Podcasts about Parquet Courts

Dear wonderful readers,Today, we have the ultimate treat for you all! This week, two shameless sex writers on Substack sat down to share our personal experiences of what it's really like to publish the details of our intimate lives on the internet.Share the steam with a spicy-minded friend

Philadelphia-based radio station WXPN often asks listeners to submit top 10 lists for various types of music to be compiled, calculated, and ranked to produce a list of the 885 best, according to those that were submitted. This year, they dedicated that to songs of that have been release from the year 2000 to today.Of course we'll be joined by Dan Drago of 25 O'Clock Pod, and Nate Runkel of Yo! That's My Jawn and we'll each share our thoughts on the list as it wraps up, who was on our Top 10 lists and how they curated it and whittled it down.And who knows - maybe there will be a surprise or two during the broadcast.Phil's Top 10 List"I and Love and You" by The Avett Brothers"The National Anthem" by Radiohead"S.O.B." by Nathaniel Rateliff & the Night Sweats"Black Parade" by Beyonce"Around the Corner" by Mike Mains & the Branches"'Gideon" by My Morning Jacket"Hollywood Lovesong" by Dirty Dollhouse"It's All Over Now" by Blair Crimmins & the Hookers"Bulletproof Glass" by The Accidentals"If Nothing Happens" by Corver CommodoreDan's Top 10 ListSpoon- "Finer Feelings"Hop Along- "Texas Funeral"Aesop Rock- "Labor"Low- "When I Go Deaf"Neko Case- "This Tornado Loves You"Four Tet- "My Angel Rocks Back And Forth"Ted Leo & The Pharmacists- "Where Have All The Rude Boys Gone?"Parquet Courts- "Borrowed Time"Grandpaboy- "Eyes Like Sparks"Luna- "Black Postcards"Nate's Top 10 List"IMPOSSIBLE GERMANY" - WILCO"MAYBE TONIGHT" - NICOLE ATKINS"GREATEST MISTAKE" - HANDSOME BOY MODELING SCHOOL FT. JOHN DATES & JAMIE CULLUM"WATER" - THE ROOTS"PAPRIKA" - JAPANESE BREAKFAST"EXPERT IN A DYING FIELD" - THE BETHS"NEVER FIGHT A MAN WITH A PERM" - IDLES"BLESSINGS" - CHANCE THE RAPPER FT. TY DOLLA $IGN, ANDERSON.PAAK, BJ THE CHICAGO KID, RAURY & JAMILA WOODS"MISS SWEENEY" - WEEZER"I WANT LOVE" - ELTON JOHNText us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/wide-awaaaaake-7-116454689It's the music exchange! This month, Josh and I discuss Master of Puppets by Metallica and Wide Awaaaaake! by Parquet Courts. Also I'm returning to the service industry.Music by Metallica, Parquet Courts, and SHADE08 ★ Support this podcast on Patreon ★

"Stoned and starving" for music other than Gangnam Style (from 2012)? Deep Cuts: Lost and Found has just what you need - overlooked tracks from Parquet Courts, Tame Impala, Idles, Bob Dylan, ALT-J and more... Learn more about your ad choices. Visit megaphone.fm/adchoices

This Thursday, Milly is joined by Chris Fowley from the Hempstore to talk all things green, James and Craig from Pink Plates who make a delicious cocktail, A. Savage from Parquet Courts to talk his solo show at The Others Way. What a show, cheers for tuning in!   Thanks to The Beerspot!

Brian Ritchie is our first guest whose primary instrument - the one that helped make his band Violent Femmes a household name - is an acoustic bass. Today we hear how all that came to be, the band's path from busking on the streets of Milwaukee to rocking stadiums, and why their approach really hasn't changed all that much. Along the way he tells some funny stories about early gigs, opens up about a new acoustic bass he's gotten his hands on and even shares what Flea told him about working with producer Michael Beinhorn. Also - and this will make sense after you listen - here are two updates to things I say in this episode: My amazing engineer/mixer Matt Noble pointed me to lutefish.com, a hardware-software set-up that does enable near real-time jamming over distances less than 500 miles. I haven't tried it out, because it requires being hardwired to my modem and that's too far away from my basses. Parquet Courts' (fantastic) bassist Sean Yeaton doesn't play a stock short scale bass - it's a frankenbass made up of the body and pickups of an ‘84 Fender Bullet bass (short scale) and the neck of a '50s P-Bass reissue (standard scale). It also has a weird hole in it. Violent Femmes (https://open.spotify.com/artist/0rpMdBzQXf7aYRnu5fDBJy?si=XfFHPeSkTUyqNHhdWKdAgQ) Brian Ritchie's solo stuff (https://open.spotify.com/artist/5VlujeJlkf1SEspNUbdhq8?si=pREJiCIQQJKztGtRFon1Og) Big Johnson Basses (https://bigjohnsonbass.com/) - Brian Ritchie's next new favorite bass? And here's a video demo (https://www.youtube.com/watch?v=0KeWe0KUznk) by its creator. Guitars For Vets (https://guitars4vets.org) - a very cool charity, check it out This episode is brought to you by "The Bastard Instrument: A Cultural History of the Electric Bass," the essential new book that illuminates the origins and impact of our beloved instrument in all its glory. An amazing read. Buy it at Amazon (https://www.amazon.com/Bastard-Instrument-Cultural-Electric-Tracking/dp/0472056816/) or your favorite book slinger. And check out author Brian F. Wright's website (https://www.brianfwright.com/) for unreleased content from the book and more of his writing.  

This week on the pod, jD sits down with Ross to discuss his Pavement origin story and reveal track 15. Transit: Track 2:[0:00] Previously on the Pavement Top 50. Coming in at number 16, it's Fill More Jive. It's the third song from Crooked Rain, Crooked Rain, behind Stop Breathing at 28 and Cut Your Hair at 21. So this song actually beats Cut Your Hair, which is, I don't know, is that surprising? Is that surprising to you? You no i'd rather pick bill more jive over over cut your hair but i mean cut your hair is the pop song so yeah yeah that's why i was surprised it wouldn't be in the top five or something i was you know just looking at the spotify uh the spotify plays you know uh-huh cut your hair is like way up there and bill more jive is not right right so is is it do you consider it like a deep cut like when you guys went to it on the most recent tour was it um was it a deeper cut in the bag of songs that you brought yeah i say a deeper cut because i don't think we we did it in 2010, okay and we hadn't done it for years in the 90s like i think we did it in 94 and maybe they did it with Gary too before me.Track 2:[1:23] So I would say it's a deep cut live, but in terms of, you know, records, you know, for people to really enjoy, it's a pretty great number.Track 3:[1:46] Hey, it's Shady here, back for another episode of our Top 50 Countdown for sentimental indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads. I then tabulated the results using an abacus and an abacus for dummies book. How will your favorite song fare in the rankings? Well, you'll need to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Ross from Fife. How the fuck are you doing, Ross from Fife? I'm good. Good from Fife.Track 3:[2:24] Excellent. This is good news. It's always nice to talk pavement with somebody, especially when they're doing well. Well, I don't get enough chances here to talk about anything pavement, so. Well, we're going to do that right now. Let's hear your pavement origin story. Story um well the very first time i heard pavement and this only came back to me in the last couple of weeks uh as i was thinking about you know this interview um and either it was either late 99 or early 2000s my high school girlfriend put major leagues on a mixtape you remember when you used to make mixtapes for you know for sure for your crush or your significant other at the time or whatever yeah she she made me a mixtape with uh major leaks and i i liked it it didn't set me off on my journey or anything you know but that's that's the first time i'm definitely aware of having heard Pavement. Right. A couple of years later, one of my friends.Track 3:[3:38] It was right about the time of, like, Eminem was huge. Dr. Dre had just released 2001. Yeah. Snoop Dogg was big. One of my friends flipped almost overnight from being an indie rock fan to a hip-hop fan. Oh, wild. So, yeah, I guess he was giving away his old CDs that he didn't listen to anymore or whatever. And he gave me Terror Twilight. It was a... I can't remember if he thought, right, Ross would like this or if he was just getting rid of it, you know? Yeah. But it really took me by surprise. I really liked it.Track 3:[4:27] At the time I was technically homeless. I wasn't living on the streets or whatever. I was crashing on people's couches. I was going through the sort of system like halfway houses and whatever. So I didn't have much possessions. but one of the one things I did have was Terror Twilight, and I would listen to it all the time while playing my Nintendo Game Boy or whatever and, it kind of felt like a it felt like a secret you know like my secret, because I'd never met another single living soul who had heard of Not just the album, but the band. I remember round about, it would have been the back end of 2001.Track 3:[5:28] Just pre-9-11, which seems weird, but that's the way that I remember this particular. I was on a lunch break at my first job, and I read a review of the first Malcolm A Soul album.Track 3:[5:49] And the review spent more time talking about Pavement than it did, you know, his new band, basically stating that, you know, these guys are legends, just they didn't get their due or whatever. No, I agree with that. So, yeah, a year later or whatever, I've got Terra Twilight, I love it. These guys are such enigmas to me you know this is before I was on the internet I couldn't Wikipedia them, I couldn't you know, there was no YouTube, stuff like that and by the way all this is, well some of this is on your 17th or 18th episode Krelvid User, you read out my letter oh gosh I had totally forgotten about that I remember I have a terrible memory you asked for submissions because back then a lot of the songs were quite short or even non-existent so yeah I got day drunk one day.Track 3:[7:10] I'd been out with colleagues and I thought I'm going to write JD a letter and tell him how I yeah so.Track 3:[7:20] My next the next part of the story is, I knew about the re-releases I think at some point, I don't know why I bought Sebado 3, the re-release of that album and, the album on the front it had a sticker with some sort of blurb from a music journalist saying that, This album, along with Pavement, created the blueprint for American indie. Jesus, high praise. Again, that just put it in my head. And I didn't even like Sebado Free that much. I quite like the band altogether, but I don't think it's a great album. So round about that time we're still talking about 2002 3, 4 maybe I don't have a great memory either, I go to Glasgow to watch a British band Rubin, I don't think they're around.Track 3:[8:30] Anymore but their first couple of albums were pretty good we go to King Tut's Wawa Hut, which is quite a famous venue because it's where uh oasis got signed by creation really yeah oh cool um it's a tiny place you can only fit you know two three hundred people in it maybe even then that might be a fire hazard uh but even before before the gigs played and the the venue's underground, it's like in a basement, before the gig me and a couple of friends are upstairs and I'm going through the jukebox, they've got one of these sort of.Track 3:[9:20] They're old fashioned now, but at the time they were quite modern, the jukeboxes where the album covers flip over in front of you, you know? Yeah. And I find a pavement, Slandered and Enchanted, and it's like, oh, that's that band, that's Territorial, you know, I keep hearing about them. So I stick five songs on, don't even hear them because, you know, the bar's so crowded, so noisy. But still it sticks in my head I want to learn more you know so a short time after that, I'm shopping locally in the nearest sort of large town.Track 3:[10:09] And I go into MVC it's a I don't know if it was an offshoot of HMV. I don't know if you've got any of this in Canada or not. You did have HMV at one time. Yeah, but they're all gone now anyway. And I find a copy of the Crooked Rain re-release. Okay. But it's like £25 or something. I was making decent money at the time. I had my first proper well-paying job. I had disposable income I was no longer homeless, But I'm not going to spend £25 on this CD I've got no idea if it's good or it's bad There's like 50 tracks So I know I'm probably going to get some sort of value for money.Track 3:[11:06] I leave. I think nothing else of it. About half an hour later, I go around the corner, and there's this independent record store sleeves. People in Fife will mourn it forever. It's gone now as well, as most independent record stores probably are. But in there, I find a copy of the re-release for £5. What? yeah it's a bit battered it's a bit broken as I think all pavement records should be, but yeah no questions asked I immediately buy it.Track 3:[11:52] I read on the bus home I read the, sort of the booklet that comes with it which just the whole time it's just adding to the mystique you know because I think Malkmus writes, I think it's from an old like, article he writes like an explanation for each song and it's never quite clear if he's just taking the piss or not, he says about stop breathing is a bit of a tennis match I was like, why wouldn't it be, you know? So, yeah, that night, the Saturday night, it burned in my memory. I mentioned this in the Creelvid user video as well.Track 3:[12:46] All my friends are going out on the town which was never an exciting occasion, but this night especially I put my foot down and said I'm not coming out I've got to paint a wall which I did, I had a wall to paint in my living room or wherever but my main reason for staying in was I wanted to listen to Crooked Ruin, Wow So I get everything ready I get A couple of beers ready Like take a couple of bong hits Or whatever I used to do that by then.Track 3:[13:28] And I get the I get the CD ready And the stereo you know And as soon as I switch it on I'm just transfixed, Like The intro to Silent Kid Or Silent Kit whatever they call it is still one of the most exciting pieces of music to me. It's fucking spectacular. Yeah, but I'd never heard a band do that. I know they've got a reputation of not giving a fuck, and a lot of bands tried to affect that feeling back then, but this is the first time I'd ever truly heard it. Yeah, yeah. Just the build-up and you hear them talking to each other and it's like, we're just going to leave that in? And it's like, yeah, of course we are. That's the recording, you know. And I just sat down on the edge of the couch, just staring at the stereo.Track 3:[14:35] And then every song after that just added to the... It was... Yeah, it was the most exciting night of music I've ever had. Oh, Jesus, that gives me goosebumps. And for, like, a good maybe six months after that, I think it's all I listened to. Crooked Rain, Crooked Rain, Crooked Rain. And of course there was a lot to listen to because it was the re-release so I got all the.Track 3:[15:10] I got all the demos of B-Sides as well and this was, perhaps, you could call it their golden era you know it had another one of my favourite pavement tracks Grounded, it had the demo of that so you got like a sort of, you know a sneak peek of what was to come, but yeah after that I think all my friends got sick of me, talking about pavement going on about pavement and it still happens quite a lot these days, you'd hear a new song on the radio and I'd say that's just a fucking pavement rip off, you know it still happens to this day I hear a song and I think, nah, you're the biggest band in Britain just now, probably, or Wet Lake, you heard them? No, I've not. Oh, they went really viral a couple of years ago with their first video, which is She's Long. Yeah. But yeah, they're big. They're quite popular in my work. I'll run Night Shift. Sometimes the radio sucks. Sometimes it's pretty cool.Track 3:[16:33] But yeah, they were getting played in the radio quite a bit. I went and listened to their album. And the final track on the album is called Supermarket. Okay. And I'm not going to call it a pavement ripoff, but it's definitely pavement inspired. Really? Yeah. It's like they sat down and thought, like, let's write a pavement song, you know? Not rip off a Pavement song, but let's write an homage. Yeah. You can go and check it out afterwards. It's kind of Wally's Alley-ish. Huh. But yeah. What's your go-to record at this point? Oh, that's always going to be Crooked Rain. Yeah? Always. Just because of those memories? Because of the night it blew me away, you know? Yeah. Second, I would say, was Slanted. That's the record I came to next.Track 3:[17:27] Believe it or not, probably my least favorite, and there is no least favorite, it's still a pavement record. Probably the one I go to least is Wowie. Oh, yeah? And I think that's just because that's the one I came to last. Right.Track 3:[17:46] But yeah, I was thinking of weird pavement stuff to tell you. After all, the very first time I listened to WALL-E, or not the first time I listened to it, but probably my favorite song on WALL-E is Father.Track 3:[18:04] Father to a Sister of Thought. Fucking brilliant song, yeah. And in that song, they mention Corpus Christi. Right. Right. The very first time I heard that song, I was driving my car. And they mentioned the Corpus Christi part. And straight away, I receive a phone call from my dad who was working in Corpus Christi. Get out of here. Yeah, seriously. That's fucked. He was in Texas, and he phones me, and I've just heard this Corpus Christi line. Like, what the hell? and I didn't even pull over to take the phone call, which is technically illegal. Well, I'm going to turn you in. Another thing is it was weird with pavement. Once I knew of them, once I... Go into them i saw them everywhere it's like oh yeah it's like when you've never heard a word before and you hear a new word and suddenly you just hear it everywhere you know right um so yeah the other sort of weird kind of thing is uh a couple years after that i'm moved to.Track 3:[19:26] They call it a city it's not really a city dundee in scotland not a nice not a nice place, so I'd start sort of dating this girl I can't even remember if we were dating at the time, she was a bit weird I realised far too late that she was highly autistic but we were math students so that comes to the territory, and one of the weirdest things about her is she was obsessed with this cartoon from the 90s, Space Ghost. Okay, yeah. So one day we go out for coffee, and just before we go to the coffee shop, I go and buy the Bright in the Corners re-release. And what are the last two songs on it? Space Ghost. Space Ghost theme, yeah. I think that made her like me more, you know. So it went in my favor. Nicely done. Well, what do you say we get into listening to track number 15? What is that? Well, we're not going to tell you until after this break. Okay. All right, we'll be right back.Track 2:[20:53] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown.Track 3:[25:25] And there it is at track 15 from Wowie Zowie, Rattled by the Rush. What are your thoughts on Rattled by the Rush, Ross, from Fife? Well, I already said since I came to it last, Wowie's not my jam.Track 3:[25:47] I love it. It's still a pavement album. It's never the one that I go to. Right. and Rattled by the Rush might be the last pavement hit that I actually heard. Oh, really? Yeah. I don't think I heard it until at some point in the early 2000s. I bought, I can't remember what it's called now, the DVD. Slow Century. Slow Century, yeah. Yeah. I think maybe that's the first time I ever heard it. Oh because they showed the video on that right yeah I can't remember if it's the proper video or not I know that they had to re-release the video because it was making people sick, people used to be such fucking pussies, yeah um and I don't dislike the song or anything um if it's number 15 that's kind of surprising it wasn't in my top 20 No. It probably would be in my top 50. Okay. It sounds like I'm hating here. I'm not hating. No. At all.Track 3:[27:07] Well, you definitely think it's overrated at 15, so that's... Oh, yeah, definitely. Yeah. Definitely. The most interesting thing is obviously the lyrics. It's like a typical sort of malchemist crossword yeah I would agree with that I took a few notes, the opening line oh that I could bend my tongue outwards leave your lungs hurting.Track 3:[27:42] Could be sexual. Could be? It could also pertain to that tongue trick thing where people can fold their tongue up, you know? Oh, yeah, yeah, yeah. I did a little research and apparently 73% of adults can do it. I cannot do it. I can't either, but I've learned that you can teach yourself to do it. Oh, really? yeah i was i i work night shift so you've got to find ways to pass the time yeah exactly um and that was a thing that was going about work a couple of years ago everybody asking can can you do it can you not and i can't do it but i have learned that you can teach yourself but you haven't taught yourself well I, I got I got halfway there but I forgot to keep like doing it you know gotcha it was it was never, maybe if I put it together for a pavement song that would have helped.Track 3:[28:53] Yeah after that we've got leave your lungs hurting tuck in my shirt and pints I wear so well cross your t-shirt smell well, that's just good malchus wordplay, right? Yeah. Maybe there's a specific meaning. Obviously, there's a theme there, clothing.Track 3:[29:16] After that, we come on to the best line in the song, maybe the best line in Pavement's entire discography, caught my dad crying. Yes. I wrote down here maybe it's better we don't know what it means yeah I mean I don't think for a single second Malcolm has walked in on his dad crying, but just the imagery the thoughts it's, The crucial word is caught. He could have said, saw my dad crying. He could have said, found my dad crying. But he says caught. Right. Like it's a bad thing, you know.Track 3:[30:03] So, yeah, God knows what to say about that. It's just a great line, you know. I agree. After that, we've got, Loose like the wind from the rough we get par. This is one of my favorite things about Pavement. They like to make sports metaphors they do yeah and we've got a whole song about sports and London Lions that was in my top 20, we've got bring on the major leagues possibly their biggest hit yeah but also just the line from the rough we get par, that would indicate to me after a bad start things have turned out alright right.Track 3:[30:47] And I know there's a prevailing feeling that the whole song is about their career or where their career has taken them I didn't know that well just the whole rattled by the rush just them being affected by, whatever level of fame they'd built up I didn't hear Pavement until 99 so I didn't get to witness the, right the ascent or the rise or whatever right you know right but yeah i've heard in doing a lot of research i did that this the whole song was about their you know them struggling to cope with you know whatever rise the rise to fame yeah and i do know from reading the liner notes and uh.Track 3:[31:39] In both Crooked Reign and Huawei re-releases that they were kind of fighting back against it. Maybe not fighting back against it, I think that gets overplayed sometimes. But I think Mark missed his explain. Maybe on Huawei or the Crooked re-release that they were kind of scared.Track 3:[32:08] You know how could you not be they were like a couple dudes from Stockton you know that were that recorded some noise art and next thing you know cut your hair comes out and that I would say is the biggest song oh yeah definitely I find that at the time as well it was just a really big time for music yeah a lot of majors were looking for the next Nirvana that's right Pavement were never going to be that. But they could have filled a hole, filled a gap. Spin Magazine named them the best band, pardon me, the best album of 2000, no, not 2000, 1992. Before the album even came out, right? Before it was chanted, yeah. No, no, it had come out. It had come out. It was the number one record of the year for 1992. So they came with a lot of buzz, like a lot of buzz. I remember reading the sort of tapes that they sent out for slanted they didn't send many out but every single one found its way to someone influential that's right I don't know if they were friends but they were fucking around with Sonic Youth.Track 3:[33:27] Certainly helped they opened for Sonic Youth on the UK tour yeah first time in the UK in 92 so that was there's a great Nostanovich podcast with another Canadian guy.Track 3:[33:42] There's like music journalism online oh is it creative control I think that's what it is I think that's what it is he explains that him Malkmus and Berman got a Nirvana show, cancelled, not cancelled but shut down in New York because they were being so boisterous. Really? Yeah, and this was before Nirvana took them to Redden and stuff, you know? Wow. So they were in that... They were in that space. Yeah. Yeah, definitely.Track 3:[34:17] They probably were getting a lot bigger than they thought they'd ever be, were ever prepared to be. Absolutely. Especially, you know, Slanted came out with a lot of hype, but Crooked Rain all of a sudden was this record that had hits on it, gold sounds and cut your hair. So, you know, I think a lot of people got maybe a bit carried away about what they could be. Well, one of the things, it doesn't fit into the hype, one of the things I wanted to mention about Crooked Rain maybe one of the reasons I liked it so much is it's a little bit what I call country fried, okay yeah I can see that father to sister of thought especially right well that's wowie, Crooked Rain's got his own range life I'm sorry but whenever an indie rock band, introduces a little element into country, I call it Country Frights. Country Frights.Track 3:[35:14] Crookheads and while we are definitely Country Frights, one of my favourite modern bands, Parkey Courts, they're a bit Country Frights. I've heard a lot of comparisons to Pavement with them. Well, the reason I first listened to Parkey Courts is I've seen an article where Malchmus was in a record store and he heard Parkey Courts and he thought it was Pavement. Jesus Christ, really? That's the reason I first listened to them, you know? Yeah. And? What do you think?Track 3:[35:50] Their first album, definitely, I could see the comparisons. The same kind of attitudes, like not really caring about tunings or you know. Just the first take's good enough no matter what. But that is a real good album. You should listen to Lie Up Gold, Parquet Courts. I'll check it out. Yeah, it's very, very good. I was trying to think. Meat Puppets, they were kind of country fried. Yeah, yeah. Have you got anything else on Brattled by the Rush? Well, it might destroy every argument I've already made, but the first chorus, I'm Drowning for Your First, that reads to me like being desperate for someone's attention, And that's not pavement at all, you know? No, no. Maybe that's something very personal to Malchus. Yeah, I'm drowning for your... The second album's kind of... The second verse, I think he's just showing off. Rhyming candelabra with Barbara.Track 3:[37:12] There's other lines. get all those hard hats and sing us some scat. I just think he's scatting himself there, you know? Yeah. Although the very last line, again, it's one of their best. I don't need a minister to call me a groom. I love it. What does that mean to you? What does it mean to me? I think, well, I don't need a minister to call me a groom. Like, you can, like, fuck religion. and you can go and get married or you can do whatever you want.Track 3:[37:47] Well, this is maybe just completely personal to me. Have you ever been in a sort of strictly friends with benefits relationship? No. No. Well, I have. I was for a couple of years. And to be honest, it was maybe the healthiest relationship I've ever been in. But um i noticed during that time that friends of mine who were in traditional relationships, they fucking hated it oh wow because i was getting all the good stuff without, all the bad stuff you know and i never had to meet her parents i never had to go on any any dates with Ikea. See what I did there? I got it. Yeah, so every time I hear, I don't need a minister to call me a groom. That's what comes to mind. Really? That's just maybe because of, you know, where I was at the time. Yeah.Track 3:[38:53] But yeah, again, I've seen that linked back to the music industry. And I guess Malcomus doesn't need I don't know who the minister is but to call me a groom would be to call me a star you know, okay I can he's already a star selling you know a quarter of what other bands are, and then of course they go on I'm rattled by the rush I'm rattled by the rush etc that that.Track 3:[39:29] And I know that Pavement's writing is sometimes a bit obtuse or weird, but that has to be a reaction to whatever level of fame or popularity they've gained by that point. I can see it. We've got the interlude, no soap in the John. That's very funny. I know that John's a sort of Americanism for toilet. Yeah. So to me, that would mean no sort of airs or graces.Track 3:[40:06] Or they're not going to clean themselves up for whatever, whoever. You've done a deep dive on some of these. I've thought about it a little bit. Yeah, you have. I've had a lot of time recently.Track 3:[40:23] Well, dude, speaking of time, it's been a great time hanging out with you talking pavement. I really appreciate you making some time for me and doing this, hearing your pavement origin story and talking about Song 15. Next week, we're going to hit Song 14, and I'm going to tell you what it is right now. No, I'm not. I'm just kidding. All right everybody is there any clue is there any clues you can give to like not what's in the top 10 or not a bit no way is there anything that took you by surprise, it all took me by surprise so far yeah we're gonna at the end of the series we're gonna do some sort of round table with people who haven't got a chance to be on and they will um, discuss the list as a whole because they'll have the entire list at that point. It's difficult, you know, recording this and you don't know all the songs that come before it. But hey, that's part of the game. I should point out that with my whole Crooked Re experience, Gold Sounds is my number one favorite song from anyone of all time and it's probably never going to change. It's a fucking great song. And if it's not number one, I'm going to write.Track 3:[41:44] All right, dude. Talk to you soon. Wash your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we're joined by producer Justin Pizzoferrato. A few weeks ago we talked about the newest and sadly last Shellac album, "To All Trains." We spend a lot of time chatting about Steve Albini as a producer/engineer & his ethics as a human being and how that influenced Justin to become a producer. We also chat about the changing definition of the term post-rock and Justin's background in classical guitar. Justin Pizzoferrato is an engineer who has worked with Dinosaur, Jr, Sonic Youth, Kim Gordon, The Pixies, Wild Pink, Elder, Parquet Courts, Speedy Ortiz and so many others. Check out Sonelab Studios in Western Massachusetts if you're looking to record. https://www.justinpizzoferrato.com/ Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

Es ist ein Fest der Sinne: The Smiths! Dire Straits! Teenage Fanclub! Parquet Courts! Die Londoner Post-Punks mit dem absolut un-google-baren Namen wecken ein ganzes Bouquet an Reminiszenzen. Mit der zweiten EP «Escape» haben sie uns mehr oder weniger aus dem Nichts voll um den Finger gewickelt.

Will and Jason discuss new releases by Bodega, Sharp Pins, and Yea-Ming and the Rumours, plus a live report and bonus songs.

Abrimos con lo último de los británicos Amplifier, TOF Sessions Vols 1-4, publicadas a finales del 2023. Los rusos The Re-Stoned nos visitaron con uno de sus estupendos trabajos, Stories of the Astral Lizard Vol. 2, de 2022. Descubriremos juntos la estupenda música de los franceses NeBeLeST, toda una banda de culto de la que se acaba de remasterizar y publicar su estupendo primer álbum, NeBeLNeST, de 1999. Continue reading La Ruleta Rusa 18.2024. Amplifier. The Re-Stoned. NeBeLNeST. The Old Man & The Sea. Geezer. Parquet Courts. Peter Banks. at La Ruleta Rusa Radio Rock.

Atrás queda la post pandemia cuando Unai Madariaga (voz/guitarra) editó su primer trabajo en solitario. De esa experiencia, y de la sinergia con Eneko Ajangiz (guitarra) como productor, surge Ezezez. En cuestión de semanas Álvaro Olaetxea (Capsula), se ponía a la batería, y Mikel Irigoyen al bajo. En 2022 editaban su primer álbum, 'When I Think Something is Funny, I Smile'. Con sólo un disco publicado ya captaron la atención de la prensa musical, con Mondosonoro reseñándolo con un 8/10. La militancia en el "do it yourself" y una creatividad desbordante hacen que, para diciembre de 2023, la banda tenga su segundo LP en la calle, 'Katuzaldia'. ¿Influencias? ¿Qué tal Parquet Courts, Viagra Boys o Idles? Aunque podríamos seguir con extras estilísticos que trazan una línea temporal desde la nostalgia de la psicodelia de los 70, hasta el grunge noventero. Todo esto potenciado con la fortaleza del punk liberado de estigmas por medio de melodías y una temática 100% actual. Como lo define Ruta 66, "un videojuego punk y espitado por el underground de las más bellas artes bilbaínas: hierro, ría y corrosión".Escuchar audio

On this week's show, we... spend quality time with superlative new records from Brittany Howard, The Last Dinner Party & Madi Diazspin new singles from Goat Girl, Old 97's & Beyonce pour one out for Dex Romweber & Wayne Kramer All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Welcome to the Merry Month of Debts-cember!Part 2 - 8 Lazy Nights IV - On this week's show, because I just didn't have it in me to pull off another extended show, we're dialing it back with one of our shortest episodes of the year! 8 songs (one for each night of Chanukah) plus a bonus track to represent the starter candle.  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Welcome to the Merry Month of Debts-cember!Part 1 - Top 10 Albums of 2023 - On this week's show, we spend quality time with the records that sparked joy, inspired us to get out of bed, face the day & conquer the world while the world continued to rage on like an unholy dumpster fire. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

El Diablo de Shanghai es, desde que publicaron sus dos primeros Ep's, una de las bandas de referencia de la Barcelona subterránea, esa que oculta un buen número de historias personales, reales o imaginarias, que merecen ser contadas. Ellos lo hacen con su nuevo disco, '113 pasos adelante en el Ensanche', y no se cortan en apuntar a obras de referencia como 'Marquee Moon' de Television o los Parquet Courts más acelerados para inspirarse a la hora de construir sus viñetas costumbristas. Juanito Hit (letrista, cantante y guitarra rítmica), Juan Poch Higuera "Juana" (guitarra principal), Víctor Vidal Maps (bajo) y Albert-Vicente Muñoz Rodríguez (batería), El Diablo de Shanghai, tienen las ideas muy claras y un nuevo sello, Candorro, apuesta por ellos. Garage, post punk y puro rock plasmado en canciones como 'Patti Smith', 'Boviscopofobia', 'Tabaco', 'Perdón, nada nos puede cambiar' y 'Flores a Mercedes'.Escuchar audio

On this week's show, we... spin fresh tracks by Sleater-Kinney & Hurray for the Riff Raff  spend quality with new records from The Mountain Goats, The Gaslight Anthem, A. Savage & Mayer Hawthorne  wish a very happy birthday to Andy Partridge & Neil Young  All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.ys

On today's episode, I talk to musician and painter Andrew Savage. Originally from Denton, TX, Andrew began playing music seriously when he formed the band Teenage Cool Kids in college in 2006. By the time the group officially disbanded in 2011, Andrew had already been writing music in a new band, Parquet Courts, which he started with his college friend Austin Brown. Since that time, they've released seven albums on labels like What's Your Rupture? and Rough Trade, and Andrew was even nominated for a Grammy for Human Performance's artwork. As a solo artist, Andrew has released two albums, 2017's Thawing Dawn, on his own label Dull Tools and his latest, Several Songs About Fire, which was just released on Rough Trade last week! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Born and raised in Denton, TX with his younger brother Max, the Savage brothers had influential parents growing up in the mid west. Andrew eventually relocated to NYC and in years time his younger brother would joini up and the two, along with members Austin Brown and Sean Yeaton, would go on to form one of todays most influential groups Parquet Courts. On this episode of the podcast we explore the reality and ecosystems of Andrew's solo works "Thawing Dawn" and his most recent LPon Rough Trade, "Several Songs About Fire." Joined by friends and collaborators such as Jack Cooper of Modern Nature and Dylan Hadley, Savage set to record an album about love, existential perspectives, individuality, the world and it's increasingly  growing issues and much more. I was completely blown away by this record and the opportunity to speak with Savage as this can be felt throughout the episode. Enjoy!

On this week's show, we...  spend quality time with the new Ghost of Vroom record  spin fresh tracks from The Rolling Stones & A. Savage  present our wrap-up of the 2023 Hopscotch Music Festival All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.ys

In Episode 122 we discuss one of Phish's more important months in their history: August 1993. We explore why Aug 93 was so essential to Phish's development, how the month impacted other key periods in Phish history, and other band's who have had August 93 moments, with a focus on Belle & Sebastian and Parquet Courts. In addition, we dive into our mailbag and answer some listener questions!Songs featured in this episode are:Belle & Sebastian: "Like Dylan In The Movies"Belle & Sebastian: "Your Cover's Blown"Belle & Sebastian: "Unnecessary Drama"Parquet Courts: "Stoned & Starving"Parquet Courts: "Freebird II"Parquet Courts: "Walking At A Downtown Pace"Thanks as always for listening and supporting!— — — Check us out on Apple Music: Beyond The Pond Podcast SongsYou can find us on Twitter: @_beyondthepondPlease check out Osiris Media at: OsirisPod.comSend us an email: beyondthepondpodcast@gmail.comPlease leave us a review on iTunes!Until next time, we'll see you beyond the pond… Hosted on Acast. See acast.com/privacy for more information.

On this week's show, we...  honor the life & legacy of Sinead O'Connor, Rodriguez & Robbie Robertson  nerd out over the news of yet another Replacements box set  spin fresh new tracks from Wilco, Lydia Loveless & Big Thief All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.ys

On this episode, the guys talk about New Riff and a single barrel pick experience Chris just had with them. Along with more info about New Riff, the guys give you 6 new rock bands to check out. Guest appearance from Chris's cousin, Adam.

Born and raised in TX before relocating to NYC in later years, Max grew up with his older brother Andrew with influences from the punk and post punk groups of the 1970's and 80's. Along with two other members, they formed the amazing Parquet Courts and have since made a name for themselves amongst the greats of our generation. Today Max resides in DC and plays in another group called MaxBand and have released two albums and are currently working on a new LP! It was a totAL pleasure speaking to Max as PQ is one of my favorite contemporary groups. Enjoy!

The boys are joined by Dave Laird (Concavity Show) to discuss the greatest(!!) Canadian band of all-time. If you don't know the Cons, no better time than today to get on-board, buster! There's room in the pool for everybody. 

Episode 526 also includes an E.W. Essay titled "Sharp & Clear." We share an excerpt from Lesley-Ann Brown's book titled "Decolonial Daughter - Letters from a Black Woman to her European Son." We have an E.W. Poem called "Heffer." Our music this go round is provided by these wonderful artists: Thelonious Monk, Caravan Palace, Childish Gambino, LCD Soundsystem, Parquet Courts, Charley Crockett, Branford Marsalis and Terence Blanchard.  Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

As broadcast April 21, 2023 with all the curmudgeonly feels in tow.  Tonight we welcomed Arturo Andrade to the show for a two hour special so that he could both curse on the air and share some of his favorite recent rock joints.  Arturo is the bad cop half of The Curmudgeon Rock Report, which he hosts with Chris O'Connor who's based in Houston.  Great playlist and even better conversation here, do not miss and check the links below on your favorite pod player to subscribe or snag the RSS in the hyperlink above.SpotifyApple MusicYouTubePodbayIHeart#feelthegravityTracklist (st:rt)Part I (00:00)The Beaches - Everything Is BoringBuffalo Nichols - Another ManAngel Olsen - Big TimeWhitney K - Trans-Canada Oil Boom BluesThe Brian Jonestown Massacre - The Light Is about To ChangeKing Gizzard & The Lizard Wizard - LavaPart II (37:52)Black Lips - Apocalypse LoveAldous Harding - Passion BabeSt. Vincent - DownMdou Moctar - Afrique VictimePart III (64:46)The Chats - Struck By LightningIDLES - The New SensationSleaford Mods feat Perry Farrell - So TrendyParquet Courts - Plant LifeSquid feat Martha Skye Murphy - NarratorPart IV (101:14)Courtney Barnett - If I Don't Hear From You TonightLaurel Canyon - Madame Hit the WireWet Leg - Wet DreamBob Vylan - GDPDeath Valley Girls - What Are The Oddsshame - Six-Pack

Fans of Parquet Courts should love this new track from Portland's Buddy Wynkoop! Plus, vintage Boston '90s alt from the great Buffalo Tom, Fever Ray and more! --- Support this podcast: https://anchor.fm/thebottomforty/support

What it is, music nerds. Today on the show we have 2 new release recommendations for all you rock fans out there.First up we discuss the new Parquet Courts album Wide Awake. It's a jangly, uptempo indie rock record that is sure to top many year end lists. We also talk over Irish rockers Maverick and there new album Cold Star Dancer. They're an intriguing new group with an 80s rock sound. Hear their thoughts on trying to break into a scene largely controlled by 60 year old rock veterans.What's good that you've been listening to? What albums should we talk about next? podcast@albumnerds.comThanks for listening!

'The first Velvet Underground album only sold 20,000 copies, but everyone who bought it formed a band'. This week we look at Velvet Underground influenced indie bands, including Jonathon Richman, The Feelies, Parquet Courts and The Black Angels. Check your device for enhanced imagery [limited devices and apps]. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Welcome to December, there's reason to believe that this year will be wetter than the last.  Gripes with wrapped.  Stay vigilant, folks, Spotify will top your tops.  The boys discuss the big topics: journaling, art, and  scam jobs.  You can fight your friends, you can fight your parents, but make sure you also fight your old boss.  Max saw multiple performances in NYC this week- the cultural Mecca of the planet- Michael moved apartments in Vancouver (again).  As is customary with this podcast, we update our listeners with our personal Entourage journeys- the loops is almost closed. Jews that work for Kanye- there is at least one!  The fellas experiment with thought."I used to be able to put cool shit up my nose and talk to my boys about nothing for 8 hours"Patreon: https://www.patreon.com/intheminivanFollow us on instagram: @intheminivanpodFollow us on twitter: @intheminivanFollow us on TikTok: @intheminivanpodcastWe're on YouTube: https://www.youtube.com/channel/UCTxCtwpkBssIljyG6tdJbWQGet in the Discord: https://discord.gg/YWgaD6xFN3Episode Playlist: https://open.spotify.com/playlist/34yE0MG6SXOIG1E6Lp2i6Z?si=dca19549b6a04c4aTHE MASTER PLAYLIST: https://open.spotify.com/playlist/2saxemA3MOXcjIWdwHGwCZ?si=ee3444c085714c46Max in Asheville: https://www.eventbrite.com/e/beauty-parlor-comedy-max-fine-tickets-468001654547?aff=ebdssbdestsearchSupport the show

A North Eastern University gig with cadavers, rich peoples favorite moving company in New York, and Mitch Hedburg. Sean Yeaton (Parquet Courts) "Parquet Courts are Austin Brown, A. Savage, Sean Yeaton and Max Savage. They've toured everywhere and will continue to do so." Excerpt from https://parquetcourts.bandcamp.com/album/sympathy-for-life Parquet Courts: Bandcamp: https://parquetcourts.bandcamp.com/album/sympathy-for-life Website: https://www.parquet-courts.com Merch: https://www.hellomerch.com/collections/parquet-courts Records: https://www.roughtrade.com/gb/parquet-courts The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Jake Matter thought it was a good idea to start tweeting at celebrities to see if they liked ska or not. Surprisingly, quite a few answered. While most said yes, some did not, like Converge, who told him "Fuck No!" This exchange went viral and earned the Ska or Nah Twitter account 3,000 new followers in under 8 hours, and an article in Loudwire. Several of the people that Ska Or Nah has tweeted at have been on this very podcast, and their responses have served as part of our research for the episodes, including Ted Leo, Max Collins (Eve 6), Laura Jane Grace, John Darnielle (Mountain Goats), Elliot Babin (Touche Amore) and Arizona Ice Tea. Today we talk to Jake about Ska or Nah, his skacore band Grey Matter and why he thinks nu metal deserves to be defended. He tells us about the personal importance of tweeting at Tony Hawk and Rivers Cuomo, what it was like to release a record on Bad Time Records just before the pandemic, how amazing it was to play at this year's Stoopfest in Lansing, Michigan, and the many influences of his eclectic band, Grey Matter: La Dispute, Parquet Courts, Ceremony, We Are The Union, Blue Meanies, Flaming Tsunamis, and Fatter Than Albert. He also tweets at two celebrities during the interview (Melissa Villasenor, Bill Clinton). But do they respond before the episode is finished? Listen and find out!Sounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts Spotify Support the show

Wrestling and youth soccer tournaments, they go together just like amphetamine and soma's and oh man do the boys want to talk about both!!! This week Doug and Bill take on Konosuke Takeshita, ghosts, dick punches, Tokyo Joshi Pro Wrestling, Eddie Kingston, Best Friends, New Era Pro Wrestling's Red, White, & Bruised, FTR, Claudio's Finishers, Masha Slamovich, CYN, the use of deadly weapons during a wrestling match, and so much more! Rest In Power Cuda. Here are a couple of questions for you after listening: What is your favorite mall food court restaurant? Can a tag team be the number one overall in the PWI Top 500? What's up with Bill's infatuation with gloves? My answers: I'm an East Coast Pizza person myself. No, rules are rules and once they are broken society will descend into madness and absolute demonic rule. Seriously, he has a lot of single gloves just kind of laying around his “office”. Links from the Podcast- Google Sheet of Assignments of the Past  It's All Pro Wrestling Playlist The Hello Group Website Assignments For Next Week- December 2019- Alpha-1 Wrestling, Krush The Line Fatal 4 Way Zero Gravity Championship Match- Orange Cassidy (c.) v. Effy v. Dan the Dad v. Danhaussen YouTube April 18 1991- AJPW Triple Crown Championship Match- Jumbo Tsuruta (c.) v. Mitsuharu Misawa YouTube Check Everything Else We Do: Twitter Instagram Facebook Merch- Threadless Store Merch- RedBubble Website Songs Used In The Podcast: Intro/Outro- “IAPW Theme?” by Pop-A-Weasel “Happy Birthday” by Ludvig Forssell on Metal Gear Solid V: The Phantom Pain Extended (Soundtrack) “Total Football” by Parquet Courts on Wide Awake! “Break Stuff” by Limp Bizkit on Significant Other “Midnight, The Stars and You” by Al Bowlly, Ray Noble & His Orchestra on The Shining Motion Picture Soundtrack “All Caps” by Madvillain on Madvillainy

Happy July! For the first of the month Lucia plays some of her favourite tracks including Stella Donnely, Parquet Courts, and Juniore. Greta O'Leary joins us for Fancy New Band playing some beautiful tunes from her upcoming debut EP! 

Steve picked a set of 80s synth pop this week.  Here is the full list of artists played in this episode: Mitski, Seratones, The Ramones, Papooz, Men I Trust, Peter Gabriel, Data, The Human League, Yaz, They Might Be Giants, Silkworm, The Undertones, The Umbrellas, Kitchens Of Distinction, Maximo Park, Parquet Courts.   On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!

The 7-inch record isn't just a format—it's an art form. On each episode of The Spindle podcast, music writer Marc Masters and music historian (and music maker) John Howard dive into a great 7-inch, dissecting its background, impact, and the reasons why it stands out as a small plastic piece of music history.  This week, the duo digs into the 1988 single by Mudhoney, "Touch Me I'm Sick" b/w "Touch Me I'm Sick." Emerging from the ashes of Green River and led by Mark Arm, Mudhoney would go on to be a huge part of Sub Pop Records history, and this gnarly anthem has more than stood the test of time. This week on The Spindle, Mark and John dig in. They're diseased, but we don't mind.Announcement: Rough Trade is teaming up with Hello Merch to bring exclusive clothing and accessories to Rough Trade's New York location at 30 Rockefeller Plaza on June 30th in Brooklyn. This collaboration kicks off with a slate of limited edition t-shirts from Hello Merch artists including Japanese Breakfast, Parquet Courts, Amyl & The Sniffers, Black Pumas, A Place to Bury Strangers, King Gizzard & The Lizard Wizard, Mac DeMarco, Deafheaven, Angel Olsen, and Indigo De Souza. Come hang out at this free all eagles event at Rough Trade New York Thursday, June 30th at 6 PM with special DJ set by A Place to Bury Strangers, limited stickers, shirts, and toes featuring art by Sonni, and a special beer from Other Half Brewery.  Click here for more info. 

This is WASTOIDS With and we're hanging with a voice that should be familiar to listeners, Marc Masters, co-host of The Spindle podcast. Every two weeks, he and his partner John Howard discuss a single 7” record here on WASTOIDS. So far, they've covered 45s by Flipper, Pavement, Superchunk, and Hüsker Dü. Marc's also a musician—he and John played in a group called The Plums—as well as one of our favorite music writers, whose work can be read Pitchfork, Bandcamp, NPR, The Washington Post, and The Wire. His 2007 book No Wave is sadly out of print, but commands high dollar prices on the secondary market, and he's hard at work on a book about the history of cassettes, which we discuss here today on WASTOIDS With…Marc Masters. This week's episode features original music by Sam Means, plus selections from The Plums and Nice Breeze. The Spindle airs every other week here on the WASTOIDS frequency. A new episode featuring Mudhoney will drop this Thursday, June 23rd, so be sure to hit subscribe so you never miss a WASTOIDS podcast. ANNOUNCEMENT: Rough Trade is teaming up with Hello Merch to bring exclusive clothing and accessories to Rough Trade's New York location at 30 Rockefeller Plaza on June 30th in Brooklyn. This collaboration kicks off with a slate of limited edition t-shirts from Hello Merch artists including Japanese Breakfast, Parquet Courts, Amyl & The Sniffers, Black Pumas, A Place to Bury Strangers, King Gizzard & The Lizard Wizard, Mac DeMarco, Deafheaven, Angel Olsen, and Indigo De Souza. Come hang out at this free all eagles event at Rough Trade New York Thursday, June 30th at 6 PM with special DJ set by A Place to Bury Strangers, limited stickers, shirts, and toes featuring art by Sonni, and a special beer from Other Half Brewery.  Click here for more info. 

On this week's Talkhouse Podcast we've got a pair of songwriters who are meeting for the first time, which we haven't had in an episode in quite a while. Martin Courtney and Tim Darcy. Until recently, Darcy was the frontman of the band Ought, which released three fantastic, brainy art-punk albums from their home base of Montreal—despite the fact that Darcy is, in fact, “secretly American.” Ought split up pre-pandemic but that wasn't really public news until the announcement of the existence of Darcy's new band, Cola, which he started just a couple of years ago along with Ought bassist Ben Stidworthy and Weather Station/US Girls drummer Evan Cartwright. Just last month, Cola released their debut album, Deep In View, and it feels like a sort of back-to-basics take on their old band—but still fresh and exciting. Darcy is a guy who takes his lyrics seriously, and though he clearly had a great time making the record, there's a darkness to it that recalls the best post-punk and trebly art-rock of the past 40 years, from Talking Heads to Parquet Courts. Martin Courtney is the singer and guitarist of Real Estate, the New Jersey-born band that has released five albums of songs that battle gently the urges toward pop-song structure and a slight psychedelic haze. Real Estate had particularly bad timing luck with regard to that worldwide pandemic we've all talked so much about over the past couple of years, releasing an album just weeks before the world shut down, resulting naturally in canceled tours and other plans. Instead of diving into another Real Estate album during the lockdown, Courtney decided to take a path of less resistance and record his second solo album. As he jokes in this conversation, most solo albums tend to be an excuse for an artist to indulge their more out-there impulses, but his impulses tend to lead him back toward more structured pop songs. He came up with a killer batch for this record, which is called Magic Sign. Darcy and Courtney hadn't met before this chat, but that doesn't stop them from getting into a great conversation: They talk about how podcasts might be boring—and how that's okay (!?). They get into Courtney's slight sense of disillusionment with music in general. Then they bring it back to creative desires: They are both guys itching with ideas and ready to get them out to the world. And, as fate would have it, both are going to be touring this summer, god willing. So get out there and see them, but first, check out this chat. Thanks for listening to the Talkhouse Podcast, and thanks to Tim Darcy and Martin Courtney for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcast platform, and check out the great new records by both of this week's guests. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Prepare to have your ears blown off with Sean Yeaton, talking about dreams, bass lessons with Joe Lally and the moving job that gave him a perpetual tour of New York City.Parquet Courts' album Sympathy For Life is out now! See them on their UK tour: https://www.parquet-courts.com/Thinking of going to 2000 Trees Festival 6-9 July in Cheltenham, headlined by IDLES, Jimmy Eat World, Thrice and Turnstile + so many more great bands?Use the voucher code '101POD' to get 10% off your tickets: https://www.twothousandtreesfestival.co.uk/tickets/Songs: Parquet Courts 'Plant Life', Cock Sparrer 'Working' See acast.com/privacy for privacy and opt-out information.

Master of my pod. Jennie, Scott, and Justin are chatting about Parquet Courts. Learn Em and Love Em People. Please consider pledging to our Patreon. Listen to After the Fact. If you wanna play click here. --- Send in a voice message: https://anchor.fm/deprogrammedva/message Support this podcast: https://anchor.fm/deprogrammedva/support

Over the moon for this weeks episode of Napalm and Friends with an incredible human being that restores my faith in humanity and the internet, the insanely talents guitarist from Sigmund Fraud, Michael Pearce. Tune in and learn a little about the punk scene in Australia, how Michael came to pick up the guitar, and so much more! Like always, guest picks the playlist Michael Pearce Instagram Sigmund Fraud Instagram Find Sigmund Fraud albums on Apple and Spotify   1. Human Error. Clowns   2. Fugazi. Waiting Room   3. Parquet Courts. What Colour is Blood   4. Frenzal Rhomb. Mum changed the Locks   5. Aesop Rock. Labor    6. Fu Manchu. The Action is Go   7. Decrepit Birth. Sea of Memories   8. Ne Obliviscaris. Forget Not   Background: String Kings. The Bash  

Boomshanka! This week we are delighted to welcome Nigel Planer to the podcast. Best known as the loveable hippy Neil from the classic British comedy The Young Ones, Nigel scored a number 2 hit single with 'Hole in my shoe' and hit the number one spot with Cliff Richard and the cast of The Young Ones in 1986. Although he may not be a young one anymore he has continued to carve out a glittering career in show business starring in several west end musicals, TV shows and earning himself a reputation as a successful author and songwriter. Nigel tells us all about his journey from being a humble grave digger to the giddy heights of show biz.Also in the show this week we talk to Sean Yeaton from the brilliant US band Parquet Courts about the relentless grind of being in a touring band. Sean is a delight and shares his stories from the road with us in a candid and hilarious interview before Parquet Courts headline shows at Brixton Academy and Green Man Festival.Before all that Deb tries to tempt Eamon away on the high seas with an unusual voyage of musical discovery but he is less than impressed.We hope you enjoy it all as much as we did making it. Please spread the word and tell your friends about What Goes Around.If you enjoy Nigel Planer's music then please support his Bandcamp page:https://nigelplaner.bandcamp.com/You can also help Nigel get his book published by pledging money on his Unbound fundraiser:https://unbound.com/books/jeremiah-bourne-in-time/For more information on Parquet Courts and their upcoming tour visit their website:https://www.parquet-courts.com/ See acast.com/privacy for privacy and opt-out information.

As broadcast April 4, 2022 with plenty of groove for you, holmes.  Tonight we mark the first time Beastie Boys went on stage with live instruments at The Palladium in LA, and move into all the new tunes we could fit into two hours and then some with new cuts out over the weekend from Surf Curse, Parquet Courts, Toro y Moi, and Angel Olsen to showcase in the first half.  Then in hour two Kat Bass joins us for The Popcast and new joints from Harry Styles, Surfaces, Shawn Mendes and much more!  Some big news with our program during the gig as well, so catch it!#feelthegravityTracklisting:Part I (00:00)Beastie Boys – Groove Holmes Parquet Courts – Plant Life (Yu Su's Transient Version)Leo Sun – I Can't Get Over YouKing Gizzard & The Lizard Wizard – Magenta MountainSurf Curse – SugarBeach Bunny – Fire Escape Part II (30:33)Kate Bollinger – Lady in the Darkest HourToro y Moi – Déjà vuWarpaint – StevieAngel Olsen – All The Good TimesNick Leng – My Mind is a Mess in the MorningBenet feat Mamalarky – Will I See U?Inude – There Was No Way Out Part III (61:30)Willow - Wait A Minute! Tyga & Doja Cat - Freaky DeakyHarry Styles - As It WasJensen McRae - Take It EasySurfaces - I Can't Help But Feel Shawn Mendes - When You're GoneCarl Storm - Still See Us Two Part IV (92:33)Nieah ft. Mckdaddy - WantJ Balvin & Ed Sheeran - SigueGryffin & OneRepublic - You Were LovedDisclosure & RAYE - WaterfallAbby Roberts - Pink ChampagneThe Maria's - I Don't Know YouHalsey - Colors 

We're back! Sorry about missing last week, Alainna was recovering from a trip to Denver and couldn't record! We hope this episode makes up for the Alainna-and-Talia-shaped-hole in your life from last week. This week we talk Talia's grand return to Tik Tok and our shockingly accurate algorithms, childhood pranks and adult hygiene, and backhanded compliments we've received. Thank you for listening! Please subscribe! Outro Music: These Boots Are Made for Walkin' by Parquet Courts

Wondering how Mary ended up starting and selling a coworking space? Well it kind of all started with Trump...and the Women's March…and a miscarriage. Tune in to hear her heartfelt, whole-assed story of being a mom, evolving as an entrepreneur, and meeting Hannibal Buress?!Smash that subscribe button so you never miss an episode, and come hang with us on Instagram & Twitter! Links & resources:Toast & JamLaunch your DJ business with the Toast & Jam LabCheck out Mary's recent faves: Parquet Courts, Wet Leg, Hacks, &  This Naked Mind

Sean Yeaton of the band Parquet Courts joins us to talk about performing not once but twice for their biggest fan Ellen. He also tells the story of his Limp Bizkit cover band from middle school and we do our very best to track down the lead singer to reunite the band. Honestly, if one of you knows the guy we are looking for and he is down to reconnect with his old pal Sean... drop us an email: yeahbutstillpod@gmail.com we are determined to get a Sean X Sal crossover reunion episode on the books.

Happy Halloween to all! On the October 30th edition of Local Fidelity, we kicked things off by paying tribute to the late Lou Reed, who passed away 8 years ago that week. We played a deep cut from his 1979 album “The Bells” and the seasonally appropriate “Halloween Parade” from his 1989 album ”New York.” Plus, this edition features a mix of some spooky and not-so spooky tunes from your fave locals, including Cindy Cane, Surfbort, Nation of Language, Endearments, The Rizzos, Parquet Courts, MNR PLSR, Ghost Piss, S.C.A.B., Drug Couple, Yucky Duster, Tom Barrett, and more. Playlist: Lou Reed "Families" from The Bells on Arista Lou Reed "Halloween Parade (2020 Remaster)" from New York (Deluxe Edition) on Rhino/Warner Records Surfbort "Happy Happy Halloween" from Happy Happy Halloween - Single on Inner Freak Records Cindy Cane "The Darkness" from The Darkness - Single on Queen of the Scene Nation of Language "The Grey Commute" from The Grey Commute - Single on Play It Again Sam Endearments "Empress" from Empress - Single on Endearments The Rizzos "Hambjrgers" on King Pizza Parquet Courts "Homo Sapien" from Sympathy for Life on Rough Trade Mnr Plsr "Ooh Baby Ooh" from Ooh Baby Ooh - Single Ghost Piss "Worry" from Blushing - EP on Styles Upon Styles S.C.A.B. "Stolen Jag Off Morgan Ave" from Stolen Jag Off Morgan Ave - Single on S.C.A.B. Drug Couple "Lemon Trees" from Lemon Trees - Single on PaperCup Music Yucky Duster "Grump" from Grump - Single on Yucky Duster Lily Konigsberg "Bad Boy" from Lily We Need to Talk Now on Wharf Cat Records Tom Barrett "Sunlight Brush" from Sunlight Brush - Single

As a co-founder and executive at I.R.S. Records, Miles Copeland found success in the 1980s with a roster of artists ranging from R.E.M. to The Police to the Go-Go's. Hosts Jim DeRogatis and Greg Kot talk with Miles about his influential career and his new memoir. Plus, Jim and Greg review some new music from Brandi Carlile & Parquet Courts. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:R.E.M., "The One I Love," Document, I.R.S., 1987Brandi Carlile, "Right On Time," In These Silent Days, Elektra, 2021Brandi Carlile, "Broken Horses," In These Silent Days, Elektra, 2021Brandi Carlile, "Mama Werewolf," In These Silent Days, Elektra, 2021Brandi Carlile, "Stay Gentle," In These Silent Days, Elektra, 2021Parquet Courts, "Plant Life," Sympathy For Life, Rough Trade, 2021Parquet Courts, "Walking At A Downtown Pace," Sympathy For Life, Rough Trade, 2021Parquet Courts, "Marathon Of Anger," Sympathy For Life, Rough Trade, 2021Parquet Courts, "Pulcinella," Sympathy For Life, Rough Trade, 2021R.E.M., "Begin the Begin," Life's Rich Pageant, I.R.S., 1986Siouxsie and the Banshees, "Hong Kong Garden," The Scream, Polydor, 1978The Police, "Roxanne," Outlandos d'Amour, A&M, 1978Buzzcocks, "What Do I Get?," What Do I Get? (Single), United Artists, 1978Buzzcocks, "Why Can't I Touch It?," Everybody's Happy Nowadays, United Artists, 1979Sting, "Desert Rose (feat. Cheb Mami)," Brand New Day, A&M, 1999The Bangles, "Walk Like An Egyptian," Different Light, Columbia, 1986Sydney Sprague, "object permanence (feat. Danielle Durack)," maybe i will see you at the end of the world, Rude, 2021

Ep. 7: Musical Hot Takes, and the "Is this album better than Peppa Pig?" Quiz! Parquet Courts, The World Is A Beautiful Place, Hovvdy, Courtney Barnett, Snail Mail In this episode... Jake has his heart broken by Kyle, and begins to question the respect of the blue jay. Reed gets groovy with fire sauce over 70's flooring. Devan likes every band, and wants to add some spice to your musical experience. Kyle dislikes every band, and hasn't stopped saying "howdy" since 2016. Times: What's On Queue? Sympathy For Life - Parquet Courts (5:45), Illusory Walls - The World Is A Beautiful Place And I Am No Longer Afraid To Die (25:35), True Love - Hovvdy (38:45), Valentine - Snail Mail (51:20), Write A List Of Things To Look Forward To - Courtney Barnett (54:30), The Man Himself - Gang Of Youths (1:00:10) Title Track - Hot Takes (1:05:30) Jake - Bands shouldn't take more than 2 years to create an album. (1:07:40) Devan - Don't pin yourself down to a genre. (1:12:10) Reed - Arcade Fire's "Everything Now" is actually good. (1:15:20) Kyle - Modest Mouse sucks, and Death Cab For Cutie should have stopped with "Plans" (1:16:30) Jake - Led Zeppelin's drummer isn't special, and Bob Dylan mostly writes nonsense. (1:22:10) Devan - Features and collaborations are often bad. (1:27:40) Reed - The Breeders are better than The Pixies (1:30:15) Kyle - Nirvana is overrated, and Foo Fighters are better. (1:30:45) Devan - Everyone should listen to 1 new foreign-language album every month. (1:38:30) Reed - Led Zeppelin just isn't very good. (1:41:15) Kyle - Guitar solos suck, and so does most classic rock. (1:45:45) Jake - Jeff Tweedy is the worst part of Wilco. (1:56:00) Lightning Round: "Is this album better than Peppa Pig?" Quiz (2:07:50) Don't forget to find us on Twitter and Instagram at @ProofOfSoundPod where you'll also find the link to our Spotify playlist featuring all of this week's songs!