Podcast appearances and mentions of conrad pope

"Bueno es saber que los vasos / nos sirven para beber; / lo malo es que no sabemos / para qué sirve la sed", escribe el poeta Antonio Machado en sus "Proverbios y Cantares". Si hemos sido hechos para el Autor y Señor de la vida, no es extraño que al prescindir de Él, no da esa sed para descubrir que solamente en Él podemos ser satisfechos. Eso le dice Jesús a la mujer que encuentra al lado del pozo en el cuarto capítulo de la Buena Noticia según Juan. Tras la sintonía de Ruta 66 por Nat King Cole, escuchamos una canción que hizo Elvis Presley para una película de ambiente desértico (Harum Scarum) con la pregunta de si nuestro amor no será quizás un espejismo (Mirage 1965). Stevie Wonder se plantea también en una de sus "Canciones sobre la clave de la vida" si se podrá "saciar toda nuestra sed" (If It´s Magic 1976). y el cantautor uruguayo Jorge Drexler se asombra en su último disco (Tinta y tiempo 2022) que "el corazón esté siempre sediento". La mujer samaritana que encuentra Jesús nos recuerda a Marilyn. José de Segovia piensa que le diría Él a ella, a la luz de su biografía y las palabras del Evangelio. Escuchamos escenas de la película de Simon Curtis sobre la "Semana con Marilyn" del británico Colin Clark, cuando ella se acababa de casar con el dramaturgo judío Arthur Miller e iba a Inglaterra para hacer una película con el actor shakesperiano Laurence Olivier. Los comentarios son sobre la banda sonora original de Conrad Pope. El cantante y rapero judío de "reggae" Matisyahu pone a veces música a textos bíblicos como el Salmo 63, para hablar de esa sed de Dios (Tzama L´chol Nafshi 2004). La veterana banda mexicana de rock alternativo Cafe Tacvba busca ese "agua clara que sacie la sed que nos persigue" en 2007. Johnny Cash narra la historia literal del Evangelio en "¡Toma agua para beber!" (Have A Drink of Water). Y la popular cantante cristiana de "country" en los 90 nos habla a ritmo de pop de ese "Hambre y sed" (Hunger & Thirst) en 1993. Acabamos el programa con otra versión de la popular canción de Steve Taylor, "Jesús es para perdedores" (Jesus Is For Losers) de su álbum en vivo de 1995. En ella, el hijo del pastor bautista, "enfant terrible" de la "música cristiana contemporánea", confiesa que se "arrastra por un desierto en que ruega al Señor que le lleve a un torrente de agua viva". Y esta fluye "por su Gracia de la sangre del cuerpo roto de Jesús a los píes de la cruz".

"Bueno es saber que los vasos / nos sirven para beber; / lo malo es que no sabemos / para qué sirve la sed", escribe el poeta Antonio Machado en sus "Proverbios y Cantares". Si hemos sido hechos para el Autor y Señor de la vida, no es extraño que al prescindir de Él, no da esa sed para descubrir que solamente en Él podemos ser satisfechos. Eso le dice Jesús a la mujer que encuentra al lado del pozo en el cuarto capítulo de la Buena Noticia según Juan. Tras la sintonía de Ruta 66 por Nat King Cole, escuchamos una canción que hizo Elvis Presley para una película de ambiente desértico (Harum Scarum) con la pregunta de si nuestro amor no será quizás un espejismo (Mirage 1965). Stevie Wonder se plantea también en una de sus "Canciones sobre la clave de la vida" si se podrá "saciar toda nuestra sed" (If It´s Magic 1976). y el cantautor uruguayo Jorge Drexler se asombra en su último disco (Tinta y tiempo 2022) que "el corazón esté siempre sediento". La mujer samaritana que encuentra Jesús nos recuerda a Marilyn. José de Segovia piensa que le diría Él a ella, a la luz de su biografía y las palabras del Evangelio. Escuchamos escenas de la película de Simon Curtis sobre la "Semana con Marilyn" del británico Colin Clark, cuando ella se acababa de casar con el dramaturgo judío Arthur Miller e iba a Inglaterra para hacer una película con el actor shakesperiano Laurence Olivier. Los comentarios son sobre la banda sonora original de Conrad Pope. El cantante y rapero judío de "reggae" Matisyahu pone a veces música a textos bíblicos como el Salmo 63, para hablar de esa sed de Dios (Tzama L´chol Nafshi 2004). La veterana banda mexicana de rock alternativo Cafe Tacvba busca ese "agua clara que sacie la sed que nos persigue" en 2007. Johnny Cash narra la historia literal del Evangelio en "¡Toma agua para beber!" (Have A Drink of Water). Y la popular cantante cristiana de "country" en los 90 nos habla a ritmo de pop de ese "Hambre y sed" (Hunger & Thirst) en 1993. Acabamos el programa con otra versión de la popular canción de Steve Taylor, "Jesús es para perdedores" (Jesus Is For Losers) de su álbum en vivo de 1995. En ella, el hijo del pastor bautista, "enfant terrible" de la "música cristiana contemporánea", confiesa que se "arrastra por un desierto en que ruega al Señor que le lleve a un torrente de agua viva". Y esta fluye "por su Gracia de la sangre del cuerpo roto de Jesús a los píes de la cruz".

After a six-month hiatus, Ley Bricknell is back! In this twelfth FILMIC episode on THE CINEMATIC SOUND RADIO PODCAST you'll hear a mix of new and old featuring the works of Chris Egan, Robin Caolan, Sebastian Gainsborough, Joseph Trapanese, Piero Pichioni, Conrad Pope, Vangelis, Henry Mancini, Cliff Martinez, Howard Shore, Michael Giacchino, Fahir Atakoğlu, and Bear McCreary, Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Randy Andrews —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Composer Conrad Pope is one of the most respected and trusted musicians working in Hollywood today. He talks about how he got his start and how he creates memorable music. Composers such as John Williams, Alexandre Desplat, and Hans Zimmer have all called upon his expertise as one of the industry's top orchestrators as well as his abilities as a conductor and score producer, making him one of the most in-demand scoring professionals.Conrad has contributed to the scores of more than a hundred films. The iconic films on which he has worked range from the Star Wars prequel films, the Harry Potter series, to Jurassic Park, to  Pirates of the Caribbean, and more. Conrad created the musical score for Allen Wolf's new romantic comedy movie, The Sound of Violet.See more at NavigatingHollywood.org.Links:• Conrad Pope's Official Site• Conrad Pope on IMDb, Facebook• Navigating Hollywood• The Sound of Violet Official Site• Allen Wolf on IMDb, Instagram, Facebook, Twitter• Allen Wolf's website• Video InterviewAllen Wolf's new movie, The Sound of Violet, will be coming out in theaters starting April 29th. To watch the trailer, see exclusive content, showtimes and more, please visit TheSoundofViolet.com. We'll have red carpet events and Q&As in select cities on opening weekend. You can find out more about that at TheSoundofViolet.com.

Swedish record label Moviescore Media has just released the original score for a short documentary about endangered elephants called Kimana Tuskers. The score was composed and produced by film and music legend - and Peter Jackson's go-to music editor - Stephen Gallagher. Stephen's worked on everything from blockbusters like The Hobbit trilogy, Lovely Bones and District Nine to - well, little films about the last remaining large tusker elephants as they pass through a wildlife corridor in Kenya. Among his many fans are Eno - "such sensitive ears", said Brian - and Hollywood composer Conrad Pope - "one of the most humble yet tremendously gifted composers... to call him a colleague honours me, not him"! Stephen Gallagher talks about his life and times with Yadana Saw.

Ta teden v oddaji predstavljamo skladatelja Gašperja Muženiča, ki sam o sebi pravi, da je filmski in koncertni skladatelj, aranžer in orkestrator. Na začetku svoje glasbene poti je igral klarinet, v srednji šoli pa električno kitaro kot samouk. Po maturi na gimnaziji Poljane in študiju zgodovine ter etnologije in kulturne antropologije na filozofski fakulteti v Ljubljani zdaj končuje magistrski študij iz kompozicije in glasbene teorije pri prof. Dušanu Bavdku, hkrati pa se izpopolnjuje na mojstrskih tečajih pri priznanih skladateljih, kot so Conrad Pope, Joe Kraemer in Gary Carpenter. Leta 2018 je za skladbo Netopir za klarinet solo dobil prvo nagrado na tekmovanju Renaissance Festival v Armeniji. Od leta 2017 sodeluje z literarnim festivalom Vilenica kot avtor slavnostnih skladb, ki so vsako leto posvečene aktualnemu nagrajencu, že nekaj let pa se njegova glasba vrti tudi na otroškem programu RTV Slovenije. Na področju filmske in medijske kompozicije sodeluje z domačimi in tujimi režiserji. Septembra 2020 je z režiserko Jasno Hribernik sodeloval pri produkciji portretnega filma o Vinku Möderndorferju. V oddaji bomo poslušali skladbe: Netopir za klarinet solo v izvedbi Špele Šrgan, Slavnostne fanfare lavreatu literarne nagrade vilenica 2019 v izvedbi saksofonistov Boštjana Rojca, Agate Živoder, Hane Beus in Arijana Mačaka ter delo Breze (po sliki Riharda Jakopiča) v izvedbi Komornega godalnega orkestra Slovenske filharmonije.

The talented composer, conductor and orchestrator talks about his working relationship with John Williams and his views on the Maestro's legacy Hosted by Maurizio Caschetto Composer, conductor and orchestrator Conrad Pope is certainly one of the most consummate and talented professionals working in the very demanding and competitive environment of Hollywood's film music community. He is considered one of the finest orchestrators in the film business, working with some of Hollywood's biggest and most famous film composers such as Jerry Goldsmith, James Horner, Alan Silvestri, James Newton Howard, Danny Elfman, John Powell, Hans Zimmer, Mark Isham, Don Davis, Howard Shore and Alexandre Desplat. Conrad was orchestrator for John Williams in the 1990s until the first decade of the 2000s, working on scores such as Jurassic Park, The Lost World, the Star Wars prequel trilogy, the three Williams-scored Harry Potter films and many others. Given this privileged position, he developed a unique insight into Williams' approach to film scoring and working methods.These are some of the topics we discussed at length in this engaging and fun conversation I hope you will enjoy. Discover more at https://thelegacyofjohnwilliams.com/2019/04/26/conrad-pope-interview/

Conocido principalmente por su labor como orquestador y director de orquesta, Conrad Pope también es un destacado compositor. En el programa se incluyen tanto sus scores originales como partituras que ha orquestado. Las bandas sonoras son las siguientes: Las chicas Amati, The rising place, Pabellón de mujeres, Lloyd, El hombre lobo, In my sleep, La presencia, Mi semana con Marilyn, El Vermeer de Tim, Tess y su guardaespaldas, Sabrina (y sus amores), Siegfried & Roy, Star Trek: Némesis, Troya.

Conocido principalmente por su labor como orquestador y director de orquesta, Conrad Pope también es un destacado compositor. En el programa se incluyen tanto sus scores originales como partituras que ha orquestado. Las bandas sonoras son las siguientes: Las chicas Amati, The rising place, Pabellón de mujeres, Lloyd, El hombre lobo, In my sleep, La presencia, Mi semana con Marilyn, El Vermeer de Tim, Tess y su guardaespaldas, Sabrina (y sus amores), Siegfried & Roy, Star Trek: Némesis, Troya.

About the Performance: Anyone who appreciates the iconic film scores of John Williams will be transported when Gustavo leads the Los Angeles Philharmonic in this emblematic sampling of Williams' unforgettable themes, augmented by a selection of film clips. Program: John WILLIAMS : Olympic Fanfare and Theme John WILLIAMS : Excerpts from Close Encounters of the Third Kind John WILLIAMS : Out to Sea/Shark Cage Fugue fromJaws John WILLIAMS : Three Selections from Harry Potter John WILLIAMS : Theme from Schindler's List John WILLIAMS : Adventures on Earth from E.T. The Extra-Terrestrial Intermission John WILLIAMS : Flight to Neverland from Hook John WILLIAMS : Theme from Jurassic Park  John WILLIAMS : Three Selections from Indiana Jones­ John WILLIAMS : Sayuri's Theme from Memoirs of a Geisha John WILLIAMS : Three Selections from Star Wars Artists: Los Angeles Philharmonic Gustavo Dudamel conductor Simone Porter violin THU / JAN 24, 2019 - 8:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

Tercer programa sobre los orquestadores cinematográficos, en el que se dan cita, entre otros, músicos tan notables como Steve Bartek, Leo Shuken, Albert Woodwury, Conrad Pope, Greig McRitchie o Thomas Pasatieri.

Tercer programa sobre los orquestadores cinematográficos, en el que se dan cita, entre otros, músicos tan notables como Steve Bartek, Leo Shuken, Albert Woodwury, Conrad Pope, Greig McRitchie o Thomas Pasatieri.

We've arrived at another Spotting Session - the moment in our film study where we move cue by cue through every piece of underscore. To commemorate the size, substance and significance of John Williams' STAR WARS, today's entry will be the first in a 2-part Spotting Session. This episode will take us from Alfred Newman's 20th Century Fox Fanfare up to the midpoint of the film - the Millenium Falcon's flight out of Mos Eisley, en route to Princess Leia's homeworld of Alderaan. We revel in exploring the rich orchestrations and story-driven composition of one historic cue after another, calling upon conversations from several of our past guests (including Conrad Pope, Joe Kraemer, and assistant audio engineer on the STAR WARS score, Alan Snelling). This is as unabridged and intentional an examination of the score as we could fathom. Full disclosure: we were left somehow even more riveted by this landmark 1977 work and can only hope you'll feel the same. Please enjoy this voyage inside this John Williams musical masterpiece. #maytheforcebewithyouListen to episode 7m3A Spotting Session for STAR WARS (Part I)STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

CINEMATIC SOUND RADIO is proud to be the distributor of the first part of Jason Drury’s epic tribute to James Horner. The first of Jason Drury’s 3-part story on one of the finest composers in movie history begins with an overview of James Horner’s music in the 1980s including musical selections from BATTLE BEYOND THE STARS, STAR TREK II: THE WRATH OF KHAN, BRAINSTORM, COCOON, ALIENS, GLORY and many more. This new re-edited edition by Jason Drury includes more music, an additional interview segment, and re-recorded narration from Amanda Barrow. Contributors include Nick Redman, Chris Malone, Jason Needs, Jeff Bond, Robert Daniels, Dirk Wickenden, Conrad Pope and Erik Woods. The program also includes excerpts from BAFTA’s interview with James Horner as part of their “Conversations with Screen Composers” series at the Royal Albert Hall. To listen to the full interview by going to http://guru.bafta.org/james-horner-conversations-with-screen-composers Narrated by Amanda Barrow. Written, Produced, Recorded and Edited by Jason Drury for CINEMATIC SOUND RADIO. Special thanks to BAFTA, Tim Greiving, David Houquet, Robert Daniels, Erik Woods and especially Amanda Barrow. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Today's spotting session was produced with no small amount of labor and love. From beginning to end we discuss each instance of underscore in E.T. the Extra-Terrestrial, hopefully contextualizing this powerful music along with the cinematic narrative it supports. Steeped in the collection of thematic material we covered last week, we now explore just how those melodic threads are woven into the fabric of the complete film and hopefully illuminate the rich tapestry of music throughout. Today's episode also includes very poignant thoughts on the score from our recent guest - composer, orchestrator, and John Williams collaborator Conrad Pope. While we fully expected that combing through the music of E.T. cue by cue would be an emotionally powerful experience, it has been rewarding beyond our imagining. Please enjoy!Listen to episode 5m3 Spotting Session for E.T.E.T. the Extra-Terrestrial - John Williams - 1982 - Universal Pictures (Steven Spielberg, dir,)Extra-Terrestrial (The 20th Anniversary) Original Motion Picture Soundtrackhttps://itunes.apple.com/us/album/e-t-the-extra-terrestrial-the-20th-anniversary/id1951771IMDBhttp://www.imdb.com/title/tt0083866/E.T. the Extra-Terrestrial in Concerthttp://filmconcertslive.com/movies/e-t-extra-terrestrial/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

We are thrilled to share our conversation with composer/orchestrator/conductor Conrad Pope. Known throughout Hollywood for his deep musical knowledge and artistry, Conrad is an outstanding composer for cinema and one of the most in-demand orchestrators and conductors in the business. He has participated in well over a hundred films, working for composers John Williams, Alexandre Desplat, James Newton Howard, Jerry Goldsmith, James Horner, Alan Silvestri, Danny Elfman, John Powell and Hans Zimmer.

A small sampling of the truly classic cinema Pope has contributed to: the Star Wars series, the Harry Potter series, The Hobbit series, Jurassic Park, Pirates of the Caribbean, The Matrix films, Argo, The Rocketeer, Memoirs of a Geisha, The Polar Express, The Curious Case of Benjamin Button, Life of Pi, Sleepy Hollow, The Tree of Life, The Adventures of Tintin and most recently, Valerian and the City of a Thousand Planets.His acclaimed work as a composer includes My Week With Marilyn, The Wolfman, Ghost Ship and the documentary Tim’s Vermeer, to name but a few scores. In addition to his very busy schedule composing, orchestrating and conducting (in studio and on stage), Conrad will be once again teaching courses this summer for the Hollywood Music Workshop outside of Vienna, in Baden Austria. We are extremely pleased to invite Conrad to the show. What transpires in today's episode is a Film Music conversation that is riveting, hilarious and deeply moving. Enjoy!                                                                                                       Listen to Interview: Conrad Pope Pavillion of Women - Conrad Pope - Universal Focus (Yim Ho, dir.)  -Together ForeverEmpire of the Sun - John Williams - Amblin Entertainment (Steven Spielberg, dir.)  -The PlaneProject: Metalbeast - Conrad Pope - Prism Pictures (Alessandro De Gaetano, dir.)  -Deadly ChaseGhost Ship - Conrad Pope - Sandtrap Productions (James T. Flocker, dir.)  -All's WellThe Boss Baby - additional music by Conrad Pope - Dream Works Animation (Tom McGrath, dir.)  -LoveTim's Vermeer - Conrad Pope - Sony Pictures Classics (Teller, dir.)  -Tim's ThemeMy Week With Marilyn - Conrad Pope - The Weinstein Company (Simon Curtis, dir.)  -Marilyn on the TownPavillion of Women - Conrad Pope - Universal Focus (Yim Ho, dir.)  -The Embrace http://conradpopemusic.com/http://hollywoodmusicworkshop.com/For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

On this week’s episode of CINEMATIC SOUND RADIO, we will be playing music from brand new soundtrack releases only. You’ll hear selections from CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE by Theodore Shapiro, ANNABELLE HOOPER AND THE GHOSTS OF NANTUCKET by David James Nielsen, ALBION: THE ENCHANTED STALLION by George Kallis, SPIDER-MAN: HOMECOMING by Michael Giacchino, “Love” from BOSS BABY by Conrad Pope, WAR FOR THE PLANET OF THE APES by Michael Giacchino, DEFORMERS by Austin Wintory, THE MUMMY by Brian Tyler, WONDER WOMAN by Rupert Gregson-Williams and selections from LIGHTS, CAMERA… MUSIC! SIX DECADES OF JOHN WILLIAMS including HEIDI, GOODBYE, MR. CHIP, and SLEEPERS. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

CINEMATIC SOUND RADIO is proud to be the distributor of the third and final part of Jason Drury’s epic tribute to the late great composer James Horner. In paying respects to the memory of James Horner comes the final part of Jason’s overview of the music of one of the finest composers in movie history. The show covers the period from 2000 right up to his untimely death and beyond. The show includes music from THE PERFECT STORM, ENEMY AT THE GATES, A BEAUTIFUL MIND, APOCALYPTO, AVATAR and much more. Contributors include Nick Redman, Conrad Pope, Tim Burden, Steve Bramson, James Semple, Chris Malone, Robert Daniels, Jeff Bond and Erik Woods. The program also includes excerpts from BAFTA’s interview with James Horner as part of their Conversations With Screen Composers series at the Royal Albert Hall. THE LIFE AND MUSIC OF JAMES HORNER was narrated by Amanda Barrow and was written, produced, recorded and edited by Jason Drury. Jason Drury would like to send a huge thanks to all the people interviewed for this series, including Jason Needs, David Houquet, and Tim Greiving. Special thanks to BAFTA, Robert Daniels, Erik Woods and especially Amanda Barrow. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

CINEMATIC SOUND RADIO is proud to be the distributor of the second part of Jason Drury’s epic tribute to James Horner. A few months ago Jason premiered the first episode of his radio documentary THE LIFE AND MUSIC OF JAMES HORNER, a brilliant program researched and produced by Jason featuring fascinating insight into one of the world’s great film music composers. It featured exclusive interviews with Nick Redman, Conrad Pope, Chris Malone, Dirk Wickenden, Jeff Bond, Jason Needs, Steve Bramson, Tim Greiving, David Hocquet, and Robert Daniels. I was also interviewed and featured in the first part of the program. The second of Jason Drury’s three part story on one of the finest composers in movie history continues with an overview of James Horner’s music in the 1990s including selections from THE ROCKETEER, LEGENDS OF THE FALL, CLEAR AND PRESENT DANGER, BRAVEHEART, APOLLO 13, TITANIC and much more. Contributors include Nick Redman, Conrad Pope, Tim Burden, Steve Bramson, James Semple, Chris Malone, Robert Daniels, Jeff Bond and Erik Woods. The program also includes excerpts from BAFTA’s interview with James Horner as part of their Conversations With Screen Composers series at the Royal Albert Hall. THE LIFE AND MUSIC OF JAMES HORNER was narrated by Amanda Barrow and was written, produced, recorded and edited by Jason Drury. Jason Drury would like to thanks to BAFTA, The London Symphony Orchestra, Robert Daniels and Erik Woods for all of their support. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

AFTERBUZZ TV - AfterBuzz TV's Concert Experience edition, is a long form interview series featuring Musicians discussing their upcoming projects as well as their thoughts, passions and journeys. In this episode host Katerina Cozias interviews the Leandro Gardini. ABOUT LEANDRO GARDINI: Leandro was born in Brazil and he has been composing, orchestrating and arranging to the Music Industry for the last thirteen years. During this time he has become one of the unique musicians of his generation. In 2011, he was awarded by an important brazilian association, APCA ( Paulista's Association of Art's Critics) as the "Composer Revelation of the Year". He has studied with great mentors since the beggining of his education. Among them, it is included: the brazilian pianist Antonio Bezzan, the hollywood orchestrators Scott Smaley and Conrad Pope and the hollywood composer Christopher Young. He also studied the Composition Course Equal Interval System (EI --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

It is no surprise that Grammy winner, five-time Grammy nominee and seven-time Emmy nominee Nan Schwartz is considered a pioneer for women composers. And Conrad Pope is emerging as one of the most exciting, original voices in contemporary film scoring. For more information on this luncheon honoring this talented couple, go to: http://www.asmac.org/nan-schwartz-luncheon-wednesday-march-20th/

Conrad Pope is an American film composer and orchestrator. He has worked on numerous films and has collaborated with composers such as John Williams, James Newton Howard, Alan Silvestri, Danny Elfman, Mark Isham, James Horner, John Powell, Alexandre Desplat, and Howard Shore. Conrad Pope is the 2015 recipient for the ASMAC Golden Score Award. Introduced by Marlene Hajdu. (48:46)

Conrad's classical training at New England Conservatory and Princeton led to arranging assignments of "source music" for diverse films, and ultimately, to orchestrating and "ghost writing" many major motion pictures, collaborating with many renowned composers including: John Williams, Alexandre Desplat, James Newton Howard, Jerry Goldsmith, Danny Elfman, Hans Zimmer, and Mark Isham.Conrad's orchestration credits include the more recent installments of Star Wars, the Harry Potter film series, King Kong, Memoirs of a Geisha, The Curious Case of Benjamin Button, and many others.Conrad has composed the score for several independent films with smaller budgets, and his most score composition is for the film My Week with Marilyn, about Colin Clark's observations of tense interaction between Laurence Olivier and Marilyn Monroe during production of The Prince and the Showgirl. Conrad has received several awards for his work, including winning the Leonard Bernstein Fellowship and Fulbright Fellowship.  Conrad's work has been performed from the United States to Europe to Australia.