Podcasts about gabriel garcia marquez

This week we take a look at two novels that were on last year's reading list. Why are we revisiting them? Because we only read a couple of chapters of each one, and that wasn't enough!First up, Mark Twain's Adventures of Huckleberry Finn. I shared last year that this was one I only had bad memories of from high school, but rediscovering it as an adult was a real treat. In particular, we talk about:The centrality of Huck's relationship with Jim, and how Huck grows and changesTwain's remarkable use of vernacularThe vivid locations and their relationship to Twain's earlier writingFinally, we get into the details of the ending—it's fairly controversial. Did Twain rush the ending or did he mean it as a warning on the nature of change?Then we move on to Gabriel Garcia-Marquez' One Hundred Years of Solitude. This is a beautiful book, not for everyone but certainly a great book. We discuss:Generational novels, and how the structure cyclical patterns and repeated names creates a dreamlike mood for this novelHow the magical realism here emerges as a natural part of the environment and not through any apparent supernatural activityVarious tensions, like isolation and connection, or ephemerality and stability, that are at work both in the family and the town of Macondo.Whether the town of Macondo is itself the main character of the novel.Finally, we end with a couple of things I've learned lately that are improving my reading. First, I've started to recognize that writing a little about each book helps me to resolve what I think about that book. Second, great (and even good) books tend to illuminate each other, making your world bigger, while less worthy books tend to run together. Another argument for great books!LINKThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fmAll links to Amazon are affiliate links.

Nghe trọn nội dung sách nói Hồi Ức Về Những Cô Gái Điếm Buồn Của Tôi trên ứng dụng Voiz FM: https://voiz.vn/play/283/“Mỗi một cuộc sống, mỗi một số phận đều có những nỗi niềm, những suy tư, trăn trở riêng và đáng để ta suy ngẫm…” Các tác phẩm của Márquez đều mang đậm bản sắc châu Mỹ La-tinh, toát lên sự giản dị của tâm hồn hay sự nhạy cảm của nội tâm. Ông như sống với trăn trở của từng nhân vật, từng số phận trong tác phẩm của mình; chính vì vậy bạn đọc luôn đón nhận tác phẩm của ông với sự trân trọng.Với tư duy nghệ thuật độc đáo, Márquez đã thể hiện trong các tác phẩm của mình một tình yêu vừa thơ ngây vừa sâu sắc, mãnh liệt đối với con người, với cuộc đời. Ông đã từng nói: “Trên thực tế, mỗi nhà văn chỉ viết một cuốn sách. Cuốn sách mà tôi đang viết là cuốn sách về 'Cái cô đơn.'”Tại ứng dụng sách nói Voiz FM, sách nói Hồi Ức Về Những Cô Gái Điếm Buồn Của Tôi được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn.---Về Voiz FM:Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi.---Voiz FM website: https://voiz.vn/Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFMTham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/---Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói Hồi Ức Về Những Cô Gái Điếm Buồn Của Tôi và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM.Tải ứng dụng Voiz FM: voiz.vn/download#voizfm #podcast #hoiucvenhungcogaidiembuoncuatoi #gabrielgarciamarquez

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabriel Garcia Marquez. „Šimtas metų vienatvės“. Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

Gabrielio Garsijos Markeso romanas „Šimtas metų vienatvės“. Vertė Elena Treinienė ir Nijolė A. Petrauskienė, išleido leidykla „Alma littera“.„Šimtas metų vienatvės“– mitinio Makondo įkūrimo, klestėjimo ir žuvimo epopėja. Taip pat Makondo įkūrėjų – Buendijų giminės – didybės ir žlugimo istorija. Kitaip sakant, civilizacijos istorija. Makondas, įkurtas tarp neįžengiamų girių Pietų Amerikos platybėse, iš pradžių gyvena savo mamiškąjį laikotarpį semdamasis išminties iš čigonų. Paskui scenoje pasirodo Istorija: prasideda begaliniai karai, revoliucijos ir sukilimai, pasibaigiantys Lotynų Amerikos simbolio pulkininko Aurelijano Buendijos, nesuradusio laimės nei meilėje, nei šlovėje vienatvė. Knygos ištraukas skaito aktorius Vytautas Anužis.

The Handsomest Drowned Man in the world, by Gabriel Garcia Marquez / Voice Sher Tookhi/Curation Irfan/Duniya ka sub se khubsoorat gharqaab Aadmi , translated in Urdu from English by Inaam NadeemDisclaimer: Request related to Copy Right : "Some contents are used for educational/entertainment purpose under fair use. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non- profit, educational or personal use tips the balance in favour of fair use." IF ANY COPYRIGHT OWNER FIND THEIR CONTENT IN THIS AUDIO THEN PLEASE KINDLY CONTACT ME BEFORE GIVING STRIKE OR DO SOMETHING, EITHER I WILL REMOVE THIS AUDIO OR WILL GIVE YOU CREDIT.' Photo: Chat GPT AICover : Irfan

Magi i litteraturen!Bubblande kittlar, strålande stavar och hamnskifte – de flesta magiutövare älskar böcker inom fantasy, sci-fi och skräck. Men hur pass mycket har den fiktiva magin format vårt eget utövande? Vilka magiska system bär genuin kosmologi, och vilka är mest stämning och atmosfär? Vad menas med hård och mjuk magi?Vi sveper från Tolkien och Rowling till Le Guin och vidare till mindre kända mästare, jämför och diskuterar – från namnmagi och astralresor till shamanism och magisk realism. Även Murakami och García Márquez får vara med på ett hörn. Hoppa på den flygande mattan – nu kör vi.Shownotes, böcker som nämns: Tomi Adeyemi - Children of Blood and Bone, Siri Pettersen - Korpringarma, Haruki Murakami - Fågeln som vrider upp världen, Linda Åkerström - Dödsdansen , Blokbergstrilogin - Åkerström, Engelsforstrilogin - Strandberg + Bergmark Elfgren, Harry Potter - JK Rowling, Earthsea - Ursula K Le Guinn, Way of Wyrd - Brian Bates, Avalons Dimmor - Marion Zimmer Bradley, Daggerspell - Katherine Kerr, Legacy of Orisha - Tomi Adeyemi , Sagan om Ringen/ Bilbo/Silmarrilion - JRR Tolkien, Vargbröder - Michelle Pawins, The bear and the nightingale - Katherine Arden, 100 år av ensamhet - Gabriel Garcia Marquez, American Gods - Neil Gaiman, Discworld - Terri Pratchett Redaktion: Rebecca Tiger, Veronica Näslund, Olof Lindqvist och Emilia BlomKlipp och mix: Theresia Billberg Vill du stötta oss? Bli Patreon: https://www.patreon.com/formodrarsmaktSnacka med likasinnade: Eftersnacksgruppen på FacebookGillar du musiken i podden? Musiken skapad av Eldin Earth WitchKontakt: www.formodrarsmakt.com Hosted on Acast. See acast.com/privacy for more information.

Beş yıl önce müsilajla nefesi kesilen Marmara Denizi bugün hala can çekişiyor; görünen o ki kriz geçmedi, yalnızca derinleşti. Konuklarımız araştırmacı gazeteciler Alev Karakartal ve Burak Altınok'un yedi ay süren kapsamlı saha çalışmasını, Marmara havzasındaki altı ili, Marmara'yı kirleten nehirleri ve resmi verileriyle mercek altına alıyoruz. Bulgular hayli vahim: Karasal kirlilik durdurulamadı, yetersiz arıtılan atık sular ve kontrolsüz sanayi ve tarım faaliyetleri denizi zehirlemeyi sürdürüyor. Adını Gabriel Garcia Marquez'in Kırmızı Pazartesi romanından alan çalışma, herkesin bildiği ama engellemediği bir felaket metaforuyla Marmara'nın “koma” haline dikkat çekiyor ve acil, radikal önlemler çağrısı yapıyor.

For Week 48 of Ted Gioia's Immersive Humanities List, I step into the strange, shimmering world of Kafka's Metamorphosis, Borges' Ficciones, and Garcia Marquez' One Hundred Years of Solitude.We start with a review of myth, fantasy, fairy stories, and magic: why we need them and what purpose they can serve in our lives (aside from being really fun). Kafka's tragic insect-turned-son is an isolated, powerless creature, unable to find even a way to communicate. Borges dazzles at a remove, writing about books that never existed and worlds that ought to. García Márquez slows us down in Macondo, Colombia, where memory, invention, and the wonder seep into ordinary life.Together, they sketch the contours of magical realism, worlds where the bizarre is presented as normal and the universe feels just slightly tilted. It's a genre I love, one that resists strict materialism and invites wonder back into fiction.And for art? We look at **La Sagrada Familia**—Gaudí's breathtaking, almost-otherworldly cathedral—an architectural reminder that the strange and the sacred often live side by side.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

Nereden Edebiyat'ın bu bölümünde bıraktığı kültürel miras bugün bile halen Latin Amerika'nın büyük bir parçası olan usta isim Garbiel Garcia Marquez'in hikayesini dinliyoruz.

Becky, Holly, Jakob, and Austin talk about books of the 2020s, trends in reading and publishing, our hopes for the future, and a couple of predictions for the next big thing. This reading data: https://www.arts.gov/stories/blog/2024/federal-data-reading-pleasure-all-signs-show-slump Books mentioned include: Spillover by David Quammen, The Great Influenza by John M. Barry, The Plague by Albert Camus, The Decameron by Giovanni Boccaccio, Love in the Time of Cholera by Gabriel Garcia Marquez,  These Precious Days and Tom Lake by Ann Patchett, The Vulnerables by Sigrid Nunez, The Sentence by Louise Erdrich, There is a Door in This Darkness by Kristin Cash ore, All Fours by Miranda July, Book Lovers by Emily Henry, Caste by Isabel Wilkerson, What Were We Thinking by Carlos Lozada, Surviving Autocracy by Masha Gessen, Just Us by Claudia Rankine, The Trees by Percival Everett, Agatha of Little Neon by Claire Luchette, Intimacies and A Separation by Katie Kitamura, Empire of Pain by Patrick Radden Keefe, Ducks by Kate Beaton, The Rabbit Hutch by Tess Gunty, The Ministry for the Future by Kim Stanley Robinson, Demon Copperhead by Barbara Kingsolver, The Most by Jessica Anthony, The God of the Woods by Liz Moore, Autocracy Inc by Anne Applebaum, Eastbound by Maylis de Kerangal, Doppleganger by Naomi Klein, Detransition, Baby by Torry Peters, Woodworking by Emily St. James, Disappoint Me by Nicola Dinan, Diary of a Misfit by Casey Parks, Jesus Wept by Philip Shenon, Romney by McKay Coppins, Motherland by Julia Ioffe, The Gales of November by John U. Bacon, Murderland by Caroline Fraser, King of Kings by Scott Anderson, All the Way to the River by Elizabeth Gilberty, Challenger by Adam Higginbotham, More Everything Forever by Adam Becker, Red White and Whole by Rajani LaRocca, The Midnight Children by Dan Gemeinhart, The Invisible Life of Addie LaRue by V.E. Schwab, Wanderhome by Jay Dragon, Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin, Fourth Wing by Rebecca Yarros, The House in the Cerulean sea by TJ Klune, Remarkably Bright Creatures by Shelby Van Pelt, The Women by Kristin Hannah, Dog Man series by Dav Pilkey,  The Let Them Theory by Mel Robbins, Alchemised by SenLinYu, Convent Wisdom by Ana Garriga and Carment Urbita, The Familiar by Leigh Bardugo, We Are Water Protectors by Carole Lindstrom, Berry Song by Michaela Goade, Legendary Frybread Drive-In edited by Cynthia Leitich Smith, Firekeeper's Daughter by Angeline Boulley, The Tragedy of True Crime by John J. Lennon, The Friday Afternoon Club by Griffin Dunne,  We Tell Ourselves Stories by Alissa Wilkinson, Didion and Babitz by Lili Anolik, Enshittification by Cory Doctorow, The Correspondent by Virginia Evans, Back After This by Linda Holmes, The Caretaker by Ron Rash And authors Patricia Lockwood,  Claire Keegan, Rachel Kushner, Timothy Snyder, Helen Garner, Casey Plett, Mr Beast/James Patterson, Stephen Graham Jones, Silvia Moreno Garcia, and more!

(0:00) Intro(1:19) About the podcast sponsor: The American College of Governance Counsel(2:05) Start of interview (2:48) Michael's origin story. Academic Journey and Early Influences. *reference to Correlation Ventures(8:55) About his paper Board Dynamics over the Startup Life Cycle (2020) with Nadia Malenko. (11:30) Role of independent directors in VC-backed companies.(16:05) Control Dynamics in Startup Boards(17:21) The Evolution of Founder Control *Reference to E187 with Brad Feld (Oct 2025)(28:11) The Future of Private Markets(29:21) The Future of IPOs “What's been missing from the IPO market since 1996 is the small- to mid-cap company. In my view, the solution for public markets is to restore their uniqueness by shutting down private secondary markets and making public-market liquidity distinctive again.”(33:40) The Role of Private Equity in Governance(39:47) Distinctions Between VC and PE Boards(42:24) Insights from Private Equity for Public Companies “A PE firm is really an investment bank with a consulting arm, where the partners sit on both sides and have equity in the whole game.” "What PE solves is expertise alignment, and a clear investment horizon for an exit."(47:36) The Impact of AI on Board Governance(50:20) Books that have greatly influenced his life:One Hundred Years of Solitude by Gabriel Garcia Marquez (1967)Culture Series by Ian Banks (1987-2012)A Brief History of Intelligence by Max Bennett (2023)(53:14) His mentors (54:24) Quotes that he thinks of often or lives his life by: "All models are wrong, but some are useful" by George Box(53:15) An unusual habit or an absurd thing that he loves. Watching the Big Lebowski.(55:53) The living person he most admires: Derek Thomson.(57:26) Moving from VC to PE Research in New YorkMichael Ewens is the David L. and Elsie M. Dodd Professor of Finance and co-director of the Private Equity Program at Columbia Business School. You can follow Evan on social media at:X: @evanepsteinLinkedIn: https://www.linkedin.com/in/epsteinevan/ Substack: https://evanepstein.substack.com/__To support this podcast you can join as a subscriber of the Boardroom Governance Newsletter at https://evanepstein.substack.com/__Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License

In this episode I sat down with Grammy winning tenor saxophonist, composer and educator Darryl Yokley. Born to an African-American father and a first generation Mexican mother, Yokley draws deeply from his diverse cultural roots.  During our conversation we hear about him playing multiple instruments at an early age, his exposure to jazz and classical music and the influence of John Coltrane. The conversation moves into a deep dive of his new album, which is dedicated to the great novelist and father of magical realism, Gabriel Garcia Marquez - "Un Mundo En Soledad." We also dive into the daunting task of studying the author's memoirs and rereading his novels to do a proper tribute. He also touches on being part of Alicia Keys' Grammy winning Broadway show, "Hell's Kitchen."https://www.darrylyokley.com

Hacer click aquí para enviar sus comentarios a este cuento.Juan David Betancur Fernandezelnarradororal@gmail.com

Colm Tóibín took on the task of exploring what makes a good love story. Drawing on the works of Nina Simone, Derek Mahon, Gabriel Garcia Marquez, and more, he suggests that while we may not all have 'one true love', most of us have at least one 'what if?'

Kitap Kulübü'müzün 56.buluşmasında Ahmet Hamdi Tanpınar'ın Saatleri Ayarlama Enstitüsü adlı kitabını konuştuk.Öncelikle Ahmet Hamdi Tanpınar'ı çok geç keşfettiğimi söylemeliyim. Türkçeyi çok güzel kullanan, çok zengin betimlemeler ruhsal çözümlemeler yapan bir yazar hatta düşünür.Ben haddim olmayarak, Saatleri Ayarlama Enstitüsü'nü büyülü gerçeklik türünde yazılması nedeniyle Gabriel Garcia Marquez'e onun Yüzyıllık Yalnızlık romanına benzettim. Gerçi Ahmet Hamdi Tanpınar daha büyük olduğu için tersi daha doğru olabilir. Mizahı ve ironiyi beklenmedik şekilde kullanıyor, zamansız ve evrensel bir yazar. Eserleri 58 dile çevirilmiş ama dünya edebiyatı seviyesinde bile hakettiiği yeri bulmadığını söyleyebiliriz.Saatleri Ayarlama Enstitüsü ülkemizin Batılılaşma serüvenine dair alaycı göndermeler yapıyor, zaman kavramı etrafında felsefi tartışmalar açıyor. Bir çokları edebiyatımızdaki en önemli eserlerden biri olarak kabul ediyor.Karakterler birbirinden ilginç, ben kendimde Hayri İrdal'la paralellikler görüp okurken çok eğlendim. Söyleşide de bu alıntıları paylaştım. Halit Ayarcı'da ise birçok yöneticimdeki yönleri gördüm. Yani iş dünyası ile bir çok paralellikler buldum. Ama toplumsal hayata dair de birçok eleştiri var. Gerçekten çok katmanlı ve bir kere okumakla vakıf olunamayacak bir kitap.Dili biraz ağır gelebilir ama bence gayrete değer, Türkçe yazılmış olmasından gurur duyacağınız bir eser. Söyleşimizde kitap hakkında bir çok farklı referansa da ulaşabileceksiniz.Kitabı okurken kapıldığım bir “değer yaratma enstitüsü” kurma fikrinden çıkmaya çalışıyorum hala.Bu bölümde görüşlerine yer verebildiğim arkadaşlarım sırasıyla (02:08) Seda Diril Boyraz, (04:04) Yasemin Karakaya Arslan, (07:06) Aylin Dursun, (09:25) Feyza Demir, (12:51) Mete Yurtsever, (16:47) Ekin Akkol ve (22:38) Mete YurtseverSupport the show

Welcome to the Fast and the Fictitious, a podcast created by high school students as part of their dual enrollment Fiction course. In this episode, Noah, Kayden, and Isabelle talk about Gabriel Garcia Marquez' "A Very Old Man with Enormous Wings," a story in which a, well, you guessed it, a very old man with enormous wings shows up unexpectedly at the home of a family with a sick child. Spoiler alert: the child gets better, but at what cost? The trio analyze the story and wonder what would happen if such a magical being arrived in their hometowns.Email the show: carlilelcba@gmail.comMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/bosnow/party-rockLicense code: 77JKG6ITA09KQZX0

Tengo que confesar que no me gusta Gabriel García Marquez como novelista, e incluso sufrí mucho cuando en la preparatoria me dejaron leer El Amor en los Tiempos del Cólera, pero como cuentista, me parece mucho más agradable la escritura del Colombiano ganador del Premio Nobel de literatura, y para muestra el cuento que les traigo esta semana en Lecturas de Leyenda, llamado “Espantos de agosto”.

Gabriel Garcia Marquez: biografia dell'autore e trama delle sue opere più importanti come "Cent'anni di solitudine" e "L'amore ai tempi del colera".

Todos os meses, convido pessoas leitoras e falamos das leituras que fizemos naquele mês. Em maio, a nossa convidada é Rita da Nova.Publicou o primeiro livro em nome próprio em 2023, “As Coisas que Faltam”. No ano seguinte, pudemos ler “Quando os Rios Se Cruzam”, e acaba de editar “Apesar do Sangue” - que já vai na terceira edição. Livros mencionados no episódio:“Apesar do Sangue”, de Rita da Nova“Moby Dick”, de Herman Melville“Ensaio sobre a lucidez”, de José Saramago“Pés de barro”, de Nuno Duarte“Caruncho”, de de Layla Martínez“Doze contos peregrinos”, de Gabriel Garcia Marquez"Filho do pai", de Hugo Gonçalves“Falar Piano e Tocar Francês”, de Martim Sousa Tavares“All Fours”, de Miranda JulyConsidera apoiar o podcast no Patreon: patreon.com/pontofinalparagrafoContacto do podcast: ⁠⁠pontofinalparagrafo.fm@gmail.com⁠⁠Segue o Ponto Final, Parágrafo nas redes sociais: Instagram, Twitter e FacebookProdução, apresentação e edição: Magda CruzGenérico: Nuno ViegasLogótipo: Gonçalo Pinto com fotografia de João Pedro Morais

In This Episode: [00:20] Introducing Oleg Kuzmenkov of Seller Assistant App [03:10] Reseller pricing [10:00] Price list analyser [15:25] Manually or doing bulk tools [18:20] Price of seller assistant [25:00] Seller Assistant and what they do.   Guest Links and References: Website: https://www.sellerassistant.app/ Linkedin profile: https://www.linkedin.com/in/oakuzmenkov/   Book References: Lean Start Up by Eric Ries   100 Years of Solitude by Gabriel Garcia Marquez   Links and References: Wizards of Amazon:  https://www.wizardsofecom.com/ Wizards of Amazon Courses:  www.wizardsofecom.com/academy Wizards of Amazon Meetup:  https://www.meetup.com/South-Florida-FBA/ Wizards of Amazon on Facebook:  https://www.facebook.com/groups/WizardsofAmazon/ Wizards of Amazon on Instagram:  https://www.instagram.com/wizardsofecom/

Notes from James:The biggest lie about writing is that it takes years. I've written multiple books in less than a month—including bestsellers. With the right system, anyone can do this.In this episode, I break down how to structure your first book and why your life experience, not your grammar, is your superpower. You'll also hear my take on AI writing, and why your personal story is something no algorithm can ever replicate.Episode Highlights:Yes, you really can write and publish a great book in 30 days. In Part 2 of this writing series, I walk you through the actual systems that make it not only possible—but repeatable.You'll learn four powerful “meta-outline” frameworks you can use to organize any non-fiction book quickly and clearly. I'll show you how I wrote Think Like a Billionaire in under 30 days using one of these frameworks, and how authors I know have launched entire careers with similar methods (some even in just three days). I also dive deep into one of the most important—but most overlooked—parts of writing a book: your first sentence. You'll hear legendary first lines from some of the world's best authors and learn why they work.This episode is a blend of process and artistry—because writing a great book requires both.This episode is sponsored by BetterHelp.Give online therapy a try at betterhelp.com/JAMES and get on your way to being your best self.What You'll Learn:4 concrete frameworks that will help you write a 20+ chapter book fastThe myth of needing years to write a book (and how to break it)How I turned podcast interviews with billionaires into a full book in less than a monthWhy your first sentence matters more than your title—and how to make it irresistibleHow to write with authenticity, vulnerability, and momentumWhy AI can't replace you—and never will—when it comes to storytellingTimestamps00:00 Introduction: Writing a Book in 30 Days00:54 The Four Frameworks for Writing02:03 Example: Think Like a Billionaire05:10 Overcoming Writing Myths13:14 AI and the Future of Writing20:47 The Power of a Strong First Line23:51 Exploring the Opening Lines of Iconic Novels24:14 Ralph Ellison's Invisible Man: A Civil Rights Era Classic25:04 Jack Kerouac's On the Road: A Journey of Rediscovery27:23 Gabriel Garcia Marquez's 100 Years of Solitude: A Nobel-Winning Masterpiece30:54 Kurt Vonnegut's Slaughterhouse-Five: A War Story with a Twist34:20 Jennifer Egan's Welcome to the Goon Squad: A Pulitzer Prize Winner35:25 Charles Bukowski's Post Office: A Tale of Mistakes and Realities38:57 William Gibson's Neuromancer: The Birth of Cyberpunk40:16 The Importance of First Lines in Storytelling42:36 Crafting Relatable and Vulnerable NarrativesP.S. Want to go deeper? Check out my full course on Udemy or visit chooseyourselfacademy.com: How to Write and Publish a Book in 30 Days – available now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's so much to say about the Latin American Boom in literature, but how can we possibly discuss it at this point in time without mentioning Mario Vargas Llosa and his recent passing. And so, as a Colombia-focused podcast, we take a look at this era and these personalities in the literary world, such as Colombia's inimitable Gabriel Garcia Marquez but through the prism of Mario Vargas Llosa. With very special guest Juan E. De Castro, professor of literary studies at Eugene Lang College of Liberal Arts at The New School. Author of Writing Revolution in Latin America: From Martí to García Márquez to Bolaño and Bread and Beauty: The Cultural Politics of José Carlos Mariátegui, among other works, we discuss a variety of topics relating to but not restricted to: 1. The Latin American Boom. 2. Mario Vargas Llosa and Gabriel Garcia Marquez and "that punch." 3. The importance of the Latin American Boom. 4. The end of this literary milestone. 5. One Hundred Years of Solitude - the Netflix version.  And so much more, including the Colombia Briefing with Emily Hart. 

Why does this press call itself unnamed, how has it succeeded and what are the challenges of being an independent press? Along with asking about the role of multimedia, the vision of challenging the status quo and how the impact of published books is measured, those were the opening questions posed by Michael Krasny to publisher Chris Heiser. A dialogue followed related to the publishing of poetry and the importance of how a book looks and feels and Chris Heiser spoke of bookcases as embodiments of personal histories. A discussion of social media, marketing and book selling challenges then moved forward along with a question from Michael Krasny about a series from Unnamed Press on contemporary women's writing and what Chris Heiser believes the effects Artificial Intelligence will have on the book business and recent actions toward book censorship. What followed was a discussion of five unnamed books Chris Heiser felt were "truly representative" of the literary press he runs, including the classic imprint of an Edith Wharton novel and four other books all, as Michael Krasny pointed out, by academic authors with PhD degrees. Krasny then brought up the essential importance for readers of engagement and the size of different genres as well as John Barth's declaring the death of the novel. Heiser spoke of the diluting power over books of other media, whereupon Krasny asked him what it means to be literary and a rich conversation followed about the role of the reader. This vital and deeply informed and informative conversation concluded with Krasny asking about the role of translation, the influence on Heiser of Gabriel Garcia Marquez and how and why Heiser sought out a career in publishing.

Send us a textWelcome back to The Writing Apothecary and to another return guest and my bestie Peta Hawker, she was one of the first guests on the podcast and I love any chance I get to chat to her. Her process has changed dramatically from when we first recorded this so it's fun to revist it all. Peta's Official BioMy daily grind involves content writing and knowledge management for a large organisation. When I'm not attached to my work computer, I like to squeeze our three cats (much to their chagrin), engage in linguistic wrestling matches with my partner or roll around on my yoga mat. A degree in writing and publishing and a diploma in yoga teaching remind me that I chose to quantify my passions with expensive pieces of paper, but I have no regrets about either one. Fantasy captured my heart when I was young, and it serves as the majority of what I read and write. Let's throw in a good dash of Gabriel Garcia Marquez, a sprinkle of Jonathan Safran Foer and a pinch of Lewis Carroll and we've made a meal fit for my queendom.  Peta's Website: https://www.petahawker.com/ Peta's Social: @author.peta.hawkerWant exclusive behind the scenes and early access to episodes join up to the mailing list over here.If you're looking for a cheerleader for your writing, then head on over to https://dreamingfullyawake.com/work-with-me/ and let's have a chat about how we can work together to get your writing on track. Follow the podcast on Instragram @thewritingapothecaryFollow Mandi on all socials: @mandikont

What happens when physical therapy enters the high-risk pregnancy unit? Erin Locati, PT, DPT, joins us to break down how acute care therapists can make a meaningful impact on maternal health—far beyond what most expect. In this episode, Erin shares her unique path from chemical engineering to acute care PT, and how her own pregnancies shaped her clinical mission. We explore the misconceptions around bedrest, how to support OB teams without overstepping, and why physical therapy should be standard in high-risk pregnancy and postpartum care. Whether you're a hospital-based PT, student, or someone curious about expanding care for pregnant patients—this episode will challenge assumptions and spark ideas. Today's Guests: Erin Locati PT, DPT erin@risepelvicpt.com LinkedIn Instagram: @erinlocati_pt Guest Quotes: 9:11 “ …So I really felt alone navigating.  Kind of my postpartum recovery and my injuries and return to activity and exercise. And then during my second pregnancy, I was diagnosed with a couple serious complications. And again, I just really felt alone and frustrated and not really knowing, well, what does it say for me to do? I don't wanna accidentally hurt my baby by doing too much, and my doctor wasn't super helpful about it. I knew that pelvic physical therapy was a specialty that existed.  Where PTs work with pregnant and postpartum patients, but it was really more of an outpatient specialty as far as I knew. And I was in acute care and I wanted to stay in acute care. Yeah. So I thought about, well, how can I help these populations where I am? I mean, all these patients are here in the hospital. Almost everybody gives birth in a hospital in the US. So maybe there's a way that I can provide skilled care  in the setting I'm already in to pregnant and postpartum patients, and that's really where it started.” 25:52 “ It's looking at their restrictions and deciding, you know, with your skilled assessment, what level of exercise could they probably be doing within the restrictions they have. And again, going up to the max that it restriction allows them. So that they can minimize the losses they're gonna have from being on bedrest.” Rapid Responses:  Do you have any good book recommendations? “… My favorite book, love In the Time of Cholera by Gabriel Garcia Marquez.” You know you work in acute care when… ” You can treat everything. You go from a cabbage to a knee replacement, to a stroke, to a pregnant patient.” Links: https://enhancedrecoveryafterdelivery.com/ https://www.facebook.com/share/g/1DbQbXixy8/ https://pelvicglobal.com/ Connect with our host and the podcast! Leo Arguelles (LEE-O R-GWELL-IS) largue2@uic.edu Twitter @LeoArguellesPT Interested in being a future guest? APTA Acute Care: Website Awards Journal Access Twitter @AcuteCareAPTA Facebook APTA Acute Care Instagram @AcademyAcutePT YouTube  APTA Acute Care Podcast APTA Acute Care Resources APTA Adult Vital Signs APTA Lab Values Document Webinar Recordings

Le président sortant Daniel Noboa, tenant d'une ligne sécuritaire et soutenu par la droite équatorienne, a été réélu avec 56% des voix. La candidate socialiste Luisa Gonzalez demande un recomptage des votes. « À l'annonce des résultats hier soir [dimanche 13 avril 2025], les partisans du président Noboa ont fait la fête dans les trois grandes villes du pays », témoigne notre reporter sur place, à Quito, Rafael Moran. Ces résultats restent difficiles à expliquer, précise-t-il : « Le rejet du courant politique de gauche de Luisa Gonzalez, le corréisme, a pu compter (…) Certains analystes se demandent si la politique du carnet de chèques a pu compter : le président Noboa a distribué 14 aides différentes depuis le début de l'année ».Cette élection contestée laisse beaucoup de questions et d'incertitudes, selon Christophe Ventura, directeur de recherche à l'Iris (l'Institut de relations internationales et stratégiques), spécialiste de l'Amérique latine, au micro de Clotilde Dumay : « C'est le signe d'une élection qui ne résout pas la crise politique enÉquateur, sur fond de crise économique et sécuritaire », estime le chercheur. Il souligne des résultats « inattendus », qui marquent la polarisation de la société.« Le recomptage des voix va être très compliqué, car le Conseil national électoral réduit la possibilité de recomptage en fonction de conditions très limitées, ce n'est pas du tout gagné que ce recomptage soit accepté », ajoute Christophe Ventura à notre micro.La mort du prix Nobel péruvien Mario Vargas Llosa. Il s'est éteint au Pérou, à 89 ansMario Vargas Llosa laisse une œuvre considérable, une quarantaine d'essais, de romans et de pièces de théâtre : des textes autobiographiques comme La ville et les chiens, relatant son passage à l'académie militaire où son père l'avait envoyé de force ou encore La tante Julia et le scribouillard, qui raconte sa fuite avec sa tante de quinze ans son ainée. L'auteur avait touché à tous les genres, épiques, sensibles, libertins, fresques historiques. La littérature était pour lui une manière de façonner l'esprit et le monde, détaille le journaliste Olivier Rogez, du service culture de RFI.Grand amateur de politique, ex-candidat déchu à la présidentielle péruvienne, Mario Vargas Llosa, communiste dans les années 50 avant de soutenir la Révolution Cubaine, avait, sur la fin de sa vie, donné son soutien à des candidats populistes d'extrême-droite comme Jair Bolsonaro.Dans la presse latino-américaine, les hommages sont unanimes. El Comercio, journal péruvien pour lequel l'auteur écrivait, regrette la disparition du « péruvien le plus universel », « le plus grand écrivain » du pays. La Republica se fait, elle, l'écho de nombreux hommages nationaux et internationaux au « dernier écrivain du boom latino-américain ». Du côté de la Colombie, El Tiempo se souvient tout de même le lien tumultueux entre Mario Vargas Llosa et Gabriel Garcia Marquez. L'écrivain péruvien avait frappé, à la fin des années 70, son ami Colombien d'alors, mettant fin à leur relation.Dans la presse Argentine, le premier jour de la flexibilisation des taux de change« Le gouvernement cherche à détourner l'attention de ce premier jour sans restriction des taux de change » et préfère insister sur sa rencontre avec Scott Bessent, secrétaire du trésor américain, analyse La Nacion.En Argentine, le dollar est désormais « flottant », entre 1 000 et 1 400 pesos. Pas de quoi entraîner de l'inflation, se sont échinés à démontrer le président Milei et ses proches ce week-end, usant de longs tweets et autres démonstrations sur papier, comme le rapporte La Nacion.Le média Pagina12 n'est pas rassuré : « L'impact de ses mesures est incertain et ne sera connu qu'à l'ouverture des marchés ce lundi [14 avril 2025] », lit-on.Aux États-Unis, le cas emblématique du Salvadorien expulsé par erreur et la politique migratoire de Donald Trump scruté de près par les journaux« Le ministère de la Justice dit qu'il n'est pas obligé de ramener le migrant expulsé par erreur au Salvador », écrit le Washington Post, alors que le président du Salvador Nayib Bukele est reçu ce lundi à la Maison Blanche.Le journal explique comment l'administration Trump interprète en sa faveur la décision de la Cour Suprême. Pour le gouvernement, « faciliter » le retour de Kilmar Abrego Garcia ne reviendrait, en fait, qu'à retirer les « obstacles nationaux » à ce retour. Le tout s'appliquant, selon le gouvernement, uniquement si le Salvador décidait de lui-même de libérer M. Abrego Garcia.« Ces affirmations ouvrent la voie à un nouveau test de la capacité du pouvoir judiciaire fédéral à maîtriser une administration (…) qui s'est efforcée d'étendre de manière agressive son pouvoir exécutif », commente le Washington Post.  Par ailleurs, le New York Times publie une longue enquête décrivant comment le gouvernement utilise l'application mobile d'une entreprise pénitentiaire privée pour surveiller les migrants et faciliter leur arrestation. Le Washington Post révèle, lui, que la détention et la révocation du visa de la doctorante étrangère Rumesya Ozturk n'est fondée sur aucune preuve d'antisémitisme ou d'apologie du terrorisme, contrairement aux dires du gouvernement.À la Une du journal des Outre-mers, de notre partenaire de la 1ʳᵉLa Guyane où les maires contestent les chiffres du recensement.

Notes and Links to Douglas J. Weatherford's Work       Doug was born in Salt Lake City but grew up in Statesboro, Georgia, where his father taught German at Georgia Southern University. Doug loves to read, travel, and ride bicycles and motorcycles. He graduated from BYU in 1988 (BA Spanish) and the Pennsylvania State University in 1997 (PhD Latin American Literature). He has been a professor at BYU since 1995. Doug's research and teaching emphases include Latin American literature and film, representations of the period of Discovery and Conquest, and Mexico at mid-Century (1920–1968, with particular focus on Rosario Castellanos and Juan Rulfo). His latest are new translations of Pedro Páramo and The Burning Plain.   Buy Pedro Páramo (English Translation)   Buy Pedro Páramo (En Español)    Doug's BYU Webpage   New York Times Book Review of Pedro Páramo by Valeria Luiselli   At about 2:15, Doug talks about his “journey” to becoming a professor of Latin-American Literature and Film, with regard to his early language and reading backgrounds At about 6:00, Doug talks about his main focus in teaching over the years At about 7:15, The two discuss linguistics classes At about 8:30, Doug responds to Pete's questions about texts and writers who have resonated with his students  At about 10:30, Doug reflects on Jorge Luis Borges' work and potential for teachability  At about 11:35, The two talk about translations of Rulfo's titles At about 13:30, Doug gives a primer on the collection El Llano en llamas and its various translations  At about 16:40, Doug emphasizes the need to “follow in Rulfo's footsteps” in translating the famous story “No Oyes Ladrar los Perros” At about 20:15, Doug responds to Pete's question about Juan Rulfo's evolving reputation/legacy in Mexico At about 24:15, Pete shares compliments and blurbs for Doug's Pedro Páramo translation and Pete and Doug talk about Gabriel Garcia Marquez's important Foreword  At about 27:20, Doug gives background on screenplays done for Rulfo's work by Marquez and towering respect for Rulfo's work, especially Pedro Páramo  At about 28:20, The two talk about Pedro Páramo's movie adaptations and challenges in adapting the work with connection to older characters  At about 31:55, Pete and Doug reflect on key archetypes and connections featured in the first line of  Pedro Páramo  At about 35:00, Doug gives background on his decision-making that affected his translations, including the laser-focus on the book's first line At about 41:00, The two discuss the book's exposition, such as it in a chronologically-unique book, including the book's first narrator's role At about 42:55, Doug discusses the connections in the book: Citizen Kane and Pedro Páramo, as well as Hernán Cortes and Pedro Páramo  At about 46:30, Doug talks about La Lllorona and Malinche and Páramo connections At about 49:30, Doug gives background on Pedro's son, Miguel and Father Renteria and ideas of betrayal and Biblical archetypes At about 52:35, Themes of sin and afterlife, including purgatory, are discussed, as Doug gives background on Rulfo's “conflicted” views regarding Catholicism  At about 55:30, Doug goes into greater depth about the links between Citizen Kane and Pedro Páramo At about 59:45, Doug responds to Pete's question about  At about 1:02:00, Doug responds to Pete's question about Rulfo's treatment of Mexican “Indians” At about 1:04:20, Hope and misogyny as a theme in the novel are discussed, and Doug discusses the 2024 Rodrigo Prieto Pedro Páramo film At about 1:09:40, Doug “puts a spin” on the novel's ending At about 1:15:45, Doug gives book buying information for his translations of Rulfo's work   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. My conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 278 with Kevin Nguyen, features editor at The Verge, previous senior editor at GQ. He has written for New York Magazine, The New York Times, The Paris Review and elsewhere, and is the author of New Waves and the novel Mỹ Documents, which has April 8, the same day the episode airs, as its Pub Day.

There are many books that have been adapted into films or television shows, some good, some not so good. But it's been often said that Gabriel Garcia Marquez's 100 Years of Solitude would be nearly impossible to adapt to the screen, and it turns out...that was not true.In this episode, we talk about the new Netflix limited series of 100 Years of Solitude, what we thought of the show compared to the book, as well as other adaptations that have worked, or haven't worked.What is your favorite on screen adaptation of a book? Let us know below!Join our book club!patreon.com/LifeonBooksJoin the Life on Books mailing list to stay up to date on all of our latest book giveaways, projects, and more!https://linktw.in/BRYAnVhWant to read one book from every country? Check out our resource online:https://linktw.in/ZeoltyWant to know my all time favorite books? Click the link below!https://bookshop.org/shop/lifeonbooksFollow me on Instagram:  / alifeonbooks  Follow Andy on Instagram  / metafictional.meathead  Books mentioned in this episode:One Hundred Years of Solitude by Gabriel Garcia Marquezhttps://amzn.to/3R5BoFUhttps://bookshop.org/a/103053/9780060...2666 by Roberto Bolanohttps://amzn.to/4kEu95Ehttps://bookshop.org/a/103053/9780312...The Count of Monte Cristo by Alexandre Dumashttps://amzn.to/3F7YY2ghttps://bookshop.org/a/103053/9780140...Carpentaria by Alexis Wrighthttps://bookshop.org/a/103053/9780811...https://amzn.to/4hXjNvkInvisible Man by Ralph Ellisonhttps://amzn.to/41GOIa2https://bookshop.org/a/103053/9780679...Something Happened by Joseph Hellerhttps://amzn.to/3QKJqUPhttps://bookshop.org/a/103053/9780684...Catch-22 by Joseph Hellerhttps://amzn.to/4iqtyCThttps://bookshop.org/a/103053/9781451...The Tunnel by William GassWarrior Dreams by James William Gibsonhttps://amzn.to/3F9FGcUPedro Paramo by Juan Rulfohttps://amzn.to/4it2CCkhttps://bookshop.org/a/103053/9780802...The Inspector Barlach Mysteries by Friedrich Durrenmatthttps://amzn.to/4iPgfM4https://bookshop.org/a/103053/9780226...White Noise by Don DeLillohttps://amzn.to/4hCCZxLhttps://bookshop.org/a/103053/9780143...Jurassic Park by Michael Crichtonhttps://amzn.to/4it0NFE

Notes and Links to Jason De León's Work   Jason De León is Director of the Cotsen Institute of Archaeology, Loyd E. Cotsen Endowed Chair of Archaeology, Professor of Anthropology and Chicana/o and Central American Studies at the University of California, Los Angeles.    De León is Executive Director of the Undocumented Migration Project (UMP) Inc. a 501(c)(3) research, arts, and education collective that seeks to raise awareness about migration issues globally.    He is the author of two award winning books: “The Land of Open Graves: Living and Dying on the Migrant Trail” (featuring photos by Michael Wells) and “Soldiers and Kings.” Soldiers and Kings won the 2024 National Book Award for Nonfiction. De León is 2017 MacArthur Foundation Fellow.    In addition to his scholarly pursuits, Jason is an active musician who sang and played guitar with the Long Beach based hardcore-punk-reggae band Youth in Asia in the mid to late 1990's and the Americana band The Wilcox Hotel based out of State College, PA between 2005 and 2008. He currently plays bass in  The War Pigs and is involved in various musical projects including periodic reunions with The Wilcox Hotel.   Buy Jason's Books   Jason Website   Jason's National Book Award Receipt: Video   Book Review: Soldiers and Kings New York Times Review    Jason on CBS Sunday Morning: Video   At about 2:50, Jason helps Pete get over some Lakers/Kings traumas At about 6:15, Jason talks about the experience of winning the National Book Award At about 8:45, Jason shouts out indie bookstores like Literati, Village Well, Powell's as places to buy his book At about 10:05, Jason gives background on his early relationship with language and story, and how this reading was shaped by his childhood At about 11:10, Jason talks about ups and downs of reading and writing for joy, and how “story” has been an interest  At about 13:20, Jason talks about how multilingualism was part of his childhood and the ways in which speaking foreign languages  At about 14:50, Jason responds to Pete's question about writers who challenge and inspire him, including Ernest Gaines, Lus Alberto Urrea, Willie Vaultin, and Jesmyn Ward At about 17:00, Jason cites songwriters like John Prine, Jason Isbell, and Bruce Springsteen as inspirational At about 19:20, Jason gives background on the protocol and timing and embedding done in his research for Soldiers and Kings  At about 20:30, Pete is highly complimentary of Jason's balance of first person and third person and his skilled objectivity; Jason responds to Pete's questions about any “vertigo” that came with intense fieldwork and academia and family life  At about 24:15, Jason speaks to the significance of the book's epigraph from Jason Isbell At about 27:50, Jason discusses the difference between “smuggling” and “trafficking” and their implications in the book and beyond At about 29:15, Jason and Pete reflect on the titles for the people represented on the book, and Jason responds to Pete's question about how he wrote to avoid generalization   At about 32:30, Jason recounts a story from his first book that is emblematic of fully-drawn characters At about 34:30, Pete asks about ethical concerns in research for the book At about 36:05, Jason outlines how childhood experiences and exposure to violence may have helped him connect more with the main characters of the book At about 38:50, Jason reflects on how he proved himself trustworthy in his research and how and why the characters are “good judges of characters” At about 41:00, The two discuss Honduras and its importance in migration in the last decade or so, as well as how its emblematic of the global and natural forces  At about 45:45, the two reflect on youth and its importance in the book and how privilege, or lack thereof, connect to ideas of redemption and traumas At about 49:35, Pete cites a telling quote from Father Greg Boyle in reference to the high number of adverse experiences that so many migrants have had to carry; Jason discusses ideas of hope  At about 52:15, Pete highlights a resonant poem by Warsan Shire that leads Jason to talk about the “sharks” that put people on the migrant route At about 55:25, Jason responds to Pete's question about the infamous “La Bestia” At about 57:20, Jason explains the term “clavo” and its implications to “stateless” people    At about 58:55, Pete notes that the book deals so successfully with  At about 1:01:00, “The Future Belongs to Those Who Dream,” a chapter title, and its implications for optimism and hope is discussed  At about 1:04:55, Pete cites the book's wondrous last page, as well as the book's long future “shelf life”   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 264 guest Maggie Sheffer is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the classic Gabriel Garcia Marquez short story, “The Handsomest Drowned Man in the World.” I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 271 with Alejandro Heredia, a queer Afro-Dominican writer from The Bronx and winner of the Gold Line Press Fiction Chapbook Contest. His writing has been featured in Teen Vogue, Lambda Literary Review, and elsewhere; His resonant debut novel LOCA has its Pub Day on Feb 11, the day on which the episode airs.  

This week on Sinica, I speak with Nicole Hong and Michael Rothfeld, both investigative reporters at the New York Times, about a series of stories they've done, stretching between August and December 2024, on the Falun Gong-run performance troupe Shen Yun, and the Falun Gong-affiliated newspaper The Epoch Times. Read the latest two articles in that series here and here. There will be links to the other stories on the transcript page.4:33 – Nicole and Michael's collection of pieces on Falun Gong 6:26 – Background on [the?] Falun Gong: Li Hongzhi, the context out of which the movement emerged, its international spread, and the CCP's crackdown in the '90s12:00 – Shen Yun performances, and audience reactions 18:46 – Following the money: Falun Gong's dramatic financial growth, gray areas, and where the money goes 29:03 – Spiritual project or big grift?31:39 – What Nicole and Michael uncovered 36:23 – Memorable individuals: Chang Chun-ko, Kate the performer, and Josh the violinist41:10 – The dynamics within [the?] Falun Gong, and what has been alleged45:34 – The Epoch Times, and their editorial changes 53:02 – The appeal of Falun Gong, and the level of scrutiny it getsPaying It Forward:Nicole: Researchers/freelancers/translators Yi Liu and Peiyue Wu Michael: New York Times colleague Susan Beachy Recommendations:Nicole: Connie: A Memoir by Connie Chung Michael: Like Water for Chocolate by Laura Esquivel; One Hundred Years of Solitude by Gabriel Garcia Marquez (and the new One Hundred Years of Solitude TV series (2024)); and the TV series Gomorrah (2014-2021)Kaiser: TikTok accounts workplace_doodles (a former Shen Yun performer born into a Falun Gong family) and cocolarkincooks (a fantastic cooking resource)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Urzúa y Villalobos se juntan a hablar de la esperadísima adaptación de la novela de García Márquez. A Patricio le gustó bastante, a Daniel muy poco. Ambos ponen sus argumentos en la mesa, incluyendo varios spoilers sobre la serie. 

Samira is joined by novelist Linda Grant and critic Jason Solomons to review the musical version of The Devil Wears Prada with music by Elton John. We also review the new TV dramatisation of Gabriel Garcia Marquez's classic novel One Hundred Years of Solitude, which is released today – how did they manage the magic realism? And The Universal Theory, a German mystery thriller film about parallel universes.    And we take a look at the use of Rudyard Kipling's 1903 poem Boots, in a new trailer for a new Hollywood blockbuster zombie film. Presenter: Samira Ahmed Producer: Corinna Jones

Humberto De La Calle es abogado, político y escritor. Ha sido artífice de la Constitución del 91, jefe negociador del Acuerdo de Paz con las FARC, vicepresidente, magistrado de la Corte Suprema de Justicia, embajador. Hoy en día es senador. Episodios anteriores: https://www.youtube.com/watch?v=RaiWpMxcXv4&t=0s https://www.youtube.com/watch?v=GTSjB4jxTaE&t=0s https://www.youtube.com/watch?v=6Uf8NpTmG2c&t=3599s SOMOS INTERNET 50% OFF : https://www.somosinternet.co/atemporal Lincoln (2012) - Pelicula La hojarasca - Gabriel Garcia Marquez (https://bukz.co/products/la-hojarasca-1?_pos=1&_sid=253dd488f&_ss=r) Volver la vista atrás - Juan Gabriel Vásquez (https://bukz.co/products/volver-la-vista-atras?_pos=1&_sid=3893859b9&_ss=r) El hombre que amaba a los perros - Leonardo Padura (https://bukz.co/products/el-hombre-que-amaba-a-los-perros?_pos=1&_sid=2f451b970&_ss=r) Memorias dispersas - Humberto De La Calle (https://bukz.co/products/memorias-dispersas?_pos=6&_sid=b3ccf449f&_ss=r) Revelaciones al final de una guerra - Humberto De La Calle (https://bukz.co/products/revelaciones-al-final-de-una-guerra?_pos=5&_sid=b3ccf449f&_ss=r) Capítulos: 00:00 intro 03:42 Los puntos del Acuerdo de Paz 15:12 ¿Cómo habría sido la reacción de un indulto? 26:34 ¿Cómo se llegaban a acuerdos? 37:28 Los mantras iniciales 51:43 La figura del presidente Santos 55:30 La figura del presidente Uribe 59:52 ¿No ha sido posible conciliar? 1:02:22 Era un terreno peligroso ser vicepresidente en ese momento 1:13:04 ¿Qué ha motivado sus decisiones más críticas? 1:23:14 ¿Cómo se mueve realmente la maquinaria del poder? 1:29:10 ¿Se habría podido evitar con los 300 mil votos de De La Calle? 1:36:55 ¿Qué le hubiera gustado apropiar de presidentes colombianos? 1:48:28 Episodios de la historia que ilustren aprendizajes 1:54:06 El establecimiento vale “alguito la pena” 1:58:36 Seguir involucrado con la política después de dejar el poder 2:00:29 Sobre leer Recibe mi newsletter: https://acevedoandres.com/newsletter/ Apoyar Atemporal en Patreon: https://www.patreon.com/Atemporalpodcast En Youtube: https://www.youtube.com/channel/UCMTssINr-9gsPwk1iuAEdxQ/join

It begins with one of the most iconic lines in literature: “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”“One Hundred Years of Solitude,” Gabriel García Márquez's magical realist parable of imperialism in Latin America, is a tale of family, community, prophesy and disaster. In this week's episode, the Book Review's MJ Franklin discusses the book with his colleagues Gregory Cowles and Miguel Salazar. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

After nine years away, Tim Buendia, has made it back to the town of Aracataca - birthplace of Gabriel Garcia Marquez - and it seems timely with a new series based on the author's opus: "One Hundred Years of Solitude" due to be aired on 11 December 2024 on Netflix. Tim, an adopted son of Aracataca, is perhaps singlehandedly responsible for his tireless work in bringing international tourism to the birthplace of Gabriel Garcia Marquez, the Colombian Nobel Prize winning author. And it was all falling into place with tours, a steady stream of visitors and significant press coverage...and then he left.  We discuss what this return to "Macondo" or Aracataca means to Tim, how he has been working diligently in the interim years to continue promoting Aracataca, about his poetry and a new art gallery he is inaugurating in the town. Check out the website: https://www.thegypsyresidence.com The Colombia Briefing is reported by Emily Hart. 

Two years ago I decided that I hadn't read enough books from countries outside of the US, so I embarked on a journey of reading one book from every country. The journey has been slow as I am not solely focusing on this project. I've made some great progress in Europe and Asia, but Latin America has been a bit of a weak spot for me. Andy has read a few more books from the South American region, so today we are discussing some of the works we've read from these countries, what we think of them. Books mentioned in this episode Against the day Thomas Pynchon https://bookshop.org/a/103053/9780143... Lonesome dove Larry McMurtry https://bookshop.org/a/103053/9781439... The invented part Rodrigo Fresan https://bookshop.org/a/103053/9781940... Melville Rodrigo Fresan https://bookshop.org/a/103053/9781960... Infinite Jest David Foster Wallace https://bookshop.org/a/103053/9780316... Human Acts Han Kang https://bookshop.org/a/103053/9781101... Septology Jon Fosse https://bookshop.org/a/103053/9781945... Enter the Aardvark Jessica Anthony https://bookshop.org/a/103053/9780316... Troll Dave Fitzgerald https://bookshop.org/a/103053/9781952... Jorge Luis Borges Collected Fictions https://bookshop.org/a/103053/9780140... The Jewish Son Daniel Guebel https://bookshop.org/a/103053/9781644... The Seven Madmen and the Flamethrowers Roberto Arlt https://bookshop.org/a/103053/9781590... Fever Dream Samanta Schweblin https://bookshop.org/a/103053/9780399... Prisoner without a name cell without a number Jacobo Timerman https://amzn.to/4fj2Vhf The Absolute Daniel Guebel https://bookshop.org/a/103053/9781644... Gessel Dome Guillermo Saccomanno https://amzn.to/48kJNNC Beka Lamb On heros lizards and passion Zoil A Ellis https://amzn.to/3NJdcYc When Rains became floods Lurgio Gavilan Sanchez https://bookshop.org/a/103053/9780822... Affections Rodrigo Hasbun https://bookshop.org/a/103053/9781501... Juan de la Rosa Nataniel Aguirre https://bookshop.org/a/103053/9780195... The posthumous memoirs of Bras Cubas https://bookshop.org/a/103053/9780143... The taker and other stories Rubem Fonesca https://bookshop.org/a/103053/9781934... The Alchemist Paulo Coelho https://bookshop.org/a/103053/9780062... By night in Chile Roberto Bolaño https://bookshop.org/a/103053/9781250... Antwerp Roberto Bolaño https://bookshop.org/a/103053/9781250... The savage detectives Roberto Bolaño https://amzn.to/40fmVxb 2666 Roberto Bolaño https://bookshop.org/a/103053/9780312... The obscene bird of night Jose Donoso https://bookshop.org/a/103053/9780811... One Hundred years of solitude Gabriel Garcia Marquez https://bookshop.org/a/103053/9780060... Love in the time of cholera Gabriel Garcia Marquez

Notes and Links to Annie Liontas' Work        For Episode 244, Pete welcomes Annie Liontas, and the two discuss, among other topics, their childhood love of books after early years of learning English as a second language, their teaching life, formative and transformative books and writers, the hot literary scene in Philly, and salient themes and issues in her memoir like writing emotionally-charged material, “invisible disability,” traumatic brain injuries and their personal history, as well as larger narratives about TBI in the carceral system, NFL, and beyond.      Annie Liontas is the genderqueer author of the memoir Sex with a Brain Injury: On Concussion and Recovery, which was featured on NPR's Fresh Air with Terry Gross and selected as SELF Magazine's Book of the Month. Their debut novel, Let Me Explain You, was selected as New York Times Editors Choice. They co-edited the anthology A Manner of Being: Writers on their Mentors, and their work has appeared in The New York Times Book Review, Gay Magazine, NPR, Electric Literature, BOMB, Lithub, The Believer, Guernica, McSweeney's, The Rumpus, and elsewhere. A graduate of Syracuse University's MFA program, they are a professor of writing at George Washington University. Annie has served as a mentor for Pen City's incarcerated writers and helped secure a Mellon Foundation grant on Disability Justice to bring storytelling to communities in the criminal justice system. They co-host the literary podcast LitFriends and live in Philadelphia.   Buy Sex with a Brain Injury   Annie's George Washington University Bio   NPR's Fresh Air Interview with Annie   Emma Copley Eisenberg Writes about Sex with a Brain Injury for Electric Lit   LitFriends Podcast with Annie and Lito Velazquez   At about 1:40, Annie talks about their experience with the legendary Terri Gross At about 3:45, Annie talks about their upbringing and Greek family lineage At about 5:20, Annie homes in on their early days in frustration in transmitting ideas in English  At about 6:20, Annie responds to Pete's questions about how Greek affects their English writing and reading  At about 8:30, Annie discusses their early love of reading At about 11:30, Annie and Pete discuss pleasurable reading and the idea of “favorite books” At about 12:15, Annie and Pete nerd out over Gabriel Garcia Marquez, and Pete recommends “The Handsomest Drowned Man in the World” At about 13:40, Annie speaks to ideas of representation in what they have read  At about 15:20, Annie talks about “wonderful” professors in their time at Syracuse At about 16:20, Annie highlights Justin Torres, Yiyun Li, and other writers whose work is favorited by their students At about 17:50, Annie highlights Philadelphia's huge amount of talent-writers like Marie Helene Bertino, Emma Eisenberg, and Liz Moore At about 20:15, Pete and Annie talks about Annie's memoir's exposition and opening lines; Annie expounds upon seeds for the book At about 23:00, Pete shouts out Ingrid Rojas Contreras' The Man Who Could Move Clouds At about 23:50, The two discuss the ways in which Annie uses second person and tropes about concussions in the memoir At about 26:40, Pete wonders about Annie's decisions in summarizing three main injuries and compliments the draw of the structure; Annie talks about suspense and withholding and shares a resonant quote from George Saunders At about 29:30, Annie discusses “the longitudinal experience” that goes into “I will have my life” that ends the second chapter At about 31:05, Annie responds to Pete's questions about writing emotionally-charged material about beloved people At about 33:05, Annie talks about people doubting the severity of their injuries and a “five-year plan” At about 36:10, Annie shares interesting history about the rail industry and its “bonkers” track record-pun intended-in connection to injuries and “faking” At about 38:30, Pete asks Annie about effects of the brain injury At about 41:05, Pete's got jokes! and Annie talks about the physical effects of their brain injuries At about 42:25, Henry VIII's possible brain traumas are discussed, as are Harriet Tubman's At about 45:15, “Lying as a social act” is discussed in context of Annie's injury and subsequent ill effects At about 48:20, Annie discusses their mother's life and connections between addiction and brain trauma, including Marchell Taylor's moving fight for better care for TBI victims in the carceral system  At about 54:00, Pete highlights a resonant excerpt from the book, Page 67, revolving around queerness At about 57:15, Pete and Annie cite examples from the sporting world and the ways in which women's health concerns are not treated equally  At about 58:30, the NFL and concussions are discussed  At about 1:01:55, Pete and Annie discuss Q&A's with Annie's wife, and Pete wonders about the choice to use redacted parts  At about 1:04:30, Annie juxtaposes the different ways in which Tig Notaro and Ernest Shackleton dealt with trauma At about 1:08:50, Annie highlights the greatness of and beautiful relationship with Ursula von Ridingsvard At about 1:12:00, Annie shouts out their publisher and places to buy the book, as well as how to contact them and find them online; they give background information on her podcast        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 245 with Shannon Sanders, who is a Black writer, attorney, and author of the linked story collection Company, which was winner of the 2023 LA Times Art Seidenbaum Award for First Fiction. Additionally, her short fiction was the recipient of a 2020 PEN/Robert J. Dau Short Story Prize for Emerging Writers.     The episode will go live on July 31.     Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.  

Richard McColl is a British Canadian journalist, podcaster and hotel owner based in Bogotá and Mompós, Colombia. I've known Richard for at least a decade. I first knew of him from his work as a fellow foreign correspondent covering subjects all around Latin America, writing for international publications. In 2013, we met in person when I was writing for a story about Mompós for The New York Times. It's one of my favorite stories I ever written for The Times because Mompós is such a special place. It's this stunning 500-year-old colonial city on an island in the Magdalena River that was once a major port but was then mostly forgotten as that part of the river stilted up and war cut it off from society. It's a strange, kind of mystical place with so much history and so many stories and quirky characters. It's a place that was a big inspiration for Gabriel Garcia Marquez, the Nobel Prize winning author and you can feel the imagery from his books everywhere there. Richard's wife has family there and he was enchanted by it and ended up buying two of these colonial houses, which he turned into small hotels, La Casa Amarilla and San Rafael. We talk a lot about Mompós and its ghosts and how it's much easier to reach than when I went there and had to take a 10-hour ride in a truck from Cartagena.While I was in Mompós he asked me if I wanted to be on a podcast he just launched, called Colombia Calling, where he interviews all kinds of subjects about Colombia, in English. This was in 2013, and it was probably one of the original podcasts anywhere in Latin America, and honestly, I hadn't even listened to a podcast at that time. It's still going and has now recorded more than 500 episodes. Juli was on a recent episode and they talk a lot about Colombian food and it's a great listen.Richard also runs the Latin News Podcast and he recently started a small publishing company. They are books in English, about Colombia, and includes titles such as Better than Cocaine: Learning to grow coffee, and live, in Colombia, by the writer Barry Max Wills, and Richard has two books forthcoming, a general guide to politics, history and culture called Colombia at a Crossroads, and The Mompós Project, about his life in that incredible place and the stories he has gathered and witnessed. Anyway, it was great to catch up with Richard after all these years.

KCRW host Chris Douridas was heard declaring some fighting words about Suave Bruta, the debut album by French-Colombian double-bassist and singer Ëda Diaz: “I expect to go several tracks deep with airplay on this. My favorite album of 2024 so far. No skips.” That's a big deal for a DJ who listens to A LOT of music on a daily basis. And we couldn't agree more. Driven by an expansive cultural spectrum that incorporates a mix of woozy Latin American rhythms and romanticism akin to the writings of Gabriel Garcia Marquez, the album makes it hard to choose just one song, but we've settled on “Dulce de Mar.” 

Notes and Links to Jazmina Barrera Velázquez's Work        For Episode 233, Pete welcomes Jazmina Barrera Velásquez, and the two discuss, among other topics, her idyllic early childhood reading, her love for British, American, and Latin American authors, the ways in which Mexico City and Yucatán have informed her work, translation as an art, a craft, and a deep methods of editing, as well as salient themes from the story collection like evolving friendships, memory and tangibility, women's agency, and one's connection with her forebears and the sensitivities that come with living in a fragile world.       Jazmina Barrera was born in Mexico City in 1988. She was a fellow at the Foundation for Mexican Letters and at Mexico's Fonca's Program for young writers and she's a member of the SNCA (National System of Art Creators in Mexico). She was a beneficiary of the residencies at Casa Estudio Cien años de Soledad. She has published work in various print and digital media, such as The Paris Review, El Malpensante, Words Without Borders, El País andThe New York Times. She has a Master's Degree in Creative Writing in Spanish from New York University, which she completed with the support of a Fulbright grant. She is the author of four books in Spanish: Cuerpo extraño, Cuaderno de faros, Linea nigra and the children's book, Los nombres de los animales and Punto de cruz. Her books have been published in nine countries and translated to English, Dutch, Italian, Portuguese and French. Her book of essays Cuerpo extraño (Foreign Body) was awarded the Latin American Voices prize by Literal Publishing in 2013. Cuaderno de faros (On Lighthouses) was long listed for the von Rezzori award and chosen for the Indie Next list by Indie Bound. Linea Nigra was a finalist for the National Book Critics Cricle's Gregg Barrios Book in Translation Prize, the National Book Critics Circle Autobiography Prize, the CANIEM's Book of the year award and the Amazon Primera Novela (First Novel) Award. Punto de cruz (Cross-Stitch) was a finalist in the Calamo Awards and long-listed for the Republic of Consciousness Prize. She is editor and co-founder of Ediciones Antílope. She lives in Mexico City.      Jazmina Barrera (Ciudad de México, 1988) fue becaria de la Fundación para las Letras Mexicanas y beneficiaria de las residencias de la Casa Estudio Cien Años de Soledad. Fue becaria del programa de Jóvenes Creadores del Fonca y es miembro del Sistema Nacional de Creadores de Arte. Estudió la maestría en Escritura Creativa en Español en NYU con el apoyo de la beca Fullbright. Sus textos han sido publicados en revistas como The Paris Review, El País, Words Without Borders, Malpensante y The New York Times, entre otras. Es autora de Cuerpo extraño, Cuaderno de faros, Linea nigra, Los nombres de los animales y Punto de Cruz. Su libro de ensayos Cuerpo extraño / Foreign Body ganó el premio Latin American Voices 2013. Linea nigra fue finalista del premio CANIEM al libro del año, del premio Primera Novela, del National Book Critics Circle Gregg Barrios Book in Translation Prize y del National Book Critics Circle Autobiography Prize. Cuaderno de faros fue parte de la longlist del premio Von Rezzori. Punto de cruz fue finalista del premio Cálamo y parte de la longlist del premio The Republic of Consciousness. Sus libros han sido publicados en nueve países y traducidos al inglés, italiano, holandés, portugués y francés. Es socia fundadora de Ediciones Antílope. Vive en la Ciudad de México.    Buy Cross-Stitch   Jazmina's Website   Review of Cross-Stitch in The New York Times At about 3:00, Jazmina talks about her early reading and writing life, including experiential coolness and professional-style printed books At about 8:45, Jazmina's reciting of her first short story leads to her making an astute observation about the famous Ernest Hemingway quote At about 10:40, Jazmina recounts some of the books and writers that ignited her love of reading  At about 12:00, Jazmina describes Harry Potter as a gateway to learning English At about 13:05, Jazmina talks about her studying English literature at UNAM, and discovering many contemporary Latin American writers at NYU At about 15:10, The two talk about the ways in which American literature is often translated abroad, but not the other way around as much At about 17:05, Jazmina shares cool connections in her writing life to Gabriel Garcia Marquez's former writing haunts  At about 18:10, The two discuss Garcia Marquez legends about time in Mexico City At about 19:20, Jazmina highlights “so many” Latin American standout contemporaries, including Mariana Enriquez, Dolores Reyes, Marta Jimenez Serrano, and Marina Azahua, Astrid López Méndez, Isabel Zapata, César Tejeda, Irad León, Paula Abramo, Mariana Oliver, Veronica Murguia, and of course, her husband, the brilliant Alejandro Zambra At about 21:40-a cool Chilean word is introduced-”fome” At about 22:35, Jazmina reflects on the gendered language of “padre” and other expressions that seem to speak negatively about women At about 23:40, Jazmina speaks about the unique literary culture of Mexico City (en español),  At about 26:25, Jazmina discusses Ediciones Antílope as a place to publish more eccentric, daring books and poetry At about 27:30, The two discuss translation, specifically with regard to Juan Rulfo's work, and the ways in which titles are rendered At about 28:45, Jazmina responds to Pete's questions about how she sees the art of translation, and she responds through talking about “untranslatable” words, diminutive words, and the power of translators as “the closest readers” At about 33:10, Jazmina provides background information on the book's title and her experience with needlework/embroidery At about 36:10, Jazmina talks about seeds for the book  At about 37:50, The two lay out the book's exposition  At about 39:00, Jazmina responds to Pete wondering about the narrator, Mina's, frustration/anger with her friend after a tragedy At about 42:20, Jazmina describes the main character of Dalia At about 44:35, Historical and mythical ideas of rebirth and needles bringing health and connection are discussed At about 47:30, Jazmina talks about a “genealogy of women” that is connected to embroidery At about 48:50, Jazmina responds to Pete's questions about her family history with embroidery and her family connections to Yucatan and her interest in xmanikben At about 51:20, Jazmina gives background on the indigenous communities of México and their rich history around textiles At about 54:15, Jazmina gives background on the literacy program in Queretaro in the book and her real experience with it At about 57:20, Pete traces some of the final scenes of the book and asks Jazmina about Citali's world view At about 1:01:35, Discussion of “empath” leads to discussion of “emos” and a shoutout to Daniel Hernández's Down and Delirious in México City At about 1:02:40, Pete points out an uncomfortable and well-written scene that highlights traumas in Citlali's life    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.        Please tune in for Episode 234 with Sasha Vasilyuk, a journalist and the author of the debut novel Your Presence is Mandatory, which came out to great acclaim on April 23 of this year. Sasha has won several writing awards, including the Solas Award for Best Travel Writing and the NATJA award.    The episode will go live on May 7.     Please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

After Donald Trump's only remaining challenger for the Republican presidential nomination declares that she is suspending her campaign, Nikki Haley said it was now up to the former president to earn the votes of those who had not supported him while President Biden urged Haley's supporters to switch their allegiance to him.Also in the programme: increasing pressure on Haiti's acting prime minister to quit; and Gabriel Garcia Marquez's lost novel.(Picture: Republican US presidential candidate Nikki Haley walks off the stage after announcing the suspension of her presidential campaign. Credit: EPA/EFE)