Podcast appearances and mentions of Peter Cook

Christie Brinkley didn't hold back when talking about her ex-husband Peter Cook, whom she was married to from 1996 to 2008, having an affair with an 18-year-old assistant. Listen here and learn more at OKmagazine.com. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A top bullion dealer explains how the toilet could have disappeared and where the gold might be today. Meanwhile, Jimmy Sheen's pocketed £520,000 from the gold sale and an investigation shows he's made big money from other crimes. Explore where his missing millions could be and whether they will ever be in the hands of the police.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin.

A trial begins and the three defendants plead not guilty. Details emerge about reconnaissance trips to Blenheim made days before the heist. Also, Jimmy Sheen's voice notes are shared. They offer a rare chance to eavesdrop on the crime as it's happening, uncovering how he cashed in on his golden loot.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin.Image: Getty

Four years later a toilet thief is unmasked as James ‘Jimmy' Sheen. An investigation uncovers Sheen's dark past leading up to the Blenheim burglary with a career of crime that began in his twenties. The ringleader of multiple gangs, he's tied to violent thefts, nationwide fraud and a shooting in Coventry.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin.Image: Getty

#556 Not As Good As It Used To Be - Richard returns to Leicester and reveals the curt message of one of the comedians he asked on the podcast. His guests are two of the men behind the publishing sensation and hugely influential comedy juggernaut that is Viz magazine. They discuss the humble beginnings of this adult comic, how publishers tried and failed to sanitise it, working with Peter Cook on Tiger Mellie, the terrible imitators, who was the first person to say it wasn't as good as it used to be (and when), plus Richard's posh introduction to the work and his pride at being in the Profanisaurus. A great chat with two down to earth comedy geniuses who changed the landscape of British comedy.Support our Kickstarter here https://www.kickstarter.com/projects/467836598/can-i-have-my-ball-backFor Richard's remaining live stand up gigs http://richardherring.com/ballback/tourCome and see RHLSTP live http://richardherring.com/rhlstpSUPPORT THE SHOW!Watch our TWITCH CHANNELSee extra content at our WEBSITE Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.

Al Diablo con el Diablo cumple 25 años Si el Diablo les concediera siete deseos, ¿qué pedirían? Porque hace 25 años eso le ocurrió a Elliot. El Diablo, sexy y provocador, le ofreció varios deseos y Elliot pidió, de muchas formas distintas, conquistar a la mujer de sus sueños. El resultado es una de las comedias más exitosas de este siglo a nivel de público, una historia con la que cada vez nos encariñamos más llamada Al Diablo con el Diablo. Basada en Bedazzled, escrita por Peter Cook y Dudley Moore, dirigida por Stanley Donen, Al Diablo con el Diablo es más que una actualización de aquella película. Es en realidad una producción que se atrevió a algo más, que jugó mejor con sus elementos y que hoy, a 25 años de su estreno, merece una revisión para que quienes la conozcan la recuerden, y quienes no, que se acerquen a ella… Aunque pongan en peligro su alma. ¿Cómo vamos a celebrar el primer cuarto de siglo de esta película dirigida por Harold Ramis? Invitamos a este episodio a Andrés “Boludo” Durán, especialista en videojuegos, Star Wars, cómics y cine del bueno y que, por si fuera poco, se sabe de memoria, minuto a minuto Al Diablo con el Diablo. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the palace reopens to the public, curious visitors flock to witness the infamous crime scene. Behind the scenes, Blenheim's Chief Executive scrambles to tighten palace security. An internationally renowned art hunter is hired by the insurers to hunt the golden treasure. Meanwhile playful sightings of fake golden toilets pop up across Oxfordshire.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin.Image: Getty.

Stunned Blenheim Palace staff are coming to terms with an early morning raid as the gang make their getaway with the £5 million gold toilet.Meanwhile, rumours swirl about who could have orchestrated the heist with fingers pointing to the toilet's creator, Maurizio Cattelan, who has a history of elaborate stunts. When the artist shares a statement denying any involvement a police investigation is launched and the hunt for the real robbers begins.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin.Image: Getty.

The mystery of one of Britain's weirdest art heists begins at an exhibition party at Blenheim Palace, Oxfordshire, in September 2019.A £5 million solid gold toilet, created by Italian artist Maurizio Cattelan, is centre-piece at the exhibition. Hours after partygoers leave it is stolen by a masked gang.The events are a shock for the palace staff who witness the heist and its aftermath, including guest services manager Eleanor Paice and Chief Executive Dominic Hare.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin. Image: Getty.

Right here, squaring off, from opposite sides of the Atlantic, we present: Dueling tag-teams of zaniness — wearing fanciful disguises, winking at traditional forms, and tweeting in a birdlike falsetto… Good stuff!BEDAZZLEDThe Faustian satire Bedazzled, created by genius comedian Peter Cook (who plays the Devil trying to bargain for souls), makes good use of the talents of his Chaplin-esque comedy partner, Dudley Moore (who you might remember from the hit films Ten and Arthur), who plays the shlumpy Wimpy Burger cook, Stanley, willing to bargain away his mortal soul for love. The team first worked together in the early 60s smash stage revue BEYOND THE FRINGE, then coalesced on the BBC as Pete and Dud, (and, later, even more darlingly in the scatalogical bootleg recordings of Derek and Clive). In 1966, with Bedazzled they were on the rise commercially, and Moore, an Oxford trained classical and jazz pianist, wrote all the music for the film.  In this cut, entitled Leaping Nuns chorus, the sisters of the Order of Saint Beryl (including Stanley in full habit) show their devotion to the Saint by jumping on trampolines. JAN AND DEAN MEET BATMANAlso in ‘66, laboring secretly on a similar track, energized by the same Goon Show type inspiration, Jan Berry and Dean Torrance were working to expand, (but not abandon) their surf sound by adding a storyline and special effects, and creating some nutty theater of the mind. Who knows where this might have led, if Jan's tragic car collision a few week's after the record's release, (resulting in his massive head injuries), hadn't sidelined the team's ambitions? Perhaps a blockbuster TV series…?There was always a comic element to the Jan and Dean performance style. (Check out the classic Rock concert film Tami Show, which they hosted). They may have looked like copper toned surf hunks, but maybe there was some Abbott and Costello lurking beneath the Golden Boy surface. 

A story of art, mystery and a solid gold, fully plumbed in toilet stolen from a British palace.With behind-the-scenes access at Blenheim Palace, we explore the inside story of the heist and its fallout. Installed as part of an art exhibition, the £5 million toilet was notorious prior to its theft. Those behind the burglary remained a mystery for years. In 2025, with reporting restrictions lifted, we finally reveal their identities and the criminal past that led them to the toilet. It's a tale of art and wealth but also security failures, ruthless criminals and missing millions.Presenter: Clodagh Stenson. Producer: Jonathan Eden, with assistance from William McLennan. Sound Designer: Meic Parry. Story Consultants: Graham Russell and Jack Kibble-White. Executive Producers: Peter Cooke and Peter Cook. Online Producer: Rachael Smith. Commissioner: Al Miskin. Image: Getty

The latest episode of Never Mind The Bar Charts is another in the occasional series looking back at previous party leaders with Duncan Brack. This time we pick over Jeremy Thorpe's career - securing Britain's place in Europe, leading the Liberal Party to national prominence and then mired in scandal. What to make of it all? Show notes Our previous episode about Jo Grimond - www.markpack.org.uk/161656/jo-grimond-podcast/ Our interview of Jeremy Thorpe - www.markpack.org.uk/1486/jeremy-thorpe-interview/ Jeremy Thorpe and Jimi Hendrix - www.mediastorehouse.co.uk/memory-lane-prints/mirror/0100to0199-00163/jeremy-thorpe-jimi-hendrix-concert-jimi-hendrix-21541729.html Other photos of Jeremy Thorpe looking stylish - www.gettyimages.co.uk/search/2/image?family=editorial&phrase=jeremy%20thorpe&sort=oldest&recency=daterange&begindate=1960-01-01&enddate=1980-01-01 Peter Cook satirises the judge's summing up in the trial of Jeremy Thorpe - www.youtube.com/watch?v=Kyos-M48B8U Duncan Brack on Bluesky - bsky.app/profile/duncanbrack.bsky.social The Lib Dem History Group is at liberalhistory.org.uk Jeremy Thorpe by Michael Bloch is available from Amazon - amzn.to/41QQUf5 - Bookshop.org - uk.bookshop.org/a/588/9780349142203 - and Waterstones - tidd.ly/3DhN31o Theme tune by Hugo Lee: hugoleemusic.com New to listening to podcasts? Here are some tips on how to listen to podcasts: www.markpack.org.uk/161708/how-to-listen-to-a-podcast Check out some of this show's most popular previous episodes: www.markpack.org.uk/168491/most-popular-episodes-never-mind-the-bar-charts

A darkly comic satire about an increasingly deranged leader of a Western power, tensions with Russia and the threat of World War 3 breaking out – sound familiar? That's the premise of Whoops Apocalypse, the 1986 feature film very loosely based on the sitcom of the same name, created by David Renwick and Andrew Marshall. Sadly where the film fails to imitate real life is the presence of a female President in the White House and she's the (relatively) sane one, while her British counterpart (played by Peter Cook) believes unemployment is caused by pixies and is quite happy to encourage those without jobs to leap to their deaths off Beachy Head. The film also features Loretta Swit (M*A*S*H), Richard Wilson, Michael Richards (pre-Seinfeld), Rik Mayall, Alexei Sayle, Ian Richardson, Herbert Lom and John Sessions. Last December for Goon Pod Film Club Tyler spoke to Renwick & Marshall at length about Whoops Apocalypse and how it all came about and he decided to share it with the general Goon Pod listeners as a bonus episode before world events rendered its plot totally tame and entirely plausible. Andrew and David talked warmly about the film and revealed how it was chiefly the lousy scheduling of their earlier television show End Of Part One which compelled them to write the Whoops Apocalypse sitcom, which in turn led to producer Brian Eastman proposing a big-screen repurposing, involving a new storyline and characters. They discussed the writing process, the challenges of casting, the difference between what made critics laugh and audiences laugh and things they wish had worked a little bit better. Goon Pod returns in late March. Goon Pod Film Club can be found here: patreon.com/GoonPod and you can sign up free for a seven day trial. Shows include Kind Hearts & Coronets, A Hard Days Night, Bedazzled (1967), Monty Python & The Holy Grail, Guest House Paradiso (aka the ‘Bottom movie'),Carry On Screaming, Billy Liar and, most recently, It's Trad Dad.

Got Something to Say? is brought to you by United Federal Credit Union - We Get U!  Peter Cook from North Berrien Historical Museum talks about their annual Open House! See omnystudio.com/listener for privacy information.

This month I've had the pleasure of speaking to two of the finest comedy writers of the last fifty years – Andrew Marshall and David Renwick – specifically about their 1986 film Whoops Apocalypse, which borrowed the title, a few plot elements and a handful of cast members from their 1982 one-series sitcom of the same name. The film was inspired by the events surrounding the Falklands War and the ongoing tensions between East and West and starred Peter Cook as increasingly deranged British premier Sir Mortimer Chris, Loretta Swit as US President Adams (no relation), Michael Richards (pre-Seinfeld) as international terrorist Lacrobat and a whole host of familiar faces such as Richard Wilson, Rik Mayall, Alexei Sayle, Ian Richardson, Herbert Lom and John Sessions.  

Episode 211: This week on the “Dan's Talks” podcast, Dan speaks with Sir Peter Cook Find all the “Dan's Talks” podcast episodes at podcasts.schnepsmedia.com/podcast/dans-papers. Read More

Jonny is joined by Aidan, Darren, Jacyn and Tom!The crew work their way through trying to make Star Wars more British: British 70's actors, Sitcoms and Romcoms, Children's Programmes and Period Dramas.Uses short clips from:· The Three Musketeers (1973)· Peter Cook and Dudley Moore (on the Dick Cavett Show)· Monty Python's Flying Circus (series)· Julius Caesar (1953)· The Good, The Bad and The Ugly (1966)· Last of the Summer Wine (series)· Button Moon (series)· In Bruges (2008)· In the Name of the Father (1993)· Sex Education (series)· Peep Show (series)· Steven Spielberg on John Williams (Classic FM Movies)Music extracts:· “99 Red Balloons” by Nena· “Stand By Your Man” (cover) by The Blues Brothers· “Shake It Off” by Taylor Swift· “Complicated” by Avril Lavigne· “In The Bath” by Lemon Jelly· “Prelude” (Planet Earth) by George Fenton with The BBC Orchestra· “The Snow Geese” (Planet Earth) by George Fenton with The BBC Orchestra· “Pip Pop Plop” by by Daniel Pemberton (Peep Show ident)mfulcrum2187@gmail.com@mfulcrum2187 (X and Instagram)@millenniumfulcrum (TikTok)FB: millennium fulcrumRecorded at Millennium Fulcrum, the Shire. England.Full Crew episode: we use this tag when there are at least 4 or 5 crew members. Hosted on Acast. See acast.com/privacy for more information.

You may remember that Rob and Guy covered Peter Cook in quite some detail in our episode on the Rise & Rise of Michael Rimmer with our guest, Tom Salinsky of Best Pick Pod. Well, now we are talking about Cook & Moore as a duo, focusing mainly on Not Only But Also and, of course, our film for this week, Bedazzled. Rather neatly, another host of Best Pick joins us for the 1967 Faustian adaptation. John Dorney gets involved with our Pete & Dud-centric episode. Bedazzled, also starring Eleanor Bron, Raquel Welch, and Barry Humphries, is the first film we have covered on Britcom Goes to the Movies, which has a Hollywood remake. Much as the idea of a Tom Cruise-starring remake of On The Buses would excite us, it simply doesn't exist! To Rob and Guy's shame, they didn't watch the remake, but luckily our guest did and was more than happy to fill us in on that as well.  Tom Salinksy and Jess Regan (the other two presenters of Best Pick) had chosen movies that shot straight to number one on our League table (although neither Michael Rimmer nor Sightseers stayed there), so could John continue this trend? Could Guy eat into Rob's quiz lead with John's questions on Cook & Moore? Find out by listening to episode 3! Bedazzled Trailer https://www.youtube.com/watch?v=FsyqpUP1knQ Bedazzled – Leaping Nuns https://www.youtube.com/watch?v=YK9kg-Ngz0Q Bedazzled - Drimble Wedge & the Vegetation https://www.youtube.com/watch?v=JXnoWb88Jr4 Not Only But Also with Peter Sellers https://www.youtube.com/watch?v=DWKZ79jUl3U Pete & Dud – Greta Garbo https://www.youtube.com/watch?v=gLh3Dck0D9g Naked Gun 33 1/3 – Raquel Welch https://www.youtube.com/watch?v=Y_PA0Qje9G8 Bedazzled (200 remake) Trailer https://www.youtube.com/watch?v=tfpLEU2YKzc

Fraud is front and center for America's banks, and on the latest episode of the ABA Banking Journal Podcast — sponsored by Alkami — ABA's Paul Benda and Peter Cook discuss several recent initiatives taken by ABA to help banks tackle fraud from a variety of fronts. Benda discusses ABA's recently expanded Fraud Contact Directory, which is free to all banks and now encompasses other forms of fraud to facilitate prompt claims. He also explores new tools banks are using to tackle rising fraud numbers. Meanwhile, Cook discusses the latest incarnation of ABA's award-winning #BanksNeverAskThat anti-phishing campaign — returning for a fourth year in October and also free to all banks — and previews a new companion initiative, Practice Safe Checks, that educates consumers about how to avoid becoming unwitting victims of check fraud.

RMR 0277: Special Guest, Matt Kerker joins your hosts Dustin Melbardis, and Lizzy Hayness for the Retro Movie Roundtable as they revisit Yellowbeard (1983) [R] Genre: Comedy, Adventure Starring: Graham Chapman, Peter Boyle, Cheech Marin, Tommy Chong, Peter Cook, Marty Feldman, Martin Hewitt, Michael Hordern, Eric Idle, Madeline Kahn, James Mason, John Cleese   Director: Mel Damski Recorded on 2024-07-31

John Rain & Paul Litchfield join Tyler to discuss Peter Cook and Dudley Moore's 1978 adaptation of the classic Sherlock Holmes story, an attempt to make a hit mainstream comedy but which failed to find an audience. Mostly owing to it not being very good. Directed by American Paul Morrissey this was the first major film project he made without the involvement of Andy Warhol. Rather bizarrely Morrissey was a fan of the Carry On films and he was keen to bring that sort of humour to the screen, enlisting Kenneth Williams to play Sir Henry Baskerville and stuffing it full of familiar faces from the world of British comedy. The result was a bit of a mess, with indoor fog and urinating dogs small compensation for proper belly laughs but there is still plenty to talk about and some titters among the dross. It's not a complete dog of a film. And why are we covering it on Goon Pod? Why, for the small scene-stealing cameo from Spike Milligan as a policeman. Enjoy! Many thanks to the wonderful Jonathan Roberts for this episode's artwork! There's also a taster of August's edition of Goon Pod Film Club, in which Tim Worthington talks Billy Liar! Head over to www.patreon.com/GoonPod

“The number one marketing strategy for bookkeepers, people would say, is 'do a good job and referrals will come.'” -Debbie Roberts  Finding the right people to work in our businesses is tough. Managing expectations on both sides can be challenging, maybe our systems and processes aren't as great as we hoped, or maybe they just aren't the right fit for us.  No matter what happens, mistakes are only a waste of time if we refuse to learn from them. When we get things wrong, it gives us a great opportunity to review our practices and see what isn't working. This will help us understand where the fault lies and how to fix it.  Not everyone wants to be the boss, some just want to turn up and do what they love, but in order to find these people we have to be sure of their skills. You cannot take someone's word on success. Spend time with them, sit with them and have them show you they can do everything you want them to do, in the way you want them to do it.  Peter Cook, and Debbie Roberts, co-authors of the E-Myth Bookkeeper and co-founders of Pure Bookkeeping, are this episode's featured guests. This sixth episode regarding The E-Myth Bookkeeper is all about how to hire great people, develop your systems and be relentless in the pursuit of your dreams.  If you are struggling to grow in your business and want to scale but aren't sure how to find and test the right people for you then this episode will teach you how to build the right systems and then test and hire with confidence.   During this interview, you'll learn... The value of never giving up on your dreams How to hire great people & keep them The importance of systems & processes in your business To find out more about Peter, click here or connect with him on LinkedIn.  To learn more about Debbie, visit  this link or connect with her on LinkedIn. Get your copy of The E-Myth Bookkeeper. To learn about Pure Bookkeeping, visit this link. Catch-up on the full E-Myth Bookkeeper Peter Cook podcast series with past episodes below! Episode 1 Episode 2  Episode 3 Episode 4 Episode 5 Time Stamps 01:21 - The Successful Bookkeeper 05:27 - Debbie's story 09:34 - Developing your systems 18:52 - Finding the right people for you 30:54 - Embracing what you're good at This episode is brought to you by Pure Bookkeeping. It's the proven system to grow your bookkeeping business.

“The sales conversation isn't about the details of how we do the bookkeeping, it's about, what are the benefits of that for a business owner.” -Peter Cook Most of us would say that referrals have been our best avenues to new business. Yet when quizzed about how we get them, many of us have no system or proactive approach in place with which to attract them.  It's a fine line, make too many cold calls/posts and no one will take us seriously, but sitting back and waiting for things to happen to us, doesn't yield positive results either. This coupled with the issue that most of us are good at bookkeeping, not marketing, can make gaining and retaining clients a real problem. Peter Cook, co-author of The E-Myth Bookkeeper and co-founder of Pure Bookkeeping, is this episode's featured guest. He takes a deeper look at effective systems and strategies for marketing, and how prioritizing meaningful connections can make all the difference. If you are unsure how to market yourself, but not really gaining any meaningful leads, then this is the episode to help you move away from telling people what you're good at, and start actively showing them. During this interview, you'll learn... The value of letting your skills speak for themselves  How to build meaningful relationships The importance of being proactive in your approach to referrals To find out more about Peter, click here. Connect with him on LinkedIn. Get your copy of The E-Myth Bookkeeper. To learn about Pure Bookkeeping, visit this link. Catch-up on the full E-Myth Bookkeeper Peter Cook podcast series with past episodes below! Episode 1 Episode 2  Episode 3 Episode 4 Time Stamps 02:09 - Growing your bookkeeping business  08:10 - Systems for marketing  13:00 - Seven effective marketing strategies for bookkeepers 16:52 - Building meaningful relationships 24:22 - Creating referral systems  28:30 - Is paid advertising worth it? 

Music, toxic HR culture, confounded with structure, 'I cycled through the pandemic,' moral hazard and money to be made, exam strategies and rock songs, and then our conversation took off. How can you not like listening in on a conversation with Peter Cook, who wrote Sex, Leadership and Rock N 'RolI: Leadership Lessons from the Academy of Rock?We're each (and both) proponents of a world where jobs encourage people to bring their brains to work.

“People do that with their bookkeeping business, they start, they want to get some clients and they want to make some money, but they actually really have no idea what the journey looks like and where they are trying to get to. It's a very different experience if you don't know where you're trying to get to.” -Peter Cook There is a common misconception among business owners, that we are never truly successful unless we can claim to have done everything ourselves. While there are advantages to stepping out of others' shadows, it's also far more likely we'll get burned.  There is nothing wrong with taking stock of what other business owners are doing and seeing how we might apply their approach to our own bookkeeping business. Walking the same path as someone else doesn't mean trying to walk precisely in their footprints. It's just a chance for us to enjoy a slightly easier path made possible by those who walked it before us.  Peter Cook, co-author of The E-Myth Bookkeeper and co-founder of Pure Bookkeeping, is this episode's featured guest. This fourth episode on The E-Myth Bookkeeper series explores the bookkeeper's journey, the challenges of transitioning your business, and why sticking to the plan can make all the difference.  If you are struggling to let go of old ideas about success, aren't sure how to move your business to the next phase of prosperity, or just want to get a better idea of what to expect on your journey, then this is the episode to show you it's okay to follow the trail. During this interview, you'll learn... The value of sticking to the plan How to navigate transitioning your business   The importance of understanding the phases of your business  To find out more about Peter, click here. Connect with him on LinkedIn. Get your copy of The E-Myth Bookkeeper. Catch-up on the full E-Myth Bookkeeper with Peter Cook series with past episodes below! Episode 1 Episode 2  Episode 3 Time Stamps 02:01 - The bookkeeping business journey  07:41 - Helping bookkeepers grow their businesses  10:30 - The four stages of a bookkeeping business 16:26 - The challenges of transitioning your business  24:21 - Creating your freedom 

“You don't have to be the best salesperson in the world. To be good at marketing a bookkeeping business, you just need to be good enough that you stand out in that crowd. You have to get good enough, you don't have to become the world's best marketer. “ - Peter Cook We might be excellent bookkeepers, but that doesn't mean we are automatically great business managers. It's important to take the time to figure out where our skills are strong and where they could use improvement. If your passion and skill lie in the numbers, there is nothing wrong with focusing your attention there.  Things start to slip or feel unmanageable in our businesses when we find ourselves spending a lot of time doing things we don't love. Even if we are not in a position to outsource the work, by connecting with others, we open up a world of experience, where we can find people who have already solved our problems. And whose problems we may have already solved.  Peter Cook, co-author of the E-Myth Bookkeeper and co-founder of Pure Bookkeeping, is this episode's featured guest. This third episode on The Emyth Bookkeeper explores management, the challenges of growing a business, and why community matters.  If you are drowning in your business, or want to learn more about what it takes to be a better manager, then this is the episode to help you take stock of your skills and explore connections with people who can help. During this interview, you'll learn... The value of challenges as steps to growth How to manage your business with your passion in mind The importance of community in solving problems  Click here to find out more about Peter. Connect with Peter on LinkedIn. Get your copy of The E-Myth Bookkeeper. Click here to listen to the first episode. Click here to listen to the second episode.   Time Stamps 03:00 - The challenge of growing a business  06:23 - Getting good enough  08:45 - Taking score of your business  12:46 - Finding your people  17:24 - Building a business you love 

What's the CEO-eye view on the U.S. economy, business conditions and the regulatory environment for banks? This week's episode of the ABA Banking Journal Podcast — presented by R&T Deposit Solutions — features a conversation with ABA's Peter Cook and four bank CEOs from across the country. In the conversation, they discuss local economic conditions in their markets, how the “regulatory tsunami” is affecting banks of all sizes, the commercial real estate outlook, what they're most excited for in the future of banking and more.

“When people say, ‘What do you do?' instead of saying I'm a bookkeeper, say ‘I run a bookkeeping business.' It's a subtle difference, but it's actually a really big shift in mindset.” -Peter Cook We must all leave our businesses one day. This confronting reality can make us quite uncomfortable. So much so that we bury ourselves working in our businesses, rather than working on them. More than the work we do, our businesses are valuable assets, if we treat them as such. Problems arise when we lean into negative thoughts and actions. If we only ever refer to ourselves as ‘just a bookkeeper' that is all we'll ever be. Our habits define who we are, what might change if you began to introduce yourself as a business owner instead? Peter Cook, co-author of The E-Myth Bookkeeper and co-founder of Pure Bookkeeping, is this episode's featured guest. He speaks to the power of shifting mindsets, how to prove the value of your business to yourself and others, and why even small changes to our habits can have huge impacts.  If you are worried about the future of your bookkeeping business, or just starting to consider it as a valuable asset for the future, this is the episode to get you thinking about long-term value and what leaving your business might look like. During this interview, you'll learn... The value of long-term thinking How to shift into a business owner mindset The importance of creating successful habits  To find out more about Peter, click here. Connect with him on LinkedIn. Get your copy of The E-Myth Bookkeeper! Click this link to listen to Peter's previous Successful Bookkeeper episode in 2024. Time Stamps 02:01 - How you exit your bookkeeping business  08:58 - Creating habits for success 10:46 - Positive versus negative thought 14:10 - The value of a bookkeeping business     16:44 - Proving the value of your business  19:55 - The challenges of stepping away 24:48 - Thinking with the end in mind

This week's guest is a man more used to asking the questions - the writer and broadcaster Clive Anderson. A former barrister, Clive turned to comedy and wrote for the likes of Mel Smith and Griff Rhys Jones before gaining radio & television fame as the host of top improvisational comedy series Whose Line Is It Anyway? He then went on to present a series of chat shows and interviewed some of the biggest stars on the planet, including Spike Milligan, and it's this that we take as our starting point. Clive talks about his career and many of the shows and people he's been involved with, including WLIIA, Loose Ends, If I Ruled The World, Peter Cook, Tony Slattery, John Sessions, Graeme Garden and Keith Allen. He also talks about his reaction to the Brass Eye segment claiming he'd been shot dead by Noel Edmonds, remembers seeing Harry Secombe miming on stage and shudders as he recalls *that* interview with the Bee Gees.

March is Thor's new theme, Expendabelles! Speaking of marches, we definitely discussed how John Williams was not involved in this film. We also reference the TV show, related Warner Brothers properties, and various comic book iterations. The next topic will be Zombeavers (2014). 

Peter is a Keynote Speaker • Consultant • Mentor • Scientist • Musician • Author @ Virgin, Bloomsbury, Routledge TIMELINE: 0:56 How are things going in the UK with Brexit 2:45 Why was Brexit especially bad for UK musicians? 5:10 Playing Purple Rain at business meetings 8:30 Nikos' live guitar performance and Peter's coaching/feedback 29:00 How easy can someone near 40 to break into the music industry? 40:10 Nikos sings about the English stealing Scottish oil and Generation Rent 42:26 AI EPISODE LINKS: https://www.linkedin.com/in/humandynamics/academy-of-rock.co.uk (Company) https://www.humdyn.co.uk/aboutus (Company) https://brexitrage.com (Personal) PODCAST LINKS: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-nikos-show/id1240503636 Spotify: https://open.spotify.com/show/2dBlXuaLe1IHkXqG2whQNC #music #rock #guitar

“If we could get what's in your head, about how you do bookkeeping, out of your head and onto paper, into a system or process that someone else could follow, do you think then you could trust somebody else with your clients?”  -Peter Cook   The world of bookkeeping is ever-evolving.   More and more frequently we are being relied on not only for our number crunching but in an advisory capacity. There is a wealth of knowledge we each possess from years of working within our niches. The problem is, all that great information is trapped inside our heads.   Building effective systems and processes is about more than just having a computer run the numbers. Our systems should reflect the very best of ourselves. They should contain our knowledge and experience, so others can easily use that information to help clients.   Peter Cook, co-author of the E-Myth Bookkeeper and co-founder of Pure Bookkeeping, is this episode's featured guest. He has spent his career mentoring business owners to find out what they really want from their businesses and their lives and how to get it.    If you are struggling to move from working IN your business to working ON your business, are looking to scale your business, but everything is stuck in your head, or just want to test your systems against the advice of a master in the field, then this is the episode to get you started!   During this interview, you'll learn... The power of the entrepreneurial mindset How to build your ultimate systems manual The importance of getting out of your own head To find out more about Peter, click here.   Connect with him on LinkedIn.   Get your copy of The E-Myth Bookkeeper.    Time Stamps   03:12 - Peter talks about his journey  06:34 - Evolving with the times 09:40 - The story of E-Myth  14:02 - What is a business system? 17:18 - Measuring successful outcomes   20:01 - Building your ultimate systems manual  24:01 - The impact of great systems    This episode is brought to you by The Accelerator Method Masterclass Series!   If you're a bookkeeper tired of working in overwhelm on compliance detail, learn how to reposition to high-value advisor correctly with this virtual opportunity that's hosted by Lisa Campbell.   It begins on March 4th at 4pm ET. REGISTER TODAY!

GGACP celebrates the 92nd birthday of innovative film director -- and long-sought podcast guest -- Richard Lester (b. January 19, 1932), by revisiting this double topic mini-ep from 2016. In this episode, the boys look back on the American-born expatriate's impressive list of collaborators (Peter Sellers, Sean Connery, the Beatles, Peter Cook & Dudley Moore, et al.) as well as his influence on everyone from Martin Scorsese to Steven Soderbergh. Also: "A Funny Thing Happened on the Way to the Forum"! John Lennon wins the war! Ted Bessell does George Jessel! The enduring appeal of "A Hard Day's Night"! And Gilbert weighs in on the Spice Girls movie! PLUS: The very first discussion of Bob Hope's "Jack Frost"! Learn more about your ad choices. Visit megaphone.fm/adchoices

INCONCEIVABLE! The delightfully quotable satirical classic starring Cary Elwes, Robin Wright, Mandy Patinkin, Chris Sarandon, Fred Savage, Peter Falk, Christopher Guest, Wallace Shawn, Andre the Giant, Billy Crystal, Carol Kane and Peter Cook.  Directed by Rob Reiner.

December 27, 2023 - A coalition of religious leaders and Democratic lawmakers are looking to make it easier for faith-based organizations to develop affordable housing. Rev. Peter Cook, executive director of the New York State Council of Churches, explains how new legislation could remove local barriers to new uses of church property and facilities.

This week writer and journalist David Quantick on Ned's Atomic Dustbin. As someone who spent time with the band while writing for the NME and a former member of the GSPS, David was the ideal person to tackle NAD. The band took their name from a Goon Show episode, with band member Jonn Penney suggesting it after flicking through the More Goon Show Scripts book. The Goon Show itself was from the 9th Series in 1959 and contained vague Cold War themes as well as digs at BBC censorship and notably featured the debut of the Radiophonic Workshop-devised sound effect Bloodnok's Stomach. The conversation veers from the indie music scene of the early nineties to a joke about a talking dog and John Snagge working with the Sex Pistols. We also touch on 'terrible band names', Spike Milligan's complicated attitude to racial depictions in comedy, about Peter Sellers possibly inspiring Peter Cook with a thinly-veiled Harold Macmillan impression and consider whether the scripting of this particular episode was Spike 'on autopilot'. You can listen to the Goon Show episode Ned's Atomic Dustbin here: https://open.spotify.com/track/6pGHhb9SLNeBoy20AMTg9L More about the band here: http://www.nedsatomicdustbin.com/ David is on Twitter @quantick and follow the podcast @goonshowpod

In this episode, we introduce an innovative concept: the "Business Black Belt" and the "Revenue Ladder." Inspired by entrepreneur Peter Cook, this guide aids fitness professionals on their path to success. Using a belt system ranging from white to black, based on monthly income levels, listeners can pinpoint where they are in their professional journey and learn how to effectively grow their fitness businesses.Whether you're at the beginning or aiming to elevate your fitness business, this episode offers key insights and a straightforward plan for achievement.Timestamps: [00:00] Introduction[00:05] The concepts of a "Business Black Belt" and the "Revenue Ladder" and their significance.[00:26] The guide to fitness professionals in their professional development and business focus.[02:00] What is the Revenue Ladder?[03:17] Know Your Position in the Revenue Ladder and strategize your strengths. [05:00] Why Prioritize Sales in Your Launch Phase is Crucial[06:00] Avoid Leaky Buckets in Your Business[08:30] OutroResources and Links Mentioned in the Show:The Strength Matters Training System Get A FREE Website for Personal Trainers with Strength MattersBooks By Peter CookShow Your Support: Rate and Review Us!If you enjoyed today's episode, please consider giving us a 5-star rating and a review on Apple Podcasts or wherever you listen to podcasts. Your support helps us reach more people and bring you even more quality content. Click the link below to rate and review us now! Rate and Review us on Apple Podcasts FREE DownloadsTo learn more about Strength Matters and our high-performance training system, download your FREE copy of The Strength Matters System of Athletic Development. Get it at - www.strengthmatters.com/system

In 1977 BBC Records released Goon Show Classics Volume 4. It became one of their biggest sellers and no wonder: on the A-side was the episode considered the greatest Goon Show of all time (as voted for by people of impeccable taste, breeding and judgement - Goon Pod listeners) - Napoleon's Piano; on the B-side was the show we're talking about today: The Flea. You heard her back in January talking about The Greenslade Story and back by popular demand is Donna Rees, trying to get her head around the plot of this stone cold classic from December 1956 set in 1665. Samuel Pepys, never one to pass up the opportunity to sport with Mrs Fitzsimmons, is the target of a dastardly ruse by Grytpype-Thynne and Count Jim 'Thighs' Moriarty (Minister Without Underpants to the Principality of Monte Carlo), who claims to have been bitten by a flea while lodging with Pepys. With Pepys being sued for damages and the prospect of war, the guilty flea, a lively fellow named Francois, is detained in a prison cell and guarded over by a formidable duo - Eccles and Bluebottle. However, they are easily overpowered by the villains and with a daring switcheroo the nationwide hunt for the fugitive flea is soon on! As well as discussing the show itself other topics include Tony Hancock in The Man Who Could Work Miracles, Charlie Brown and a football, the genius of Peter Cook and a whole lot more... and remember: You Gotta Go Owww!

This week we look at the life and career of the late great Dick Emery (1915-1983), as Tyler and Chris Diamond talk to his son Nick. Dick worked with the Goons both collectively and individually: appearing in a number of Goon Shows, as a substitute for Secombe in The Case of the Mukkinese Battlehorn and briefly in the Sellers film The Wrong Arm of the Law, as well as working extensively with Michael Bentine on television. Nick talks warmly and openly about his father's career and personal life in a conversation which covers a lot of ground - from Dick's early life and wartime escapades to later fame as one of the biggest stars on British television. Topics include: Holidaying with the Milligans... Dick's relationship with Tony Hancock... the many marriages... working with Peter Cook and an intriguing 'Derek and Dick' tape.... the film Ooh You Are Awful... the origins of Lampwick... Dick's striking parallels with Peter Sellers... going AWOL during WWII... Ralph Reader's Gang Show... 'worrying Pat Coombs'... The Dick Emery Show and how he was ill-served by some of the later material... Clarence and portrayals of homosexuality in the seventies... It's A Square World... working with Wonder Woman... his appearance in the film Yellow Submarine... 'The Man Who Fixed Churchill's Son's Boiler'... the 1973 Royal Variety Show... Eric Morecambe, Clive Dunn, Harry Enfield and much much more!

Ryan and Dylan discuss the early work of Rob Reiner, who held one of the hottest streaks in cinema in the 80s.

"It was a moment of madness... I became him"Shaun Micallef is an Australian comedy legend. He's an award winning writer, comedian and actor, having starred in and written for television, film, radio and books. Shaun's style of humour is satirical, surrealist, and a blend of his comedic heroes: Peter Cook, Dudley Moore, Peter Sellers, Monty Python, The Marx Brothers, and Morecambe and Wise. His new book, Tripping Over Myself: A Memoir of a Life in Comedy, is available now. You can get in touch with Dan Schreiber on Twitter and Instagram (@Schreiberland). In his bio, you'll find the link to our Discord channel - a global community of likeminded weirdos!

Got Something to Say? is brought to you by United Federal Credit Union - We Get U!  Peter Cook from North Berrien Historical Museum talks about some of the great upcoming events and programs at the museum. See omnystudio.com/listener for privacy information.

Welcome to this week's Socially Distant Sports Bar with Elis James, Mike Bubbins and Steff Garrero. This is Part 2 of this week's episode.  Part 1 is out every week on Wednesdays. If you want to listen to the full podcast ADVERT FREE every TUESDAY, including 30 MINS of bonus content not available on the free version, then head to either  https://anchor.fm/nata-media/subscribe or  https://www.patreon.com/distantpod GORDON SMART This week it's a LIVE GUEST EPISODE and Elis, Mike & Steff invited journalist and podcaster Gordon Smart to join the live on stage in Islington in May at the Podcast Show 2023. Gordon co-hosts the Restless Natives podcast with Martin Compston. https://podcasts.apple.com/gb/podcast/restless-natives-with-martin-compston-gordon-smart/id1637468844  Gordon is on BBC 5Live on Sunday evenings at 8pm https://www.bbc.co.uk/programmes/m001nzcx  BRITISH PODCAST AWARDS Vote for us this year!!  We haven't won one of these yet and we'd like one… Please vote for us: loads of times… Use all of your email addresses… https://www.britishpodcastawards.com/voting  PUPPETS ON YOUTUBE “Puppet” Paul Melin has been busy creating puppet versions of our funniest moments on Distant Pod. Head over to our YouTube Channel, SUBSCRIBE AND CLICK ON THE BELL to see the latest episode whenever it gets published.  https://www.youtube.com/thesociallydistantsportsbar  LIVE SHOWS We're doing 2 live shows in November. On Saturday November 4th at 2:30pm at the Cheerful Earful Festival at The Clapham Grand. https://link.dice.fm/j30befa1054c On Sunday November 5th we're live in Wrexham at the William Aston Hall. https://williamastonwrexham.com/event/wrexham-comedy-festival-socially-distant-sports-bar-live-ft-humphrey-kerr  CHICAGO MARATHON Steff is running the Chicago Marathon for Grassroots Soccer - why not sponsor him? https://impact.grassrootsoccer.org/fundraiser/4504656  THIS WEEK'S EPISODE Gordon clip: Gordon's memories of Hibs winning the Cup https://www.instagram.com/reel/CshFa60AeO5/?igshid=MzRlODBiNWFlZA==  Gordon clip: Scott Brown. I Dunno. https://youtu.be/rMeYPir9ZhA  Steff Clip: John Jeffrey playing for Wales https://twitter.com/ApsmRugby/status/1522283253616594944  Elis clip: John Conteh, Dudley Moore, Peter Cook on Parky https://twitter.com/doule_tom/status/1659458092038234112?s=48&t=Pm-WnsT18372yekRZRXoiA  Mike Clip: Micheal Block hole in one at US PGA  https://youtu.be/cS11uQc_AE4 Gordon Clip: Sean Connery https://www.instagram.com/reel/CsoQrVNowON/?igshid=NjFhOGMzYTE3ZQ==  Gordon's Book: It's Been Emotional by Vinnie Jones https://www.goodreads.com/en/book/show/18629800  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to this week's Socially Distant Sports Bar with Elis James, Mike Bubbins and Steff Garrero. This is Part 1 of this week's episode.  Part 2 is out every week on Fridays. If you want to listen to the full podcast ADVERT FREE every TUESDAY, including 30 MINS of bonus content not available on the free version, then head to either  https://anchor.fm/nata-media/subscribe or  https://www.patreon.com/distantpod GORDON SMART This week it's a LIVE GUEST EPISODE and Elis, Mike & Steff invited journalist and podcaster Gordon Smart to join the live on stage in Islington in May at the Podcast Show 2023. Gordon co-hosts the Restless Natives podcast with Martin Compston. https://podcasts.apple.com/gb/podcast/restless-natives-with-martin-compston-gordon-smart/id1637468844  Gordon is on BBC 5Live on Sunday evenings at 8pm https://www.bbc.co.uk/programmes/m001nzcx  BRITISH PODCAST AWARDS Vote for us this year!!  We haven't won one of these yet and we'd like one… Please vote for us: loads of times… Use all of your email addresses… https://www.britishpodcastawards.com/voting  PUPPETS ON YOUTUBE “Puppet” Paul Melin has been busy creating puppet versions of our funniest moments on Distant Pod. Head over to our YouTube Channel, SUBSCRIBE AND CLICK ON THE BELL to see the latest episode whenever it gets published.  https://www.youtube.com/thesociallydistantsportsbar  LIVE SHOWS We're doing 2 live shows in November. On Saturday November 4th at 2:30pm at the Cheerful Earful Festival at The Clapham Grand. https://link.dice.fm/j30befa1054c On Sunday November 5th we're live in Wrexham at the William Aston Hall. https://williamastonwrexham.com/event/wrexham-comedy-festival-socially-distant-sports-bar-live-ft-humphrey-kerr  CHICAGO MARATHON Steff is running the Chicago Marathon for Grassroots Soccer - why not sponsor him? https://impact.grassrootsoccer.org/fundraiser/4504656  THIS WEEK'S EPISODE Gordon clip: Gordon's memories of Hibs winning the Cup https://www.instagram.com/reel/CshFa60AeO5/?igshid=MzRlODBiNWFlZA==  Gordon clip: Scott Brown. I Dunno. https://youtu.be/rMeYPir9ZhA  Steff Clip: John Jeffrey playing for Wales https://twitter.com/ApsmRugby/status/1522283253616594944  Elis clip: John Conteh, Dudley Moore, Peter Cook on Parky https://twitter.com/doule_tom/status/1659458092038234112?s=48&t=Pm-WnsT18372yekRZRXoiA  Mike Clip: Micheal Block hole in one at US PGA  https://youtu.be/cS11uQc_AE4 Gordon Clip: Sean Connery https://www.instagram.com/reel/CsoQrVNowON/?igshid=NjFhOGMzYTE3ZQ==  Gordon's Book: It's Been Emotional by Vinnie Jones https://www.goodreads.com/en/book/show/18629800  Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens/ Thank you for listening today.   On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films.   But I am not here to defend Harvey Weinstein. I am not here to make him look good. My focus for this series, however many they end up being, will focus on the films and the filmmakers. Because it's important to note that the Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and the two that they did have a hand in making, one a horror film, the other a comedy that would be the only film the Weinsteins would ever direct themselves, were distributed by companies other than Miramax.   But before I do begin, I want to disclose my own personal history with the Weinsteins. As you may know, I was a movie theatre manager for Landmark Theatres in the mid 1990s, running their NuWilshire Theatre in Santa Monica. The theatre was acquired by Landmark from Mann Theatres in 1992, and quickly became a hot destination for arthouse films for those who didn't want to deal with the hassle of trying to get to the Laemmle Monica 4 about a mile away, situated in a very busy area right off the beach, full of tourists who don't know how to park properly and making a general nuisance of themselves to the locals. One of the first movies to play at the NuWilshire after Landmark acquired it was Quentin Tarantino's debut film, Reservoir Dogs, which was released by Miramax in the fall of 1992. The NuWilshire quickly became a sort of lucky charm to Harvey Weinstein, which I would learn when I left the Cineplex Beverly Center in June 1993 to take over the NuWilshire from my friend Will, the great-grandson of William Fox, the founder of Fox Films, who was being promoted to district manager and personally recommended me to replace him.   During my two plus years at the NuWilshire, I fielded a number of calls from Harvey Weinstein. Not his secretary. Not his marketing people.    Harvey himself.   Harvey took a great interest in the theatre, and regularly wanted feedback about how his films were performing at my theatre. I don't know if he had heard the stories about Stanley Kubrick doing the same thing years before, but I probably spoke to him at least once a month. I never met the man, and I didn't really enjoy speaking with him, because a phone call from him meant I wasn't doing the work I actually needed to do, but keeping Harvey would mean keeping to get his best films for my theatre, so I indulged him a bit more than I probably should have.   And that indulgence did occasionally have its perks. Although I was not the manager of the NuWilshire when Reservoir Dogs played there, Quentin Tarantino personally hand-delivered one of the first teaser posters for his second movie, Pulp Fiction, to me, asking me if I would put it up in our poster frame, even though we both knew we were never going to play the film with the cast he assembled and the reviews coming out of Cannes. He, like Harvey Weinstein, considered the theatre his lucky charm. I put the poster up, even though we never did play the film, and you probably know how well the film did. Maybe we were his lucky charm.   I also got to meet Kevin Smith and Scott Mosier weeks before their first film, Clerks, opened. We hosted a special screening sponsored by the Independent Feature Project, now known as Film Independent, whose work to help promote independent film goes far deeper than just handing out the Spirit Awards each year. Smith and Mosier were cool cats, and I was able to gift Smith something the following year when he screened Mallrats a few weeks before it opened.   And, thanks to Miramax, I was gifted something that ended up being one of the best nights of my life. An invitation to the Spirit Awards and after-party in 1995, the year Quentin Tarantino and Lawrence Bender won a number of awards for Pulp Fiction. At the after-party, my then-girlfriend and I ended up drinking tequila with Toni Collette, who was just making her mark on American movie screens that very weekend, thanks to Miramax's release of Muriel's Wedding, and then playing pool against Collette and Tarantino, while his Spirit Awards sat on a nearby table.   Twenty feet from stardom, indeed.   I left that job at the end of the summer in 1995, and I would not be involved with the Weinstein Brothers for a number of years, until after I had moved to New York City, started FilmJerk, and had become an established film critic. As a critic, I had been invited to an advance screening of Bad Santa at the AMC Empire 25, and on the way out, Bob Weinstein randomly stopped me in the lobby to ask me a few questions about my reaction to the film. Which was the one and only time I ever interacted with either brother face to face, and would be the last time I ever interacted with either of them in any capacity.   As a journalist, I felt it was necessary to disclose these things, although I don't believe these things have clouded my judgment about them. They were smart enough to acquire some good films early in their careers, built a successful distribution company with some very smart people who most likely knew about their boss's disgusting proclivities and neither said nor did anything about it, and would eventually succumb to the reckoning that was always going to come to them, one way or another. I'm saddened that so many women were hurt by these men, physically and emotionally, and I will not be satisfied that they got what was coming to them until they've answered for everything they did.   Okay, enough with the proselytizing.    I will only briefly go into the history of the Weinstein Brothers, and how they came to found Miramax, and I'm going to get that out of the way right now.   Harvey Weinstein and his younger brother Bob, were born in Queens, New York, and after Harvey went to college in Buffalo, the brothers would start up a rock concert promotion company in the area. After several successful years in the concert business, they would take their profits and start up an independent film distribution company which they named Miramax, after their parents, Miriam and Max. They would symbolically start the company up on December 31st, 1979.   Like the old joke goes, they may have been concert promoters, but they really wanted to be filmmakers. But they would need to build up the company first, and they would use their connections in the music industry to pick up the American distribution rights to Rockshow, the first concert movie featuring Paul McCartney and his post-Beatles band Wings, which had been filmed during their 1976 Wings Over the World tour. And even from the start, Harvey Weinstein would earn the derisive nickname many people would give him over the years, Harvey Scissorhands, as he would cut down what was originally a 125min movie down to 102mins.   Miramax would open Rockshow on nine screens in the New York City area on Wednesday, November 26th, 1980, including the prestigious Ziegfeld Theatre, for what was billed as a one-week only run. But the film would end up exceeding their wildest expectations, grossing $113k from those nine screens, including nearly $46k just from the Ziegfeld. The film would get its run extended a second week, the absolute final week, threatened the ads, but the film would continue to play, at least at the Ziegfeld, until Saturday December 13th, when the theatre was closed for five days to prepare for what the theatre expected to be their big hit of the Christmas season, Neil Diamond's first movie, The Jazz Singer. It would be a sad coincidence that Rockstar's run at the Ziegfeld had been extended, and was still playing the night McCartney's friend and former bandmate John Lennon was assassinated barely a mile away from the theatre.   But, strangely, instead of exploiting the death of Lennon and capitalize on the sudden, unexpected, tragic reemergence of Beatlemania, Miramax seems to have let the picture go. I cannot find any playdates for the film in any other city outside of The Big Apple after December 1980, and the film would be unseen in any form outside a brief home video release in 1982 until June 2013, when the restored 125min cut was released on DVD and Blu-Ray, after a one-night theatrical showing in cinemas worldwide.   As the Brothers Weinstein were in the process of gearing up Miramax, they would try their hand at writing and producing a movie themselves. Seeing that movies like Halloween and Friday the 13th were becoming hits, Harvey would write up a five-page treatment for a horror movie, based on an upstate New York boogeyman called Cropsey, which Harvey had first heard about during his school days at camp. Bob Weinstein would write the script for The Burning with steampunk author Peter Lawrence in six weeks, hire a British music documentary filmmaker, Tony Maylam, the brothers knew through their concert promoting days, and they would have the film in production in Buffalo, New York, in the summer of 1980, with makeup effects by Tom Savini.   Once the film was complete, they accepted a purchase deal from Filmways Pictures, covering most of the cost of the $1.5m production, which they would funnel right back into their fledgling distribution company. But when The Burning opened in and around the Florida area on May 15th, 1981, the market was already overloaded with horror films, from Oliver Stone's The Hand and Edward Bianchi's The Fan, to Lewis Teague's Alligator and J. Lee Thompson's Happy Birthday to Me, to Joe Dante's The Howling and the second installment of the Friday the 13th series. Outside of Buffalo, where the movie was shot, the film did not perform well, no matter how many times Filmways tried to sell it. After several months, The Burning would only gross about $300k, which would help drive Filmways into bankruptcy. As we talked about a couple years ago on our series about Orion Pictures, Orion would buy all the assets from Filmways, including The Burning, which they would re-release into theatres with new artwork, into the New York City metropolitan region on November 5th, 1982, to help promote the upcoming home video release of the film. In just seven days in 78 theatres, the film would gross $401k, more than it had earned over its entire run during the previous year. But the film would be gone from theatres the following week, as many exhibitors do not like playing movies that were also playing on cable and/or available on videotape. It is estimated the film's final gross was about $750k in the US, but the film would become a minor success on home video and repeated cable screenings.   Now, some sources on the inter webs will tell you the first movie Miramax released was Goodbye, Emmanuelle, based in part on a profile of the brothers and their company in a March 2000 issue of Fortune Magazine, in which writer Tim Carvell makes this claim. Whether this info nugget came from bad research, or a bad memory on the part of one or both of the brothers, it simply is not true. Goodbye, Emmanuelle, as released by Miramax in an edited and dubbed version, would be released more than a year after Rockshow, on December 5th, 1981. It would gross a cool $241k in 50 theatres in New York City, but lose 80% of its screens in its second week, mostly for Miramax's next film, a low budget, British-made sci-fi sex comedy called Spaced Out.   Or, at least, that's what the brothers thought would be a better title for a movie called Outer Touch in the UK.   Which I can't necessarily argue. Outer Touch is a pretty dumb title for a movie. Even the film's director, Normal Warren, agreed. But that's all he would agree with the brothers on. He hated everything else they did to his film to prepare it for American release. Harvey would edit the film down to just 77mins in length, had a new dub created to de-emphasize the British accents of the original actors, and changed the music score and the ending. And for his efforts, Weinstein would see some success when the film was released into 41 theatres in New York on December 11th, 1981. But whether or not it was because of the film itself, which was very poorly reviewed, or because it was paired with the first re-issue of The Groove Tube since Chevy Chase, one of the actors in that film, became a star, remains to be seen.   Miramax would only release one movie for all of 1982, but it would end up being their first relative hit film.   Between 1976 and 1981, there were four live shows of music and comedy in the United Kingdom for the benefit of Amnesty International. Inspired by former Monty Python star John Cleese, these shows would raise millions for the international non-governmental organization focused on human rights issues around the world. The third show, in 1979, was called The Secret Policeman's Ball, and would not only feature Cleese, who also directed the live show, performing with his fellow Pythons Terry Jones and Michael Palin, but would also be a major launching pad for two of the most iconic comedians of the 1980s, English comedian Rowan Atkinson and Scottish comedian Billy Connelly. But unlike the first two Amnesty benefit shows, Cleese decided to add some musical acts to the bill, including Pete Townshend of The Who.   The shows would be a big success in the United Kingdom, and the Weinsteins, once again using their connections in the music scene, would buy the American film rights to the show before they actually incorporated Miramax Films. That purchase would be the impetus for creating the company.   One slight problem, though.   The show was, naturally, very British. One bit from the show, featuring the legendary British comedian and actor Peter Cook, was a nine-minute bit summing up a recent bit of British history, the leader of the British Labour Party being tried on charges of conspiracy and incitement to murder his ex-boyfriend, would not make any sense to anyone who wasn't following the trial. All in all, even with the musical segments featuring Townshend, the Weinsteins felt there was only about forty minutes worth of material that could be used for a movie.   It also didn't help that the show was shot with 16mm film, which would be extremely grainy when blown up to 35mm.   But while they hemmed and hawed through trying to shape the film. Cleese and his show partners at Amnesty decided to do another set of benefit shows in 1981, this time called The Secret Policeman's Other Ball. Knowing that there might be interest in a film version of this show, the team would decide to shoot this show in 35mm. Cleese would co-direct the live show, while music video director Julien Temple would be in charge of filming. And judging from the success of an EP released in 1980 featuring Townshend's performance at the previous show, Cleese would arrange for more musical artists to perform, including Jeff Beck, Eric Clapton, Phil Collins, Donovan, Bob Geldof, Sting, and Midge Ure of Ultraviolet. In fact, it would be because of their participation in these shows that would lead Geldof and Ure to form Band Aid in 1984, which would raise $24m for famine relief in Ethiopia in just three months, and the subsequent Live Aid shows in July 1985 would raise another $126m worldwide.   The 1981 Amnesty benefit shows were a success, especially the one-time-only performance of a supergroup called The Secret Police, comprising of Beck, Clapton, Geldof and Sting performing Bob Dylan's I Shall Be Released at the show's closing, and the Weinsteins would make another deal to buy the American movie rights to these shows. While Temple's version of the 1981 shows would show as intended for UK audiences in 1982, the co-creator of the series, British producer Martin Lewis, would spend three months in New York City with Harvey Weinstein at the end of 1981 and start of 1982, working to turn the 1979 and 1981 shows into one cohesive movie geared towards American audiences. After premiering at the Los Angeles International Film Exposition in March 1982, The Secret Policeman's Other Ball would open on nine screens in the greater New York City metropolitan area on May 21st, but only on one screen in all of Manhattan. And in its first three days, the movie would gross an amazing $116k, including $36,750 at the Sutton theatre in the Midtown East part of New York City. Even more astounding is that, in its second weekend at the same nine theaters, the film would actually increase its gross to $121k, when most movies in their second week were seeing their grosses drop 30-50% because of the opening of Rocky III. And after just four weeks in just New York City, on just nine or ten screens each week, The Secret Policeman's Other Ball would gross more than $400k. The film would already be profitable for Miramax.   But the Weinsteins were still cautious. It wouldn't be until July 16th when they'd start to send the film out to other markets like Los Angeles, where they could only get five theatres to show the film, including the brand new Cineplex Beverly Center, itself opening the same day, which, as the first Cineplex in America, was as desperate to show any movie it could as Miramax was to show the movie at any theatre it could.   When all was said and done, The Secret Policeman's Other Ball would gross nearly $4m in American theatres.   So, you'd think now they had a hit film under their belts, Miramax would gear up and start acquiring more films and establishing themselves as a true up and coming independent distributor.   Right?   You'd think.   Now, I already said The Secret Policeman's Other Ball was their only release in 1982.   So, naturally, you'd think their first of like ten or twelve releases for 1983 would come in January.   Right?   You'd think.   In fact, Miramax's next theatrical release, the first theatrical release of D.A. Pennebaker's Ziggy Stardust and the Spiders from Mars concert film from the legendary final Ziggy show at the Hammersmith Odeon in London on July 3, 1973, would not come until December 23rd, 1983. And, for the third time in three years, it would be their music connections that would help the Weinsteins acquire a film.   Although the Ziggy Stardust movie had been kicking around for years, mostly one-night-only 16mm screenings on college campuses and a heavily edited 44min version that aired once on American television network ABC in October 1974, this would be the first time a full-length 90min version of the movie would be seen. And the timing for it couldn't have come at a better time. 1983 had been a banner year for the musician and occasional actor. His album Let's Dance had sold more than five million copies worldwide and spawned three hit singles. His Serious Moonlight tour, his first concert tour in five years, was the biggest tour of the year. And he won critical praise for his role as  a British prisoner of war in Nagisa Ōshima's powerful Japanese World War II film Merry Christmas, Mr. Lawrence.   The Weinsteins would enlist the help of 20th Century Fox to get the film into theatres during a very competitive Christmas moviegoing season. But despite their best efforts, Fox and Miramax could only nab one theatre in all of New York City, the 8th Street Playhouse in lower Manhattan, and five in Los Angeles, including two screens at the Cineplex Beverly Center. And for the weekend, its $58,500 gross would be quite decent, with a per screen average above such films as Scarface, Sudden Impact and Yentl. But in its second weekend, the all-important Christmas week, the gross would fall nearly 50% when the vast majority of movies improve their grosses with kids out of school and wage earners getting time off for the holidays. Fox and Miramax would stay committed to the film through the early part of 1984, but they'd keep costs down by rotating the six prints made for New York and Los Angeles to other cities as those playdates wound down, and only buying eighth-page display ads in local newspapers' entertainment section when it arrived in a new city. The final gross would fall short of half a million dollars, but the film would find its audience on home video later in the year. And while the Weinsteins are no longer involved with the handling of the film, Ziggy Stardust and the Spiders from Mars will be getting a theatrical release across the planet the first week of July 2023, to coincide with the 50th anniversary of the concert.   So, here were are, four years into the formation of Miramax Films, and they only released five films into theatres, plus wrote and produced another released by Filmways. One minor hit, four disappointments, and we're still four years away from them becoming the distributor they'd become. But we're going to stop here today because I like to keep these episodes short.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1984 to 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

What does it mean to be truly funny? We often associate the word ‘funny' with comedy and making people laugh. But it can also mean being witty, incisive ironic, playful, teasing, or delivering little moments of truth. On this episode, I'm speaking to comedy writer Paul Dornan, whose new company, True Funny, helps people discover what makes them funny — in the loosest sense of the word — and how they can maximise that in the way they present themselves. Not to make them artificially funny in an [inster funny joke here] type way, but naturally and authentically.In our discussion, we explored how Paul came to become a comedy writer, working with comedy legend Barry Humphries. He explains how comedy was an inherent part of his family and how that led him to his career. We explore what makes comedy work and why being funny is all about being human.Paul shares some of his thoughts about how being more authentic can make us more engaging and how the increasing power of cognitive technology means we all need to be more human.To find out more about Paul and his company, True Funny: https://truefunny.co.uk/During our discussion, Paul referred to a number of comedians and comedy shows:Barry Humphries and Barry's comedy alter ego Dame Edna Everage: https://www.dame-edna.com/A clip that Paul referred to where Dame Edna speaks to former UK Prime Minister Ted Heath. Read this explanation first https://www.linkedin.com/posts/pauldornan_truefunny-activity-7055216788594151424-DmtU?and then watch the clip here: https://www.linkedin.com/posts/pauldornan_this-is-the-dame-ednated-heath-clip-in-all-activity-7055218623996424192-0UOo?The Cambridge Footlights: https://www.cambridgefootlights.org/Monty Python: https://www.montypython.com/Peter Cook: https://en.wikipedia.org/wiki/Peter_Cook/Jonathan Coleman: https://en.wikipedia.org/wiki/Jonathan_Coleman_(presenter)Jimmy Carr: https://www.jimmycarr.com/Del Boy, a character from the TV show ‘Only Fools & Horses': https://en.wikipedia.org/wiki/Del_BoyRicky Gervais, the creator of the TV series ‘The Office': https://www.rickygervais.com/Mrs Brown's Boys; https://www.mrsbrownsboys.com/

RMR 0214: Special Guest, Tim Withers, joins your hosts Lizzy Haynes and Chad Robinson for the Retro Movie Roundtable as they revisit The Princess Bride (1987) [PG] Genre: Fantasy, Adventure, Comedy, Family Starring: Cary Elwes, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, André René Roussimoff, Fred Savage, Robin Wright, Peter Falk, Peter Cook, Mel Smith, Carol Kane, Billy Crystal, Anne Dyson, Margery Mason, Malcolm Storry, Willoughby Gray, Betsy Brantley, Paul Badger   Director: Rob Reiner Recorded on 2023-04-11  

NBC's Saturday Night welcomes their first co-hosts to the show with British comedy team Cook & Moore!We also welcome a co-host of our own as we are joined by Thomas Sena of the SNL Hall of Fame Podcast. Thomas helps us to understand some British humour (they spell it with a u) and brings an appreciation of Neil Sedaka to the show that surprises everyone, including himself.There's a classic moment for Garrett in this episode and some fun sketches that Thomas helps us to appreciate!He also says what we've all been thinking about Brad...Subscribe today! And follow us on social media on X (Twitter), Instagram, and Facebook.

Dark kitchens are the multi-block commercial units allowing virtual brands and events companies to prepare and deliver food. They've got a mysterious reputation, sometimes also called ghost kitchens, so The Food Chain wanted to see how they have expanded since the start of the Covid-19 pandemic. In this episode, presenter Rick Kelsey speaks to chefs who buy a place in them, and to the owners who build them. Gini and Eccie Newton run Karma Kitchen, one of the fastest growing dark kitchens in Europe. They describe how much it costs to move in, how the model has changed, and respond to the restrictions put in by local governments on the kitchens in Barcelona, France and the Netherlands. Peter Cook is someone who knows the owners of the biggest dark kitchens in the world. He has recently returned from Amsterdam where he ran the Ghost Kitchen conference, and explains how PR around the kitchens is improving as they become more open spaces. And Yousif Kurdi runs Your Kitchen across the Netherlands, including in Amsterdam. He tells Rick how working with the locals is always good for business. (Picture: A woman packing a paper delivery bag. Credit: Getty Images/BBC) Presented and produced by Rick Kelsey

In this conclusion of a far-ranging 2-part episode, Oscar-nominated actress Brenda Vaccaro joins Gilbert and Frank to talk about the fun of filming comedies, the diva antics of Lauren Bacall (and Faye Dunaway), making a pilot for Lucille Ball, the comedic genius of Peter Cook, the generosity of Quentin Tarantino and sharing the stage and screen with Michael Caine, Gene Hackman, Al Lewis, Vincent Price and Frank Sinatra (among others). Also, Andrea Martin spoofs a Playtex ad, Ron Leibman plays the "bongos," Warren Beatty spots the "funny" in Jack Warden and Brenda tries to wrap her mind around the Cesar Romero rumor. PLUS: "Cactus Flower"! Shooting "Supergirl"! Remembering Laura Nyro! In search of George Hamilton! The talents of Frank Welker! And Brenda weighs in on the dramatic chops of Gilbert Gottfried! Learn more about your ad choices. Visit megaphone.fm/adchoices