Podcasts about suspirium

Desde canciones cortesanas del que se considera el género menos frecuentado por quienes se dedican al repertorio renacentista, frottola, a composiciones de reminiscencias folklóricas, músicas electrónicas como soporte de la música ancestral andina y amazónica, un madrigal de Monteverdi publicado en 1624 o músicas de cine, hoy en el programa. Escuchar audio

Vi esto y me gustó un re 9

Programa nº 184 de El podcast de Cinoscar & Rarities. 20º podcast especial de verano dedicado a los premios Óscar del S. XXI. Repaso a los Óscar 2018 y a las películas que no fueron nominadas. Además, nuestra compañera Mayra Meza reseña "NO DEJES RASTRO (LEAVE NO TRACE)", de Debra Granik. ¡Gracias por darle al play! Guía del programa: 0' Presentación - 1' Análisis de los Óscar 2018 - 5' Los olvidos de los Óscar 2018 - 9' Reseña de "NO DEJES RASTRO" - 15' Despedida y canción: Suspirium , de "Suspiria" Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Itunes ¡Buscamos colaboradores! ¡Contacta con nosotros!

La nueva edición de “Más allá de las Bandas Sonoras” presenta: “El cine tienta a músicos de diferentes disciplinas- 1ª parte” 1) “She Brings The Rain”, Can 4’04” 2) “Vitamin C”, Can 3’34”3) “Titelmusik Messer in Kopf”, Irmin Schmidt 4’59” 4) “Persian Love”, Holger Czukay 6’20”5) “Alethia”, Jonny Greenwood 4’04”6) “Knives Out”, Radiohead 4’00” 7) “Suspirium”, Thom Yorke 3’21”8) “Has Ended”, Thom Yorke 4’56”9) “Merry Christmas, Mr. Lawrence”, Ryuichi Sakamoto 4’37”10) “Amore”, Ryuichi Sakamoto 4’50”

¡Hola terrícolas! "Suspirium" Esto es un vals pensando en nuestros cuerpos, lo que significan para nuestra salvación… En el viaje musical de hoy escucharemos géneros como // New age, instrumental, ambient, electrónica, clásica, y alternativa. ¡Un abrazo desde la tierra!

¡Hola terrícolas! "Suspirium" Esto es un vals pensando en nuestros cuerpos, lo que significan para nuestra salvación… En el viaje musical de hoy escucharemos géneros como // New age, instrumental, ambient, electrónica, clásica, y alternativa. ¡Un abrazo desde la tierra!

In this episode, I speak with Aimee Lewis-Reau and LaUra Schmidt, co-founders of the Good Grief Network, an organization that “cultivates individual resilience to metabolize collective grief.” In this conversation with Aimee and LaUra, we discuss what it means to build psychosocial resilience in our time of accelerating climate change and ecological stress and despair. Presented in ten steps, the program cultivated by LaUra and Aimee is meant to be presented and worked with in a group setting. LaUra and Aimee expound on each of these steps in this discussion: 1) Accept the problem and its severity.
 2) Acknowledge that I am part of the problem as well as the solution.
 3) Practice sitting with uncertainty.
 4) Confront my own mortality and the mortality of all.
 5) Feel my feelings.
 6) Do inner work.
 7) Take breaks and rest as needed.
 8) Develop awareness of brain patterns and perception.
 9) Show up.
 10) Reinvest into problem-solving efforts.
 The dominant culture often discourages us from fully feeling the heavy and difficult emotions that come with recognizing our mortality, in particular when that realization is placed within the context of a rapidly unraveling biosphere -- one in which we fully depend on, not only for our physical wellbeing, but for our spiritual, psychological, and emotional wellbeing as well. Aimee and LaUra have done a tremendous service in providing a means to grapple with these emotions, build psychosocial resilience, and allow us to face our predicament with clarity, focus, power, and love. Aimee Lewis-Reau was born and raised in southeast Michigan, and is a certified Scholè Yoga Instructor and RYT 200, and received her Bachelor’s degree in English, Poetry, and Religion from Central Michigan University before obtaining her MFA in Creative Nonfiction from Georgia College & State University. She DJs under the name eXis10shAL and takes delight in making crowds dance, because Alice Walker said it best: “Hard times require furious dancing.”✧ LaUra Schmidt hails from Michigan and is a graduate of Central Michigan University with a BS in Environmental Studies, Biology, and Religious Studies. She earned her MS in Environmental Humanities from the University of Utah. She’s a Climate Reality Leadership Corps member and finds inspiration in natural landscapes and honest, open-hearted dialogue.✧ ✧Source: http://bit.ly/GoodGabout Episode Notes: - Learn more about the Good Grief Network: http://www.goodgriefgroup.org - Learn more about the “10 Steps to Psychosocial Resilience” here: http://bit.ly/2BtJdPW - Listen and subscribe to Aimee and LaUra’s podcast ‘WHY?!?’ on iTunes: https://apple.co/2DWqU8g - Support the Good Grief Network on Patreon: https://www.patreon.com/GoodGriefNetwork - The songs featured in this episode are “Suspirium” and “Has Ended” by Thom Yorke from the album Suspiria (Music for the Luca Guadagnino Film). - WEBSITE: https://www.lastborninthewilderness.com - PATREON: http://bit.ly/LBWPATREON - DONATE: Paypal: http://bit.ly/LBWPAYPAL Ko-Fi: http://bit.ly/LBWKOFI - FOLLOW & LISTEN: SoundCloud: http://bit.ly/LBWSOUNDCLOUD iTunes: http://bit.ly/LBWITUNES Google Play: http://bit.ly/LBWGOOGLE Stitcher: http://bit.ly/LBWSTITCHER RadioPublic: http://bit.ly/LBWRADIOPUB YouTube: http://bit.ly/LBWYOUTUBE - SOCIAL MEDIA: Facebook: http://bit.ly/LBWFACEBOOK Twitter: http://bit.ly/LBWTWITTER Instagram: http://bit.ly/LBWINSTA

Get ready: we talk some more Suspiria, but no spoilers this time as we focus more on the “double” album and the handful of gleeful interviews that Thom gave. We also review a couple of well-edited Radiohead film analysis videos. Plus, we saw the incredible tribute band There There again and they did not disappoint! Come for the creeping sadness and stay for Thom’s giddy laughter.

Welcome watchers, to MoviEmotion. In which Jacob and just introduced Jake develop the Scoville scale for movies and throw around a football. Movie music snippets from Suspirium and Belongings Thrown in a River from Suspiria (Music for the Luca Guadagnino Film) by Thom Yorke Related media: Jacob - Movie Mandy Jake - Movie Pina, Movie Adaptation, Movie Antichrist Additional Notes: Suspiria Mentioned Films: Office Space Call Me by Your Name A Bigger Splash Contact the podcast: Email moviemotionshow@gmail.com Twitter @moviemotionshow Instagram @moviemotionshow Web moviemotion.simplecast.fm Contact host Jacob Jarecki: Twitter @hexalspace Instagram @hexalspace Youtube JacobJarecki Web hexal.space Contact cohost Jake Kelly: Web jkelleyvideo.com Doggo Wilson's Instagram

Welcome to Neon Black where we talk all things pop culture, music, art, and film. Today we talk about the Spice Gils reunion - Beto O'Rourke's Senate race vs Ted Cruz - Pete Davison makes an edgy joke on SNL about Dan Crenshaw - Vince Staples new album "FM!" - Thom York falls short with "Suspirium" soundtrack - Metro Boomin's new album "Not All Heros Wear Capes" and the dichotomy that is Rami Malik and "Bohemian Rhapsody".Hosted by: Cheyne, Jaso, and Seb.Don't forget to subscribe!

This episode is sponsored by the color red. For his remake of the Dario Argento cult horror classic SUSPIRIA, Luca Guadagnino ("Call Me By Your Name") keeps the '70s German dance academy setting, but adds a lot of real-world political upheaval to the original's bloody witches' brew. Adam and Josh debate the effectiveness of Guadagnino and company's intellectual approach to the story's giallo origins. Plus: there are color movies and then there are movies that have color. Giants of world cinema Kurosawa, Bergman and Hitchcock knew how to flaunt it, but so do an emerging class of young filmmakers who make savvy use of the cinematic palette. 0:00-1:57 - Billboard 3:25-30:01 - Review: "Suspiria" Thom Yorke, "Suspirium" 30:54-41:16 - Next Week / Notes 41:16-48:59 - Polls (Musical Biopics / Best Picture Follow-ups) Kay Thompson, "Think Pink" (from "Funny Face") 49:38-51:38 - Donations & Thank Yous 53:50-1:29:23 - Top 5: Uses of Color 1:29:23-1:33:02 - Close / Outtake       Learn more about your ad choices. Visit megaphone.fm/adchoices

Simon is away again so Ben puts together a classic Kettle set list, including a highly recommend middle of delicate, immersing, cinematic piano-driven works. Enjoying the show? Please support BFF.FM with a donation. Playlist 2′16″ The Morning After by Spiritualized on And Nothing Hurt (Fat Possum) 14′14″ 200 Deer, 1 Rabbit by Alvie & The Breakfast Pigs on Plastic Surgery (Bird Flu Kitchen) 18′03″ Young At Heart by Milo Greene on Adult Contemporary (Nettwerk) 21′10″ The Invisibles by Suede on The Blue Hour (Warner) 25′06″ I Feel Free by Dilly Dally on Heaven (Partisan) 33′48″ Funeral Singers (feat. Collections of Colonies of Bees) by Sylvan Esso on Funeral Singers (Loma Vista) 37′24″ Good Friday (Boards of Canada Remix) by WHY? on Alopecia (Joyful Noise) 43′20″ Fun Destruction by Teleman on Family of Aliens (Moshi Moshi) 46′39″ Love Leaks by TT on LoveLaws (LoveLeaks) 60′30″ Rise Up Wise Up Eyes Up by Ibeyi on August Hamildrop (XL) 63′22″ Wolfpack by Tuvaband on Soft Drop (AntiFragile) 68′07″ Agree by Poliça & Stargaze on The Wild Honey Pie Buzzsession (Totally Gross National Product) 71′20″ Prodigal Dog by Hilary Woods on Colt (Sacred Bones) 81′35″ Again by Villagers on Again EP (Domino) 85′18″ Maryam by The Album Leaf on Piano Cloud Series - Volume Four (1631 Recordings) 89′03″ Suspirium by Thom Yorke on Suspiria OST (XL) 91′48″ Blacked Out by Yussef Dayes & Alfa Mist (Cashmere Thoughts) 109′41″ Nonkilling 6 | Hunger by How to Dress Well on The Anteroom (Domino) 117′34″ Energy Fantasy by Totally Enormous Extinct Dinosaurs (Nice Age) Check out the full archives on the website.

Learn how Thom Yorke (Radiohead) writes a chord progression by mixing the Dorian mode with the Aeolian mode, then giving it a twist - as heard in "Suspirium" from the Suspiria film soundtrack. Hello revolutionaries, and welcome to the Hack Music Theory channel. This is our New Music Friday show, where we trawl through the new releases every week to find the hottest theory hacks for your weekend studio session! So, if that sounds useful to you, then please subscribe to our YouTube channel and hit the bell to get notifications. Alright, it’s time to open your DAW to hack music theory. THE THEORY The two main elements that make “Suspirium” stand out, are its haunting chords and hypnotic rhythm. The haunting chord progression is created by mixing the Dorian mode with the Aeolian mode, and then using all major chords other than the root chord, which is obviously a minor (but even that minor root chord is eventually turned into a major). And all these major chords appearing from two minor modes create a suspiciously uplifting atmosphere, which you know cannot be trusted! Then, as if that wasn’t enough, the hypnotic repetition of the rhythm gently but persistently opens up your subconscious (like ghostly rhythmic water drops). THE HACK Step 1: TimeThom’s opening words in this song are “This is a waltz”, so it goes without saying that he’s using triple time here. So set your time signature to 3/4, and your tempo to 151 BPM. Step 2: ModeAs you now know, Thom is mainly using the Dorian mode in this song, and his root is C♯. So, your chord options are: C♯m, D♯m, Emaj, F♯maj, G♯m, A♯dim, Bmaj. And by the way, if you need help writing a chord progression in the Dorian mode, we’ve got a super simple step-by-step starter guide for you. Step 3: ChordsStart on the root chord, C♯m, which anchors you into that minor atmosphere, but then, chose only major chords for the rest of your chord progression. But, somewhere in the middle, return to the root chord, just so your listeners don’t get lost. Then lastly, change all your block chords into arpeggios, by simply playing them one note at a time. Step 4: HauntThe most noticeable way Thom haunts his chord progression, is by changing the root chord, C♯m, to a C♯maj at the end (this hack is a Radiohead favourite). And then to make it even more haunty, he plays the C♯maj for twice as long as any other chord. And the repercussion of this is a very unusual 18-bar chord progression, instead of a predictable 16 bars. Right, next up, you wanna borrow the ♭VImaj from the C♯ Aeolian mode, which is an Amaj chord. Then lastly, be sure to use an add9 somewhere as well, to add that dreamlike quality. We did that in a few places, one of them being the root chord in the middle of our progression. And remember, you make an add9 chord by simply adding a 2 to your triad. Step 5: BassFinally, copy and paste your piano arpeggios into another track, which is gonna be your left-hand part. Then, move the low 3s in all the chords down to roots, which will create a beautiful harmony. And if you want, you can do the same for a few of the high notes, too. Then when you’re done with your left-hand part, just move it down an octave. And with that, you’re done! NEXTSo, now that you’ve got one section down, how do you write a new section for it, and then, how do you transition between those two sections? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you’ll literally learn every step of the music making process, and most importantly, you’ll learn how to finish your songs! Also, please note that we intentionally wrote our example to be very similar to Thom Yorke, but we did that for the sake of this lesson. So, instead of copying Thom, please explore how you can use this hack creatively with your own musical personality, so it sounds like you! Alright, that’s it! We really hope this video has inspired and empowered you, and if it has, please drop us a comment on YouTube. We love hearing from you! Thanks for joining the Hack Music Theory revolution, and we’ll see you next week! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEARN1: Read our free book (below) & watch our YouTube videos2: Read our "Part 1" book & "Songwriting & Producing" PDF3: Learn our Secret Art of Song-Whispering, and effortlessly finish your music! ABOUTHack Music Theory is the pioneering notation-free method for making great music. Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), and many more. Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his Hack Music Theory method! While these Hack Music Theory YouTube lessons teach music theory for producers and DAW users, they are designed to accommodate all music makers (songwriters, guitarists, etc.) and all genres, from Electronic Music to R&B, Pop to Hip-Hop, Reggae to Rock, EDM/Dance to Metal (and yes, we djefinitely Djent!).     Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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Learn how Thom Yorke (Radiohead) writes a chord progression by mixing the Dorian mode with the Aeolian mode, then giving it a twist - as heard in "Suspirium" from the Suspiria film soundtrack. Hello revolutionaries, and welcome to the Hack Music Theory channel. This is our New Music Friday show, where we trawl through the new releases every week to find the hottest theory hacks for your weekend studio session! So, if that sounds useful to you, then please subscribe to our YouTube channel and hit the bell to get notifications. Alright, it’s time to open your DAW to hack music theory. THE THEORY The two main elements that make “Suspirium” stand out, are its haunting chords and hypnotic rhythm. The haunting chord progression is created by mixing the Dorian mode with the Aeolian mode, and then using all major chords other than the root chord, which is obviously a minor (but even that minor root chord is eventually turned into a major). And all these major chords appearing from two minor modes create a suspiciously uplifting atmosphere, which you know cannot be trusted! Then, as if that wasn’t enough, the hypnotic repetition of the rhythm gently but persistently opens up your subconscious (like ghostly rhythmic water drops). THE HACK Step 1: TimeThom’s opening words in this song are “This is a waltz”, so it goes without saying that he’s using triple time here. So set your time signature to 3/4, and your tempo to 151 BPM. Step 2: ModeAs you now know, Thom is mainly using the Dorian mode in this song, and his root is C♯. So, your chord options are: C♯m, D♯m, Emaj, F♯maj, G♯m, A♯dim, Bmaj. And by the way, if you need help writing a chord progression in the Dorian mode, we’ve got a super simple step-by-step starter guide for you. Step 3: ChordsStart on the root chord, C♯m, which anchors you into that minor atmosphere, but then, chose only major chords for the rest of your chord progression. But, somewhere in the middle, return to the root chord, just so your listeners don’t get lost. Then lastly, change all your block chords into arpeggios, by simply playing them one note at a time. Step 4: HauntThe most noticeable way Thom haunts his chord progression, is by changing the root chord, C♯m, to a C♯maj at the end (this hack is a Radiohead favourite). And then to make it even more haunty, he plays the C♯maj for twice as long as any other chord. And the repercussion of this is a very unusual 18-bar chord progression, instead of a predictable 16 bars. Right, next up, you wanna borrow the ♭VImaj from the C♯ Aeolian mode, which is an Amaj chord. Then lastly, be sure to use an add9 somewhere as well, to add that dreamlike quality. We did that in a few places, one of them being the root chord in the middle of our progression. And remember, you make an add9 chord by simply adding a 2 to your triad. Step 5: BassFinally, copy and paste your piano arpeggios into another track, which is gonna be your left-hand part. Then, move the low 3s in all the chords down to roots, which will create a beautiful harmony. And if you want, you can do the same for a few of the high notes, too. Then when you’re done with your left-hand part, just move it down an octave. And with that, you’re done! NEXTSo, now that you’ve got one section down, how do you write a new section for it, and then, how do you transition between those two sections? Great questions, and if this is something you need help with, then check out our cutting-edge online apprenticeship course, where you’ll literally learn every step of the music making process, and most importantly, you’ll learn how to finish your songs! Also, please note that we intentionally wrote our example to be very similar to Thom Yorke, but we did that for the sake of this lesson. So, instead of copying Thom, please explore how you can use this hack creatively with your own musical personality, so it sounds like you! Alright, that’s it! We really hope this video has inspired and empowered you, and if it has, please drop us a comment on YouTube. We love hearing from you! Thanks for joining the Hack Music Theory revolution, and we’ll see you next week! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEARN1: Read our free book (below) & watch our YouTube videos2: Read our "Part 1" book & "Songwriting & Producing" PDF3: Learn our Secret Art of Song-Whispering, and effortlessly finish your music! ABOUTHack Music Theory is the pioneering notation-free method for making great music. Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), and many more. Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his Hack Music Theory method! While these Hack Music Theory YouTube lessons teach music theory for producers and DAW users, they are designed to accommodate all music makers (songwriters, guitarists, etc.) and all genres, from Electronic Music to R&B, Pop to Hip-Hop, Reggae to Rock, EDM/Dance to Metal (and yes, we djefinitely Djent!).     Wooohooo!!! You’re a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I’ve ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. 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Learn how Thom Yorke (Radiohead) writes a chord progression by mixing the Dorian mode with the Aeolian mode, then giving it a twist - as heard in "Suspirium" from the Suspiria film soundtrack. Hello revolutionaries, and welcome to the Hack Music Theory channel. This is our New Music Friday show, where we trawl through the new releases every week to find the hottest theory hacks for your weekend studio session! So, if that sounds useful to you, then please subscribe to our YouTube channel and hit the bell to get notifications. Alright, it's time to open your DAW to hack music theory. THE THEORY The two main elements that make “Suspirium” stand out, are its haunting chords and hypnotic rhythm. The haunting chord progression is created by mixing the Dorian mode with the Aeolian mode, and then using all major chords other than the root chord, which is obviously a minor (but even that minor root chord is eventually turned into a major). And all these major chords appearing from two minor modes create a suspiciously uplifting atmosphere, which you know cannot be trusted! Then, as if that wasn't enough, the hypnotic repetition of the rhythm gently but persistently opens up your subconscious (like ghostly rhythmic water drops). THE HACK Step 1: TimeThom's opening words in this song are “This is a waltz”, so it goes without saying that he's using triple time here. So set your time signature to 3/4, and your tempo to 151 BPM. Step 2: ModeAs you now know, Thom is mainly using the Dorian mode in this song, and his root is C♯. So, your chord options are: C♯m, D♯m, Emaj, F♯maj, G♯m, A♯dim, Bmaj. And by the way, if you need help writing a chord progression in the Dorian mode, check out our Songwriting & Producing Course. Step 3: ChordsStart on the root chord, C♯m, which anchors you into that minor atmosphere, but then, chose only major chords for the rest of your chord progression. But, somewhere in the middle, return to the root chord, just so your listeners don't get lost. Then lastly, change all your block chords into arpeggios, by simply playing them one note at a time. Step 4: HauntThe most noticeable way Thom haunts his chord progression, is by changing the root chord, C♯m, to a C♯maj at the end (this hack is a Radiohead favourite). And then to make it even more haunty, he plays the C♯maj for twice as long as any other chord. And the repercussion of this is a very unusual 18-bar chord progression, instead of a predictable 16 bars. Right, next up, you wanna borrow the ♭VImaj from the C♯ Aeolian mode, which is an Amaj chord. Then lastly, be sure to use an add9 somewhere as well, to add that dreamlike quality. We did that in a few places, one of them being the root chord in the middle of our progression. And remember, you make an add9 chord by simply adding a 2 to your triad. Step 5: BassFinally, copy and paste your piano arpeggios into another track, which is gonna be your left-hand part. Then, move the low 3s in all the chords down to roots, which will create a beautiful harmony. And if you want, you can do the same for a few of the high notes, too. Then when you're done with your left-hand part, just move it down an octave. And with that, you're done! NEXTSo, now that you've got one section down, how do you write a new section for it, and then, how do you transition between those two sections? Great questions, and if this is something you need help with, then check out our cutting-edge online course Apprenticeship #1, where you'll literally learn every step of the music making process, and most importantly, you'll learn how to finish your songs! Also, please note that we intentionally wrote our example to be very similar to Thom Yorke, but we did that for the sake of this lesson. So, instead of copying Thom, please explore how you can use this hack creatively with your own musical personality, so it sounds like you! Alright, that's it! We really hope this video has inspired and empowered you, and if it has, please drop us a comment on YouTube. We love hearing from you! Thanks for joining the Hack Music Theory revolution, and we'll see you next week! Kate & Ray Harmony (AKA Revolution Harmony)Music Teachers & Producers in Vancouver BC, Canada   LEARN1: Read our free book (below) & watch our YouTube videos2: Read our "Part 1" book & "Songwriting & Producing" PDF3: Learn our Secret Art of Song-Whispering, and effortlessly finish your music! ABOUTHack Music Theory is the pioneering notation-free method for making great music. Taught by award-winning music lecturer Ray Harmony, and his protégé (and wife) Kate Harmony, from their studio in Vancouver BC, Canada. Ray is the author of critically-acclaimed book series "Hack Music Theory", and has made music with Serj Tankian (System of a Down), Tom Morello (Rage Against the Machine), Steven Wilson (Porcupine Tree), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), and many more. Kate has the highest grade distinction in Popular Music Theory from the London College of Music, and is the only person on the planet who's been trained by Ray to teach his Hack Music Theory method! While these Hack Music Theory YouTube lessons teach music theory for producers and DAW users, they are designed to accommodate all music makers (songwriters, guitarists, etc.) and all genres, from Electronic Music to R&B, Pop to Hip-Hop, Reggae to Rock, EDM/Dance to Metal (and yes, we djefinitely Djent!).     Wooohooo!!! You're a mere 30 minutes away from being even smarter than you already are. Just head on over to your inbox now for your free download. There was an error submitting your subscription. Please try again.   “The most brilliant, fast, easy & fun music theory book I've ever seen!” DEREK SIVERS, CD Baby founder We use this field to detect spam bots. If you fill this in, you will be marked as a spammer. DOWNLOAD FREE BOOK /* Layout */ .ck_form { /* divider image */ background: #EAE9EA url(data:image/gif;base64,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) repeat-y center top; font-family: 'Montserrat'; line-height: 1.5em; overflow: hidden; color: #000000; font-size: 16px; border-top: none; border-top-color: #666666; border-bottom: none; border-bottom-color: #3d3d3d; -webkit-box-shadow: none; -moz-box-shadow: none; box-shadow: none; clear: both; margin: 0px 0px; } .ck_form, .ck_form * { -webkit-box-sizing: border-box; -moz-box-sizing: border-box; box-sizing: border-box; } #ck_subscribe_form { clear: both; } /* Element Queries — uses JS */ .ck_form_content, .ck_form_fields { width: 50%; float: left; padding: 5%; } .ck_form.ck_horizontal { } .ck_form_content { border-bottom: none; } .ck_form.ck_vertical { background: #fff; } .ck_vertical .ck_form_content, .ck_vertical .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_vertical .ck_form_content { border-bottom: 1px dotted #aaa; overflow: hidden; } /* Trigger the vertical layout with media queries as well */ @media all and (max-width: 499px) { .ck_form { background: #fff; } .ck_form_content, .ck_form_fields { padding: 10%; width: 100%; float: none; } .ck_form_content { border-bottom: 1px dotted #aaa; } } /* Content */ .ck_form_content h3 { margin: 0px 0px 0px; font-size: 0px; padding: 0px; } .ck_form_content p { font-size: 14px; } .ck_image { float: left; margin-right: 5px; } /* Form fields */ .ck_errorArea { display: none; } #ck_success_msg { padding: 10px 10px 0px; border: solid 1px #ddd; background: #eee; } .ck_label { font-size: 14px; font-weight: bold; } .ck_form input[type="text"] { font-size: 16px; text-align: center; margin-top: 20px; margin-bottom: 0px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="email"] { font-size: 16px; text-align: center; margin-top: 0px; margin-bottom: 15px; padding: 8px 8px; width: 100%; border: 1px solid #d6d6d6; /* stroke */ -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ background-color: #fff; /* layer fill content */ height: auto; } .ck_form input[type="text"]:focus, .ck_form input[type="email"]:focus { outline: none; border-color: #aaa; } .ck_checkbox { padding: 10px 0px 10px 20px; display: block; clear: both; } .ck_checkbox input.optIn { margin-left: -20px; margin-top: 0; } .ck_form .ck_opt_in_prompt { margin-left: 4px; } .ck_form .ck_opt_in_prompt p { display: inline; } .ck_form .ck_subscribe_button { width: 100%; color: #fff; margin: 0px 0px 0px; padding: 8px 8px; font-size: 18px; background: #d74128; -moz-border-radius: 4px; -webkit-border-radius: 4px; border-radius: 30px; /* border radius */ cursor: pointer; border: none; text-shadow: none; } .ck_form .ck_guarantee { color: #626262; font-size: 12px; text-align: center; padding: 5px 0px; display: block; } .ck_form .ck_powered_by { display: block; color: #aaa; } .ck_form .ck_powered_by:hover { display: block; color: #444; } .ck_converted_content { display: none; padding: 5%; background: #fff; } /* v6 */ .ck_form_v6 #ck_success_msg { padding: 0px 10px; } @media all and (max-width: 403px) { .ck_form_v6.ck_modal .ck_close_link { top: 30px; } } @media all and (min-width: 404px) and (max-width: 499px) { .ck_form_v6.ck_modal .ck_close_link { top: 57px; } }

Two Kettles in two days, Ben returns to the studio after yesterday's ATA Window-occupying bank holiday special, to play all the music that didn't make it into yesterday's set. Enjoying the show? Please support BFF.FM with a donation. Playlist 1′54″ Soft Stud by Black Belt Eagle Scout on Mother Of My Children (Saddle Creek) 11′09″ Wham! Bang! Pow! Let's Rock Out! by Art Brut on Wham! Bang! Pow! Let's Rock Out! (Alcopop!) 14′46″ Outside by Drenge on Autonomy EP (Infectious) 17′13″ If You Really Love Nothing by Interpol on Marauder (Matador) 25′07″ See You at the Movies by J Mascis (Sub Pop) 29′57″ Raven Raven by Exploded View on Obey (Sacred Bones) 31′40″ We're Not Done by Mogwai on Kin (Temporary Residence) 35′44″ Suspirium by Thom Yorke on Suspiria OST (XL) 45′14″ Go To Sleep (feat. Kailee Morgue) by Bearson (Ultra) 48′18″ Works Every Time by Mini Mansions on Works Every Time EP (Fiction) 52′48″ Run the Road by Santigold on I Don't Want: The Gold Fire Sessions (Downtown) 57′04″ Bambi by Hippo Campus on Bambi (Grand Jury) 65′41″ Nappy Wonder by Blood Orange on Negro Swan (Domino) 68′07″ Bakers by Jerry Folk on Leisure Tapes (Folkestad) 71′06″ Hymnal (feat. Sammus) by Open Mike Eagle on Brick Body Kids Still Daydream (Mello Music) 74′30″ Disarray by Low on Double Negative (Sub Pop) 81′54″ Way Down by Mellowdrone on 2018 (Master of Bates) 86′12″ Pines by Rob Lewis on Momentum (Self Released) 90′42″ Deep Shadows (feat. Sadie Walker) by Nightmares on Wax on Shape the Future (Warp) 101′51″ Graceland by Das Body on Graceland (Luminelle) 105′07″ SUN THRU BLINDS by WEN on EPHEM:ERA (Big Dada) 109′22″ Fuck Off and Dance by Soundbwoy Killah on Club Culture, Vol 1 (Dansu Discs) 118′12″ Wipe the Shame (Red Axes Remix) by Autarkic on I Love You, Go Away (Remixes) (Disco Halal) Check out the full archives on the website.