Podcast appearances and mentions of rupert gregson williams

Diane and Sean discuss the record-breaking Patty Jenkins movie, Wonder Woman. Episode music is, "No Man's Land", by Rupert Gregson-Williams from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Min 5: ADOLESCENCIA: otro touché de Netflix Ya no es casual. La pelea por ser la plataforma más influyente, pese al polémico punto final a los perfiles compartidos, está colocando a Netflix, semana a semana, partido a partido, en lo más alto de podium. Después de La locura, Palomas Negras, Cien años de Soledad, Día Cero o El Gatopardo la N roja da otro golpe en la mesa con una de las mejores series del año. Adolescencia es una miniserie británica de 4 episodios que profundiza en la historia de una familia cuya estabilidad se pone patas arriba cuando Jamie Miller, de 13 años, es arrestado por asesinar a un compañero de escuela. Los cargos contra su hijo los obligan a enfrentarse a la peor pesadilla de cualquier padre. NOTA EDC: 5 estrellas Min 15: LADRONES DE DROGAS (Plata o Plomo en Apple TV) 8 episodios. Dos viejos amigos y criminales de Filadelfia fingen ser agentes antidrogas para atracar una casa de campo. Descubren, para su sorpresa, cómo su golpe de poca monta se convierte en una experiencia a vida o muerte cuando desvelan sin saberlo la existencia del canal de tráfico de drogas mejor escondido de la Costa Este. Basada en la novela de Dennis Tafoya. NOTA EDC. 3,5 estrellas Min 22: LA RUEDA DEL TIEMPO 3 (PRIME) La tercera temporada de esta saga cuenta con el retorno de Rosamund Pike (como Moiraine Damodred), Daniel Henney (Lan Mandragoran), Josha Stradowski (Rand al'Thor), Zoë Robins (Nynaeve al'Meara), Marcus Rutherford (Perrin Aybar), Madeleine Madden (Egwene al'Vere), Dónal Finn (Mat) o Natasha O'Keeffe (Lanfear), entre otros. Después de la liberación del resto de Renegados, los nuevos capítulos también contarán con nuevos villanos como Moguedien, interpretada por Laia Costa (Cinco lobitos). Nota EDC: 2,5 estrellas Min 25: THE WHITE LOTUS 3X04: ESCONDIDAS Analizamos la subida de temperatura y de calidad del cuarto episodio de White Lotus Tailandia. Jaclyn lleva a sus amigos a un resort cercano, pero la atmósfera está lejos de lo que esperaba. Mientras tanto, Piper busca apoyo para un anuncio familiar a bordo de un yate, y Rick le revela su pasado a Chelsea. Nota EDC: 4 estrellas Min 36: ESPECIAL BSO 'LOCKERBIE': Y en la sala 'chill out' de este programa de series, la que dedicamos a las bandas sonoras, teníamos muchas ganas de deconstruir la aportación de uno de los discípulos aventajados de Hans Zimmer a la serie de Sky Showtime "Lockerbie". Y el resultado de nuestro análisis nos llevará a aplaudir la acertadísima apuesta musical por Rupert Gregson Williams, el responsable de Wonder Woman, Hotel Ruanda, Hasta el último Hombre o Bee Movie, da una lección de sensibilidad, contención y humanidad para ser el bálsamo sonoro de una tragedia aérea contada con meritoria precisión.

Our next guest was born and raised in London England, where he studied at the Royal Academy of Music and was mentored by the iconic Rupert-Gregson Williams. In 2009 he moved to Los Angeles to join Hans Zimmer's Remote Control Productions, where he worked on the music departments of various major studio films, before transitioning to solo work. Since then he has made a name for himself composing projects such as Amazon series Man In The High Castle, the Disney+ Monsters Inc. franchise series Monsters At Work, and Sony pictures films Peter Rabbit (2018), Peter Rabbit 2: The Runaway (2021), and Bullet Train (2022).  Most recently he completed the score Universal Pictures Film The Fall Guy starring Ryan Reynolds and Emily Blunt. I'm incredibly excited to chat with him on this episode! And the composer is… Dominic Lewis This episode was produced by Morgan Craig --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

¡Último programa del año y de la temporada! Liquidamos nuestra temporada 21 (¡wow!) con un chapuzón en el mar, o en los siete mares. Llega también el final del DCEU con Aquaman And The Lost Kingdom, segunda película de Momoa Marino, y hacemos la RE: seña para que sepas si vale la pena verla o no. Bueno, al menos, para que sepas que nos pareció a nosotros... vos mirala si querés. Para rematar, leímos Aquaman vol. 2, una miniserie de comics de 1986 escrita por Neal Pozner y dibujada por Craig Hamilton, con El Mejor Traje de la Historia de Aquaman (TM), que fue un primer intento de relanzar al personaje en la era post-Crisis. Con música de Rupert Gregson-Williams, Therion, y Queen. Próximo programa: What If? (T2) / Echo (T1).

Ayuda a este podcast con un donativo único y directo que llega de forma integra e inmediata a su creador. Apoya a ELDT con un donativo vía PayPal: paypal.me/LibroTobias La Segunda Guerra Mundial fue el conflicto bélico más importante del siglo XX. Entre 1939 y 1945, Europa vivió el enfrentamiento de dos grandes alianzas: las potencias del Eje, con Alemania, Italia y Japón como principales protagonistas, y los Aliados, con Estados Unidos, Reino Unido, Francia y Rusia, entre otros. Temas musicales: - “Rescue Continues (From The Hacksaw Ridge Soundtrack)” - Rupert Gregson-Williams - “Journey To The Line (From The Thin Red Line Soundtrack) ” - Hans Zimmer Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Composer James Allen Roberson takes some time to talk about his career and his new score to the heartwarming family film Heart Of A Champion.   We chat about James's path to becoming a composer, and how he started working as an assistant and additional composer for Rupert Gregson-Williams. James explains what he learned working for Rupert, and how it helped prep him for his own career.   We dive in and talk about his newest score to Heart Of A Champion, and how James approached the score to balance the tone and emotions of the narrative. We also talk about his score to the animated series, Spirit Riding Free and how he tackled an animated series across four seasons.   James's passion and versatility as a storyteller has made him one of the most prominent voices working today and it was a real pleasure to catch up with him!   A Film.Music.Media Production | Produced & Presented by Kaya Savas

Min 4: EL FILTRO RACHEL A las puertas del esperado desenlace de la primera temporada de "The Last of Us" (lunes, 13 de marzo) analizamos la calidad del capítulo más crudo de la temporada con Raquel Hernández. El 1x08, “When We Are in Need”, refuerza el poder de sugestión de la brillante adaptación de Craige Mazin. También avanzamos de la mano de Mando y Grogu hasta las Minas de Mandalor y destacamos tres de las novedades más sugerentes de la semana:para nuestra crítico especialista en series: “Perry Mason 2”, “Rain Dogs" (Desubicadas) (HBO Max) y “El grito de las mariposas” (Disney Plus). Min 35: ESPECIAL BSO HUNTERS ¿No conoces la serie “Hunters” (Prime Video”)? ¿Te imaginas que un grupo de nazis siguiera siendo una amenaza real para Estados Unidos en plenos años 70? ¿Te encajaría Al Pacino como el poderoso judío que lidere el grupo que les planta cara en Nueva York? Pues esa es la premisa de una serie que esconde una joya musical que hoy nos quiere poner en bandeja Ángel Luque. Porque “Hunters” no sólo se reserva la carta de contar con Pacino, sino que gana quilates con la brillante atmósfera musical de Rupert Gregson Williams. Dale al play y lo comprobarás.

[Spoiler Alert] Grace discusses the show Under the Queen's Umbrella (2022, tvN) starring Kim Hye-soo, Kim Hae-sook, Choi Won-young and Moon Sang-min. Grace admires Kim Hye-soo and Kim Hae-sook's veteran performances go head-to-head on this show. She wonders why the actor Moon Sang-min is suddenly popping off. Grace is disappointed by the soundtrack composer of Under the Queen's Umbrella for copying Rupert Gregson-Williams who composed the soundtrack for season 1 of The Crown—particularly the score “Duck Shoot.” Follow @KDramaSchool on Instagram, Twitter and TikTok. Visit https://www.kdramaschool.com/ to learn more.

[Spoiler Alert] Grace discusses the show Under the Queen's Umbrella (2022, tvN) starring Kim Hye-soo, Kim Hae-sook, Choi Won-young and Moon Sang-min. Grace admires Kim Hye-soo and Kim Hae-sook's veteran performances go head-to-head on this show. She wonders why the actor Moon Sang-min is suddenly popping off. Grace is disappointed by the soundtrack composer of Under the Queen's Umbrella for copying Rupert Gregson-Williams who composed the soundtrack for season 1 of The Crown—particularly the score “Duck Shoot.” Follow @KDramaSchool on Instagram, Twitter and TikTok. Visit https://www.kdramaschool.com/ to learn more. --- Support this podcast: https://anchor.fm/kdramaschool/support

Composer David Buckley talks about his Netflix hit THE SANDMAN out now, finding the surreal, melancholy sound of a dream world. Plus, David talks about his unique start in film scoring (as a choirboy singing in a Scorsese film, then “toilet roll” ads), and how that led him to Harry Gregson-Williams and John Powell (as well as Danny Elfman, Hans Zimmer and Rupert Gregson-Williams) and finding his own breakout hit films like JASON BOURNE and the recent hit NOBODY, plus his TV work on THE GOOD WIFE and THE GOOD FIGHT. Interviewed by Kenny Holmes and Matt Schrader on MORE SCORE.

Our latest guests on soundtracking are not only composers, but also brothers, who between them have built up an extraordinary body of work for both film and television. Indeed, it's on the small screen that Harry and Rupert Gregson-Williams have joined forces for only the second time, on Julian Fellowes' New York high society drama, The Gilded Age. We'll talk about that and several of the other projects they've been involved with, including Catch-22 for George Clooney.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age! This week on a […] The post New Money, Old Rules: The Gilded Age Podcast (Interview with Harry Gregson-Williams and Rupert Gregson-Williams, Series Composers) appeared first on Pod Clubhouse.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO’s new period drama, The Gilded Age! This week on a […] The post New Money, Old Rules: The Gilded Age Podcast (Interview with Harry Gregson-Williams and Rupert Gregson-Williams, Series Composers) appeared first on Pod Clubhouse.

Min 3: EL FILTRO RACHEL En este 1x04 de EDC Series, la crítico de Hobby Consolas, Raquel Hernández, nos recomienda dos de los estrenos más potentes de esta primavera. Disney Plus y Apple Tv Plus van con todo y acaban de incluir en su oferta las series “Caballero Luna” y “Slow Horses”, respectivamente. Oscar Isaac abandera la zambullida de Disney en el Universo Marvel y Gary Oldman protagoniza a un corrosivo y experimentado agente en un thriller policiaco de altos vuelos. MIN 15: ESPECIAL BSO SERIES TOP: “THE CROWN” Llegó el momento de “The Crown”. La serie más premiada y aplaudida de Netflix esconde una portentosa banda sonora que Ángel Luque estaba deseando analizar en antena. Hans Zimmer dejó su sello en la poderosa cabecera de la seria y uno de sus discípulos aventajados, Rupert Gregson-Williams, ha desarrollado los temas más destacados de sus primeras temporadas. Una serie y una BSO que deslumbra tanto como la majestuosa corona que le da título. ¿Es también tu serie favorita? Puedes darnos tu opinión en el teléfono 629 30 83 07 Gracias por elegirnos. Feliz escucha

With WW3 speculatively looming above us, and the American Economy as well as a dozen others are on the verge of collapse - this leaves one thinking "is this the end of it all? Was I born for inherently nothing? Is The American Dream dead? In this episode Roy presents a curious case for the bold claim by way of artist Rupert Gregson Williams, most famously known for the creation of the animation Titled "The Collapse of The American Dream". Rupert masterfully presents this reeling information in a funny yet starkly informative spin. Can the world stop itself from destroying itself? If you like the show, please leave a review. This will help me reach more listeners, let's grow the conversation! - Serge Roy Follow Roy on Instagram @roy.fit Follow Our Instagram @backtocenterpodcast Roy's (Dru Paris) Music Search “Dru Paris” On Apple Music and Spotify | @dru.paris (the official instagram) Fitness | Now Accepting Clients www.scintillapt.com How to finally lose some f****king weight - Get the book | here MUSIC | *I DO NOT OWN THE COPYRIGHTS TO THE MUSIC OR VIDEO IN THIS EPISODE. ALL USED UNDER FAIR USE* The Doobie Brothers - Long Train runnin The Collapse of The American Dream by Rupert Gregson Williams (Link to full video - click here) We're moving to Youtube this summer! More updates coming soon. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/backtocenter/message Support this podcast: https://anchor.fm/backtocenter/support

Diane and Sean discuss the Wonderful World of Disney's spin on the classic Robin Hood tale with, Princess of Thieves. Episode music is "End Credits" by Rupert Gregson-Williams. -  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show (https://www.buymeacoffee.com/dvdpod)

Episode 269."The King's Man"Composer.Dominic Lewis.Dominic Lewis is a British-born film composer living in Los Angeles. Born into a family of talented, working musicians, Dominic was exposed to music from his very first days- and as such music became an inherent and intrinsic part of his life from early childhood until today.He gained entrance to the Royal Academy of Music in London where he received classical training in cello and music composition, overseen by revered teachers such as Sir Peter Maxwell Davies, as well as world-renowned film composers such as Craig Armstrong and David Arnold.At the fledgling age of 22, Lewis was given the opportunity to co-compose the score of his first feature film, ‘The Poet', directed by ‘Ski-School's' Damien Lee.Throughout his time at the Royal Academy, Lewis was mentored by Rupert Gregson-Williams, who was instantly impressed by his potential and engaged Dominic to contribute both vocal performances and additional arrangements to scores such as ‘Bee Movie', ‘Bedtime Stories' and ‘The Prisoner'.His credits to date include the films ‘How to Train Your Dragon', ‘Clash of the Titans', ‘Puss in Boots', ‘Wreck it Ralph', the remake of ‘Red Dawn', ‘Rango', ‘Rio', ‘Kung Fu Panda 2', ‘X-Men 1st Class' the most recent ‘Medal of Honor' video game, ‘Sherlock Holmes :A Game of Shadows' Sony's 3D annual presentation, and an ‘Everlast' sporting equipment commercial. He is recently worked with Henry Jackman on ‘Captain Phillips' and ‘The End of the World'. His most current project is "The King's Man"Welcome, Dominic Lewis.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcritic www.mmcpodcast.comMondaymorningcritic@gmail.com

Robert and Kenny begin the show discussing the nominees for the 2021 World Soundtrack Awards, including many former guests and friends of the show. Kenny also shares why Blake Neely had an exciting and unexpected surprise while watching the Tokyo Olympics over the weekend.   Subscribe to MORE SCORE on Patreon for year-round interviews, film music talk and even cool merch: http://Patreon.com/MoreScore Later, Emmy-nominated composer Rupert Gregson-Williams (Aquaman, Wonder Woman, Hacksaw Ridge, Veep, Catch 22, The Crown, Behind Her Eyes and more) joins the show sharing his early stories of growing up with his brother and fellow A-list composer Harry and why they only recently collaborated on a project after many years of success as solo composers, detailing why a particular cue on The Crown was his most challenging job to date, and revealing why Adam Sandler prefers to skip spotting sessions on his films. This episode is presented by Spitfire Audio Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto © 2021 Epicleff Media --- Support this podcast: https://anchor.fm/score/support

Our next guest is a composer born and raised in Los Angeles. His latest projects include Eytan Rockaway's Lansky, starring Harvey Keitel, and Jonathan Hensleigh's The Ice Road, starring Liam Neeson. He joined the Assassin's Creed universe for Wrath of the Druids (2021). He co-produced Gryffin's Deluxe orchestral album (2020) and composed additional music on Mission: Impossible - Fallout for Lorne Balfe, and on The Crown, for Hans Zimmer and Rupert Gregson-Williams. He also wrote additional music on HBO's His Dark Materials. The composer is... Max Aruj --- Support this podcast: https://anchor.fm/composertalk/support

Welcome back to Podcast Lilibet, dedicated to the series The Crown on Netflix! Your hosts Holly (@huntpants on twitter) Bubba (@fittentrim on twitter) and Matt (@LilibetPod on twitter) look at the first five episodes of Season 1 of the show. They play games, discuss the main characters and plots of the first five episodes, and take a look at the music of Rupert Gregson-Williams too! If you have feedback for the show tweet to @libetpod or tweet to (and follow) @DoublePHQ on twitter and instagram, like the facebook page at facebook.com/DoublePHQ or comment on the YouTube videos by searching for Double P Media to find the channel, and subscribe!  #TheCrown #TheCrownNetflix

En el programa de esta semana, lo dedicamos a la BSO de una serie de moda que sin duda nos deja sin palabras con su música. La BSO de la primera temporada de The Crown la escribió Rupert Gregson-Williams, aunque el primer tema fue compuesto por Hans Zimmer. Rupert Gregson-Williams és un actual compositor de […] L'entrada CLASSIC’S TARRAGONA – P.156: The Crown ha aparegut primer a Ràdio Ciutat de Tarragona.

The second instalment of the Isolation Series: recorded via technology with each band member sat in a chair in their own home with special guests Rupert Gregson WIlliams and Tim Key. Surprisingly, it nearly all works and it's the usual mix of stupid songs and nonsense talking. Enjoy! See acast.com/privacy for privacy and opt-out information.

Con motivo del estreno de Wonder Woman 1984, nuestro Comic Squad desvela los orígenes del personaje (polémicas incluidas), sus mejores épocas en cómic y sus perspectivas con respecto a la primera película y la que viene Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Agustín Amador Participan: David Aldón y Serafín Fuertes Edición: Jose Ceballos Temas de: Rupert Gregson-Williams, Ivan Caryll & C.M.S. McLellan, Hara Noda, Bee Gees, Rockin' for Decades, Devo, Alicia Keys y Meghan Trainor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In Episode 25, Christopher Willis talks about his experience working with Rupert Gregson-Williams on VEEP, what it was like to score comedy in a serious way, how he got the job on Disney's The Lion …

Vous cherchez de l'inspiration pour occuper vos longues soirées et week-end confinés ? Vous trouverez forcément votre bonheur dans notre sélection de 20 séries à binge-watcher.Introduction => 02 :55Netflix - 02 :55=>59 :26Mes première fois – 05 :00 => 09 :15The Crown – 09 :15 => 14 :10On my block – 14 :10 => 17 :53The Witcher – 17 :53 => 24 :13The Good Place – 24 :13 => 27 :56Bodyguard – 27 :56 => 35 :02Derry Girl – 35 :02 => 40 :28Dix Pour Cent – 40 :28 => 45 :00Crazy Ex-Girlfriend – 45 :00 => 52 :56Peaky Blinders – 52 :56 => 59 :26Prime – 59 :26 => 01 :29 :32Black Sails – 01 :00 :00 => 01 :07 :33The Bold Type – 01 :07 :33 => 01 :11 :40This is Us – 01 :11 :40 => 01 :15 :54The Marvelous Mrs Maisel – 01 :15 :54 => 01 :18 :38Downton Abbey – 01 :18 :38 => 01 :24 :30Little Fires Everywhere – 01 :24 :30 => 01 :29 :32HBO (OCS) – 01 :29 :32 => 01 :44 :06Big Little Lies – 01 :30 :25 => 01 :44 :04Westworld – 01 :35 :31 => 01 :39 :56Rome – 01 :39 :56 => 01 :44 :06Disney +Once Upon a Time – 01 :44 :21 => 01 :50 :32Liste des crédits des extraits de musiques utilisées (leur utilisation non-commerciale est encadrée par contrat avec la SACEM).- The Crown : « Duck Shoot », composé par Rupert Gregson-Williams, éditeur : Sony Music- The Witcher : « Toss a coin to your Witcher », composé par Sonya Belousova et Giona Ostinelli, interprété par Joey Batey, éditeurs : SME, ARESA, BMI.- « Crazy Ex-Girlfriend », composé et interprété par Rachel Leah Bloom, éditeur : Aspenfair Music et Sony ATV Music.- « The Good Place », composé par David Schwartz, éditeurs : Exhibition Music et Universal MCA Music.- « Red Right Hand », Nick Cave and the Bad Seeds, éditeurs : Premiere Music Group.- « Black Sails Main Theme », composé par Bear McCreary et Steven Kaplan, éditeurs : Starz Programz et Universal MCA Music.- « Westworld Main Theme », composé par Ramin Djawadi, éditeur : Universal MCA Music- « Rome Main Title », composé par Jeff Beal, éditeur : Universal MCA Music. Qui sommes-nous ? Popcorn Therapy est un podcast mensuel du label Elabète, consacré au cinéma et aux séries télévisées.

Alexander Rybak er komponist og tidligere artist, og tar fortiden en master i komposisjon av filmmusikk på Columbia College Chicago. See acast.com/privacy for privacy and opt-out information.

Alexander Rybak er komponist og tidligere artist, og tar fortiden en master i komposisjon av filmmusikk på Columbia College Chicago.Hør Wolfgang Wee Uncut i SpotifyHør Wolfgang Wee Uncut i Apple PodcastSe Wolfgang Wee Uncut på YoutubeUkentlig Nyhetsbrev (påmelding her) Wolfgang Wee Uncut HjemmesideInstagramFacebookTwitterFor podcast tips, podcast anbefalinger, podtoppen, podcast toppen, podkast og en oversikt over alle episodene med Wolfgang Wee Uncut, besøk https://www.pod-cast.no See acast.com/privacy for privacy and opt-out information.

Iniciamos la cuarta temporada de Perpetuum Mobile y espero que sea más plácida que su precedente. Esta semana dos conceptos musicales planean sobre la selección musical. Por un lado está la vuelta a las raíces, la vuelta a orígen, a casa; por el otro está el viaje, la épica. Espero que os guste el resultado. Esta semana escucharemos temas de James Galway, Alasdair Fraser & Paul Machlis, Burkhard Dallwitz, Adam Burns & Christopher Salt, Brighton Film Quartet, Karl Jenkins (2), Jean-Michel Blais, Ossie Woods, Agnes Obel, Kovaks & Metropole Orkest, Christopher Salt & Adam Burns, Two Steps From Hell, Rupert Gregson-Williams, Dario Marianelli, Gregor Hüber & Martin Haene (2) y Marcus Warner.

On this weeks episode Carolyn meets with Harry and Rupert Gregson-Williams, the composers for Hulu's limited series, 'Catch 22'. The Gregson-Williams brothers share their process on writing various themes, the score and their individual journeys which lead to collaborating on a project for the first time. In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst and Joshua Farnham

Road-trip to Atlantis! Brian and Mike G tear down and rebuild the 2018 DC Comics film Aquaman! Is this the return to form that Warner Bros. needed or did it wash out? Listen and find out! Outro - Aquaman The black Manta theme Rupert Gregson Williams. Remember to like, comment, and subcribe!

Road-trip to Atlantis! Brian and Mike G tear down and rebuild the 2018 DC Comics film Aquaman! Is this the return to form that Warner Bros. needed or did it wash out? Listen and find out! Outro - Aquaman The black Manta theme Rupert Gregson Williams. Remember to like, comment, and subcribe!

Our long awaited look back at the many comic book movies is finally here! How do these various films rank against the official Bat-Jar system? Who comes out on top? Music and audio from "Avengers: Infinity War", "Ant-Man & The Wasp" and "Black Panther" are the property of Ludwig Goransson, Alan Silvestri, Christophe Beck, Kevin Feige, and Marvel Studios. Music and audio from "Teen Titans Go! To The Movies" is the property of Aaron Horvath, Michael Jelenic, Peter Rida Michail, Peggy Regan, Will Arnett, and Warner Brothers Animation. Music and audio from "Aquaman" is the property of Rupert Gregson-Williams, Peter Safran, Rob Cowan, Warner Bros. Pictures, DC Entertainment, The Safran Company, Cruel & Unusual Films, and Mad Ghost Productions. Music and audio from "Venom" is the property of Ludwig Goransson, Avi Arad, Matt Tolmach, Amy Pascal, Columbia Pictures, Tencent Pictures, and Marvel Entertainment. Music and audio from "Spider-Man: Into The Spider-Verse" is the property of Daniel Pemberton, Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, Christina Steinberg, Columbia Pictures, Sony Pictures Animation, Marvel Entertainment, Pascal Pictures, Arad Productions, and Lord Miller Productions. Music and audio from "Incredibles 2" is the property of Michael Giacchino, Brad Bird, John Walker, Nicole Paradis-Grindle, Walt Disney Pictures, and Pixar Animation Studios. Music and audio from "My Hero Academia: Two Heroes" is the property of Yuki Hayashi, Kenji Nagasaki, Bones, Toho, and Funimation Films. Music and audio from "Deadpool 2" is the property of Tyler Bates, Simon Kinberg, Ryan Reynolds, Laura Shuler-Donner, Marvel Entertainment, Kinberg Genre, Maximum Effort, TSG Entertainment, and The Donners' Company. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

It's time for an extra-long episode as Kirk answers your questions about Phil Collins drum solos, musical Wilhelm screams, odd time signatures, Beatles instrumentation, drop-tuned guitars, Bond music, and much more. STRONG SONGS ON PATREON Strong Songs has a Patreon! If you liked this episode (or, you know, any of them), we hope you'll consider supporting the show. Learn more here: https://www.patreon.com/strongsongs SHOW NOTES/LINKS ———————————— "In the Air Tonight" by Phil Collins from Face Value, 1981 Listen/Buy: Apple Music | Amazon | Spotify ———————————— Jennifer Hudson sings "The Star Spangled Banner" by Frances Scott Key and John Stafford Smith at Super Bowl XLIII, 2009 ———————————— A YouTube compilation of the Wilhelm Scream An excellent Vox video on the history of the "Orchestra Hit" sample "When I Think of You" by Janet Jackson, Jimmy Jam and Terry Lewis from Control, 1986 Listen/Buy: Apple Music | Amazon | Spotify "In My Life" by Lennon–McCartney from Rubber Soul, 1965 Listen/Buy: Apple Music | Amazon | Spotify "I Will Follow You Into The Dark" by Ben Gibbard from Plans, 2006 Listen/Buy: Apple Music | Amazon | Spotify ———————————— A cool NPR article about Paul Tanner's Tannerin, developed as a more playable derivation of Leon Theremin's original Theremin.  "Good Vibrations" by Brian Wilson and Mike Love from a 1966 Beach Boys LP Single Listen/Buy: Apple Music | Amazon | Spotify ———————————— "Blue Rondo a la Turk" by Dave Brubeck from Time Out, 1959 Listen/Buy: Apple Music | Amazon | Spotify "Lucy in the Sky With Diamonds" by Lennon-McCartney from Sgt. Pepper's Lonely Hearts Club Band, 1967 Listen/Buy: Apple Music | Amazon | Spotify "Money" by Roger Waters from The Dark Side Of The Moon, 1973 Listen/Buy: Apple Music | Amazon | Spotify ———————————— "The Way" by Tony Scalzo from All The Pain Money Can Buy, 1998 Listen/Buy: Apple Music | Amazon | Spotify "You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire" by Josh Homme and Mario Lalli from Songs for the Deaf, 2002 Listen/Buy: Apple Music | Amazon | Spotify ———————————— "Mind Games" by John Lennon from Mind Games, 1973 Listen/Buy: Apple Music | Amazon | Spotify A nifty "Doctor Mix" YouTube video demonstrating the Mellotron  ———————————— "Theme from Dr. No" by Monty Norman, arranged by John Barry from Dr. No, 1962 Listen/Buy: Apple Music | Amazon | Spotify "Skyfall" by Adele Adkins and Paul Epworth from Skyfall, 2012 Listen/Buy: Apple Music | Amazon | Spotify "Manners Maketh Man" by Henry Jackman and Matthew Margeson (I failed to co-credit Margeson on the show) from Kingsman: The Secret Service, 2015 Listen/Buy: Apple Music | Amazon | Spotify  ———————————— "Permission to Come Aboard" by Rupert Gregson-Williams from Aquaman, 2018 Listen/Buy: Apple Music | Amazon | Spotify "Wonder Woman Theme" by Hans Zimmer and Junkie XL performed by Tina Guo, released as a single in 2017 Listen/Buy: Apple Music | Amazon | Spotify  ———————————— "Gimme Shelter" by Jagger/Richards from Let It Bleed, 1969 Listen/Buy: Apple Music | Amazon | Spotify  

The Bro of the Sea, AQUAMAN, has taken the world by tsunami! Kristen Romanelli, Dane Walker and Christopher Coleman dive in to discuss James Wan's latest DCEU entry and go trench-deep on Rupert Gregson-Williams original score. In addition to sharing their reactions to the film and score, they discuss some of their favorite tracks from the soundtrack and where the Aquaman score ranks among the previous DCEU entries. And don't miss a special announcement about a new series of episodes coming to the Soundcast in 2019!Episode Highlights03:45 - Soundcast Century09:20 - Aquaman - Film reaction22:07 - Aquaman - Score reaction33:28 - Aquaman - Film and score SPOILERS44:27 - Favorite Aquaman tracks SPOILERS56:45 - Ranking the DCEU scores SPOILERSMusic Selections (Support these artists (and us) by buying these tracks from Amazon.)00:00 - "Arthur" (Aquaman) by Rupert Gregson-Williams08:19 - "Kingdom of Atlantis" (Aquaman) by Rupert Gregson-Williams21:56 - "The Black Manta" (Aquaman) by Rupert Gregson-Williams32:49 - "Reunited" (Aquaman) by Rupert Gregson-Williams44:26 - "Arthur" (Aquaman) by Rupert Gregson-Williams45:24 - "Atlantean Soldiers" (Aquaman) by Rupert Gregson-Williams45:43 - "Kingdom of Atlantis" (Aquaman) by Rupert Gregson-Williams46:40 - "The Legend of Atlan" (Aquaman) by Rupert Gregson-Williams47:40 - "Swimming Lessons" (Aquaman) by Rupert Gregson-Williams49:04 - "Map in a Bottle" (Aquaman) by Rupert Gregson-Williams51:18 - "Between Land and Sea" (Aquaman) by Rupert Gregson-Williams52:13 - "Trench Engaged (from Kingdom of the Trench)" (Aquaman) by Joseph Bishara55:10 - "The Black Manta" (Aquaman) by Rupert Gregson-Williams69:26 - "Reunited" (Aquaman) by Rupert Gregson-WilliamsNotes:AFI Top 25 ScoresRotten TomatoesBox Office MojoFind and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow Dane Walker on Twitter - @maestrodaneFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Llegó la hora de hacer la RE: seña de la última película superheroica del 2018, el Rey de los Siete Mares: Aquaman. Colores brillantes y chistes en una película de DC, efectos visuales espectaculares, y el carisma y los musculos de Jason Momoa. ¿Logrará todo eso hacer una película buena? Escuchen a Ezequiel, el Profesor Dinosaurio, y MaGnUs discutir la cuestión. Además, un repaso a las películas de superhéroes que se vienen en el 2019 y más allá... ah, y una discusión sobre muñequitos. Con música de Rupert Gregson-Williams, y Powerglove con Marc Hudson de Dragonforce (interpretando una canción de Alan Menken y Howard Ashman). Próximo programa: Voltron.

Swim along with us as we ride into 2019 by looking at the final comic book film released in 2018, DC's "Aquaman". How did this aquatic hero get his start in the comics? Why was he the punchline of so many jokes for so long? Does this movie save his reputation? How much does this borrow from Thor and Black Panther? The guys look into the history of Jason Mamoa's casting and the choices that led to this final product. Does this film save the DC film franchise? Can a movie about an underwater superhero be entertaining? What is a Chekov's gun? To avoid SPOILERS for "Aquaman", please skip over 55:07-1:16:03 of the episode. Music and audio from "SpongeBob SquarePants" is the property of Brad Carrow, the Blue Haiwaiians, Stephen Hillenburg, Derek Drymon, Donna Castricone, United Plankton Pictures, Nickelodeon Animation Studios, and Rough Draft Studios. Music and audio from "The All New Superfriends Hour" is the property of Hoyt Curtin, Hannah-Barbara Productions, and DC Comics. Music and audio from "Justice League (2017)" is the property of Danny Elfman, Zack Synder, Charles Roven, Deborah Snyder, Jon Berg, Geoff Johns, Rat-Pac Dune Entertainment, Atlas Entertainment, DC Films, Cruel & Unusual Films and Warner Bros. Pictures. Music and audio from "Aquaman" is the property of Rupert Gregson-Williams, Peter Safran, Rob Cowan, Warner Bros. Pictures, DC Entertainment, The Safran Company, Cruel & Unusual Films, and Mad Ghost Productions. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

Recibo constantemente peticiones vuestras sobre incluir más bandas sonoras entre las músicas del programa, así que hoy vamos a dedicar el programa a bandas sonoras, muchas de ellas poco habituales, que incluyen temas que considero de extraordinaria belleza por un motivo u otro. El programa de esta semana incluye un juego (no es un concurso, no hay premios) que consiste en adivinar una de las piezas. Creo que si os gusta el cine, es fácil de adivinar. Esta semana escucharemos piezas de Carter Burwell, Antonio Vivaldi versionado por Armand Amar, Alexandre Desplat, John Williams, Craig Armstrong, Patrick Doyle, Händel, la pieza misteriosa, Shigeru Umebayashi, James Horner, Max Richter, Hans Zimmer, Rupert Gregson-Williams, Philip Glass y Vangelis.

This triple-interview-episode features Kristen Romanelli's conversations with the composers for three major movie releases from December of 2018: AQUAMAN'S Rupert Gregson-Williams, DESTROYER's Theodore Shapiro and MOWGLI's Nitin Sawhney! You'll dive deep into the stories and motivations behind each score as well as the intricate, specific techniques employed by each composer for each of these very different film projects.Episode Highlights01:11 - Theodore Shapiro (Destroyer)14:36 - Nitin Sawhney (Mowgli: Legend of the Jungle)35:00 - Rupert Gregson-Williams (Aquaman)Music Selections 00:00 Destroyer - The Calling Card by Theodore Shapiro02:21 Destroyer - DUI by Theodore Shapiro04:27 Destroyer - Hungry Little Mutt by Theodore Shapiro08:04 Destroyer - Taz by Theodore Shapiro09:48 Destroyer - Full Circle by Theodore Shapiro11:27 Destroyer - Bank Shootout by Theodore Shapiro12:18 Destroyer - Bank Job Gone Wrong by Theodore Shapiro13:53 Destroyer - Chaconne by Theodore Shapiro14:35 Mowgli - The Wolf Boy by Nitin Sawhney18:28 Mowgli - Bagheera Finds Mowgli by Nitin Sawhney20:50 Mowgli - Kaa's Lair by Nitin Sawhney21:50 Mowgli - Challenging Khan/The Fight/There's The Hunter by Nitin Sawhney22:59 Mowgli - Holi Festival by Nitin Sawhney24:15 Mowgli - Lori (Lullaby) by Nitin Sawhney27:05 Mowgli - You Are A Man Cub by Nitin Sawhney34:29 Mowgli - Changes (feat. Kara Marni) by Nitin Sawhney34:59 Aquaman - Arthur by Rupert Gregson-Williams38:03 Aquaman - Black Manta by Rupert Gregson-Williams40:21 Aquaman - He Commands The Sea by Rupert Gregson-Williams42:06 Aquaman - Kingdom of Atlantis by Rupert Gregson-Williams45:20 Aquaman - Reunited by Rupert Gregson-WilliamsNotes:Read the full composer interviews on FSM Online (Subscription Required)Find and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! No es que estemos especialmente ilusionados con lo que traerá a la gran pantalla 2019, pero aún así os lo contamos, aunque sea en plan medio hater y para echarnos unas risillas. Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Jose Ceballos Participa: Xevi y Edu Senx Edición y música Jose Ceballos y Toni Deloni Temas de: Radio 4, John Powell, Hans Zimmer, Alan Silvestri, Rupert Gregson-Williams, Benjamin Squires, Stanley Black, James Newton Howard, Dick Dale & The Deltones, Benjamin Wallfisch, Will Smith, John Williams, Brad Fiedel, Two Door Cinema Club y un clip de La Hora Chanante

Christopher Willis got his start working for composers like Rupert Gregson-Williams, Harry Gregson-Williams, and Henry Jackman. His talents as a storyteller can be heard in his scores for series like Veep (co-composed with Rupert Gregson-Williams), The Lion Guard and Mickey Mouse. His score for The Death Of Stalin gained critical praise along with the amazing film, which reunites Chris with Veep creator Armando Iannucci who co-wrote and directed the film. In this interview, Chris shares his path to becoming a composer including working with Rupert Gregson-Williams. We chat about the relationship Chris built with Armando Iannucci on Veep, and what that show needed musically. Chris then dives in and dissects his brilliant score to The Death Of Stalin and how he approached the music. Chris is an amazing talent and has demonstrated his wonderfully unique voice as a composer very early-on in his career. Interview Produced & Presented By: Kaya Savas Special Thanks: Christopher Willis, Andrew Cohen, Impact24 PR

In our latest episode of The Pop Disciple Podcast, we are joined by Tori Letzler, the ethereal vocalist for film music (Hans Zimmer, Brian Tyler, Lorne Balfe, Rupert Gregson-Williams, Benjamin Wallfisch, Mac Quayle), composer, and founder of FIF Concerts. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Songs & Cues Throughout Episode: Tori Letzler

In this week's issue we are talking shapeshifters - from Elongated Man to Plastic Man to Martian Manhunter to Byth to Clayface! But first we talk all the latest in DC news! Sponsored by Great Lakes Grooming Co. Intro Song by Aaron Barry   SHOW NOTES (courtesy of Josh Gill)   News & Notes (1:38) Iris becomes a speedster - http://bit.ly/2tLnAsm  (2:40) Suicide Squad 2 May Star Filming This Fall - http://bit.ly/2FWvowe  (6:07) DC Teases Action Comics 1000 - http://bit.ly/2FNMTz5  (7:03) First Look at Shazam’s Costume - http://dailym.ai/2FUt2Os  (9:34) Rupert Gregson-Williams Confirmed to Score James Wan’s Aquaman - http://bit.ly/2HAOlCa (11:05) Joker Origin Film to Portray Batman Villain as Failed 1980’s Comedian - http://bit.ly/2FJIFVW    The Doctor’s Pulls  (16:20) The Terrifics    Questions (18:47) What are the differences in the power sets of Elongated Man and Plastic Man? (22:35) To what extent can Animal Man shapeshift? (25:20) Is Amazo the most powerful shapeshifter in the DCU? (33:18) Can Ralph Dibny change his appearance like on The Flash? (36:29) Who is the most villainous shapeshifter? (41:00) Whatever happened to Mirage from Team Titans? (45:57) Who are some of your favorite female DC shapeshifters? (49:40) Is there a DC equivalent to Marvel’s Skrulls? (56:50) When Martian Manhunter shape shifts, do his clothes also shapeshift?   Recommended Reading Animal Man by Grant Morrison - http://bit.ly/2HAVa6x  Detective Comics Vol 1 973 - http://bit.ly/2FA3yH4  Green Lantern Vol 5 040 - http://bit.ly/2pdsbik  The Terrifics 001 - http://bit.ly/2pdjbtF    Media Arkham Asylum (Video Game) - http://bit.ly/1NcHhH2  Black Panther (film) - http://bit.ly/2FeQmpX  Flash (TV Series) - http://bit.ly/1JYToX8  Jersey Shore - http://bit.ly/2pdr5TK  Jersey Shore Reunion - http://usm.ag/2DtHyvp Jingle All The Way - http://bit.ly/2FFRakA  Justice League (DCAU) - http://bit.ly/2GrGLdE  Killing Joke (Graphic Novel) - http://bit.ly/2pfRnFd  Mr. Dressup - http://bit.ly/2HzOkyn  Tommy Wiseau’s Joker Audition - http://bit.ly/2DmzWa8  Wonder Woman (Film) - http://bit.ly/2ogg4S7  Young Justice (TV Series) - http://bit.ly/2paWN4a    People Grant Morrison - http://bit.ly/2I74BeW  Heath Ledger - http://bit.ly/2oO4Qn4  James Wan - http://bit.ly/2BRz28n  Jeff Lemire - http://bit.ly/2FTxNYL  Joaquin Phoenix - http://bit.ly/1thszeR  Martin Scorsese - http://bit.ly/1CawgRL  Rupert Gregson-Williams - http://bit.ly/2tJafAS Snooki - http://bit.ly/2ia7fpn    Characters Amazo (Pre-Flashpoint) - http://bit.ly/2peffIj  Amazo (Post-Flashpoint) - http://bit.ly/2GspnFD   Animal Man (Pre-Flashpoint) - http://bit.ly/2tRDLV0  Animal Man (Post-Flashpoint) - http://bit.ly/2tL9FCT  Batwoman (Pre-Flashpoint) - http://bit.ly/2yvwzLr  Batwoman (Post-Flashpoint) - http://bit.ly/2DrkI3z  Beast Boy (Pre-Flashpoint) - http://bit.ly/2pdPQPN  Beast Boy (Post-Flashpoint) - http://bit.ly/2DZeq0f  Bronze Tiger (Pre-Flashpoint) - http://bit.ly/2DqeosU  Bronze Tiger (Post-Flashpoint) - http://bit.ly/2pcMgVj  Byth Rok (Pre-Flashpoint) - http://bit.ly/2FzYiTE  Byth Rok (Post-Flashpoint) - http://bit.ly/2pc1tpy  Catman (Pre-Flashpoint) - http://bit.ly/1xcQEyH  Catman (Post-Flashpoint) - http://bit.ly/2FzYbYe  Chameleon Boy - http://bit.ly/2FIp08B   Clayface (Pre-Flashpoint) - http://bit.ly/2Iq8fAR  Clayface (Post-Flashpoint) - http://bit.ly/2FQTngC  Colossal Boy - http://bit.ly/2GsGqr7    Count Vertigo (Pre-Flashpoint) - http://bit.ly/1IFPGTx Count Vertigo (Post-Flashpoint) - http://bit.ly/2Ilh3I9 Dominators - http://bit.ly/2Drfkxe  Dr. Saul Erdel - http://bit.ly/2FHjJON  Dr. T.O. Morrow (Pre-Flashpoint) - http://bit.ly/2GsUbpQ  Dr. T.O. Morrow (Post-Flashpoint) - http://bit.ly/2DqMZXO  Durlans - http://bit.ly/2tRPaUO  Element Woman - http://bit.ly/2Drfche  Elongated Man (Pre-Flashpoint) - http://bit.ly/2IsfEj5  Elongated Man (Post-Flashpoint) - http://bit.ly/2FAcn3u  Extant - http://bit.ly/2HvJhP6  Hawkman (Pre-Flashpoint) - http://bit.ly/2pddRWw  Hawkman (Post-Flashpoint) - http://bit.ly/2Grmxk8  Martian Manhunter (Pre-Flashpoint) - http://bit.ly/1YXrAvp  Martian Manhunter (Post-Flashpoint) - http://bit.ly/2FJcBl3  Mirage - http://bit.ly/2HzdrBi Parallax - http://bit.ly/2FKllHv  Plastic Man (Pre-Flashpoint) - http://bit.ly/2pdrGUR  Plastic Man (Post-Flashpoint) - http://bit.ly/2Hvvfgo  Professor Ivo (Pre-Flashpoint) - http://bit.ly/2FU1vgf  Professor Ivo (Post-Flashpoint) - http://bit.ly/2FGsatu  Ragdoll (Pre-Flashpoint) - http://bit.ly/2FRXV67  Ragdoll (Post-Flashpoint) - http://bit.ly/2FSjunb  Ralph Dibny (Arrowverse) - http://bit.ly/2FKBGM4  Red Tornado (Pre-Flashpoint) - http://bit.ly/2FGEBWf  Red Tornado (Post-Flashpoint) - http://bit.ly/2FFsxV7  Secret Six (New 52) - http://bit.ly/2pdUoFR  Slipknot (DCEU) - http://bit.ly/2InDcFM  Swamp Thing (Pre-Flashpoint) - http://bit.ly/2FxI7WS  Swamp Thing (Post-Flashpoint) - http://bit.ly/2FzQrW9  Team Titans - http://bit.ly/2FPMewZ  The Red - http://bit.ly/2paOV2w  Time Trapper - http://bit.ly/2phRsaD  Events Dark Nights: Metal - http://bit.ly/2FQBYo1  Invasion! - http://bit.ly/2HBCYtI  Zero Hour - http://bit.ly/2FCRNzC    Characters (Non-DC) Killmonger - http://bit.ly/2aqT6k4  Fantastic Four - http://bit.ly/2gamwZ9  Mystique - http://bit.ly/1VTCyD7  Skrulls - http://bit.ly/2FB8aMX 

Un emocionante episodio en el que los niños jugarán a ser superhéroes con la música de Supermán, Batman, la Mujer Maravilla y Spiderman. ¿Lograrás rescatar a la presidenta Fanny de las manos del Joker? ¿Saldrán vivos tú y tus amigos?  - Música clásica divertida para niños. Notas del episodio con más información: www.allegromagico.com/14    •[00:34] Did that Tickle. Suicide Squad Soundtrack. Steven Price.  •[01:33] Batman: The Animated Series (Main Title). Danny Elfman. •[02:36] Theme from Superman (Concert Version). John Williams & London Symphony Orchestra. •[06:59] Wonder Woman's Wrath. Rupert Gregson-Williams. •[08:55] Theme from "Spider Man". Spider-Man:Homecoming. Michael Giacchino. •[09:31] Justice League United. Justice League Soundtrack. Danny Elfman. •[10:53] Assault. The Avengers Soundtrack. Alan Silvestri.   ¿Te gustó el episodio? Si sí, suscríbete y califica el podcast en iVoox o en iTunes.  ¿Qué temas te gustaría escuchar en el podcast? ¿Quieres enviar dibujos? Escríbeme aquí.  Sigue a Allegro Mágico en: Facebook @allegromagicopodcast Twitter @AllegroMagico Instagram @allegromagico

E temos mais um Fate Masters Analisa. E dessa vez, os Algozes do Jogadores procuram cobrir uma lacuna que todos vocês pediram! O Velho Lich Rafael, o Cicero Luís e o Mr. Mickey Fábio trazem ao Fate Masters Analisa o Destino em Quatro Cores, a Tradução do Jaime Rangel para o Four Color FAE, de Bill Garrett e Mike Lindsey, um material muito interessante como um sistema para quem precisa de algo para uma campanha ou aventura de Super-Heróis, bem calcado nas bases fundamentais do Fate Básico. Falamos sobre os Fatos de Poder, como os usar, como descrever os poderes dos personagens, os pontos forte e fracos dessa estratégia, a tristeza do Velho Lich e do Cicerone por não haver regras para a criação de gadgets, e o fato do Mr. Mickey depender de um cenário como ponto de partida para uma campanha de Supers. E o Mister Mickey sofre lag mental em certos momentos muito importantes! Por fim, fica os Desafios dos Fate Masters Criem seus hacks usando o Destino de Quatro Cores e enviem para nós, em fatemasterspodcast@gmail.com para que nós avaliarmos e comentarmos. Quem sabe você não é convidado para um Fate Masters Apresenta para comentar o que você criou? Quem puder, ajude na diagramação do Destino de Quatro Cores com o Jaime Rangel Esse episódio é uma homenagem ao Douglas Quintas Reis, da Devir, que deixou-nos no dia da publicação desse episódio. Abaixo, a tabela dos materiais analisados até agora Posição Cenário Mr. Mickey Velho Lich Cicerone Média 1 Masters of Umdaar 5 4,5 5 4.83   Chopstick 5 4,75 4,75 4.83 3 Templo Perdido de Thur-Amon 4,6 4,75 4,75 4,68   Jadepunk 4,8 4,75 4,5 4,68 5 Bukatsu 4,75 4,5 4,5 4,58 6 Mecha vs Kaiju 4,25 4,75 4 4,33 7 Atomic Robo 4 4,5 —- 4,25 8 Destino em Quatro Cores 4 4 3,75 3,92 9 Atomic Robo: Majestic 12 3,5 3,5 —- 3,5 10 Projeto Memento 3,5 3,75 2,75 3,33   Ferramentas de Sistema 4 —- —- 4 Lembrem-se: qualquer dúvidas, críticas, sugestões e opiniões você pode enviar na comunidade do Google+ do Fate Masters, na comunidade do Facebook do Fate (com a hashtag #fatemasters), e pelo email fatemasterspodcast@gmail.com Link para o programa em MP3 Participantes: Fábio Emilio Costa Luís Cavalheiro Rafael Sant’anna Meyer Duração: 60min Cronologia do Podcast: 00:00:00 - Nossa Homenagem ao Douglas Quintas Reis, da Devir, que nos deixou 00:03:00 - Introdução 00:04:21 - Apresentando o Destino de Quatros Cores 00:07:18 - Sobre a disponibilidade do Destino de Quatro Cores, tradução, os problemas de diagramação e sobre não trazer nenhum cenário ou fluffy 00:13:07 - Sobre os Fatos de Poder 00:17:45 - Sobre como os Fatos de Poder mudam (ou não) as regras do Fate 00:20:05 - Sobre os Fatos de Poder e evolução do personagem 00:23:44 - Escala e nível de Poder no Destino de Quatro Cores 00:28:02 - Sobre o uso de capangas e grupos de capangas no Destino de Quatro Cores, além de Consequências Colaterais e Esforço Extremo, como visto no Ferramentas de Sistemas 00:31:28 - Sobre o uso de Fatos de Poder em Aspectos que não os de personagens. (Ou: Aliens…) 00:33:00 - Sobre a Iniciativa Cinemática 00:36:54 - Sobre o novo Pacote de Aspectos e como mudar as Abordagens, incluindo Perícias Livres e Temas 00:40:08 - Comparando o Destino de Quatro Cores com “medalhões” do Fate, como Daring Comics e Wearing The Cape, incluindo a falta de algum fluffy e de um sistema de bugingangas. 00:47:06 - As notas dos Fate Masters ao Destino de Quatro Cores, quando dá lag no Mister Mickey! 00:56:11 - Considerações Finais e Merchans Links Relacionados: Destino em Quatro Cores (Beta) Post do RPGista sobre o Destino em Quatro Cores Four Color FAE em Inglês Site do Four Color FAE em Inglês Comunidade do Google+ do Four Color FAE em Inglês Erik von Däniken Giorgio Tsoukalos Fudge em versão com boa diagramção Final Fantasy VII - Advent Children A cena citada pelo Mister Mickey como aplicação da Iniciativa Cinemática (a partir dos 08:50) Daring Comics Wearing the Cape Link para a comunidade do Google+ do Fate Masters Comente esse post no site do Fate Masters! Assine no iTunes Trilha Sonora do Podcast: Amazons of Themyscira - Wonder Woman OST por Rupert Gregson-Williams Ambient Pills por Zeropage Ambient Pills Update por Zeropage

On this week’s episode of CINEMATIC SOUND RADIO, we will be playing music from brand new soundtrack releases only. You’ll hear selections from CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE by Theodore Shapiro, ANNABELLE HOOPER AND THE GHOSTS OF NANTUCKET by David James Nielsen, ALBION: THE ENCHANTED STALLION by George Kallis, SPIDER-MAN: HOMECOMING by Michael Giacchino, “Love” from BOSS BABY by Conrad Pope, WAR FOR THE PLANET OF THE APES by Michael Giacchino, DEFORMERS by Austin Wintory, THE MUMMY by Brian Tyler, WONDER WOMAN by Rupert Gregson-Williams and selections from LIGHTS, CAMERA… MUSIC! SIX DECADES OF JOHN WILLIAMS including HEIDI, GOODBYE, MR. CHIP, and SLEEPERS. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

Backseat Directors is very excited to announce a brand new monthly episode: What's HOT! with Life of Films.  On What's HOT! we will discuss two big movie news topics from this past month, June 2017, and also select and highlight one film composer and score from a movie that debuted this month.  On today's episode we discuss the messy Sony/Marvel partnership to reboot the Spider-Man franchise and how that will affect the upcoming Venom movie.  Also, we discuss the fall out of the firing of Lord and Miller as the directors of the Han Solo movie, and who the new director will be.  And lastly, do you know who Rupert Gregson-Williams is?  No?  Find out now!  We love his music! You can follow Life of Films on Twitter @Life_of_Films and on Instagram @lifeoffilms Also, be sure to check out their movie reviews on their website @ www.lifeoffilms.com If you want to co-host the show, follow Backseat Directors on Instagram, Twitter, and Facebook @ TheBDPodcast for all news and updates. This podcast is intended for entertainment and informational purposes only.  All original content is copyright 2017 Backseat Directors.

En este episodio hablamos sobre sobre la descontinuación del NES Classic Edition y los rumores de que va a ser reemplazado por una versión mini del Super Nintendo. También mencionamos algunas películas que se van a estrenar en México en Mayo, Junio y algunos meses más adelante. Además, hablamos un poco el primer corto de Star Wars: The Last Jedi (tema musical por drmr, música de fondo por Rupert Gregson-Williams).Descargar

Wonder Woman, met de charismatische Gal Gadot, wordt door sommigen onthaald als een revolutionair feministisch meesterwerk. Gudo en John voorzien die stelling van wat broodnodige nuance. Voor deze blockbuster stond Patty Jenkins aan het roer. Een mooie aanleiding om regisserende dames - nog altijd fors in de minderheid - eens in het zonnetje te zetten. 00:00 Introductie 01:56 Recensie: Wonder Woman 21:45 Filmmuziek: Wonder Woman (componist Rupert Gregson-Williams) 23:47 Jee of Nee 25:08 Top 5: Geregisseerd door een vrouw 47:52 Vooruitblik en Filmsong: Air - Playground Love (uit The Virgin Suicides) Presentatie: Gudo en John

Le DC Extended Universe continue sa route au cinéma avec l'arrivée de sa super-héroïne majeure Wonder Woman sous la direction de Patty Jenkins, un film qui semble enfin bénéficier des faveurs du public après trois long-métrages fortement critiqués.Dans la première partie de l'émission, Jérôme et Julien évoquent longuement Wonder Woman, son créateur, son parcours dans les comics, sa carrière à la télévision et enfin les coulisses du film de Patty Jenkins. Ils donnent également leur avis sans spoiler, puis après le signal sonore qui retentit au bout de 1h39m05, ils reviennent sur les principales scènes du film avec des avis et des anecdotes.Bonne écoute, et n'hésitez pas à partager votre avis sur la hype très exagérée qui entoure le film !Crédits musicaux : Wonder Woman's Wrath de Rupert Gregson-Williams, issu de l'album Wonder Woman - Original Motion Picture Soundtrack (2017)

IS WONDER WOMAN THE BREATH OF FRESH AIR WE'VE BEEN WAITING FOR IN THE SUPERHERO GENRE? With Connor unavailable, Fish delivers up a quick-fire, six minute review for your listneing pleasure, or if you will a QUICK FISH review! WATCH OUT! HERE BE SPOILERS! And don't forget you can find all of our episodes on iTunes, PodBean, Stitcher and our latest work on SoundCloud. Subscribe now and never miss a review! Fish and Connor Saw a Movie does not own any rights to the film 'Wonder Woman', its marketing or its soundtrack and no infringment is intended.  All tracks used are from the 'Wonder Woman (Original Motion Picture Soundtrack)' and are performed by Rupert Gregson-Williams.

El Profesor Dinosaurio, Peter Parker, y MaGnUs se reunen para hacer una RE: seña de Wonder Woman, completamente llena de SPOILERS. Una película muy esperada, con muchas aristas que la hacen un hito en esta era dorada del cine de superhéres. Con su diferentes puntos de vista y niveles de conocimiento del personaje, entre los tres discuten los pormenores de esta cuarta entrega del DCEU. Con música de Rupert Gregson-Williams, y Blondie con Joan Jett. Próximo programa: Regular Show.

Just in time for the Amazing Amazon's big screen solo debut, Cindy pulls out her favorite Wonder Woman toys! She and Chris discuss plastic princesses from Ideal, Mego, Kenner, Mattel and more! Get us out from under, Wonder Woman! Subscribe via iTunes. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts & https://twitter.com/supermatespod Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: “Wedding March” by Queen from Flash Gordon The New Adventures of Wonder Woman TV Series Season 3 Main Title and Season 2 bumper by Charles Fox and Norman Gimbel “Wonder Woman's Wrath” by Rupert Gregson-Williams from Wonder Woman (2017) “Ring of Fire” by Johnny Cash Clip from Justice League Unlimited “This Little Piggy” starring Kevin Conroy Special thanks to Andrew Leyland

Episode 19 - Does the Wonder Woman Motif Work? Kristen Romanelli and Christopher Coleman tackle perhaps the biggest question surrounding the new "Wonder Woman" film score, "Does the Wonder Woman motif work?" Before doing so, they have a spoiler-laden discussion regarding their thoughts about the film, itself, as well as Rupert Gregson-Williams score, overall. You'll find out just where each of them rank the film and respective score in the DCEU and what their hopes and expectations are for the next film "Justice League." Episode Highlights 00:03 - Wonder Woman's Intro 02:30 - Reaction to the film (Spoilers!) 12:11 - Reaction to the score (Spoilers!) 18:46 - Did the Wonder Woman motif work? (Spoilers!) 27:11 - Did its use in BvS Help or Hurt Wonder Woman? (Spoilers!) 32:30 - Final thoughts and expectations for Justice League Music Selections 00:00 - "Wonder Woman's Wrath" (Wonder Woman) by Rupert Gregson-Williams 32:00 - "No Man's Land" (Wonder Woman) by Rupert Gregson-Williams Notes: Find and Follow: Follow Kristen Romanelli on Twitter - @kbfornow Film Score Monthly Online - http://www.filmscoremonthly.com/ Follow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccoleman Spotify: Find our Spotify Companion Playlist here! https://open.spotify.com/user/tracksounds/playlist/4y7SSy7HVfkj5DXKkPhNvM Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracks Subscribe and More Info aCAST GOOGLE PLAY iTUNES RSS FEED STITCHER RADIO TUNEIN RADIO The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals. The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.

Matthew Sweet with music for films with a pacifist theme in the week that has seen the launch of Mel Gibson's new film "Hacksaw Ridge" with music by Rupert Gregson-Williams. The programme features music from "Gandhi", "The Day The Earth Stood Still", "Doctor Who and the Daleks", ""Starship Troopers", "Howl's Moving Castle", "La Grande Illusion", "King and Country", "Paths of Glory", "The Victors", "Hair", "Born On The Fourth Of July", "Friendly Persuasion", "Witness" and "The Great Dictator" - as well as part of Rupert Gregson-Williams's new score.

主播打分： 张瑞（时光网前任高级编、记者）：7.5分； 波米：7.5分； 《血战钢锯岭》平均分：7.5分 本期节目流程与目录： 片头曲：（Drowning Pool）； 0-半分：嘉宾介绍及公众号宣传； 半分-8分：影片信息介绍； 8分-10分半：两位主播为影片打分并阐述理由，波米介绍节目流程（无剧透）； 11分-1时16分：两人围绕《钢锯岭》“剧情”方面展开详细讨论（涉及剧透）： 1、张瑞概述《钢锯岭》剧情上的亮点及导演个人风格在片中的作用； 2、波米简单分析此片结构——“道路·真理·生命”三段式； 3、两人结合《受难》讨论《钢锯岭》宗教类型片属性是否大于其战争类型片属性； 4、波米重点谈论本片的“宗教神迹”与“实战场面”的平衡问题； 1时16分-1小时32分半：两人围绕《钢锯岭》“人设”方面展开简略讨论（涉及剧透）： 1、波米谈及《钢锯岭》主角与吉布森在《危险人物》等片中的银幕形象的关联； 2、张瑞重点谈及本片在人设方面存在的严重硬伤； 1小时32分半-尾声：外延环节两位主播谈及（涉及剧透）： 1、梅尔·吉布森的“暴力基因”——重点盘点“割喉”及“解剖类祭祀场面”迷恋； 2、梅尔·吉布森与姜文的相似性——狂飙荷尔蒙的动作场景、对于“斩首”等杀人仪式感的迷恋；以及二人在作品“思辨性”上的差距。 片尾曲：（Rupert Gregson-Williams） 影片《血战钢锯岭》重要信息： 本片北美分级：R级； 本期节目重点提及的电影片单： 《巨蟒与圣杯》（1975） 《疯狂的麦克斯1-3》（1979-1985） 《全金属外壳》（1987） 《基督的最后诱惑》（1988） 《活着》（1994） 《阿甘正传》（1994） 《勇敢的心》（1995） 《拯救大兵瑞恩》（1998） 《危险人物》（1999） 《珍珠港》（2001） 《黑鹰坠落》（2001） 《受难》（又名《耶稣受难记》，2004） 《金刚》（2005） 《启示》（2006） 《集结号》（2007） 《一九四二》（2012） 《孤独的幸存者》（2014） 《狂怒》（2015） 《比利·林恩的中场战事》（2016） 《萨利机长》（2016） 《会计刺客》（2016） 《沉默》（2016）

When you're invited to direct a movie adaptation involving one of the most-loved literary creations the world has ever known, you can be pretty certain you won't get a second chance if you mess it up. Thankfully, that's not a fate that befell David Yates. Not only did David take charge of the last four Harry Potter films, he was also asked to make JK Rowling's official spin-off Fantastic Beasts And Where To Find Them, which has been greeted with hugely positive reviews. With the budgets attached to the Potter franchise, it is of course possible to secure the services of the best composers in the world. David has taken full advantage of this privilege, variously employing Nicholas Hooper, Alexandre Desplat and James Newton Howard. He also collaborated with Rupert Gregson-WIlliams on The Legend Of Tarzan. You'll hear plenty of their work throughout the conversation, as well as that of John Williams - who provided scores for the first three Potters. We also find out a little bit about his earlier work, and get a blast of Mongolian throat music, which he used to great effect in his BAFTA nominated short film, Rank.

Après s'être fait remarquer comme acteur, ce sont les films de Mel Gibson en tant que réalisateur qui attirent l'attention, et Tu Ne Tueras Point ne fait pas exception pour 24FPS, le podcast ciné avec ou sans spoiler.Jérôme et Julien abordent d'abord la filmographie de Mel Gibson avant de s'intéresser à la genèse de son film de guerre puis à leur avis sans spoiler, et lorsque le signal sonore retentit à 1h16m00 d'émission, ils s'attardent sur les principaux passages du film en les comparant notamment aux événements réels.Bonne écoute, et n'hésitez pas à partager votre avis sur la violence dans les films de Mel Gibson.Crédits musicaux : Okinawa Battlefield de Rupert Gregson-Williams, issu de l'album Hacksaw Ridge - Original Motion Picture Soundtrack (2016)