Podcasts about Bates

The Dodgers hitting coach talks about the recent offensive surge, helping players make adjustments, and the team's film room sessions.

On Saturday, tens of thousands of people rallied in Auckland calling for the government to sanction Israel for their actions and violence in Gaza.  While politicians across the spectrum have responded to the protests with a mix of support and disapproval, the New Zealand government is not expected to announce their official decision on the recognition of a Palestinian state until a General Assembly in New York next week.  Following the government's announcement to get rid of NCEA in favour of a new system, Education Minister Erica Stanford has revealed numerous subjects to join the senior school curriculum, which will include the incorporation of generative AI. Finally, the New Zealand Herald published information last week pertaining to MP Carl Bates' failure to disclose 25 properties to Parliament, against what has been argued as a ‘breach of public trust'. Wire Host Sara spoke with National MP Bates about all of these topics, starting with the pro-Palestine rally.

Ready to stop stress from draining you? Take the Scorecard and learn how to turn pressure into performance, and performance into meaningful impact 

Jesus and the Children, Rev. Dr. Colleen Hurley-Bates (9.14.25) by Sermons

Exciting News! I had the honor of being interviewed by the incredible Jamal Bates to talk about my Grammy nomination! It was an inspiring conversation you don't want to miss. Take a listen and let me know your thoughts!#GrammyNominated #JamalBates #Interview #NewMusicAlert #OnTheRise #BlessedAndGrateful #MusicJourney #TrendingNow #ListenNow

Bates legend Brendan Costa joins to preview the upcoming NESCAC season

Artificial intelligence and emerging technologies are already reshaping the world around us. But how are age-old inequalities showing up in this new digital frontier? In “The New Age of Sexism,” author and feminist activist Laura Bates explores the biases now being replicated everywhere from ChatGPT to the Metaverse. Amna Nawaz sat down with Bates to discuss more. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

This episode of the Next Level Healing Podcast is the recording of a webinar hosted by Dr. Tara Perry and John K. Bates, a visionary TED and TEDx coach who trained and coached leaders at NASA—including the astronauts—GE Aerospace, US Navy Special Operations, Johnson & Johnson's JLABS, Boston Scientific, Google, and Intuit.  Dr. Tara and John answer participant questions about storytelling, branding, business, transformation, and so much more.This is a conversation you don't want to miss!Work with Dr. Tara PerryTune in every week for a new episode of Next Level Healing. Subscribe on your favorite podcasting platform and never miss an episode!

Join the conversation with C4 & Bryan Nehman.  Bryan is back.  C4 & Bryan react to both interviews that TJ Smith had with Governor Wes Moore & City States Attorney Ivan Bates.  Mark Anthony Thomas, President of the Greater Baltimore Committee joined the show to discus its 70th anniversay.  No bond for the suspect in connection with the murder of Da'Cara Thompson.  Dave Niehenke, owner of Mick O'Shea's Irish Pub on Charles St. joined the show to discuss the upcoming long term repair project set to begin in the same area where the underground fire occured & the impact it could have to his and other businesses.  Listen to C4 & Bryan Nehman live weekdays from 5:30 to 10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio App!

Cez letnú pauzu sme navštívili Cybrothel! Celá epizóda iba na herohero.co/vyhonitdabla . Cybrothel je berlínsky hotel, ktorý ponúka silikonové panny na sex v kombinácii s AI. Za veľmi "priaznivé" ceny si u nich doll objednáte a môžete s ňou robiť čo chcete.My sme si takú pannu objednali. Čo všetko sa nám s ním - bola mužská panna - prihodilo si vypočujte v novej epizóde! Prikladáme video pre lepšiu predstavu :DK služobnej ceste nás inšpirovala Laura Bates s jej novou knihou The New Age of Sexism. Bates mala celkom odlišný subjektívny zážitok od toho nášho. Ak nás pravidelne a s radosťou počúvate neváhajte si predplatiť herohero.co/vyhonitdabla kde je more perfektného obsahu a exkluzívne výhody pre naše Vyhoňstvo :)

We're celebrating 150 years of Bates football and previewing the 2025 season for the Bobcats. Plus, women's golf and tennis are getting their fall seasons underway, and hear from our Bobcats of the Week! That's this week, on the Bates Bobcast! Interviews this episode: 0:53 -- Matt Coyne, Head Coach, Football. 13:36 -- Amy LaBelle '27, Field Hockey (Female Bobcat of the Week). 19:03 -- Chris Bianco '29, Men's Soccer (Male Bobcat of the Week). 24:08 -- Deepak Sharma, Head Coach, Women's Tennis. 32:28 -- Ian Gould, Head Coach, Women's Golf. 39:47 -- Jeff Sturgis '69, Bates football alum.

Better Eyesight, September 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Discussion 1 [1:00]: Optimism Discussion 2 [17:55]: Iritis by Dr. W. H. Bates, M.D.  Discussion 3 [39:50]: Stories From The Clinic ~ 67: Iritis by Emily C. Lierman Discussion 4 [1:05:05]: The Congo Tree by George M. Guild Discussion 5 [1:15:15]: A Handy Pocket Size Test Card Discussion 6 [1:23:40]: The Effectiveness of Relaxation by May Secor Discussion 7 [1:39:25]: The Story of John by Mary M. Campbell [BETTER EYESIGHT LEAGUE ONLY] Discussion 8 [1:59:15]: Questions And Answers Listen to Part 1 to hear all the articles... Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Ree's website - www.eyesonyoga.com Join the Better Eyesight League - www.patreon.com/bettereyesight

Larry Crane interviews Authors Eliot Bates & Samantha Bennett on their book, Gear: Cultures of Audio and Music Technologies

Part 2In this 2-part series, Joshua Sherman and Matthew Halsted chat with Matthew Bates about his new book, Beyond the Salvation Wars: Why Both Protestants and Catholics Must Reimagine How We Are Saved. The book has garnered a lot of attention since it was published earlier this year (2025). In this extended conversation, Bates fields questions from Sherman and Halsted, continuing the dialogue about all things salvation, justification, faith (pistis), and a whole lot more. Check out Matthew Bates' book: ⁠https://a.co/d/j3udm0j⁠+++Support The Bible (Unmuted) via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheBibleUnmuted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Read Matt's blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠matthewhalsted.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to subscribe to The Bible (Unmuted)!

Host Gabe González introduces us to the shocking true story of the British Post Office scandal, and how the Peabody Award-winning series Mr. Bates vs. the Post Office led to real-world justice for the victims of this horrific abuse of government power. Jeffrey Jones sits down with the show's Executive Producer Patrick Spence to understand the scandal, what it took to bring this story to screens, and the real-world impact the series had on public outrage and calls for justice within British politics. Gabe then sits down with journalist Nick Wallis to share his decades-long journey of bringing the story to light and keeping it in the spotlight via his website, articles, and a podcast. Finally, Gabe speaks with screenwriter Gwyneth Hughes about how she was able to earn the coveted “this is a true story” designation, reserved for TV series that adhere to a strict factual code, all while still bringing the deep emotional core of the subpostmasters' tragic stories to life in this riveting dramatization.

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

The inaugural Free 4 All showcase this weekend features 100 local music acts. Co-founder of Free 4 All Joe Hess joins “St. Louis on the Air” to share the motivations behind curating Free 4 All. He also shares the emerging and well-known artists on the showcase. Hess is joined by hip-hop artist and one of the Free 4 All performers Tamara Dodd, who performs as Bates, to share her experience as an independent musician and what she's looking forward to during the showcase on Saturday, September 6 and Sunday, September 7.

The LoG are back from a week off with some final predictions for Downton Abbey: The Grand Finale. What name will the Bates' give their new baby? How many minutes will Harold be on screen? Will there be any surprise cameos? All that and more! Join our Patreon Buy LoG Merch Support Endearment by Dux Somnium Games

The Bobcats are back on campus, and we're previewing the field hockey, men's soccer, women's soccer, volleyball, and cross country seasons…all of which get underway this week! Hear from our head coaches, including our new volleyball coach: Carissa Bradford. That's this week, on the season premiere of the Bates Bobcast! Interviews this episode: 1:22 -- Dani Kogut, Head Coach, Field Hockey 13:36 -- Carissa Bradford, Head Coach, Volleyball 27:48 -- Ben Brewster, Head Coach, Men's Soccer 34:59 -- Joe Vari, Head Coach, Women's Soccer 45:42 -- Danny Feldman, Head Coach, Cross Country

In the seventy-fifth episode of the Better Eyesight Podcast, Nathan Oxenfeld and Ree Coleman read through the seventy-fifth Better Eyesight magazine that was originally published in September 1925 by Dr. William H. Bates and his team. Exactly one hundred years later, these two natural vision teachers breathe life back into the words of Dr. Bates, and also provide some modern commentary on the topics brought up in each article. Better Eyesight, September 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Article 1 [5:30]: Optimism Article 2 [7:30]: Iritis by Dr. W. H. Bates, M.D.  Article 3 [16:00]: Stories From The Clinic ~ 67: Iritis by Emily C. Lierman Article 4 [24:10]: The Congo Tree by George M. Guild Article 5 [29:45]: A Handy Pocket Size Test Card Article 6 [30:45]: The Effectiveness of Relaxation by May Secor Article 7 [38:55]: The Story of John by Mary M. Campbell Article 8 [43:55]: Questions And Answers Article 9 [46:00]: Perfect Sight Stay tuned for September 1925 Part 2 to listen to Nathan and Ree discuss all of the above articles! Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Ree's website - www.eyesonyoga.com Join the Better Eyesight League - www.patreon.com/bettereyesight

In the past week, we've seen several noteworthy legislative moves across sectors.  First, the government is seeking to address New Zealand's supermarket duopoly as the cost of groceries for kiwi remains high across the motu.  Economic Minister Nicola Willis announced numerous legislative changes that she hopes will improve supermarket competition in New Zealand. Associate Justice Minister Nicole McKee has also shared some proposed changes to the Alcohol Sale and Supply Act, including limiting barriers to the approval of liquor licenses and making it easier to provide alcohol in special circumstances. Finally, Defence Minister Judith Collins has approved changes that make it easier for the Defence Force to cover the operations of striking workers. 

Prayer Always, Rev. Dr. Colleen Hurley-Bates (8.31.25) by Sermons

Sooner Offensive Line Coach Bill Bedenbaugh previews the offensive line and the Sooner offense. Associate Head Coach / Co-Defensive Coordinator / Run Defense / Defensive Tackles Coach Todd Bates wraps the show up talking about the Sooner Defense.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this 2-part series, Joshua Sherman and Matthew Halsted chat with Matthew Bates about his new book, Beyond the Salvation Wars: Why Both Protestants and Catholics Must Reimagine How We Are Saved. The book has garnered a lot of attention since it was published earlier this year (2025). In this extended conversation, Bates fields questions from Sherman and Halsted, continuing the dialogue about all things salvation, justification, faith (pistis), and a whole lot more. Check out Matthew Bates' book: https://a.co/d/j3udm0j+++Support The Bible (Unmuted) via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheBibleUnmuted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Read Matt's blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠matthewhalsted.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Don't forget to subscribe to The Bible (Unmuted)!

Tonight on GhostBox Radio with Greg Bakun, Greg talks with Author & Paranormal Investigator Todd Bates as we talk about his initiative, EVP Explorations and we will play some EVP samples provided by Todd. EVP Explorations E-mail: comment@ghostboxradio.com Listen Live Streaming: www.am950radio.com Watch Live: www.facebook.com/MNGhostBox www.facebook.com/AM950Radio www.facebook.com/ParaFriendsEvents/ www.facebook.com/gethauntedusa www.facebook.com/PUNMedia1 Website: www.ghostboxradio.com Twitter: @mnghostbox #GhostBoxRadio #AM950…

The parents of 6-month-old Royal Bates were charged criminally earlier this year with reckless homicide and involuntary manslaughter for his death. Prosecutors in Marion County, Ohio said Royal's parents, Blake Bates and Alyssa Smith, left him supervised by his older sibling with their aggressive pit bull mix, Kilo in April 2024. The dog attacked Royal. Now Smith has agreed to testify against Bates. Law&Crime's Angenette Levy breaks down the body camera video just released in this episode of Crime Fix — a daily show covering the biggest stories in crime.PLEASE SUPPORT THE SHOW: If you're ever injured in an accident, you can check out Morgan & Morgan. You can submit a claim in 8 clicks or less without having to leave your couch. To start your claim, visit: https://www.forthepeople.com/CrimeFixHost:Angenette Levy https://twitter.com/Angenette5Guest: Mark Weaver https://x.com/MarkRWeaverProducer:Jordan ChaconCRIME FIX PRODUCTION:Head of Social Media, YouTube - Bobby SzokeSocial Media Management - Vanessa BeinVideo Editing - Daniel CamachoGuest Booking - Alyssa Fisher & Diane KayeSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Ryan & Brian's Bible Bistro, Brian flies solo (no co-host required!) and sits down with Dr. Matthew Bates, Professor of New Testament at Northern Seminary and award-winning author of Why the Gospel?, Gospel Allegiance, and Beyond the Salvation Wars.Together, they explore:What it really means to say “Jesus is the Christ” — and why it's a royal proclamation, not just a religious label.How the Greek word pistis reshapes our understanding of “faith” as allegiance, loyalty, and faithfulness to King Jesus.Why salvation and discipleship can't be separated — and how this changes the way we practice our faith.The difference between the gospel itself and the benefits of the gospel.How the incarnation, resurrection, ascension, and enthronement of Jesus each form essential parts of the good news.Insights from Bates's latest work, Beyond the Salvation Wars, and the push for a unity-centered, truth-rooted vision of the church.You'll also hear stories of how Bates's academic journey (from Notre Dame to teaching at a Catholic university, and now Northern Seminary) shaped his theology, plus a look ahead at his upcoming book, Christ Formed.

Nick and Bates tackle a wild August for transfers in MLS, including the arrivals of Heung-Min Son to LAFC and Thomas Müller to the Vancouver Whitecaps, as well as TFC landing Djordje Mihailovic and Colorado bringing Paxton Aaronson back to the league. 

This question heavy episode of Talking Real Money dives into six listener questions ranging from umbrella insurance and portfolio rebalancing to small-cap value allocation, AI's role in financial planning, and advisory fees. Don critiques umbrella policies as overpriced peace-of-mind products, gives practical strategies for balancing across multiple accounts, stresses the value of both U.S. and international small-cap value, discusses the disruptive potential of AI in advice (with a cameo from “Kath”), and explains fiduciary fees, taxes, and client experience at a fee-only firm like Appella. 0:04 Big Q&A episode intro and listener reminder about submitting questions 1:14 Listener note on Mr. Bates vs. the Post Office documentary 2:49 Ivan asks about when to buy umbrella insurance 6:23 How to send in questions and live call-in info 6:41 Listener asks about rebalancing across 401k, Roth, taxable, and HSA 10:02 Jeff asks about U.S. vs. international small-cap value ETFs and missing T-shirts 12:34 Mike from Colorado describes using ChatGPT for Roth conversion and withdrawal planning; Don and Kath discuss AI's impact on financial advice and SEC regulation 20:46 Ed from North Carolina asks about fiduciary fees, IRA penalties, and the new client experience at Appella 23:27 Advisor meeting cadence and availability explained Learn more about your ad choices. Visit megaphone.fm/adchoices

The program "Copland & Bates with Time for Three" takes place Thursday Night with The Philadelphia Orchestra at the Saratoga Performing Arts Center in Saratoga Springs at 7:30pm. It is led by “2022 Musical America Conductor of the Year” Teddy Abrams.

Captain Marty Bates is a world-renowned fisherman, but there was a time when he was traveling the globe, walking the docks and trying to work his way onto a boat. Listen as we sit down and talk about the early days, his love for all things fishing and some of the adventures he's amassed from a lifetime at sea.

What happens when you achieve the pinnacle of athletic success at just 16 years old, only to find yourself struggling with addiction years later?In this deeply personal and powerful episode of A Mental Health Break, we sit down with Carrie Bates, a three-time Olympic Gold Medalist and the Director of Strategic Growth and Advocacy for Caron Treatment Centers. Carrie shares her journey from a childhood in an alcoholic home, to the immense pressure of being an elite athlete, to her eventual struggle with alcoholism that led to her children being taken away.Carrie gets candid about "chasing something that was never going to be repeated" and the unique pressures that CEOs, celebrities, and athletes face that can lead to addiction. She offers invaluable advice for individuals and families struggling with substance use and provides a beacon of hope for finding sustainable recovery. You'll also learn about Caron Treatment Centers' innovative, neuro-restorative approach to addiction treatment, and what makes their signature programs at Ocean Drive and Grand View so special.This is more than just a story of a fall from grace; it's a powerful narrative of resilience, redemption, and the unwavering commitment to a new life. This episode is a must-listen for anyone who has ever felt the weight of high expectations and the struggle to find their way back to a life of purpose.Support the showHave a question for the host or guest? Want their freebee? Are you looking to become a guest or show partner? Email Danica at PodcastsByLanci@gmail.com.This show is brought to you by the Empathy Set and Coming Alive Podcast Production.CRISIS LINE: DIAL 988

Faith Along the Way, Rev. Dr. Colleen Hurley-Bates (8.17.25) by Sermons

Rookie Review QR Zac Bates and Cameron Crick Zac Bates and Cameron Crick discuss their weekends at Queensland Raceway and the preparations for The Bend 500 and Bathurst 1000. From the race track to your device with Tony Whitlock on Inside Supercars Inside Supercars Podcast: Subscribe Apple Podcasts I Spotify I Google Podcasts Supported by: P1 Australia Link:P1 Australia MusicCreative Commons Music by Jason Shaw on Audionautix.com MusicComa-Media from Pixabay #RepcoSC #TCRAust #Supercars #Motorsport #ADL500

Rookie Review QR Zac Bates and Cameron Crick Zac Bates and Cameron Crick discuss their weekends at Queensland Raceway and the preparations for The Bend 500 and Bathurst 1000. From the race track to your device with Tony Whitlock on Inside Supercars Inside Supercars Podcast: Subscribe Apple Podcasts I Spotify I Google Podcasts Supported by: P1 Australia Link:P1 Australia MusicCreative Commons Music by Jason Shaw on Audionautix.com MusicComa-Media from Pixabay #RepcoSC #TCRAust #Supercars #Motorsport #ADL500

Jo Hamilton was one of the most high-profile victims of the British Post Office Scandal in which she, along with hundreds of other innocent subpostmasters, was wrongly prosecuted for shortfalls caused by faulty accounting software. The scandal is quite rightly considered one of the biggest miscarriages of justice in British judicial history – with the Government also very heavily implicated.  Jo's treatment at the hands of the Post Office had a devastating impact on, well, her whole world and that of her family. She went on to be a founding member of the Justice for Subpostmasters Alliance and one of the 555 litigants in the successful group legal action of Bates & Others v Post Office Ltd. Her criminal conviction was overturned in April 2021. If you've seen ITV's remarkable four-part drama Mr Bates vs the Post Office, Jo is played by Monica Dolan.  And so when she heard Jo had written a book, Why Are You Here, Mrs Hamilton?, Mick jumped at the chance to talk to Jo about what happened, how it's changed her, and what still needs to happen in order for justice to be served.  Why Are You Here, Mrs Hamilton?: The Post Office Scandal and My Extraordinary Fight for Justice is published by Blink and available from all good bookshops. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Women of Coldwell Banker Commercial podcast, host Jenna Hille sits down with Sharon Love-Bates, Director of Emerging Technology and Strategic Business at the National Association of Realtors. Together, they explore how strong leadership can guide organizations through periods of transformation, the evolving role of emerging technologies in real estate, and why human connection remains essential—even in an increasingly digital industry.

This week on Unscripted, Natalie and Paige have an announcement you won't want to miss. Seriously, tune in for the big reveal! The duo also takes a quick dive into the latest headlines surrounding the Duggar and Bates families and reflect on 30 years of Casper the Friendly Ghost. From important news to childhood throwbacks, this episode has a little bit of everything. Learn more about your ad choices. Visit megaphone.fm/adchoices

Increase Our Faith! Rev. Dr. Colleen Hurley-Bates (8.10.25) by Sermons

YAY! One of our favorite true crime authors, BR Bates, is back to discuss her new book with you, The Crack City Strangler- The Homicides of Serial Killer Benjamin Atkins. Jill and BR dive into the case, deconstructing Benjamin ‘Tony' Atkins's childhood, its impact on his life, which devolved into serial murder.  Possibly one of the fastest serial killer, 11 women were possibly killed in a 3-month period.  After numerous psychological evaluations, BR shares her insight with Jill on why Atkins killed, as they hash out the possible theories about his deadly behavior.  You have found your next summer read, look no futher!  NOTE: THE PHOTO ON THE BOOK -IS- BENJAMIN ATKINS!    Jill will be on Creators Row at Crimecon 2025 Denver! The meetup in Sept. 5, 2025, Gaylord Rocky's Hotel, Embers Lodge Bar at 8:30 pm MT!  Need your CC25 badge? Use Jill's code    murdershelf  and say 10%.   Buy BR Bates book The Crack City Strangler- The Homicides of Serial Killer Benjamin Atkins Sources, photographs, recipes and drink information can be found on Jill's blog at www.murdershelfbookclub.com –Feb. 2025. Contact:  jill@murdershelfbookclub.com, or X,  Facebook,  Instagram or YouTube.  Join Jill on PATREON for $4 and help pick our next book! Get your Murder Shelf Book Club merch!  

Atlanta Falcons Linebacker Divine Deablo talks about why chose the Falcons in free agency, what sort of player he is, what he feels his role is going to bet, how Falcons camp is different from other camps he's been in, how he's evolved as a player since entering the league, how his past as a wide receiver helps him as a linebacker, what he's seen from the rookie pass rushers, who is stepping up to be the leaders of the defense, pairing with Kaden Eliss in the linebacker group, where his name comes from, the entrance walk at Virginia Tech, and what his meal post-practice will look like.

In this heart-centered episode, Catherine Toon sits down with Shannon Bates to explore the transformative power of honor, love, and unity—both in ministry and everyday relationships. Shannon shares her personal journey and deep encounter with Honor and Love. Together, they unpack how self-honor, acceptance, and gratitude are foundational to restoring relationships, fostering connection, and building a culture of oneness in a divided world. From practical stories to prophetic insights, this conversation is a timely invitation to embrace diversity, affirm identity, and cultivate deep unity rooted in love. If you’re longing to deepen your connection with others, walk in honor, and carry the heart of God into your relationships, this episode is for you. Contact Shannon: https://sons.global/ FREE Protect Your Purpose Masterclass: 3 Keys to Staying Inspired and Thriving in Your Calling to Align with Your God-Given Purpose Watch it now: https://catherinetoon.com/pypmasterclass/ Resources to Bless You: * "Marked by Love, Revised & Expanded Edition" (#1 Best Seller!): https://bit.ly/3UGeJBI * Get God, Male & Female? on Audible: https://amzn.to/49hzCIM * FREE “How to Hear God” eBook: https://bit.ly/3cTNb49 * FREE Chapter from Marked by Love: https://markedbylovebook.com/free-chapter/ * Explore more resources: https://catherinetoon.com Your support changes lives! Partner with us to spread this life-giving message. Your tax-deductible donations help reach more people: https://catherinetoon.com/support/. Stay Connected and Share God’s Love! * Facebook: @CatherineToonMD * Instagram: @catherinetoon * Twitter: @CatherineToonMD * YouTube: @CatherineToon, MD Like, Share, and Subscribe to support this message of hope. Every click helps spread God’s love to a hurting world. Thank you!

At a crucial juncture in his argument and in the space of two verses Paul uses four terms related to the πιστ- word-group, usually rendered as “faith” or “belief.” Background and the context of Romans favor hearing the ideas of “loyalty” and “faithfulness” in v. 3. Dr. Bates, who has been on this podcast before, is Professor of New Testament at Northern Seminary. Among his several publications are Beyond the Salvation Wars: Why Both Protestants and Catholics Must Reimagine How We Are Saved and Salvation by Allegiance Alone. Check out related programs at Wheaton College: B.A. in Classical Languages (Greek, Latin, Hebrew): https://bit.ly/44XpTZ5  M.A. in Biblical Exegesis: https://bit.ly/4fixRzB 

In the seventy-fourth episode of the Better Eyesight Podcast, Nathan Oxenfeld and Orit Kruglanski read through the seventy-fourth Better Eyesight magazine that was originally published in August 1925 by Dr. William H. Bates and his team. Exactly one hundred years later, these two natural vision teachers breathe life back into the words of Dr. Bates, and also provide some modern commentary on the topics brought up in each article. Better Eyesight, August 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Article 1 [3:30]: Fear Discussion 1 [5:15] Article 2 [20:20]: School Children by Dr. W. H. Bates, M.D.  Discussion 2 [29:45] Article 3 [48:58]: Stories From The Clinic ~ 66: Schoolchildren by Emily C. Lierman Discussion 3 [58:48] Article 4 [1:13:35]: Musical Appreciation Discussion 4 [1:17:45] Article 5 [1:31:41]: The Magic Frog by George M. Guild Discussion 5 [1:37:47] Article 6 [1:51:51]: Six Years of the Bates Method Discussion 6 [1:57:47] Article 7 [2:08:55]: Bates Method Popular With Teachers Discussion 7 [2:10:40] ---BETTER EYESIGHT LEAGUE ONLY- Article 8 [2:30:05]: Perfect Sight Discussion 8 [2:31:50]   Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Orit's website - www.iseeclearly.org Join the Better Eyesight League - www.patreon.com/bettereyesight

Join Jim and Greg for Monday's 3 Martini Lunch as they dig into the steep drop in violent crime in Baltimore, President Trump's new trade deal with the European Union, and a bizarre lawsuit blaming the U.S. Navy's Blue Angels for terrorizing a cat in its final days.First, they examine the dramatic decrease in Baltimore's murder rate since voters ousted soft-on-crime prosecutor Marilyn Mosby in the 2022 Democratic primary. Her replacement, Ivan Bates, pledged a return to aggressive prosecutions, and the numbers show it's working. Under Mosby, there were 334 murders in 2022. Last year, the total dropped to 202, and the city has recorded just 68 homicides so far in 2024. Jim and Greg argue it's no mystery what's driving the improvement.Next, they dissect President Trump's trade agreement with the European Union, which includes lowered tariffs and major commitments from Europe to buy U.S. energy and weapons. Jim says this deal is a significant relief given what would have happened later this week without a deal. But he's still concerned that American consumers will end up paying more for a lot of things.Finally, they lambaste the crazy cat lady, who decided to sue the Blue Angels for disturbing the final days of her cat, as it died from heart disease. Jim is flabbergasted that anyone could blame the progression of heart disease on noise from planes. He's also greatly annoyed that the lady is referred to as that cat's "human mother" in news reports.Please visit our great sponsors:No missed calls, no missed customers with OpenPhone. Get 20% off your first 6 months at https://Openphone.com/3ml Keep your skin looking and acting younger for longer. Get 15% off OneSkin with the code 3 ML at https://www.oneskin.co/

We get the full Fundie Family Experience this week. It's a Bates-Duggars event. Some kids get to fiddlin'. Some participate in Whitney's bloodsport of choice:4-square. The dads get to pat each other on the back for having so many kids. We watch a very red-faced Bates boy get so uncomfortable when he gets to sit next to a young woman that's not in his family. In our Dig, we look into hospitality within IBLP. What they say it is for, the rewards you get for it, and the copious amounts of rules and strings that are attached to it. Put out your best peppered turkey, because we're hosting, but for the lord. Enjoy what you hear? Would you like to support our peppered turkey habit in Glendale, Arizona? Well head on over to ⁠⁠⁠⁠⁠⁠⁠⁠www.buymeacoffee.com/diggingupthedug⁠⁠⁠ . ⁠⁠⁠⁠⁠If you would like to grab a jar and become one of the Pickle People, you get ad-free episodes, and even get them early. We post bonus episodes with Duggar content, personal topics, Mildred Mondays (gotta give the people what they want), recipes and other goodies. Join us on insta ⁠⁠⁠⁠⁠@digginguptheduggarspod⁠⁠⁠⁠⁠We also have a P.O. Box 5973, Glendale AZ, 85312

Don and Tom defend the long-maligned 60/40 portfolio, diving into a 150-year Morningstar study that reveals its lower volatility and emotional survivability—even if it underperforms an all-stock portfolio over time. They tackle fixed indexed annuities head-on, debunking the myth of market returns without risk, citing high commissions, surrender charges, lack of liquidity, and poor transparency. Several listener calls highlight confusion over annuity strategies and Roth vs. pre-tax retirement contributions, including a deep dive from a New York City teacher juggling pensions, 403(b)/457 plans, and Roth conversions under new IRS rules. The show wraps with a playful rant about birthday freebies and a PBS show rec (“Mr. Bates vs. the Post Office”). 0:04 The truth about balanced portfolios and the 60/40 myth 1:50 Why bonds failed in 2022—and what 150 years of history say about diversification 3:27 Bear markets: 60/40 vs. all stocks during crises like the Great Depression 4:53 Trade-offs: long-term growth vs. sticking with the plan 6:49 Financial Flinch Reflex: the PSA ad returns 7:09 Caller John asks: “What's so bad about fixed indexed annuities?” 8:00 Don unloads: high fees, misleading returns, and awful disclosures 10:11 John presses for alternatives: what's safe and simple with decent return? 13:02 Don's CD ladder strategy vs. annuities 15:08 Why opacity, commissions, and complexity make these products unsuitable for most 16:21 Caller Charles: a planner wants to manage his annuity—for a fee 17:21 Why even “fixed” annuities might not belong in fiduciary portfolios 20:47 The growing gray area: commissions vs. fiduciary care 22:17 Ranking annuities: worst to best (indexed, variable, fixed, immediate) 24:58 Summary: “Lazy products” sold for commission, not client success 26:39 Caller Brian: NY teacher strategizes 403(b), 457, Roth, and future pension 28:29 Navigating new Roth rules, Rule of 55, and using a 7% fixed option 30:15 Don and Tom: stick with pre-tax now, convert later in lower-bracket retirement 33:02 Mechanics of Roth catch-ups: plan providers still in the dark 35:29 Birthday freebies! Tacos, cookies, burgers… and existential dread 36:57 Red Robin, Denny's, and the pursuit of the free Grand Slam 38:06 Book chat: Don's still slogging through the Franklin bio 39:13 Must-watch: Mr. Bates vs. the Post Office on PBS Learn more about your ad choices. Visit megaphone.fm/adchoices