Podcasts about fever to tell

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Do we have another episode out? Yeah yeah yeah we do! This week Meag and Wes from Yada Yada take us through the 2003 debut album Fever To Tell by Yeah Yeah Yeahs, and just like a fever, things get sweaty.  We'll sip on Brass Monkeys, chat about the New York indie scene in the early 2000s, and sing lots and lots of "yeahs." Make sure to go listen to "Emoticon" right now! You'll be so happy you did. And keep an ear out for a new EP release/release show in early November from Yada Yada! Thank you to Cameron Bopp for editing our show and writing our theme song!You can find Album ReBrews on Instagram here and Twitter here. (@albumrebrews)TW/CW: Explicit language, alcohol use and references, sexual references, troubled relationships.Fair Use Disclaimer: Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.Fair use is permitted by copyright statutes that might otherwise be infringing.Logo Attribution: Thank you to Vecteezy for providing free vectors used as part of our podcast art. Support the show

Wait... they don't rank you like I rank you. Chris and Nikki rank and explore the discography of New York garage-rock revivalists/disco-post-punk pioneers, Yeah Yeah Yeahs! In part 1, we delve into the huge debut, 'Fever To Tell', the more polished follow up, 'Show Your Bones', and the ambitious 'It's Blitz!' All of our top choices are in the Spotify playlist for this episode: https://open.spotify.com/playlist/31oE2QdQMvstyRVqGpJRIV?si=1c33025c2200441d --- Send in a voice message: https://podcasters.spotify.com/pod/show/blackbandtshirt/message

The Yeah Yeah Yeahs joined us for a special performance and conversation today, hosted by Klein. Ally. Show from the DTS Sound Space in Los Angeles, giving fans a taste of what to expect on their 2023 summer tour now underway. Currently on the road in support of their 2022 comeback album Cool It Down, Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs kicked off their 2023 tour itinerary at the beginning of May and will be making stops in several major U.S. cities including Atlanta, Houston, Chicago, and more before hopping across the pond to wrap in Europe at the end of August. It's an exciting time for the Yeah Yeah Yeah's, performing at the Just Like Heaven festival on May 13 amid a headlining tour, new music recently released, and on top of all that it's the 20th anniversary of their 2003 debut, Fever To Tell. “We had like an early dinner, that was really celebratory,” singer Karen O. says. “Mother Wolf, I think it was… they spoiled us, and it was like one day into practice, which is probably too early into practice. Yeah, there's no real knowing how to celebrate 20 years,” she admits. One form of commemoration arrived via a new-to-most video short, There Is No Modern Romance, shot back when the band was on their 2003 U.K. tour. As huge fans of Alternative music in the ‘90s and 2000s, Ally says, those are the decades that will always be obsessed over, while wondering if the band members have the same kinds of attachments. Guitarist Nick explains, “I mean… I still don't really know how to answer this question. It's so abstract and it was such a, obviously completely different time, and a lot of ways, a much more innocent time… The 'indie sleaze' times. But, I don't know, like, I still can't really wrap my head around it. We are the same people, but we're also totally different people.” Looking back at their beginnings, “We had no plan,” Nick admits. “Absolutely. No plan.” Karen adds, “Not only did we have no plan, I remember around the time before we put out ‘Fever To Tell,' we were touring with some friends of ours, and I remember being like -- this isn't like throwing shade -- but I was just like, our friends who we were playing with were like a bit older than us. And I was just like, ‘Man, I will never be a band for more than 12 years… There's no way.' And now I'm like, wow, we're the luckiest band in the world to be around for 23 years. It's so my perspective has changed a lot on that.” With the Just Like Heaven festival fast approaching, drummer Brian says the band is looking forward to catching up with old friends. “We're gonna get to catch up with a lot of people we haven't seen in a while, like The Walkmen especially, who I think we played one of our earlier shows with them back at this venue called The Cooler. And here we are maybe 22 years later playing a major festival in the Los Angeles area. So, super amazing." Hoping the band can help settle a debate about annoying concert attendees, Ally asked who they would consider the most obnoxious out of a couple of selections. Who is worse: the person recording the entire concert on their phone, or intoxicated fans screaming out "Play 'Maps' again"? Nick and Karen remember one festival date when a random guy kept yelling his request of "Heads Will Roll" over and over, leading Karen to address him from the stage. It was from the second song on... a few songs in I was like, 'YOU HAVE TO BE PATIENT!' But, you know, I get it." "I do think the person filming the entire show is way more annoying," Nick admits. Don't miss our full conversation with the Yeah Yeah Yeahs in the DTS Sound Space above -- and stay tuned for more exclusives from your favorite stars and artists right here on Audacy. Words by Joe Cingrana Interview by Klein.Ally.Show

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerYeah Yeah Yeahs “Maps" from the 2003 album "Fever To Tell" released on Interscope. Written by Brian Chase, Karen Lee, Orzolek, and Nick Zinner and produced by David Andrew Sitek and Yeah Yeah Yeahs.Personel:Brian Chase - drumsKaren O - vocalsNick Zinner - guitars, drum machineCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:The Weeknd "Blinding Lights"

As broadcast April 17, 2023 without any history?  Tonight we start with a cover of the Yeah Yeah Yeahs by Samia then make moves into the rest after Danno faked himself out with the history.  Great new tunes to feature from The National, Fruit Bats, april june, and many more in our first hour, along with a highlight of Busan indie darlings Bosudongcooler and their upcoming gig in Seoul on the May 5 Children's Day holiday.  Parts 3 and 4 we are always about the new pop just out and Korean indie, but we've also added a spotlight on this weekend's Coachella festival, which saw a heavy Korean presence from some usual and most unusual suspects we were very happy to see getting some international recognition.Tracklist:Part I (00:00)Samia – MapsMiya Folick – So Clearapril june – your nameSarah Kinsley – Oh No Darling!Portugal, The Man feat Edgar Winter – ChampAnimal House feat Band of Skulls – You & MeAlbert Hammond, Jr. feat GoldLink – 100-99 Part II (32:34)The National feat Phoebe Bridgers – Your Mind Is Not Your FriendAndrea Bejar – Quien Tengo Que SerFruit Bats – Sick of This FeelingTeenage Priest – EnjoyerNation of Language – Weak In Your LightBosudongcooler – Kill MeBosudongcooler – James Part III (65:08)BLACKPINK – Shut Down2NE1 – Come Back Homealdn feat Chloe Moriondo – pressure  Jorja Smith – Try MeSZA feat Doja Cat – Kill BillPost Malone – ChemicalHYUKOH – Tokyo InnPart IV (95:57)kenessi – I wannaFOOL IN THE POOL – IllusionJI JIN SEOK feat An Ye Seul – I'll only give you pretty thingsSonya – Miyaong (Art Cat)g0nny – All Was WellJAMBINAI – Time of ExtinctionJAMBINAI – from the place that's been erased

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Matt KersnerYeah Yeah Yeahs “Maps" from the 2003 album "Fever To Tell" released on Interscope. Written by Brian Chase, Karen Lee, Orzolek, and Nick Zinner and produced by David Andrew Sitek and Yeah Yeah Yeahs.Personel:Brian Chase - drumsKaren O - vocalsNick Zinner - guitars, drum machineCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Lynyrd SkynyrdGary RossingtonBlack MirrorThe Allman Brothers BandGreg AllmanThe Dead and CoJerry GarciaJohn MaherBob WeirPhil LeshThe Other OnesThe Grateful Dead “Shakedown Street”GooseBarack ObamaMOE. “Captain America”Dark Star OrchestraThe Spinners “The Rubber Band Man”MotownStaxBruce Springstein “Born to Run”QueenThe OffspringThe New RadicalsMarcy's PlaygroundCreedPhishThe WhoJohn EntwhistlePrince “Little Red Corvette”Levon HelmGarth HudsonScreamin Jay HawkinsBruce Springstien “Atlantic City”The Band “The Weight”Rainbow Kitten SurpriseKings of LeonKaty PerryKelly Clarkson “Since You've Been Gone”Ted Leo and the PharmacistsMax MartinRadioheadMeet Me In the BathroomThe StrokesLCD SoundsystemBack to the FutureChuck BerryTV on the RadioBeyonce “Hold Up”Vampire WeekendJoan JettChrissie HyndeMiley CyrusPheobe Bridgers “Kyoto”Japanese BreakfastSquirrell FlowerSoccer MommyTom MorelloRage Against the MacineBand of Horses “No One's Gonna Love You”Black SabbathLed ZeppelinLazy SundayAnderson PaakMacy GreyFriya RidingsArcade FireThe White Stripes

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Caleb Clark and Amber Richardson discuss artsy garage rock band Yeah Yeah Yeahs. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/caleb-clark6/support

Miss Jean spearheads the crew through the turbulent debut album from the Yeah, Yeah, Yeah's - the beginning of the Karen O legacy. What a ride it is.

Our Three Albums: Youth and Young Manhood by the Kings of Leon; Fever To Tell by The Yeah Yeah Yeahs; Chutes Too Narrow by The Shins

In this episode, we take a look at the Yeah Yeah Yeahs albums, Fever to Tell and Show Your Bones.

On this first edition of the TRAPPO album exchange, Ky introduces 1968's classic rock masterpiece Electric Ladyland by The Jimi Hendrix Experience and Dustin submits 2003's seminal art punk revelation Fever To Tell by Yeah Yeah Yeahs. Will either of these albums find their home in the TRAPPO Essentials Can(n)on? Tune in and find out! And while you're here, why not join the conversation? Visit the official TRAPPO blog and tell us what you think about our picks. What albums would you like to see join the TRAPPO Essentials Can(n)on? What else is on your mind? Leave a comment and tell us! Or you could always send us an email, or visit us on Twitter or Instagram and let us know how we're doing! Thanks for listening! --- Send in a voice message: https://anchor.fm/trappo/message

On this week's episode the Boys return to NYC circa 2003 as they take on the Yeah Yeah Yeah's heavily hyped debut album Fever to Tell.

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week's guest is Missy of Mannequin Pussy. Today we're talking about "Fever to Tell" by Yeah Yeah Yeahs (2003). On top of chatting about this amazing album, we chat about my weird hang up with the term "art punk," how the Strokes are actually a really good band, and how it seems like no are artists are really broken anymore by TV. While in the early 2000s, we had Buffy, Dawson's Creek and simply music videos on MTV. Also, is Ridiculousness the only thing on MTV these days? Episode edited/produced by Sarah Blumenthal Theme song performed by Pretty Matty

Min tone i livet er nået til afsnit #100! Jubilæumsgæst er musikeren Maria Apetri alias Fallulah, der er aktuel med albummet All My Eyes Are Open (https://gaffa.dk/anmeldelse/146144/anmeldelse-to-dele-modes-i-en-velklingende-helhed/). Hendes tone i livet er ”Cold Light” (https://www.youtube.com/watch?v=lXL4yI_hNdg) med den amerikanske rockgruppe Yeah Yeah Yeahs. En sang, som minder Fallulah om et ophold på en danseskole i New York i 2006. I Yeah Yeah Yeahs upolerede punk-udtryk hørte Fallulah dog noget, der udstak en anden retning end dansen. Sangen og bandets album Fever To Tell blev livsændrende og gav Fallulah selvtilliden til at stå ved sin egen, spirende musikalske stemme: ”Jeg kunne mærke, den talte til noget dybt i mig, som jeg ikke vidste eksisterede. Den fik stor indflydelse på, hvordan jeg selv kom til at skrive musik fremadrettet.” Fallulah har siden opnået stor anerkendelse for sin originale, genreblandende popmusik. I de senere år har hun bl.a. været initiativtager til ”Hej Søster” (https://hejsoester.com/), der sætter fokus på kvindelige musikere i ind- og udland. Foto: Julie Montauk Varighed: 6:07 Min tone i livet går på juleferie og vender tilbage med nye afsnit i starten af 2021.

Karen Lee Orzolek, or as the world knows her, Karen O, is a South Korean-born American singer, songwriter, musician, record producer, director, and it must be said, style icon. She is also famously the lead singer for Yeah Yeah Yeahs, who along with members Nick Zinner and Brian Chase, have produced a highly alternative and hugely popular body of work over the years, which is further complimented by her own solo and collaborative releases. Born to a Korean mother and Polish father in 1978, she grew up in New Jersey before attending college in Ohio where she met drummer Brian Chase, and after transferring to an art college in New York, she met guitarist Nick Zinner - the three formed the art-rock group Yeah Yeah Yeahs in 2000. With their first gig opening for The White Stripes, and their debut self-titled EP cracking number 1 in the UK indie charts, they quickly became a vital band in New York's rock scene of the 2000s. Their albums Fever To Tell, Show Your Bones, It's Blitz! and Mosquito all received critical acclaim and commercial success, with the NME ranking Fever To Tell in 2009 as the Number 5 in their Best Albums of the Decade poll. Alongside the success of Yeah Yeah Yeahs, Karen O also became heavily involved in the art, fashion and film world, providing soundtrack contributions for director's including Spike Jonze, David Fincher, Tim Burton and David Lynch. This also extended into a long list of collaborations with artists such as Flaming Lips, Har Mar Superstar, Deerhunter, Santigold, Peaches, Parquet Courts, and most notably her Danger Mouse collaboration album, 2019's Lux Prima. This followed up from her gorgeous 2014 solo album ‘Crush Songs', released on Julian Casablancas' label Cult Records. She even recently released a song written for Kenzo's Spring/Summer collection. So come along for the ride as we delve into selecting our favourite songs from the queen of modern rock Karen O and rulers of the art-rock world, Yeah Yeah Yeahs.

The 'My 00s No1 Album' series of bonus podcasts continues with Graham Wright from Tokyo Police Club naming his favourite album of the era. Remember, you can catch up with our full chat with Graham about the Tokyo Police Club story in our library, and we'll have a new full-length episode with another 00s indie star landing on Saturday. Tokyo Police Club fan? Share your memories of the band with us:  Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - boysinthebandpod@gmail.com Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 7 October 2020* 

In our new episode George nominates her ultimate 'getting ready to go out' album, the spectacular debut record from New York City's Yeah Yeah Yeahs. Will Liam and Grant love it like she loves it? All music samples used in this episode are copyright Interscope Records.   Flawless is hosted by Liam McGinniss, George Mannion and Grant Parkin, and produced by Liam McGinniss.   Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/ You can also back us on Patreon: https://www.patreon.com/flawlessamp

Monday's Bombshell (Bombshell Radio)Generating Steam HeatBombshell Radio 4pm EST 9pm BST 1pm PDT bombshellradio.com GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioPatti Smith-Piss Factory (B side of the Mer Records 7’’ ‘Hey Joe’ 1974)The Jim Carroll Band-All The People Who Died (From the CBS Records album ‘Catholic Boy’ 1980)Dim Stars-Baby Huey (Do You Wanna Dance) (From the self titled Caroline Records album 1992)Bobby MacFaddon & Dor-The Beat Generation (B side of the Brunswick Records 7’’ ‘The Mummy’ 1959)Television-Little Johnny Jewel (Ork Records 7’’ 1975)Nation Of Language-Indignities (Self released 7’’ 2019)Talking Heads-Stay Hungry (From the Sire Records album ‘The Name Of This Band Is Talking Heads’ 1982)Bush Tetras-Can’t Be Funky (From the ROIR Records cassette album ‘Wild Things’ 1983)Mars-3-E (Rebel Records 7’’ 1978)Heart Attack-Toxic Lullabye (From the Ratcage Records EP ‘Subliminal Seduction’ 1984)The Features-Floozie Of The Neighbourhood (Paradox Records 7’’ 1979)Ramoms-Going Into 3rd (From the Pirates Press Records EP ‘Teachers Pets’ 2019)Nico-Chelsea Girls (From the Verve Records album ‘Chelsea Girls’ 1967)Lizzy Mercier Descloux-Hard Boiled Babe (From the ZE Records album ‘Press Color’ 1979)Yeah Yeah Yeahs-Y Control (From the Interscope Records album ‘Fever To Tell’ 2003)

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter!Say hello to @BlakeMurphyODC and @JGoldsbie as well.And please follow this week's guest @sarahsmacdonald. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerchOr reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts. See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Other podcasts don’t love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah’s 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman’s Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock’s beating heart. Find out more about the importance of Karen O as a female presence in the genre’s renaissance, Maps’ legacy as one of the best love songs of all-time, and why you can’t trust someone with a fauxhawk on this week’s podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter!Say hello to @BlakeMurphyODC and @JGoldsbie as well.And please follow this week's guest @sarahsmacdonald. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerchOr reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today’s show, please rate Columbia House Party 5-Stars on Apple Podcasts. See you next week for an all new episode of CHP.

Part 2 of our Yeah Yeah Yeahs miniseries.

We can hardly contain our excitement as the WORLD CUP is almost visible in the distance! Gareth Southgate’s heroic England dispatched Nigeria at Wembley, Germany arrogantly leave out Leroy Sane, and Peru’s reinstated hero Paolo Guerrero looks the business at a crucial time. It’s all happening. On top of all this we hear tales of Marcus’ historic meeting with the one and only Kevin Keegan, reveal our fabled Premier League predictions from the start of the season and get a surprisingly unsurprising peek behind the curtain at Legoland. Search ‘Football Ramble’ on social media to find us, and email us here: show@thefootballramble.com***Please take the time to rate and review us on iTunes or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!***Further reading:England are wary of retrospective punishment at the World Cup:https://www.independent.co.uk/sport/football/world-cup/world-cup-2018-england-gareth-southgate-var-diving-raheem-sterling-a8381506.htmlPaolo “Paul Warrior” Guerrero:https://www.theguardian.com/football/2018/jun/03/paolo-guerrero-perus-warrior-striker-relishing-redemption-chanceThe lesser seen green card is used in the Confifi World Cup:http://www.skysports.com/football/news/12010/11393393/referee-shows-green-card-in-conifa-world-football-cup-match See acast.com/privacy for privacy and opt-out information.

A few months ago, I was on a serious Pete Yorn kick. The singer-songwriter, whose best-known album is his 2001 debut Musicforthemorningafter, has put out several quality LPs over the past two decades, including 2003's Day I Forgot and 2006's Nightcrawler. In 2016, he released a really good (and largely unheralded) comeback record, ArrangingTime, which arrived after a six-year hiatus. Because Yorn himself is unassuming and workmanlike, he's often been overshadowed by some of the flashier rock artists of the early '00s. But for all the talk about Is This It, White Blood Cells, Fever To Tell, and Turn On The Bright Lights, Yorn's early records are just as worthy of canonization.  One day, I decided to blindly reach out to Yorn on Twitter and ask if he would want to come on my podcast. To my surprise, Yorn responded and agreed to chat. Even better, he had new music to promote — a just-announced EP with friend Scarlett Johansson called Apart, the followup to their 2009 collaborative album Break Up, due out June 1. Thanks Twitter! I can't believe you were good for once!

Dan and Bob are back in the garage to discuss "Fever To Tell", the 2003 breakthrough release by the Yeah Yeah Yeahs. The guys debate where "Maps" stacks up amongst the best songs of the '00s and wonder if there's a cooler date to enter a room with than Karen O. (Probably not.)

Little Dickman Records' Amy Dickman (littledickman.com) joins Bill and Brian to discuss Yeah Yeah Yeah's debut Fever to Tell (2003, Interscope). 

This week, we spend some time getting to know chaos. Both in the body of The Yeah Yeah Yeahs Fever to Tell, and in Mark’s garage. Both an existential and recorded. But damn, sometimes I think you need to unravel a little bit so you can feel alive! Sometimes you need to stare into a yawning chasm in order to appreciate feeling alive. I should know, cause I felt a little more alive after recording this week’s show. ### A Few Minutes With ### Also, there’s some Blink 182 and Sarah Jaffe. ### Coming Up ### The Chairman stops by. We review “In the Wee Small Hours” by Frank Sinatra. We’ll finally get into the 1950’s. So don’t miss that shit. Laterz…

Drummer and vocalist Liz Ele from Arsenal Road, The Sentinels, and Skirt Steak stops by to discuss being one of the most in demand drummers in Chicago as well as being the frontwoman of her own project.   We also discuss "Fever To Tell" by The Yeah Yeah Yeahs!