Podcast appearances and mentions of Bear McCreary

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO PODCAST, Erik Woods continues his presentation of some of his favourite scores written in 2024. This is the final part of a two-part series. Today, you'll hear selections by such composers as Bear McCreary, Kris Bowers, Amilea Warner, Robin Hoffman, Stuart Hancock, and Raphaël Dargent. As with the first part, instead of a traditional countdown, Erik will be presenting the scores in alphabetical order by title and will unveil his favourite score of 2024 at the end of this episode. Enjoy! As promised, here is the link to Jason Drury's interview with Stuart Hancock. Click HERE! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Dans cet épisode hors-série, on vous amène avec nous au concert de Bear McCreary qui a eu lieu au Trianon à Paris le mardi 29 avril 2025. Grâce à ce concert du compositeur des musiques de Battlestar Galactica, mais aussi The Walking Dead, Outlander, The Lord of the Rings: The Rings of Power, Masters Of The Universe - Revelation, les jeux vidéo God Of War, ou encore le film Godzilla - King Of The Monsters, on a eu l'occasion de vous rencontrer. Donc on tient à remercier tout particulièrement Stéphane, qui nous a accompagnés une bonne partie de cette excellente soirée, mais aussi Vincent, Salim, Dany et Circe avec qui on a passé un très bon moment d'échange au bar avant le concert. Le montage de cet épisode a été exceptionnellement réalisé par Karine. GalactiFrak est disponible sur podCloud, ainsi que sur Apple Podcasts, Spotify, Deezer, Google, ou Amazon ainsi que YouTube. Retrouvez les notes de l'émission sur galactifrak.lepodcast.frRetrouvez GalactiFrak sur Facebook, Twitter, Instagram et Discord. Suivez Draven et Karine sur Twitter et Bluesky

Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Dans cet épisode Signa 034, on passe en revue les news Battlestar Galactica de début 2025 concernant des vidéos YouTube, des articles, des invités exceptionnels à la Comic Con de Bruxelles et de nouveaux produits dérivés. Quelques liens en rapport avec l'épisode : L'article de Space.com à la gloire du reboot : https://www.space.com/entertainment/space-movies-shows/battlestar-galactica-at-20-the-show-that-reinvented-space-opera L'article d'Inverse sur les possibles raisons de l'échec de Caprica : https://www.inverse.com/entertainment/caprica-15-year-anniversary Le top 10 de Collider sur les fins de séries qui ont le plus divisé : https://collider.com/controversial-tv-finales-ranked/ Le site de la comic Co de Bruxelles où seront présents Mary McDonnell, Edward James Olmos et Dirk Benedict : https://comicconbrussels.com/fr/homepage-fr/ Les vidéos de vaisseaux de la chaîne YouTube The Hangar Bay : https://www.youtube.com/watch?v=URTwUYMa7I4&list=PLMK_SPVuVg6P_qOf6HzD737L5seWx3-iG Les créations 3D de vaisseaux de la chaîne Venture Pictures : https://www.youtube.com/@VenturePictures/videos L'article français du site TechGuru : https://techguru.fr/2025/02/18/cette-serie-de-sf-est-un-chef-doeuvre-absolu-et-son-jeu-video-est-tout-aussi-culte-une-pepite-a-ne-pas-manquer/ Le point de vue original de Bleeding Fool sur l'optimisme de la série originale : https://bleedingfool.com/blogs/between-battlestar-galactica-78-vs-2004-the-originals-optimism-prevails/ La vidéo recap' des 7 ans de construction du chasseur Viper en taille réelle de Baz : https://youtu.be/kB9ErWMM7Tk?si=D2tdR_2XVqRvRWUq Le test du jeu de plateau BSG par Air Gaming : https://air-gaming.com/battlestar-galactica-le-jeu-de-plateau/ Le podcast Total Trax qui a consacré 2 épisodes à la musique de BSG : https://podcast.ausha.co/total-trax La révélation de Tricia Helfer concernant la condition imposée par Ronald D. Moore au projet de nouvelle série BSG : https://www.youtube.com/watch?v=40ssPAsMdLo&t=3393s Les produits dérivés BSG sur le site de Factory Entertainment : https://factoryent.com/collections/battlestar-galactica Le top 15 des plus gros vaisseaux de l'univers de BSG sur la chaîne YouTube Nutbug : https://www.youtube.com/watch?v=LrV9XniN_XM La vidéo de DevilDredd qui vous dit tout sur BSG : https://www.youtube.com/watch?v=IZNX76DolT0 Les dernières nouvelles de Susan Hogan à propos de son mari : https://www.gofundme.com/f/michael-hogan-fund RDV au bar La Binouze le mardi 29 avril à Paris à l'occasion du concert de Bear McCreary au Trianon ! GalactiFrak fait partie du label PodShows et est disponible sur podCloud, ainsi que sur Apple Podcasts, Spotify, Deezer, Google, ou Amazon ainsi que YouTube. Retrouvez les notes de l'émission sur galactifrak.lepodcast.frRetrouvez GalactiFrak sur Facebook, Twitter, Instagram et Discord. Suivez Draven et Karine sur Twitter et Bluesky

God of War composer Bear McCreary on Ragnarök, Astro Bot, and what's next...For your questions and demands - do chuck us a line on Podcast@VideoGamesChronicle.com! Hosted on Acast. See acast.com/privacy for more information.

Incredible composer Bear McCreary (God of War, Lord of the Rings: The Rings of Power, Battlestar Galactica, Happy Death Day) knows a thing or two about composing badass scores. Vespe challenged him to come up with top 5 favorite John Williams/Steven Spielberg collaborations and the resulting episode sees McCreary putting his Top 5 against Vespe' Top 5. Originally only available on the show's Patreon, this wonderfully nerdy chat is now available for all to hear. What comes out on top? Does Jurassic Park beat out ET? What about Jaws or Schindler's List? Certainly Indiana Jones has to enter the conversation at some point, right? You'll only know if you listen! If you want to support the show and sign up for the Patreon to get access to bonus episodes like this one on the regular, then head over to The Spiel's Patreon page and sign up! Learn more about your ad choices. Visit megaphone.fm/adchoices

100% LIFESTYLE - Tous les jeudis : - De 19H à 20H sur RDL 103.5 FM en Centre Alsace - A l'écoute partout à cette heure sur le direct live sur www.rdl68.fr / rdl68.fr/playlist/100-lifestyle/ - En PODCAST sur SOUNDCLOUD chaque JEUDI à 21H : on.soundcloud.com/QPEjqQJ7u51dxPjv6 Dans ce numéro, Anne-Claire & Yann vous proposent : - En route pour l'aventure (voyage/Yann): Le voyage de Yann en Ecosse - La minute soignante (santé & bien-être/Anne-Claire): Quelques conseils pour un retour au sport après une blessure - Chanson Story (histoire d'un tube/Yann): "Hélène", Roch Voisine, 1989 - La question des auditeurs: Pourquoi les poils de chats se collent à nos vêtements ? - Mode & Beauté (Anne-Claire): Les tendances mode printemps - été 2025 MUSIQUES: "Galway girl", Ed Sheeran, 2017 "Hélène", Roch Voisine, 1989 "Amamé", Yuri Buenaventura, 2024 EXTRAITS: "Amazing Grace" à la cornemuse "Coming' thro' the rye", Bear McCreary, 2015 (BO de la série "Outlander) "Skye Boat song", Générique de la saison 1 de la série "Outlander" "Clean pease strae", Bear McCreary, 2015 (BO de la série "Outlander") "Good feeling", Flo Rida, 2011 "Tout le monde veut devenir un cat", Les Aristochats, 1994 "Et alors", Shy'm, 2012 Important: Je ne touche aucun droits d'auteur sur ces chansons. Les droits reviennent intégralement aux auteurs/compositeurs/interprètes. Diffusion: Jeudi 19H - 20H en direct sur RDL (103.5 FM dans le Centre Alsace) www.rdl68.fr Une production RDL 103.5 FM Tous droits réservés

Now we get into the meat of the game itself. It's themes, its characters, its goddamn amazing music, and all the emotions they bring. Fat Brett - Essay on Brok: https://youtu.be/kxgZyDzZvJI?si=yrWPfYBLb6T_pPaP Fat Brett - Essay on Magni and Modi: https://youtu.be/1agbhCi-w1Q?si=5RBhlYg_5C3s_aK7   The Fireside Alliance Podcast Network:  https://firesidealliance.squarespace.com/ Intro is "Light Me Up" by Audiorezout of Free Music Archive Midroll includes: Tracks from the God of War (2018), and God of War:Ragnarok OSTs. Carrickfergus (Instrumental) - https://youtu.be/dx7v9KxO--Q?si=W0wz62eoyGI00k9e Beowulf Main Theme by Alan Silvestri 'Prologue' from the Horizon: Zero Dawn OST Outro is "Blood On The Snow" by Hozier and Bear McCreary

Scottish-born composer Paul Leonard-Morgan (Last Breath, Cyberpunk 2077, Tales from the Loop, Limitless) is a master of different mediums — from film/television to video games, concerts and working with recording artists like bands Belle & Sebastian and Snow Patrol, among many others.His latest, survival-thriller Last Breath starring Woody Harrelson, is his second score to this story — he also scored the hit documentary about the real people. Paul details how he evolved his approach for the narrative film, including his own wetsuit dive to record metallic clinks against boats in Malibu, California, in order to create a unique, journalistic feel to the music approach.How his collaborations with legendary composer Philip Glass came about for Tales from the Loop, after they both worked with documentary filmmaker Errol Morris. Plus, how the aggressive and dark sound of Cyberpunk 2077 came together, and why writing tunes — and staying passionate under grueling deadlines — is the magic that unlocks success.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.Video Timecodes0:00 Intro1:49 Vienna Symphonic Library3:59 Paul Leonard-Morgan Interview6:51 Scoring Drama vs. Documentary9:29 ‘Last Breath' opening12:51 Recording Boats in Malibu17:28 Finding Unique Sounds19:58 Paulstretch Experimenting and ‘Dredd'20:52 Musical beginnings28:31 Punk-rock heart31:37 Finding a style35:54 Finding Inspiration40:22 Philip Glass collaborations42:00 ‘Tales from the Loop'51:21 ‘Cyberpunk 2077' & writing1:00:34 Three Things1:06:56 Charles Manson's music1:12:01 VSL Synchron Series1:13:46 VSL ‘Forrest Gump' Demo

Our latest guest on Soundtracking is composer Bear McCreary, who joins us to discuss his career ahead of his Themes And Variations Tour, which kicks off at Indigo 02 on April 18th before heading around Europe and the US. Bear has compiled an extraordinary body of work across film, TV and video gaming, including Battlestar Galactica, Outlander, The Walking Dead and God Of War.

Un second épisode autour de Battlestar Galactica qui se penche sur l'évolution des compositions de Bear McCreary et leur adéquation avec le mysticisme plus marqué vers lequel s'oriente la série, avant d'évoquer les spin-offs qui découlent de cet exceptionnel reboot.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Venez donc découvrir en notre compagnie la création du reboot télévisuel le plus audacieux du 21ème siècle, et par la même occasion assister à la naissance artistique du compositeur Bear McCreary, l'un des talent les plus marquants de cette même période. So say we all!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

At 34, UK-based artist and composer Daniel Blumberg is the youngest person nominated for this year's Best Score at the Oscars. His work on The Brutalist, nominated for 10 Academy Awards, is a continuation and evolution of Brady Corbet's directorial talent — a longtime friend and collaborator. Daniel talks us through his formative experience at Cafe Oto in London — a hub for eccentric and inventive musical talents, which has also inspired Daniel's own highly reviewed solo albums. Daniel explains why he had to visit Italy himself to calibrate the echoes of a marble quarry, why he and Brady always envisioned the opening as a balance of tension and payoff, and why he left in raw recordings of musical “sketches” on purpose to help convey the endless pursuit of creative perfection the film depicts. Why the rising awards buzz around his unique score makes him nervous, and the unlikely (but true!) admiration for Wallace & Gromit.Interview by Kenny Holmes and Matt Schrader. Recorded at A24 Studios in Los Angeles.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atUse promo code SCORESMART10 for 10% off Synchron Smart Orchestra 2.0, valid until March 17To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Oscar-winning filmmaker (The Last Repair Shop) and Emmy-winning composer Kris Bowers details a series of life experiences that propelled him to a groundbreaking score on his first animated film, The Wild Robot. How his parents' nudge into music led to him developing a “life plan” he still employs today. Why his jazz origins are so useful in the way he approaches film music. Plus, how new emotions (unlocked from recently becoming a father himself) impacted his approach to the themes of The Wild Robot. Kris dives into how he discovered a sound and music palette to channels a vibrant “wilderness” alongside an orchestral approach (with a futurist vibe), and his fond memories of working with both Kobe Bryant and Quincy Jones who influenced and inspired his creative energy to new projects. Interview by Kenny Holmes and Matt Schrader. For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X. Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

“Music that will bring Beethoven to his knees” We couldn't pass up the chance to record with BOTH visionary director Robert Eggers and composer Robin Carolan, whose period-horror NOSFERATU released on Christmas Day. (Robert confirms for the record it IS — sort of — a Christmas movie.) This interview done remotely, with Robert and Robin together in the same room in London. How Robert's breakout film THE WITCH led to a creative partnership with Robin, a UK-based music producer who had never scored a film before. Why he took 6 weeks to agree to take Robert's Viking epic THE NORTHMAN — and how it proved a trial by fire for his composing career. Robert talks about his history with NOSFERATU going back to high school (once thought of as an imitation of Dracula, but has achieved its own legendary mythological status). How Robert challenged Robin to “bring Beethoven to his knees” in the opening scene, and the decision to craft hypnotic “spirals” and haunting vocals to keep the danger close even when Nosferatu is not on screen. And why Robert's films — dripping with rich mythology — extend the traditional orchestral approach into unsettling, aleatoric music and modern sounds that carry the audience in and out of comfort. Interview by Kenny Holmes and Matt Schrader. For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X. Check our Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions. Video Timecodes 0:00 Intro 4:05 Vienna Symphonic Library 7:16 Robert Eggers & Robin Carolan 21:00 'The Northman' 31:18 Starting 'Nosferatu' 40:28 Hypnosis of 'Nosferatu' 48:56 Most Difficult Scenes of 'Nosferatu' 1:01:53 VSL Synchron Series 1:03:47 VSL "Batman" Demo

This episode of The Other Side of the Bell, featuring trumpeter Aaron Smith, is brought to you by Bob Reeves Brass.  About Aaron : Aaron Smith is an active freelance trumpet player in Los Angeles, CA. He also writes, arranges, and publishes music through his small business, TrumpetSmith Publishing (ASCAP). In addition, he serves on the Hearing Board for the American Federation of Musicians (AFM) Local 47 and on the Board of Directors for the Recording Musicians Association Los Angeles (RMALA).  Raised in an Army household with musician parents who played jazz and r&b, and later to receive classical conservatory training, Smith thrives on versatility, consistency, and accurate delivery of musical intent. As a trusted freelance musician in Los Angeles, he performs regularly for live orchestral events, musical theatre, films, independent recording projects, streaming, television, and video games.  He has recorded on film/tv projects for celebrated composers including Alan Menken, Bear McCreary, Branford Marsalis, Germaine Franco, Heitor Pereira, Kris Bowers, Rob Simonsen, and Terence Blanchard; on sound recordings for Adrian Younge, Austin Wintory, Charles Gaines, Dr. Dre, Joachim Horsley, John Daversa, and X Ambassadors. He has performed as a sideman in bands on the Academy Awards, Dancing with the Stars, Disney's Encore!, Ellen, the LATE LATE Show, and The Voice. He's also appeared as a sideman onscreen for films including Babylon and Joker: Folie à Deux; and tv commercials for Capital One and Microsoft. He's backed major artists including Beyoncé, Billie Eilish, Common, Danny Elfman, Jennifer Holliday, Josh Groban, Kelly Clarkson, Labrinth, Lady Gaga, Sigur Rós, Steve Lacy, and more. He has also performed for contemporary/new music ensembles and series including Alarm Will Sound, the Industry's Hopscotch Opera, Jacaranda, Southwest Chamber Music, wasteLAnd, WildUp, Green Umbrella, Monday Evening concert series, and Noon to Midnight Festival. In the L.A. theater world, Smith performs regularly at the Hollywood Pantages, Dolby, La Mirada Theaters and Pasadena Playhouse. Some notable shows from these theaters with Smith on solo trumpet include Back to the Future, Beetlejuice, Color Purple, Jelly's Last Jam, Les Misérables, Moulin Rouge, Wicked, and the Wiz.  As a composer, Smith strives to curate a top-tier experience for brass players especially. The primary focus is exploring boundaries while expressing a story; both through adapted arrangements structurally sound to the composer's intent and through his own original compositions. His work has been performed internationally. He has also created original chamber music commissioned by Marissa Benedict for University of Minnesota, Jim Self for University of Southern California, also by the Interlochen Center for the Arts, and Stomvi-USA.  Smith's training as a music performance major includes a Master of Fine Arts degree from California Institute of the Arts where he studied with Edward Carroll and John Fumo; and a Bachelor of Music degree from the Eastman School of Music with professor James Thompson. He is also a graduate of the Interlochen Arts Academy with Stanley Friedman.

Dans cet épisode Signa 033, on passe en revue les news Battlestar Galactica de novembre et décembre 2024 concernant la future convention Battlestar Galactica de 2025, les dessous des célèbres dessins de Frank Frazetta, le podcast de Katee Sackhoff, une reprise au violon, les dates de la tournée européenne de Bear McCreary, et un nouveau jeu vidéo gratuit sur iOS et Android. Quelques liens en rapport avec l'épisode : L'article de Maureen Ryan avec de nombreuses photos de la convention des 20 ans de BSG ainsi que les détails de l'édition 2025 : https://burner-account.ghost.io/the-battlestar-galactica-convention-was-fab-all-this-will-happen-again-2/ La vidéo de Sara Frazetta sur les dessins de Frank Frazetta pour la promotion de la série originale dans le magazine TV Guide en 1978 : https://youtu.be/0SmP4trcOuY L'interview de Katee Sackhoff à propos de son podcast : https://screenrant.com/the-sackhoff-show-podcast-katee-sackhoff-mandalorian-interview/ Le Top 10 de Collider des meilleures séries de SF des années 2000 : https://collider.com/2000s-sci-fi-shows-best-ranked/ La reprise au violon du thème de 1978 par VioDance : https://youtu.be/pyUsPwepO7c Les dates de la tournée européenne de Bear McCreary : https://bearmccreary.com/events/ L'article de Gus & Co sur la spéculation autour du jeu de société BSG : https://gusandco.net/2024/12/04/speculation-jeux-societe-collection-prix-2024/#Battlestar_Galactica Le jeu vidéo Zen Pinball World disponible gratuitement sur iOS et Android qui comprend un tableau BSG : https://zenstudios.com/games/zen-pinball-world/ Le communiqué de Gala Games sur l'annulation du jeu vidéo Battlestar Galactica Eternity : https://news.gala.com/gala-games/gala-games-updates-from-outer-space-news-on-battlestar-galactica-eternity-and-echoes-of-empire/ Posez votre question à Karine et Draven, ils répondront dans l'épisode 100 de GalactiFrak : https://forms.gle/tUTrdihcCdiRkcXWA GalactiFrak fait partie du label PodShows et est disponible sur podCloud, ainsi que sur Apple Podcasts, Spotify, Deezer, Google, ou Amazon ainsi que YouTube. Retrouvez les notes de l'émission sur galactifrak.lepodcast.frRetrouvez GalactiFrak sur Facebook, Twitter, Instagram et Discord. Suivez Draven et Karine sur Twitter et Bluesky

Oscar-winning composer Volker Bertelmann (CONCLAVE, ALL QUIET ON THE WESTERN FRONT) explains his unique approach to creating analog textures, themes, and layered complexity. How a church piano led him to a breakout hip hop album in Germany, and then into his own musical experimentation with “prepared piano” — including albums and live performances with ping pong balls in pianos. How his prepared piano techniques create sounds many believe are synths, but are actually recorded sounds carefully crafted. How his collaboration with director Edward Berger has led to a new exploration of sound. And why you should always prepare (even for an Oscars speech!) but be ready to go with the flow of the moment as a musician. Special thanks to Nate Gold and Soundbite Studios in Los Angeles. Interview by Kenny Holmes and Matt Schrader. For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X. Check out Vienna Symphonic Library's collection of innovating libraries and samples at http://vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out the free sample player, freebie libraries and demos at http://vsl.co.at To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

In this week's episode, I take a look back at the movies and TV shows I watched in Autumn 2024, and rate them from my least favorite to my favorite. TRANSCRIPT Hello, everyone. Welcome to episode 230 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the Sixth, 2024, and today we are looking at my movie/TV show roundup for Fall 2024. Before we get to that, we'll have an update on my current writing projects and then we will do Question of the Week.   First up, I'm pleased to report that the rough draft of Orc Hoard is done at 78,000 words, so it'll probably end up being about exactly the same length as Half-Orc Paladin, the previous book in the series. I've also written a short story called Commander's Wrath that newsletter subscribers will get a free ebook copy of when Orc Hoard comes out and hopefully we're on track to have that out before Christmas. I'm also 7,000 words into Shield of Deception, which will be the fourth book in The Shield War series and if all goes well, I'm hoping to have that out in January or February. In audiobook news, recording is currently underway for Cloak of Masks and that will probably be out towards the end of January or perhaps February, depending on how long processing takes.   00:01:02 Question of the Week   Question of the Week is designed to inspire enjoyable discussions of interesting topics. This week's question, what do you listen to while working: genre of music, audiobooks, podcast, nothing else so you can concentrate, et cetera. No wrong answers obviously, and we had quite a few answers.   David says: I listen to audiobooks and music. Music ranges from classical to country to pop, bands and soul artists to instrumental. No rap or heavy metal or dance music or I listen to music from YouTube channels. If I have to really focus on what I'm doing, I'll turn it low so it doesn't distract.   Justin says: video game music is my first choice. It can help you grind in real life just like it does in the game. If that isn't working for me, then rock or classical music with movie soundtracks at third.   Brooks says: I tend to gravitate towards hard rock/punk rock. I have to stay adrenalized. Outside work, I'll listen to almost anything.   Michael says: I find I can't listen to words or lyrics without getting distracted by them, so instrumental music is the way to go. Usually video game music too (the Stelara soundtrack is particularly epic), movie scores (Kingdom of Heaven is one of my favorites), or Dungeon Synth, an amazing music genre I only discovered recently.   Barbara says: sometimes I play music while writing, but most of the time I prefer the silence so I can better hear the voices in my head. Of course, I prefer very specific types of music that always end up coming back no matter how much I try to stray.   Jenny says: lots of EDM and techno if words would distract me or my solid nineties pop punk angsty mix. I also have a giant one I called “I heard it in a video game” for background music. John says: When I did/could work, I enjoyed outlaw country music, particularly that from Texas. Put me in a kick butt and take names kind of mood. When you're a plumber who gets paid by the work done, not the hour, that's where one wants to be.   (A different) John says: I only listen to music when I'm working in the kitchen. I'm eclectic. Sometimes classical music, sometimes ‘80s prog rock with Hawaiian music and occasionally jazz tossed in.   Juana says: I like rock and roll from many eras. I put my eclectic music on shuffle. I also listen to movie soundtracks: Star Wars, Star Trek, Harry Potter, Animal House, et al.   Brandy says: If I'm cooking, I listen to Pandora. There's a pop ‘90s - ‘20s station. I do have a few that are specifically listed, angry or sad, one more angry German metal or Mongolian throat metal, the other more goth and industrial. I read books instead of listening. If I'm proofing, I usually have something on in the background. Today it's Sanctuary Season One.   Morgan says: ADHD means I jump around a lot on what I'm listening to depending on the day, but audiobooks- usually fantasy or horror. Podcasts- Pathfinder actual play podcasts, horror podcasts, and wrestling/gaming news podcasts. Music, whatever artist/album I'm obsessing over at the time, but usually prog rock, metal, or rap.   Matthew says: I always have my iPad for background noise. If I'm particularly invested in getting chapters done, I'll put on something largely audible.   Gary says: audiobooks, podcasts, worship music, Christian hard rock.   Bob says: Retired now, but when I was working I didn't listen to anything-needed to concentrate on what I was doing. When paying bills, I sometimes have some Morse Code on in the background (one of my previous means of paying the bills). On long car trips, it's nice to have some distraction -whatever radio station I can find, preferably one with a story. In truck stops, we used to find some stories on disc that had the actors doing the voice of the characters and some of them were pretty good.   For myself, I almost always listen to music while I'm working and that genre is usually soundtracks and video games, movies, and TV shows (in that order) that I liked, which makes it difficult to discuss music with people, I have to admit. I do listen to podcasts when I'm working outside, so long as I'm not using a power tool that requires earplugs for safe operation (which sadly seems to be most of the time).   00:04:42 Main Topic: Autumn 2024 Movie/TV Review Roundup   Now on to our main topic, the review roundup of the movies and streaming shows I watched in Autumn 2024. I was going to do a combined Autumn/Winter 2024 one, but it was getting a bit too long, so Winter 2024/2025 will be its own post in a few months. I seemed to watch a lot of time travel movies this time around and quite a few with Space Magic. As ever, the grades are totally subjective and based on nothing more than my own thoughts and opinions. Now let's take a look at the movies and streaming shows from least favorite to most favorite.   First up is Escanaba in Da Moonlight, which came out in 2001 and it is a surrealist comedy about hunting traditions set in Michigan's Upper Peninsula. 42-year-old Reuben Sodi is the only man in his family who has never shot a buck, so when he complains about this to his Native American wife, she casts a spell to help Ruben bag his first buck, which results in a very bizarre nighttime journey/vision quest. This includes UFOs, visitations by nighttime spirits, and a Department of Natural Resources officer having a mental breakdown. This was a funny movie, but it was definitely very weird and even more specific. If you're at all familiar with the hunting culture of Upper American Midwest, you'll get the humor. If you're not familiar with it, this will be like watching a movie from another planet. Overall grade: C.   Next up is Looper, which came out in 2012. I didn't actually like this movie very much, but I respect how well done it was. Joseph Gordon Levitt plays Joe and is a type of assassin called a looper living in the US in 2044. About 30 years after 2044, time travel is invented but immediately outlawed. Since it's difficult to get away with murder in 2074 due to advanced technology, crime syndicates have taken to sending people they want eliminated back in time to 2044 where the loopers immediately execute the target in exchange for a big fat payout. Loopers can live like kings, but there's a price. Eventually the loop is closed and the looper's future self is sent back to be killed by his past self. Failure to comply results in an extremely grisly fate at the hands of the syndicate. Joe, being a hardened killer and drug addict, is fine with all this and even helps turn in a fellow looper who failed to close his own loop. Then Joe's future self arrives. Joe is about to kill Future Joe (played by Bruce Willis), but Future Joe escapes and Present Joe has to hunt down and kill Future Joe if he wants to survive.   In the process, Present Joe stumbles across the farm of a woman named Sarah (played by Emily Blunt) and her young son Sid. Present Joe realizes that future Joe has traveled back to kill the child, Sid, who will be responsible for the death of Future Joe's wife in the future. Despite everything he's done, Present Joe is not okay with this and gears up to help Sarah defend Sid from Future Joe. This movie was on the very dark side of noir filmmaking: no good characters, essentially only various degrees of bad people trying to navigate their way through the maze of time crimes. I did strongly dislike how fundamentally nihilistic the movie was and the addition of telekinesis did seem like kind of a plot crutch. There is also some unnecessary nudity. Rian Johnson is actually an excellent filmmaker. Knives Out and Glass Onion were both very good, but I cannot imagine how someone will watch Looper and think, hey, this guy is a good choice for a Star Wars movie. Overall Grade: B-   Next up is Agatha All Along, which came out in 2024. It was extremely well written and well-acted. You almost have to watch it twice just to admire how well put together the plot was. I wasn't expecting to like Agatha All Along, but it is an excellent example of writing a show with a villain protagonist and actually pulling it off. The show is also a good example of something I've talked about before on the podcast and the blog: characters can be likable, emotionally sympathetic, or both. It's sometimes tricky to write a character who's both, unlikable but emotionally sympathetic. By contrast, Agatha Harkness is an excellent example of a character who's both likable and highly, highly unsympathetic. Agatha All Along is indeed a show with a villain protagonist, but Agatha is charismatic enough to remain likable even though she's unquestionably an absolute monster who deserves every bit of suffering she endures.   Actress Kathryn Hahn deserves major credit for making someone as evil as Agatha so charismatic. Agatha retains just enough of a sliver of sympathy to keep the audience from turning on her, but even when she shows flashes of humanity, beneath that there are even more layers of monster. She also does a very sort of a modern Doctor Who/ Sherlock thing where she talks very fast and puts up a flippant and silly facade, but she's actually calculating things several steps in advance and manipulating everyone around her to her final goal. Anyway, the plot of Agatha All Along is that Agatha finally breaks free from the spell of the Scarlet Witch placed on here at the end of Wandavision. However, Agatha doesn't have any magic left, which is a major problem for her because she has very many enemies who very much want to see her dead as soon as possible, but then a mysterious teenager turns up and asks for Agatha's help. He wants to walk the legendary Witches' Road and it has said that someone who walks the road and survives to the end will receive their heart's desire. Since Agatha doesn't have any other options and she has some major enemies, she agrees. Agatha, the teenager, and the Witches' Road itself all have very dark secrets and their reveal makes for some major drama. As I mentioned, the show was very well written and acted. I suspect that may be the secret for movie or TV success in the 2020s economic climate: good actors, an excellent script, and keep your costs down. Overall grade: B   Our next movie is Field of Dreams, which came out in 1989. An Iowa farmer discovers he's a very specific kind of necromancer, like how sports medicine is a specific field of study. Maybe sports necromancy is a specific subclass for evil wizards or something. All joking aside, the main character is Ray Kinsella (played by Kevin Costner) and he's walking his cornfield one day and he hears a mysterious voice tell him “If you build it, he will come.” Ray builds a baseball field in one of his cornfields and began speaking to the ghost of Shoeless Joe, a popular baseball player who died in 1951. Soon a lot of other ghosts arrive and start playing baseball as well. The mysterious voice starts urging Ray to “ease his pain” and Ray concludes this must means Terrance Mann (played by James Earl Jones), an activist writer from the sixties who dropped out of the public eye and is living in seclusion. So Ray starts on a cross country trip to persuade Mann to come to his baseball field. This movie is really perhaps the ur-example of the Feel-Good Eighties Movies and maybe a Baby Boomer movie. The characters speak with near religious reverence for the ‘60s, baseball is the Great American Pastime, and Ray really wants to heal his relationship with the father he rebelled against back in the ‘60s. The best part of the movie was unquestionably James Earl Jones' character and his performance as he resigns himself to Ray's craziness and then starts to believe in it was pretty great. Overall grade: B Next up is Holiday, which came out in 1938. Holiday is a romantic comedy from the 1930s. Cary Grant plays Johnny Case, who has fallen in love with Julia Seton, the daughter of a wealthy New York banking family. However, his more individualistic outlook soon puts him at odds with Julia's more traditionalist family, though this draws the attention of Julia's elder sister Linda (played by Katharine Hepburn). It felt a bit like watching a play and a little research revealed that it was indeed based on a play from 1928, which may be why the film didn't do so well when it originally came out, though it is regarded as a classic today.   Viewers in the Great Depression era would probably find it difficult to sympathize with a man who wanted to turn down a well-paying job at a bank, not out of moral objections to the bank's business practices, but because he would feel constrained. The Seton family is played as eccentric and somewhat troubled, but not as buffoons or villains as rich people were often portrayed in other 1930s movies. Good performances and worth watching as a classic, though sound technology has improved quite a bit in the last 90 years, so you probably will want to watch it with the captions on. Overall grade: B   Next movie is Twisters, which came out in 2024. This is basically the same movie as Twister from back in 1995, but with some of the plot of Pride and Prejudice bolted on. Kate Carter (played by Daisy Edgar-Jones) is an Oklahoma storm chaser with her boyfriend and best friends. One day, one of their storm chases goes horribly wrong, killing Kate's boyfriend and most of their friends. Five years later, Kate is working for the National Weather Service in New York when her old friend Javi, the other survivor of that storm, asks for her help testing a new radar tracking system. Kate reluctantly agrees and they return to Oklahoma and crosses horns with storm YouTuber Tyler Owens (played by Glenn Powell) who makes videos of his truck shooting fireworks into tornadoes. Naturally, Kate and Tyler immediately misunderstand each other in the same way as in Pride and Prejudice but are forced to work together when it turns out that Javi's company might have ulterior motives. I thought this was a thoroughly enjoyable summer popcorn flick. Given how both Covid and the 2023 writers' strike hit this movie's production like two successive freight trains, it's astonishing it turned out so well. Overall grade: A-   Next up is The Rings of Power Season 2, which came out in 2024. I have the same attitude towards this as I do with Starfield. I really like it. In fact, my Xbox told me I played Starfield for 270 hours in 2024, but I get why some people do not. This show is essentially very elaborate fan fiction. The Lord of the Rings movie trilogy, despite the changes from the book, was still recognizably The Lord of the Rings. The Rings of Power is almost entirely its own thing. Nevertheless, I enjoyed this for a couple of reasons and hope it continues. First, it's nice to have an epic fantasy TV series that's not a nihilistic pornographic torture fest like Game of Thrones and House of the Dragon and is more competently executed than Disney's ill-fated Willow Series.   Second, all things must be taken in their context. What do I mean by this? Perhaps a food comparison will illustrate the point. The book the Lord of the Rings is like Kobe beef prepared by the finest chefs in the world, the sort of experience you get maybe once or twice in your life if fortune smiles upon you. The Lord of the Rings movie trilogy is like a high-quality supermarket steak grilled in the backyard by someone who's pretty good at it. The Rings of Power is like McDonald's, but there are times when you really want some McDonald's. In fact, I kind of want a Big Mac after saying all of that, but The Rings of Power is really good McDonald's, the kind of McDonald's you have after driving the car for 250 miles without stopping across one of America's flatter and less populous states. The only place to eat for like a hundred miles in any direction is this McDonald's in the same building as a gas station, so you stop and don't expect very much, but it turns out the fries are crispy and salty and the nuggets are just right.   I don't think it's surprising that The Rings of Power has had such a mixed reception. The Venn diagram of “enjoys Lord of the Rings” has some wildly divergent circles to it and that is a testament to the fact that the Lord of the Rings is such a great work of literature that so many people from so many very different ideological identity groups enjoy and identify with the book. Even ideological identity groups that are mortal foes agree on their approval of the Lord the Rings. So naturally each different group has its own strong opinion of what an adaptation should look like.   With that very long-winded introduction out of the way, I liked season two and I thought it was an improvement over Season One, a lot more narrative tension. Season One perhaps spent too much time setting the table and building context, but Season Two works well in making Season One better in hindsight. The Rings of Power version of Galadriel is improved in Season Two because she was one of the few characters in Season One able to throw off Sauron's mental domination and seduction. The highlight of the season was the toxic dynamic between Sauron and Celebrimbor.  Actors Charlie Vickers and Charles Edwards did an amazing job portraying the slow-moving disaster that Sauron and Celebrimbor's collaboration would create, two intellectual equals working together to create something great, but nonetheless, Sauron twists everything to his own ends. Their final scene together was just astonishingly good. The portrayal of Sauron is both very modern and true to Tolkien, a destructive narcissist who actually believes whatever lies he's speaking at any given moment. He really, truly believes he's going to heal Middle Earth, no matter how many people he has to kill to do it. The scenes with Prince Durin, his father, and one of the dwarven rings of power were great as well. It had the same sort of feel to it as an adult child watching with horror as a beloved parent succumbs to a drug addiction. The best new character the show created (in my opinion) is Adar, one of the progenitors of the orcs. Tolkien himself could never really decide on the origin of the orcs and came up with different thoughts throughout his lifetime. When editing The Silmarillion, Christopher Tolkien settled on the corrupted former elves version, which seems to be what his father had been leaning towards anyway. Rings of Power takes that to its logical conclusion. Adar wants his orcish progeny to live free of the dark lords Morgoth and Sauron, which makes sense because in the books, the orcs hated Morgoth and Sauron and only served them out of fear. Indeed, in The Lord of the Rings, Sauron seems to have secret police and informers among the orcs to keep track of their loyalties. Since the show displays how twisted and cruel Sauron really is, it makes sense that Adar is willing to go to any lengths to stop Sauron, no matter how extreme. The orcs are still monsters, including Adar himself, but they're monsters who want to be free of an even greater monster than themselves. If you've read The Silmarillion or The Lord of the Rings, you'll know all the characters' efforts are doomed to failure, especially Adar and Celebrimbor's, which lends an air of inevitable tragedy to everything that happens. I know some people were mad that Tom Bombadil was basically Wizard Yoda, but I thought it worked. Tom Bombadil is so inscrutable of a character that he can really do whatever he wants so long as he's inscrutable. It was also great how composer Bear McCreary wove a variation of Sauron's theme throughout the show. The soundtrack was A+ work in my opinion. Overall, I enjoyed the show and would like it to continue. If you know the difference between Fëanor, Finwë, Finrod, Felagund, Finarfin, Findulias, Fingon, and Fingolfin (without having to look it up), and in fact have everything about them from The Silmarillion memorized, you'll hate this show. But I think it's worth watching. Overall Grade: A-   Next up is Casa Bonita Mi Amor, which came out in 2024. Way back in the 1990s I saw an episode of Frasier where Frasier and his brother Niles decide to buy a restaurant. A series of hilarious cascading disasters result. At the time I decided I never wanted to own a restaurant and every piece of both factual information and fictional media I have consumed since has not changed this decision. Casa Bonita Mi Amor definitely will not challenge that decision. Apparently, Casa Bonita was a beloved theme restaurant in Colorado that went out of business during Covid. Trey Parker and Matt Stone, creators of South Park, decided to buy the restaurant themselves and reopen it. They budgeted $3.6 million for the restoration of the building. Costs soon swelled to $40 million and the problems were still only just beginning. This is an excellent and entertaining example of the “rich man buys restaurant, soon finds himself over his head” genre of documentary filmmaking. Overall grade: A   Finally, my two favorite things I saw in Autumn 2024 and the first of them is the movie Frequency, which came out in 2000. It's another variant on a time travel story, but I like this one considerably better than Looper. Frank Sullivan is a firefighter and devoted family man living in New York circa 1969. His son John is a police detective living in the house 30 years later in 1999 with emotional problems because he never got over his father's tragic death in a dangerous fire 30 years earlier in 1969.   When the son of a friend stumbles across his father's old ham radio, John lets the kid goof around with it. Later that night, John starts talking to someone on that radio and to his astonishment realizes he's talking to his father from 30 years ago on the same ham radio. Desperate, John tries to warn Frank about the fire that kills him and it works. Frank survives the fire and instead of dying 1969, instead dies in 1989 from lung cancer due to a pack a day habit. The scene where history changes and John suddenly realizes what has happened was pretty great, but this isn't the ending. We're only 40% of the way through the movie. John successfully managed to put right what once went wrong.   However, in doing so, he accidentally also put wrong what once went right. His mother is a nurse and in the original timeline was on bereavement leave the day after Frank's death. In the new timeline, Frank is okay, so she goes to work and saves a patient who otherwise would've died in medical error and the patient happens to be the deadly serial killer known as the Nightingale. To his horror, John realizes that The Nightingale is now free to continue his murder spree and his new target is John's mother and Frank's wife.   As I've mentioned numerous times before, I'm not really a fan of time travel stories, but this one was quite well done. Interestingly, the plot structure was similar to Avengers Endgame. The Avengers go back in time to steal the Infinity Stones to undo Thanos' Snap, but Past Thanos figures out what's going on and follows the Avengers back to the present and attempts to make things even worse than they already are. John manages to save Frank from the fire, but this means the Nightingale serial killer survives and might create a worse present than the one John already has, so that really adds an altogether excellent element of dramatic tension to the entire movie. As one amusing side note, this movie shared Field of Dream's reverence for baseball as the Great American Pastime and John manages to convince Frank he's telling the truth about their time travel radio by accurately predicting the outcome of baseball games. Overall grade: A Now the second favorite thing I watched in Autumn 2024, The Grand Tour: One for the Road, which came out in 2024. I admit that when I started self-publishing in 2011, I knew absolutely nothing about the contemporary United Kingdom, like I couldn't even told you whether the UK used the Pound or the Euro. When I started getting book royalties from Amazon UK, let's just say I learned about currency conversion rates really fast, but as UK book royalties fluctuated as they do, I started reading the UK news since when there's an election or major news event in the UK, book royalties tend to drop for a few days after the same way they do when something similar happens in the US. Because of that, I saw the news article when Jeremy Clarkson was fired from Top Gear in 2015 for punching out a producer. At the time, there were some seasons of Top Gear on Netflix, so I was curious and started watching and was thoroughly entertained.   When Grand Tour started on Amazon, I started watching that as well and I was also thoroughly entertained, but all good things must come to an end. Jeremy Clarkson, Richard Hammond, and James May go on one last road trip adventure across Zimbabwe. The usual hijinks ensue for one last time, and it was a fitting end to Top Gear/The Grand Tour. I'll miss the show, but I am grateful for over a decade of entertainment from Top Gear/The Grand Tour and from the various spinoffs like Clarkson's Farm and James May's travel show. Overall grade: A   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Score: The Podcast returns for a sixth season with in-person interviews filmed in 4K, and new original footage inside composers' studios. Presented by Vienna Symphonic Library In this season premiere episode, Benjamin Wallfisch breaks down his explosive blockbuster summer with TWISTERS and ALIEN: ROMULUS becoming sensations. The inside scoop on whether Glen Powell's romantic ending in TWISTERS was intended to have a kiss (which became a social media firestorm), and how Benjamin channeled Danny Elfman's iconic BATMAN theme in Michael Keaton's masked return in THE FLASH. Plus, how the score for the hit ALIEN sequel broke new ground with themes echoing sunlight in darkness and an experimental DNA strain that appropriate mutates the score for a powerfully haunting emotional reaction from audiences. Interview by Kenny Holmes and Matt Schrader. For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube, Instagram, TikTok, Facebook and X. Check our Vienna Symphonic Library's collection of innovating libraries and samples at vsl.co.at — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Use code ScoreVienna through December 18 for 20% off five Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at vsl.co.at To learn more about recording at Vienna Synchron Stage, visit synchronstage.com Score: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

Agents of Fandom interviewed Bear McCreary at NYCC 2024, where he compared composing Agents of S.H.I.E.L.D. and The Rings of Power, revealed his roadmap for the Prime Video series, and explained his creative influences.(00:00) Intro(00:30) Cultural Music and Mythology in Rings of Power, God of War, and Percy Jackson (02:00) Utilizing Lord of The Rings Lore for Composing The Rings of Power(02:45) Fan Expectations for Composing Major Projects(03:15) Scoring Phil Coulson vs. Sarge in Agents of S.H.I.E.L.D.(04:00) Comparing and Contrasting the Composing Process for The Rings of Power & Agents of S.H.I.E.L.D.Become a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

Bear McCreary is an acclaimed composer known for his work in film, television, and video games. His distinctive style blends orchestral elements with electronic and world music influences, creating unique and memorable scores. Best known for his work on the reimagined series BATTLESTAR GALACTICA, McCreary has also composed music for popular shows like OUTLANDER, THE WALKING DEAD, THE LORD OF THE RINGS: THE RINGS OF POWER, and more. In Season Two of THE RINGS OF POWER, Sauron has returned. Cast out by Galadriel, without an army or ally, the rising Dark Lord must now rely on his own cunning to rebuild his strength and oversee the creation of the Rings of Power, which will allow him to bind all the peoples of Middle-earth to his sinister will. Building on Season One's epic scopy and ambition, the new season plunges even its most beloved and vulnerable characters into a rising tide of darkness, challenging each to find their place in a world that is increasingly on the brink of calamity. Elves and dwarves, orcs and men, wizards and Harfoots…as friendships are strained and kingdoms begin to fracture, the forces of good will struggle ever more valiantly to hold on to what matters to them most of all…each other. In this interview, we talk about Bear's early fascination with movies and music, his career journey, including his work on BATTLESTAR GALACTICA and LORD OF THE RINGS: THE RINGS OF POWER, his approach to writing music, creative constraints, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

01:02 Jess and Sarah Weekly Recap 04:19 Fandom News 14:51 Our Interview with Andrew Gower  DROUGHTLANDER COUNTDOWN: 35 DAYSHey Sassenachs-are we hanging in there? Just over a month left until we are OUT of the Drought! We're back with another episode to keep you entertained and this week's is a great one!We're excited to bring a cast member from earlier seasons to chat with us this week. In this episode, Andrew Gower, who you'll know as Bonnie Prince Charlie in Outlander, shares his journey as an actor and musician.He discusses his early influences, the formation of his band Gustaffson, and his collaboration with renowned composer Bear McCreary. Andrew shares with us his experiences in drama school, the thrill of acting, and the unique connection he has with his audience. He also shares insights into his audition process for Outlander, his research on Bonnie Prince Charlie, and his favorite scenes from the show. This episode was so fun to record and we hope you love it as much as we did! PRESAVE GUSTAFFSON'S NEW SINGLE, FLOWERS, NOW!  Follow Andrew on Instagram Follow Andrew on X Follow Gustaffson on Instagram Gustaffson's Website

#metaphorrefantazio #haloinfinite #nintendo #marioyluigi #tequilaworks #speedollama #gtmrestart #podcast ¡Ya está la ración semanal de tu podcast favorito! Con la participación de: ✔️ Juan Tejerina · @jtvillamuera ✔️ Ramiro Díez · @Ramisfactions ✔️ Juan Pedro Prat · @JuanpePrat_ ✔️ Dan Puerta al Sótano · @dan_chaos ✔️ Yugita-Chan · @YugitaChan Intro musical de GTM Restart creada por Pitypob · @pitypob2 ✌ Cuña publicitaria cortesía de Javier Ruíz · @javucho_3 ⚙️ Edición y Montaje: Javier Bello · @Javi_B_C GTM LINKTREE: https://linktr.ee/gtmediciones *Canal de Yugita-chan*: https://www.youtube.com/@YugitaChan *Canal de Dan*: https://www.youtube.com/@Dan-PuertaAlSotano ================ ACTUALIDAD - Los famosos menús de Atlus generan dolores de cabeza a sus desarrolladores. - Novedades en torno a Halo. Cambio de motor, cambio de nombre del estudio y nuevos juegos. - Tequila Works cancela un proyecto no anunciado seguido de despidos de una parte de su plantilla. - ¡Despierta! No, lo próximo de Nintendo no es Nintendo Switch 2. Es Alarmo y es un despertador. MELOCOTONAZOS "Rhûn" — Bear McCreary y The Mistery of the Bulgarian Voices https://open.spotify.com/intl-es/track/02gFLsV5ZDAFFZmTc2335a?si=c9bc78c12ec1439c IMPRESIONES - Juanpe y Dan han podido asistir a las oficinas de Nintendo para probar Mario & Luigi: Conexión Fraternal y nos contarán qué les ha parecido. ESTAMOS JUGANDO - Rami ha estado a los mandos de la locura de Speedollama, un juego indie de origen estonio en el que tendrás que poner fin al conflicto milenario entre llamas y alpacas. RECTA FINAL - Como siempre, cerraremos hablando de los juegos que nos han ocupado esta semana junto con la ración de caspa habitual que tanto os gusta de postre. ================ 0:00 CUÑA PUBLICITARIA 0:56 INTRO 16:24 ATLUS E INTERFACES 33:46 HALO INFINITE NUEVO LOOK 51:16 TEQUILA WORKS 57:55 NINTENDO ALARMO 1:23:03 NINTENDO ALARMO 1:44:19 SPEEDOLLAMA 1:54:59 RECTA FINAL ================ GTM (Games Tribune Magazine) 2024 @GamesTribune www.gamestribune.com

"The Lord Of The Rings: The Rings Of Power" is the most expensive television show of all time and it shows. It's a massive production with giant battles, set pieces, tons of characters, and every department working at the top of their game to transport audiences to Middle Earth. One of the key people who helped with that level of immersion is composer Bear McCreary,, who has now composed the music for the show's first two seasons. During the airing of the second season, McCreary was kind enough to spend some time talking with us about his work on the latest season. Please listen to the interview below and be sure to check out the show, which is now available to stream in full on Prime Video. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey, everyone! Today, I'm very excited to talk with my good friend and one of the most talented composers I've ever met, Bear McCreary! Not only was he the composer for Battlestar Galactica, but he has gone on to work on shows like Agents of S.H.I.E.L.D., Black Sails, Outlander, The Walking Dead,  and The Lord of the Rings: The Rings of Power. We first met when we were both little babies on Battlestar. I was surprised to find out I wasn't the only young person on the crew - Bear was the composer at only 24! Today, we're diving deep into his career, how he got interested in music, landed the Battlestar gig, and what he's working on these days. Which speaking of, Bear just released his new double album and graphic novel project, “The Singularity”. If you like heavy metal and music like Guns and Roses then you're going to love this because Slash literally plays on this album. Also, find out how Bear came up with that iconic All Along the Watchtower Battlestar remix and how he convinced me to play it with him live on stage and might again soon! Stick around for the hindsight where I force my producer to listen to me talk about carpet beetles, bed bugs, parasitic wasps, and all that fun stuff. Produced by Rabbit Grin ProductionsMail Sack Song by Nicolas @producer_sniffles

Welcome to Hell Fest!Hosts Elissa, Kay, and Ama are joined by horror writer Seth M. Sherwood to discuss 2018's Hell Fest and along the way, Seth chats about his journey in the film industry, the inspiration behind Hell Fest, expert writing tips and the art of crafting spine-chilling horror. Now get ready to hum your best rendition of Pop Goes the Weasel and let's get into it! Subscribe to our YouTube channel for more content! Support us on Patreon where you will find uncut episodes, bonus content, and more!Follow us on socials:InstagramTikTokLetterboxd Pillow Fright theme by Brandon Scullion

A falta de grandes títulos esta semana en las salas de cine, las plataformas echan leña al fuego para mantener vivo un pulso que se anima estos días con la subida de tres novedades tan interesantes como diferentes. Min 5: RAPA. Temporada final En Movistar Plus ya está la tercera y última temporada de RAPA, que nos devuelve a un Javier Cámara en silla de ruedas y en estado de gracia interpretativa. La serie afila su propuesta argumental para mantenernos en vilo y para cerrar una de las mejores series españolas que se han visto en esta plataforma. Min 14: EN FIN: la sorpresa negra y roja de Prime En Prime ha sorprendido el estreno de una comedia negra y distópica creada por David Sainz y protagonizada por José Manuel Poga Malena Alterio, Raúl Cimas o Javier Botet. El mundo se enfrenta a un apocalipsis con el acercamiento imparable de un planeta desconocido. La serie pone el foco en España, donde muchos no dudan en entregarse a una despedida orgiástica de la vida desvinculándose de sus familias y de sus obligaciones. Aunque no es fácil entrar en el humor negro y casi grotesco del primer capítulo, Raquel Hernández nos recomienda adentrarnos en el desarrollo de la serie para descubrir su calidad y la originalidad de su propuesta. Min 23: EMILY EN PARÍS. T 4 (y 2) Y Netflix pone el glamour y el colorido con el broche final de la cuarta temporada de EMILY EN PARIS. Segunda y última remesa de una nueva temporada en la que Emily sigue dando vueltas a sus dudas emocionales y amorosas, que podrían abrirle las puertas a un cambio de aires y a un viaje que embocará la serie hacia un interesante cambio de ciudad y de escenario. Min 29: “Palacios de Piedra” Anillos de Poder 2x05 La segunda temporada de “The power of rings” sigue avanzando con paso firme.En su quinto capítulo la trama se espesa y pone el foco sobre uno de los temas nucleares de la saga: la creación de los anillos de poder para los hombres. Saurón sigue intentando convencer al maestro elfo Celebrimbor para poder corromper a toda la Tierra Media y sumirla en las sombras. Min 36: BSO THE RINGS OF POWER 2: 5 estrellas de Ley Y atención al gran momento musical que nos reservamos para la recta final de este capítulo. Aunque renegó de la serie tras el final de la primera temporada, nuestro experto en bandas sonoras ha caído rendido a la calidad de esta segunda temporada de Los Anillos de Poder. Para explicar el flechazo musical, Ángel Luque nos propone un recorrido por la Tierra Media para disfrutar de la brillante creación del compositor americano Bear McCreary. Tal es el nivel que, el último de los temas elegidos por Luque para cerrar programa, coloca a esta banda sonora por encima incluso que la compuesta por Howard Shore para la trilofía cinematográfica de “El Señor de los Anillos”. ¿Será para tanto?

When the Misty Mountains call, Jo and Mal answer. Join the 'House of R' as they look through the wonderful, magical world of J.R.R. Tolkien and the music that runs throughout it. They take a look at the themes of Sam and Frodo and other heroes and address the songs of elves and men. Later, they discuss what can be found from the worlds of 'The Rings of Power,' composer Bear McCreary, and so much more. Hosts: Mallory Rubin and Joanna Robinson Producer: Steve Ahlman Video Editor: Cameron Dinwiddie Additional Production: Arjuna Ramgopal and T Cruz Social: Jomi Adeniran Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to the forty-seventh episode of The Daily Rings of Power Podcast! I'm a week late but here is the recording of last Wednesday's livestream, where I was joined by Anna as we did one of our usual marathon-length discussions and breakdown of the first three episodes of Season 2. The video version of the livestream is of course available on the DailyRoP YouTube channel, but this is here for all my podcast listeners who prefer the audio-only version. Timestamps Introduction & Reading: 00:10 Discussion of Episodes 1-3: 03:58  Outro: 03:57:27   Thank you to all my Narya and Nenya Patreon Producers! Their generous support allows me to keep bringing you these episodes: May, Anne, Andreas, Jørgen, Jennifer, Victoria, Carol-Lavendah, Stephen, Eryn Lasgalen, Debra, Berek, Jessica, Benjamin, Emsie V, Jake, Brandon, The Blue Wizard On Wheels, Lynn Ford, Frida, Diomedëa, Claudia, Dunedain65Patrick, Kenneth, and Linda. Support the Daily Rings of Power podcast on Patreon Follow us on Twitter for more Rings of Power content: @DailyRoP And subscribe to the podcast on your favourite app: https://linktr.ee/dailyrop Intro & Outro Music : She Moved Through the Fair by Sláinte | https://freemusicarchive.org/music/Slinte  Music promoted by https://www.chosic.com/free-music/all/  Creative Commons CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/

Welcome to the forty-fourth episode of The Daily Rings of Power Podcast! Today's episode is a very rough and ready reaction to Bear McCreary's soundtrack album for Season 2, which was released at the end of last week. This will be a similar episode to the two-parter I did for the Season 1 album, in that it won't be a detailed analysis of the individual tracks and all the musical nuances contained within. However, I hope you enjoy my joyful and enthusiastic review of these 25 tracks.   Timestamps: Introduction & Reading (Singing): 00:10 Old Tom Bombadil: 05:10 Rhûn: 6:04 Concerning Stoors: 7:32 Golden Leaves: 8:57 Círdan's Perfection: 10:39 Stone Singers: 12:09 Sandstorm at the Well: 13:12 Eregion: 14:52 Emissary at the Forge: 16:18 Shelob: 18:10 The Pyre: 19:25 Estrid: 20:46 The Great Eagle: 22:35 The River-daughter: 23:53 Barrow-wights: 24:41 Forgiveness Takes an Age: 25:51 Candles on the Tide: 27:20 Army of Orcs: 28:56 The Last Ballad of Damrod: 30:46 Battle for Eregion: 31:15 Durin's Bane: 34:48 Last Temptation: 37:27 The Staff: 39:55 Old Tom Bombadil Reprise: 41:34 The Sun Yet Shines: 42:21 Outro: 44:07   Follow us on Twitter for more Rings of Power content: @DailyRoP And subscribe to the podcast on your favourite app: https://linktr.ee/dailyrop Intro & Outro Music : She Moved Through the Fair by Sláinte | https://freemusicarchive.org/music/Slinte  Music promoted by https://www.chosic.com/free-music/all/  Creative Commons CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/

Yes, The Spiel has a Patreon and here's a tiny taste of the bonus episodes you get if you sign up. First one's free! This chat with Laurent Bouzereau will give you a behind the scenes peek at what it's like working with Steven Spielberg as his own personal documentarian. We discuss the importance of Laurent's documentary work, including his recently released FAYE on HBO, and dive into his incredible book Spielberg: The First 10 Years, which dives deeply into the first decade of Spielberg's work, from Duel to ET. Other bonus episodes include film critic BJ Colangelo discussing Twister and its recent successful sequel and the great composer Bear McCreary picking his top 5 favorite John Williams/Steven Spielberg scores. Sign up now: www.patreon.com/TheSpielPodcast

Jakob Stegelmann og Ida Rud fortæller om store filmkomponister og spiller det bedste af deres musik.

Marilyn is joined by John from the Lorehounds Podcast to analyze the music of The Lord of the Rings: The Rings of Power. They discuss the powerful motifs of Bear McCreary, the influence of Howard Shore over the Middle-earth universe on screen, and the various ancient music traditions the show uses to differentiate the peoples of Middle-earth.Questions or comments? Visit us at our website where you can use the contact form or use the voicemail feature. Or, send an email to ringsandrituals@thelorehounds.com.Links to Network Affiliates and Discordlinktr.ee/thelorehoundsAny opinions stated are ours personally and do not reflect the opinion of or belong to any employers or other entities.

Gene Hoglan zoomed in to talk about the Death To All tour "The Scream of Perseverance" is coming to the Regent Theater in LA on 6/27 & 6/28. Here's what we talked about: "The Scream of Perseverance" tour (0-3) Getting the Gig in Death (3-6) Chuck Shuldiner (6-12) Dethklok (12-14) Bear McCreary (14-16) Mandatory Metallica (16-end

Tom Bombadil is OFFICIALLY IN the upcoming Season of Rings of Power, Season 2! AND Viggo Mortensen discusses the possibilities of returning to the role of Aragorn in the upcoming movie, The Lord of the Rings; The Hunt for Gollum! Did I hear you say that you needed 2 mellons to break it all down for you? Well we've got you covered! We are talking all about the updates so you and speculating on what this all means! Will Tom sing? What can Bear McCreary do with the theme? Whats Tom doing in Rhun? Will we see Goldberry? What type of role will Viggo have in the upcoming movie? We answer all these plus a lot more in this discussion and have our usual banter so please join our council! Wanna know more about Tommy B?

This week, Des and Tom get to know Chauncey in Imaginary. Then Desmond goes solo on a Dread Media Top 5 Imaginary Friends Double Features. Songs included: "Overactive Imagination" by Death, "The Chauncey Song" by Bear McCreary, "Imaginary Days" by Mark Morton, and "(sic)" by Slipknot. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week, Des and Tom get to know Chauncey in Imaginary. Then Desmond goes solo on a Dread Media Top 5 Imaginary Friends Double Features. Songs included: "Overactive Imagination" by Death, "The Chauncey Song" by Bear McCreary, "Imaginary Days" by Mark Morton, and "(sic)" by Slipknot. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Comic Reviews: DC Boy Wonder 1 by Juni Ba, Chris O'Halloran Marvel Blood Hunters 1 by Mark Russell, Bob Quinn, Matt Milla; Christos Gage, Javier Garon, Morry Hollowell; Erica Schultz, Bernard Chang, Marcelo Maiolo Dracula: Blood Hunt 1 by Danny Lore, Vincenzo Carratu, David Curiel Giant-Size X-Men by Ann Nocenti, Lee Ferguson, KJ Diaz Strange Academy: Blood Hunt 1 by Daniel Jose Older, Luidi Zagaria, Edgar Delgado, Eric Gapstur, Scott Hanna, Erick Arciniega Marvel Unlimited Infinity Paws 6 by Jason Loo, Nao Fuji Dark Horse Witcher: Corvo Bianco 1 by Bartosz Sztybor, Corrado Mastantuono, Matteo Vattani Image Ain't No Grave 1 by Skottie Young, Jorge Corona, Jean-Francois Beaulieu Energon Universe 2024 Special by Daniel Warren Johnson, Ryan Ottley, Annalisa Leoni; Robert Kirkman, Lorenzo De Felici, Matheus Lopes; Joshua Williamson, Jason Howard, Mike Spicer Boom Amory Wars: Good Apollo, I'm Burning - No World For Tomorrow 1 by Crocodile Black 1 by Phillip Kennedy Johnson, Som, Patricio Delpeche IDW TMNT: Black, White, and Green 1 by Declan Shalvey; Dave Baker, Jesse Lonergan; Gigi Dutreix, Lorenzo Hall; Paulina Ganucheau Mad Cave Mugshots 1 by Jordan Thomas, Chris Matthews Valiant Faith Returns 1 by Jody Houser, Aleta Vidal, Ludwig Olimba Valiants 1 by Ryan Cady, Al Barrionuevo, Nobi OGN Countdown Punk Mambo: Punk Witch Project by Peter Milligan, Andres Ponce Tryouts by Sarah Sax Nomads: The Sky Kingdom Vol 1 by Captain Juuter Devour by Jazmine Joyner, Anthony Pugh Sunhead by Alex Assan Hotelitor by Josh Hicks Curve Ball by Pablo Cartaya, Miguel Diaz Rivas Mulan and the Palace of Secrets Anzu and the Realm of Darkness by Mai K. Nguyen Karate Prom by Kyle Starks Singularity by Mat Groom, Bear McCreary, Rod Reis, Eleonora Carlini, Ramon Perez, Matias Bergara, Danilo Beyruth, John Pearson Plain Jane and the Mermaid by Vera Brosgol FCBD 2024 Ablaze: Gannibal by Masaaki Ninomiya, Alex Kon Dark Horse: Star Wars Young Jedi Adventures/Plants vs. Zombies by Daniel Jose Older, Andy Duggan, Dan Jackson, Paul Tobin, Luisa Russo, Heather Breckel Dark Horse: Hellboy/Stranger Things by Mike Mignola, Mark Laszlo, Dave Stewart; Derek Fridolfs, Jonathan Case DC: Absolute Power by Mark Waid, Mikel Janin, Trish Mulvihill DC: Barda by Ngozi Ukazu DC: Barkham Asylum by Yehudi Mercado IDW: Monster High by Jacque Aye, Siobhan Keenan IDW: Teenage Mutant Ninja Turtles by Juni Ba, Fero Pe, Luis Antonio Delgado; Paul Allor, Andy Kuhn, Ronda Pattison Mad Cave: Flash Gordon by Jeremy Adams, Will Conrad, Lee Loughridge Mad Cave: Gatchaman 1 by Cullen Bunn, Chris Batista, Carlos Lopez; Tommy Lee Edwards, Daniel Hansen; Steve Orlando, Katherine Lobo Marvel: Spider-Man/Ultimate Universe by Zeb Wells, Ryan Stegman, JP Mayer, Sonia Oback; Deniz Camp, Juan Frigeri, Federico Blee; Al Ewing, Iban Coello, Frank D'Armata Marvel: Marvel's Voices by Nikesh Shukla, Tadam Gyadu, Neeraj Menon Titan: Conan – Battle of the Black Stone by Jim Zub, Jonas Scharf, Joao Canola Valiant: The Valiants by Ryan Cady, Al Barrionuevo, Nobi; AJ Ampadu, Emiliano Correa Additional Reviews: Monsters at Work s2, Doctor Who ep 1 & 2, May the 12th Be With You, Black Panther by Priest vol 1, X-Men '97 ep 8 & 9 Glenn found an animated series (House on the Outlands) News: Gollum movie, Batman Caped Crusader release date, Gotham City Sirens miniseries, Esposito and Malkovich joining the MCU, Revival adaptation, Galactus cast, Heir of Apocalypse roster, Dazzler ongoing series Comics Countdown (08 May 2024): 1.     Ain't No Grave 1 by Skottie Young, Jorge Corona, Jean-Francois Beaulieu 2.     Deviant 5 by James Tynion IV, Josh Hixson 3.     Birds of Prey 9 by Kelly Thompson, Jonathan Case, Gavin Guidry, Jordie Bellaire 4.     Crocodile Black 1 by Phillip Kennedy Johnson, Som, Patricio Delpeche 5.     Batman 147 by Chip Zdarsky, Jorge Jimenez, Tomeo Morey 6.     Beneath the Trees Where Nobody Sees 6 by Patrick Horvath 7.     Devil That Wears My Face 6 by David Pepose, Alex Cormack 8.     Geiger 2 by Geoff Johns, Gary Frank, Brad Anderson 9.     Fantastic Four 20 by Ryan North, Carlos Gomez, Fernando Sifuentes, Jesus Aburtov 10.  Spider-Man: Shadow of the Green Goblin 2 by J.M. DeMatteis, Michael Sta. Maria, Chris Sotomayor

Gene Hoglan makes a mighty return! We're talking the recently wrapped Dethklok tour, the upcoming Death To All tour, Bear McCreary, playing (virtually) with Devin Townsend, and More. Ché Aimee Dorval discusses her first band. Then I recommend the Sacramento death metal wildcards Seawater. FarBeyondMetalPodcast.com Gene Hoglan  Death To All Tour -  Instagram Ché Aimee Dorval  Website - Instagram Seawater  Bandcamp - Instagram

In this weeks Episode Kris & Eric are Back in the Room to talk more gaming and lots, lots more! Chapters; 0:00 Intro 2:34 Eric saw Tenachious D! 8:41 Bear McCreary's 'The Singularity' 12:55 Stellar Blade Review 33:30 FF16 : The Rising Tide DLC Review 50:34 Arkham Shadow 56:17 Eric Rewatching Star Wars 1:00:03 Baby Reindeer Review 1:04:39 Outro Be sure to get in touch and share your own take on anything we bring up in this week's episode and if you enjoyed the discussion consider following our Podcast! Follow Our Podcast ; Link Tree : https://linktr.ee/TheBrothersTake Facebook : https://www.facebook.com/thebrotherstake Instagram : https://www.instagram.com/TheBrothersTake/ X : https://twitter.com/TheBrothersTake?s=07 Thanks for Listening!

Welcome to Off the Beaten Clef! This week, Dillon dives into the artist Kenny Vasoli and his work through the band The Starting Line. This will be a part one, where Dillon will continue Kenny's work through Person L and Vacationer in a few weeks. We discuss 12 songs from The Starting Line, chronologically going through the bands discography and highlighting some songs from each release. What do you think of The Starting Line? What was your favorite song from the playlist? Let us know on social media / discord! To Listen to the Kenny Vasoli Mixtape Pt. 1 (The Starting Line Years) on Spotify / Apple Music Songs of the Show -  Kev - Incinerator by Bear McCreary & Serj Tankian (Spotify / Apple Music) // Ben - Cheerleader by Porter Robinson (Spotify / Apple Music) // Dil - Pasadena by Quinn XCII (Spotify / Apple Music) // Cody - You Already Know by Dent May (Spotify / Apple Music) OTBC Social Media:  Instagram - @offthebeatenclef // Twitter - @OffClef // Email - offthebeatenclef@gmail.com // TikTok - @otbc.podcast // Discord - Link HERE Thanks for listening!

We are joined by returning and highly qualified guest singer/songwriter J.Maya to talk about the score of Percy Jackson Season 1! This conversation ran so long, we've split it into two episodes, so enjoy part two as we discuss Annabeth and Grover's theme, the future of #Lukronos's theme, our overall favorite pieces from the soundtrack, and of course, ELECTRIC GUITARS! Bear McCreary's blog post with Brian Claeys: ⁠https://bearmccreary.com/percy-jackson-and-the-olympians/⁠ You can find J.Maya... Instagram: ⁠⁠@J.Maya https://www.instagram.com/j.maya/?hl=en⁠⁠ Twitter: ⁠⁠@naniwootwoot1 https://twitter.com/naniwootwoot1⁠⁠ Spotify: ⁠⁠https://open.spotify.com/artist/6uFYqDeLIwfURuF1yxVqJU⁠⁠ Substack: ⁠⁠https://fallouttheotherside.substack.com/subscribe⁠ Listen to Dior's single! https://open.spotify.com/album/5xTu93rjr9OWJasKdUmW7E?si=j0dgeOThTsCmmEr5XFRn0A Follow our show on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and on TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SUBSCRIBE TO OUR PATREON to enjoy monthly special episodes as well as our back catalogue of weekly Disney+ Watch-Alongs! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Episodes 1&2 Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/live/RoNsTTI2whQ?si=tsJGQVlK_clrcyqL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Finale + Documentary Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=XiLZmDic4PQ&t=5429s⁠⁠⁠⁠⁠⁠⁠ Check out our merch shop! (one of our designs can be spotted in the documentary, lol!) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠

We are joined by returning and highly qualified guest singer/songwriter J.Maya to talk about the score of Percy Jackson Season 1! This conversation ran so long, we've split it into two episodes, so enjoy part 1 as we discuss our backgrounds within music, previous hopes and expectations for the score, ideal soundtrack comparisons, Percy's theme, and of course, ELECTRIC GUITARS! Bear McCreary's blog post with Brian Claeys: https://bearmccreary.com/percy-jackson-and-the-olympians/ You can find J.Maya... Instagram: ⁠@J.Maya https://www.instagram.com/j.maya/?hl=en⁠ Twitter: ⁠@naniwootwoot1 https://twitter.com/naniwootwoot1⁠ Spotify: ⁠https://open.spotify.com/artist/6uFYqDeLIwfURuF1yxVqJU⁠ Substack: ⁠https://fallouttheotherside.substack.com/subscribe Follow our show on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SeaweedBrainPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and on TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricaSeaweedBrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SUBSCRIBE TO OUR PATREON to enjoy monthly special episodes as well as our back catalogue of weekly Disney+ Watch-Alongs! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/seaweedbrain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Episodes 1&2 Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/live/RoNsTTI2whQ?si=tsJGQVlK_clrcyqL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Anyone can still stream) Our Finale + Documentary Watch Party on Youtube: ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=XiLZmDic4PQ&t=5429s⁠⁠⁠⁠⁠⁠ Check out our merch shop! (one of our designs can be spotted in the documentary, lol!) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/stores/seaweed-brain-podcast?ref_id=21682⁠⁠⁠⁠⁠⁠⁠⁠

La revolución llega a Eternia, y con ella, nuestro querido amigo Pablo Praino, historietista, animador, cineasta, docente, y experto en todo lo que tiene que ver con los Amos el Universo, entre otras cosas. Junto a él, Eze y MaGnUs hacen una RE: seña de Masters of the Universe: Revolution, la nueva temporada de la versión Kevin Smith de He-Man y sus amigos musculosos. Secuela directa de Revelation, secuela espiritual de la serie animada juguetera de los ochentas, vemos que nos trae esta nueva entrega, y que nos pareció a cada uno. Con música de Chronoparticle (interpretando a Bear McCreary), y Snap! Próximo programa: Dune (Part Two).

We are so excited to introduce this episode of Droughtlander Diaries with our listeners. We sit down with musician and artist, Raya Yarbrough, the singer of the iconic Outlander theme that captivated us all during the first few seasons. Raya shares her musical background with us and navigating motherhood as a working artist. Raya also reads an excerpt form her book during the podcast, relating to a very unique storyline of Jenny Fraser's during Outlander's first season. They also touch on Raya's music and art projects, as well as her love story with Bear McCreary, who joins us for a few minutes during the recording. Raya, Bear, Jess and Sarah have a discussion about favorite versions of the Outlander theme. In this conversation, Raya Yarbrough discusses the evolution of the Outlander theme song and shares her favorite versions. She also talks about the impact of the theme song on the show and her personal favorites. Raya shares emotional moments she had while working on the theme song and reveals some of her hidden talents. Listen to hear a special treat from Raya as we conclude the podcast episode! Raya's Instagram Published Works Frazzled: “Bug Day” https://medium.com/frazzled/lessons-youll-learn-when-taking-your-two-year-old-to-bug-day-at-the-museum-74084c9f3c28   Poetry of the sacred: “Maybe This Is It” https://www.centerforinterfaithrelations.org/.../maybe.../    One Page Poetry: “This is Not America” https://onepagepoetry.com/winners-circle/   Writer's Resist: “The Streets”https://www.writersresist.com/2017/02/16/the-streets/   Albums/EPs/singles: North Of Sunset, West Of Vinehttps://music.apple.com/us/album/north-of-sunset-west-of-vine/1640073322 Holler Down to Your Girl (single) https://music.apple.com/us/album/holler-down-to-your-girl-single/1640072937 Artifacts of Grace https://music.apple.com/us/album/artifacts-of-grace-ep/1640072872 Raya's Mood https://music.apple.com/us/album/raya-yarbrough/1675402882

Brother episode with off-the-charts sibling energy. Zach and Charlie join Caitlin to cover Happy Death Day, a 2017 horror comedy that features a time loop. We talk about how the time loop trope is great for setting up second chances and character redemption, and we go over funny moments from the movie. Tangents include: ring tones, physical media, cake, cookies, Ukrop's, cereal, crunching/chewing/misophonia, oatmeal, weapons, phone cases, and hot takes. Special guest "appearance" from "Ryan."

FOOL WHAT YOU WANT? It's another episode of Stace & Barry In The Morning! Join our intrepid podcasting duo as Stacey gets googly-eyes for Godzilla, Barry gets into some mayhem with mutants, and the pair have thoughts about Rebel Moon. All this, plus a spooky tune from Suspiria, Bear McCreary supremacy, and some people get equilised... Enjoy as part of a balanced breakfast!

For all its evil mages, freaky monsters, and conquest-minded kings, music has always been an important part of The Witcher. And while Dandelion may love to take credit, we know that it's really the hard work of some talented composers who have shaped and finessed the sound of this world that we've all come to love. In this episode, we're raising a glass to them as we revisit the music of Netflix's Witcher, discussing what we feel works and what doesn't on each of the five released soundtracks, and highlighting a few of our favorite songs from all three seasons of The Witcher, plus Nightmare of the Wolf and Blood Origin. It's everything you need to put together the perfect monster-slaying (or bottle-killing) playlist!

Outlander Cast Hosts Mary & Blake recap and review Outlander episode 7.04, "A Most Uncomfortable Woman". In this episode, we discuss the ongoing set of extraordinary coincidences and narrativium, why Bear McCreary is a perfect constant for this show, and why Blake's Great will S-H-O-C-K the world...   SUBSCRIBE TO OUTLANDER CAST: AN OUTLANDER PODCAST Apple Podcasts | YouTube | Spotify CONNECT WITH MARY & BLAKE  Like Our Facebook Page | Join Our Facebook Group | Join The #NerdClan | Follow On Twitter | Follow On Instagram  UNLOCK BONUS EPISODES, PREMIUM PODCASTS & MORE -- www.JoinTheNerdClan.com  This episode of Outlander Cast is brought to you by WeeBox Use checkout code "CAST10" for 10% off any purchase and be sure to tell them Mary & Blake sent you. Sign up  HERE for Blake's Book Club: VOYAGER CHECK OUT THE BEST MERCH ON THE PLANET: THE MARY & BLAKE STORE Shop for all of our podcasts, sayings, and listener inspired designs in one easy place. *NEW ARRIVALS EVERY WEEK* Be sure to follow all of our other podcasts at MaryandBlake.com including: This Is Us Too: A This Is Us Podcast The MCU Diaries: Essays On Marvel Television Podcast  Bridgerton With Mary & Blake: A Bridgerton Podcast Keep Calm And Crown On: The Crown Podcast Minute With Mary: A Younique Network Marketing Podcast Rise Up!: A Hamilton Podcast The Leftovers Podcast: The Living Reminders The North Remembers: A Game Of Thrones Podcast Wicked Rhody: A Podcast About Rhode Island Events and Life You've Been Gilmored: A Gilmore Girls Podcast ParentCast: A Podcast For New Parents Outlander Cast: An Outlander Podcast The Potterverse: A Harry Potter Podcast The Last Kingdom With Mary & Blake: A Podcast For The Last Kingdom House Of The Dragon With Mary & Blake: A Podcast For House Of The Dragon The Rings Of Power With Mary & Blake: A Rings Of Power Podcast Check out all of our blogs at MaryandBlake.com including: Mary & Blake's Blog The MCU Diaries The Handmaid's Diaries Minute With Mary Outlander Cast Blog A huge thank you to all of our members at the #NERDCLAN for helping to make this podcast possible. EXECUTIVE PRODUCERS Bobbi Franchella lisa kroencke Maryanne St Laurent Tara Vicki Adams Anne Gavin Dana Mott-Bronson Joanne Felci Kathleen Katy Valentine Kirstie Wilson Sara Zaknoen, MD Siobhan M. O'Connor SuzyQ CO-PRODUCERS Peg Rogers Angie Leith Barbara Falk Dena Kendig Jennifer L. DominickKatelyn Cassidy Keelin Dawe Martha Meredith Bustillo ASSOCIATE PRODUCERS Cary Robinson Laura Roche Norma Perez Bethany Fowler Brenda Lowrie Brittany McCausland Candy Hartsock Carolyn Needham Christina Tomazinis Christine Milleker Jennifer Richie Karen Snelling Marilyn L Neenan Shonna Chapman Stephanie Holm Suzanne Moss Tracy Enos  CLICK HERE to join the #NERDCLAN