Podcasts about total theatre award

Martin Kukučka (1979) a Lukáš Trpišovský (1979) spolu začali pracovat už při studiích na DAMU u profesorů Josefa Krofty a Miloslava Klímy. Ohlasy sbírali už na škole, a tak si už jako režijní duo SKUTR vysloužili po ukončení studia rezidenci v Divadle Archa, kam je přizval tehdejší ředitel Ondřej Hrab. Jejich inscenace zazářily i za hranicemi – na Fringe festivalu v Edinburghu se jejich představení Plačky reprízovalo dvaadvacetkrát a bylo nominováno na Total Theatre Award.

Martin Kukučka (1979) a Lukáš Trpišovský (1979) spolu začali pracovat už při studiích na DAMU u profesorů Josefa Krofty a Miloslava Klímy. Ohlasy sbírali už na škole, a tak si už jako režijní duo SKUTR vysloužili po ukončení studia rezidenci v Divadle Archa, kam je přizval tehdejší ředitel Ondřej Hrab. Jejich inscenace zazářily i za hranicemi – na Fringe festivalu v Edinburghu se jejich představení Plačky reprízovalo dvaadvacetkrát a bylo nominováno na Total Theatre Award.Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Matthew Romantini is a multi-disciplinary artist, the artistic director of Omnivore Performance, and works in dance, theatre, and with orchestral ensembles across the continent. He is also teaches and coaches performance, directs and choreographs as part of his performance work. He has been lucky to direct Unity (1918) and Gogol's The Government Inspector at Randolph College, and is gearing up to direct another production at the college in January. He has been nominated for 5 Dora Mavor Moore Awards, the CTC Award (winning best production for The Boys In The Band), the KM Hunter Award, the Total Theatre Award, and has received two Chalmers Professional Development Grants. Notable credits include Kokoro Dance's epic Sunyata, Gorey Story (as performer and Artistic Director, nominated for 5 Dora Awards), Theatre Rusticle's signature April 14, 1912, PNME's Just Out of Reach (which toured to the Edinburgh Fringe), co-creating Tomoe Arts' Weaver Woman, and PNME's “heart-rending” Psappho's Sparrows/In The Wake concert cycle. As a creator and artist, I work in dance, theatre, and with orchestral ensembles across the continent. I have been nominated for and won several awards, endowments and grants, and more importantly, I have been fortunate to collaborate with notable artists and audiences across the globe, from Toronto, Vancouver, New York, LA, Chicago, Pittsburgh, Edinburgh Sydney, and Tokyo, and continue to bring together the influences of my wellness and artistic practices to positively affect both. www.matthewromantini.com Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

Jess Thom is a comedian and theatre-maker who's known as her alter-ego, Touretteshero. Touretteshero is also a project that she co-founded, aimed at increasing awareness of Tourette syndrome, the neurological condition which Jess was diagnosed with in her early twenties. The first Touretteshero production, Backstage in Biscuit Land debuted at Edinburgh Fringe Festival in 2014 and won the Total Theatre Award for Best Emerging Company. For BBC 2, Jess made the film Me, My Mouth and I, a 60-minute film exploring neuro-diversity in the arts. Jess has delivered a TED talk at The Royal Albert Hall and appeared on This Morning, RTE's Saturday Night Show with Brendan O'Connor, Stephen Fry's Planet Word, The Today Programme and Russel Howard's Good News. Jess Thom is guest number 188 on My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For more information on Touretteshero, please visit: www.touretteshero.com .Follow Touretteshero on Twitter: @touretteshero .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. See acast.com/privacy for privacy and opt-out information.

Theatermaakster Yinka Kuitenbrouwer volgde de opleiding Drama aan het KASK in Gent en is daarna in Gent blijven plakken. Aan de liefde. Yinka maakt documentairetheater en haar voorstelling HonderdHuizen, waarmee ze op het wereldvermaarde theaterfestival in het Schotse Edinburgh de Fringe First Award en een Total Theatre Award won, speelde ze een aantal jaar geleden in mijn living. Daana ben ik Yinka blijven volgen en alleen al door de intrigerende titel Morgen Werd Alles Anders drong een gesprek met haar zich op. Liefst had ik die voorstelling in het theater gezien, maar corona besliste anders. Daardoor beleefde ik haar theaterstuk vanuit het kleine maar o zo fijne boekje dat ze erover maakte. Morgen Werd Alles Anders is een voorstelling over onze verantwoordelijkheid voor de toekomst. Over de prijs van vooruitgang. Over het al dan niet krijgen van kinderen in deze wereld. Credits voor Andrew Langdon met zijn pianostuk Waiting.

This is a bonus episode brought to you by the Run the Show Podcast. We chat to the creators Clare Bartholomew & Daniel Tobias about a brand new show about to hit the stage called The Anniversary. Tune in to find out what the show is about, how it came about, what audiences can expect and how to write a non-verbal physical comedy!  ON SALE NOW 10 - 21 February 2021 fortyfivedownstairs, Melbourne, Australia. BOOK HERE: https://fortyfivedownstairs.com/event/the-anniversary You’re invited to Jim & Barb’s golden wedding anniversary! After 50 years of marriage, these Baby Boomers from Balwyn annoy one another so much… they literally want to kill each other. Meanwhile, Greta Thunberg is on the TV telling them that the world is on fire and it’s all their fault. Their comedic dissent into the disappointing abyss of unfulfilled dreams and a mounting fear of ‘what’s outside’ is layered with precision timing, nonsensical absurdity and deadpan delivery. Multi award-winning creators of Die Roten Punkte, Clare Bartholomew and Daniel Tobias are back with a brand new murderously funny physical farce. Think Beckett meets Wallace and Grommit. Since 2006, Clare Bartholomew and Daniel Tobias have been touring their award-winning, irreverent brand of theatre and comedy-cabaret to North America, Europe, New Zealand, and Australia. Together they’ve been nominated for thirteen Greenroom Awards, winning 3 of them, and nominated for a Time Out & Soho Theatre Award and a Total Theatre Award in Edinburgh. Praise for previous work: ★★★★ ‘Intensely funny…a class act!’ The Age ‘The most important element of all is exceptional: the performers.’ The Courier, South Carolina, USA ‘Inspired, brilliantly executed lunacy.’ The Gazette, Montreal   See omnystudio.com/listener for privacy information.

Clare Bartholomew and Daniel Tobias are part of a creative partnership called Salvador Dinosaur.  They are the multi-award winning creators of Otto & Astrid (Die Roten Punkte), The Orchid and the Crow, and Sunny Ray and the Magnificent Moon. Since 2006 they have toured their irreverent brand of cabaret theatre to the USA, Canada, Europe, the UK and New Zealand. Nominated for 13 Greenroom Awards in Melbourne, winning Best Production twice for Die Roten Punkte and Best Writing for The Orchid and the Crow, winner of Best Comedy in Victoria, Best Solo and Most Outstanding show in Ottawa, Most Outstanding show for Die Roten Punkte and Best Solo Performer at the London Fringe, the TO&ST – Time Out & Soho Theatre Award and Total Theatre Award nominees in Edinburgh amongst many other awards. In this episode:  We chat about working in a duo and what it takes to self-produce your work. Other topics include the Canadian touring circuit, the importance of talking with your venue, Edinburgh Fringe Festival and the difference between producing in Australian and overseas. More info: http://www.milke.com.au/runtheshow/

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Rob Drummond. Rob is an award-winning playwright, performer and director who has worked with the most prestigious theatres in the UK. Rob is under commission to Traverse Theatre, National Theatre of Scotland, The Royal Court and the National Theatre. Theatre includes: Mr Write (National Theatre of Scotland); Rob Drummond: Wrestling (The Arches); Bullet Catch (The Arches, Traverse Theatre, 59E59 Theater, National Theatre, World Tour); Quiz Show (Traverse Theatre); Uncanny Valley (Summerhall), In Fidelity (Traverse and HighTide Festival). Awards: Rob’s plays Mr Write, Uncanny Valley and Quiz Show have all won Critics’ Awards for Theatre in Scotland. Bullet Catch won the 2012 Total Theatre Award and received a Herald Angel. Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

TravCast is the podcast from the Traverse, Scotland’s new writing theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights and theatre-makers whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Sue MacLaine. Sue is a UK theatre-maker, with a singularly driven voice, making work because she has to with the stakes of her investigations are high. She casts a fearless gaze - on both herself and her subject to write scripts that are bleakly funny, challenging whilst remaining compassionate and warm. She is particularly interested in marrying form with subject and was short-listed in 2012 for a Total Theatre Award in the category of 'Innovation, experimentation, and playing with form' for her work Still Life: An Audience with Henrietta Moraes which continues to tour art spaces and galleries. http://www.suemaclaine.com/ Original music by James Iremonger www.jamesiremonger.co.uk Conceived, produced and engineered by Cian O Siochain

This week Rosie goes underground to chat with Alexander Parsonage about: Finger in the Pie; Quitting Art School; Conceptual, Philosophical, Political; The Bollocks Myth of the Lone Genius; Hooked on Directing; KneeHigh Theatre and Magic; Bleed the University Dry; Post-University Company in Crisis; The Great Tragedy of English Theatre Education; Unhealthy Actor Lifestyle; External Revenue Source; Space and Time is Precious; Overnight Success in Cabaret; Good Direction Versus Terrible Direction; Theatre of Cold Backstage Brutality; Backing a Good Horse; Overnight Success to Overnight Flop; Threats of Litigation Lead to Breakthroughs; Publication Confusion; Cabaret =/= Theatre or Standup; The Bubble Hasn't Burst; Big Cabaret Umbrella; How Do We Survive??; European Models, Money and Barriers; International Embarrassment and Value; Low Pay No Pay and How Do We Celebrate Good Collaboration?; The Myth of the Producer; Theatre Makers = Entrepreneurs; Day Job Stigma; English Theatre is the Best in the World; Not Interested in Politics; Effective Political Voice for the Arts; Theatre About Emotion; Concurrent Realities; What Makes it All Worth It.About Alexander:Alexander is an award winning theatre director and co-founder of Finger in the Pie. He has worked extensively in clown, mime, visual theatre, puppetry and cabaret. His clown production – Sweeney Todd: His Life, Times and Execution! was shortlisted for a Total Theatre Award in 2009 and his follow up production Waiting for Stanley was listed in the top 10 best reviewed shows of Edinburgh 2012. He is currently working on the Mimetic Festival 2014. Alexander trained in theatre creation at the London International School of Performing Arts (LISPA) a Lecoq based pedagogy in London. Website: http://www.fingerinthepie.com/Facebook: https://www.facebook.com/fingerinthepieTwitter:https://twitter.com/fingerinthepieMimetic: http://mimeticfest.com/http://ia902605.us.archive.org/19/items/RKVB17AlexanderParsonage/RKVB 17 - Alexander Parsonage.mp3

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Associate Director, Emma Callander, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Emma speaks to Ross MacKay. Ross is a director, puppeteer, magician and sometimes a blend of all three. He has previously worked alongside Joe Douglas as puppetry director on 'The Last Polar Bears' (National Theatre of Scotland). Ross is currently artistic director of Tortoise in a Nutshell where he most recently directed Scotsman Fringe First winning 'Feral' (co-produced by Cumbernauld Theatre). Other directorial credits for the company include 'Grit' and 'The Last Miner' which have previously received Total Theatre Award, Grunshnabel Award and Arches Brick Award nominations. The productions have toured nationally and in to Europe. Other credits include Puppetry Director on 'The BFG' (Dundee Rep) Assistant Director on 'Christmas Carol' (National Theatre of Scotland) and 'Moonlight and Magnolias' (Perth Theatre). Ross also directed Suzie Miller’s 'In The Heart of Darby Park' (Oran M’or/Perth Theatre). Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

Doctor Brown (Philip Burgers) is an internationally award-winning comedy sensation. Having trained at the Ecole Philippe Gaulier in Paris and the Nouveau Clown Institue with Jango Edwards in Barcelona, Doctor Brown has gone on to perform all over the world. Doctor Brown’s awards include the Foster’s Edinburgh Comedy Award for ‘Best Show’ (2012), the Total Theatre Award for Innovation (2012), the Barry Award for Best Comedy Show and the Director’s Special Award for Best Children’s Show at the Melbourne International Comedy Festival (2012) to name but a few! Doctor Brown also wrote and starred in his own Comedy Blaps for Channel 4 (http://comedyblaps.channel4.com/#/drbrown1). Doctor Brown will be performing his Edinburgh Show ‘Befrdfgth’ and his children’s show ‘Doctor Brown Brown Brown Brown Brown and His Singing Tiger’ at Soho Theatre. This interview was originally broadcast on UCLU Rare FM in December 2011. - Befrdfgth (Mon 25 Mar - Sat 20 Apr, 7.30pm, Soho Theatre) (The Autumn run sold out so get your tickets quick for the Spring run!) ‘The strangest, funniest, most exciting hour I’ve spent at the Fringe so far… A stunning mix of anarchy and symmetry.’ ★★★★ Times ‘A darkly comic masterpiece.’ Sunday Times ‘Terrifying and titillating… alarming and alluring… fantastic.’
★★★★ Guardian ‘Thrillingly unpredictable and gloriously funny.’ ★★★★ Time Out ‘The most fearless, full-impact festival appearance I have seen in recent years.’ ★★★★ Evening Standard - Doctor Brown Brown Brown Brown Brown and His Singing Tiger (Fri 29 & Sat 30 Mar, 1pm, Soho Theatre) Join Dr Brown and his Singing Tiger on a madcap adventure from breakfast to bedtime with a ski race, tennis match and slightly spectacular BMX finale. Physical comedy at its best from two world-renowned performers. ‘Perfect comic timing and astonishing mime abilities. They had me in tears of laughter, and the kids rolling on the floor in fits of giggles.’
★★★★★ Three Weeks ‘A relentless hour of fun and daftness that doesn’t have a dull millisecond in it, with frequent flashes of genius.’
★★★★★ The Skinny ‘I loved Dr Brown, if you like kids comedy then this is the show you should see!’ ★★★★★ Fest ‘A hugely entertaining 50 minutes.’ ★★★★★ The List ‘Bonkers.‘ Sunday Times - Sara Shulman is the Founder and Editor of Comedy Blogedy, TEDxUCL speaker on 'The Power of Funny', former Head of Comedy at UCLU Rare FM and produces the Humour Me Comedy Podcast. Sara is also a Classics Undergraduate at UCL and occasionally gigs on the comedy circuit. www.comedyblogedy.com www.twitter.com/comedyblog 
 http://tedxtalks.ted.com/video/TEDxUCL-SARA-SHULMAN-The-power;search%3Asara%20shulman - UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at ucl.ac.uk.