Podcasts about jimi hendrix experience

Did you know that almost three thousand years ago, before there were athletic competitions at the first Olympics, there were music competitions at Delphi in Greece, with contestants singing hymns to Apollo? Or that, in the late 19th century in America, John Philip Sousa protégé Bohumir Kryl's Bohemian Band was frequently seen on the Chautauqua circuit, and featured four husky timpanists in leather aprons hammering on anvils shooting sparks across the darkened stage? These early festivals set the stage for music festivals today, which are doing quite well overall, having recovered from the COVID-19 pandemic, and surpassing the level of success before the worldwide shutdown on the whole. In this episode, we trace the origins of music festivals like the Pythian Games to modern day festivals like the Monterey International Pop Music Festival, where Jimi Hendrix famously lit his guitar on fire, and small roots music festivals like the Albino Skunk Music Festival. We welcome music artists Shelby Means, Joel Timmons, Liam Purcell, Mac Leaphart and Ian George, as well as Albino Skunk staffers Peter Eisenbrown, Kristen Grissom and Thieme Hall, who give us their insights into festival culture, their best and worst moments on stage and at festivals, as well as the first music festivals they attended. Site of the Pythian Games in Greece (photo: greeka.com) Cover art for The Jimi Hendrix Experience Live at Monterey Songs heard in this episode:“Wild Thing” by The Jimi Hendrix Experience, from Live at Monterey“Calamity Jane” by Shelby Means Trio, performed live at the Albino Skunk Music Festival 10/03/25“Soldier's Heart” by Liam Purcell & Cane Mill Road, performed live at The Albino Skunk Music Festival 10/03/25, excerptPeter Eisenbrown introduction of Fellow Pynins into Fellow Pynins performance at The Albino Skunk Music Festival, 10/03/25, excerptThank you for listening, and we hope you can spread awareness of this endeavor and help us reach more music fans just like yourself. Please take a moment and give us a top rating on your podcast platform of choice, and where you can, a review. It makes a big impact on the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. This is Southern Songs and Stories, where our quest is to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

Hello everybody! It's time to make the donuts and listen to our review of Phish's Baker's Dozen from Madison Square Garden. Pucker up for night 11, Lemon, 8/04/2017! With originals and covers by Jimi Hendrix Experience, Lemon Jefferson, The Edgar Winter Group, and Radiohead, buckle up or better yet, go ahead and surrender to the flow. Also, this podcast is on ⁠⁠YouTube⁠⁠, go check it out! Enjoy!Thanks to phish.net for notes on these tracks.The music used in this episode is from phish.in.-----Intro Music is from Sigma Oasis, 07/12/23.Outro Music is from Cities, 10/07/23.Follow us on our listening journey. Rate, review, subscribe, and share! Find out more details on our new members-only perks here - https://www.patreon.com/PhishPhryPod.----------- Be our friends on social! We are @phishphrypod everywhere.

"Mama always said that dying was a part of life...but I sure wish it wasn't."-- Forrest GumpMy journey as a fan of the Grateful Dead is -- from my perspective -- and interesting one in that I went from the tiny handful of FM-radio hits to Skeletons from the Closet: The Best of the Grateful Dead, and I didn't love it. At all, really.Some time later everything changed.I wasn't certain about the lineup and why the vocals sometimes didn't sound like Jerry Garcia's voice, but I eventually figured it out, and -- in typical fashion for myself -- I fell in love with Garcia's playing, Garcia's voice, and the sometimes-lovely keyboard playing. And that was kind of it.It took me until the formation of Dead and Company to form my admiration and respect of -- plus love for -- Bobby Weir. Seeing the occasional photo of him in Birkenstocks (and ultimately barefoot) on his on-stage rug in addition to the occasional Instagram post of him in yoga poses, etc. really solidified my belief that this was a truly special human being.I struggle with a number of things, and among them is the constant need for the reminder that social media isn't real life. So, when Bobby's passing was shared with the world, I bristled at verbiage in posts that started with phrases like, "I'm devastated."At the same time, I also kind of understood.Bob Weir -- from my vantage point -- was in incredible human, and we are so, so lucky that we shared living moments with him.I say all of that to say this: Nicolette Paige joined me for Episode No. 197 and even though I didn't know her prior to her ringing my doorbell (and scarcely know her now), she seems like a delightful person. She -- I think -- is all about energy and love and positivity, and we could use a few more Nicolettes on this planet right now.Mrs. Paige and I talked about family, growing up with incredibly supportive parents, putting on shows, seeing clients, peddling products, managing screen time, as well as a few of her favorite albums, which were these:Bob Marley's Exodus (1977)Bruised Orange (1978), John PrineJimi Hendrix's The Jimi Hendrix Experience (2000)Mama's Gun (2000), Erykah BaduErykah Badu's New Amerykah, Part I (4th World War) (2008)Follow her at @nicolettepaigemusic on Instagram. Check out her Web site, soulchildawakenings.com, and -- if you're so inclined -- you can follow Soul Child Awakenings on the socials we know as Instagram, Facebook, and TikTok. She's also got two albums -- self-titled + The Other Side -- available via the streaming platforms.A big thank you to Nicolette for the time and the vibes. A super-big thank you to you for supporting the podcast, and a massive thank you to Bob Weir, for being an absolute treasure.copyright disclaimer: I do not own the rights to the audio clips featured in this episode. They are snippets taken from the leadoff track of Bob Weir's 2016 record, Blue Mountain. It's a fantastic album, and I encourage you to check it out in its entirety. We have it available to us today c/o TRI Studios LLC, which is distributed under license by Rhino Entertainment Company, a Warner Music Group Company.

"Elect another jerk to the White HouseGracie Slick is losing her DormouseTake her off the streets and keep her warmOr make a better world from the old oneMake yourself a baby and hold oneHold her in your arms and keep her warm"Joining us on an unusually warm Sunday in January are The Raspberries, Beatles, Paul Butterfield's Better Days, Traffic, Joe Walsh, Yes, The Alan Parsons Project, Thunderclap Newman, Joe Cocker, Todd Rundgren, The Band, Steve Miller Band, Moody Blues, Bob Dylan, The Jimi Hendrix Experience ,The Rascals, Taj Mahal, The Byrds, Delaney & Bonnie & Friends and Flo & Eddie.

Robyn Hitchcock turned 14 in 1967, the year that blew his musical mind open. This English boarding school student and future singer-songwriter-musician already looked to Bob Dylan for the meaning of life when along came the psychedelic train powered by the Beatles, the Syd Barrett-led Pink Floyd, the Jimi Hendrix Experience, the Kinks, the Incredible String Band and much more. Hitchcock reflects on his awakening with a vivid memoir, 1967: How I Got There and Why I Never Left, and a mostly acoustic, mostly covers album, 1967: Vacations in the Past. Here we bat around perhaps the most creatively explosive year in the rock era, and he applies his whirligig mind to such questions as whether the music of 1967 would have had such an outsized impact on his own music if not for where, how and at what age he experienced it. He also discusses the newly remixed, remastered version of his 1988 album Globe of Frogs.

On the January 4 edition of the Music History Today podcast, Jimi gets banned, Nirvana signs, Yes & the Doors debut, & happy birthday to Michael Stipe of R.E.M.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday  Chapters: 00:00 Intro 00:16 What happened on this date in music history05:44 Albums released on this date in music history 06:19 Singles released on this date in music history 07:06 Podcast advertisement 07:25 Birthdays of music artists on this date in music history 08:41 Passings of music artists on this date in music history 09:57 What's on tomorrow's episode

AD FREE DOPEY at www.patreon.com/dopeypodcast This week on Dopey! We start wrapping up 2025 with a candid check-in: feeling under the weather amid a family stomach virus, craving a Sopranos binge, and doubting plans for "Five Days of Dopey" in January (Wednesday/Thursday shows likely intermittent—send opinions to dopeypodcast@gmail.com). We share the ultimate post-Christmas blues remedy: a trip to Elizabeth A. Morton National Wildlife Refuge in Sag Harbor, NY, where chickadees, titmice, and woodpeckers eat seeds straight from your hand in the snowy quiet—described as magical, healing, and the true "opposite of addiction."Dave addresses backlash from replaying Nick Reiner episodes (including harsh comments like "Narcissist Grifter" and "Exploitative Jew"), explains his intent to share old conversations without commentary, notes new listeners discovered Dopey through them, and mentions turning down media interviews. He plugs ad-free listening on Patreon (patreon.com/dopeypodcast) and urges positive iTunes reviews.Listener Emails (Oldies Read Aloud)Wendy: Proposes a dedicated recovery-focused social media platform to avoid bans for "junky" content.James D. Hart: Highlights interracial bands like Prince and the Revolution (inspired by Sly & the Family Stone), Jimi Hendrix Experience, and Smashing Pumpkins.Christy Adams: Celebrates 3 years clean, praises an older neuroscience/meth/GLP-1 episode, and misses the original Dave/Chris dynamic.Stickers or socks for anyone whose email/voicemail gets read—email dopeypodcast@gmail.com.Main Feature: Classic Darrell Hammond Interview Replay (2017) The legendary SNL cast member (longest-tenured before Keenan) gets raw about:SNL highs/lows, iconic impressions (Clinton, Connery), working with Lorne Michaels, and celebrity encounters.Childhood trauma and abuse, flashbacks, and blaming himself to protect the idea of parental love.Alcoholism starting at 14 (first beers felt like "the world turning from black-and-white to color").Self-harm as a "problem solver" and crisis creator during prolific periods.Wild Harlem crack house story (mistaken for a cop, defended as "that motherfucker old TV," spotting the St. Francis Prayer on the wall).Multiple relapses, including after a sponsor's suicide.Stroke-ward epiphany that finally led to lasting sobriety—seeing patients struggle to speak inspired desperation for change.Recovery tools: St. Francis (11th Step) Prayer, connection with others, cognitive therapy, yoga, meetings, and the "law of threes" (expect ⅓ great days, ⅓ okay, ⅓ rough).Wrap-Up Dave re-reads old Spotify comments on the Hammond episode (debates over "This or That," therapy questions, possum facts, etc.) and closes with his heartfelt acoustic cover of "Good So Bad"—the song from the first Dopey episode he heard that inspired him to get clean.All that and more on this weeks installment of that good old Dopey Replay Show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jimi Hendrix…what more can be said? Turns out, we find an hour's worth of things to say!

Con Chuck Berry, The Doors, The Monkees, The Rolling Stones, Donovan, The Velvet Underground, The Beatles, The Jimi Hendrix Experience, Traffic, Elvis Presley, The Beach Boys, Procol Harum y The Mamas & the Papas.

W latach 40 ubiegłego wieku, w Ameryce przyszła moda na muzykę folkową. Zaczęło się od zespołu The Weavers (pol. Tkacze), który w 1950 roku jako pierwszy w historii umieścił folkową piosenkę na pierwszym miesjcu listy Billboard. Wokół The Weavers powstało grono zespołów i, powiedzmy, bardów popularyzujących ludową muzykę Amerykanów. Moda rozwijała się nieśpiesznie, w obiegu kawiarnianym i uczelnianym. Do głównego nurtu z tego czasu przebili się w zasadzie tylko Odetta i Harry Belafonte. Zjawisko zostało nazwane American Folk Revival. Środowisko folkowców wywodziło się i działało głównie na uniwersytetach, było zdecydowanie lewicowe. Kiedy w latach 50' kraj ogarnęła fala makkartyzmu, folk trafił na cenzurowane, został zepchnięty do podziemia. Pete Seeger i Lee Hays z The Weavers stanęli nawet w 1955 przed Komisją Izby Reprezentantów ds. Działalności Antyamerykańskiej. Mimo to, jeszcze w tym samym roku właśnie Seeger z kolegami dali sygnał do rozpoczęcia drugiej fali odrodzenia folkowego. W wigilę bożego narodzenia The Weavers dali porywający koncert w Carnegie Hall. Wydany 2 lata później album z tego koncertu był jedną z najlepiej sprzedających się płyt roku. A w 1958 roku powstała grupa Kingston Trio, która zaczęła nagrywać covery piosenek Tkaczy. Ich płyty sprzedawały się rewelacyjnie. Posypały się nagrody. Odnieśli niesłychany sukces komercyjny. W ich ślady poszły inne zespoły, takie jak Peter Paul and Marry, The Chad Mitchel Trio, Brothers Four. Folk trafił na szczyt trafił i rozgościł się w głównym nurcie muzyki. Jeszcze w „kawiarnianych” czasach odrodzenia folkowego, młoda piosenkarka Niela Halleck (później po mężu Horn Miller) napisała i wykonywała piosenkę "Baby, Please Don't Go to Town". Rzecz o dziewczynie, która idzie się zabawić, a autorka ostrzega ją przed konsekwencjami. Niela spotykała się z muzykiem Billym Robertsem. Wkrótce Billy podczas swoich gigów zaczął wykonywać własną piosenkę - „Hey Joe”. Tu mamy historię wyraźnie nawiązującą do tekstu Nieli, z tym że historia jest już o chłopaku, który zabił dziewczynę przyłapaną na zabawie z innym. Ten sam tekst (no prawie) śpiewał Hendrix, ale melodia, aranżacja jeszcze żywo przypomina dzieło Nieli. Nie przeszkodziło to Billowi zarezerwować praw do piosenki. I do dzisiaj występuje jako autor. Neila dwukrotnie próbowała dochodzić swoich praw ale zrezygnowała. W międzyczasie pojawiali się jeszcze muzycy, którzy przedstawiali inne pochodzenie piosenki, inne źródła inspiracji (też oczywiście folkowe), czasem podawali się za autorów, ale wersja tutaj przedstawiona ma chyba ma najwięcej zwolenników. Muzycznie i tekstowo się broni. Hey Joe we wczesnych latach 60 był często grywany na klubowych scenach. To głównie za przyczyną Davida Crosbiego i The Byrds, którzy spopularyzowali piosenkę wśród muzyków zachodniego wybrzeża. Najbardziej znana była wersja zespołu The Leaves, przez dziewięć tygodni utrzymywała się na listach przebojów. Aż pojawił się młody czarnoskóry gitarzysta Jimmy Hendrix i wszystkie dotychczasowe wersje piosenki zepchnął na margines. Jego wersja Hey Joe była genialna, niepowtarzalna, wręcz ikoniczna, kto dziś pamięta o pozostałych. Audycja zawiera utwory: “Stairway To Heaven” (w tle), wyk. Soren Madsen muzyka: Jimmy Page “Baby, Please Don't Go to Town”, wyk. Niela Miller, słowa i muzyka: Niela Miller “Hey Joe”, wyk. Billy Roberts, słowa i muzyka: Billy Roberts „Hey Joe” wyk. The Jimi Hendrix Experience, słowa i muzyka: Billy Roberts „Norwegian Wood” (w tle) wyk. Herbie Hancock, muzyka: John Lennon, Paul McCartney „Norwegian Wood” wyk. Tim O'Brien, słowa i muzyka: John Lennon, Paul McCartney

This week, our "Best Last Albums" takes us back to the fall of 1968 with "Electric Ladyland" by the Jimi Hendrix Experience! Only 3 studio albums were released before Jimi's untimely death a little more than 2 years later. Next week, join Frankie and me as we celebrate our "Big 5th Anniversary Show!! We've had hundreds of fun and informative topics over the 1/2 decade of Podcasts, and we'll head down memory lane next week. Thanks SO much for you downloads!!

This week, Frankie and I spotlight Billy Joel's final album (with lyrics): "River of Dreams." Billy became disillusioned with the music industry at the time he put together this album in 1993...album cover art by his then wife, Christie Brinkley. Next week, join us as we continue with our "Best Last Albums"...it will be "Electric Ladyland," the 3rd and final album by the Jimi Hendrix Experience. And in just 2 weeks--our "BIG 5th Anniversary Show" will air!!

The boys flip their guitars upside down, plug into the cosmic mainframe, and use the scientific method to conduct an autopsy on the corpse of The Jimi Hendrix Experience's 1968 psychedelic blues odyssey, “Voodoo Chile.” News items and digressions include Megadeth's plan to cover Metallica's “Ride the Lightning”—because apparently, therapy's still more expensive than studio time.

Today's program features tuneage from Warren Zevon, Buffalo Springfield, Crosby, Stills, Nash & Young, Jimmy Buffett,  Radiohead, Dire Straits, Led Zeppelin, Procol Harum, Jimi Hendrix Experience, Genesis, Hall & Oates, King Crimson, Jefferson Airplane, Bob Dylan, Linda Ronstadt and Bruce Springsteen.

Jerome presents historical rock, roots and blues events that occurred in the month of November in years gone by. Podcast includes, in order of appearance, tracks by Jerry Lee Lewis, Slim Harpo, Fats Domino, Johnnie Ray, John Lennon, The Who, Rolling Stones, The Band, Milli Vanilli, Link Ray, Robert Johnson, Kokomo Arnold, Mississippi John Hurt, Big Joe Turner, Sharon Jones, Billie Forrester, Carl Perkins, Tampa Red, Bill Haley, Johnny Horton, Eva Cassidy , Sonny Boy Williamson, John Lee Hooker, Carey Bell, Joe Hill Louis, Sylvester Weaver, Howlin Wolf, Nick Drake, Jimi Hendrix Experience, Cream, Pink Floyd. Size: 130 MB (136,790,330 bytes) Duration: 1:11:19

"As you brush your shoes Stand before the mirrorAnd you comb your hair Grab your coat and hatAnd you walk, wet streets Tryin' to rememberAll the wild night breezes In your mem'ry ever",Please come along on this week's Super Sounds Of The 70's musical journey. Joining us are Dire Straits, The Hollies, Joe Walsh, Chicago, Robin Trower, The Zombies, Grass Roots, Traveling Wilbury's, Kinks, Rolling Stones, Stevie Ray Vaughn, Styx, Guess Who, Jimi Hendrix Experience, Steely Dan, Doobie Brothers,Jackson Browne, Janis Joplin,  Blood Sweat & Tears and Van Morrison.

Hello everybody! Today, it's time to make more donuts! We are diving deeper into Phish's Baker's Dozen run. Listen in as we dig into the Jimmies fun (we call them Sprinkles) that was night eight, 7/30/2017. With originals and covers by Hot Rize, The Who, and Jimi Hendrix Experience buckle up or better yet, go ahead and surrender to the flow. Also this podcast is on ⁠⁠Youtube⁠⁠, go check it out! Enjoy!Thanks to ⁠⁠⁠⁠⁠⁠phish.net⁠⁠⁠⁠⁠⁠ for notes on these tracks.The music used in this episode is from ⁠⁠⁠⁠⁠⁠phish.in⁠⁠⁠⁠⁠⁠.-----Intro Music is from Sigma Oasis, 07/12/23.Outro Music is from Cities, 10/07/23.Follow us on our listening journey. Rate, review, subscribe, and share! Find out more details on our new members-only perks here - ⁠⁠⁠⁠⁠⁠https://www.patreon.com/PhishPhryPod⁠⁠⁠⁠⁠⁠.----------- Be our friends on social! We are @phishphrypod everywhere.

Hoy en La Gran Travesía, con motivo del 55º Aniversario del fallecimiento de Jimi Hendrix (18 septiembre 1970) recuperamos el especial sobre uno de los guitarristas más influyentes de todos los tiempos. Sus comienzos como músico de sesión, sus colaboraciones con Little Richard, su traslado a la ciudad de Londres, la formación de la Jimi Hendrix Experience, sus primeros conciertos en París, sus éxitos, su historia, las actuaciones en los festivales de Monterey, Woodstock, Isle of Wight...todo eso y mucho más en La Gran Travesía. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Juanito, Octavio Oliva, Piri, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

No quadro O Som da Convidada quem escolhe o álbum do episódio é a nossa visita! Nesta semana, Renata Costa nos trouxe Electric Ladyland, do trio The Jimi Hendrix Experience, de 1968. Esse é o terceiro e último lançamento do grupo e por muitos considerado a obra-prima de Hendrix. Um disco duplo que expande os limites do rock psicodélico, misturando blues, funk, soul e experimentação sonora, com uso inovador do estúdio. Simplesmente um dos maiores guitarristas da história do rock no auge de sua criatividade e técnica.See omnystudio.com/listener for privacy information.

This week's program features tuneage from Brewer & Shipley, Janis  Joplin, Beatles, Jimi Hendrix Experience, Jefferson Airplane, Talking Heads, Donovan, Kinks, Cat Stevens, Ten Years After, Electric Prunes, Don McLean, Bachman Turner Overdrive, Brian Auger's Oblivion Express, Jeff Beck Group, John McLaughlin, Joni Mitchell, Loggins & Messina, Coldplay, Cream, Dada, Bruce Springsteen, Chicago & Crack The Sky.

This week on One Song, Diallo and LUXXURY kick off a two-part deep dive into Jimi Hendrix's legacy, starting with the track that put him on the map—“Purple Haze” by The Jimi Hendrix Experience. They unpack the countercultural movement of 1967 that launched Hendrix into stardom and explore how he fused blues and psychedelic rock into something entirely his own. Plus, LUXXURY reveals the one thing every guitarist gets wrong about the song. One Song Spotify Playlist: https://open.spotify.com/playlist/40SIOpVROmrxTjOtH7Q1yw?si=f6500a0063d949a3 Songs Discussed: “Purple Haze” - The Jimi Hendrix Experience “Strawberry Fields Forever” - The Beatles “Light My Fire” - The Doors “Somebody to Love” - Jefferson Airplane “To Sir With Love” - Lulu “The Letter” - The Box Tops “Ode To Billie Joe” - Bobbie Gentry “Testify, Pts. 1 & 2” - The Isley Brothers “House Of The Rising Sun” - The Animals “Hey Joe” - The Leaves “Hey Joe” - The Jimi Hendrix Experience “Foxey Lady” - The Jimi Hendrix Experience “Hold It” - Bill Doggett “Taxman” - The Beatles Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's program features tuneage from The Who, Dawes, Counting Crows, Stones, Steely Dan, John Prine, Quincy Jones, Michael Franks, Cracker, Allman Brothers, Wallflowers, Derek & The Dominos, Jimi Hendrix Experience, Tom Petty, Rembrandts, John Waite, Jeff Golub, The Kinks, John Lennon and Gary Calamar.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song:  Fire by The Jimi Hendrix Experience (1967)Song 1: Your Southern Can is Mine by The White Stripes (2000)Song 2: Fluffhead (Live at the Clifford Ball) by Phish (1996)Song 3: Beauty of My Dreams by Del McCoury Band (1992)Song 4: For Emily, Whenever I May Find Her by Simon & Garfunkel (1969/1972)Song 5: As It Was by Harry Styles (2022)Song 6: Surfin' U.S.A. by The Beach Boys (1963)Song 7: Like Crying by Fleetwood Mac (1969)Song 8: Cure For Me by AURORA (2021)Song 9: Farewell Transmission by Song: Ohia (2003)Song 10: In the Heights by Cast of the Original Motion Picture Soundtrack (2021)

Musician Knox Chandler (The Psychedelic Furs, Siouxsie and the Banshees) has made a career of using his guitar to create unique, otherworldly sound-scapes, working with a diverse array of acts including REM, Depeche Mode, Grace Jones, Marianne Faithful, Cyndi Lauper and many others. It's no surprise then, that the record that 'got him high' as a young man - and continues to astound and inspire him - is The Jimi Hendrix Experience's third and final studio album, the epic 'Electric Ladyland'. "Have you ever been to Electric Ladyland? The magic carpet waits for you, So don't you be late..." Songs discussed in this episode: Voodoo Child (Slight Return) - Earth, Wind & Fire; Love Me Do - The Beatles; Fire, ...And the Gods Made Love, Have You Ever Been (To Electric Ladyland), Crosstown Traffic - Jimi Hendrix; Until She Comes - The Psychedelic Furs; Loving Arms - Darden Smith; Voodoo Chile - Jimi Hendrix; Whiskey Wimmen - John Lee Hooker; Baby Please Don't Leave Me - Buddy Guy; Little Miss Strange, Long Hot Summer Night, Come On (Let The Good Times Roll), Gypsy Eyes, Burning Of The Midnight Lamp, Rainy Day, Dream Away - Jimi Hendrix; Sivad (Live) - Miles Davis; 1983 (A Merman I Should Turn To Be), Still Raining, Still Dreaming, House Burning Down, All Along The Watchtower, Voodoo Child (Slight Return) - Jimi Hendrix; Voodoo Child (Slight Return) - Stevie Ray Vaughan; Tea Stained Edge, Lapis - Knox Chandler

(S4 Ep 27) The Jimi Hendrix Experience Axis: Bold as LoveReleased December 1967 and recorded mostly May -June 1967 (Reprise in the USA and Polydor in the UK) Axis: Bold As Love is the Jimi Hendrix Experience's pivotal second album. Produced by Chas Chandler and engineered by Eddie Kramer, it arrived just seven months after Are You Experienced, showcasing Hendrix's rapid artistic growth. The album bridges raw psychedelia and the jazz-inflected soul of Electric Ladyland, with standout tracks like “Little Wing,” “Spanish Castle Magic,” and the epic closer “Bold as Love.” Studio innovations—including stereo panning, backward guitar, and flanging—are evident on tracks like “EXP.” Though less commercially successful than its predecessor, Axis is now hailed as a masterpiece. Hendrix's lyrical introspection, technical guitar wizardry, and the trio's cohesive interplay marked a new direction for rock. The album's blend of soul, blues, and psychedelia cements Hendrix as one of the most innovative artists of the 1960s, rivaled only by The Beatles.Signature Tracks: "Little Wing,"  "Castles Made of Sand," "Bold As Love" Full Album  You Tube   Spotify  Playlist YouTube  Spotify

What's your most loved and least favorite song on Bob Dylan's Highway 61 Revisited?! Dan chose Zimmerman's acclaimed sixth album for us to rank in this fun episode about a world class wordsmith and his out-of-tune guitar. We hit the guest ranker jackpot getting singer/songwriters Lloyd Cole and the Old 97's Rhett Miller to chime in with their most and least loved songs on the album. Listen at WeWillRankYouPod.com, Apple, Spotify and Desolation Row. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER: Joan Baez, bahhhhs, Ballad of a Thin Man, Beastie Boys, the Beatles, Blonde on Blonde, Mike Bloomfield, blues, Bringing It All Back Home, Johnny Cash, Champaign, Illinois, Lloyd Cole, the Commotions, Desolation Row, Bob Dylan, Steve Earle, From a Buick 6, folk music, folk rock, going electric, Grateful Dead, Paul Griffin, harmonica, Jimi Hendrix Experience, Highway 61 Revisited, It Takes a Lot to Laugh, It Takes a Train to Cry, Juarez, Mister Jones, Judas, Just Like Tom Thumb's Blues, Al Kooper, Bruce Langhorne, Sam Lay, Gordon Lightfoot, Like a Rolling Stone, lyrics, Charlie McCoy, Meet Me In The Morning, Milk Cow Blues, Rhett Miller, Newport Folk Festival, Old 97s, out of tune guitar, Queen Jane Approximately, rap, Rolling Stone magazine, Rue Morgue Avenue, siren whistle, tack piano, Tombstone Blues, Violent Femmes, Wilco, wordsmith, 1965.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Send us a textGuitarist Barrie Cadogan (Little Barrie, Primal Scream, The The) joins Al for this episode to dig into The Jimi Hendrix Experience's 1968 album Electric Ladyland. Barrie talks about getting introduced to the album by his father and getting much of his guitar education from listening to it (and Hendrix's other albums). He also goes in depth in discussing some of his favorite tracks from the album. Barrie also talks about working with Matt Johnson on The The's Ensoulment, and on the making of the second Little Barrie & Malcolm Catto album, Electric War.Barrie mentioned that he recorded an early version of his riff for The The's “Cognitive Dissident' on his Instagram account. Check it out here! https://www.instagram.com/tv/CaAXLbTAmRM/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==Speaking of Instagram, you can find Barrie and Little Barrie there at @littlebarrie. He and the band are also on Facebook at @littlebarrie. You can also find Little Barrie's music on YouTube at @littlebarrieofficial and on their website, littlebarrie.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. You can support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.IMPORTANT UPDATE! You, Me and An Album will soon have additional offerings on Patreon. More information will be coming soon. To sign up, go to patreon.com/youmealbum.1:34 Barrie joins the show1:57 Barrie describes the nature of his connection to Jimi Hendrix's music5:12 Barrie's love of Hendrix's music was handed down from his father7:48 Listening to Hendrix's albums were an important part of Barrie's guitar education9:03 Al contrasts his childhood experience of hearing Hendrix to Barrie's10:22 Barrie talks about seeking out older music in the pre-internet age11:50 Barrie recalls how Little Barrie wound up supporting one of his teen-years musical heroes12:54 Barrie talks about the differences and similarities between Electric Ladyland and the band's previous albums18:05 Barrie and Al discuss the impact Chas Chandler's departure as producer had on Electric Ladyland21:45 Barrie singles out some of his favorite tracks from the album28:36 Barrie talks about the challenges inherent in learning from playing along with Hendrix29:29 Barrie discusses the many musicians that Hendrix collaborated with34:28 Barrie talks about the jazzy feel that Mitch Mitchell brought to the songs37:25 Barrie explains why Electric Ladyland is his favorite Hendrix album41:06 Barrie makes note of Electric Ladyland's staying power and younger listeners discovering ‘60s rock44:59 Barrie theorizes why Electric Ladyland was recorded in both London and New York46:22 Barrie talks about how Little Barrie's collaborations with Malcolm Catto came about50:39 Barrie notes how Electric War sounds different from previous Little Barrie albums53:52 Barrie talks about Electric War coming in the midst of a busy schedule55:05 Barrie explains how one of his riffs became the basis for The The's “Cognitive Dissident”58:45 Barrie recounts his first meeting with Matt Johnson1:03:51 Barrie talks about his upcoming tour plans with Little Barrie, The The and the Black KeysOutro music is from “My Now” by Little Barrie & Malcolm Catto.Support the show

In this episode Sprout returns to the podcast. The only choice for episode 420 of the TU Podcast talks about the new single from Strength in Agony, joining the band a year ago, becoming a bass player, listening to artists like Cream, Jimi Hendrix Experience, gaining inspiration from Dug Pinnick of King's X, the status of Kingshifter, JJ Beard's, Dusty Grant and some memories from our tours with him, John Holata, Adam Joad and Scattered Hamlet, Pink Floyd's The Wall, the effect of marijuana on music, looking back at how he changed throughout his musical journey, and a ton more! Thanks for listening, and please share! #podcast #allkillernofiller #sprouttheantihero #strengthinagony This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows including Rocklahoma performances from Dee Snider, Orianthi, Mike Tramp and more! This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. Native owned, and a female tattoo artist in house. The tattoos are "Done Good and Proper" so be sure to like their facebook page for more details. This episode is also brought to you by Rocklahoma Bitches! Rocklahoma Bitches have been supporting Rocklahoma every year since 2011. Cristy and Kendra have become synonymous with the party both in the campgrounds and inside the venue at ROK. They give away (never charge) an abundant amount of their merch, they MC major campground events, bid on charity guitar auctions, and have become a yearly sponsor of the Cancer Sucks benefit concert in Tulsa. Join their FB group and follow the Rockbitch page now! Stream us anytime everywhere podcasts are heard.

Jacob Herrera Wachal is an artist and educator from Lexington, Kentucky, as well as a founding member of Liquified. Liquified is a performing arts collective specializing in projected time-based installations as an accompaniment to live music. Their performances are grounded in the techniques pioneered by avant-garde liquid light acts of the 1960's such as Light Sound Dimension and The Holy See, who quickly found popularity when paired with acts such as the Jimi Hendrix Experience, Pink Floyd, and the Grateful Dead.As a way to celebrate the art form and the diversity of Lexington, Liquified is hosting a free-to-attend “immersive night market”, entitled “Syzygy” (sih-zih-jee).  The event will feature a projection-mapped video installation, local musical acts accompanied by light artists each with a distinctive approach, vendor fair featuring artisans from a multitude of disciplines, and locally favored food trucks.Syzygy will take place at the Lexington Art League on Friday, March 21st, from 5-10 PM.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

On the March 17 edition of the Music History Today podcast, Purple Haze debuts & Sinead O'Connor makes history.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Social Discipline is incredibly excited to present the adventurous life of Jeff Perkins, a hidden gem of the American underground. This massive five-hour podcast, recorded in Berlin in June 2024, explores his fascinating journey—no one else can claim to have performed for Yoko Ono and John Cage, created legendary light shows with The Velvet Underground, Sly and the Family Stone, and The Germs, programmed the first Kenneth Anger retrospective in L.A., and encountered both Charles Manson and members of the satanic cult The Process. Jeff joined the military in the 1960s and was stationed in Tokyo, where he met Yoko Ono in the early '60s. He began performing some of her pieces there and later in New York. Perkins also filmed Ono's classic Film No. 4 (Bottoms), a Fluxus work. His first independent contribution to the Fluxfilm Anthology was Shout. He was at the heart of the 1960s New York avant-garde scene, surrounded by figures like La Monte Young, Jack Smith, and Angus MacLise. In January 1967, Perkins moved to Los Angeles, where he worked as a programmer at Cinematheque 16. Influenced by Tony Conrad's The Flicker, he began producing powerful light shows and collaborated with bands throughout the '60s and '70s—ranging from The Jimi Hendrix Experience and The Grateful Dead to the punk scene with X and The Germs. He even refused to do a show for the Sex Pistols due to a disagreement with the promoter. Perkins was a close friend of Terry Jennings and, in fact, entrusted his archive to La Monte Young. While in L.A., he was neighbors with the artist James Turrell. In 1980, Perkins moved back to New York and started a loft project just a block away from Ground Zero, reminiscent of George Maciunas' artist loft spaces. To finance it, he worked as a cab driver. He remained deeply connected to cinema, particularly through Anthology Film Archives, where he proposed a John Cassavetes retrospective to Jonas Mekas and later became a manager. In 1994, Nam June Paik—who coined the term “The Fluxus cab driver” for Perkins—invited him to perform at Anthology Film Archives in a homage to Yoko Ono. His performance, Butthead, was a great success. His legendary loft became a hub where one could easily encounter visiting filmmakers like Pedro Costa and Albert Serra. In 1989, Perkins organized a series of lectures at Anthology Film Archives with Henry Flynt and Tony Conrad, reuniting the two after years of estrangement. Flynt would become a lifelong friend. In 2008, during the financial crisis, when I lived with Jeff, we organized a series of four-hour lectures by Flynt in the loft's kitchen, focusing on the crisis and communist economics. I vividly remember Tony Conrad attending one of them in his elegant pajamas. Perkins has directed two critically acclaimed films—one on abstract painter Sam Francis and another on the legendary Fluxus figure George Maciunas. He is currently finishing editing a film about Henry Flynt in Berlin. This podcast concludes with an excerpt from his piece Movies for the Blind, which features recordings of conversations with passengers from his time as a New York cab driver.

"Everybody's a dreamer and everybody's a starAnd everybody's in show biz, it doesn't matter who you areAnd those who are successful, be always on your guardSuccess walks hand in hand with failure along Hollywood Boulevard"Please join me and some of our Vinyl Heroes as we get ready for the Academy Awards and our "Celluloid Heroes" this evening with 2 hours of great tunes on this week's Super Sounds Of The 70's. Stopping by are Peter Green, America, Cream, Little Feat, Jackson Browne, Neil Young, Crabby Appleton, Detroit, Free,  Foghat, Tommy James & The Shondells, The Eagles, Supertramp, George Harrison, Pablo Cruise, Crosby Stills, Nash & Young, Grand Funk Railroad, Savoy Brown, The Hollies, Steve Stills, The J. Geils Band, Jimi Hendrix Experience and The Kinks...

On this week's episode of the World's Greatest Action Sports Podcast, Chris and Todd talk about the Tudor Nazare Big Wave Challenge, Natural Selection Surf, Red Bull Heavy Metal Boston, Pipe has been firing and eating surfers, we have exclusive phone call interviews with Natural Selection Producer, Liam Griffin, as well as a conversation riding up Peak Chair in Whistler BC with Natural Selection Dual Competitor Brin Alexander and our Monday M.A.S.S. correspondent in Canada, John Veder. The boys also talk about East Coast snow events, Snow League, Camp Shred, AVOS Therapeutic footwear by Shawn Hale, new Globe kicks for Todd, some of your questions will be answered (the rest will be fielded next week). This is a good episode, you will like it.  Presented by: Portal @portal.exp New Greens @newgreens Mammoth Mountain @mammothmountain   Sun Bum @sunbum   Spy Optic @spyoptic   Hansen Surfboards @hansensurf Bachan's Japanese BBQ Sauce @trybachans MachuPicchu Energy @machupicchu.energy Pannikin Coffee And Tea @pannikincoffeeandtea Bubs Naturals @bubsnatruals Pedal Electric @pedal.electric Mint Tours @minttours Die Cut Stickers @diecutstickersdotcom CAMP SHRED IS COMING! MARCH 1 and 2 at San Elijo Campgrounds in Cardiff By The Sea, CA. Camp Shred The World's Largest Surf Demo San Elijo Campgrounds, Cardiff By The Sea, California March 1-2   Sat March 1, 2025 8:00am - 5:00pm Event Open 8:00am - 4:00pm Surf Demo Open 11:30am - 5:00pm Beer Garden 12:00pm - 2:00pm DJ Chris Cantore 2:00pm - 2:30 KOOK  3:00pm - 3:45 SUNBENDR (NOMINATED FOR A AD MUSIC AWARD) 4:00pm - 5:00 Strawberry Fuzz Sun March 2, 2025 8:00am - 4:00pm Event Open 8:00am - 3:00pm Surf Demo Open 11:30am - 4:00pm Beer Garden 11:00am - 12:30 Donuts and a DJ Set With Chris Coté  12:30pm - 1:00 Juvenile Seagulls 1:30pm - 2:15 Monarch  2:30pm - 3:30 Isaiah Mitchell's Jimi Hendrix Experience featuring Nico Pompeo, and Brian Cantrell.

"Welcome to your life There's no turning backEven while we sleepWe will find youOf freedom and of pleasureNothing ever lasts foreverEverybody wants to rule the world"No matter how you lean it's been a very surreal week here"Please allow me to enter your headspace for 2 hours this afternoon on this week's Whole 'Nuther Thing. Joining us are The Electric Flag, John Coltrane, Rhinoceros, Aretha Franklin, Dr. John, Warren Zevon, The First Edition, Creedence Clearwater Revival, The Doors, Moody Blues, [Arthur Lee & Love],The Jimi Hendrix Experience, John Fogerty, Fleetwood mac, Jimmy Buffet, Bob Dylan, Marvin Gaye, The Bee Gees, Santana, Talking Heads, Otis Redding, Rod Stewart and Tears For Fears.

(S4-Ep 9) The Jimi Hendrix Experience- Are You Experienced (Polydor in the U.K. and Reprise in the U.S.)  Released May 12, 1967 Recorded October 23, 1966, to April 4, 1967  Are You Experienced, released on May 12, 1967, is regarded as one of rock history's most influential debut albums. With Jimi Hendrix at the forefront, the album blends blues, psychedelia, and experimental rock, introducing his signature guitar techniques that would reshape music. Songs like "Purple Haze," "Hey Joe," and "The Wind Cries Mary" are not just iconic tracks but also showcase Hendrix's revolutionary use of distortion, feedback, and other effects. The album's US and UK releases featured different tracklists.  The Jimi Hendrix Experience—composed of Hendrix, Mitch Mitchell, and Noel Redding—provided a groundbreaking sound driven by Mitchell's jazz-infused drumming and Redding's bass playing. Produced by former Animals bassist Chas Chandler and engineered by Eddie Kramer, the album's innovative studio techniques set new standards in rock production. Are You Experienced became a commercial success and remains a cornerstone of rock music, establishing Hendrix as a true musical genius. Signature Tracks "Purple Haze,"  "Hey Joe,"  "Wind Cries Mary" Playlist YouTube Playlist  Spotify Playlist  Full Albums Full Album YouTube  Full Album on Spotify

Ah yes, the "Power Trio". So many famous ones come to mind...The Jimi Hendrix Experience, Cream, Blue Cheer, Rush...the list goes on and on. But in this Epysode, we dive into a NOT so famous one. Very little is known about the band Parish Hall. They only recorded the one album, but it's a beauty. If you like early 70's blues-rock, this one is going to hit home for you. I hope you dig Parish Hall as much as I do. -FJ ===LINKS=== Hey, we could use your support. Please consider backing us on Patreon, here's the linky-doo: patreon.com/FarmerJohnMusic We're on all social media platforms, follow us won't ya?? Just search "Vinyl Relics". Email me at farmerjohnmusic@gmail.com ===THE MUSIC=== Here's a list of all the songs used in this Epysode, in order of appearance. Use this link to hear full versions in a Spotify playlist (*denotes track not available on Spotify.) https://open.spotify.com/playlist/3vHT5LwsSVadPcA2x3CVT4?si=0e348a40db6d4a79  *FAIR WEATHER - God Cried Mother CREAM - Sunshine Of Your Love THE JIMI HENDRIX EXPERIENCE - Foxey Lady TASTE - Blister On The Moon MUDDY WATERS - Rollin' And Tumblin' *CHOSEN FEW - Nobody But Me *THE GARY WAGNER BLUES BAND - I Can't Go On Without You PARISH HALL - My Eyes Are Getting Heavy PARISH HALL - Dynaflow PARISH HALL - Ain't Feeling Too Bad PARISH HALL - Silver Ghost PARISH HALL - Skid Row Runner PARISH HALL - Lucanna PARISH HALL - We're Gonna Burn Together PARISH HALL - Somebody Got The Blues PARISH HALL - How Can You Win PARISH HALL - Take Me With You When You Go ??MYSTERY ARTIST?? - tune into the next Epysode to find out… *NEWPORT ELECTRIC - Seemed Like A Good Idea At The Time (new track not yet released) Learn more about your ad choices. Visit megaphone.fm/adchoices

We did it! ATTT is the first place on the internet to plant our flag on an amazing musical topic. People talk until they're blue in the face about all the times Prog artists went Prog. Why isn't anyone talking about those ridiculous moments where our favorite Pop stars said "Prog It!" Here in TOP TEN TIMES POP WENT PROG Part 2, progressive rock wizards Fernando Perdomo & Matt Tecu help us reveal picks 5-1 in epic fashion. We hail our favorite pop stars for their artistry and adventurousness. Prog on!If you missed Part 1, go back and start here:https://podcasts.apple.com/us/podcast/episode-652-top-ten-times-pop-went-prog-part-1-w-fernando/id573735994?i=1000684688010If there was ever a playlist that would get a 13/5 epicness rating, it's the official TOP TEN TIMES POP WENT PROG Spotify playlist, featuring all songs heard in Parts 1 & 2, bumper songs included. THE IKON included!https://open.spotify.com/playlist/6YrDIbriG6KIKA9aeYk46h?si=9c1457e999f348c7Fernando & Matt's excellent album "Art" is out there on all of the streaming places, but you should really check it out on Bandcamp:https://fernandoperdomo.bandcamp.com/album/artWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. It's the long-awaited return of Chrissy Olsen, in an all new episode, out February 1st! Find out more at https://www.patreon.com/c/alltimetopten

We discuss the best and worst songs from ”Are You Experienced" by The Jimi Hendrix Experience. Tell us your thoughts about these songs and follow us on Facebook and X.  Please support The Jimi Hendrix Experience estate by purchasing and streaming this album wherever you pay for music! 

Lord knows I'm a voodoo pod. Fredo, Randy, and Justin are talking about The Jimi Hendrix Experience. Learn Em and Love Em People. Please consider pledging to our ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠. If you wanna play ⁠⁠⁠⁠⁠⁠sign up⁠⁠⁠⁠⁠⁠. Listen to the⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist⁠

On this episode, Roger Earl and Scott Holt of Foghat take us on a journey through the band's incredible six-decade career, from the early days when they ruled FM radio in the 1970s to their current Billboard chart-topping album, “Sonic Mojo.” They share their experiences, stories, and insights into Foghat's long-lasting influence on Blues Rock music.  Roger opens up about his memories of auditioning for the Jimi Hendrix Experience, while Scott Holt shares his blues roots & being mentored by Buddy Guy. Also, Scott discloses how he's been received as Foghat's latest frontman & we take an in-depth look into the songs of “Sonic Mojo,” including honoring the legacy of the late Lonesome Dave Peverett, Rod Price & Kim Simmons on some of the tracks. Plus, with the upcoming 50th anniversary of their classic album “Fool For The City”, Roger reflects on its legacy and humorous story behind the iconic album cover, & he takes us on a trip down memory lane, reflecting on some of the amazing artists & bands he's shared the stage with. Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemROC http://metalmayhemroc.etsy.com https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Foghat & Scott Holt SOCIALS: http://www.foghat.com https://www.facebook.com/Foghat/ https://www.instagram.com/foghat_official/ https://www.tiktok.com/@foghat_official https://www.scottholt.com https://www.facebook.com/VarietyRecordShop/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Roger Earl and Scott Holt of Foghat take us on a journey through the band's incredible six-decade career, from the early days when they ruled FM radio in the 1970s to their current Billboard chart-topping album, “Sonic Mojo.” They share their experiences, stories, and insights into Foghat's long-lasting influence on Blues Rock music. Roger opens up about his memories of auditioning for the Jimi Hendrix Experience, while Scott Holt shares his blues roots & being mentored by Buddy Guy. Also, Scott discloses how he's been received as Foghat's latest frontman & we take an in-depth look into the songs of “Sonic Mojo,” including honoring the legacy of the late Lonesome Dave Peverett, Rod Price & Kim Simmons on some of the tracks. Plus, with the upcoming 50th anniversary of their classic album “Fool For The City”, Roger reflects on its legacy and humorous story behind the iconic album cover, & he takes us on a trip down memory lane, reflecting on some of the amazing artists & bands he's shared the stage with. Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemROC http://metalmayhemroc.etsy.com https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Foghat & Scott Holt SOCIALS: http://www.foghat.com https://www.facebook.com/Foghat/ https://www.instagram.com/foghat_official/ https://www.tiktok.com/@foghat_official https://www.scottholt.com https://www.facebook.com/VarietyRecordShop/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. The movie “Singles” has a tremendous soundtrack, this week all of the songs are ones that were featured in the 1992 film. On today's episode, Steve Riddle is watching, “May This Be Love” by The Jimi Hendrix Experience from 1967. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=CfFlO6lHZ2g

Episode 105 is here, our 2nd Anniversary gala continues! We finish the Jimi Hendrix Experience album Electric Ladyland. How will it fare on side two? Will Frank, Sav and Mark think Is it as great as everyone says? Stay Tuned!

The Richard Syrett Show, September 4th, 2024 Subscribe to Richard's newsletter, "Why I Fight" Scroll to bottom of page https://sauga960am.ca/programs/the-richard-syrett-show Jagmeet Singh Ends Coalition Agreement with Trudeau Liberals https://tnc.news/2024/09/04/singh-ends-coalition-agreement-with-trudeau-liberals/ Blacklock's Reporter files notice of appeal in Blacklock's Reporter v. Attorney General. We challenge a May 31 ruling by a federal judge. The outcome will determine the viability of independent media in our country. https://www.blacklocks.ca/note-from-blacklocks-editor/   Department of Justice Senior Councel Refers to Media Critics as Animal Urine on Social Media https://www.blacklocks.ca/calls-media-critics-dog-urine/  Tom Korski Managing Editor of Blacklock's Reporter. SUBSCRIBE: https://www.blacklocks.ca THE CULT OF CLIMATE CHANGE Phoenix notched its 100th straight day of 100-degree temperatures, shattering a decades-old record https://fortune.com/2024/09/04/phoenix-arizona-100th-straight-day-100-degree-temperatures-shattering-records/   Meet the climate researcher who wants to take away your refrigerator https://www.dailymail.co.uk/news/article-13808351/nicola-twilley-advocating-refrigerator-effects-climate-change.html?ito=native_share_article-nativemenubutton   By 2050, there could be more than 40 million metric tonnes of blade waste piling up worldwide https://x.com/wideawake_media/status/1831301458878169541?s=48&t=NGJd8e_0uhcJwabvmjR-8g   Tony Heller – Geologist, weather historian, founder of https://realclimatescience.com German Politics Upended with Huge Gains for Right Wing Populist Party AfD in Regional Elections https://www.usatoday.com/story/news/world/2024/09/02/germany-elections-far-right-party-olaf-scholz/75044747007/ Trump Ahead in Michigan According to Left-Leaning Pollsters https://www.newsweek.com/donald-trump-kamala-harris-michigan-poll-1947138 How Trump Can Destroy Kamala in Upcoming Debate?  Dr. Steve Turley – The Patriot Professor, founder of Turley Talks, hugely popular YouTuber, over 1 million YouTube subscribers and 15 million podcast listeners, plus millions more across all platforms including Rumble and X. YouTube: https://www.youtube.com/@DrSteveTurleyTV https://fight.turleytalks.com THIS DAY IN ROCK HISTORHY In 1969, the film Easy Rider – starring Jack Nicholson, Peter Fonda, and Dennis Hopper – opened at The Classic in London, England. The movie's soundtrack featured songs from a handful of then-current acts, including The Band, The Jimi Hendrix Experience, and Steppenwolf.  In 1971, Paul and Linda McCartney topped the Billboard Hot 100 with “Uncle Albert / Admiral Halsey,” from their album Ram. Released only in the US, the track was McCartney's first solo No.1 in the country. Paul would later explain that “Uncle Albert” was based on his real-life uncle: “He's someone I recall fondly and when the song was coming, it was like a nostalgia thing.”  In 1976, The Bee Gees went to No.1 on the Billboard Hot 100 with “You Should Be Dancing.” The song, which would later be featured on the Saturday Night Fever soundtrack, launched the trio towards disco stardom and marked the group's first chart-topper to feature their trademark falsetto vocals. Jeremiah Tittle, Co-Host of “The 500 with Josh Adam Myers” podcast and CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Episode 104 is here, It's our 2nd Anniversary! And that means, the Jimi Hendrix Experience. The album is Electric Ladyland from 1968. This is going to be a good one! Stay Tuned!

Send us a Text Message.What if you could relive the transformative year of 1966 through the eyes of those who lived it and the sounds that defined it? Join us alongside our special guests, Mark Smith and Lou Colicchio from the Music Relish Show, as we navigate through Lou's colorful memories from when he was just twelve years old. Our journey is filled with laughter, spirited debates, and vivid recollections of iconic moments like the final broadcast of "Shindig" with The Kinks and The Who, and David Bowie's early career milestones. The dynamic between the hosts, with playful jabs and humorous exchanges, keeps the conversation lively and engaging.In this episode, the air is alive with the nostalgia of 1966's music scene. We'll shine a light on everything from the groundbreaking "Good Vibrations" by Brian Wilson to the psychedelic vibes of The Byrds' "Eight Miles High." There's a special segment where we indulge in a game of 45 Poker, and you'll hear our thoughts as we rummage through a shuffled collection of 45s, debating which set reigns supreme. Alongside our musical musings, we reflect on the unforgettable performances by The Beatles, The Who, and the debut of the Jimi Hendrix Experience, all while sharing personal stories and lighter moments that bring the era back to life.Finally, our discussions take you on a whirlwind of musical highlights, from John Lennon's infamous "more popular than Jesus" remark to debates over Jefferson Airplane and Big Brother at the Fillmore. We'll reminisce about the Grammy winners, Eurovision's quirky moments, and the unforgettable album covers that defined a generation. Whether it's a poignant story about U2's "The Joshua Tree" or a playful argument about wine terminology, this episode promises a rich tapestry of memories, insights, and laughs that will transport you back to one of the most influential years in pop culture history. Tune in for a heartfelt, humorous, and highly entertaining ride through 1966!

In this week's episode of the Beginner Guitar Academy podcast, we're diving into the world of blues music. Host Paul Andrews takes us through 5 classic blues songs that will inspire, motivate, and help us add some new licks to our guitar playing. From iconic tracks like "Crossroads" by Cream to "Hey Joe" by the Jimi Hendrix Experience, each song is a treasure trove of techniques, styles, and inspiration for guitar players of all levels. If you're a member of Beginner Guitar Academy, there's a special treat in store with transcribed licks from each of these songs available in the new "Quick Licks" section. Whether you're a beginner, intermediate, or advanced player, these tracks have something for everyone. So tune in, get inspired, and let's dive into the world of blues guitar!

We have some of the fiercest, growliest songs of the '60s for you today! Which is the greatest songs that isn't about the Vietnam War but basically is, "Fortunate Son" by Creedence Clearwater Revival or "All Along the Watchtower" by the Jimi Hendrix Experience?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The electric guitar is a beautiful, maddening instrument, and man does it sound good in the right hands. On this episode, Kirk takes a deep dive into solos by guitar legends Charlie Christian, Wes Montgomery, Jimi Hendrix, and Larry Carlton.FEATURED/DISCUSSED:"Seven Come Eleven" by Charlie Christian and Benny Goodman, recorded by the Benny Goodman Sextet in 1939"Fried Pies" by Wes Montgomery from Boss Guitar, 1963"Hey Joe" by Billy Roberts recorded by the Jimi Hendrix Experience on Are You Experienced?, 1967Larry Carlton's solo on "Kid Charlemagne" by Donald Fagen and Walter Becker (AKA Steely Dan) from The Royal Scam, 1976OUTRO SOLOIST: Kirk HamiltonKirk returns for another outro guitar solo, this time with a few new licks under his belt.-----LINKS-----SUPPORT STRONG SONGSPaypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music----------------NOVEMBER 2023 WHOLE-NOTE PATRONSCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyNOVEMBER 2023 HALF-NOTE PATRONSEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonDamian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenRob FPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo