Podcasts about Bates

In this episode of Dear Church, Chris McCurley is joined by theologian and author Matthew Bates to discuss the gospel, faith, and allegiance to Jesus as King. Drawing from his book Salvation by Allegiance Alone, Bates challenges common assumptions about "faith alone" and invites Christians to rethink what Scripture teaches about salvation.     Connect with Us: Instagram: https://www.instagram.com/dearchurch_podcast/ Facebook: https://www.facebook.com/profile.php?id=61564673680147 YouTube: https://www.youtube.com/@DearChurch   Have a question? Email Chris at chris.mccurley@rippleoflight.com.   #DearChurchPodcast #MatthewBates #Allegiance #Gospel #ChristianTheology #Salvation #FaithAndObedience #KingdomOfGod #JesusIsKing #BiblicalTheology #ChristianFaith #ChurchTeaching #FaithInPractice #Discipleship #ChristianLiving  

Minnesota Timberwolves vs. Denver Nuggets NBA Pick Prediction by Tony T. Timberwolves vs. Nuggets Injuries Ingles and McDaniels are questionable for Minnesota. Bates, Braun, Gordon and Cameron Johnson are out for Denver. Recent Box Score Key Stats Timberwolves at Nuggets 12PM ET— Minnesota improved to 20-10 following their 115-104 home victory against NY Knicks. Timberwolves shot 45% with 33% from three. Anthony Edwards led with 38 points with two assists. Julious Randle contributed 25 points and six rebounds

Send us a textBefore penning the lyrics to “America the Beautiful,” Katharine Lee Bates shone a spotlight on the invisible (and not so invisible) labor tackled by an unsung Christmas heroine, Mrs. Claus. Bates's 1888 poem “Goody Claus on a Sleigh Ride” imagines Santa's spouse setting the record straight about who really does most of the work in preparation for Christmas. In this holiday episode, Amy confesses her own cynical feelings about the Yuletide season and reads this humorous poem with its surprisingly satirical and feminist bent. Listeners who tune in will also receive a special “Lost Ladies of Lit” holiday freebie!Mentioned in this episode:“Goody Claus on a Sleigh Ride” by Katharine Lee BatesLost Ladies of Lit Episode No. 237 on Katharine Lee BatesSupport the showFor episodes and show notes, visit: LostLadiesofLit.comSubscribe to our substack newsletter. Follow us on instagram @lostladiesoflit. Email us: Contact — Lost Ladies of Lit Podcast

Listening to God in Worship, Rev. Dr. Colleen Hurley-Bates (12.21.25) by Sermons

Die Europese Raad stem vandag oor 'n voorstel vir die aanwending van Russiese bates as finansiering vir 'n lening aan Oekraïne. Kiëf se finansies kan binne 'n paar maande opdroog. Die president van die Europese Kommissie, Ursula von der Leyen, sê Europa moet besluit hoe hy die land ekonomies aan die lewe kan hou en verseker dat hy Russiese aggressie kan weerstaan:

Welcome to The Chrisman Commentary, your go-to daily mortgage news podcast, where industry insights meet expert analysis. Hosted by Robbie Chrisman, this podcast delivers the latest updates on mortgage rates, capital markets, and the forces shaping the housing finance landscape. Whether you're a seasoned professional or just looking to stay informed, you'll get clear, concise breakdowns of market trends and economic shifts that impact the mortgage world.In today's episode, we look at how originators can stay ahead of the competition when it comes to appraisals. Plus, Robbie sits down with LO Autopilot's Karen Bates for a discussion on why recapture is critical to lender value, and how technology helps loan officers and lenders reclaim business they typically lose in an increasingly crowded tech landscape. And we close by adding some commentary to recent economic figures that are shaping the rate outlook.Thanks to the Refi Recapture Engine from LO Autopilot. Lenders lose ~80% of recapture business. Their plug & play Refi Recapture Engine triples recapture volume. It runs nonstop, analyzes every loan, creates personalized quotes and sends them directly to borrowers, and delivers refi-ready borrowers to your LOs on a silver platter. 

Join the conversation with C4 & Bryan Nehman.  C4 & Bryan kicked of the show this morning discussing the interview Susie Wiles did with Vanity Fair.  Baltimore City Police involved shooting.  Ivan Bates & Brandon Scott set to meet one on one today.  A recap of the special session yesterday in Annapolis.  Baltimore County States Attorney Scott Shellenberger joined the show in studio this morning discussing car thefts, DJS & more.  MDTA Bay Bridge plan for new 4 lane spans.  Listen to C4 & Bryan Nehman live weekdays from 5:30 to 10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio App!

If you are interested in learning more about the resources Mona offers you can check out her website here. If you would like to buy lifetime access to all 31 video sessions from the 2025 Neurodiverse Love Conference click here.————————————————————————-During this session from the 2025 Neurodiverse Love Conference, Clare Bates talks about how we can better support autistic people with their relationship and sexuality needs, based on what they have said matters most to them. Clare shares key findings from research and highlights the challenges autistic people face when it comes to relationships, as well as the type of support they want. She also talks about the training that she and colleagues have developed for social care staff to help them provide more meaningful, person-centred support. You can find more about this work in the Autistic Loving section of the Supported Loving Toolkit.Bio:Claire Bates, is a neurodivergent researcher and leader (and founder) of the UK's Supported Loving Network, which focuses on improving how social care supports people with sexuality and relationships. Through the network, she's created a space for sharing best practice, training, and resources to help staff provide more person-centered and rights-based support. Claire is also an active researcher in the field of sexuality and disability, looking at the barriers people with learning disabilities and autistic people face when it comes to building and maintaining relationships. Her work brings together real-world experience and research to push for better support and to make sure people's voices and rights are at the center of everything.

It is the season of giving and a season where there is plenty. For some Division III teams, they seem to have plenty to go around. Wins, points, tenacity, and more. On Monday's Hoopsville, we will check in with a few teams that are almost always in the conversation nationally, but all for different reasons. One powerhouse has remained consistent in an ever changing game. Another known for their defense, is now trying to find offense with a young squad. Another has a tradition of 1000 point scorers over the generations. And another never seems far from talk of winning another title. Guests appearing on the Hudl Hoopsville Hotline: - Elsa Daulerio & Adrienne Shibles, No. 12 Bates women's senior and alum -0 Pat Juckem, No. 4 WashU men's coach - Josh Merkel, No. 2 Randolph-Macon men's coach - Bill Broderick, Christopher Newport women's coach Plus a peak at the final Top 25 poll of 2025. Hoopsville is presented by D3hoops.com from the WBCA Studios.

In this episode, I sit down with Lois Bates-Stubbs, founder of Mavenly, a quiet powerhouse, and living proof that one small moment can change everything.Lois's transformation began in 2022 on a trip to Disney World, during one of the hardest seasons of her life. A single 25-cent coin on the floor became the spark that shifted everything; a promise to herself that she would return one day, fully self-funded, with her children.From there, Lois went from a £7-an-hour job and a draining side business to building Mavenly: a thriving, multi-skilled virtual support agency serving women entrepreneurs across tech, marketing and strategic growth. Her journey is a testament to resilience, patience, authentic power and doing the inner work while building the external success.We talk about:✨ Turning rock-bottom moments into vision✨ Building a business from self-belief, not certainty✨ Authentic power vs. performative confidence✨ Community, female friendships and outgrowing old environments✨ Burnout, boundaries, and the reality of “levelling up”✨ Returning to core values when life feels heavy✨ The future she's manifesting — including that return to Disney by 1 December 2025This episode is for anyone who's ever felt behind, stuck, impatient or unsure… and needs the reminder that one tiny spark is enough to build a new life from.Find Lois here:LinkedIn: Lois Bates-StubbsInstagram: @mavenlyWebsite: mavenly.co.uk

The Parliament's Workforce and Education Committee has released an interim report on an inquiry into the harm young New Zealanders face online. The government has recently announced an overhaul of the Resource Management Act and introduced two new bills in its place, the Natural Environment Bill and the Planning Bill.  For our weekly catch-up with the National Party, Producer Vihan spoke to MP Carl Bates, who is also the Deputy Chairperson of the Workforce and Education Committee, about the new findings of the interim report, the new Natural Environment Bill, and the Fast Track Approval Amendments Bill.

Listening to God in Correction, Rev. Dr. Colleen Hurley-Bates (12.14.25) by Sermons

Tuesday is the 250th anniversary of Jane Austen's birth, so today I spoke to John Mullan, professor of English Literature at UCL, author of What Matters in Jane Austen. John and I talked about how Austen's fiction would have developed if she had not died young, the innovations of Persuasion, wealth inequality in Austen, slavery and theatricals in Mansfield Park, as well as Iris Murdoch, A.S. Byatt, Patricia Beer, the Dunciad, and the Booker Prize. This was an excellent episode. My thanks to John!TranscriptHenry Oliver (00:00)Today, I am talking to John Mullen. John is a professor of English literature at University College London, and he is the author of many splendid books, including How Novels Work and the Artful Dickens. I recommend the Artful Dickens to you all. But today we are talking about Jane Austen because it's going to be her birthday in a couple of days. And John wrote What Matters in Jane Austen, which is another book I recommend to you all. John, welcome.John Mullan (00:51)It's great to be here.Henry Oliver (00:53)What do you think would have happened to Austin's fiction if she had not died young?John Mullan (00:58)Ha ha! I've been waiting all this year to be asked that question from somebody truly perspicacious. ⁓ Because it's a question I often answer even though I'm not asked it, because it's a very interesting one, I think. And also, I think it's a bit, it's answerable a little bit because there was a certain trajectory to her career. I think it's very difficult to imagine what she would have written.John Mullan (01:28)But I think there are two things which are almost certain. The first is that she would have gone on writing and that she would have written a deal more novels. And then even the possibility that there has been in the past of her being overlooked or neglected would have been closed. ⁓ And secondly, and perhaps more significantly for her, I think she would have become well known.in her own lifetime. you know, partly that's because she was already being outed, as it were, you know, of course, as ⁓ you'll know, Henry, you know, she published all the novels that were published in her lifetime were published anonymously. So even people who were who were following her career and who bought a novel like Mansfield Park, which said on the title page by the author of Sense and Sensibility and Pride and Prejudice, they knew they knew.John Mullan (02:26)were getting something by the same author, they wouldn't necessarily have known the author's name and I think that would have become, as it did with other authors who began anonymously, that would have disappeared and she would have become something of a literary celebrity I would suggest and then she would have met other authors and she'd have been invited to some London literary parties in effect and I think that would have been very interesting how that might have changed her writing.John Mullan (02:54)if it would have changed her writing as well as her life. She, like everybody else, would have met Coleridge. ⁓ I think that would have happened. She would have become a name in her own lifetime and that would have meant that her partial disappearance, I think, from sort of public consciousness in the 19th century wouldn't have happened.Henry Oliver (03:17)It's interesting to think, you know, if she had been, depending on how old she would have been, could she have read the Pickwick papers? How would she have reacted to that? Yes. Yeah. Nope.John Mullan (03:24)Ha ha ha ha ha!Yes, she would have been in her 60s, but that's not so old, speaking of somebody in their 60s. ⁓ Yes, it's a very interesting notion, isn't it? I mean, there would have been other things which happened after her premature demise, which she might have responded to. I think particularly there was a terrific fashion for before Dickens came along in the 1830s, there was a terrific fashion in the 1820s for what were called silver fork novels, which were novels of sort of high life of kind of the kind of people who knew Byron, but I mean as fictional characters. And we don't read them anymore, but they were they were quite sort of high quality, glossy products and people loved them. And I'm I like to think she might have reacted to that with her sort of with her disdain, think, her witty disdain for all aristocrats. know, nobody with a title is really any good in her novels, are they? And, you know, the nearest you get is Mr. Darcy, who is an Earl's nephew. And that's more of a problem for him than almost anything else. ⁓ She would surely have responded satirically to that fashion.Henry Oliver (04:28)Hahaha.Yes, and then we might have had a Hazlitt essay about her as well, which would have been all these lost gems. Yes. Are there ways in which persuasion was innovative that Emma was not?John Mullan (04:58)Yes, yes, yes, yes. I know, I know.⁓ gosh, all right, you're homing in on the real tricky ones. Okay, okay. ⁓ That Emma was not. Yes, I think so. I think it took, in its method, it took further what she had done in Emma.Henry Oliver (05:14)Ha ha.This is your exam today,John Mullan (05:36)which is that method of kind of we inhabit the consciousness of a character. And I I think of Jane Austen as a writer who is always reacting to her own last novel, as it were. And I think, you know, probably the Beatles were like that or Mozart was like that. think, you know, great artists often are like that, that at a certain stage, if what they're doing is so different from what everybody else has done before,they stop being influenced by anybody else. They just influence themselves. And so I think after Emma, Jane Austen had this extraordinary ⁓ method she perfected in that novel, this free indirect style of a third-person narration, which is filtered through the consciousness of a character who in Emma's case is self-deludedly wrong about almost everything. And it's...brilliantly tricksy and mischievous and elaborate use of that device which tricks even the reader quite often, certainly the first time reader. And then she got to persuasion and I think she is at least doing something new and different with that method which is there's Anne Elliot. Anne Elliot's a good person. Anne Elliot's judgment is very good. She's the most cultured and cultivated of Jane Austen's heroines. She is, as Jane Austen herself said about Anne Elliot, almost too good for me. And so what she does is she gives her a whole new vein of self-deception, which is the self-deception in the way of a good person who always wants to think things are worse than they are and who always, who, because suspicious of their own desires and motives sort of tamps them down and suppresses them. And we live in this extraordinary mind of this character who's often ignored, she's always overhearing conversations. Almost every dialogue in the novel seems to be something Anne overhears rather than takes part in. And the consciousness of a character whodoesn't want to acknowledge things in themselves which you and I might think were quite natural and reasonable and indeed in our psychotherapeutic age to be expressed from the rooftops. You still fancy this guy? Fine! Admit it to yourself. ⁓ No. So it's not repression actually, exactly. It's a sort of virtuous self-control somehow which I think lots of readers find rather masochistic about her. Henry Oliver (08:38)I find that book interesting because in Sense and Sensibility she's sort of opposed self-command with self-expression, but she doesn't do that in Persuasion. She says, no, no, I'm just going to be the courage of, no, self-command. know, Eleanor becomes the heroine.John Mullan (08:48)Yes. Yes, yes, yes, yes, yes, yes. But with the odd with the odd burst of Mariannes, I was watching the I thought execrable Netflix ⁓ persuasion done about two or three years ago ⁓ with the luminous Dakota Johnson as as you know, as Anne Elliot. You could not believe her bloom had faded one little bit, I think.John Mullan (09:23)And ⁓ I don't know if you saw it, but the modus operandi rather following the lead set by that film, The Favourite, which was set in Queen Anne's reign, but adopted the Demotic English of the 21st century. similarly, this adaptation, much influenced by Fleabag, decided to deal with the challenge of Jane Austen's dialogue by simply not using it, you know, and having her speak in a completely contemporary idiom. But there were just one or two lines, very, very few from the novel, that appeared. And when they appeared, they sort of cried through the screen at you. And one of them, slightly to qualify what you've just said, was a line I'd hardly noticed before. as it was one of the few Austin lines in the programme, in the film, I really noticed it. And it was much more Marianne than Eleanor. And that's when, I don't know if you remember, and Captain Wentworth, they're in Bath. So now they are sort of used to talking to each other. And Louisa Musgrove's done her recovering from injury and gone off and got engaged to Captain Benwick, Captain Benwick. So Wentworth's a free man. And Anne is aware, becoming aware that he may be still interested in her. And there's a card party, an evening party arranged by Sir Walter Elliot. And Captain Wentworth is given an invitation, even though they used to disapprove of him because he's now a naval hero and a rich man. And Captain Wentworth and Anna making slightly awkward conversation. And Captain Wentworth says, you did not used to like cards.I mean, he realizes what he said, because what he said is, remember you eight years ago. I remember we didn't have to do cards. We did snogging and music. That's what we did. But anyway, he did not used to like cards. And he suddenly realizes what a giveaway that is. And he says something like, but then time brings many changes. And she says, she cries out, I am not so much changed.Henry Oliver (11:23)Mm. Mm, yes, yes. Yep.Yes.Cries out, yeah.John Mullan (11:50)It's absolutely electric line and that's not Eleanor is it? That's not an Eleanor-ish line. ⁓ Eleanor would say indeed time evinces such dispositions in most extraordinary ways. She would say some Johnsonian thing wouldn't she? so I don't think it's quite a return to the same territory or the same kind of psychology.Henry Oliver (12:05)That's right. Yes, yes, yeah.No, that's interesting, yeah. One of the things that happens in Persuasion is that you get this impressionistic writing. So a bit like Mrs. Elliot talking while she picks strawberries. When Lady Russell comes into Bath, you get that wonderful scene of the noises and the sounds. Is this a sort of step forward in a way? And you can think of Austen as not an evolutionary missing link as such, but she's sort of halfway between Humphrey Clinker and Mr. Jangle.Is that something that she would have sort of developed?John Mullan (12:49)I think that's quite possible. haven't really thought about it before, but you're right. think there are these, ⁓ there are especially, they're impressionistic ⁓ passages which are tied up with Anne's emotions. And there's an absolutely, I think, short, simple, but extraordinarily original one when she meets him again after eight years. And it says something like, the room was full, full of people. Mary said something and you're in the blur of it. He said all that was right, you know, and she can't hear the words, she can't hear the words and you can't hear the words and you're inside and she's even, you're even sort of looking at the floor because she's looking at the floor and in Anne's sort of consciousness, often slightly fevered despite itself, you do exactly get this sort of, ⁓ for want of a better word, blur of impressions, which is entirely unlike, isn't it, Emma's sort of ⁓ drama of inner thought, which is always assertive, argumentative, perhaps self-correcting sometimes, but nothing if not confidently articulate.John Mullan (14:17)And with Anne, it's a blur of stuff. there is a sort of perhaps a kind of inklings of a stream of consciousness method there.Henry Oliver (14:27)I think so, yeah. Why is it that Flaubert and other writers get all the credit for what Jane Austen invented?John Mullan (14:35)Join my campaign, Henry. It is so vexing. It is vexing. sometimes thought, I sometimes have thought, but perhaps this is a little xenophobic of me, that the reason that Jane Austen is too little appreciated and read in France is because then they would have to admit that Flaubertdidn't do it first, you know. ⁓Henry Oliver (14:40)It's vexing, isn't it?John Mullan (15:04)I mean, I suppose there's an answer from literary history, which is simply for various reasons, ⁓ some of them to do with what became fashionable in literary fiction, as we would now call it. Jane Austen was not very widely read or known in the 19th century. So it wasn't as if, as it were, Tolstoy was reading Jane Austen and saying, this is not up to much. He wasn't. He was reading Elizabeth Gaskell.Jane Eyre ⁓ and tons of Dickens, tons, every single word Dickens published, of course. ⁓ So Jane Austen, know, to cite an example I've just referred to, I Charlotte Bronte knew nothing of Jane Austen until George Henry Lewis, George Eliot's partner, who is carrying the torch for Jane Austen, said, you really should read some. And that's why we have her famous letter saying, it's, you know, it's commonplace and foolish things she said. But so I think the first thing to establish is she was really not very widely read. So it wasn't that people were reading it and not getting it. It was which, you know, I think there's a little bit of that with Dickens. He was very widely read and people because of that almost didn't see how innovative he was, how extraordinarily experimental. It was too weird. But they still loved it as comic or melodramatic fiction. But I think Jane Austen simply wasn't very widely read until the late 19th century. So I don't know if Flaubert read her. I would say almost certainly not. Dickens owned a set of Jane Austen, but that was amongst 350 selecting volumes of the select British novelists. Probably he never read Jane Austen. Tolstoy and you know never did, you know I bet Dostoevsky didn't, any number of great writers didn't.Henry Oliver (17:09)I find it hard to believe that Dickens didn't read her.John Mullan (17:12)Well, I don't actually, I'm afraid, because I mean the one occasion that I know of in his surviving correspondence when she's mentioned is after the publication of Little Dorrit when ⁓ his great bosom friend Forster writes to him and says, Flora Finching, that must be Miss Bates. Yes. You must have been thinking of Miss Bates.John Mullan (17:41)And he didn't write it in a sort of, you plagiarist type way, I he was saying you've varied, it's a variation upon that character and Dickens we wrote back and we have his reply absolutely denying this. Unfortunately his denial doesn't make it clear whether he knew who Miss Bates was but hadn't it been influenced or whether he simply didn't know but what he doesn't… It's the one opportunity where he could have said, well, of course I've read Emma, but that's not my sort of thing. ⁓ of course I delight in Miss Bates, but I had no idea of thinking of her when I... He has every opportunity to say something about Jane Austen and he doesn't say anything about her. He just says, no.Henry Oliver (18:29)But doesn't he elsewhere deny having read Jane Eyre? And that's just like, no one believes you, Charles.John Mullan (18:32)Yes.Well, he may deny it, but he also elsewhere admits to it. Yeah.Henry Oliver (18:39)Okay, but you know, just because he doesn't come out with it.John Mullan (18:43)No, no, it's true, but he wouldn't have been singular and not reading Jane Austen. That's what I'm saying. Yes. So it's possible to ignore her innovativeness simply by not having read her. But I do think, I mean, briefly, that there is another thing as well, which is that really until the late 20th century almost, even though she'd become a wide, hugely famous, hugely widely read and staple of sort of A levels and undergraduate courses author, her real, ⁓ her sort of experiments with form were still very rarely acknowledged. And I mean, it was only really, I think in the sort of almost 1980s, really a lot in my working lifetime that people have started saying the kind of thing you were asking about now but hang on free and direct style no forget flow bear forget Henry James I mean they're terrific but actually this woman who never met an accomplished author in her life who had no literary exchanges with fellow writersShe did it at a little table in a house in Hampshire. Just did it.Henry Oliver (20:14)Was she a Tory or an Enlightenment Liberal or something else?John Mullan (20:19)⁓ well I think the likeliest, if I had to pin my colours to a mast, I think she would be a combination of the two things you said. I think she would have been an enlightenment Tory, as it were. So I think there is some evidence that ⁓ perhaps because also I think she was probably quite reasonably devout Anglican. So there is some evidence that… She might have been conservative with a small C, but I think she was also an enlightenment person. I think she and her, especially her father and at least a couple of her brothers, you know, would have sat around reading 18th century texts and having enlightened discussions and clearly they were, you know, and they had, it's perfect, you know, absolutely hard and fast evidence, for instance, that they would have been that they were sympathetic to the abolition of slavery, that they were ⁓ sceptics about the virtues of monarchical power and clear-eyed about its corruption, that they had no, Jane Austen, as I said at the beginning of this exchange, had no great respect or admiration for the aristocratic ruling class at all. ⁓ So there's aspects of her politics which aren't conservative with a big C anyway, but I think enlightened, think, I mean I, you know, I got into all this because I loved her novels, I've almost found out about her family inadvertently because you meet scary J-Night experts at Jane Austen Society of North America conferences and if you don't know about it, they look at scants. But it is all interesting and I think her family were rather terrific actually, her immediate family. I think they were enlightened, bookish, optimistic, optimistic people who didn't sit around moaning about the state of the country or their own, you know, not having been left enough money in exes will. And...I think that they were in the broadest sense enlightened people by the standard of their times and perhaps by any standards.Henry Oliver (22:42)Is Mansfield Park about slavery?John Mullan (22:45)Not at all, no. I don't think so. I don't think so. And I think, you know, the famous little passage, for it is only a passage in which Edmund and Fanny talk about the fact it's not a direct dialogue. They are having a dialogue about the fact that they had, but Fanny had this conversation or attempt at conversation ⁓ a day or two before. And until relatively recently, nobody much commented on that passage. It doesn't mean they didn't read it or understand it, but now I have not had an interview, a conversation, a dialogue involving Mansfield Park in the last, in living memory, which hasn't mentioned it, because it's so apparently responsive to our priorities, our needs and our interests. And there's nothing wrong with that. But I think it's a it's a parenthetic part of the novel. ⁓ And of course, there was this Edward Said article some decades ago, which became very widely known and widely read. And although I think Edward Said, you know, was a was a wonderful writer in many ways. ⁓I think he just completely misunderstands it ⁓ in a way that's rather strange for a literary critic because he says it sort of represents, you know, author's and a whole society's silence about this issue, the source of wealth for these people in provincial England being the enslavement of people the other side of the Atlantic. But of course, Jane Auster didn't have to put that bit in her novel, if she'd wanted really to remain silent, she wouldn't have put it in, would she? And the conversation is one where Edmund says, know, ⁓ you know, my father would have liked you to continue when you were asking about, yeah, and she says, but there was such terrible silence. And she's referring to the other Bertram siblings who indeed are, of course, heedless, selfish ⁓ young people who certainly will not want to know that their affluence is underwritten by, you know, the employment of slaves on a sugar plantation. But the implication, I think, of that passage is very clearly that Fanny would have, the reader of the time would have been expected to infer that Fanny shares the sympathies that Jane Austen, with her admiration, her love, she says, of Thomas Clarkson. The countries leading abolitionists would have had and that Edmund would also share them. And I think Edmund is saying something rather surprising, which I've always sort of wondered about, which is he's saying, my father would have liked to talk about it more. And what does that mean? Does that mean, my father's actually, he's one of these enlightened ones who's kind of, you know, freeing the slaves or does it mean, my father actually knows how to defend his corner? He would have beenYou know, he doesn't he doesn't feel threatened or worried about discussing it. It's not at all clear where Sir Thomas is in this, but I think it's pretty clear where Edmund and Fanny are.Henry Oliver (26:08)How seriously do you take the idea that we are supposed to disapprove of the family theatricals and that young ladies putting on plays at home is immoral?John Mullan (26:31)Well, I would, mean, perhaps I could quote what two students who were discussing exactly this issue said quite some time ago in a class where a seminar was running on Mansfield Park. And one of the students can't remember their names, I'm afraid. I can't remember their identities, so I'm safe to quote them. ⁓ They're now probably running PR companies or commercial solicitors. And one of them I would say a less perceptive student said, why the big deal about the amateur dramatics? I mean, what's Jane Austen's problem? And there was a pause and another student in the room who I would suggest was a bit more of an alpha student said, really, I'm surprised you asked that. I don't think I've ever read a novel in which I've seen characters behaving so badly as this.And I think that's the answer. The answer isn't that the amateur dramatics themselves are sort of wrong, because of course Jane Austen and her family did them. They indulged in them. ⁓ It's that it gives the opportunity, the license for appalling, mean truly appalling behaviour. I mean, Henry Crawford, you know, to cut to the chase on this, Henry Crawford is seducing a woman in front of her fiance and he enjoys it not just because he enjoys seducing women, that's what he does, but because it's in front of him and he gets an extra kick out of it. You know, he has himself after all already said earlier in the novel, oh, I much prefer an engaged woman, he has said to his sister and Mrs. Grant. Yes, of course he does. So he's doing that. Mariah and Julia are fighting over him. Mr. Rushworth, he's not behaving badly, he's just behaving like a silly arse. Mary Crawford, my goodness, what is she up to? She's up to using the amateur dramatics for her own kind of seductions whilst pretending to be sort of doing it almost unwillingly. I mean, it seems to me an elaborate, beautifully choreographed elaboration of the selfishness, sensuality and hypocrisy of almost everybody involved. And it's not because it's amateur dramatics, but amateur dramatics gives them the chance to behave so badly.Henry Oliver (29:26)Someone told me that Thomas Piketty says that Jane Austen depicts a society in which inequality of wealth is natural and morally justified. Is that true?John Mullan (29:29)Ha⁓Well, again, Thomas Piketty, I wish we had him here for a good old mud wrestle. ⁓ I would say that the problem with his analysis is the coupling of the two adjectives, natural and morally right. I think there is a strong argument that inequality is depicted as natural or at least inevitable, inescapable in Jane Austen's novels.but not morally right, as it were. In fact, not at all morally right. There is a certain, I think you could be exaggerated little and call it almost fatalism about that such inequalities. Do you remember Mr. Knightley says to Emma, in Emma, when he's admonishing her for her, you know, again, a different way, terribly bad behavior.Henry Oliver (30:38)At the picnic.John Mullan (30:39)At the picnic when she's humiliatedMiss Bates really and Mr Knightley says something like if she'd been your equal you know then it wouldn't have been so bad because she could have retaliated she could have come back but she's not and she says and he says something like I won't get the words exactly right but I can get quite close he says sinceher youth, she has sunk. And if she lives much longer, will sink further. And he doesn't say, ⁓ well, we must have a collection to do something about it, or we must have a revolution to do something about it, or if only the government would bring in better pensions, you know, he doesn't, he doesn't sort of rail against it as we feel obliged to. ⁓ He just accepts it as an inevitable part of what happens because of the bad luck of her birth, of the career that her father followed, of the fact that he died too early probably, of the fact that she herself never married and so on. That's the way it is. And Mr Knightley is, I think, a remarkably kind character, he's one of the kindest people in Jane Austen and he's always doing surreptitious kindnesses to people and you know he gives the Bates's stuff, things to eat and so on. He arranges for his carriage to carry them places but he accepts that that is the order of things. ⁓ But I, you know Henry, I don't know what you think, I think reading novels or literature perhaps more generally, but especially novels from the past, is when you're responding to your question to Mr. Piketty's quote, is quite a sort of, can be quite an interesting corrective to our own vanities, I think, because we, I mean, I'm not saying, you know, the poor are always with us, as it were, like Jesus, but... ⁓ You know, we are so ⁓ used to speaking and arguing as if any degree of poverty is in principle politically remediable, you know, and should be. And characters in Jane Austen don't think that way. And I don't think Jane Austen thought that way.Henry Oliver (33:16)Yes, yes. Yeah.The other thing I would say is that ⁓ the people who discuss Jane Austen publicly and write about her are usually middle class or on middle class incomes. And there's a kind of collective blindness to the fact that what we call Miss Bates poverty simply means that she's slipping out of the upper middle class and she will no longer have her maid.⁓ It doesn't actually mean, she'll still be living on a lot more than a factory worker, who at that time would have been living on a lot more than an agricultural worker, and who would have been living on a lot more than someone in what we would think of as destitution, or someone who was necessitous or whatever. So there's a certain extent to which I actually think what Austin is very good at showing is the... ⁓ the dynamics of a newly commercial society. So at the same time that Miss Bates is sinking, ⁓ I forget his name, but the farmer, the nice farmer, Robert Martin, he's rising. And they all, all classes meet at the drapier and class distinctions are slightly blurred by the presence of nice fabric.John Mullan (34:24)Mr. Robert Martin. Henry Oliver (34:37)And if your income comes from turnips, that's fine. You can have the same material that Emma has. And Jane Austen knows that she lives in this world of buttons and bonnets and muslins and all these new ⁓ imports and innovations. And, you know, I think Persuasion is a very good novel. ⁓ to say to Piketty, well, there's nothing natural about wealth inequality and persuasion. And it's not Miss Bates who's sinking, it's the baronet. And all these admirals are coming up and he has that very funny line, doesn't he? You're at terrible risk in the Navy that you'd be cut by a man who your father would have cut his father. And so I think actually she's not a Piketty person, but she's very clear-eyed about... quote unquote, what capitalism is doing to wealth inequality. Yeah, yeah.John Mullan (35:26)Yes, she is indeed. Indeed.Clear-eyed, I think, is just the adjective. I mean, I suppose the nearest she gets to a description. Yeah, she writes about the classes that she knows from the inside, as it were. So one could complain, people have complained. She doesn't represent what it's like to be an agricultural worker, even though agricultural labour is going on all around the communities in which her novels are set.And I mean, I think that that's a sort of rather banal objection, but there's no denying it in a way. If you think a novelist has a duty, as it were, to cover the classes and to cover the occupations, then it's not a duty that Jane Austen at all perceived. However, there is quite, there is something like, not a representation of destitution as you get in Dickens.but a representation of something inching towards poverty in Mansfield Park, which is the famous, as if Jane Austen was showing you she could do this sort of thing, which is the whole Portsmouth episode, which describes with a degree of domestic detail she never uses anywhere else in her fiction. When she's with the more affluent people, the living conditions, the food, the sheer disgustingness and tawdryness of life in the lodgings in Portsmouth where the Price family live. And of course, in a way, it's not natural because ⁓ in their particular circumstances, Lieutenant Price is an alcoholic.They've got far too many children. ⁓ He's a useless, sweary-mouthed boozer ⁓ and also had the misfortune to be wounded. ⁓ And she, his wife, Fanny's mother, is a slattern. We get told she's a slattern. And it's not quite clear if that's a word in Fanny's head or if that's Jane Austen's word. And Jane Austen...Fanny even goes so far as to think if Mrs. Norris were in charge here, and Mrs. Norris is as it were, she's the biggest sadist in all Jane Austen's fiction. She's like sort Gestapo guard monquet. If Mrs. Norris were in charge, it wouldn't be so bad here, but it's terrible. And Jane Austen even, know, she describes the color of the milk, doesn't she? The blue moats floating in the milk.She dis- and it's all through Fanny's perception. And Fanny's lived in this rather loveless grand place. And now it's a great sort of, ⁓ it's a coup d'etat. She now makes Fanny yearn for the loveless grand place, you know, because of what you were saying really, Henry, because as I would say, she's such an unsentimental writer, you know, andyou sort of think, you know, there's going to be no temptation for her to say, to show Fanny back in the loving bosom of her family, realising what hollow hearted people those Bertrams are. You know, she even describes the mark, doesn't she, that Mr Price's head, his greasy hair is left on the wall. It's terrific. And it's not destitution, but it's something like a life which must be led by a great sort of rank of British people at the time and Jane Austen can give you that, she can.Henry Oliver (39:26)Yeah, yeah. That's another very Dickensian moment. I'm not going to push this little thesis of mine too far, but the grease on the chair. It's like Mr. Jaggers in his horse hair. Yes. That's right, that's right. ⁓ Virginia Woolf said that Jane Austen is the most difficult novelist to catch in the act of greatness. Is that true?John Mullan (39:34)Yes, yes, yes, it is these details that Dickens would have noticed of course. Yes.Yes.⁓ I think it is so true. think that Virginia Woolf, she was such a true, well, I think she was a wonderful critic, actually, generally. Yeah, I think she was a wonderful critic. you know, when I've had a couple of glasses of Rioja, I've been known to say, to shocked students, ⁓ because you don't drink Rioja with students very often nowadays, but it can happen. ⁓ But she was a greater critic than novelist, you know.Henry Oliver (39:54)Yeah.Best critic of the 20th century. Yes, yes. Yeah. And also greater than Emson and all these people who get the airtime. Yes, yes.John Mullan (40:20)You know.I know, I know, but that's perhaps because she didn't have a theory or an argument, you know, and the Seven Types, I know that's to her credit, but you know, the Seven Types of Ambiguity thing is a very strong sort of argument, even if...Henry Oliver (40:31)Much to her credit.But look, if the last library was on fire and I could only save one of them, I'd let all the other critics in the 20th century burn and I'd take the common reader, wouldn't you?John Mullan (40:47)Okay. Yes, I, well, I think I agree. think she's a wonderful critic and both stringent and open. I mean, it's an extraordinary way, you know, doesn't let anybody get away with anything, but on the other hand is genuinely ready to, to find something new to, to anyway. ⁓ the thing she said about Austin, she said lots of good things about Austin and most of them are good because they're true. And the thing about… Yes, so what I would, I think what she meant was something like this, that amongst the very greatest writers, so I don't know, Shakespeare or Milton or, you know, something like that, you could take almost a line, yes? You can take a line and it's already glowing with sort of radioactive brilliance, know, and ⁓ Jane Austen, the line itself, there are wonderful sentences.)Mr. Bennett was so odd a mixture of quick parts, sarcastic humor, reserve and caprice that the experience of three and 20 years had been insufficient to make his wife understand his character. I mean, that's as good as anything in Hamlet, isn't it? So odd a mixture and there he is, the oddest mixture there's ever been. And you think he must exist, he must exist. But anyway, most lines in Jane Austen probably aren't like that and it's as if in order to ⁓ explain how brilliant she is and this is something you can do when you teach Jane Austen, makes her terrific to teach I think, you can look at any bit and if everybody's read the novel and remembers it you can look at any paragraph or almost any line of dialogue and see how wonderful it is because it will connect to so many other things. But out of context, if you see what I mean, it doesn't always have that glow of significance. And sometimes, you know, the sort of almost most innocuous phrases and lines actually have extraordinary dramatic complexity. but you've got to know what's gone on before, probably what goes on after, who's in the room listening, and so on. And so you can't just catch it, you have to explain it. ⁓ You can't just, as it were, it, as you might quote, you know, a sort of a great line of Wordsworth or something.Henry Oliver (43:49)Even the quotable bits, you know, the bit that gets used to explain free and direct style in Pride and Prejudice where she says ⁓ living in sight of their own warehouses. Even a line like that is just so much better when you've been reading the book and you know who is being ventriloquized.John Mullan (43:59)Well, my favourite one is from Pride and Prejudice is after she's read the letter Mr Darcy gives her explaining what Wickham is really like, really, for truth of their relationship and their history. And she interrogates herself. And then at the end, there's ⁓ a passage which is in a passage of narration, but which is certainly in going through Elizabeth's thoughts. And it ends, she had been blind, partial, prejudiced, absurd. And I just think it's, if you've got to know Elizabeth, you just know that that payoff adjective, absurd, that's the coup de grace. Because of course, finding other people absurd is her occupation. It's what makes her so delightful. And it's what makes us complicit with her.Henry Oliver (44:48)Yeah.That's right.John Mullan (45:05)She sees how ridiculous Sir William Lucas and her sister Mary, all these people, and now she has absurded herself, as it were. So blind partial prejudice, these are all repetitions of the same thought. But only Elizabeth would end the list absurd. I think it's just terrific. But you have to have read the book just to get that. That's a whole sentence.You have to have read the book to get the sentence, don't you?Henry Oliver (45:34)Yep, indeed. ⁓ Do we love Jane Austen too much so that her contemporaries are overshadowed and they're actually these other great writers knocking around at the same time and we don't give them their due? Or is she in fact, you know, the Shakespeare to their Christopher Marlowe or however you want to.John Mullan (45:55)I think she's the Shakespeare to their Thomas Kidd or no even that's the... Yes, okay, I'm afraid that you know there are two contradictory answers to that. Yes, it does lead us to be unfair to her contemporaries certainly because they're so much less good than her. So because they're so much less good than her in a way we're not being unfair. know, I mean... because I have the profession I have, I have read a lot of novels by her immediate predecessors. I mean, people like Fanny Burnie, for instance, and her contemporaries, people like Mariah Edgeworth. And ⁓ if Jane Austen hadn't existed, they would get more airtime, I think, yes? And some of them are both Burnie and Edgeworth, for instance. ⁓ highly intelligent women who had a much more sophisticated sort of intellectual and social life than Jane Austen ⁓ and conversed with men and women of ideas and put some of those ideas in their fiction and they both wrote quite sophisticated novels and they were both more popular than Jane Austen and they both, having them for the sort of carpers and complainers, they've got all sorts of things like Mariah Regworth has some working-class people and they have political stuff in their novels and they have feminist or anti-feminist stuff in their novels and they're much more satisfying to the person who's got an essay to write in a way because they've got the social issues of the day in there a bit, certainly Mariah Regworth a lot. ⁓ So if Jane Austen hadn't come along we would show them I think more, give them more time. However, you know, I don't want to say this in a destructive way, but in a certain way, all that they wrote isn't worth one paragraph of Jane Austen, you know, in a way. So we're not wrong. I suppose the interesting case is the case of a man actually, which is Walter Scott, who sort of does overlap with Jane Austen a bit, you know, and who has published what I can't remember, two, three, even four novels by the time she dies, and I think three, and she's aware of him as a poet and I think beginning to be aware of him as a novelist. And he's the prime example of somebody who was in his own day, but for a long time afterwards, regarded as a great novelist of his day. And he's just gone. He's really, you know, you can get his books in know, Penguin and Oxford classics in the shops. I mean, it's at least in good big book shops. And it's not that he's not available, but it's a very rare person who's read more than one or even read one. I don't know if you read lots of Scott, Henry.Henry Oliver (49:07)Well, I've read some Scott and I quite like it, but I was a reactionary in my youth and I have a little flame for the Jacobite cause deep in my heart. This cannot be said of almost anyone who is alive today. 1745 means nothing to most people. The problem is that he was writing about something that has just been sort of forgotten. And so the novels, know, when Waverly takes the knee in front of the old young old pretender, whichever it is, who cares anymore? you know?John Mullan (49:40)Well, yes, but it can't just be that because he also wrote novels about Elizabeth I and Robin Hood and, you know... ⁓Henry Oliver (49:46)I do think Ivanhoe could be more popular, yeah.John Mullan (49:49)Yeah, so it's not just that this and when he wrote, for instance, when he published Old Mortality, which I think is one of his finest novels, I mean, I've read probably 10 Scott novels at nine or 10, you know, so that's only half or something of his of his output. And I haven't read one for a long time, actually. Sorry, probably seven or eight years. He wrote about some things, which even when he wrote about and published about, readers of the time couldn't have much known or cared about. mean, old mortalities about the Covenant as wars in the borderlands of Scotland in the 17th century. I mean, all those people in London who were buying it, they couldn't give a damn about that. Really, really, they couldn't. I mean, they might have recognized the postures of religious fanaticism that he describes rather well.But even then only rather distantly, I think. So I think it's not quite that. I think it's not so much ignorance now of the particular bits of history he was drawn to. I think it's that in the 19th century, historical fiction had a huge status. And it was widely believed that history was the most dignified topic for fiction and so dignified, it's what made fiction serious. So all 19th century authors had a go at it. Dickens had a go at it a couple of times, didn't he? I think it's no, yes, yes, think even Barnaby Rudge is actually, it's not just a tale of two cities. Yes, a terrific book. But generally speaking, ⁓ most Victorian novelists who did it, ⁓ they are amongst, you know, nobodyHenry Oliver (51:22)Very successfully. ⁓ a great book, great book.John Mullan (51:43)I think reads Trollope's La Vendée, you know, people who love Hardy as I do, do not rush to the trumpet major. it was a genre everybody thought was the big thing, know, war and peace after all. And then it's prestige faded. I mean, it's...returned a little bit in some ways in a sort of Hillary man, Tellish sort of way, but it had a hugely inflated status, I think, in the 19th century and that helped Scott. And Scott did, know, Scott is good at history, he's good at battles, he's terrific at landscapes, you know, the big bow wow strain as he himself described it.Henry Oliver (52:32)Are you up for a sort of quick fire round about other things than Jane Austen?John Mullan (52:43)Yes, sure, try me.Henry Oliver (52:44)Have you used any LLMs and are they good at talking about literature?John Mullan (52:49)I don't even know what an LLM is. What is it? Henry Oliver (52:51)Chat GPT. ⁓ John Mullan (53:17)⁓ God, goodness gracious, it's the work of Satan.Absolutely, I've never used one in my life. And indeed, have colleagues who've used them just to sort of see what it's like so that might help us recognise it if students are using them. And I can't even bring myself to do that, I'm afraid. But we do as a...As a department in my university, we have made some use of them purely in order to give us an idea of what they're like, so to help us sort of...Henry Oliver (53:28)You personally don't feel professionally obliged to see what it can tell you. Okay, no, that's fine. John Mullan (53:32)No, sorry.Henry Oliver (53:33)What was it like being a Booker Prize judge?heady. It was actually rather heady. Everybody talks about how it's such a slog, all those books, which is true. But when you're the Booker Prize judge, at least when I did it, you were treated as if you were somebody who was rather important. And then as you know, and that lasts for about six months. And you're sort of sent around in taxes and give nice meals and that sort of thing. And sort of have to give press conferences when you choose the shortlist. and I'm afraid my vanity was tickled by all that. And then at the moment after you've made the decision, you disappear. And the person who wins becomes important. It's a natural thing, it's good. And you realize you're not important at all.Henry Oliver (54:24)You've been teaching in universities, I think, since the 1990s.John Mullan (54:29)Yes, no earlier I fear, even earlier.Henry Oliver (54:32)What are the big changes? Is the sort of media narrative correct or is it more complicated than that?John Mullan (54:38)Well, it is more complicated, but sometimes things are true even though the Daily Telegraph says they're true, to quote George Orwell. ⁓ you know, I mean, I think in Britain, are you asking about Britain or are you asking more generally? Because I have a much more depressing view of what's happened in America in humanities departments.Henry Oliver (54:45)Well, tell us about Britain, because I think one problem is that the American story becomes the British story in a way. So what's the British story?John Mullan (55:07)Yes, yes, think that's true.Well, I think the British story is that we were in danger of falling in with the American story. The main thing that has happened, that has had a clear effect, was the introduction in a serious way, however long ago it was, 13 years or something, of tuition fees. And that's really, in my department, in my subject, that's had a major change.and it wasn't clear at first, but it's become very clear now. So ⁓ it means that the, as it were, the stance of the teachers to the taught and the taught to the teachers, both of those have changed considerably. Not just in bad ways, that's the thing. It is complicated. So for instance, I mean, you could concentrate on the good side of things, which is, think, I don't know, were you a student of English literature once?Henry Oliver (55:49)Mm-hmm.I was, I was. 2005, long time ago.John Mullan (56:07)Yes. OK.Well, I think that's not that long ago. mean, probably the change is less extreme since your day than it is since my day. But compared to when I was a student, which was the end of the 70s, beginning of the 80s, I was an undergraduate. The degree of sort of professionalism and sobriety, responsibility and diligence amongst English literature academics has improved so much.You know, you generally speaking, literature academics, they are not a load of ⁓ drunken wastrels or sort of predatory seducers or lazy, work shy, ⁓ even if they love their own research, negligent teachers or a lot of the sort of the things which even at the time I recognise as the sort of bad behaviour aspects of some academics. Most of that's just gone. It's just gone. You cannot be like that because you've got everybody's your institution is totally geared up to sort of consumer feedback and and the students, especially if you're not in Oxford or Cambridge, the students are essentially paying your salaries in a very direct way. So there have been improvements actually. ⁓ those improvements were sort of by the advocates of tuition fees, I think, and they weren't completely wrong. However, there have also been some real downsides as well. ⁓ One is simply that the students complain all the time, you know, and in our day we had lots to complain about and we never complained. Now they have much less to complain about and they complain all the time. ⁓ So, and that seems to me to have sort of weakened the relationship of trust that there should be between academics and students. But also I would say more if not optimistically, at least stoically. I've been in this game for a long time and the waves of student fashion and indignation break on the shore and then another one comes along a few years later. And as a sort of manager in my department, because I'm head of my department, I've learned to sort of play the long game.And what everybody's hysterical about one moment, one year, they will have forgotten about two or three years later. So there has been a certain, you know, there was a, you know, what, what, you know, some conservative journalists would call kind of wokery. There has been some of that. But in a way, there's always been waves of that. And the job of academics is sort of to stand up to it. and in a of calm way. Tuition fees have made it more difficult to do that I think.Henry Oliver (59:40)Yeah. Did you know A.S. Byatt? What was she like?John Mullan (59:43)I did.⁓ Well...When you got to know her, you recognized that the rather sort of haughty almost and sometimes condescending apparently, ⁓ intellectual auteur was of course a bit of a front. Well, it wasn't a front, but actually she was quite a vulnerable person, quite a sensitive and easily upset person.I mean that as a sort of compliment, not easily upset in the sense that sort of her vanity, but actually she was quite a humanly sensitive person and quite woundable. And when I sort of got to know that aspect of her, know, unsurprisingly, I found myself liking her very much more and actually not worrying so much about the apparent sort of put downs of some other writers and things and also, you know, one could never have said this while she was alive even though she often talked about it. I think she was absolutely permanently scarred by the death of her son and I think that was a, you know, who was run over when he was what 11 years old or something. He may have been 10, he may have been 12, I've forgotten, but that sort of age. I just think she was I just think she was permanently lacerated by that. And whenever I met her, she always mentioned it somehow, if we were together for any length of time.Henry Oliver (1:01:27)What's your favourite Iris Murdoch novel?John Mullan (1:01:33)I was hoping you were going to say which is the most absurd Aris Murdoch novel. ⁓ No, you're an Aris Murdoch fan, are you? Henry Oliver (1:01:38)Very much so. You don't like her work?John Mullan (1:01:59)Okay. ⁓ no, it's, as you would say, Henry, more complicated than that. I sort of like it and find it absurd. It's true. I've only read, re-read in both cases, two in the last 10 years. And that'sThat's not to my credit. And both times I thought, this is so silly. I reread the C to C and I reread a severed head. And I just found them both so silly. ⁓ I was almost, you know, I almost lost my patience with them. But I should try another. What did I used to like? Did I rather like an accidental man? I fear I did.Did I rather like the bell, which is surely ridiculous. I fear I did. Which one should I like the most?Henry Oliver (1:02:38)I like The Sea, the Sea very much. ⁓ I think The Good Apprentice is a great book. There are these, so after The Sea, the Sea, she moves into her quote unquote late phase and people don't like it, but I do like it. So The Good Apprentice and The Philosopher's Pupil I think are good books, very good books.John Mullan (1:02:40)I've not read that one, I'm afraid. Yes, I stopped at the sea to sea. I, you know, once upon a time, I'm a bit wary of it and my experience of rereading A Severed Head rather confirmed me in my wariness because rereading, if I were to reread Myris Murdoch, I'm essentially returning to my 18 year old self because I read lots of Myris Murdoch when I was 17, 18, 19 and I thought she was deep as anything. and to me she was the deep living British novelist. And I think I wasn't alone ⁓ and I feel a little bit chastened by your advocacy of her because I've also gone along with the ⁓ general readership who've slightly decided to ditch Irish Murdoch. her stock market price has sunk hugely ⁓ since her death. But perhaps that's unfair to her, I don't know. I've gone a bit, I'll try again, because I recently have reread two or three early Margaret Drabble novels and found them excellent, really excellent. And thought, ⁓ actually, I wasn't wrong to like these when I was a teenager. ⁓Henry Oliver (1:04:11)The Millstone is a great book.John Mullan (1:04:22)⁓ yes and actually yes I reread that, I reread the Garrick year, the Millstone's terrific I agree, the the Garrick year is also excellent and Jerusalem the Golden, I reread all three of them and and and thought they were very good. So so you're recommending the Philosopher's Apprentice. I'm yeah I'm conflating yes okay.Henry Oliver (1:04:31)first rate. The Good Apprentice and the Philosopher's Pupil. Yeah, yeah. I do agree with you about A Severed Head. I think that book's crazy. What do you like about Patricia Beer's poetry?John Mullan (1:04:56)⁓ I'm not sure I am a great fan of Patricia Beer's poetry really. I got the job of right, what? Yes, yes, because I was asked to and I said, I've read some of her poetry, but you know, why me? And the editor said, because we can't find anybody else to do it. So that's why I did it. And it's true that I came.Henry Oliver (1:05:02)Well, you wrote her... You wrote her dictionary of national... Yes.John Mullan (1:05:23)I came to quite like it and admire some of it because in order to write the article I read everything she'd ever published. But that was a while ago now, Henry, and I'm not sure it puts me in a position to recommend her.Henry Oliver (1:05:35)Fair enough.Why is the Dunciad the greatest unread poem in English?John Mullan (1:05:41)Is it the greatest unread one? Yes, probably, yes, yes, I think it is. Okay, it's great because, first of all, great, then unread. It's great because, well, Alexander Poet is one of the handful of poetic geniuses ever, in my opinion, in the writing in English. Absolutely genius, top shelf. ⁓Henry Oliver (1:05:46)Well, you said that once, yes.Mm-hmm. Yes, yes, yes. Top shelf, yeah.John Mullan (1:06:09)And even his most accessible poetry, however, is relatively inaccessible to today's readers, sort of needs to be taught, or at least you have to introduce people to. Even the Rape of the Lock, which is a pure delight and the nearest thing to an ABBA song he ever wrote, is pretty scary with its just densely packed elusiveness and...Henry Oliver (1:06:27)YouJohn Mullan (1:06:38)You know, and as an A level examiner once said to me, we don't set Pope for A level because it's full of irony and irony is unfair to candidates. ⁓ Which is true enough. ⁓ So Pope's already difficult. ⁓ Poetry of another age, poetry which all depends on ideas of word choice and as I said, literary allusion and The Dunciad is his most compacted, elusive, dense, complicated and bookish poems of a writer who's already dense and compact and bookish and elusive. And the Dunceyad delights in parodying, as I'm sure you know, all the sort of habits of scholarly emendation and encrustation, which turn what should be easy to approach works of literature into sort of, you know, heaps of pedantic commentary. And he parodies all that with delight. But I mean, that's quite a hard ask, isn't it? And ⁓ yeah, and I just and I think everything about the poem means that it's something you can only ever imagine coming to it through an English literature course, actually. I think it is possible to do that. I came to it through being taught it very well and, you know, through because I was committed for three years to study English literature, but it's almost inconceivable that somebody could just sort of pick it up in a bookshop and think, ⁓ this is rather good fun. I'll buy this.Henry Oliver (1:08:26)Can we end with one quick question about Jane Austen since it's her birthday? A lot of people come to her books later. A lot of people love it when they're young, but a lot of people start to love it in their 20s or 30s. And yet these novels are about being young. What's going on there?John Mullan (1:08:29)Sure, sure.Yes.I fear, no not I fear, I think that what you describe is true of many things, not just Jane Austen. You know, that there's a wonderful passage in J.M. Coetzee's novel Disgrace where the reprehensible protagonist is teaching Wordsworth's Prelude.to a group of 19 and 20 year olds. And he adores it. He's in his mid fifties. And he, whilst he's talking, is thinking different things. And what he's thinking is something that I often think actually about certain works I teach, particularly Jane Austen, which is this book is all about being young, but the young find it tedious. Only the aging.You know, youth is wasted on the young, as it were. Only the aging really get its brilliance about the experience of being young. And I think that's a sort of pattern in quite a lot of literature. So, you know, take Northanger Abbey. That seems to me to be a sort of disly teenage book in a way.It's everything and everybody's in a hurry. Everybody's in a whirl. Catherine's in a whirl all the time. She's 17 years old. And it seems to me a delightfully teenage-like book. And if you've read lots of earlier novels, mostly by women, about girls in their, you know, nice girls in their teens trying to find a husband, you know, you realize that sort ofextraordinary magical gift of sort Jane Austen's speed and sprightliness. You know, somebody said to me recently, ⁓ when Elizabeth Bennet sort of walks, but she doesn't walk, she sort of half runs across the fields. You know, not only is it socially speaking, no heroine before her would have done it, but the sort of the sprightliness with which it's described putsthe sort of ploddingness of all fiction before her to shame. And there's something like that in Northanger Abbey. It's about youthfulness and it takes on some of the qualities of the youthfulness of its heroine. know, her wonderful oscillations between folly and real insight. You know, how much she says this thing. I think to marry for money is wicked. Whoa. And you think,Well, Jane Austen doesn't exactly think that. She doesn't think Charlotte Lucas is wicked, surely. But when Catherine says that, there's something wonderful about it. There is something wonderful. You know, only a 17 year old could say it, but she does. And but I appreciate that now in my 60s. I don't think I appreciated it when I was in my teens.Henry Oliver (1:11:55)That's a lovely place to end. John Mullen, thank you very much.John Mullan (1:11:58)Thanks, it's been a delight, a delight. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

On this edition of APTN News InFocus, host Cierra Bettens looks at the state of child welfare in Nunavut and why advocates say the territory is falling behind.  Child and youth representative Jane Bates has been raising the alarm for years. In her latest report she says the territory is making little progress in the areas most critical to keeping young people safe. She joins us to talk about what has to change and why she says Nunavut needs action not explanation. We also hear from the minister of Family Services on how she plans to address the concerns raised by Bates and the auditor general.  Before that, APTN's Justin Hardy checks in from Iqaluit with a look at the new legislature and the work ahead for Premier John Main and his cabinet. • • • APTN National News, our stories told our way. Visit our website for more: https://aptnnews.ca Hear more APTN News podcasts: https://www.aptnnews.ca/podcasts/

Welcome to Lunacy; where we discern the sacred from the insane and admit that whether we like it or not, we are all profoundly affected by the cycles of the moon.Today on LUNACY, I interview my brother Mikaal Bates.  Bates is a leader in "The King's Code", a men's initiatory path I have taken.  We discuss in detail what it means to take this path, the path of service and self-investigation.We also dive into the need for Men's Work in the world, what it means to take full responsibility for one's life, what it means to be of service.  Good bit of the importance of differentiating yourself from a boy.  Good bit of the absolute necessity for us to rise into our power.This is actually a really excellent expression of our hearts, in my humble opinion.  I also share a song at the end, featuring Bates on beatbox.  It's good, but not perfect.  As are we.  Much Love***********************I'm Geoff Eido. Join me each week for interviews and insights intended to shine a light on the darkness, like the full moon in the forest.*****************Explore our other video content here on YouTube, where you'll find more insights into Keys To Self Mastery, along with relevant social media links.YouTube:    / @geoffeido3155  website: www.geoffeido.comSoundCloud:   / geoff-eido  Spotify: https://open.spotify.c...Bandcamp: https://geoffeido.band...Instagram: @geoffeido   Facebook:   / geoffeido   info@geoffeido.comGeoff Eido. Join me each week for interviews and insights intended to shine a light on the darkness, like the full moon in the forest.Support the show

Just because something's hard to do, doesn't mean it shouldn't be done. Parliament's education committee is recommending New Zealand consider following Australia in banning under 16s from social media. It's found the platforms are exposing young people to a wide range of harm. Acting Committee Chair Carl Bates told Heather du Plessis-Allan teens will get around a social media age limit like they get around the drinking age limit, but that isn't a reason not to try. He says this is about a cultural shift, and the majority of the committee believe we need to step up and ensure the internet is safe for children. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The Government's looking to Australia as it explores ways prevent online harm to young Kiwis. On the day an under-16 social media ban began across the Tasman, our Education and Workforce Committee's released an interim report on its inquiry regarding New Zealand youth. It reveals issues range from sexual exploitation to self-harm. Acting Chair Carl Bates says social media can do real harm, but it's not just about the content available. "It's also about contact and it's about conduct, so things like the intentional use of platforms to harm or abuse others - and also the commerce harms that not only young New Zealanders experience, but others as well." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Our Hall of Fame interview series continues with 16-time All-American and two-time NCAA champion Keelin Godsey, from the class of 2006. Plus, men's basketball is 7-0 and receiving votes in the D3hoops.com top 25 poll after a road win at Bowdoin. The swimming and diving teams set nine meet records at the Maine Collegiate Invite, and track and field impressed at their season openers. That's this week, on the Bates Bobcast! Interviews this episode: 1:45 -- Jamari Robinson '29, Men's Basketball. 9:28 -- John Weigel '27, Men's Swimming and Diving NESCAC Performer of the Week. (Male Bobcat of the Week) 16:59 -- Hannah Pawlowski '29, Women's Track and Field. (Female Bobcat of the Week) 22:51 -- Nick Walker '29, Men's Track and Field. 30:18 -- Keelin Godsey '06, Bates Athletics Hall of Fame, Track and Field.

Tonight on The Twilight Tonic, pull up a chair as host DeeDee Moonflyer dives into the mysterious world of EVPs and other parnormalia with long-time investigator Todd Bates. Todd is back to peel back the curtain on his latest book, The Haunted Voice – Life After, a raw and powerful memoir that goes beyond the ghost hunt. From personal loss and rebuilding to founding the internationally recognized EVP Explorations, Todd shares his journey of redemption, resilience, and the profound connection he found in the voices echoing through the static. We'll discuss the chilling ways spirit communication intersects with the human experience, the pursuit of authentic evidence, and what it truly takes to transform a haunted past into a powerful, new purpose. Tune in to question what it means to be heard—and what secrets lie in the frequencies beyond our comprehension. Don't miss this glimpse into the strange and wonderful life after.

Bill Bates '62 delivered a SEVEN Talk at the 2025 Alumni Forum in Chapel Hill on October 18. Bill is the founding dean of the Thomas F. Frist, Jr. College of Medicine at Belmont University.About SEVEN TalksEvery class of Morehead-Cain Scholars connects with seven others: the three classes ahead, its own, and the three that follow. The idea of SEVEN is to strengthen connections across generations of Morehead-Cains.The Alumni Forum embodies this spirit through SEVEN Talks—seven alumni and scholars on Saturday, and seven more on Sunday—each sharing seven minutes of wisdom with the Morehead-Cain community.How to listenOn your mobile device, you can listen and subscribe to Catalyze on Apple Podcasts or Spotify. For any other podcast app, you can find the show using our RSS feed. You can let us know what you thought of the episode by finding us on social media @moreheadcain or you can email us at communications@moreheadcain.org.   

Listening to God in Silence, Rev. Dr. Colleen Hurley-Bates (12.7.25) by Sermons

Episode Show NotesIn this heartfelt episode of Stories from Real Life, we sit down with “Miss Karen” Bates, a Utah school bus driver who has spent 14 years shaping young lives from the driver's seat.Miss Karen opens up about her childhood, her 34-year marriage, raising five children, and the meaningful path that led her to become a school bus driver. She shares stories filled with laughter, love, and the moments that still bring tears to her eyes — from unforgettable encounters with students to the silent struggles she's witnessed along the way.This conversation reveals the unseen emotional labor of a job often overlooked — and the profound ripple effect one person can have simply by showing up every day.

Join the conversation with C4 & Bryan Nehman.  C4 & Bryan kicked off the show this morning discussing the Bates & Scott letters that they sent each other in response to the States Attorey cutting ties with MONSE.  Yet another police involved shooting in Baltimore County in Essex that reportly started after a stabbing.  C4 & Bryan dive into the Mayors 10 year plan to deal with city Infrastructure, taxes & more.  Waymo is coming to Baltimore.  Mixed reactions from listeners, some want it & some do not.  Nick Alexopulos, Communications Manager for BGE joined the show discussing if the company had been proffiting from repairs to the aging city gas lines.  Listen to C4 & Bryan Nehman live weekdays from 5:30 to 10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio App!

In this episode, we sit down with Kenzie Bates, founder of Kenzie's Events, to uncover what really goes into creating moments people remember for a lifetime. From stunning event design to the behind-the-scenes systems that keep everything running seamlessly, Kenzie shares her journey of turning a passion for creativity into a thriving business. We dive into: How Kenzie launched and grew Kenzie's Events The challenges of scaling a service-based business The art of designing events that feel personal, intentional, and elevated Her favorite client stories and what they taught her What it really takes to build a brand centered on experience Whether you're an entrepreneur, creative, or someone who loves a good transformation story, this episode is packed with insight, energy, and inspiration. Tune in and learn what makes an event truly unforgettable.  

Texas housing is shifting fast — and in this in-depth interview, Texas Realtors Vice President of Governmental Affairs Tray Bates breaks down the real forces driving prices, affordability, and policy debates across the state. We cover the post-COVID market cooldown, interest-rate shocks, short-term rentals, global capital flowing into Texas development, and the growing “missing middle” problem affecting first-time buyers.Bates also explains the legislative fights ahead: property-tax reform, permitting delays, lot-size requirements, infrastructure bottlenecks, and the strategic plan Texas Realtors will take into the 90th Legislature. If you want a clear, candid, insider look at Texas real estate from someone who lives it every day, this conversation lays out exactly what's happening and what comes next. Watch Full-Length Interviews: https://www.youtube.com/@TexasTalks

This week we resume our Hall of Fame interview series with three-time NCAA champion in the indoor shot put David Pless, from the class of 2013. Plus, the basketball teams enter the month of December undefeated, and we preview the indoor track and field season. That's this week, on the Bates Bobcast! Interviews this episode: 1:11 -- Elsa Daulerio '26, Women's Basketball captain. (Female Bobcat of the Week) 8:30 -- Babacar Pouye '27, Men's Basketball. (Male Bobcat of the Week) 20:07 -- Curtis Johnson, Head Coach, Track & Field. 26:55 -- David Pless '13, Men's Track & Field, Bates Athletics Hall of Fame.

In the seventy-eighth episode of the Better Eyesight Podcast, Nathan Oxenfeld and Ainhoa de Federico read through the seventy-eighth Better Eyesight magazine that was originally published in December 1925 by Dr. William H. Bates and his team. Exactly one hundred years later, these two natural vision teachers breathe life back into the words of Dr. Bates, and also provide some modern commentary on the topics brought up in each article. Better Eyesight, December 1925 A monthly magazine devoted to the prevention and cure of imperfect sight without glasses Article 1 [8:00]: Dizziness Discussion 1 [10:00] Article 2 [25:45]: Shifting by Dr. W. H. Bates, M.D.  Discussion 2 [36:20] Article 3 [1:02:45]: Stories From The Clinic ~ 70: Christmas at the Clinic by Emily C. Lierman Discussion 3 [1:07:20] Article 4 [1:17:30]: The Christmas Fairies by George Guild Discussion 4 [1:25:40] Article 5 [1:28:55]: An Optometrist's Experience by Dr. Paul Hotson Article 6 [1:32:50]: An Oculist's Experience by E. F. Darling MD Discussions 5 & 6 [1:39:45] ---BETTER EYESIGHT LEAGUE ONLY--- Article 7 [2:03:30]: Some Interesting Cases by Mildred Shepard Discussion 7 [2:09:00]   Contact us at bettereyesightpodcast@gmail.com Nathan's website - www.integraleyesight.com  Ainhoa's website - www.clearsightmethod.com Longitudinal Study - www.internationalcenterforvisioncoaching.com Join the Better Eyesight League - www.patreon.com/bettereyesight

Listening to God on Behalf of Others, Rev. Dr. Colleen Hurley-Bates (11.30.25) by Sermons

Brian Bates Private Investigator HoltzclawTrial.comThe Daniel Holtzclaw allegations, investigation and trial; A Closer Look1/24/2016 (updated 4/30/2018) OKC, OK – by Brian Bates — On January 21, 2016, former Oklahoma City police officer Daniel Holtzclaw, 29, was sentenced to 263 years in prison after an Oklahoma County jury found him guilty of 18 sexual assault related crimes against eight female accusers. Holtzclaw was acquitted of 18 other sexual assault related crimes against an additional five female accusers.PI Brian Bates believes he was wrongly convicted and passionately advocates for his client in this in depth discussion.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

This week we're celebrating one thousand (and one) career points for Elsa Daulerio, as the women's basketball senior captain helped Bates defeat Southern Maine in overtime. Plus, the basketball teams are a combined 9-0 headed into Thanksgiving, the swim teams are undefeated, and women's squash is off to a strong start. Interviews this episode: 1:46 -- Elsa Daulerio '26, Women's basketball captain, 1,000 career points club! 5:05 -- Brady Coyne '26, Men's basketball. (Male Bobcat of the Week) 11:35 -- Aasya Patel '26, Women's squash captain. (Female Bobcat of the Week) 22:12 -- Marrich Somridhivej '26, Men's swimming and diving captain. 27:48 -- Cora Zuwallack '27, Women's swimming and diving.

What a kick by Bates!

Sebastian Bates is a British entrepreneur, author, and martial artist best known as the founder of the Warrior Academy, a Dubai-based organisation dedicated to developing children's confidence, focus, and resilience through martial arts. With over 25 years of experience and a background in professional martial arts and extreme sports. He is the best-selling author of The Warrior Method and Not a Victim, host of the Warrior Academy Podcast, and founder of the Bates Foundation and the "Not A Victim" anti-bullying campaign, initiatives that reflect his commitment to empowering young people and fostering positive character growth worldwide. In this episode, Sebastian dives deep into the journey behind founding the Warrior Academy and the powerful mission driving its global impact. He discusses how early life challenges and experiences with bullying shaped his vision for empowering children through character development and martial arts. Listeners will hear insights on transforming victim mentality into resilience, the psychology behind bullying, and how celebrating a child as a victim can unintentionally disempower them. Sebastian also explains the Warrior Academy's unique approach to measuring the "3Cs"— Confidence, Conduct, and Concentration and why focusing on the lowest "C" drives transformational growth. The episode highlights inspiring testimonials from over 50,000 children who've been through the academy, explores the impact of the Bates Foundation across Eastern Africa, and reflects on how charity work and purpose-driven entrepreneurship can redefine personal and professional success.     02:53 – Sebastian's backstory and why he founded the Warrior Academy 10:20 – Turning testing times into success: using challenges as motivation for growth 14:46 – Symptoms of a victim mentality and practical steps to overcome it 20:56 – Building the Warrior Academy 40:08 – Understanding why bullying occurs and how to support bullies 42:34 – The Bates Foundation: the purpose behind it 56:50 – What drives Sebastian: finding purpose through meaningful impact 59:10 – The role of Dubai in accelerating the commercial growth of the business   Show Sponsors:  AYS Developers: A design-focused company dedicated to crafting exceptional homes, vibrant communities, and inspiring lifestyle experiences. https://bit.ly/AYS-Developers       Socials:  Follow Spencer Lodge on Social Media https://www.instagram.com/spencer.lodge/?hl=en  https://www.tiktok.com/@spencer.lodge  https://www.linkedin.com/in/spencerlodge/  https://www.youtube.com/c/SpencerLodgeTV  https://www.facebook.com/spencerlodgeofficial/    Follow Sebastian Bates on Social Media https://www.instagram.com/seb.bates/ https://www.linkedin.com/in/sebastian-bates-4b70412b/ https://www.facebook.com/sebastianbates https://www.youtube.com/channel/UCV4Ow_9hgRWxW0LvQhwbbtA https://open.spotify.com/show/1Z6jdkn6vUMIh2agYRddk5

Who Do You Worship? Rev. Dr. Colleen Hurley-Bates (11.23.25) by Sermons

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Anne House - Looking At Stardust FOLLOW ON SPOTIFYFalling into View - On With The Show FOLLOW ON SPOTIFYRae Isla - What If I Die Flying Over Oklahoma FOLLOW ON SPOTIFYDrew Korn - Living In My Mind FOLLOW ON SPOTIFYAliveTeen - Promise FOLLOW ON SPOTIFYNocturnne - If I Were A Bird FOLLOW ON SPOTIFYDiana - Breadcrumbs FOLLOW ON YOUTUBEYou and Your Sister - Island Song FOLLOW ON SPOTIFYCharlsey Miller - The Flower FOLLOW ON SPOTIFYThe Pairs Music - Self-Aware Then Self-Obsessed FOLLOW ON BANDCAMPSummer Grace - Tell Me When FOLLOW ON ITUNESClela Errington - Full Moon Dark Time FOLLOW ON SPOTIFYwriters Charles Austin & Ronnie Bates - Just A Number Feat. Vicky Haylott Victoria Astuto - 111 FOLLOW ON SPOTIFYGoldie - Vertigo FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Profitable Musician Newsletter at profitablemusician.com/joinVisit our Sponsor Bandzoogle at: http://www.bandzoogle.comVisit our Sponsor Mairose at https://linktr.ee/mairose26Visit our Sponsor 39 Sources of Income at profitablemusician.com/incomeVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Bates is a self proclaimed music and horror fanatic. The St. Louis rapper's latest album, “The Terrible Tales of Mother Goose” blends her love of music and scary stories by flipping classic nursery rhymes with twisted origins and showcasing her expansive music tastes with her lyricism. She takes us behind the scenes of her fifth album and she shares her future plans of becoming a music executive producer.

As breakaway roping pushes the limits of speed and precision, Bailey Bates continues to rise as one of the sport's most electric young talents. Coming off another strong season, Bailey showcases the hunger, maturity, and horsepower it takes to hang with the fastest women in rodeo.In this episode, Bailey opens up about her mental approach, the growth she's made refining her style, the horsepower she trusts, and the lessons learned from balancing pressure with patience. From small-town beginnings to big-stage performances, she shares how she's shaping her identity as a competitor — one confident nod at a time.Bailey's journey is a testament to the next generation of breakaway ropers and the fierce momentum they're bringing into the sport.Follow us for more live rodeo and all the action from your favorite events — Bareback Riding, Saddle Bronc Riding, Bull Riding, Tie-Down Roping, Team Roping, Steer Wrestling, Barrel Racing, and Breakaway Roping. Subscribe for the best of pro rodeo in 2025. ----In The LOOP Podcast hosted by Jordan Jo Hollabaugh, is inspired by the western culture and breakaway roping lifestyle. This podcast highlights the raw, real, truth behind the box of the breakaway roping industry. Bringing you behind the scenes stories of what real life looks like everyday from; breakaway ropers, cowgirls, cowboys, producers, leaders, trailblazers, and the like, all sharing stories of the western culture and lifestyle that they live daily.In The LOOP Podcast & Fabrizio Marketing LLC are not responsible for any losses, damages, or liabilities that may arise from the use of this podcast.----New Episodes Every Friday @ 9a ET on Rodeo Live YT----Get In The LOOP Podcast with Jordan JoGet the Newsletter at | www.inthelooprodeo.com/Like us on Facebook | www.facebook.com/inthelooppodcast.jordanjoTag us on Instagram | www.instagram.com/inthelooppodcast.jordanjoFollow us on TikTok | https://www.tiktok.com/@jordanjo.hollabaughWatch more on our Youtube Channel Watch on Youtube @ JordanJoHollabaugh ... Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we're reflecting on an outstanding season for Bates field hockey, as they won the NESCAC for the first time and advanced to the NCAA quarterfinals for the second straight year. Plus, not one, not two, but three Bates cross country runners are headed to the NCAA Championships, and both basketball teams got off to strong starts. And with it being International Student Week, we chat with one of the most valuable members of the Bates football team….who doesn't even play. All that and more... Interviews this episode: 1:35 -- Mayoral Proclamation Recognizing Bates Field Hockey. 4:33 -- Leah White '27, Women's Cross Country. (Female Bobcat of the Week) 13:07 -- Jack Crum '27, Men's Cross Country. (Male Bobcat of the Week) 19:25 -- Ava James '26, Women's Basketball. (Maine Co-Player of the Week) 25:32 -- Babacar Pouye '27, Men's Basketball. (NESCAC Player of the Week and Maine Co-Player of the Week) 32:04 -- Seonmin Jeong '26, Football team manager and Basketball official scorekeeper. 41:26 -- Nadiia Usenko, Head Coach, Squash (Season Preview)

Lucinda speaks with data protection expert Sarah Hodgkin-Bates about the critical overlap between HR and compliance, specifically regarding the handling of employee personal data.  They examine the importance of setting a company culture of transparency and cooperation by properly managing data protection, and discuss the legal frameworks governing data (GDPR/Data Protection Act 2018), how to manage access to different types of employee records (e.g., payroll vs. disciplinary), and the challenges organisations face with complex areas like Subject Access Requests (SARs) and the proper retention of sensitive data. KEY TAKEAWAYS Being transparent about how employee data is used, often via separate employee privacy notices, builds a positive, co-operative company culture and a better employee brand. A core principle of data protection is to minimise access. Access should only be given to individuals who strictly need it for their job or role (e.g., payroll staff, but not the whole accounts team). Subject Access Requests (SARs) are often raised during complaints to create stress. Organisations must have a clear procedure and recognise that a SAR must be fulfilled within one month, as failure to comply could lead to regulatory body involvement. Data protection classifies certain types of personal data (like protected characteristics under the Equality Act 2010 or biometric data from CCTV) as 'special category data,' requiring elevated security measures like encryption and limited access. BEST MOMENTS "If you get your data protection right, you are creating a spirit of transparency and cooperation." "A basic principle of data protection is to minimise access. So you would only give access to people that strictly need it for their job or role." "Subject Access Requests... are usually raised because someone has a complaint or a grievance and they're looking to gather evidence or to create stress and hassle." "If you are challenged by an employee, you must be able to give them an open and honest answer about how you're using your data and why you're using it." VALUABLE RESOURCES The HR Uprising Podcast | ⁠Apple⁠ | ⁠Spotify⁠ | ⁠Stitcher⁠   ⁠The HR Uprising LinkedIn Group⁠ ⁠How to Prioritise Self-Care (The HR Uprising)⁠ ⁠How To Be A Change Superhero - by Lucinda Carney⁠ HR Uprising Mastermind - ⁠https://hruprising.com/mastermind/⁠   ⁠www.changesuperhero.com⁠ ⁠www.hruprising.com⁠            Get your copy of How To Be A Change Superhero by emailing at ⁠info@actus.co.uk⁠ CONTACT SARAH LinkedIn - https://www.linkedin.com/in/sarah-hodgkin-bates-35a035177/ ABOUT THE HOST Lucinda Carney is a Business Psychologist with 15 years in Senior Corporate L&D roles and a further 10 as CEO of Actus Software where she worked closely with HR colleagues helping them to solve the same challenges across a huge range of industries. It was this breadth of experience that inspired Lucinda to set up the HR Uprising community to facilitate greater collaboration across HR professionals in different sectors, helping them to ‘rise up' together. “If you look up, you rise up” CONTACT METHOD Join the LinkedIn community - ⁠https://www.linkedin.com/groups/13714397/⁠ Email: ⁠Lucinda@advancechange.co.uk⁠ Linked In: ⁠https://www.linkedin.com/in/lucindacarney/⁠ Twitter: @lucindacarney Instagram: @hruprising Facebook: @hruprising This Podcast has been brought to you by Disruptive Media. ⁠https://disruptivemedia.co.uk/

Episode 138 - Episode 3 of The Nine Freedoms with Noémi Bates explores Interplanetary, Saturnian and Solar existence - journeying beyond Earth through the Soul's Ascension in our multidimensional system. Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

From Truman Capote to Mr Bates, Toby Jones has built a career on disappearing- an actor whose transformations are so complete they can seem alchemical. But behind that versatility lies a story of inheritance, self-doubt and quiet rebellion. The son of two actors, Toby grew up watching his father's unpredictable career and vowing never to feel so exposed to fate. Yet the pull of performance, and the curiosity that drives it, proved impossible to ignore.In this episode of Full Disclosure, James O'Brien sits down with the actor to trace the path from an Oxford childhood to radical student politics in 1980s Manchester and a life-changing spell at a Paris theatre school that taught him never to wait for permission to create. They talk about class, curiosity, and the discipline of transformation; about how he's learned to find meaning rather than momentum in his work; and why humility, not ambition, has been his most enduring guide.It's a conversation about vocation and value- how an artist keeps searching for truth in an industry built on illusion, and why, for Toby Jones, the work itself has always mattered more than where it leads.An explosive new production of Othello at the Theatre Royal Haymarket stars David Harewood as Othello, Toby Jones as Iago and Caitlin FitzGerald as Desdemona- a gripping retelling of Shakespeare's epic story of manipulation, jealousy, power and desire. Find out more about the production here

The No. 4 nationally ranked Bobcats are the 2025 NESCAC field hockey champions! We talk with the NESCAC Defensive Player of the Year and the back-to-back NESCAC Player of the Week on this week's episode of the Bobcast. Plus, we wrap up the Bates football season and get winter sports previews started with basketball and swimming! Interviews this episode: 2:25 -- Haley Dwight '27 (NESCAC Field Hockey Defensive Player of the Year) and Ava Donohue '28 (NESCAC Field Hockey Player of the Week + Female Bobcat of the Week) 14:13 -- Matt Coyne, Head Coach, Football. 22:50 -- Connor Hennessey '29, Quarterback, Football. (Male Bobcat of the Week) 29:02 -- Jon Furbush '05, Head Coach, Men's Basketball. 36:44 -- Alison Montgomery, Head Coach, Women's Basketball. 49:05 -- Peter Casares, Head Coach, Swimming and Diving.

This week, the EAH team sat down with Aran Bates, Founder and CEO of Hydrologiq, to dive into the strategic deployment of hydrogen in the off-grid sector.We explore how Hydrologiq is moving beyond just the hardware, discussing the critical role of software and systems thinking in scaling up clean fuel adoption. Aran provides fascinating insights into distributed decarbonisation and the future of resilient microgrids.The conversation focuses on the synergy between Battery Energy Storage Systems (BESS) and hydrogen, detailing the "hub-and-spoke" model that is revolutionizing how we power remote sites, temporary setups, and events—including a fun look at the hydrogen deployment at Boomtown Fair. Aran explains how their platform, Logiq, is the essential tool for managing multi-technology fleets and simplifying the hydrogen supply chain.It was a truly valuable chat, underscoring that the transition to hydrogen is as much about Logiq's operational efficiency as it is about the fuel itself.About Hydrologiq:Hydrologia makes hydrogen the turnkey, scalable and immediate diesel replacement for off-road machinery - decarbonising a US$327 billion global diesel machinery market that produces 1.3 gigatons of CO2e every year.They do this through Logiq - the platform that handles everything from supply chain integration to on-the-ground operations, making hydrogen an easy to adopt and scale decarbonisation choice.Born out of a passion to reduce the greenhouse gas impact society is having on the planet, they are enabling the hydrogen value chain to change how we store, move and use energy off-grid.About Aran Bates:Aran's experience sits at the intersection of technical development, business, and strategy gained over eight years of technology and innovation consulting, as well as start-up experience. Prior to Hydrologiq he spent two and a half years evaluating and studying the applicability of hydrogen on energy systems, now through the work being done at Hydrologiq, they are testing and proving that hydrogen is an answer.Previously, Aran founded his own digital start-up, bootstrapping it into an operating business within a year; launched new ventures inside of existing multinational businesses (e.g. designed and lead all aspects of the physical product and manufacturing for Holland and Barret's Healthbox offering, taking it from pure paper idea to live product in market MVP in three months); and advised many of the world's largest corporates on innovation, including acting as the direct advisor and coach to the global Head of Innovation at Rolls Royce Aerospace.--

Lucas Sherraden hosts top New York real estate agent Aaron Bates on the Built How podcast. Aaron delves into his transition from bartending to real estate, the nuances of working with investors versus individual buyers, and the challenges of building and leading a successful team with his wife, Rebecca. He shares insights on balancing work and personal life, evolving market strategies, and the importance of leadership. Gain valuable perspectives on maintaining focus and growth in a competitive real estate market. Connect with Aaron at https://www.aaronbatesrealestate.com/ ---------- Be sure to leave a rating and review and don't forget to go to www.builthow.com and register for our next live or virtual event. Part of the Win Make Give Podcast Network

Episode 137 - In Episode 2 of The Nine Freedoms with Noémi Bates of The Aetherius Society, explore Enlightenment, Cosmic Consciousness and Ascension - how karma, meditation and service lead to freedom from rebirth. Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

This week we continue our Hall of Fame interview series with the legendary Bates men's track and field and cross country coach Walt Slovenski, as we interview his son Peter Slovenski about Walt's remarkable career at Bates. Plus, the field hockey team won a NESCAC quarterfinal thriller over Hamilton in a shootout Saturday at Campus Ave. Field and we preview the NESCAC tournament with volleyball head coach Carissa Bradford. All that and more... Interviews this episode: 1:38 -- Ava Donohue '28, Field Hockey Goalie. (NESCAC Player of the Week & Female Bobcat of the Week) 11:59 -- Nathaniel Aronson '27, Men's Cross Country. (Male Bobcat of the Week) 21:25 -- Lucy Paynter '26, Women's Cross Country captain. 30:37 -- Matt Coyne, Head Coach, Football. 37:28 -- Carissa Bradford, Head Coach, Volleyball. 43:33 -- Peter Slovenski, Son of Bates Athletics Hall of Fame inductee Walt Slovenski.

Throwback Trivia Takedown takes trivia back to the glory days from the mid 20th century to the early 2000's. Two challengers go head to head in a duel of the decades where the one with the most nostalgic knowledge of pop culture comes out victorious.  Do you know your nostalgia? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bfopnetwork.com⁠

Episode 136 - In this show, we discuss how The Nine Freedoms guides us from limitation to liberation with Noémi Bates from The Aetherius Society. Episode 1 - Bravery, Love, Service Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

Parenting isn't about perfection—it's about presence. In this episode, Dr. Allyson Bates and Dr. Krystal Pong open up about their own journeys into mindful parenting and what they've learned along the way. You'll hear: How self-compassion shifts the parenting journey Practical mindfulness strategies for everyday life Why gratitude is essential for parents Tools for emotional regulation when challenges arise How to navigate difficult moments and use them for growth Insights on strengthening family dynamics through mindfulness This conversation is full of wisdom and gentle encouragement for parents who want to bring more calm, compassion, and resilience into their families. ABOUT HUNTER CLARKE-FIELDS: Hunter Clarke-Fields is the host Mindful Parenting Podcast (Top 0.5% podcast ), global speaker, number 1 bestselling author of “Raising Good Humans” and “Raising Good Humans Every Day,” Mindfulness Meditation teacher and creator of the Mindful Parenting Course and Teacher Training. Find more podcasts, Hunter's books, blog posts, free resources, and more at ⁠⁠⁠⁠⁠MindfulMamaMentor.com⁠⁠⁠⁠⁠. Discover your Unique-To-You Podcast Playlist at ⁠⁠⁠⁠⁠mindfulmamamentor.com/quiz/⁠⁠⁠⁠⁠ We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: ⁠⁠⁠⁠⁠/mindfulmamamentor.com/mindful-mama-podcast-sponsors/⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices