Podcasts about Bates

This week we are recapping a thrilling and emotional win for the football team last Saturday at Tufts. Plus, we preview the Head of the Charles regatta with rowing head coach Peter Steenstra, and our Athletics Hall of Fame interview series continues with the 2015 Bates women's rowing team, the first Bates team to win an NCAA championship. All that and more... Interviews this episode: 1:19 -- Matt Coyne, Head Coach, Football. 17:04 -- Ryan Lynskey '27, Football captain. (Male Bobcat of the Week, NESCAC Offensive Player of the Week) 23:59 -- Ryan Rozich '27, Football captain. (NESCAC Special Teams Player of the Week) 34:23 -- Malina Young '28, Volleyball. (Female Bobcat of the Week) 39:29 -- Peter Steenstra, Head Coach, Rowing. (Head of the Charles Preview) 56:06 -- Jenna Armstrong '15, NCAA Champion Women's Rowing Team Captain, Hall of Fame Interview Series.

Lucas Sherraden interviews Rebecca Bates, a successful real estate agent from Long Island, New York. Rebecca shares her journey from teaching to real estate, revealing how life's challenges fueled her success. She discusses her strategic use of Zillow leads and video content to build her business and emphasizes the importance of nurturing both clients and team members. Rebecca also shares insights into maintaining work-life balance and the value of setting clear expectations with new agents. Tune in to explore Rebecca's approach to profitability, leadership, and living a life by design. Connect with Rebecca at https://www.aaronbatesrealestate.com/ ---------- Be sure to leave a rating and review, and don't forget to go to www.builthow.com and register for our next live or virtual event. Part of the Win Make Give Podcast Network

MIKAAL BATES PODCASTTOPICS:What it means to be a dangerous man?To be loyal, a man needs to be dangerous.Who were the mothers of feminism?Men need to build before pursuing women.Men need a hierarchy to climb.Men want to be of use to others.Women don't want to lead their men.Women are in shadow about their desire for submission.It's difficult for women to create what they are in shadow about.Dominance is about leadership.Don't try to lead people who don't want to follow you.Men need to build their life before chasing women.Men should fall in love with women before falling in love with a particular woman.I don't hate women; feminism hates women.Women are the biggest cock-blockers of other women's eros.Have the mindset of incremental change in your eros and relationships.Men need an appetite for hearing the bad news in their life.A man in denial is not a good look.You cannot lead if you live in denial.Failure and getting off the dirt is how men are forged.Men should be reality-testing other men.Women's unconditional eros is indeed magnificent; and it is so big that it scares even women.Women's eros stops following rules after a certain point.Focus on what you have to offer the other — men to women; women to men.Acquire more mastery so you have more to contribute to others.Give to the right people, and then look for reciprocity.UPCOMING WORKSHOPS : https://omrupani.org/workshops-test/— Om Rupaniwww.OmRupani.org

Jesus, the Guest of Sinners, Rev. Dr. Colleen Hurley-Bates (10.12.25) by Sermons

Shiloh Bates is a Partner and Chief Investment Officer. Prior to that, he was a Managing Director at Benefit Street Partners. During his 20-year career, Mr. Bates has worked for several CLO managers and has been one of the largest investors in CLO securities. He wrote the book, CLO Investing with a focus on CLO Equity and BB Notes. He is also the host of the CLO Investor Podcast. In this podcast we discuss private credit boom, growth in covenant-lite loans, industry concentration in CLOs, and much more.   Follow us here for more amazing insights: https://macrohive.com/home-prime/ https://twitter.com/Macro_Hive https://www.linkedin.com/company/macro-hive

December 19, 2006. Clayton, Missouri. 57-year old attorney Ernie Brasier is found shot to death inside a third-floor office of his law firm: Boggs, Boggs & Bates. Since Ernie was killed in an office belonging to another attorney, there is speculation that he may have been the victim of mistaken identity, but no evidence is found to support this theory. Over the next few years, there are a number of strange incidents involving other employees at the firm, including a bombing at the home of two of its partners, but they fail to shed any light on Ernie's death and the crime remains unsolved. On this week's episode of “The Trail Went Cold”, we explore the bizarre murder of Ernie Brasier, which took place at a law firm which was described as being like something out of a John Grisham novel. If you have any information about this case, please contact the Clayton Police Department at (314) 645-3000 or the St. Louis Regional Crime Stoppers at 1-866-371-TIPS (8477) Additional Reading: https://www.komu.com/news/police-need-help-in-murder-case/article_8d7c83aa-2c7b-5c5e-b395-ce7a2a1f416d.html https://www.komu.com/news/lawyer-found-dead-in-office/article_43b3b252-760c-5008-84c2-c803ea292554.html https://www.newspapers.com/image/151872790/ https://www.newspapers.com/image/151995160/ https://www.riverfronttimes.com/the-unsolved-murder-of-ernie-brasier-a-clayton-attorneys-death-nearly-two-years-ago-continues-to-mystify-police-and-colleagues/ https://issuu.com/chsglobe/docs/april_globe_2022_1_/s/15434096 https://www.abajournal.com/news/article/law_firm_mystery_second_lawyer_dies_at_young_age_slaying_of_third_unsolved https://www.abajournal.com/news/article/bombs_explode_at_home_of_2_partners_in_law_firm_that_was_site_of_unsolved_m https://www.courthousenews.com/big-problem-at-the-law-office/ https://www.businessinsider.com/lawyer-fire-bombing-lawsuit-2012-9 https://patch.com/missouri/kirkwood/accused-of-bombing-ex-partners-home-kirkwood-lawyer-fights-back https://molawyersmedia.com/2013/06/19/st-louis-lawyers-settle-with-ex-partner-in-bombing-case/ “The Trail Went Cold” is on Patreon. Visit www.patreon.com/thetrailwentcold to become a patron and gain access to our exclusive bonus content. The Trail Went Cold is produced and edited by Magill Foote. All music is composed by Vince Nitro.

This week we're launching our Bates Athletics Hall of Fame interview series, as the first class was inducted on Saturday. Plus, our Bobcats of the Week come from the nationally ranked field hockey and men's soccer programs. All that and more... Interviews this episode: 1:12 -- Matt Coyne, Head Coach, Football. 13:33 -- Rose Gordon '28, Field Hockey. (Female Bobcat of the Week) 20:37 -- Luke Cunniffe '29, Men's Soccer. (Male Bobcat of the Week) 26:43 -- Andrew Byrnes '05, Men's Rowing, Bates Athletics Hall of Fame.

#232: Mike Noonan is a National Champion Coach and distinguished figure in U.S. collegiate soccer, currently serving as the Head Men's Soccer Coach at Clemson University.Before Clemson, Noonan built his coaching reputation over long tenures at Brown University (1995-2009) where he led the Bears to 10 NCAA Tournament appearances, eight Ivy League championships, and the school's highest national ranking ever in 1995.Earlier stops included New Hampshire, Wheaton College, and assistant positions at Vermont and Bates. As a player, he starred at Middlebury College—earning two first-team All-American honors—and went on to play professionally in Sweden and in U.S. indoor leagues.Under Noonan's leadership, Clemson has re-emerged as one of the nation's elite men's soccer programs. The Tigers have captured multiple ACC Tournament and Regular Season championships, and notably won NCAA National Championships in both 2021 and 2023.Academics and character are central to his philosophy—Clemson under Noonan has maintained high academic standards, routinely earning high GPAs, producing Academic All-ACC honorees, and being recognized for strong community outreach. On the show you will see why he has built successful programs and made an impact through the values and deep care he has for the players that play for him and beyond. For more on Coach Noonan you can find him on social media as well as clemsontigers.com for more on him and the Clemson men's soccer program. Enjoy the show!

Blake Bates faced felony and misdemeanor charges for the death of his baby boy, Royal, who was attacked and killed by his pit bull mix in April 2024. Bates' girlfriend, who was also charged, entered into a plea agreement to testify against him at trial. Now Bates' case has taken a major turn as newly-released videos show Bates and Alyssa Smith being warned about Kilo, the dog, biting a child a year before Royal was killed. Law&Crime's Angenette Levy goes through the new videos and has the latest in the case in this episode of Crime Fix — a daily show covering the biggest stories in crime.PLEASE SUPPORT THE SHOW:Take your personal data back with Incogni! Use code CRIMEFIX at the link below and get 60% off an annual plan: http://incogni.com/crimefixHost:Angenette Levy https://twitter.com/Angenette5Guest:Mark Weaver https://x.com/MarkRWeaverProducer:Jordan ChaconCRIME FIX PRODUCTION:Head of Social Media, YouTube - Bobby SzokeSocial Media Management - Vanessa BeinVideo Editing - Daniel CamachoGuest Booking - Alyssa Fisher & Diane KayeSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkTikTok: https://www.tiktok.com/@lawandcrimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What Must I Do? Rev. Dr. Colleen Hurley-Bates (10.5.25) by Sermons

JP Finlay and Mitch Tischler join you for a midweek update on the ever injured Commanders as they get ready to play the Chargers Sunday. The pair open talking Jayden's news that hes fully medically cleared and practiced in full before getting to other injury updates around the team. The guys then discuss some of the defensive issues before getting to JD5's full press conference from today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Andrew Bates, former Biden administration insider, gives us his take on “107 Days”, the controversial new book by former Vice President Kamala Harris; the Jake Tapper-Alex Thompson book “Original Sin”; and the top political stories of the week.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Join the conversation with C4 & Bryan Nehman.  John Dedie fills in for Bryan this morning.  Day 2 of the government shutdown,  Trump on National Guard in Portland, Oregon.  States Attorney Ivan Bates says the investigation into a DPW worker who was crushed by a trash truck is "tainted".  State Senator Jason Gallion joined the show discusses Ian Roberts & more.  Listen to C4 & Bryan Nehman live weekdays from 5:30 to 10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio App!

In the seventy-sixth episode of the Better Eyesight Podcast, Nathan Oxenfeld, Lizzie May, and Kevin Wooding read through the seventy-sixth Better Eyesight magazine that was originally published in October 1925 by Dr. William H. Bates and his team. Exactly one hundred years later, these three natural vision teachers breathe life back into the words of Dr. Bates, and also provide some modern commentary on the topics brought up in each article. Better Eyesight, October 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Article 1 [3:00]: Read Fine Print Discussion 1 [5:50] Article 2 [19:25]: Some Truths by Dr. W. H. Bates, M.D.  Discussion 2 [32:15] Article 3 [1:00:10]: Stories From The Clinic ~ 68: How Others Help by Emily C. Lierman Discussion 3 [1:07:30] Article 4 [1:22:00]: The Movie Mind by Jane June Discussion 4 [1:25:35] Article 5 [1:40:30]: Better Eyesight League Notice Article 6 [1:41:45]: Letter From A School Teacher Discussion 6 [1:45:15] Article 7 [1:50:10]: Soon To Be Published Discussion 7 [1:51:01] Article 8 [1:53:15]: The Bat by George Guild Discussion 8 [2:02:12] ---BETTER EYESIGHT LEAGUE ONLY--- Article 9 [2:09:55]: Attention! Discussion 9 [2:14:35]    Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Lizzie & Kevin's website - www.seeing.org Join the Better Eyesight League - www.patreon.com/bettereyesight

Bailey Bates rose to the occasion at the Governor's Cup in Sioux Falls, seizing her last chance of the ProRodeo regular season to earn $34,978 and climb from No. 19 to No. 12 in the WPRA World Standings—securing her first career NFBR qualification.On the latest episode of The Breakdown, listeners hear directly from Bates and Australian roper Arianna Varischetti about the partnership with borrowed gelding Reno that made the difference. Bates entered Sioux Falls outside the Top 15 and opened with a no-time that nearly ended her season. Instead of folding, she regrouped for a 2.7-second run, added a 2.6 in the semifinals, and capped the weekend with a blistering 2.1 in the finals. The comeback vaulted her into Vegas for the first time.Episode supported by Kimes Million Dollar BreakawayThe Kimes Ranch Million Dollar Breakaway, presented by Boot Barn, is the premier event in women's rodeo, featuring a record-breaking million-dollar purse, inspiring competition, live concerts, shopping, and family fun at WestWorld of Scottsdale, November 24–30. MillionDollarBreakaway.com

This week we're looking back on what is believed to be the biggest come-from-behind win in Bates field hockey history. Plus, men's soccer stunned defending NCAA champion Amherst on Saturday, and a sophomore men's golfer had his best round to date at Bates. All that and more, on the Bates Bobcast! Interviews this episode: 0:58 -- Matt Coyne, Head Coach, Football. 8:19 -- Brooke Moloney-Kolenberg '26, Field Hockey captain. (NESCAC Player of the Week + Female Bobcat of the Week) 18:29 -- George Nassar '28, Men's Soccer. (Male Bobcat of the Week) 27: 00 -- Sean Resnick '28, Men's Golf.

Join the Veterans Breakfast Club for an unforgettable evening with Colonel John R. Bates, USMC (Ret.), whose extraordinary 39-year career in the United States Marine Corps (1966–2005) spans three wars, five decades, and a lifetime of service defined by courage, conviction, and grit. Col. Bates enlisted in the Marine Corps in 1966, dropping out of college to join the fight in Vietnam. There, as a young infantryman with Company G, 2nd Battalion, 5th Marines, he endured some of the most harrowing combat of the war—earning three Purple Hearts for wounds suffered in battle. The first came when he was struck in the chest by machine-gun fire—“like standing over home plate with Mark McGwire swinging for the fences,” he recalls. The second came from a hand grenade explosion that drove searing shrapnel into his leg. The third was the most brutal: he fell into a North Vietnamese punji pit and was impaled through the foot by a three-foot bamboo stake, coated with water buffalo manure to ensure infection. After spending 23 days in intensive care, Bates defied medical orders, walked out of the hospital in a pair of boots and a hospital gown, caught a ride to the airfield, and returned to his platoon—still spitting up blood. “They needed more trigger-pullers,” he said simply. But the Marine Corps discharged him less than two years into his enlistment due to the severity of his wounds. He refused to stay out. Over the next seven years, Bates earned a bachelor's and two master's degrees while working as a brakeman, heavy equipment operator, and substitute teacher. All the while, he trained daily to prove he still had what it took to wear the uniform. He submitted five applications for readmission to the Corps—finally earning acceptance in 1975, not by sympathy, but by sheer persistence. “Quite honestly, I think I wore them down,” he said. As an officer, Col. Bates served around the globe, including in Operation Desert Storm and Operation Iraqi Freedom. He held numerous command positions, culminating in a dramatic parachute landing into his own retirement ceremony in 2005 at Camp Pendleton. Along the way, he promoted his own son to the rank of Marine captain, honoring a legacy of service that began with his father, Leland Bates, who flew 51 combat missions in World War II. We're grateful to UPMC for Life  for sponsoring this event!

Guest: Del BatesBook: Lamba's Journey with JesusInterview Location: Summer 2025 Christian Product Expo in Duluth, GAWebsite: delbates.com

The government has announced their plan to repeal the Holidays Act in an effort to make the application of leave entitlements for workers easier to calculate — an issue which has been estimated to have resulted in more than $2 billion in remediation payments to workers for miscalculated entitlements.  But critics including from Labour and the Greens say the changes will see some workers lose protections, especially when their hours defer from the traditional employment arrangement. Submissions on the Electoral Amendment Bill reveal that many New Zealanders believe the changes will disenfranchise voters and negatively impact democratic participation.  The proposed changes in the bill include removing the ability to enrol on voting day, banning prisoners from voting, and disallowing the provision of food and drink at election booths. Over the weekend, Foreign Minister Winston Peters' announced that New Zealand does not officially recognise Palestinian statehood, going against the decisions of countries like Australia, the UK and Canada. Peters said that, at this stage, such a decision might legitimise Hamas, but that the government will take a ‘when, not if' approach to the issue.   Wire Host Sara spoke with National MP Carl Bates about all of these topics, starting with the Holidays Act

All Will Be Accomplished, Rev. Dr. Colleen Hurley-Bates (9.28.25) by Sermons

Book your FREE Business Audit Call Now: https://www.7fss.com/book-a-callusy7mfsi?htrafficsource=youtube=sebbatespodcastWant a FREE copy of our 5C Million Dollar Content & Ads Course - Click here : https://www.charlieslivetraining.com/7fss-4c?el=sebbatespodcast&htrafficsource=youtube=Connect With Me On Other Platforms:Instagram: @charliejohnsonfitnesshttps://www.instagram.com/charliejohnsonfitness/Instagram: @sevenfigurescalingsystemshttps://www.instagram.com/sevenfigurescalingsystems/Podcast: The Charlie Johnson Showhttps://podcasts.apple.com/ae/podcast/physically-jacked-financially-stacked/id1671480628LinkedIn : Charlie Johnsonhttps://www.linkedin.com/in/charlie-johnson-fitness/Book your FREE Business Audit Call Now: https://www.7fss.com/7fss-vsl-yt?htrafficsource=youtube&el=Want a FREE copy of our 4C Million Dollar Content & Ads Course - Click here : https://charlieslivetraining.com/4cmain?htrafficsource=youtube&el=Connect With Me On Other Platforms:Instagram: @charliejohnsonfitnesshttps://www.instagram.com/charliejohnsonfitness/Instagram: @sevenfigurescalingsystemshttps://www.instagram.com/sevenfigurescalingsystems/Podcast: The Charlie Johnson Showhttps://podcasts.apple.com/ae/podcast/physically-jacked-financially-stacked/id1671480628LinkedIn : Charlie Johnsonhttps://www.linkedin.com/in/charlie-johnson-fitness Hosted on Acast. See acast.com/privacy for more information.

On this episode of Anchored, Jeremy is joined by Dr. Todd Bates, the founding President and Professor of Humanities at Christ College, a new classical Christian college located in Satellite Beach, Florida. They discuss the vision behind establishing Christ College, which unites the classical humanities with a focus on entrepreneurship. Dr. Bates also highlights how the Christian intellectual tradition offers guidance in today's changing educational landscape.

An inquiry's being held into whether the MP for Whanganui has complied with his obligations to declare interests. National's Carl Bates didn't disclose 25 properties, linked to his family trust, many of which are rentals in the area. They weren't declared on Parliament's list of MP's property and financial interests. Newstalk ZB reporter Azaria Howell unpacked the investigation further. LISTEN ABOVESee omnystudio.com/listener for privacy information.

This week we're looking back at a state championship for men's cross country. Plus, field hockey is now ranked seventh in the country, and women's soccer blanked nationally ranked Wesleyan. All that and more...on the Bates Bobcast! Interviews this episode: 0:54 -- Matt Coyne, Head Coach, Football. 8:06 -- Nathaniel Aronson '27, Men's Cross Country. (Male Bobcat of the Week) 14:32 -- Leah White '27, Women's Cross Country captain. 24:17 -- Sydney Litney '27, Women's Soccer. (Female Bobcat of the Week) 32:13 -- Ava Donohue '28, Field Hockey. 36:56 -- Jaime Bartley-Cohen '29, Volleyball. 48:00 -- Henry Ehrlich '26, Men's Golf captain. 1:00:36 -- Adrienne Shibles '91, Dempsey Challenge recap.

With Colonel Marshall Sumner swiftly dispatched by the Wraith in the pilot of Stargate Atlantis, it fell upon Sergeant Bates to be the foil to push back against Major John Sheppard in the early episodes of the series. We are thrilled to welcome Dean Marshall to the show to discuss that chapter of his life and to take your questions LIVE!

The Dodgers hitting coach talks about the recent offensive surge, helping players make adjustments, and the team's film room sessions.

We're looking back at a week that saw Bates fall sports teams go undefeated, with 11 victories to celebrate for the Bobcats…including one of the best football games Garcelon Field has seen in years. All that and more...on the Bates Bobcast! Interviews this episode: 1:15 -- Matt Coyne, Head Coach, Football. 15:13 -- Jack Perry '26, Football. (NESCAC Offensive Player of the Week + Male Bobcat of the Week) 24:47 -- Marcos Ruiz '27, Football. (NESCAC Special Teams Player of the Week) 32:45 -- Sarah Wicks '28, Women's Golf. (Female Bobcat of the Week) 38:37 -- Lane Foushée '26, Men's Soccer captain. 47:27 -- Samantha Bunar '26, Women's Soccer captain. 57:41 -- Anaïs Reneaum '28, Volleyball. 60:03.45 -- Sophia Cordoni '29, Field Hockey. 60:09.17 -- Paul Gastonguay '89, Head Coach, Men's Tennis.

On Saturday, tens of thousands of people rallied in Auckland calling for the government to sanction Israel for their actions and violence in Gaza.  While politicians across the spectrum have responded to the protests with a mix of support and disapproval, the New Zealand government is not expected to announce their official decision on the recognition of a Palestinian state until a General Assembly in New York next week.  Following the government's announcement to get rid of NCEA in favour of a new system, Education Minister Erica Stanford has revealed numerous subjects to join the senior school curriculum, which will include the incorporation of generative AI. Finally, the New Zealand Herald published information last week pertaining to MP Carl Bates' failure to disclose 25 properties to Parliament, against what has been argued as a ‘breach of public trust'. Wire Host Sara spoke with National MP Bates about all of these topics, starting with the pro-Palestine rally.

Ready to stop stress from draining you? Take the Scorecard and learn how to turn pressure into performance, and performance into meaningful impact 

Jesus and the Children, Rev. Dr. Colleen Hurley-Bates (9.14.25) by Sermons

Exciting News! I had the honor of being interviewed by the incredible Jamal Bates to talk about my Grammy nomination! It was an inspiring conversation you don't want to miss. Take a listen and let me know your thoughts!#GrammyNominated #JamalBates #Interview #NewMusicAlert #OnTheRise #BlessedAndGrateful #MusicJourney #TrendingNow #ListenNow

Bates legend Brendan Costa joins to preview the upcoming NESCAC season

In this episode of the Nursing Management Podcast, Dr. Rosanne Raso is joined by Dr. Melissa Bates and Paulette Sepe, Senior Program Analysts at the American Nurses Credentialing Center, to discuss ANCC's new Well-Being Excellence™ credential and the upcoming Magnet & Pathway™ Conference.

Artificial intelligence and emerging technologies are already reshaping the world around us. But how are age-old inequalities showing up in this new digital frontier? In “The New Age of Sexism,” author and feminist activist Laura Bates explores the biases now being replicated everywhere from ChatGPT to the Metaverse. Amna Nawaz sat down with Bates to discuss more. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

This episode of the Next Level Healing Podcast is the recording of a webinar hosted by Dr. Tara Perry and John K. Bates, a visionary TED and TEDx coach who trained and coached leaders at NASA—including the astronauts—GE Aerospace, US Navy Special Operations, Johnson & Johnson's JLABS, Boston Scientific, Google, and Intuit.  Dr. Tara and John answer participant questions about storytelling, branding, business, transformation, and so much more.This is a conversation you don't want to miss!Work with Dr. Tara PerryTune in every week for a new episode of Next Level Healing. Subscribe on your favorite podcasting platform and never miss an episode!

Join the conversation with C4 & Bryan Nehman.  Bryan is back.  C4 & Bryan react to both interviews that TJ Smith had with Governor Wes Moore & City States Attorney Ivan Bates.  Mark Anthony Thomas, President of the Greater Baltimore Committee joined the show to discus its 70th anniversay.  No bond for the suspect in connection with the murder of Da'Cara Thompson.  Dave Niehenke, owner of Mick O'Shea's Irish Pub on Charles St. joined the show to discuss the upcoming long term repair project set to begin in the same area where the underground fire occured & the impact it could have to his and other businesses.  Listen to C4 & Bryan Nehman live weekdays from 5:30 to 10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio App!

Cez letnú pauzu sme navštívili Cybrothel! Celá epizóda iba na herohero.co/vyhonitdabla . Cybrothel je berlínsky hotel, ktorý ponúka silikonové panny na sex v kombinácii s AI. Za veľmi "priaznivé" ceny si u nich doll objednáte a môžete s ňou robiť čo chcete.My sme si takú pannu objednali. Čo všetko sa nám s ním - bola mužská panna - prihodilo si vypočujte v novej epizóde! Prikladáme video pre lepšiu predstavu :DK služobnej ceste nás inšpirovala Laura Bates s jej novou knihou The New Age of Sexism. Bates mala celkom odlišný subjektívny zážitok od toho nášho. Ak nás pravidelne a s radosťou počúvate neváhajte si predplatiť herohero.co/vyhonitdabla kde je more perfektného obsahu a exkluzívne výhody pre naše Vyhoňstvo :)

We're celebrating 150 years of Bates football and previewing the 2025 season for the Bobcats. Plus, women's golf and tennis are getting their fall seasons underway, and hear from our Bobcats of the Week! That's this week, on the Bates Bobcast! Interviews this episode: 0:53 -- Matt Coyne, Head Coach, Football. 13:36 -- Amy LaBelle '27, Field Hockey (Female Bobcat of the Week). 19:03 -- Chris Bianco '29, Men's Soccer (Male Bobcat of the Week). 24:08 -- Deepak Sharma, Head Coach, Women's Tennis. 32:28 -- Ian Gould, Head Coach, Women's Golf. 39:47 -- Jeff Sturgis '69, Bates football alum.

Better Eyesight, September 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Discussion 1 [1:00]: Optimism Discussion 2 [17:55]: Iritis by Dr. W. H. Bates, M.D.  Discussion 3 [39:50]: Stories From The Clinic ~ 67: Iritis by Emily C. Lierman Discussion 4 [1:05:05]: The Congo Tree by George M. Guild Discussion 5 [1:15:15]: A Handy Pocket Size Test Card Discussion 6 [1:23:40]: The Effectiveness of Relaxation by May Secor Discussion 7 [1:39:25]: The Story of John by Mary M. Campbell [BETTER EYESIGHT LEAGUE ONLY] Discussion 8 [1:59:15]: Questions And Answers Listen to Part 1 to hear all the articles... Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Ree's website - www.eyesonyoga.com Join the Better Eyesight League - www.patreon.com/bettereyesight

Larry Crane interviews Authors Eliot Bates & Samantha Bennett on their book, Gear: Cultures of Audio and Music Technologies

Part 2In this 2-part series, Joshua Sherman and Matthew Halsted chat with Matthew Bates about his new book, Beyond the Salvation Wars: Why Both Protestants and Catholics Must Reimagine How We Are Saved. The book has garnered a lot of attention since it was published earlier this year (2025). In this extended conversation, Bates fields questions from Sherman and Halsted, continuing the dialogue about all things salvation, justification, faith (pistis), and a whole lot more. Check out Matthew Bates' book: ⁠https://a.co/d/j3udm0j⁠+++Support The Bible (Unmuted) via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheBibleUnmuted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Read Matt's blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠matthewhalsted.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to subscribe to The Bible (Unmuted)!

Host Gabe González introduces us to the shocking true story of the British Post Office scandal, and how the Peabody Award-winning series Mr. Bates vs. the Post Office led to real-world justice for the victims of this horrific abuse of government power. Jeffrey Jones sits down with the show's Executive Producer Patrick Spence to understand the scandal, what it took to bring this story to screens, and the real-world impact the series had on public outrage and calls for justice within British politics. Gabe then sits down with journalist Nick Wallis to share his decades-long journey of bringing the story to light and keeping it in the spotlight via his website, articles, and a podcast. Finally, Gabe speaks with screenwriter Gwyneth Hughes about how she was able to earn the coveted “this is a true story” designation, reserved for TV series that adhere to a strict factual code, all while still bringing the deep emotional core of the subpostmasters' tragic stories to life in this riveting dramatization.

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

The inaugural Free 4 All showcase this weekend features 100 local music acts. Co-founder of Free 4 All Joe Hess joins “St. Louis on the Air” to share the motivations behind curating Free 4 All. He also shares the emerging and well-known artists on the showcase. Hess is joined by hip-hop artist and one of the Free 4 All performers Tamara Dodd, who performs as Bates, to share her experience as an independent musician and what she's looking forward to during the showcase on Saturday, September 6 and Sunday, September 7.

The LoG are back from a week off with some final predictions for Downton Abbey: The Grand Finale. What name will the Bates' give their new baby? How many minutes will Harold be on screen? Will there be any surprise cameos? All that and more! Join our Patreon Buy LoG Merch Support Endearment by Dux Somnium Games

The Bobcats are back on campus, and we're previewing the field hockey, men's soccer, women's soccer, volleyball, and cross country seasons…all of which get underway this week! Hear from our head coaches, including our new volleyball coach: Carissa Bradford. That's this week, on the season premiere of the Bates Bobcast! Interviews this episode: 1:22 -- Dani Kogut, Head Coach, Field Hockey 13:36 -- Carissa Bradford, Head Coach, Volleyball 27:48 -- Ben Brewster, Head Coach, Men's Soccer 34:59 -- Joe Vari, Head Coach, Women's Soccer 45:42 -- Danny Feldman, Head Coach, Cross Country

In the seventy-fifth episode of the Better Eyesight Podcast, Nathan Oxenfeld and Ree Coleman read through the seventy-fifth Better Eyesight magazine that was originally published in September 1925 by Dr. William H. Bates and his team. Exactly one hundred years later, these two natural vision teachers breathe life back into the words of Dr. Bates, and also provide some modern commentary on the topics brought up in each article. Better Eyesight, September 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Article 1 [5:30]: Optimism Article 2 [7:30]: Iritis by Dr. W. H. Bates, M.D.  Article 3 [16:00]: Stories From The Clinic ~ 67: Iritis by Emily C. Lierman Article 4 [24:10]: The Congo Tree by George M. Guild Article 5 [29:45]: A Handy Pocket Size Test Card Article 6 [30:45]: The Effectiveness of Relaxation by May Secor Article 7 [38:55]: The Story of John by Mary M. Campbell Article 8 [43:55]: Questions And Answers Article 9 [46:00]: Perfect Sight Stay tuned for September 1925 Part 2 to listen to Nathan and Ree discuss all of the above articles! Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Ree's website - www.eyesonyoga.com Join the Better Eyesight League - www.patreon.com/bettereyesight

Sooner Offensive Line Coach Bill Bedenbaugh previews the offensive line and the Sooner offense. Associate Head Coach / Co-Defensive Coordinator / Run Defense / Defensive Tackles Coach Todd Bates wraps the show up talking about the Sooner Defense.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this 2-part series, Joshua Sherman and Matthew Halsted chat with Matthew Bates about his new book, Beyond the Salvation Wars: Why Both Protestants and Catholics Must Reimagine How We Are Saved. The book has garnered a lot of attention since it was published earlier this year (2025). In this extended conversation, Bates fields questions from Sherman and Halsted, continuing the dialogue about all things salvation, justification, faith (pistis), and a whole lot more. Check out Matthew Bates' book: https://a.co/d/j3udm0j+++Support The Bible (Unmuted) via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheBibleUnmuted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Read Matt's blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠matthewhalsted.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to subscribe to The Bible (Unmuted)!

This question heavy episode of Talking Real Money dives into six listener questions ranging from umbrella insurance and portfolio rebalancing to small-cap value allocation, AI's role in financial planning, and advisory fees. Don critiques umbrella policies as overpriced peace-of-mind products, gives practical strategies for balancing across multiple accounts, stresses the value of both U.S. and international small-cap value, discusses the disruptive potential of AI in advice (with a cameo from “Kath”), and explains fiduciary fees, taxes, and client experience at a fee-only firm like Appella. 0:04 Big Q&A episode intro and listener reminder about submitting questions 1:14 Listener note on Mr. Bates vs. the Post Office documentary 2:49 Ivan asks about when to buy umbrella insurance 6:23 How to send in questions and live call-in info 6:41 Listener asks about rebalancing across 401k, Roth, taxable, and HSA 10:02 Jeff asks about U.S. vs. international small-cap value ETFs and missing T-shirts 12:34 Mike from Colorado describes using ChatGPT for Roth conversion and withdrawal planning; Don and Kath discuss AI's impact on financial advice and SEC regulation 20:46 Ed from North Carolina asks about fiduciary fees, IRA penalties, and the new client experience at Appella 23:27 Advisor meeting cadence and availability explained Learn more about your ad choices. Visit megaphone.fm/adchoices