Podcast appearances and mentions of peter wimsey

Charlie and Liz Fenwick (The Secret Shore) discuss the women cartographers who were fundamental in the Allies winning the Second World War and the way women at university at the time had to choose between their career and having a family. We also discuss Liz's love of Cornwall, her use of Dorothy Sayer's Gaudy Night, and we go back a few times to the people who were involved in the secret flotillas that preceded the Normandy landings. A transcript is available on my site General references: My previous interview with Liz is episode 35 Liz's TikTok plot walk on Frenchman's Creek The Woman's Hour episode including women's intuition Books mentioned by name or extensively: Daphne Du Maurier: Frenchman's Creek Dorothy Sayers: Gaudy Night Ernie Pyle: The Best Of Ernie Pyle's World War II Dispatches Liz Fenwick: A Cornish Stranger Liz Fenwick: The Returning Tide Liz Fenwick: The Path To The Sea Liz Fenwick: The River Between Us Liz Fenwick: The Secret Shore Liz Fenwick: A Portrait Of You Buy the books: UK || USA Release details: recorded 25th March 2024; published 24th June 2024 Where to find Liz online: Website || Twitter || Facebook || Instagram || TikTok Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 01:45 You'd wanted to write about the secret flotillas for a long time? 02:58 Women's work in cartography in the Second World War 05:48 Furthering this discussion we go to Liz's character, Merry, or Dr Tremayne, and begin a discussion on what Liz left out of this book 09:42 More about Merry's work in the context of how a woman had to choose between a career and having a family, particularly in the context of Oxford University 16:06 Merry's mother, Elise, including her story in The Secret Shore 19:46 The romance in the book, including the love story 23:00 Liz's love and use in her novels of Frenchman's Creek, Cornwall 25:06 Ridifarne! 27:01 Is heart or head more important? 28:16 Liz's use of Dorothy Sayers' Gaudy Night and the character of Peter Wimsey 31:19 The real people in the book and how Liz made it all happen 33:38 All about Maurice Cohen and the mouse 35:22 The sacred wells in Cornwall 38:14 All about Liz's plot walks, which she releases to TikTok 41:03 Does it feel strange when you're not writing about Cornwall? 44:10 Liz's next book, A Portrait Of You Disclosure: If you buy books linked to my site, I may earn a commission from Bookshop.org, whose fees support independent bookshops

What happens when a Sunday night crime caper takes the history of the First World War seriously? In this episode Jessica, Chris and Angus talk about the cult Australian television series Miss Fisher’s Murder Mysteries. We discuss class in interwar Australia, what it meant to be a conscientious objector and why it might be a mistake to admit to bribery in front of a policeman in the third of our series on representations of the First World War in television crime dramas. References: Jessica Meyer, ‘Matthew's Legs and Thomas's Hand: Watching Downton Abbey as a First World War Historian’, Journal of British Cinema and Television, Dec 2018, vo. 16, No. 1 : pp. 78-93. Kerry Greenwood, Murder and Mendelssohn (2013) Kerry Greenwood, Murder on a Midsummer Night (2008) Dorothy L. Sayers, the Peter Wimsey novels P.G. Wodehouse, the Blandings novels Helen Smith, Masculinity, Class and Same-Sex Desire in Industrial England, 1895-1957 (Basingstoke: Palgrave Macmillan, 2015). Dad’s Army, https://en.wikipedia.org/wiki/Branded_(Dad%27s_Army) Ian Whitehead, Doctors in the Great War (Barnsley: Pen & Sword, 2013; first published Leo Cooper, 1999). ‘Miss Fisher’s Murder Mysteries Concept Document’, https://www.abc.net.au/tv/phrynefisher/classroom/MissFisher_ConceptDocument.pdf Dashiell Hammett, The Thin Man (1934); The Thin Man (1934) directed by W.S. Van Dyke Miss Fisher’s Murder Mystery episodes: Season 1, episode 3, ‘The Green Mill Murder’ Season 1, episode 4, ‘Death at Victoria Dock’ Season 1, episode 7, ‘Murder at Montparnasse’ Season 2, episode 2, ‘Death Comes Knocking’ Season 3, episode 4, ‘Blood and Money’ Season 3, episode 5, ‘Death and Hysteria’ Season 3, episode 6, ‘Death at the Grand’ Season 3, episode 8, ‘Death Do Us Part’

To download the mp3 of this episode click here. What would Peter Wimsey be without Harriet Vane? Find links to all the books and sources mentioned at shedunnitshow.com/happilyeverafter. Thanks to today’s sponsor, Best Fiends. You can download Best Fiends free on the Apple App Store or Google Play. Become a member of the Shedunnit book …

One chilly night in November 1912, a group of young women gathered together to share their writing with each other. From that meeting, we got Peter Wimsey, Harriet Vane, and so much more besides. Find links to all the books and sources mentioned at shedunnitshow.com/mas. Special thanks today to my guest Mo Moulton, you can …

Folks! This third part to our series on English mystery writer and her creation, Lord Peter Wimsey, was hidden away in an obscure corner of my flashdrive until this day. Now you can hear of the last several books, our favorites, and the conclusion of Peter Wimsey and Harriet Vane's thrilling love story.   Music: Mendelssohn's String Quartet in E minor Op. 44/2- 3. Andante  Future Mind by Powerbleeder Wimsey novels in chronological order: Whose Body? (1923) Clouds of Witness (1926) Unnatural Death (1927) The Unpleasantness at the Bellona Club (1928) Strong Poison (1931)- Xoe's Fav The Five Red Herrings (1931) Have His Carcase (1932) - Rita's favorite Murder Must Advertise (1933) - Rita and Xoe's favorite The Nine Tailors (1934)- Xoe's favorite Gaudy Night (1935) Busman's Honeymoon (1937) Bibliography: Brabazon, James. Dorothy L. Sayers: A Biography, 1981. Coomes, David. Dorothy L. Sayers: A Careless Rage for Life, 1992. Dale, Alzina Stone. The Story of Dorothy L. Sayers, 1978. Hitchman, Janet. Such a Strange Lady, 1975. Kenney, Catherine McGehee. The Remarkable Case of Dorothy L. Sayers, 1990. (A scholarly look at the themes of social criticism in Sayers' work.) Reynolds, Barbara. Dorothy L. Sayers: Her Life and Soul, 1993. (The best one in my opinion. It is writen in an open, modern style and contain many more pictures than than the others.) Video: The best series - A Dorothy L Sayers Mystery. BBC, 1987. This cover 3 out 4 of the Wimsey/Vane books - Strong Poison (in which they meet and Peter saves Harriet from the gallows), Have His Carcase (in which Harriet finds a body, which subsequently disappears, and partners with Peter in investigating and solving the murder), Gaudy Night (in which Harriet goes back Oxford for a reunion and runs into a mystery about a vicious vandal; while the plots thickens, so does their romance). Best Wimsey is Edward Petherbridge and best Vane is Harriet Walter, both of whom are in this series. The other series was made by the BBC in 1970. It starred Ian Carmichel as Wimsey. Carmichel looks nothing like Wimsey and, to my mind, does not act like Wimsey either. This series includes: The Unpleasantness at the Bellona Club The Nine Tailors Murder Must Advertise Five Red Herrings Clouds of Witness There were also a couple films made, both of which Sayers absolutely hated. They are: The Silent Passenger, 1935, British, starring John Loden and Peter Haddon. Busman's Honeymoon (US: The Haunted Honeymoon), starring Robert Montgomery and Constance Cummings, 1940. A short Interview with Edward Patherbridge on playing Lord Peter Wimsey https://www.youtube.com/watch?v=WsMOMbCpBFU Link to an article illustration about Sayer's advertisment for Guiness https://vinepair.com/articles/history-guinness-toucan-ads/

What is the difference between a love story and a romance? Which do you prefer?  We sat down at the Bryant Corner Café to talk about love. Valentines Day had everyone thinking about it, but we got into a pretty substantive discussion about the difference between love stories and romances.  Finally, different kinds of love, between different people emerge as our main theme.  Nancy started out, however, by calling our attention to a recently published novel she found remarkable by an author she follows.“A God In Every Stone,” by Kamila Shamsie, is the story of a young English woman who goes on an archeological dig in what would become Pakistan just before WW1 just breaks out. Nancy says, “What we get in this wonderful, wonderful novel is a perspective on WW1 from the Indian soldiers who went to fight for the British and died in great numbers.”  It is also a story of the beginnings of the fight for independence on the sub-continent.  She says it opens up a period of history as only fiction can, bringing new insights and revealing the roots of our present turmoil in the struggles of the past.  It is a challenging book for the way the story is told and for the subject matter, but she says it fabulous. Here are the books we talked about. Some are romances. Most are love stories.What do you think, what is the difference? “Gone With The Wind,” by Margaret Mitchell“Romeo and Juliet,” by William Shakespeare“Soulless” by Gail Carriger, a romance about a young woman who is rudely attacked by a vampire. Nancy loved it. “Astrid and Veronika,” by Linda Olson.  Sharon says two women, one young, one old, share a love, but not a sexual love.“Me Before You,” by JoJo Moyes. A young woman takes care of a wheel-chair bound man.  Nancy loved it because JoJo Moyes doesn’t give into the easy way out andturned what mighthave beenaromance into a love story.“Plainsong,” by Ken Haruf a love story between two old men and the young girl they care for.“Dancing Alone Without Music” by Larry Gildersleeve, who is a friend of Jenny’s. She says it’s an evolution of different loves.Diana Galbadon’s long and involved books. “Life After Life” by Kate Atkinson. Judy says it is about love within a family.“Boys In The Boat,” by Daniel James Brown.  Judy said that what amazed her was the love of Mr. Pocock for the boats themselves and the young men in the boat. So now, when defined so broadly, what book isn’t a love story? “Angle of Repose,” by Wallace Stegner, in which Nancy asks, who loves whom? ( well, she said “who loves who,” but you know how autocorrect can be.)  Another love story by this definition can be Stegner’s “Crossing to Safety.”“Still Alice,” by Lisa Genova“Cocoon of Cancer” An Invitation to Love Deeply,” by Abbe Rolnick with Jim Wiggins“Chocolat,” by Joanne Harris is Roz’s choice. That prompts Nancy to plug her other books, which she says don’t get the attention they deserve. She recommends “Gentlemen and Players.”“Like Water For Chocolate,” by Laura Esquivel“Bettyville,” by George Hodgman is the story of a son who leaves his life to take care of his 90 year old mother.  Susie says it is funny and delightful.“Cold Mountain,” by Charles Fraser“Atonement,” by Ian McEwan“Love In The Time of Cholera,” by Gabriel Garcia Marquez“Love Again,” by Doris Lessing. Not about romantic or erotic love,  but about the trembling between them says Elwyn. He also loves the episode in Tom Sawyer where he explores his passion of Becky Thatcher.“Infinity in the Palm of Her Hand,” by Giaconda Belli“Middlemarch,” by George EliotWrapping, we had shout outs for Louise Penny’s Inspector Gamache mysteries, Dorothy Sayers’ romance between Peter Wimsey and Harriet Vane and to get into the western genre, “Shane,” by Jack Shaefer about the love of a young boy for his father and the man who rides in to help.“Bridges of Madison County,” by Robert Waller, or “Fanny Hill,” by John Cleland, but now we are getting pretty far afield from love or even romance. These are but insubstantial flings, aren’t they?  

In today's world, our false gods are not found in our houses of worship, but in the temples to wealth and isolation all around us. We are trained to revere wealth for its own sake, and for its ability to save the things that we love. And no wealth is so highly esteemed as that gained on one's own. But wealth always depends on other people. Too often, wealth comes at a cost to all of us, and to humanity. What sacrifices do we make on its altar?

Lots to finish this week. First off no word on Fred and we're starting to plan that he may not be back. Be on the lookout of Brunch voice mail coming soon. Got a question about the show? Tell me about it. You can also email me at brunch@london.com Now on with the show. We finish "Why Bother," thisweek. Sir Arthur tells us about his adiction to drugs. As it's Peter Cook please practice parental guidance. Then it's off to 1923 and episodes 3 and 4 of Whose Body. Actually these were broadcast in 1974 and feature Ian Carmichael as Peter Wimsey and Peter Jones as Bunter. Yes The Book that Peter Jones. Then we finish HMS Surprise. More info on the books Whose Body and HMS Surprise? Check out http://www.amazon.com don't forget to review us ij itunes. Hope you enjoy in full stereo. Matt Cox Questions? brunch@london.com