th July 2024. Presenter: Olivia O'Leary Producer: Claire Cunningham Executive Producer: Regan HutchinsMichael Longley's Life of Poetry is a Rockfinch production for BBC Radio 3.

The poet Michael Longley, who died on 22nd January 2025 at the age of 85, was described by Seamus Heaney as 'a keeper of the artistic estate, a custodian of griefs and wonders.' He devoted a lifetime to the art of poetry and won numerous poetry prizes.In Episode 1 of this series of The Essay, first broadcast in 2024 and recorded to mark his 85th birthday, he talked with presenter Olivia O'Leary about his home town of Belfast and his love of jazz, saying that, 'Good poetry for me combines two things: meaning and melody.' He also loved the classics, which he studied at Trinity College Dublin, where he met his wife, Edna, a distinguished literary critic. He was one of a group of young poets that emerged from Northern Ireland in the 1960s and he describes the mutual support, rivalry and excitement of that time.He reads his poems Elegy for Fats Waller and an extract from his poem River and Fountain from a new collection, Ash Keys: New Selected Poems (Cape Poetry), published to mark his 85th birthday on 27th July 2024. He also reads Bookshops from his collection Angel Hill and Poem from The Slain Birds.Presenter: Olivia O'Leary Producer: Claire Cunningham Executive Producer: Regan HutchinsMichael Longley's Life of Poetry is a Rockfinch production for BBC Radio 3.

During lockdown, ex Revelino guitarist and Vicar Street promoter Bren Berry oversaw the re-release of the band's debut album on vinyl. Their songs were written by Brendan Tallon. With the encouragement of his best mate (and also Brendan's brother) Ciarán, he has stepped up to the microphone with an album of his own songs 'IN HOPE OUR STARS ALIGN'.In this episode we play several songs from the album and chat to Bren about what inspired him to start writing songs and what fires his lyrical concerns. As he says, he views these tracks as protest songs wrapped in love letters post marked Dublin City. The 12 songs cover personal reflections on family, friendship, home, resilience, music & creativity, and address some of the social & political crises that we are living through in these troubled times. The album title comes from 'Fire Drill' and is inspired by Seamus Heaney's 'The Cure At Troy'. Album on SpotifyBuy vinyl on BandcampBren Berry InstagramTracks PlayedCome AliveBlack SatelliteWinter SongNeon LightsFire Drill

Afrikas första modernist ville göra tabula rasa med den västerländska verskonsten. Dan Jönsson dyker ner i Rabearivelos tidlösa och gränslösa dikter. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Jag inser förstås genast att det är en överdrift, men tanken tål att tänkas: är det kanske så att poesin som litterärt fenomen blir särskilt livskraftig när den får växa på en ö? Till skillnad från prosan som behöver näringen från stora städer och från vida kontinenter hittar poesin sin form i en omgivning som begränsas av tydliga konturer, omgiven av ett främmande och obevekligt element som isolerar, det vill säga bokstavligen för-öigar diktaren och slipar tanken in på bara benet. Man kan rada upp namnen på de stora öpoeterna: Sappho på Lesbos, Irlands Yeats och Seamus Heaney, Elytis och Kazantzakis på Kreta, Derek Walcott på Saint Lucia. Och Jean-Joseph Rabearivelo på Madagaskar. Har de inte allihop någonting gemensamt?Som sagt, antagligen inte. Listan över undantagen blir förstås betydligt längre. Ändå kan jag inte riktigt släppa tanken när jag läser Rabearivelos poesi, rotad som den är i Madagaskars urskogar och röda jord, snärjd i de lianer som kartografiskt slingrar sig utmed öns stränder, hela tiden med en vaksam sidoblick mot horisonten, mot ett mytiskt ursprung någonstans på andra sidan havet, och med en längtan till de fjärran metropoler och kulturer som utgör den koloniala verklighetens flimrande hägringar. I dikten ”Trycksaker” manar han fram sin förväntan när postbåten kommer till ön med sin last av efterlängtade livstecken från världen bortom haven – ”dessa målande, svävande ark/ som kommit till mig från hela jordklotet”, som han formulerar det, och som för en stund befriar honom ur ”detta löjliga fängelse/ som förgäves övervakar bergen/ och skogarna, och haven”.Jean-Joseph Rabearivelo föddes 1901 som Joseph-Casimir; förnamnet ändrade han för att få nöjet att underteckna med samma initialer som sin store idol, den förromantiske filosofen och romanförfattaren Jean-Jacques Rousseau. Under hela sitt korta liv var han besatt av en stark, olycklig kärlek till den franska kolonialmaktens civilisation, dess ämbetsverk och traditioner, dess språk och dess kultur. Han härstammade på mödernet från en av öns kungliga familjer och hanterade sitt madagaskiska ursprung som en viktig lyrisk klangbotten i sina verk – men i grunden ändå som någonting han ville överskrida. Livet igenom hoppades han på en tjänst i den koloniala administrationen, och på att en gång få representera sitt land vid något stort evenemang i Paris. Inget av det blev verklighet. När han tog sitt liv 1937 hade han aldrig ens fått myndigheternas tillstånd att lämna Madagaskar. Med Ingemar Leckius pregnanta formulering i förordet till den första svenska utgåvan av hans dikter förblev Rabearivelo ”dubbelt landsflyktig, en furste av Ingenstans”.Ja – och Överallt, skulle jag vilja tillägga. För det är på många sätt just denna svävande, kosmopolitiska hemlöshet som gör hans dikter så på en gång både tidlösa och gränslösa. De dröjer i ena stunden vid en hemlig, mytisk källa mitt i urskogen för att i nästa tala till Keats grekiska urna; de kan besjunga sebutjurens seniga kropp eller det fasta gula skalet hos en mango och kastar sig sedan in i en målning av Gauguin. Allt är nära, allt är lika verkligt – från kullarna runt huvudstaden Antananarivo, som han aldrig lämnar, besvärjer han de böljande risfälten och eukalyptusskogens höga pelarsalar, busksvinen och utriggarpirogerna, och det i en fritt krängande lyrisk vers som ekar av symbolister som Rimbaud och Mallarmé. Allt hänger samman, som han skriver: ”samma himmel är alltid världens tak” – poetens språk är liksom brevbärarens postväska ett hemligt skrin för ”hela världens tanke”.Jag skulle tro att denna geografiska melankoli, denna smärtsamma försoning med världens väldighet är något som känns igen av var och en som någon gång färdats med fingret över en karta eller låtit blicken dröja vid bilderna från platser som man aldrig kommer att få se. För Rabearivelo förblev den alltså ohjälpligt ett öppet sår. Till skillnad från en annan samtida lyrisk pionjär från det franska Afrika, Senegals Léopold Senghor, som gjorde sig hemmastadd i imperiets centrum och med tiden blev en av dess starkaste antikoloniala röster, tvingades Rabearivelo till en tillvaro i marginalen. Visserligen publicerades hans dikter; visserligen förde han en livlig korrespondens med franska kollegor som André Gide – det kunde komma dussintals brev på samma gång med den där postbåten – men sin publik hade han huvudsakligen på Madagaskar, och den var begränsad. Liksom förstås den litterära offentligheten på ön.För mig hämtar alltså hans lyrik en särskild kraft just ur denna begränsning, denna isolering. De dikter som har överlevt till vår tid finns främst i hans två sena diktsamlingar ”Presque-songes” (Nästan-drömmar) från 1934 och ”Traduit de la nuit” (Tolkat från natten) som gavs ut året därpå. Båda genomströmmas av ett sorts revanschlystet, upproriskt svårmod som i den madagaskiska naturen och kulturen hittat verktygen för att, som han själv uttrycker det, ”göra tabula rasa med den västerländska verskonstens alla kineserier”. Här är han förstås på samma våglängd som många av de franskspråkiga diktare och konstnärer som i början av nittonhundratalet söker impulser till förnyelse i de traditionella utomeuropeiska kulturerna. Rabearivelo inser att han alldeles inpå knutarna har tillgång till just en sådan kraftkälla, och vill på samma sätt söka sig mot något ursprungligt och allmänmänskligt, förklarar han – ”genom att spörja min egen jord, genom att konfrontera mig blott med mina döda”.I ”Presque-songes”, som skrevs samtidigt på både franska och malagassiska och sedan 2024 också finns på svenska i sin helhet, blir det övergripande projektet att försöka mana fram den röst, den ”sång” han anar binder samman allt i tid och rum. Kaktusen med dess hårda pansar runt sitt livgivande vatten, lianernas kraftfulla slingrande, den gamle mannens blick som vaknar till med en ungdomlig glimt, makakernas gåtfulla tjattrande och anfädernas övervuxna gravar – allt talar med i grunden samma ton, en mörk vibration av trotsigt liv i skuggan av den annalkande döden: ”det svaga ekot”, som han skriver, ”av en inre sång/ som växer och mullrar”. Dikterna är kraftfulla och omedelbara, mättade med blixtrande konkreta bilder som i den följande boken, ”Tolkat från natten”, stegras till en ny nivå i en svit namnlösa strofer där Rabearivelo målar upp en alldeles egenartad, gnistrande mörkervärld. I dessa dikter, varav ett urval också finns på svenska, har de skarpa bilderna övergått i kusliga förvandlingsnummer, den livgivande sången i ett djupt, och närapå extatiskt, existentiellt främlingskap. Likt nattens ”svarte glasmästare” ser poeten sitt verk falla sönder mellan sina händer. Hjälplös och ensam. På väg från livets ö, till dödens.Dan Jönssonförfattare och essäistLitteraturJean-Joseph Rabearivelo: Nästan-drömmar. Översättning av Eric Luth. Vendels förlag, 2024.Jean-Joseph Rabearivelo: Dikter. I urval och tolkning av Ingemar och Mikaela Leckius. FIBs lyrikklubb, 1973.

Riverside Theatre opens January 30 with “The Cure At Troy” by Seamus Heaney, directed by Adam Knight. In the studio before opening night we have Aaron Stonerook (Odysseus), Adam Knight (director), and Tim Budd (Philoctetes) to tell us a little bit about bringing this old tale into a fresh light.  Shows run January 30 through … Continue reading

Was the Palisades Fire caused by embers left over from another extinguished fire? Was Eaton the fault of power lines? It may take months before investigators know. National and international firefighters have been coming to SoCal to help fight the wildfires devastating the region. How are they deployed?  These wildfires have displaced tens of thousands of Southern Californians, many of them suddenly entering LA’s brutal, competitive, and already crowded rental market. Writer Caitlin Flanagan’s friendship with Nobel Prize-winning Irish poet Seamus Heaney profoundly shaped her life and her Catholic faith. She writes about their bond in The Atlantic.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 7ú lá de mí Feabhra, liomsa Lauren Ní Loingsigh. I 1997 dhiúltaigh Michelle Rocca líomhaintí gur tharraing sí bean eile darbh ainm Sarah Lindon, amach as an leaba de bharr go bhfuair sí í sa leaba lena fear céile Cathal Ryan. I 2017 dhiúltaigh TD Mick Wallace go raibh sé ag seachain na cúirte tar éis a dúirt siad nach raibh siad ábalta a teach a aimsiú I Clontarf. I 1996 lainseáil an tionscadal leabharlann I nDroichead Abhann Ó gCearnaigh tiomsú airgid ag úsáid cóipeanna leabhair a raibh sínithe ag Seamus Heaney chun 10 míle punt a bhailiú chun athbhunú a dhéanamh ar eaglais agus leabharlann a dhéanamh as. I 1997 bhí cruinniú poiblí I Ballyvaughan agus cháin na cónaitheoirí nach raibh an córas séarachais ag obair faoi láthair agus labhair siad faoi na tí saoire a bhí siad á thógáil. Sin Ed Sheeran le Shape Of You – an t-amhrán is mó ar an lá seo I 2017. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1999 chuaigh an t-amhránaí Blondie chuig uimhir a haon sna cairteacha lena amhrán Maria. Bhí sé seo an séú huimhir a haon a fuair an bhanna cheoil – 20 bhliain tar éis a chéad uimhir a haon leis an amhrán Heart Of Glass. I 2005 an fhís a tháinig amach ar barr don fhís is fearr ná Michael Jackson le Thriller. Tháinig an fhís amach I 1983 agus bhí Michael Jackson mar chonriocht agus zombaí. Tháinig sé amach ar barr I gcoinne Madonna agus Robbie Williams. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Garth Brooks I Meiriceá I 1962 agus rugadh aisteoir Chris Rock I Meiriceá I 1965 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh an tseachtain seo chugainn le heagrán nua de Ar An Lá Seo.

As an undergraduate, Seamus Heaney visited Station Island several times, an ancient pilgrimage site traditionally associated with St Patrick and purgatory. Decades later, Heaney worked through competing calls for political engagement and his long-lapsed Catholicism in ‘Station Island', a poem he described as an ‘exorcism'.A dreamlike reworking of Dante's Purgatorio, ‘Station Island' describes Heaney's encounters with the ghosts of childhood acquaintances, literary heroes and victims of the Troubles. Seamus and Mark explore Heaney's unusually autobiographical poem, which wrestles with the inescapability of politics.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://apple.co/4dbjbjG In other podcast apps: lrb.me/closereadings Further reading in the LRB:Paul Muldoon: Sweaney Peregrainehttps://www.lrb.co.uk/the-paper/v06/n20/paul-muldoon/sweaney-peregraineSeamus Perry: We Did and We Didn'thttps://www.lrb.co.uk/the-paper/v43/n09/seamus-perry/we-did-and-we-didn-tJohn Kerrigan: Hand and Foothttps://www.lrb.co.uk/the-paper/v21/n11/john-kerrigan/hand-and-foot Hosted on Acast. See acast.com/privacy for more information.

Live music and chat with the brothers about feeling excited about getting their band The Devlins back together, a newly-discovered photograph of their father and Seamus Heaney and their new album ‘All The Days' (for copyright reasons the full tracks performed during this interview cannot be made available in the podcast)

Snow Patrol's Gary Lightbody and Johnny McDaid discuss the creative process behind the band's new record The Forest is the Path, which ventures into new territories musically and lyrically. The pair talk about the influence of literary greats like Seamus Heaney, their collaboration with producer Fraser T. Smith, and the liberating experience of writing music without constraints.

Dear friendsWe are mourning and missing our beloved Fiona, whilst also celebrating her extraordinary life and work, and everything she brought to all our lives. We continue to feel her with us in everything we do. This month, we pay tribute to Fiona by re-relasing the conversation in which Fiona visits The Poetry Exchange for herself, talking about the poem that has been a friend to her: 'A Kite for Aibhín' by Seamus Heaney. The conversation was originally recorded in France in 2017, and you can also find it as episode 23 of the podcast. We are incredibly grateful for all the amazing messages of support, gratitude, loss and condolence we have received from so many of you around the world. Your words speak volumes about Fiona and the way she touched and changed your lives, whether you knew her in person or simply through listening to her voice each month. Michael reads a small selection of some of these messages at the beginning of the episode.Please do continue to write to us with thoughts, feelings and memories of Fiona at hello@thepoetryexchange.co.uk.Fiona's own collection of poetry - On the Brink of Touch - will be published later this month by Live Canon, and we will let you know more about that very soon. You will hear Fiona's reading of her poem 'Imprint' at the end of this episode. Thank you so much for all your support, love and friendship,Michael, John and The Poetry Exchange xx*********A Kite for Aibhínby Seamus HeaneyAfter "L'Aquilone" by Giovanni Pascoli (1855-1912)Air from another life and time and place,Pale blue heavenly air is supportingA white wing beating high against the breeze,And yes, it is a kite! As when one afternoonAll of us there trooped outAmong the briar hedges and stripped thorn,I take my stand again, halt oppositeAnahorish Hill to scan the blue,Back in that field to launch our long-tailed comet.And now it hovers, tugs, veers, dives askew,Lifts itself, goes with the wind untilIt rises to loud cheers from us below.Rises, and my hand is like a spindleUnspooling, the kite a thin-stemmed flowerClimbing and carrying, carrying farther, higherThe longing in the breast and planted feetAnd gazing face and heart of the kite flierUntil string breaks and—separate, elate—The kite takes off, itself alone, a windfall.Excerpted from Human Chain by Seamus Heaney. Published in September 2010 by Farrar, Straus and Giroux, LLC. Copyright © 2010 by Seamus Heaney. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.

In this episode I host a dialogue between Henry Shukman, British poet, Zen teacher, and author of ‘One Blade of Grass; a Zen memoir'; and John Brehm, American poet and author of ‘The Dharma of Poetry'. Henry and John share the story of their formations as poets, compare the similarities as well as the marked differences in their backgrounds, and reveal the powerful forces that inspire the creative process. Henry and John discuss the purpose and process of writing poetry, reflect on poetry as a means of contact with the sacred, and contrast the richness of poetry with attentional practices such as mindfulness and Zen. Henry and John also perform and discuss several of their poems, including “Walk the Talk”, “Swifts”, “Yahrzeit”, and “Finis Ter”. … Video version: https://www.guruviking.com/podcast/ep274-poetry-the-sacred-henry-shukman-john-brehm Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics include: 00:00 - Intro 00:56 - Henry's early interest in poetry 03:45 - Poetry and spiritual practice 06:04 - What is it to be alive? 06:30 - Searching for the charge 06:51 - First profound experience of writing poetry 08:17 - Poetry that awakes 09:25 - John's unliterary family background 12:00 - John's psychedelic experiences in the 1970s 13:23 - Poetry as a way to evoke luminosity 14:37 - Contact with the sacred 15:11 - Henry reflects on John's early life 15:57 - Henry's unusual parents 17:23 - Inner freedom and childhood trauma 18:01 - Imagist and Tang dynasty poets 20:08 - The Beat poet and a different way of living 20:54 - Intimacy and rediscovering landscape 22:26 - Seeing beauty in the ordinary and discarded 24:41 - It's about quality of attention 26:01 - Attracted to the neglected 29:25 - The curse of being a public poet 30:09 - No allies and no encouragement 32:01 - John's first poetry teacher 33:08 - The audience 34:40 - Poetry only works without purpose 35:32 - Recognising the false note 36:54 - Henry's process of composition and revision 38:24 - Great poets of the past as audience 39:43 - A R Ammons an writing for an audience 40:20 - Henry's dream for his poetry 41:52 - The chore of mindfulness 43:09 - Remembering your True Self 43:31 - The sacred pause 44:28 - Temporary enlightenment 45:31 - Poetry is richer than mindfulness 47:28 - Beauty beyond mere mindfulness 49:28- Focusing on what you love 49:59 - Using language to go beyond language 50:54 - Autopoiesis and memetic fulfilment 53:25 - Poet as conduit 55:32 - Radical awakening 57:00 - Banishing the beautiful 58:13 - Seamus Heaney on poetry as redress 59:24 - Collective awakening of consciousness 01:00:20 - Reciprocity and post-medieval alienation 01:01:20 - Hospicing modernity 01:02:30 - Why publish poems? 01:04:27 - John reads “Walk the Talk” 01:06:03 - Reflecting on success as poets 01:09:08 - John reads “Swifts” 01:12:48 - Henry reads “Yahrzeit” 01:18:22 - Henry reads “Finis Ter” 01:19:26 - Appreciation and gratitude 
… Previous episodes with Henry Shukman: - https://www.guruviking.com/search?q=shukman 
 Previous episode with John Brehm: - https://www.guruviking.com/podcast/ep230-the-dharma-of-poetry-john-brehm … Find out more about Henry Shukman: - https://henryshukman.com/ - http://thewayapp.com/ Find out more about John Brehm: - https://www.johnbrehmpoet.com/ … For more interviews, videos, and more visit: - https://www.guruviking.com Music ‘Deva Dasi' by Steve James

A former Lissycasey councillor has been remembered as "both an honest man and a great politician". Long-serving member of Clare County Council and founding member of Lissycasey GAA Club PJ Kelly has been laid to rest in Lissycasey Cemetery this afternoon following his passing over the weekend. Public servant, family man, educator, performer, fluent Irish speaker, ardent GAA supporter and lover of all things equestrian and automotive - these are just some of the ways the congregation at PJ Kelly's funeral mass this afternoon were told he'll be remembered. Hundreds packed into Our Lady of the Wayside Church in Lissycasey this afternoon to pay their respects to the former Cathaoirleach of Clare County Council, including politicians past and present and Tanáiste Micheál Martin's Aide De Camp, Captain Essie O'Connell. Over the course of the service officiated by PJ's brother Father Artie Kelly, those in attendance were regaled with stories of the retired councillor's wit, intelligence, work ethic and his umistakeable qualities of "kindness and contentment". Born in 1940, PJ attended national school in Lissycasey before progressing to the CBS in Ennis and later received a scholarship to attend St. Patrick's Teacher Training College in Drumcondra. His first teaching post was at Lisheen National School and he also did a spell at Clondrinagh National School prior to pursuing a Higher Diploma in Education at University College Galway which led him to secure a position at St. Michael's Vocational School in Kilmihil where he taught for close to 20 years. Father Artie told mourners that in a long life in which he achieved a great deal, his love for and dedication to his native parish of Lissycasey never faltered. A number of gifts were presented as part of the procession including a statuette of a horse's head bestowed on him last year to mark his 50 years of service on Clare County Council, as well as an original Lisheen GAA Club jersey and a hurley to symbolise his passion for GAA. PJ was first elected to Clare County Council in 1974 and his contribution to his community, the congregation was told, could be felt everywhere, from the stained glass windows of the church, the commissioning of which he played a part in, to the crest of Lissycasey GAA Club which he helped to design as well as its motto "dílis dá chéile" meaning "loyalty to each other", to the 132 streetlights dotted along a four-kilometre stretch of the N68 known locally as "PJ Kelly's highway". In a wide-ranging and heartfelt eulogy, PJ's son Barry John said while his father was a man of many gifts, public service was his greatest strength of all. Ever the family man, it was only fitting that a contribution through the medium of song was made by PJ's granddaughter Laura. Mourners were also told of PJ's penchant for water divination, with Barry John referencing Mayor of Clare Alan O'Callaghan's quip that in a hypothetical match between Clare and Cork's county councillors, there'd be no need to bring water to Croke Park as PJ would find it there. To acknowledge this facet of the man, PJ's daughter Alma concluded the mass with a recitation of Seamus Heaney's poem 'The Diviner' before a guard of honour saw him off on his final journey. PJ is survived by his wife Maura, children, Aoife, Alma and Barry John, brothers and sisters Seamus, Fr. Artie, Tadhg, Loretta and Angela, sons in law Cormac and David, daughter in law Úna, grandchildren Laura, Bryan, Ódhran, Eva, Iarla, Saibh and Róise, brothers in law, sisters in law, nieces, nephews and a large circle of friends.

Coming-of-age tales and the extraordinary story of the Irish merchant ship the MV Kerlogue, and Seamus Heaney on the byroads of County Wexford, with Elizabeth Oxley, Fran O'Rourke, Kevin Mc Dermott, AM Cousins, Jennifer Carey and Rachael Hegarty

Gilberto Sacerdoti"Rifacimenti"Molesini Editore Veneziawww.molesinieditore.itUna personale e arbitraria serie di traduzioni, o meglio, rifacimenti di testi inglesi che vanno da Shakespeare a Philip Larkin. Alcuni sono celebri pezzi da antologia, troppo noti per richiedere un commento, ma che ben possono tollerare un ulteriore ri-rifacimento. Come La tigre di William Blake («Tigre Tigre che fiammeggi / dentro i boschi della notte … Il creatore dell'Agnello / è il creatore anche di te?»). O All'amante ritrosa, dove Andrew Marvell sollecita l'amata a concedersi prima della conversione degli Ebrei, o «saranno i vermi, allora, a disserrare / la vostra tanto a lungo preservata / verginità». O Il tordo nelle tenebre di Thomas Hardy che, nella gelida notte dell'ultimo giorno del secolo XIX, sceglie «di scagliare l'anima /contro la tenebra che si infittiva… in un canto vespertino / pieno di una gioia illimitata». Per tacere della Venere shakespeariana che, nel tentativo di sedurre un Adone ancora più ritroso dell'amante di Marvell, così lo invita: «Io sarò il parco e tu sarai il mio cervo; / bruca ove vuoi, in valle o in collina, / mordimi i labbri, e fosse il colle secco, / scendi ove stanno le soavi fonti».Gilberto Sacerdoti (Padova 1952) ha insegnato letteratura inglese a Roma Tre. Ha studiato quella che John Donne chiama «la nuova filosofia che mette tutto in dubbio», le sue tracce in Shakespeare e le sue radici italiane. Oltre ai Poemetti di Shakespeare ha tradotto poesie di Thomas Hardy e Seamus Heaney.Ha scritto tre libri di poesia acclamati dalla critica: Fabbrica minima e minore (Pratiche 1978), Il fuoco, la paglia (Guanda 1988), Vendo vento (Einaudi 2001).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

August is the first real harvest month - so we go foraging in the ancient woodland, delving into the folklore of blackberries, elder and rowan along the way. Zoe tells a familiar tale from the herb garden, and The Breath sing 'Harvest', one of the first songs they wrote together. Our moss of the month takes us underground, while in the sky above we look out for meteors. An excerpt from Seamus Heaney's poem 'Blackberry-Picking', published by Faber in 'Death of A Naturalist' (1966), is read with the kind permission of his estate. 'As the Season Turns' is a podcast created by Ffern in collaboration with the nature writer and author of the Seasonal Almanac, Lia Leendertz. Lia is joined by novelist Zoe Gilbert and folk musicians Ríoghnach Connolly and Stuart McCallum of The Breath. Geoff Bird produces and Catriona Bolt is Ffern's in-house production coordinator. Each episode, released on the first of the month, is a guide to what to look out for in the month ahead - from the sky above to the land below. Ffern is an organic fragrance maker based in Somerset. You can learn more about Ffern's seasonal eau de parfum at ffern.co

Next time you want to get everyone's attention for a speech at a party, try this: stand up on a table, pound your mead-chalice on a hard surface (you've got a mead-chalice, right?) and shout HWÆT! No one will have any idea what you're saying, but they'll have no choice but to listen. That's the power of Old English. We've hit bedrock in our excavation of the history of English, which brings us to Beowulf and what Seamus Heaney calls "the coffered riches of grammer and declensions." Check out our sponsor, the Ancient Language Institute (now offering Old English instruction!): https://ancientlanguage.com/youngheretics/ Pre-order my new book, Light of the Mind, Light of the World: https://a.co/d/2QccOfM Subscribe to my new joint Substack with Andrew Klavan (no relation): https://thenewjerusalem.substack.com Mark Forsyth's books on curiosities of the English language: https://a.co/d/fxudMAn https://a.co/d/3A5XpbQ Live reading of Beowulf from Hillsdale: https://youtu.be/CH-_GwoO4xI?si=tQCTnID9A7gi5s5_  

Seamus Heaney költőt idézzük meg versein keresztül. A 2013-09-02-ai műsor ismétlése.

In our second of four interviews with Catherine, we cover Creativity with Purpose, and how creativity is a massive drive to our wellbeing. Come for the reference to Seamus Heaney, stay for the learning on how creativity is everywhere (not just where you think).

To mark World Day for Safety and Health at Work and Workers' Memorial Day, 28th April 2024, which this year is focussing on the impacts of climate change on occupational safety and health, we offer a podcast of A Lough Neagh Sequence by Seamus Heaney.

Nick Hennegan celebrates a number of creative events this week from William Wordsworth, Seamus Heaney... and Paul McCartney and Wings... www.BohemianBritain.com

Today's poem is an ekphrasis on a portrait of the poet himself–all that the portrait does and doesn't capture or convey. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

We're Back! After a long winter (and winter break), Niko and Tatiana read the classic Old English epic Beowulf, translated by Seamus Heaney. They discuss legacy, vigilance,  steadfastness, and how lads love lads.   This episode was recorded in January 2024.

This time around, it's my pleasure to welcome longtime friend of the show Laura Blackwell! Laura reads to us from her very very trunked story, “Poor Prisoners,” which leads us into a wide-ranging discussion of things we wish we'd learned sooner, writers whose work we admire, and kindness to our past selves.   Things we mention in this episode:   Story Hour LiveJournal Dreamwidth Macey's Murderboard episode All Our Yesterdays, by Hilary B. Bisenieks Quaker Spec Fic issue AO3 Omegaverse The Iliad and Odyssey, by Homer, translated by Emily Wilson Beowulf translated by Seamus Heaney and Maria Dahvana Headley Grimms' Fairy Tales Lattimore, Fitzgerald, Fagles Homers The Aeneid, by Virgil, translated by Robert Fagles Paradise Lost, by John Milton Translation State and the Imperial Radch trilogy, by Ann Leckie The Djinn Waits a Hundred Years, by Shubnum Khan Archival Quality, by Ivy Noelle Weir and Steenz The Mütter Museum Ivy's episode Just Like Home, by Sarah Gailey The Death of Jane Lawrence, Last to Leave the Room, Yellow Jessamine, and The Luminous Dead, by Caitlin Starling Megan E. O'Keefe Megan's first episode Steve Toase Amanda Cook Jo Miles SFWA HWA Premee Mohamed She Walks in Shadows, edited by Silvia Moreno-Garcia and Paula R. Stiles Beneath the Rising, And What Can We Offer You Tonight, The Annual Migration of Clouds, and The Butcher of the Forest, by Premee Mohamed System Collapse, by Martha Wells Yuletide (fic exchange) The Red River of the north Lake Agassiz Marie Brennan Martha Wells Ursula Vernon Chuck Tingle Sarah Gailey Hugo Awards thing Stoker Awards Edenville, by Sam Rebelein Camp Damascus, by Chuck Tingle Hellraiser Death Note manga, netflix, and anime Potato chip eating scene Death Note: The Musical Laura's website, bluesky, twitter, insta, mastodon   Join me next month when I'll be talking to John Wiswell and Ivy Fox

Jared, Oriana and Ned discuss Jared's choice of topic: Beowulf. The famed Old English poem, the longest extant poetic work in general preserved in that language, almost accidentally survived over the years until it became more widely recognized in the 1700s, including surviving a fire. It has since become a cornerstone of studies of English literature, telling the story of a heroic Geat warrior who defeats two monstrous presences on a visit to an afflicted Danish kingdom, and who in later years as an aging king slays a dragon at the cost of his life and, it is strongly implied, his kingdom's. Tolkien knew the work thoroughly and regularly taught it in his academic career, leading to both a prose translation and various notes and commentaries that Christopher Tolkien presented and edited for a 2015 publication. But besides the notable connections that can be made between the poem and elements of his own legendarium, Tolkien has a further place in Beowulf scholarship thanks to his most famed academic work, the 1936 lecture “Beowulf: The Monsters and The Critics,” which single-handedly reframed the poem from being primarily seen as a historical document to being considered as a remarkable work of imagination. What are some of the key differences between Beowulf's world and ethos and Tolkien's own reworking of it into his legendarium, in terms of character, society and more? What points does Tolkien bring up in his lecture that provides a deeper insight into how he was not only arguing for the Beowulf poet – whoever it might be – but also placing his own work into that lineage? How do the portrayals of the various monsters Beowulf faces differ, and what in particular makes Grendel's mother such a fascinating character? And how many moments per episode are points raised and then suddenly realized to be maybe not accurate? (Sorry about that.)Show Notes.Jared's doodle. Gotta be careful with dragons.Ooooooh boy, the angst this Fellowship of Fans post unleashed in some corners when it came to Rings of Power rumors. (On a side note, RoP's Morfydd Clark is in the new two part Agatha Christie Murder is Easy adaptation on Britbox and is unsurprisingly really good!)The whole Matthew Weiner spoiler-war thing re Mad Men was a thing. Was it ever a thing. Here's a sample.Beowulf! You might have heard of it. Plenty of translations freely available, and of course there's Seamus Heaney and Maria Dahvana Headley and etc. And yes there's Tolkien's too.“HWAET!” (Tolkien allegedly really loved to get his students' attention by delivering this full on.)If you haven't read “Beowulf: The Monsters and the Critics,” we really do encourage this. (And picking up the full essay anthology too, key pieces like “A Secret Vice” and “On Fairy-Stories” are included among others.)Kennings are very cool. (But please avoid ‘whale road.')Imagining Tolkien delivering this to the other Beowulf critics is something wild to think about.There's a wide variety of pieces about the women of Beowulf out there; here's one that provides a general summary and consideration about them.If you'd like to see the Nowell Codex, head on over to the British Library, physically or virtually.We've mentioned E. R. Eddison before. Definitely NOT Tolkien.The full historical background that Beowulf draws on is definitely there, though treating the poem as a history itself is not the way to go. Here's a useful piece tackling the history as such.The Geats aren't around as such anymore, and there are reasons for that…It's not directly mentioned in the episode but Tolkien did write and lecture about one of the ‘side' stories in Beowulf, with the results published in the book Finn and Hengest.Did we mention we're not impressed with Silicon Valley's take on Tolkien?Grendel's mother is, no question, awesome.Kenneth Grahame's “The Reluctant Dragon” – definitely not Smaug.“Sellic Spell” really is interesting, and may be the most notable part of the volume it's published in.Michael Crichton's Eaters of the Dead! (But avoid The 13th Warrior.)A last little bonus: didn't bring it up in the episode but Ned remembered seeing Robert Macneil's 1986 documentary series on PBS The Story of English back when it first ran, and the second episode, “The Mother Tongue,” has a brief bit discussing Beowulf and how it might have been performed as a song, as well as a separate section on the impact of the Viking invasions on English as a language led by noted Tolkien scholar and academic descendant Tom Shippey.Support By-The-Bywater (and our network) on Patreon, and you can hang out with us in a friendly Discord.

Does Alyson Sinclair sleep? We had to keep asking ourselves as we chatted it up with Alyson from the floor of AWP (Association of Writing and Writing Program)'s Conference and Bookfair. She's done it all when it comes to the writing world—bouncing between the bureaucracy of big-four publishers—um, she sent faxes to Seamus Heaney?—to the hustle and bustle world (emphasis on the hustle) of independent presses. Currently, Alyson is the Owner/Publisher at The Rumpus and founder of Nectar Literary, a boutique publicity and communications firm for authors, independent presses, and literary organizations of all ilk. Making literary community might just be the crux of our conversation. After learning that hunker-down-and-drink-tea-all-day-with-page-turny-manuscripts editorial roles are not the default at an eye-opening internship, she turned to publicity. Connecting authors to the broader writing ecosystem thrilled her. Publicity and pitching media, in Alyson's eyes, is a fascinating form of problem solving. Her insight comes from a wide range of experiences in all corners of our ecosystem, spanning from soliciting advertising at a magazine, to setting off individually in the convoluted publishing universe, to coexisting with other literary collectives that share the same mission. Let's just say—both before and after soaking in this conversation—Bloomsday is a certified Alyson Sinclair fangirl. Honorable Mentions:Independent Press, Alice James BooksIndependent Press, City LightsLiterary Network, Community of Literary Magazines and Presses (CLMP)Literary Magazine, CrazyhorseNonprofit Publisher, Graywolf PressDirector of Coffee House Press, Mark HaberNonprofit Publisher, McSweeney'sSeamus HeaneyYusef Komunyakaa Audio by Bloomsday Literary in partnership with the official 2023 AWP Conference & Bookfair

The challenges of creating on a deadline, having faith and trust in the thing you're doing, and the feelings that arise when switching from the act of writing to marketing and promotion all come up during our conversation.Nick Petrie is the author of 8 best-selling Peter Ash crime fiction novels, including The Price You Pay, out February 2024. His debut, The Drifter, won both the ITW Thriller award and the Barry Award for Best First Novel, and was a finalist for the Edgar and the Hammett Awards. He is also  an excellent husband (mine!) and father (to our son Duncan).TakeawaysWinnow down and lean into the thing that is interesting to you and that you really want to pursue and then let go of the outcome when it gets out into the world.“Keep a clean antenna."Get comfortable with being uncomfortable.Seamus Heaney on the hardest thing about writing: “Getting started, keeping going and getting started again.” LinksNick Petrie's websiteFollow Nick Petrie on InstagramFollow Nick Petrie on FacebookFollow Nick Petrie on XYour Brain on Art, Susan Magsamen and Ivy RossMystery Tribune, The Cleveland JobBill SchweigartBoswell BooksThe Poisoned Pen BookstoreMurder By the Book bookstoreKaye PublicityMichael Mann, Blackhat and CollateralThe Great Creators with Guy Raz episode 67 with Andy J Pizza of Creative Pep Talk

In our work as coaches, teachers, leaders and community makers, we have been finding anew over the last few years just how important ‘deliberateness' is in making relationships that can hold and spaces in which there is genuine welcome. It might be easy to ignore the deliberate practices needed to make relationships in this way, or to treat them as optional. But, as the poet Seamus Heaney tells us in this week's source, it's the careful making of such deliberate ‘scaffolding' for our relationships that gives them a chance to endure the very real challenges, difficulties and surprises of our personal and organisational lives. Hosted, as always, by Lizzie Winn and Justin Wise of Thirdspace. Join Our Weekly Mailing: www.turningtowards.life/subscribe Support Us: www.buymeacoffee.com/turningtowardslife Turning Towards Life, a week-by-week conversation inviting us deeply into our lives, is a live 30 minute conversation hosted by Justin Wise and Lizzie Winn of Thirdspace.  Find us on FaceBook to watch live and join in the lively conversation on this episode. You can find videos of every episode, and more about the project on the Turning Towards Life website, and you can also watch and listen on Instagram, YouTube, and as a podcast on Apple, Google, Amazon Music and Spotify. Here's our source for this week: Scaffolding  Masons, when they start upon a building, Are careful to test out the scaffolding; Make sure that planks won't slip at busy points, Secure all ladders, tighten bolted joints. And yet all this comes down when the job's done Showing off walls of sure and solid stone. So if, my dear, there sometimes seem to be Old bridges breaking between you and me Never fear. We may let the scaffolds fall Confident that we have built our wall. Seamus Heaney Photo by Mathieu Perrier on Unsplash

"What's the spiritual room? For me, it does tend to be a connection to something greater than just me; it is a contemplative space; it is getting to the core of who I am, allowing in some ways for the best of me to come to the fore; to have space for grace. I am humbled by what people bring to tell me. I take what I'm doing in the office very seriously because it is really like sacred work in terms of people being able to work, love, and play. I mean that is for them to find their real callings rather than the false selves that they may experience; it's a similar call for finding one's true self, and that is really important work."    Episode Description: We begin by considering the presence of religion as part of the cultural heritage which patients bring to the clinical encounter.  Ginta shares with us her upbringing in the Lithuanian Catholic church and its presence in her life, in her journey to medical school and to her psychiatric and analytic training. She speaks of the relationship between her sense of spirituality and God, the importance of Jesus' human/divine amalgam, and how prayer provides her access to her interiority.  We consider the similarities and differences between speaking freely to God and speaking freely to one's analyst. We discuss the narthex, the church antechamber, and its association with the analytic waiting room and how the structure of the Mass has similarities with the structure of the analytic session. We also consider her reflections on abortion - including a quote from Freud on the topic. Ginta closes by sharing with us her sense of the sacredness of our work.     Our Guest: Ginta Remeikis, MD, is a psychiatrist and psychoanalyst practicing in Rockville, MD. Having graduated from Northwestern University Medical School, she completed her psychiatric residency at Georgetown and Chestnut Lodge Hospital, where she then served on the medical staff and psychoanalytic training at the Washington Psychoanalytic Institute. Most recently, she has presented at meetings of the APCS (Association for the Psychoanalysis of Culture and Society) and AABS (Association for the Advancement of Baltic Studies) on intergenerational transmission of trauma; diaspora experiences; the psychic role of language, especially bilingualism; the use of literature for processing trauma; and psychodynamics around disability. In 2003 she organized the New Directions weekend conference, “The Future of Religion in the Psychoanalytic World: Revisiting the Mind/Soul Dilemma” and for several years presented on issues of psychiatry and religion to Georgetown's psychiatry residents. Besides enjoying reading, she has published poetry in Lithuanian in several collections and journals.   Recommended Readings:   Corcoran, Paul, “Seamus Heaney lost his Catholic faith.  But his poetry still sought transcendence.” in America; The Jesuit Review, Sept. 15, 2023.   Epstein, Mark, Thoughts Without a Thinker: Psychotherapy from a Buddhist Perspective, Basic Books, 1995.   Greeley, Andrew M., The Catholic Myth: The Behavior and Beliefs of American Catholics, Charles Scribner's Sons, NY, 1990.   Merton, Thomas, New Seeds of Contemplation, New Directions, NY, 1961.   Rizzuto, Ana-Maria, Why did Freud Reject God?: A Psychodynamic Interpretation, Yale University Press, New Haven, 1998.   Smith, Joseph H. and Susan A Handelman, editors, Psychoanalysis and Religion, Psychiatry and the Humanities, vol. 11, The Johns Hopkins University Press, Baltimore, 1990.   Trinkūnas, Jonas, editor, Of Gods & Holidays; The Baltic Heritage, Tvermė, 1999.  

He's a poet, art critic, curator, translator, cultural theorist -- and someone who helps make sense of our world. Ranjit Hoskote joins Amit Varma in episode 363 of The Seen and the Unseen to talk about his life, his times and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ranjit Hoskote on Twitter, Instagram and Amazon. 2. Jonahwhale -- Ranjit Hoskote. 3. Hunchprose -- Ranjit Hoskote. 4. I, Lalla: The Poems of Lal Dĕd -- Translated by Ranjit Hoskote. 5. Poet's nightmare -- Ranjit Hoskote. 6. State of enrichment -- Ranjit Hoskote. 7. Nissim Ezekiel, AK Ramanujan, Arun Kolatkar, Keki Daruwalla, Dom Moraes, Dilip Chitre, Gieve Patel, Vilas Sarang, Arvind Krishna Mehrotra, Agha Shahid Ali, Mani Rao, Mustansir Dalvi, Jerry Pinto, Sampurna Chattarji, Vivek Narayanan and Arundhathi Subramaniam. 8. Ted Hughes, Geoffrey Hill, Seamus Heaney, Sharon Olds, Louise Glück, Jorie Graham and Rita Dove. 9. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 10. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 11. कुँवर नारायण, केदारनाथ सिंह, अशोक वाजपेयी and नागार्जुन. 12. Ravi Shankar, Ali Akbar Khan, Bismillah Khan, Igor Straviksky, Pyotr Ilyich Tchaikovsky, Steve Reich and Terry Riley. 13. Palgrave's Golden Treasury: From Shakespeare to the Present. 14. The Rime of the Ancient Mariner -- Samuel Taylor Coleridge. 15. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 16. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 17. Arun Khopkar, Mani Kaul and Clement Greenberg. 18. Stalker -- Andrei Tarkovsky. 19. The Sacrifice -- Andrei Tarkovsky. 20. Ivan's Childhood -- Andrei Tarkovsky. 21. The Color of Pomegranates -- Sergei Parajanov. 22. Ranjit Hoskote's tribute on Instagram to Gieve Patel. 23. Father Returning Home -- Dilip Chitre. 24. Jejuri -- Arun Kolatkar. 25. Modern Poetry in Translation -- Magazine and publisher founded by Ted Hughes and Daniel Weissbort. 26. On Exactitude in Science — Jorge Luis Borges. 27. How Music Works — David Byrne. 28. CBGB. 29. New York -- Lou Reed. 30. How This Nobel Has Redefined Literature — Amit Varma on Dylan winning the Nobel Prize. 31. The Fire and the Rain -- Girish Karnad. 32. Vanraj Bhatia on Wikipedia and IMDb. 33. Amit Varma's tweet thread on Jonahwhale. 34. Magic Fruit: A Poetic Trip -- Vaishnav Vyas. 35. Glenn Gould on Spotify. 36. Danish Husain and the Multiverse of Culture -- Episode 359 of The Seen and the Unseen. 37. Steven Fowler. 38. Serious Noticing -- James Wood. 39. How Fiction Works -- James Wood. 40. The Spirit of Indian Painting -- BN Goswamy. 41. Conversations -- BN Goswamy. 42. BN Goswamy on Wikipedia and Amazon. 43. BN Goswamy (1933-2023): Sage and Sensitivity -- Ranjit Hoskote. 44. Joseph Fasano's thread on his writing exercises. 45. Narayan Surve on Wikipedia and Amazon. 46. Steven Van Zandt: Springsteen, the death of rock and Van Morrison on Covid — Richard Purden. 47. 1000 True Fans — Kevin Kelly. 48. 1000 True Fans? Try 100 — Li Jin. 49. Future Shock -- Alvin Toffler. 50. The Third Wave -- Alvin Toffler. 51. The Long Tail -- Chris Anderson. 52. Ranjit Hoskote's resignation letter from the panel of Documenta. 53. Liquid Modernity -- Zygmunt Bauman. 54. Rahul Matthan Seeks the Protocol -- Episode 360 of The Seen and the Unseen. 55. Panopticon. 56. Tron -- Steven Lisberger. 57. Gita Press and the Making of Hindu India — Akshaya Mukul. 58. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 59. Ramchandra Gandhi on Wikipedia and Amazon. 60. Majma-ul-Bahrain (also known as Samudra Sangam Grantha) -- Dara Shikoh. 61. Early Indians — Tony Joseph. 62. Tony Joseph's episode on The Seen and the Unseen. 63. Who We Are and How We Got Here — David Reich. 64. पुराण स्थल. 65. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 66. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 67. The Speaking Tree: A Study of Indian Culture and Society -- Richard Lannoy. 68. Clifford Geertz, John Berger and Arthur C Danto. 69. The Ascent of Man (book) (series) -- Jacob Bronowski. 70. Civilization (book) (series) -- Kenneth Clark. 71. Cosmos (book) (series) -- Carl Sagan. 72. Richard Dawkins, Steven Pinker, Stephen Jay Gould and Oliver Sacks. 73. Raag Darbari (Hindi) (English) — Shrilal Shukla.. 74. Raag Darbari on Storytel. 75. Krishnamurti's Notebook -- J Krishnamurty. 76. Shame -- Salman Rushdie. 77. Marcovaldo -- Italo Calvino. 78. Metropolis -- Fritz Lang. 79. Mahanagar -- Satyajit Ray. 80. A Momentary Lapse of Reason -- Pink Floyd. 81. Learning to Fly -- Pink Floyd, 82. Collected poems -- Mark Strand. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Dancing in Chains' by Simahina.

The names of Jeffrey Epstein's associates are likely to be published today, after a judge in the US ordered the release of court documents. Epstein took his own life after he was accussed of sexually abusing and trafficking underage girls. Names connected to him have previously been anonymised as John or Jane Doe; but now around 170 people, mostly men, will have their association with the former financier made public. Joan Smith, journalist and author, and Georgina Calvert-Lee, an equality lawyer at Bellevue Law, tell Emma Barnett what the list will mean.Lavinia Greenlaw is one of the country's leading poets and has now published a selected edition of her work, covering three decades of writing. She tells Emma about her new role as poetry editor at Faber, the first woman to hold the position. She is now the custodian of a back catalogue that includes TS Eliot, Seamus Heaney and Ted Hughes, and the gatekeeper for aspiring poets of the next generation.It is ten years since journalist Alison O'Reilly revealed that up to 796 babies were buried in a mass, unmarked grave in the grounds of a former mother and baby home in Galway in Ireland. The Irish government has promised compensation but none has been paid out. Is this now about to change? Alison joins Emma to discuss the latest developments.And how far would you go to help a friend? In Lindsay Duncan's new drama, Truelove, on Channel 4, a drunken reunion at a funeral leads a group of friends to make a pact: they will support each other in assisted dying rather than let a friend suffer alone. Lindsay tells Emma how a thriller starring a cast in their 70s and 80s is turning the police procedural on its head.Producer: Hannah Sander Presenter: Emma Barnett

Winner of the 1995 Nobel Prize in Literature, Irish poet Seamus Heaney died ten years ago when he was 74. Known for poems that engage with the immediacy of the natural world and its physicality, Heaney spoke to Eleanor Wachtel in 2010 about his book Human Chain. It won UK's £10,000 Forward Prize, among Heaney's many other honours. *This interview originally aired May 23, 2010.

In 1995, Seamus Heaney was awarded the Nobel Prize in Literature. During his speech, he explained that the adequacy of lyric poetry spoke to the “‘temple inside our hearing' which the passage of the poem calls into being. It is an adequacy deriving from what Mandelstam called ‘the steadfastness of speech articulation,' from the resolution and independence which the entirely realized poem sponsors. It has as much to do with the energy released by linguistic fission and fusion, with the buoyancy generated by cadence and tone and rhyme and stanza, as it has to do with the poem's concerns or the poet's truthfulness. In fact, in lyric poetry, truthfulness becomes recognizable as a ring of truth within the medium itself. And it is the unappeasable pursuit of this note, a note tuned to its most extreme in Emily Dickinson and Paul Celan and orchestrated to its most opulent in John Keats, it is this which keeps the poet's ear straining to hear the totally persuasive voice behind all the other informing voices.” Ten years after his death, we continue to strain with Heaney to hear that pluralizing voice of radiant truth. “Seamus Heaney's Afterlives” is the subject of an upcoming conference held at Boston College between November 16th, 17th, and 18th, 2023. The four keynote lectures, along with interviews with contemporary poets influenced by Heaney, have been published in the latest issue of the Éire-Ireland: An Interdisciplinary Journal of Irish Studies. I am excited to speak with the organizer of this conference, Joseph Nugent, and the co-editor of Éire-Ireland, Vera Kreilkamp, about Heaney's continuing relevance, the conference, the special issue of the journal. Joseph Nugent is Professor of English at Boston College. Joe is the creator of the iPhone app, JoyceWays: Ulysses for You, and the website, The Dubliners Bookshelf. His teaching includes courses on the digital humanities, Joyce, and Irish studies, and he has written the eBook Digital Dubliners, as well as articles on manliness and representations of the Irish saint Colmcill and olfactory domestic identity in rural Ireland. Vera Kreilkamp is Professor of Irish Studies at Boston College. Vera is the co-editor of Éire-Ireland, and is the author of The Anglo-Irish Novel and the Big House (Syracuse University Press, 1998) and the museum catalogs Éireland (2003), Rural Ireland: The Inside Story (2012) and The Arts and Crafts Movement: Making It Irish (2016). Note: Around the 28-minute mark, I quote from Fintan O'Toole's commemoration of Seamus Heaney, originally published in the New York Review of Books, but the quotation did not record clearly. Here are the uncorrupted lines from O'Toole's article: “Poetry is language held taut by being stretched between the poles of competing desires. In Heaney's work, the tensions extend in many directions: the Wordsworthian Romantic at odds with the Joycean realist; the atheist in search of the miraculous; the world-ranging cosmopolitan with his little patch of remembered earth; the lover of the archaic who cannot escape the urgency of contemporary history.” John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It's finally nearing the end of a month filled with consumer tech announcements, and Wednesday's Google event felt like the grand finale. While Google only sells a fraction of the number of phones and smartwatches pumped out by Apple and Samsung, the company's work in mobile software, large language models, productivity services, and computational photography make it just as much of a heavyweight when it comes to consumer tech. But Google's reach also extends far beyond your pocket and your wrist. Let us not forget about the company's dominance in search. In fact, it's currently in the throes of a protracted antitrust trial brought by the US government. The feds have accused Google of stifling competition and using its reign over the search ecosystem to stuff the experience with ads and misleading sponsored results. This week on Gadget Lab, we talk with WIRED senior writer Paresh Dave about Google's ongoing antitrust trial and all the new gadgets and AI-powered services the company announced this week. Show Notes: Read Paresh's other stories about Google's antitrust trial. Read all about Google's new Pixel 8 phones and Pixel Watch. Get all the details on the Pixel's computational photography tricks. Read about the new Bard-powered Assistant in the Google phones. Read Lauren's story about where memory ends and generative AI begins. Recommendations: Paresh recommends weathering the heat wave with some soft serve, such as Meadowlark Dairy. Mike recommends the Technothrillers collection on the Criterion Channel. Lauren recommends reading poetry, like that of Ada Limon, Louise Gluck, and Seamus Heaney. Paresh Dave can be found on social media @peard33. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's poem is by Seamus Justin Heaney MRIA (13 April 1939 – 30 August 2013), an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowelldescribed him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4] Robert Pinskyhas stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]—Bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today's poem is by Seamus Justin Heaney MRIA (/ˈʃeɪməs ˈhiːni/; 13 April 1939 – 30 August 2013), an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowell described him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4] Robert Pinsky has stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]—Bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

The Nobel Prize in Literature has been awarded annually since 1901 to an author from any country who has, in the words of the will of Swedish industrialist Alfred Nobel, “In the field of literature produced the most outstanding work in an idealistic direction.” Michael Silverblatt spoke with eight Nobel Prize laureates. In part 1 of The Nobel Laureates, we'll be hearing from four of them: Toni Morrison, Wole Soyinka, Orhan Pamuk, and Seamus Heaney.

What better way to bring back The Daily Poem than with a poem by one of my favorite poets, Seamus Heaney. Heaney was an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowell described him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4] Robert Pinsky has stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6](Bio via Wikipedia) Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

The literary world has long celebrated the incredible contributions of Ireland and its writers, with a special focus on Dublin-centric writers like James Joyce and W.B. Yeats. Meanwhile, Northern Ireland has been quietly turning out some excellent work as well, thanks to figures like C.S. Lewis and Seamus Heaney, among many others. Are there common themes uniting the Irish writers - and the Northern Irish writers in particular? How has the tumultuous history of Northern Ireland worked its way into the writings of its best novelists and poets? In this episode, Jacke talks to Alexander Poots about his new book The Strangers' House: Writing Northern Ireland. PLUS Jacke talks to author Laura Lee (Wilde Nights & Robber Barons) about her choice for the last book she will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices