Podcasts about tinta

Entrevistamos al artista pacense José Paulette, que presenta en la Fundación CB su último proyecto, un nuevo cuaderno de viaje donde revisita a Kafka, la Biblia o Dickens. Se llama 'Haber nacido de tinta negra', y nos confiesa que está expectante, para entrever la respuesta del público. Será en la calle Montesinos, 22, a las 19 horas.

¿Sabías que un solo pacto político y religioso en el año 325 definió el futuro de la civilización occidental? En este episodio de Calamares en su Tinta, desentrañamos los misterios y las intrigas detrás del Concilio de Nicea. A partir del sorprendente (y trascendental) viaje del Papa León XIV a Turquía, viajamos 1700 años en el tiempo para entender cómo el emperador Constantino transformó al cristianismo: de una secta perseguida a la fuerza política más poderosa del Imperio Romano. Hablaremos de herejías milenarias, la creación del Credo, cómo se fijó la fecha de la Pascua y las tensiones que terminaron provocando el histórico Cisma de Oriente. Si te apasiona la historia oculta, los personajes curiosos y cómo el pasado moldea nuestro presente, este episodio es para ti. ¡No olvides suscribirte, darle like y dejarnos en los comentarios qué otro evento histórico te gustaría que analizáramos!See omnystudio.com/listener for privacy information.

A crônica, gênero que encontrou no Brasil um terreno fértil e ajudou a popularizar grandes nomes da nossa literatura, é o assunto deste episódio, que reúne os cronistas Humberto Werneck, autor de Viagem no País da Crônica (Tinta-da-China Brasil), e Luís Henrique Pellanda, de A Crônica Não Mata: Notas do Isolamento (Arquipélago Editorial). Com bom humor, eles falam do charme da crônica à brasileira e contam casos saborosos de medalhões como Rubem Braga, Fernando Sabino e Carlos Drummond de Andrade. A conversa aconteceu durante A Feira do Livro 2025, com mediação do jornalista Ruan de Sousa Gabriel, do jornal O Globo. Apoio: Lei Rouanet – Incentivo a Projetos Culturais  Assine a Quatro Cinco Um por R$ 10/mês: https://bit.ly/Assine451  Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451

En este episodio de Calamares en su Tinta, nos adentramos en la vida y obra de una de las figuras más fascinantes de la historia occidental: San Agustín de Hipona. A propósito de la reciente publicación en español del libro biográfico del historiador Peter Brown, analizamos cómo este personaje encarna el cambio de piel entre la Antigüedad clásica y la Edad Media. Descubre el viaje de Agustín: desde su juventud "desaforada" en Cartago y su paso por la secta de los Maniqueos, hasta su conversión al cristianismo bajo la influencia de San Ambrosio y su madre, Santa Mónica. En este video exploramos:

En esta nueva entrega de Calamares en su Tinta, analizamos la nueva oleada de protestas que sacude a la República Islámica de Irán desde finales de 2025. ¿Qué está pasando realmente en las calles iraníes? Más allá de la crisis económica, hay un grito de insatisfacción política que tiene raíces profundas en la historia moderna del país. Acompáñanos en este recorrido histórico y geopolítico donde desglosamos:

¡Bienvenidos a la cuarta temporada de Calamares en su Tinta! Arrancamos el año analizando el evento que sacudió al mundo este 3 de enero: la operación especial de Estados Unidos para capturar a Nicolás Maduro en Venezuela. Pero, ¿bajo qué legitimidad actúa Donald Trump? En este episodio desmenuzamos la historia detrás de la intervención norteamericana. Viajamos desde el siglo XIX y la "civilización contra la barbarie", pasando por la creación de la Doctrina Monroe en 1823, hasta el "siglo americano" y el colapso del orden mundial post-1945. ¿Estamos ante el nacimiento de la "Doctrina Donroe"? ¿Se mueven los imperios hoy solo por intereses económicos, olvidando la democracia? En este episodio hablamos de: El operativo contra Nicolás Maduro y la postura de Trump. Diferencias entre el imperialismo europeo (s. XIX) y el norteamericano (s. XX). El origen real de la Doctrina Monroe: "América para los (norte)americanos". El fin de la diplomacia moral y el regreso del cinismo geopolítico.

Famosos que han visto truncada su vida por el crimen

Para precio y disponibilidad, vaya a este vínculo: https://amzn.to/3NfpUBh En este episodio presentan y prueban la nueva tecnología de tinta digital: e-readers que imitan el papel, ahora en color, resistentes al agua, sin reflejos y con luz integrada para leer de noche. También muestran cómo sirven como libretas para escribir o tomar notas. Entre la demostración y las redes, los presentadores comparten anécdotas y un chiste sobre "el pelo en la sopa", combinando información tecnológica con momentos de humor.

O encenador e actor luso-franco-moçambicano Victor de Oliveira leva a palco o seu novo solo, “Kumina”, no Théâtre des Quartiers d'Ivry - CDN du Val-de-Marne, a partir desta terça-feira e até sábado. A peça mostra o lado brutal, universal e intemporal do exílio, convocando as memórias dos que não resistiram ao desenraizamento, dos escravos de ontem aos migrantes que hoje morrem no Mediterrâneo. “Kumina” é também um ritual para tentar abrir portas onde hoje se erguem muros. Fomos gravar esta entrevista no Théâtre des Quartiers d'Ivry - CDN du Val-de-Marne, na região de Paris, onde está em cena, entre 13 e 17 de Janeiro, “Kumina”, o novo solo de Victor de Oliveira, escrito, encenado e protagonizado por ele. A peça aborda a história íntima, universal e intemporal do exílio. Partindo das memórias de infância em Moçambique, o país onde nasceu em 1971 e de onde saiu com os pais a seguir à independência, Victor de Oliveira olha para o mundo a partir da própria experiência de desenraizamento e faz do palco um espaço de memória daqueles que tudo perderam ou se perderam nos caminhos forçados do exílio. Este é também um olhar sobre a História: sobre o tráfico transatlântico de milhões de pessoas, sobre o colonialismo, sobre os “boat people” haitianos nos anos 90, sobre os migrantes que ainda morrem no Mediterrâneo ao tentarem chegar à Europa. Uma História ligada por um fio invisível de um sentimento de "déjà vu" de histórias que se repetem século após século, dia após dia. O texto cruza experiência pessoal com o peso da História, com notícias que ritmam a televisão e com a poesia de autores que abordaram o exílio, transformando o palco de "Kumina" num espaço “sagrado”, onde se podem convocar antepassados, esperar uma reconciliação e remar contra pujantes marés de xenofobia. “Todas essas histórias de exílio, toda essa história de desenraizamento, toda essa história de não aceitação do outro, porque o outro é um estrangeiro, não é apenas de agora”, resume Victor de Oliveira em entrevista à RFI. Em palco, como uma estátua, quase sem mexer os pés, Victor de Oliveira vai lembrando oceanos de exilados, tanto os vivos, quanto os que ficaram no fundo do mar. Em cena, um vasto cobertor de sobrevivência pinta o fundo e o chão é feito de terra vermelha. Neste "exílio da terra de ninguém" - ouvimos - reina “a sensação de impossível pertença”... “Kumina” surge depois de “Limbo”, outro solo que assinou em 2021 sobre a busca de identidade de um homem entre dois mundos, entre dois países, entre duas condições, entre negros e brancos, entre colonos e colonizados. “Kumina” surge também depois de ter adaptado “Incêndios”, de Wajdi Mouawad, e “As Areias do Imperador”, de Mia Couto, os quais também buscavam as pontes, talvez quebradas, entre dois mundos. A peça “Kumina” está no Théâtre des Quartiers d'Ivry - CDN du Val-de-Marne de 13 a 17 de Janeiro e no Teatro do Bairro Alto, em Lisboa, de 26 a 29 de Março. Também será lançado um livro que reúne os textos, em português, de “Kumina” e de “Limbo”, numa co-edição da Tinta da China e do Teatro do Bairro Alto. Em francês, será lançado o texto de “Limbo” pelas Editions Chandeigne. RFI: Para começar, peço-lhe uma pequena descrição deste trabalho “Kumina”. Victor de Oliveira, Actor e Encenador: “'Kumina' vem depois de ‘Limbo' e é um prolongamento, digamos assim, de todas as questões que eu já tinha abordado no ‘Limbo' que tinham a ver com esse desenraizamento e com essa tentativa de tentar-me situar entre dois mundos essencialmente. E, depois, com o facto de ser um homem mestiço, portanto, neto de colonos e de colonizados, etc, etc, etc. Em relação ao ‘Kumina', eu volto mais uma vez a pegar no fio da infância porque o espectáculo começa a partir desse momento, a infância, que é o momento em que eu vou partir, em que tenho que partir porque eu nasci em Moçambique durante o período colonial, vivi em Moçambique depois da independência e tivemos que ir embora nos primeiros anos da guerra civil por causa da guerra civil, essencialmente. Eu parto desse momento para tirar o fio até hoje, com todas as questões que eu tive que viver enquanto criança e depois enquanto jovem, adolescente e jovem adulto, e hoje, com a idade que tenho, com esse caminho percorrido de vida, como é que eu consigo olhar para o mundo e olhar para todo esse percurso com a idade que tenho...” Um dos fios condutores de ‘Kumina' é o exílio. O que é para si o exílio e porquê levar este tema para o palco? “Sim, é um dos temas importantes porque só as pessoas que tiveram que partir do país onde nasceram por ‘x' razões, quer dizer, ou porque há a guerra, ou porque têm que fugir, ou porque são presos políticos, ou porque economicamente têm que procurar uma outra vida, só essas pessoas conseguem perceber e saber o que é que quer dizer o exílio. O que quer dizer, de repente, tentar ter uma outra vida, num outro país, numa outra cultura, com uma outra língua, etc. Tudo isso é extremamente importante, sobretudo no período em que nós estamos em que, por mil e uma razões, há cada vez mais fluxos migratórios, pessoas que são exiladas, que têm de partir. Então, como é que nós fazemos enquanto sociedade para compreender e para aceitar que o mundo agora é assim? A minha questão, enquanto artista, é como é que intimamente, que caminhos atravessamos nós? Aquilo que eu faço, durante toda esta uma hora e dez que dura o espectáculo, é tentar fazer com que o público possa sentir a partir de que espaço e de que lugar é que eu falo e, depois, como é que eu tiro o fio entre todos os outros desenraizados ou todos os outros exílios de outras pessoas que eu conheci e que me tocaram bastante durante a minha vida de adulto.” O teatro tem um papel a desempenhar nesta questão de humanizar o exílio e de tirar de debaixo do tapete os silêncios da História e tudo o que não foi dito sobre cinco séculos de colonização? “Absolutamente porque essa é uma história que ainda hoje está a ser falada e tentamos compreender. Toda essa história que ainda não foi falada suficientemente, tudo isso está lá e, portanto, é isso que faz com que as pessoas, se não conhecerem essa história, se não souberem o que há por trás, é muito fácil qualquer pessoa estar contra os imigrantes - que é agora uma coisa que se fala bastante na Europa, não apenas em Portugal, mas por outros países e estar numa relação de ódio, de recusa. Eu parto do princípio que é pura e simplesmente porque as pessoas não conhecem a história. As pessoas não sabem o que é, não podem compreender a dificuldade que é para qualquer pessoa ter que sair do seu país, da sua casa, da sua região porque não tem uma outra escolha e tenta viver da melhor maneira possível nesse outro país ou nesses outros países em que está. É porque as pessoas não sabem, é porque não conhecem qual é essa história ligada ao exílio, que hoje vivemos num mundo e num período em que há uma grande xenofobia, em que as pessoas falam dos imigrantes ou dos exilados de uma maneira geral, como se as pessoas fossem todas iguais. Enquanto que se nós pensarmos e vermos e olharmos para cada pessoa como um indivíduo que tem a sua história, veremos que cada pessoa tem uma história e essa história, muitas das vezes, é uma história difícil e dura, embora também possa ser uma história bonita.” Esta também é a sua história e o seu drama? Que papel “Kumina” acaba por desempenhar no seu caminho, enquanto pessoa e enquanto artista? “Sim, isso faz parte, como diz, do meu caminho porque enquanto autor agora, actor e encenador, eu tenho sempre que saber o que é importante para mim falar, o que é fundamental levar para o palco, o que é para mim primoroso fazer e extremamente importante. E isso é, pelo menos até agora tem sido, a relação com a minha história, porque é uma relação não apenas com a minha história. Quando eu vou buscar a minha história, muitas vezes - aconteceu com o ‘Limbo' e eu espero que aconteça com ‘Kumina' - estou a falar de todos nós hoje. Eu parto do íntimo para falar do universal porque não é apenas a história do Victor porque a história do Victor não interessa a muita gente, o que interessa é como é que, ao vermos a história de uma pessoa, nos reconhecemos naquilo que ela diz e reconhecemos a sociedade em que estamos. A partir do momento em que conseguimos reconhecer a sociedade em que estamos, conseguimos reconhecer as questões que são levantadas pelo artista quando ele questiona a sua própria intimidade e a história da sociedade em que vivemos, aí sim, o papel do artista parece-me importante e fundamental e isso pode abrir muitas portas e espero que nas representações que formos fazer aqui em Ivry, isso possa acontecer com o público.” Diz na peça que “o tempo não apaga nada” e que “caminhamos sozinhos, inevitavelmente”. A narração começa com as lembranças de Victor ainda criança. Depois fala do tráfico de escravos ao longo de séculos, dos refugiados haitianos, do drama dos migrantes mortos ainda hoje no Mediterrâneo. É uma história interminável... Por que é que decidiu partir do olhar da criança para falar de tudo isto? “O olhar da criança serviu, antes de mais, para ter um ponto de partida porque eu queria, já há muito tempo, tentar fazer um espectáculo em que eu pudesse falar dessa tragédia absolutamente terrível que existe desde há muitos anos com os que nós chamamos agora migrantes, que nós ouvimos falar cada vez mais antes do fim dos anos 80, nos anos 90. Quando nos lembramos e quando vamos ver nos jornais, damo-nos conta que os primeiros - a quem chamam migrantes que morriam no mar Mediterrâneo - os primeiros a chegarem a França foi no princípio dos anos 90, ficamos: ‘Já foi assim há tantos anos!' E é verdade que foi e que continua. Eu já há muito tempo que queria fazer algo e era sempre muito difícil fazer apenas um espectáculo sobre os migrantes, fazer um espectáculo realista, com personagens, com a polícia, com o passador, com as pessoas à volta, isso não é a minha teatralidade e, para mim, era extremamente difícil pensar assim. Eu tinha que ter uma porta de entrada para dizer: ‘Ok, eu quero chegar a isto. Mas como é que eu vou chegar lá?'. Para mim, mais uma vez - como ‘Limbo' também em que a infância serviu para poder falar de todas as questões da sociedade e universais que são trabalhadas no Limbo- aqui foi a mesma coisa. Partindo desse momento extremamente importante da infância que é deixar Moçambique, partir de Moçambique, que era o meu país, onde eu tinha nascido, onde os meus pais tinham nascido, onde as minhas avós tinham nascido, enfim, toda uma parte de mim, partir durante o período da guerra e, a partir daí, tirar o fio até quando cheguei a Portugal, a minha adolescência em Portugal, onde, quando eu tinha 17 anos, pela primeira vez, ouvi falar do que eram os refugiados haitianos. E aí foi a mesma coisa, eu falo disso no espectáculo. Como é que, de repente, há algo em que nós nos reconhecemos no outro.” Acaba por haver, de certa forma, uma tentativa de reparação ou de reconciliação? Você não incarna só a criança, também incarna a avó que a dada altura diz: “Nenhum descendente deixa os antepassados em errância no mar” e invoca os espíritos que lá estão... “Sim, porque isso é também é muito importante, o facto de convocar a minha avó, é uma maneira para mim de pensar o teatro como um espaço ‘sacré', sagrado, mas não no sentido religioso, mais no sentido de um espaço onde estamos ligados àqueles que estiveram aqui antes de nós, estamos ligados aos nossos antepassados porque nós somos aquilo que os nossos antepassados eram, nós trazemos connosco aquilo que eles foram.” Isso tem também a ver com o título da peça, “Kumina”? O que significa “Kumina”? “'Kumina' é um ritual que vem de África e que foi levado pelos escravos africanos que foram levados para o West Indies, para a América, e que hoje ainda subsiste essencialmente em dois países, que é a ilha de Barbados e a Jamaica. Nestes países, ‘Kumina', é um ritual que é essencialmente feito durante os funerais para os antepassados, para as pessoas que morreram, mas ao mesmo tempo também pode ser utilizado nos casamentos, nos nascimentos. É uma convocação dos espíritos, é uma convocação daqueles que estiveram antes de nós e, muitas vezes, nesses rituais, as pessoas que o fazem entram em transe, digamos assim. Há uma cerimónia e é algo que existe ainda muito em Moçambique, essas cerimónias, porque em Moçambique os espíritos estão lá, os espíritos fazem parte da vida, os espíritos fazem parte da família e essa ligação com os espíritos está muito presente. Para mim, era uma maneira de, no teatro, eu tentar fazer com que essa ligação a Moçambique, à minha cultura, às minhas raízes, possa estar, de uma certa maneira, também perto daquilo que é hoje a minha vida que está ligada ao teatro. Tentar fazer com que a arte possa chegar a um público europeu, ao outro.” Está sozinho em palco, como uma estátua, como se estivesse acorrentado nos pés, só se liberta em determinados momentos. Como pano de fundo, há um cobertor de sobrevivência em grande escala e há areia no chão. Porquê estas escolhas? “Porque o teatro é muito simbólico. ‘Kumina' é uma narrativa e, dentro dessa narrativa, eu conto uma história e a pessoa que conta a história, ao mesmo tempo que a conta directamente ao público, ela entra dentro da própria história. E é por isso que há, de uma certa maneira, a avó que, por vezes, se torna personagem; que eu convoco outros personagens, como por exemplo, um excerto d'Os Lusíadas de Luís de Camões; que eu convoco também uma parte do jornal de bordo do Cristóvão Colombo; que eu convoco um excerto de [Kamau] Brathwaite que é um autor da ilha dos Barbados que fala justamente sobre a morte dos refugiados haitianos. Toda a convocação dessas personagens que me acompanham, estão ligadas a essa simbologia. Tudo pode ser simbólico, assim como a terra que é muito ligada à relação que em Moçambique se tem com a terra, com o facto de onde vimos, com o facto de as nossas raízes virem da terra e estarem dentro da terra. Portanto, toda essa coisa é muito importante. Depois aquilo que viu, aquilo que está no fundo e que foi a cenógrafa Margaux [Nessi] que pensou a partir desses cobertores de sobrevivência que muitos dos migrantes utilizam quando são resgatados e é uma coisa muito simples, muito leve, mas ficamos sempre dentro de uma certa subtilidade que me parece necessária.” Há um quadro que emerge, a dada altura, do fundo, que é um quadro também muito simbólico... “Sim, é o quadro de Turner que se chama ‘O Dilúvio' e que é um quadro bíblico que, para mim, era importante porque faz com que esta história que é a minha história, ou a história dos refugiados haitianos, ou a história dos migrantes que ainda hoje continuam, semana após semana, a morrer no Mar Mediterrâneo e no Canal da Mancha, que todas estas histórias não sejam apenas ligadas ao continente africano, mas fazem parte desta nossa história comum enquanto sociedade e todos esses exílios vêm de muito, muito longe. É por isso que, a um dado momento, eu digo uma frase de Virgílio, que tem a ver com a Eneida. Há uma outra frase do Dante Alighieri, da Divina Comédia. Todos esses autores é uma maneira de fazer com que todas essas histórias de exílio, toda essa história de desenraizamento, toda essa história de não aceitação do outro porque o outro é um estrangeiro ou é diferente, não é apenas de agora, vem de muito longe. E quando conseguimos olhar para essa história que é nossa, de todos nós, torna-se importante e eu penso que ela nos ajuda a olhar para os outros e para a história que nós estamos a viver agora de uma outra maneira.” Nesta peça, como em ‘Limbo' e ‘As Areias do Imperador', trabalha com outro artista moçambicano, o músico Ailton José Matavela. Qual é a batida que ele imprime a este trabalho e que camada suplementar simbólica tem o facto de ser também um moçambicano a criar o som do seu exílio? “Sim, é extremamente importante porque o Ailton tem apenas 30 anos, é um jovem músico e é um músico que agora está em Paris, mas que até há muito pouco tempo vivia ainda em Maputo. Portanto, há toda uma carga emotiva ligada a Maputo porque eu já não vivo em Maputo há muito tempo. Depois, há toda uma musicalidade que é aquela que ele tem que obviamente só ele é que pode trazer porque são coisas que ele conhece e que estão à volta dele quotidianamente. Se eu fosse trabalhar com outro músico, tentar chegar a isto ou aquilo, seria alguém que iria buscar aqui ou ali, mas que não tem essa mesma relação, enquanto, para muitas coisas, as coisas estão lá porque fazem parte do seu universo. Isso é muito mais simples e há uma fluidez muito maior porque há uma simplicidade muito grande.”

Este episódio do 451 MHz traz a reprise do episódio narrativo publicado originalmente em fevereiro de 2025 e que marcou os oitenta anos da morte de Mário de Andrade.  Parte da coleção Narradores do Brasil, esse especial revisitou a viagem que o escritor modernista fez pelo norte do país, nos anos 20 do século passado, e a escrita do diário de bordo que acabou dando origem ao clássico O Turista Aprendiz — um livro que ficou quase um século fora de catálogo e ganhou nova edição em 2024, publicada pela Tinta-da-China Brasil, o selo editorial da Associação Quatro Cinco Um.  O episódio conta por que a viagem e este livro se tornaram marcos da cultura brasileira e até hoje inspiram escritores, jornalistas, pesquisadores e meros turistas aprendizes a conhecer a Amazônia e a literatura de Mário de Andrade.  Com apresentação de Paulo Werneck, o programa traz entrevistas com o biógrafo Jason Tércio, a crítica Eliane Robert Moraes, o professor Paulo Nunes, o escritor Milton Hatoum, além de áudios da crítica Beatriz Sarlo e da fotógrafa Maureen Bisilliat. As leituras são da escritora Amara Moira. Apoio: Lei Rouanet – Incentivo a Projetos Culturais. Assine a Quatro Cinco Um por R$ 10/mês: https://bit.ly/Assine451  Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451  

Vi hör vad lyssnarna varit med om i juletid oavsett om de firar eller ej! Lyssna på alla avsnitt i Sveriges Radios app. Ett nyfiket och underhållande aktualitetsprogram med lyssnaren i fokus.Pia minns tillbaka till barndomens julklappsöppningar och när hennes mormor kunde slå in ett paket flera gånger till olika personer, Tinta berättar om en jul när de hade svårt att få tag på en tomte och en fransk bekant fick rycka in.I extramaterialet hör vi fortsatt om saker som händer och hänt i juletid, bland annat om ett avlopp som gått sönder och att Christers hund Bruno fått magkatarr.

Esta semana falamos dos 210 anos da morte do Marechal Michel Ney, a 7 de Dezembro de 1815, e da origem da árvore de Natal.Sugestões da semana1. Maria Inácia Rezola - Revolução. A Construção da Democracia Portuguesa. Dom Quixote, 2025.2. José Pedro Castanheira - Histórias da Pide, vol. I: Quando Salazar mandava. Tinta da China, 2025.----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, Miguel Vidal, NBisme, Oliver Doerfler;Alessandro Averchi, Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, É Manel, Francisco, Hugo Picciochi, João Cancela, João Carreiro, João Pedro Tuna Moura Guedes, Jorge Filipe, José Beleza, Luís André Agostinho, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, Ana Sofia Agostinho, André Abrantes, Andre de Oliveira, André Silva, António Farelo, António J. R. Neto, António Silva , Bruno Luis, Carlos Afonso, Carlos Ribeiro, Carlos Ribeiro, Catarina Ferreira, Diogo Freitas, Fábio Videira Santos, Francisco Fernandes, Gn, Gonçalo Pedro, Hugo Palma, Hugo Vieira, Igor Silva, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Félix, João Ferreira, Joao Godinho, João Mendes, João Pedro Mourão, Joel José Ginga, Johnniedee, José Santos, Luis Colaço, Mafalda Trindade, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro, Pedro Cardoso, Pedro Oliveira, Pedro Simões, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto.-----Ouve e gosta do podcast? Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0Edição de Marco António.

Trepidante inicio de semana. Ni siquiera hemos producido unprograma como estaba previsto. La radio está muy viva, lascosas suceden y cambian los planes. Todo a última hora, y eloyente, tú, no notas nada, al contrario, quedas satisfecho. Treshoras de intensa actividad, contando cosas sin descanso, conpublicidad que no da tiempo a emitirse, y dando las graciasdesde ya a tofos los que nos han ayudado a realizarlo.Siete voces son las que hemos tenido en el estudio, a lo quehay que añadir la del personaje más solicitado de España,Koldo García, que ha venido a LEO RADIO para despedirseantes de marchar hacia Madrid, consciente de que podríaacabar en prisión este próximo jueves, pero dejando algúntitular ciertamente enigmático.Nuestro primer invitado ha sido el Senador del PP AgustínAlmodóbar, que nos ha hablado de turismo, pesca y seguridad.Tres temas que afectan tanto a Benidorm como al resto deEspaña, y que vale la pena escuchar para contrastar opiniones.Le ha cogido el relevo el concejal de deportes y comercio delayuntamiento de Benidorm, Javier Jordá, gran triunfador deléxito obtenido por la Media Maratón de récord que se hacelebrado en la ciudad este pasado fin de semana con más de9.000 corredores por las calles. Y sin solución de continuidad ycasi compartiendo estudio, el presidente de AICO, Raúl Parra,ha sido nuestro tercer invitado, colándose en los últimosminutos de Javier, y siendo este quien le felicitara por la puestaen marcha de su nuevo proyecto, en los primeros minutos desu posterior intervención.Y es que ya es una realiadad la llegada a la ciudad de SantosBenidorm, un negocio líder en el sector de las cocinas a nivelnacional que la familia Parra, responsables desde hace 55 añosde Milar Foto Cine Granada, ha lanzado en la ciudad delturismo conscientes de que hay que renovarse de maneraconstante. José Martínez, jefe de estudio de Santos, le haacompañado para ofrecernos en el micrófono el sinfín deposibilidades que ofrece esta nueva maca ubicada en laavenida de los almendros de Benidorm.Y aún quedaban nada menos que tres invitados. JoaquínHuete, que nos ha detallad todos los pormenores del VIICongreso Espirita Conciencia, que se celebra del 6 al 8 dediciembre en el Hotel diamante Beach de Calpe; el colaboradorJosé Antonio Aguilar quien, a través de su sección “MundoNoir” nos ha hecho un excelente resumen del Festival deNovela Negra de Alfaz del pi, Tinta y Crimen, y la enigmáticaLaura, que recién bajada desde el valle de Guadalest, dondevive como una maravillosa nómada, nos ha venido a contar suexperiencia vital, resumida en www.lanovelaviviente.es

En este episodio de Calamares en su Tinta, cerramos la tercera temporada con una ancheta navideña de recomendaciones bibliográficas para los amantes de la historia.Hablamos de dos obras monumentales:

En este episodio de Los Ordinarios, exploramos el fascinante mundo de los tatuajes con dos invitados especiales: Pame Voguel, conductora, modelo y makeup artist, y Pablo Díaz, uno de los tatuadores más reconocidos de México. Bajo el tema “Tinta, dolor y placer”, hablamos sobre el significado cultural, artístico y personal del tatuaje, desde sus orígenes tribales hasta su papel actual como forma de expresión y arte contemporáneo. Descubre cómo los tatuajes pasaron de ser símbolo de rebeldía a convertirse en una tendencia universal y una forma de contar historias sobre la piel. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En este episodio de Los Ordinarios, exploramos el fascinante mundo de los tatuajes con dos invitados especiales: Pame Voguel, conductora, modelo y makeup artist, y Pablo Díaz, uno de los tatuadores más reconocidos de México. Bajo el tema “Tinta, dolor y placer”, hablamos sobre el significado cultural, artístico y personal del tatuaje, desde sus orígenes tribales hasta su papel actual como forma de expresión y arte contemporáneo. Descubre cómo los tatuajes pasaron de ser símbolo de rebeldía a convertirse en una tendencia universal y una forma de contar historias sobre la piel. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En este episodio de Los Ordinarios, exploramos el fascinante mundo de los tatuajes con dos invitados especiales: Pame Voguel, conductora, modelo y makeup artist, y Pablo Díaz, uno de los tatuadores más reconocidos de México. Bajo el tema “Tinta, dolor y placer”, hablamos sobre el significado cultural, artístico y personal del tatuaje, desde sus orígenes tribales hasta su papel actual como forma de expresión y arte contemporáneo. Descubre cómo los tatuajes pasaron de ser símbolo de rebeldía a convertirse en una tendencia universal y una forma de contar historias sobre la piel. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En este episodio de "Calamares en su Tinta", cerramos nuestra serie sobre la Turquía moderna centrándonos en la figura más importante de su historia: **Mustafa Kemal Atatürk**. Tras la catastrófica disolución del **Imperio Otomano** después de la Primera Guerra Mundial, el territorio turco estaba destinado a ser repartido y humillado por las potencias vencedoras. Pero un militar visionario, héroe de la batalla de los Dardanelos, se negó a aceptar la derrota. Descubre la épica historia de **Mustafa Kemal**, el hombre que lideró una guerra de independencia nacional, desafió a los imperios europeos, y forjó desde las cenizas una nación completamente nueva. En este video exploramos:

Este es el resumen de la mentoría Grupal de la comunidad Emprende con Juan Manuel para el mes de Octubre de 2025

Giovana Madalosso é uma das vozes mais interessantes da literatura brasileira da última década. Os seus livros agarram logo à primeira página e misturam tragédia e comédia com personagens femininas muito fortes. O último romance, “Batida Só”, que acaba de ser publicado em Portugal pela Tinta da China, partiu de uma aflição de saúde que a escritora viveu com a filha e que as levou numa romaria entre vários hospitais. O livro conta a história de uma jornalista que sofre uma tentativa de violação e passa a sofrer do coração e a ter uma batida cardíaca indomável, selvagem, errante, com arritmias que a colocam em risco de vida. Um médico aconselha-a evitar emoções fortes, a sentir menos, como parte do tratamento. Será que podemos viver sem sentir emoções fortes? Será uma forma de passar ao lado da vida? Ouçam-na nesta conversa com Bernardo MendonçaSee omnystudio.com/listener for privacy information.

¡Vótame en los Premios iVoox 2025! En este segundo programa nos volvemos a subir a las alas del Romantasy, esta vez junto a Lola (@tintaymagia) 🪽✨ Dejamos atrás la introducción y nos metemos de lleno en nueve libro o sagas muy populares en el panorama actual: de hadas y dragones a vampiros, academias y bibliotecas infinitas. Hablamos de sus mundos, tropos, tono general y —cómo no— del nivel de “spicy” que maneja cada una. Todo sin spoilers primero (luego ya no) y con la calma de quien ya lleva unos cuantos empotres literarios leídos. Sagas que repasamos: 1️⃣ Una corte de rosas y espinas — Sarah J. Maas 2️⃣ Quicksilver — Callie Hart 3️⃣ Alianza de sangre — Lena Valenti 4️⃣ De sangre y cenizas — Jennifer L. Armentrout 5️⃣ Empíreo (Fourth Wing) — Rebecca Yarros 6️⃣ La serpiente y las alas de la noche — Carissa Broadbent 7️⃣ Gothikana — Runyx 8️⃣ La biblioteca de la medianoche — Matt Haig 9️⃣ El imperio del vampiro — Jay Kristoff ✨ De las cortes feéricas al drama gótico, de la aventura a la tensión sexual con colmillos. Un viaje por las sagas que han marcado el boom del romantasy reciente… y que todavía siguen incendiando estanterías. Presenta: XeviPanda Con: Lola @tintaymagia ( de Reinos de Tinta @reinosdetinta_ ) Edición: XeviPanda Canción: Xevi y Suno Portada: Dall-e Escucha también la primera parte: MAR-461 · Subiéndonos a las Alas del Romantasy 🐉🔥💋📚 https://www.ivoox.com/mar-461-subiendonos-a-alas-del-romantasy-audios-mp3_rf_145332817_1.html Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Tamara Likon in Jure Ule sta avtorja risoromana Pehta, ki sta ga predstavila na festivalu Tinta. Zgodbo je napisal Jure in se odvija pod nekimi drugimi gorami, ko Pehte, kot jo poznamo mi, še ni, vizulano podobo pa je ustvarila Tamara. Pehta je mlado dekle, ki je zelo navezano na naravo, zato zgodba potuje skozi vse štirih letne čase. Zaznamuje pa jo tudi posebna povezanost z naravni čudesi. Pri nas se lik Pehte prvič pojavi v pripovedi Kekec na volčji sledi, ki jo je leta 1922 ustvaril pisatelj Josip Vandot. V filmu Kekec (1963) jo je upodobila igralka Ruša Bojc. Pod različnimi imeni ima Pehta globoke korenine v staroslovanskem in germanskem bajeslovju na območju alpskega sveta. Včasih deluje kot prijazna in lepa prikazen, včasih pa kot strašna in kruta varuhinja krščanskih običajev. Njene prednice so antične boginje iz mitologij indoevropskih in sredozemskih narodov, ki poosebljajo lik matere.

Uruguayan singer-songwriter Jorge Drexler knows what it's like to live different lives within one. An ENT doctor until his early 30’s, he then decided to leave medicine behind, as well as his life in Uruguay, to pursue a music career in Spain. He became the first Uruguayan to win an Oscar with his song “Al otro lado del río.” In this episode of Latino USA, the multiple award-winning musician walks us through key moments in his career, including the creative process behind his latest album “Tinta y tiempo”—and drops a few gems about his personal life on the way. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Paypal: https://www.paypal.com/paypalme/editorialtpv El día de hoy hablaremos sobre el capítulo 3 del libro The Oxford Handbook of the Protestant Reformations, titulado “The nature of spiritual experience” por Alec Ryrie. Ver aquí: https://global.oup.com/academic/product/the-oxford-handbook-of-the-protestant-reformations-9780199646920?cc=gb&lang=en& . ¿Qué se siente creer? Este episodio abre la “caja negra” de la Reforma y sigue la brújula de las emociones: del corazón renacentista —donde razón y afectos caminaban juntos— al terremoto devocional de Lutero con su “fe sentida”, la embriaguez de la Palabra y la lucha de la Anfechtung. Exploramos cómo la predestinación se convirtió en un guion afectivo —del consuelo bajo persecución al escrutinio de la conciencia en el calvinismo experimental— y cómo ese vaivén entre seguridad y desesperación moldeó vidas, sermones y prácticas domésticas. Miramos, además, la autoridad bíblica como experiencia del Espíritu y el poder formativo del culto: salmos, himnos y la sonoridad de templos austeros que disciplinaron cuerpos y sensibilidades. El resultado: una historia viva de pasiones religiosas que explica por qué hombres y mujeres del siglo XVI consideraron sus convicciones dignas de sufrir, discutir… y cantar. Siguenos: - Web: https://teologiaparavivir.com/ - Blog: https://semperreformandaperu.org/ - Facebook: https://www.facebook.com/teologiaparavivir/ - Instagram: https://www.instagram.com/teologiaparavivir/ - Youtube: https://www.instagram.com/teologiaparavivir/

31 Noches de Pánico | TINTA MALDITA | Gritos D Terror | Noche 8Apoya el podcast https://www.paypal.me/nst07Episodios Exclusivos: https://creators.spotify.com/pod/show/gritosdterror/subscribeBienvenidos a este especial de Octubre donde tendrán historias todos los días en tu espacio favorito Gritos D Terror. Sigue apoyando este podcast por medio de mis redes sociales y ofrendas para que este espacio siga creciendo.Estas listo? Apaga la luz…si te atreves.Redes SocialesOfrendas: https://www.paypal.me/nst07Facebook: @GritosDTerrorYoutube: GritosDTerrorX (Twitter) @GritosDTerrorSupport the show: PayPal @nst07

In this episode of our Climate series, we look at Mar Menor, the first ecosystem in Europe to gain legal personhood. A unique place for several reasons, Mar Meno is now also the first natural entity to be represented at the European Court of Human Rights by our guest Monica Feria-Tinta, counsel for Mar Menor and a barrister practising in public international law and international arbitration at Twenty Essex Chambers in the UK. Monica told us why the case of Mar Menor is important and how it relates to the growing awareness of environmental justice. If this is interesting, do like, subscribe and leave us a review. Want to find out more? Check out all the background information on our website including hundreds more podcasts on international justice covering all the angles: https://www.asymmetricalhaircuts.com/ Or you can sign up to our newsletter: https://www.asymmetricalhaircuts.com/newsletters/ Did you like what you heard? Tip us here: https://www.asymmetricalhaircuts.com/support-us/ Or want to support us long term? Check out our Patreon, where - for the price of a cup of coffee every month - you also become part of our War Criminals Bookclub and can make recommendations on what we should review next, here: https://www.patreon.com/c/AsymmetricalHaircuts Asymmetrical Haircuts is created, produced and presented by Janet Anderson and Stephanie van den Berg, together with a small team of producers, assistant producers, researchers and interns. Check out the team here: https://www.asymmetricalhaircuts.com/what-about-asymmetrical-haircuts/

El ne-a arătat drumul și l-a marcat cu urmele pașilor Săi. Pentru a reuși în lupta împotriva păcatului, trebuie să rămânem aproape de Isus. Nu vorbi cu necredință, nu ai nicio scuză pentru aceasta!Citește acest devoțional și multe alte meditații biblice pe https://devotionale.ro#devotionale #devotionaleaudio

Franz Kafka es, por derecho propio, uno de los autores más importantes del siglo XX. Sus historias absurdas y asfixiantes anticiparon las peores pesadillas de la humanidad. ¿Pero de dónde sacaba Kafka esas ideas tan aterradoras? En el nuevo episodio de Grandes Infelices veremos que Praga jugó un papel fundamental en la creación del universo kafkiano. En esta temporada abordaremos la relación de los escritores y las ciudades, así cómo las transformaciones de las ciudades a partir de la obra de los escritores. Grandes Infelices es un podcast de Blackie Books presentado y dirigido por el escritor Javier Peña (autor de “Tinta invisible”, “Agnes” e “Infelices”).

Neste episódio, os escritores Bianca Santana e Ernesto Mané apresentam seus novos livros que narram a busca pela identidade, ancestralidade e o sentimento de pertencimento enquanto reconstroem a trajetória de familiares que deixaram a terra natal. No romance Apolinária (Fósforo), a paulistana Santana mistura memória e ficção para resgatar a história da avó materna, que migrou do interior da Bahia para São Paulo nos anos 50. Já em Antes do Início (Tinta-da-China Brasil), o paraibano Mané, diplomata de carreira, narra sua viagem à Guiné-Bissau para conhecer a família do pai, refletindo sobre suas raízes africanas. Na conversa, os dois autores falam das semelhanças entre seus livros e suas jornadas pessoais de reconhecimento.   Apoio confirmado: Lei Rouanet – Incentivo a Projetos Culturais  Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451  

szervizekpaperless paperDIY e-ink naptárnyomásszabályozásverses óraMatt Webb blogjaSteam Deck fürdetéskontakt grillezéscéges pizzasütéspizzatészta receptjeinkpauzaBartók élményekTwitterünk - Kotyogós podcast officialAntenna twitterenGergő twitterenÍrhatsz nekünk e-mailt: kotyogospodcast@gmail.comHa meghívnál minket egy kávéra és ezzel hozzá szeretnél férni a specialty tartalmunkhoz megjelenés pillanatában:Patreon támogatásHa beszélgetni akartok velünk és hallgatótársaitokkal akkor Telegramon is megtehetitek ha a "t pont me per kotyogos"-ra mentek.

Port wine comes from the Douro Valley, Spain. It wasn't long ago that we tasted a wine from the Douro Valley, Spain. The river continues west through Spain and runs directly through Portugal before it empties into the Atlantic Ocean at the City of Porto. This is Portugal's second largest city and the namesake of the wine. Port wine is highly regulated. No other area can produce “Port” wine. After the start of fermentation, and when about half of the sugar has been converted to alcohol, a spirit, normally brandy, is pumped into the juice to stop the fermentation. The result is a sweet and high-alcohol wine.There are two types of port; vintage port and tawny port. A vintage port will happen about 3 out of 10 years and happens when conditions are just right to produce the best port. These ports are produced and bottled after approximately two years. They are often ready to drink after 4 or 5 years, but can normally be aged for many years. Tawny port originally got its name from wine aged so long that it lost its red color and became a tawny brown or tan. Today it is typically labelled 10 or 20 years, or more. Tawny ports are normally smoother than vintage ports. According to the Oxford Companion to Wine, today, Tawny Ports are many times no older than a vintage port and may even include white ports or wine-making techniques to get the desired color.We also want to talk about two varietal wines. First is Tinta Roriz, which is what the Portuguese call Tempranillo. The second variety we want to talk about is Touriga Nacional. This is traditionally the main grape variety used in port wine, but is becoming a more important single varietal wine grape. It has also expanded to France, South Africa, Australia, and the US in recent years. Mainly because it is a heat-resistant grape variety. Tonight, we are enjoying:2019 Ermegeira Tinta Roriz MIA. It comes from the Lisboa region of southern Portugal and has 11.5% alcohol. I purchased the wine at Wine Styles for around $28. It is certified organic and suitable for vegans according to the website. Vivino says the wine is earthy, juicy cherry, boysenberry, Raspberry, slightly grippy. The grapes are lightly pressed to limit extraction. Only grapes from his own estate are used. All stainless steel used I production with no SO2 at all. 100% Tinta Roriz (aka Tempranillo)10 Year Old Kirkland Tawny Porto. I purchased at Costco for $16.99. Reverse Wine Snob says aromas of prunes, raisins, orange zest, caramel, toffee, some nutty notes, some bourbon and a good bit of heat. Tastes silky smooth, sweet, and fruity with raisiny fruit notes, more caramel, toffee, and nutty notes. Recommends a buy. Pair with a rich dessert. We both loved the Tinta Roriz and gave it a score of 4. This was produced in stainless steel so it is brighter than the typical tempranillo. To me it just tasted fresh and natural. The Port was good and we both enjoyed and we both scored it a 3. Had a very hot aroma, but was smooth and tasty for the most part. This is a nice price for a port and I would suggest you give it a try. You will need to be open to a strong and sweet dessert wine. Next week we are having a mystery show. Join us next week to see what wine we end up tasting.

In dieser Folge spreche ich mit Richie, einem jungen Winzer aus der Rioja, der alles hinter sich ließ, um im wenig bekannten Toro eine ganz eigene Idee von Wein umzusetzen. Was ihn dorthin gezogen hat? Alte, wurzelechte Reben auf sandigem Boden, extreme klimatische Bedingungen und die Freiheit, Wein neu zu denken. Herausgekommen ist ein Projekt namens Matsu, das nicht nur mit seinem japanischen Namen überrascht, sondern auch mit einer Stilistik, die in Toro bis dahin kaum denkbar war: weniger Holz, weniger Alkohol, mehr Frische, Balance und Ausdruck. Richie erzählt, warum für ihn Geduld und Zurückhaltung wichtiger sind als Lautstärke im Glas, wie er traditionelle Methoden mit modernem Anspruch verbindet und was Toro heute leisten kann, wenn man die Region ernst nimmt. Es geht um Tinta de Toro, um Biowein, um spontane Gärung, um alte Betonbehälter und um die Frage, was einen ehrlichen Wein heute eigentlich ausmacht. Eine Episode über Mut, Herkunft, Wandel – und darüber, wie man mit Respekt vor dem Alten etwas ganz Neues schafft.

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I guess the book was about giving hope because I realized how much we could do together. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. We all have a role. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I like young people to know that they're extremely powerful. So I'm one person, but I think I always had this positive idea about my role. You cannot let anyone tell you what limitations are there, so you shouldn't feel limited by anyone telling you this is as far as you can go, or this is what you can do. I think only you know about that, and I think you start step by step. When I did the first case, I learned some things. Then was the next case. When the time to learn comes, learn with all your might because that's gold. It's a moment in life when you have the time to actually do that. Get informed. People who are into Googling everything should open up their searches, go out there, and learn in a different way. Don't hold back.I guess the book was about giving hope because I realized how much we could do together. If a person can manage to argue and make a major impact in the way we are understanding treaties in human rights or other things, imagine what could be if every single person is in their own place in some field, with that alertness and synced in the same way. I believe that ordinary people are the ones bringing changes here. I believe that the communities gathering together – for example, I am seeing that in this country around the protection of rivers – are the ones that will mark the change. It's not going to come from above; it's going to come from below, up. And that means all of us. We all have a role.To the young people, I would say you have the right to joy, and you have the right to be happy. Working for the protection of what we love the most will make you happy. So get into a positive mindset. Learn all you can. Be part of things that make you feel positive. You will see how you will find your way, and there is no place for feeling disempowered. This is the moment where you should feel very powerful because it is us who are going to make the future of this Earth.”Monica Feria-Tinta is a British-Peruvian barrister specialising in Public International Law. She has been called one of ‘the most daring, innovative and creative lawyers' in the United Kingdom, and was shortlisted for “Barrister of the Year” at The Lawyers' Awards 2020 and at Chambers and Partners UK Bar Awards 2023 for her work in addressing climate change and environmental degradation. In 2020, she acted before the Constitutional Court of Ecuador in Los Cedros case, the first ‘Rights of Nature' case in the world. In September 2022 her work as Counsel secured a win in the Torres Strait Islanders case, a landmark moment in which the UN Human Rights Committee found a Sovereign state responsible, for the first time in history, for lack of action in addressing climate change. She is the author of A Barrister for the Earth: Ten Cases of Hope for Our Future.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Não é só tinta: é autoestima, superação e conexão humana | #podcast #empreendedorismo #podcastbrasil

Jill Damatac joins Let's Talk Memoir for a conversation about growing up undocumented in the US and how she ultimately self-deported, weaving Filipino food, mythology, history, and culture in her narrative, opting for a hybridized memoir to mitigate the fear of talking about her experience, American exceptionalism, internalized doubt and unworthiness, contextualizing the self within a broader set of stories, when fear is a defining container for our lives, being willing to announce our lived experience via memoir, wanting to shrug off the yoke of shame, offering the reader a kaleidoscopic view, and her new memoir Dirty Kitchen A Memoir of Food and Family.   Also in this episode:  -sifting through hybridized aspects of a memoir -knowing where to cut and where to expand  -shame around trauma writing   Books mentioned in this episode: Another Country by James Baldwin Bodywork by Melissa Febos How to Write an Autobiographical Novel by Alexander Chee The Art of Memoir by Mary Karr   Jill Damatac is a writer and filmmaker born in the Philippines, raised in the US, and now a UK citizen, she lives in the San Francisco Bay Area. Her film and photography work has been featured on the BBC and in Time, and at film festivals worldwide; her short documentary film Blood and Ink (Dugo at Tinta), about the Indigenous Filipino tattooist Apo Whang Od, was an official selection at the Academy Award–qualifying DOC NYC and won Best Documentary at Ireland's Kerry Film Festival. Jill holds an MSt in Creative Writing from the University of Cambridge and an MA in Documentary Film from the University of the Arts London.    Connect with Jill: Instagram: https://www.instagram.com/jilldamatac/ Website: https://www.jilldamatac.com/ Get the book: https://www.simonandschuster.com/books/Dirty-Kitchen/Jill-Damatac/9781668084632   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

The idea of a pristine kitchen with clean countertops feels distinctively American, or an all-American idealist. However, the concept of the American ideal, or the American dream, desperately needs to be challenged. How better to do that than through food? My guest this week, author and filmmaker Jill Damatac, does just that in her new memoir, Dirty Kitchen: A Memoir of Food and Family.  Jill was born in the Philippines, raised in the US, and is now a UK citizen living in the San Francisco Bay Area. Her film and photography work has been featured on the BBC and in Time, and at film festivals worldwide; her short documentary film Blood and Ink (Dugo at Tinta), about the Indigenous Filipino tattooist Apo Whang Od, was an official selection at the Academy Award–qualifying DOC NYC and won Best Documentary at Ireland's Kerry Film Festival. Jill holds an MSt in Creative Writing from the University of Cambridge and an MA in Documentary Film from the University of the Arts London. Her new book, Dirty Kitchen, is a food memoir of 22 years undocumented in the United States. In today's episode, we explore her memoir as a unique narrative that combines recipes, Filipino histories and mythologies, American immigration experiences, food writing, and personal narratives. Jill describes how she structured the book, how Filipino diasporic recipes relate to diasporic and migrant experiences, and the relationship between American foods and rebuilding a sense of self through Filipino foods after living undocumented for many years.  Resources: Buy Dirty Kitchen: A Memoir of Food and Family Website: https://www.jilldamatac.com/ Instagram: @jilldamatac