Podcasts about jimi hendrix experience

(S4 Ep 27) The Jimi Hendrix Experience Axis: Bold as LoveReleased December 1967 and recorded mostly May -June 1967 (Reprise in the USA and Polydor in the UK) Axis: Bold As Love is the Jimi Hendrix Experience's pivotal second album. Produced by Chas Chandler and engineered by Eddie Kramer, it arrived just seven months after Are You Experienced, showcasing Hendrix's rapid artistic growth. The album bridges raw psychedelia and the jazz-inflected soul of Electric Ladyland, with standout tracks like “Little Wing,” “Spanish Castle Magic,” and the epic closer “Bold as Love.” Studio innovations—including stereo panning, backward guitar, and flanging—are evident on tracks like “EXP.” Though less commercially successful than its predecessor, Axis is now hailed as a masterpiece. Hendrix's lyrical introspection, technical guitar wizardry, and the trio's cohesive interplay marked a new direction for rock. The album's blend of soul, blues, and psychedelia cements Hendrix as one of the most innovative artists of the 1960s, rivaled only by The Beatles.Signature Tracks: "Little Wing,"  "Castles Made of Sand," "Bold As Love" Full Album  You Tube   Spotify  Playlist YouTube  Spotify

What's your most loved and least favorite song on Bob Dylan's Highway 61 Revisited?! Dan chose Zimmerman's acclaimed sixth album for us to rank in this fun episode about a world class wordsmith and his out-of-tune guitar. We hit the guest ranker jackpot getting singer/songwriters Lloyd Cole and the Old 97's Rhett Miller to chime in with their most and least loved songs on the album. Listen at WeWillRankYouPod.com, Apple, Spotify and Desolation Row. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER: Joan Baez, bahhhhs, Ballad of a Thin Man, Beastie Boys, the Beatles, Blonde on Blonde, Mike Bloomfield, blues, Bringing It All Back Home, Johnny Cash, Champaign, Illinois, Lloyd Cole, the Commotions, Desolation Row, Bob Dylan, Steve Earle, From a Buick 6, folk music, folk rock, going electric, Grateful Dead, Paul Griffin, harmonica, Jimi Hendrix Experience, Highway 61 Revisited, It Takes a Lot to Laugh, It Takes a Train to Cry, Juarez, Mister Jones, Judas, Just Like Tom Thumb's Blues, Al Kooper, Bruce Langhorne, Sam Lay, Gordon Lightfoot, Like a Rolling Stone, lyrics, Charlie McCoy, Meet Me In The Morning, Milk Cow Blues, Rhett Miller, Newport Folk Festival, Old 97s, out of tune guitar, Queen Jane Approximately, rap, Rolling Stone magazine, Rue Morgue Avenue, siren whistle, tack piano, Tombstone Blues, Violent Femmes, Wilco, wordsmith, 1965.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Send us a textGuitarist Barrie Cadogan (Little Barrie, Primal Scream, The The) joins Al for this episode to dig into The Jimi Hendrix Experience's 1968 album Electric Ladyland. Barrie talks about getting introduced to the album by his father and getting much of his guitar education from listening to it (and Hendrix's other albums). He also goes in depth in discussing some of his favorite tracks from the album. Barrie also talks about working with Matt Johnson on The The's Ensoulment, and on the making of the second Little Barrie & Malcolm Catto album, Electric War.Barrie mentioned that he recorded an early version of his riff for The The's “Cognitive Dissident' on his Instagram account. Check it out here! https://www.instagram.com/tv/CaAXLbTAmRM/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==Speaking of Instagram, you can find Barrie and Little Barrie there at @littlebarrie. He and the band are also on Facebook at @littlebarrie. You can also find Little Barrie's music on YouTube at @littlebarrieofficial and on their website, littlebarrie.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. You can support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.IMPORTANT UPDATE! You, Me and An Album will soon have additional offerings on Patreon. More information will be coming soon. To sign up, go to patreon.com/youmealbum.1:34 Barrie joins the show1:57 Barrie describes the nature of his connection to Jimi Hendrix's music5:12 Barrie's love of Hendrix's music was handed down from his father7:48 Listening to Hendrix's albums were an important part of Barrie's guitar education9:03 Al contrasts his childhood experience of hearing Hendrix to Barrie's10:22 Barrie talks about seeking out older music in the pre-internet age11:50 Barrie recalls how Little Barrie wound up supporting one of his teen-years musical heroes12:54 Barrie talks about the differences and similarities between Electric Ladyland and the band's previous albums18:05 Barrie and Al discuss the impact Chas Chandler's departure as producer had on Electric Ladyland21:45 Barrie singles out some of his favorite tracks from the album28:36 Barrie talks about the challenges inherent in learning from playing along with Hendrix29:29 Barrie discusses the many musicians that Hendrix collaborated with34:28 Barrie talks about the jazzy feel that Mitch Mitchell brought to the songs37:25 Barrie explains why Electric Ladyland is his favorite Hendrix album41:06 Barrie makes note of Electric Ladyland's staying power and younger listeners discovering ‘60s rock44:59 Barrie theorizes why Electric Ladyland was recorded in both London and New York46:22 Barrie talks about how Little Barrie's collaborations with Malcolm Catto came about50:39 Barrie notes how Electric War sounds different from previous Little Barrie albums53:52 Barrie talks about Electric War coming in the midst of a busy schedule55:05 Barrie explains how one of his riffs became the basis for The The's “Cognitive Dissident”58:45 Barrie recounts his first meeting with Matt Johnson1:03:51 Barrie talks about his upcoming tour plans with Little Barrie, The The and the Black KeysOutro music is from “My Now” by Little Barrie & Malcolm Catto.Support the show

Jimi Hendrix is widely regarded as the best guitarist of all time, not least by our very own Chula. With unparalleled technical mastery, showmanship and innovation, Hendrix seemed to be one with his instrument. Over the course of his upsettingly brief career, he redefined the musical landscape of his time, and cemented himself as a cultural legend of the late 60's and early 70's.Yet behind the myth was a shy young man, whose early years were difficult, unsettled, and marked with emotional and physical neglect. He found music as an escape from his chaotic upbringing; but struggled with the immense fame and fortune that came along with it. In the final episode of the season, Chula goes beyond the myth of Jimi Hendrix and explores the public triumphs and private pains of his ultimate guitar hero. Drawing on his work as a psychotherapist, he discusses how Hendrix's unstable childhood, particularly as a child of alcoholic (ACA), might have contributed to his ability to experience and cope with fame and success in adulthood.This week's ‘ One For The Road' is ‘Electric Ladyland' - the third and final studio album by the Jimi Hendrix Experience - which Chula believes “everyone should listen to once before they die”. Treat yourself to a physical copy or stream it on your favourite platform.Content Warnings: childhood neglect, poverty, alcohol addiction, early loss of a parent, drug use, overdoseIf you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard ProductionProducer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddAudio Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios___Empathy For The Devil Season 2 is brought to you in partnership with London Records. 

In this episode Sprout returns to the podcast. The only choice for episode 420 of the TU Podcast talks about the new single from Strength in Agony, joining the band a year ago, becoming a bass player, listening to artists like Cream, Jimi Hendrix Experience, gaining inspiration from Dug Pinnick of King's X, the status of Kingshifter, JJ Beard's, Dusty Grant and some memories from our tours with him, John Holata, Adam Joad and Scattered Hamlet, Pink Floyd's The Wall, the effect of marijuana on music, looking back at how he changed throughout his musical journey, and a ton more! Thanks for listening, and please share! #podcast #allkillernofiller #sprouttheantihero #strengthinagony This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows including Rocklahoma performances from Dee Snider, Orianthi, Mike Tramp and more! This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. Native owned, and a female tattoo artist in house. The tattoos are "Done Good and Proper" so be sure to like their facebook page for more details. This episode is also brought to you by Rocklahoma Bitches! Rocklahoma Bitches have been supporting Rocklahoma every year since 2011. Cristy and Kendra have become synonymous with the party both in the campgrounds and inside the venue at ROK. They give away (never charge) an abundant amount of their merch, they MC major campground events, bid on charity guitar auctions, and have become a yearly sponsor of the Cancer Sucks benefit concert in Tulsa. Join their FB group and follow the Rockbitch page now! Stream us anytime everywhere podcasts are heard.

Jacob Herrera Wachal is an artist and educator from Lexington, Kentucky, as well as a founding member of Liquified. Liquified is a performing arts collective specializing in projected time-based installations as an accompaniment to live music. Their performances are grounded in the techniques pioneered by avant-garde liquid light acts of the 1960's such as Light Sound Dimension and The Holy See, who quickly found popularity when paired with acts such as the Jimi Hendrix Experience, Pink Floyd, and the Grateful Dead.As a way to celebrate the art form and the diversity of Lexington, Liquified is hosting a free-to-attend “immersive night market”, entitled “Syzygy” (sih-zih-jee).  The event will feature a projection-mapped video installation, local musical acts accompanied by light artists each with a distinctive approach, vendor fair featuring artisans from a multitude of disciplines, and locally favored food trucks.Syzygy will take place at the Lexington Art League on Friday, March 21st, from 5-10 PM.For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

On the March 17 edition of the Music History Today podcast, Purple Haze debuts & Sinead O'Connor makes history.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Social Discipline is incredibly excited to present the adventurous life of Jeff Perkins, a hidden gem of the American underground. This massive five-hour podcast, recorded in Berlin in June 2024, explores his fascinating journey—no one else can claim to have performed for Yoko Ono and John Cage, created legendary light shows with The Velvet Underground, Sly and the Family Stone, and The Germs, programmed the first Kenneth Anger retrospective in L.A., and encountered both Charles Manson and members of the satanic cult The Process. Jeff joined the military in the 1960s and was stationed in Tokyo, where he met Yoko Ono in the early '60s. He began performing some of her pieces there and later in New York. Perkins also filmed Ono's classic Film No. 4 (Bottoms), a Fluxus work. His first independent contribution to the Fluxfilm Anthology was Shout. He was at the heart of the 1960s New York avant-garde scene, surrounded by figures like La Monte Young, Jack Smith, and Angus MacLise. In January 1967, Perkins moved to Los Angeles, where he worked as a programmer at Cinematheque 16. Influenced by Tony Conrad's The Flicker, he began producing powerful light shows and collaborated with bands throughout the '60s and '70s—ranging from The Jimi Hendrix Experience and The Grateful Dead to the punk scene with X and The Germs. He even refused to do a show for the Sex Pistols due to a disagreement with the promoter. Perkins was a close friend of Terry Jennings and, in fact, entrusted his archive to La Monte Young. While in L.A., he was neighbors with the artist James Turrell. In 1980, Perkins moved back to New York and started a loft project just a block away from Ground Zero, reminiscent of George Maciunas' artist loft spaces. To finance it, he worked as a cab driver. He remained deeply connected to cinema, particularly through Anthology Film Archives, where he proposed a John Cassavetes retrospective to Jonas Mekas and later became a manager. In 1994, Nam June Paik—who coined the term “The Fluxus cab driver” for Perkins—invited him to perform at Anthology Film Archives in a homage to Yoko Ono. His performance, Butthead, was a great success. His legendary loft became a hub where one could easily encounter visiting filmmakers like Pedro Costa and Albert Serra. In 1989, Perkins organized a series of lectures at Anthology Film Archives with Henry Flynt and Tony Conrad, reuniting the two after years of estrangement. Flynt would become a lifelong friend. In 2008, during the financial crisis, when I lived with Jeff, we organized a series of four-hour lectures by Flynt in the loft's kitchen, focusing on the crisis and communist economics. I vividly remember Tony Conrad attending one of them in his elegant pajamas. Perkins has directed two critically acclaimed films—one on abstract painter Sam Francis and another on the legendary Fluxus figure George Maciunas. He is currently finishing editing a film about Henry Flynt in Berlin. This podcast concludes with an excerpt from his piece Movies for the Blind, which features recordings of conversations with passengers from his time as a New York cab driver.

"Everybody's a dreamer and everybody's a starAnd everybody's in show biz, it doesn't matter who you areAnd those who are successful, be always on your guardSuccess walks hand in hand with failure along Hollywood Boulevard"Please join me and some of our Vinyl Heroes as we get ready for the Academy Awards and our "Celluloid Heroes" this evening with 2 hours of great tunes on this week's Super Sounds Of The 70's. Stopping by are Peter Green, America, Cream, Little Feat, Jackson Browne, Neil Young, Crabby Appleton, Detroit, Free,  Foghat, Tommy James & The Shondells, The Eagles, Supertramp, George Harrison, Pablo Cruise, Crosby Stills, Nash & Young, Grand Funk Railroad, Savoy Brown, The Hollies, Steve Stills, The J. Geils Band, Jimi Hendrix Experience and The Kinks...

On this week's episode of the World's Greatest Action Sports Podcast, Chris and Todd talk about the Tudor Nazare Big Wave Challenge, Natural Selection Surf, Red Bull Heavy Metal Boston, Pipe has been firing and eating surfers, we have exclusive phone call interviews with Natural Selection Producer, Liam Griffin, as well as a conversation riding up Peak Chair in Whistler BC with Natural Selection Dual Competitor Brin Alexander and our Monday M.A.S.S. correspondent in Canada, John Veder. The boys also talk about East Coast snow events, Snow League, Camp Shred, AVOS Therapeutic footwear by Shawn Hale, new Globe kicks for Todd, some of your questions will be answered (the rest will be fielded next week). This is a good episode, you will like it.  Presented by: Portal @portal.exp New Greens @newgreens Mammoth Mountain @mammothmountain   Sun Bum @sunbum   Spy Optic @spyoptic   Hansen Surfboards @hansensurf Bachan's Japanese BBQ Sauce @trybachans MachuPicchu Energy @machupicchu.energy Pannikin Coffee And Tea @pannikincoffeeandtea Bubs Naturals @bubsnatruals Pedal Electric @pedal.electric Mint Tours @minttours Die Cut Stickers @diecutstickersdotcom CAMP SHRED IS COMING! MARCH 1 and 2 at San Elijo Campgrounds in Cardiff By The Sea, CA. Camp Shred The World's Largest Surf Demo San Elijo Campgrounds, Cardiff By The Sea, California March 1-2   Sat March 1, 2025 8:00am - 5:00pm Event Open 8:00am - 4:00pm Surf Demo Open 11:30am - 5:00pm Beer Garden 12:00pm - 2:00pm DJ Chris Cantore 2:00pm - 2:30 KOOK  3:00pm - 3:45 SUNBENDR (NOMINATED FOR A AD MUSIC AWARD) 4:00pm - 5:00 Strawberry Fuzz Sun March 2, 2025 8:00am - 4:00pm Event Open 8:00am - 3:00pm Surf Demo Open 11:30am - 4:00pm Beer Garden 11:00am - 12:30 Donuts and a DJ Set With Chris Coté  12:30pm - 1:00 Juvenile Seagulls 1:30pm - 2:15 Monarch  2:30pm - 3:30 Isaiah Mitchell's Jimi Hendrix Experience featuring Nico Pompeo, and Brian Cantrell.

"Welcome to your life There's no turning backEven while we sleepWe will find youOf freedom and of pleasureNothing ever lasts foreverEverybody wants to rule the world"No matter how you lean it's been a very surreal week here"Please allow me to enter your headspace for 2 hours this afternoon on this week's Whole 'Nuther Thing. Joining us are The Electric Flag, John Coltrane, Rhinoceros, Aretha Franklin, Dr. John, Warren Zevon, The First Edition, Creedence Clearwater Revival, The Doors, Moody Blues, [Arthur Lee & Love],The Jimi Hendrix Experience, John Fogerty, Fleetwood mac, Jimmy Buffet, Bob Dylan, Marvin Gaye, The Bee Gees, Santana, Talking Heads, Otis Redding, Rod Stewart and Tears For Fears.

(S4-Ep 9) The Jimi Hendrix Experience- Are You Experienced (Polydor in the U.K. and Reprise in the U.S.)  Released May 12, 1967 Recorded October 23, 1966, to April 4, 1967  Are You Experienced, released on May 12, 1967, is regarded as one of rock history's most influential debut albums. With Jimi Hendrix at the forefront, the album blends blues, psychedelia, and experimental rock, introducing his signature guitar techniques that would reshape music. Songs like "Purple Haze," "Hey Joe," and "The Wind Cries Mary" are not just iconic tracks but also showcase Hendrix's revolutionary use of distortion, feedback, and other effects. The album's US and UK releases featured different tracklists.  The Jimi Hendrix Experience—composed of Hendrix, Mitch Mitchell, and Noel Redding—provided a groundbreaking sound driven by Mitchell's jazz-infused drumming and Redding's bass playing. Produced by former Animals bassist Chas Chandler and engineered by Eddie Kramer, the album's innovative studio techniques set new standards in rock production. Are You Experienced became a commercial success and remains a cornerstone of rock music, establishing Hendrix as a true musical genius. Signature Tracks "Purple Haze,"  "Hey Joe,"  "Wind Cries Mary" Playlist YouTube Playlist  Spotify Playlist  Full Albums Full Album YouTube  Full Album on Spotify

Ah yes, the "Power Trio". So many famous ones come to mind...The Jimi Hendrix Experience, Cream, Blue Cheer, Rush...the list goes on and on. But in this Epysode, we dive into a NOT so famous one. Very little is known about the band Parish Hall. They only recorded the one album, but it's a beauty. If you like early 70's blues-rock, this one is going to hit home for you. I hope you dig Parish Hall as much as I do. -FJ ===LINKS=== Hey, we could use your support. Please consider backing us on Patreon, here's the linky-doo: patreon.com/FarmerJohnMusic We're on all social media platforms, follow us won't ya?? Just search "Vinyl Relics". Email me at farmerjohnmusic@gmail.com ===THE MUSIC=== Here's a list of all the songs used in this Epysode, in order of appearance. Use this link to hear full versions in a Spotify playlist (*denotes track not available on Spotify.) https://open.spotify.com/playlist/3vHT5LwsSVadPcA2x3CVT4?si=0e348a40db6d4a79  *FAIR WEATHER - God Cried Mother CREAM - Sunshine Of Your Love THE JIMI HENDRIX EXPERIENCE - Foxey Lady TASTE - Blister On The Moon MUDDY WATERS - Rollin' And Tumblin' *CHOSEN FEW - Nobody But Me *THE GARY WAGNER BLUES BAND - I Can't Go On Without You PARISH HALL - My Eyes Are Getting Heavy PARISH HALL - Dynaflow PARISH HALL - Ain't Feeling Too Bad PARISH HALL - Silver Ghost PARISH HALL - Skid Row Runner PARISH HALL - Lucanna PARISH HALL - We're Gonna Burn Together PARISH HALL - Somebody Got The Blues PARISH HALL - How Can You Win PARISH HALL - Take Me With You When You Go ??MYSTERY ARTIST?? - tune into the next Epysode to find out… *NEWPORT ELECTRIC - Seemed Like A Good Idea At The Time (new track not yet released) Learn more about your ad choices. Visit megaphone.fm/adchoices

We did it! ATTT is the first place on the internet to plant our flag on an amazing musical topic. People talk until they're blue in the face about all the times Prog artists went Prog. Why isn't anyone talking about those ridiculous moments where our favorite Pop stars said "Prog It!" Here in TOP TEN TIMES POP WENT PROG Part 2, progressive rock wizards Fernando Perdomo & Matt Tecu help us reveal picks 5-1 in epic fashion. We hail our favorite pop stars for their artistry and adventurousness. Prog on!If you missed Part 1, go back and start here:https://podcasts.apple.com/us/podcast/episode-652-top-ten-times-pop-went-prog-part-1-w-fernando/id573735994?i=1000684688010If there was ever a playlist that would get a 13/5 epicness rating, it's the official TOP TEN TIMES POP WENT PROG Spotify playlist, featuring all songs heard in Parts 1 & 2, bumper songs included. THE IKON included!https://open.spotify.com/playlist/6YrDIbriG6KIKA9aeYk46h?si=9c1457e999f348c7Fernando & Matt's excellent album "Art" is out there on all of the streaming places, but you should really check it out on Bandcamp:https://fernandoperdomo.bandcamp.com/album/artWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. It's the long-awaited return of Chrissy Olsen, in an all new episode, out February 1st! Find out more at https://www.patreon.com/c/alltimetopten

We discuss the best and worst songs from ”Are You Experienced" by The Jimi Hendrix Experience. Tell us your thoughts about these songs and follow us on Facebook and X.  Please support The Jimi Hendrix Experience estate by purchasing and streaming this album wherever you pay for music! 

On the January 4 edition of the Music History Today podcast, Jimi gets banned, Nirvana signs, Yes & the Doors debut, & happy birthday to Michael Stipe of R.E.M. For more music history, subscribe to my SpotifyChannel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Lord knows I'm a voodoo pod. Fredo, Randy, and Justin are talking about The Jimi Hendrix Experience. Learn Em and Love Em People. Please consider pledging to our ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠. If you wanna play ⁠⁠⁠⁠⁠⁠sign up⁠⁠⁠⁠⁠⁠. Listen to the⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist⁠

On this episode, Roger Earl and Scott Holt of Foghat take us on a journey through the band's incredible six-decade career, from the early days when they ruled FM radio in the 1970s to their current Billboard chart-topping album, “Sonic Mojo.” They share their experiences, stories, and insights into Foghat's long-lasting influence on Blues Rock music.  Roger opens up about his memories of auditioning for the Jimi Hendrix Experience, while Scott Holt shares his blues roots & being mentored by Buddy Guy. Also, Scott discloses how he's been received as Foghat's latest frontman & we take an in-depth look into the songs of “Sonic Mojo,” including honoring the legacy of the late Lonesome Dave Peverett, Rod Price & Kim Simmons on some of the tracks. Plus, with the upcoming 50th anniversary of their classic album “Fool For The City”, Roger reflects on its legacy and humorous story behind the iconic album cover, & he takes us on a trip down memory lane, reflecting on some of the amazing artists & bands he's shared the stage with. Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemROC http://metalmayhemroc.etsy.com https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Foghat & Scott Holt SOCIALS: http://www.foghat.com https://www.facebook.com/Foghat/ https://www.instagram.com/foghat_official/ https://www.tiktok.com/@foghat_official https://www.scottholt.com https://www.facebook.com/VarietyRecordShop/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Roger Earl and Scott Holt of Foghat take us on a journey through the band's incredible six-decade career, from the early days when they ruled FM radio in the 1970s to their current Billboard chart-topping album, “Sonic Mojo.” They share their experiences, stories, and insights into Foghat's long-lasting influence on Blues Rock music. Roger opens up about his memories of auditioning for the Jimi Hendrix Experience, while Scott Holt shares his blues roots & being mentored by Buddy Guy. Also, Scott discloses how he's been received as Foghat's latest frontman & we take an in-depth look into the songs of “Sonic Mojo,” including honoring the legacy of the late Lonesome Dave Peverett, Rod Price & Kim Simmons on some of the tracks. Plus, with the upcoming 50th anniversary of their classic album “Fool For The City”, Roger reflects on its legacy and humorous story behind the iconic album cover, & he takes us on a trip down memory lane, reflecting on some of the amazing artists & bands he's shared the stage with. Metal Mayhem ROC SOCIALS: https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemROC http://metalmayhemroc.etsy.com https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Foghat & Scott Holt SOCIALS: http://www.foghat.com https://www.facebook.com/Foghat/ https://www.instagram.com/foghat_official/ https://www.tiktok.com/@foghat_official https://www.scottholt.com https://www.facebook.com/VarietyRecordShop/ Learn more about your ad choices. Visit megaphone.fm/adchoices

"There must be some kind of way out of hereSaid the joker to the thiefThere's too much confusionI can't get no relief"Actually, relief is on the way. Please join me this afternoon at 3PM PDT, 6PM Eastern, as we decompress together with the magic of music. Assisting us are Laura Nyro, Bill Evans, Jim Hall, Counting Crows, Buffalo Springfield, Sinead O' Connor, Blood Sweat & Tears, The Doors, Eagles, Grateful Dead, Van Morrison, The Guess Who, Billy Joel, Cat Stevens, Jefferson Airplane, Supertramp, Randy Newman, The Rolling Stones, Quicksilver Messenger Service, Simply Red, Jimi Hendrix Experience, Elton John and Bob Dylan.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. The movie “Singles” has a tremendous soundtrack, this week all of the songs are ones that were featured in the 1992 film. On today's episode, Steve Riddle is watching, “May This Be Love” by The Jimi Hendrix Experience from 1967. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=CfFlO6lHZ2g

Bill Shanley is a guitarist from Clonakilty, West Cork, who has played and made music with, among others, Gilbert O'Sullivan, Ray Davies, Mary Black, Eleanor McEvoy, and Paul Brady. He got lessons with Noel Redding of the Jimi Hendrix Experience as a youngster and ever since has had a fascinating career. We talk though as much of that career as we can - spoiler alert: it features the London 2012 Olympics opening ceremony - in this interview recorded at Clonakilty International Guitar Festival 2023. Clonakilty International Guitar Festival returns September 19-22, 2024 around the town. For more, see Clonguitarfest.com On Garinish Island, West Cork, on September 20-22, Crosstown Drift is taking place. There will be free-to-attend walking tours as well as seated events with writers, poets, musicians and cultural creatives. Cormac Begley and Lisa Hannigan are playing evening concerts on Saturday and Sunday, respectively. I'll be chatting to various writers over the weekend including Toner Quinn from the Journal of Music, about his book, What Ireland Can Teach the World About Music. See https://thegoodroompresents.com/

Episode 105 is here, our 2nd Anniversary gala continues! We finish the Jimi Hendrix Experience album Electric Ladyland. How will it fare on side two? Will Frank, Sav and Mark think Is it as great as everyone says? Stay Tuned!

The Richard Syrett Show, September 4th, 2024 Subscribe to Richard's newsletter, "Why I Fight" Scroll to bottom of page https://sauga960am.ca/programs/the-richard-syrett-show Jagmeet Singh Ends Coalition Agreement with Trudeau Liberals https://tnc.news/2024/09/04/singh-ends-coalition-agreement-with-trudeau-liberals/ Blacklock's Reporter files notice of appeal in Blacklock's Reporter v. Attorney General. We challenge a May 31 ruling by a federal judge. The outcome will determine the viability of independent media in our country. https://www.blacklocks.ca/note-from-blacklocks-editor/   Department of Justice Senior Councel Refers to Media Critics as Animal Urine on Social Media https://www.blacklocks.ca/calls-media-critics-dog-urine/  Tom Korski Managing Editor of Blacklock's Reporter. SUBSCRIBE: https://www.blacklocks.ca THE CULT OF CLIMATE CHANGE Phoenix notched its 100th straight day of 100-degree temperatures, shattering a decades-old record https://fortune.com/2024/09/04/phoenix-arizona-100th-straight-day-100-degree-temperatures-shattering-records/   Meet the climate researcher who wants to take away your refrigerator https://www.dailymail.co.uk/news/article-13808351/nicola-twilley-advocating-refrigerator-effects-climate-change.html?ito=native_share_article-nativemenubutton   By 2050, there could be more than 40 million metric tonnes of blade waste piling up worldwide https://x.com/wideawake_media/status/1831301458878169541?s=48&t=NGJd8e_0uhcJwabvmjR-8g   Tony Heller – Geologist, weather historian, founder of https://realclimatescience.com German Politics Upended with Huge Gains for Right Wing Populist Party AfD in Regional Elections https://www.usatoday.com/story/news/world/2024/09/02/germany-elections-far-right-party-olaf-scholz/75044747007/ Trump Ahead in Michigan According to Left-Leaning Pollsters https://www.newsweek.com/donald-trump-kamala-harris-michigan-poll-1947138 How Trump Can Destroy Kamala in Upcoming Debate?  Dr. Steve Turley – The Patriot Professor, founder of Turley Talks, hugely popular YouTuber, over 1 million YouTube subscribers and 15 million podcast listeners, plus millions more across all platforms including Rumble and X. YouTube: https://www.youtube.com/@DrSteveTurleyTV https://fight.turleytalks.com THIS DAY IN ROCK HISTORHY In 1969, the film Easy Rider – starring Jack Nicholson, Peter Fonda, and Dennis Hopper – opened at The Classic in London, England. The movie's soundtrack featured songs from a handful of then-current acts, including The Band, The Jimi Hendrix Experience, and Steppenwolf.  In 1971, Paul and Linda McCartney topped the Billboard Hot 100 with “Uncle Albert / Admiral Halsey,” from their album Ram. Released only in the US, the track was McCartney's first solo No.1 in the country. Paul would later explain that “Uncle Albert” was based on his real-life uncle: “He's someone I recall fondly and when the song was coming, it was like a nostalgia thing.”  In 1976, The Bee Gees went to No.1 on the Billboard Hot 100 with “You Should Be Dancing.” The song, which would later be featured on the Saturday Night Fever soundtrack, launched the trio towards disco stardom and marked the group's first chart-topper to feature their trademark falsetto vocals. Jeremiah Tittle, Co-Host of “The 500 with Josh Adam Myers” podcast and CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this episode we strap on the mutton chops like biker Jesus pumped full of amphetamines and look straight up to the heavens with the voice of a demon for a warts ‘n all take on one of the most influential bands of the last fifty years.If you're not familiar with Motörhead, they are best known for the song, Ace of Spades and I have described them in the past as what it would sound like if Chuck Berry was hit by an out of control freight train driven by drunken pirates.While there have been many members over the years, and some were more important than others, there's only really one bloke who matters in the Motörhead story, Lemmy Kilmister.Lemmy wasn't a satanic metal head. But he was certainly anti-religion with songs like, [Don't Need] Religion, Bad Religion and God Was Never on Your Side. This episode also features cameo guest star appearances from Joseph of Nazareth, Ian Kilmister, Santa Claus, Wales, The Beatles, The Cavern Club, Liverpool, Europe, The Kinks, The Rockin Vicars, Socialist Federal Republic of Yugoslavia, Sam Gopal, Escalator, The Jimi Hendrix Experience, Pink Floyd, The Birds, Hawkwind, Silver Machine, Canada, Bastard, Top of the Pops, BBC, United Artists, On Parole, Phil ‘Philthy Animal' Taylor, ‘Fast' Eddie Clarke, NME, Ted Carroll, Chiswick Records, Mike Tyson, Snaggletooth, the War-Pig, Joe Petagno, Napoleon, Bronze Records, Austin Healy, No Sleep ‘till Hammersmith, Stand By Your Man, Plasmatics, Wendy O. Williams, The Young Ones, Miss Money Stirling, Ace of Spades, Mama I'm Coming Home, Ozzy Osbourne, Sharon Osbourne, Nightmare/The Dreamtime, 1916, James Hetfield, Asteroid 250840 Motörhead, Asteroid 243002 Lemmy, Peterborough, Cambridgeshire, Lemmysuchus, The Natural History Museum, Lorna Steel, Hall of Heavy Metal History, Thrash Metal and New Wave of British Heavy Metal Sauceshttps://guitar.com/news/music-news/james-hetfield-ace-of-spades-tattoo-lemmy-ashes/ https://www.nhm.ac.uk/discover/news/2017/august/fearsome-jurassic-crocodile-named-after-motorheads-lemmy.html https://www.theguardian.com/music/2015/dec/29/lemmy-kilmister-obituary https://www.universeguide.com/asteroid/21506/lemmy Inside Motörhead https://www.loudersound.com/news/lemmy-considered-breaking-up-motorhead-after-nme-readers-voted-them-the-best-worst-band-in-the-world Spin April 2009 Edition https://www.independent.co.uk/news/people/profiles/growing-old-disgracefully-lemmy-on-heartbreak-ageing-and-his-penchant-for-nazi-memorabilia-2142747.html https://www.theguardian.com/music/2008/jul/11/news.culture#:~:text=Though%20no%20official%20statement%20has,Axis%20countries%2C%22%20he%20said. #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Skeptic #Debunk #SatanIsMySuperhero #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird 

Episode 104 is here, It's our 2nd Anniversary! And that means, the Jimi Hendrix Experience. The album is Electric Ladyland from 1968. This is going to be a good one! Stay Tuned!

Send us a Text Message.What if you could relive the transformative year of 1966 through the eyes of those who lived it and the sounds that defined it? Join us alongside our special guests, Mark Smith and Lou Colicchio from the Music Relish Show, as we navigate through Lou's colorful memories from when he was just twelve years old. Our journey is filled with laughter, spirited debates, and vivid recollections of iconic moments like the final broadcast of "Shindig" with The Kinks and The Who, and David Bowie's early career milestones. The dynamic between the hosts, with playful jabs and humorous exchanges, keeps the conversation lively and engaging.In this episode, the air is alive with the nostalgia of 1966's music scene. We'll shine a light on everything from the groundbreaking "Good Vibrations" by Brian Wilson to the psychedelic vibes of The Byrds' "Eight Miles High." There's a special segment where we indulge in a game of 45 Poker, and you'll hear our thoughts as we rummage through a shuffled collection of 45s, debating which set reigns supreme. Alongside our musical musings, we reflect on the unforgettable performances by The Beatles, The Who, and the debut of the Jimi Hendrix Experience, all while sharing personal stories and lighter moments that bring the era back to life.Finally, our discussions take you on a whirlwind of musical highlights, from John Lennon's infamous "more popular than Jesus" remark to debates over Jefferson Airplane and Big Brother at the Fillmore. We'll reminisce about the Grammy winners, Eurovision's quirky moments, and the unforgettable album covers that defined a generation. Whether it's a poignant story about U2's "The Joshua Tree" or a playful argument about wine terminology, this episode promises a rich tapestry of memories, insights, and laughs that will transport you back to one of the most influential years in pop culture history. Tune in for a heartfelt, humorous, and highly entertaining ride through 1966!

In this week's episode of the Beginner Guitar Academy podcast, we're diving into the world of blues music. Host Paul Andrews takes us through 5 classic blues songs that will inspire, motivate, and help us add some new licks to our guitar playing. From iconic tracks like "Crossroads" by Cream to "Hey Joe" by the Jimi Hendrix Experience, each song is a treasure trove of techniques, styles, and inspiration for guitar players of all levels. If you're a member of Beginner Guitar Academy, there's a special treat in store with transcribed licks from each of these songs available in the new "Quick Licks" section. Whether you're a beginner, intermediate, or advanced player, these tracks have something for everyone. So tune in, get inspired, and let's dive into the world of blues guitar!

We have some of the fiercest, growliest songs of the '60s for you today! Which is the greatest songs that isn't about the Vietnam War but basically is, "Fortunate Son" by Creedence Clearwater Revival or "All Along the Watchtower" by the Jimi Hendrix Experience?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"WaterfallNothing can harm me at allMy worries seem so very smallWith my waterfall"It's quite hot everywhere so let's all chill under a cool Waterfall oftunes on the Sunday Edition of Whole 'Nuther Thing on Planetary Jam at Morning Breeze.org. Joining us are Sly & The Family Stone, Van Morrison, Jack Bruce, Leslie West Mountain, Joe walsh, John Lennon, Jeff Buckley, ELO, The Beatles, Cream, Deodato, The Bee Gees, Rolling Stones, Billy Cobham, U2, Jean Luc Ponty, Jeff Beck, Stanley Claarke and Jimi Hendrix Experience.

"Deadhead Adventures: From Minneapolis to Alpine Valley"Larry Mishkin delves into a nostalgic recount of a Grateful Dead concert he attended on June 17, 1988, in Minneapolis, part of their Midwest Summer Tour. He reminisces about attending the show with friends Mikey and JT, detailing their travel adventures and the concert's setlist, which included memorable performances of "Hell in a Bucket" and "Far From Me."Larry also shares personal anecdotes about his experiences following the Grateful Dead, including the challenges of balancing concert trips with his professional life and the thrill of attending multiple shows in a short span. He transitions into discussing the significance of the song "Hell in a Bucket," its debut, and its frequent performance as a show opener. He explains the concept of "Mondegreens," humorous misheard lyrics, using an example from a Grateful Dead song review.The show revisits a story about a Phish fan who was initially banned from all Madison Square Garden Entertainment venues for smoking a bong at the Sphere. MSG later rescinded the ban, citing an internal error. Larry expresses surprise and amusement at the quick reversal and discusses the implications for fans.Finally, Larry discusses the resale of Dead & Company tickets for their Las Vegas Sphere shows, noting that many are being sold at face value or below on cashertrade.org. He expresses mixed feelings about fans having to sell tickets at a loss but appreciates the platform's role in preventing scalping.  Grateful DeadJune 17, 2024 (36 years ago)Met CenterMinneapolis, MNGrateful Dead Live at Metropolitan Sports Center on 1988-06-17 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape First show of the 1988 Midwest Summer TourWith my good buddies Mikey and JT – weekend in Minny, Friday night show but had to stay until Sunday to fly home because if you stayed over a Saturday night, round trip airfare was much less expensive.  Got home on Sunday and headed straight for Alpine Valley for the first of four shows S, M, W, Th.  Each night headed home, slept for 4 hours, got up for work, left work at 3 p.m., ride the El to the middle of the Kennedy Expressway at Addison, hop in a car and drive straight up.  Fight the crazy post show traffic in that horridlbe parking lot (unless you have one-armed Lary as your driver).  Hardcore.  My law firm didn't know what to make of it.  I got in four shows at home with no vacation days taken! INTRO:                                 Hell In A Bucket                                                Track #2                                                0:00 – 1:34                [From David Dowd]:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs.           “Bucket” debuted on May 13, 1983, at the Greek Theater in Berkeley. Alice Kahn wrote a review of the show, in which she promulgated one of the best-ever Mondegreens, referring to the song as “Police on a Joy Ride.” The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance. It was performed by the Dead for the final time on June 30, 1995, at Three Rivers Stadium in Pittsburgh, Pennsylvania.“Hell in a Bucket” appeared on In the Dark, released in July 1987 (aka Touch of Grey album).Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:    June 30, 1995, at Three Rivers Stadium in Pittsburgh, PennsylvaniaSHOW No. 1:                    Far From Me                                                Track #6                                                3:18 – 4:45Brent MydlandGo To Heaven (April 28, 1980)Strong Brent tune.  I saw them open the second set with it a my second show ever (also with my buddy Mikey) in the Carrier Dome on September 24, 1982, the night I got on the bus forever.Played: 74 timesFirst:  March 30, 1980 at Capitol Theatre, Passaic, NJ, USALast:  July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (the night before Brent's last show).  It died with him.MUSIC NEWS:MSG ENERTRAINMENT REDACTS INDEFINITE VENUE RESTRICTION FOLLOWING PHISH FAN BONG/SPHERE CONTROVERSY 2.     Dead & Company Sphere Tickets Listed for Face Value or Below on CashorTrade! Dead & Company announced 24 dates at the Las Vegas Sphere, and many fans eagerly bought tickets. Now, some can't attend and are selling their tickets at face value or less on CashorTrade.org. Built by fellow Deadheads in 2009 to protect fans from scalped tickets, 3.     Roger Daltrey Shares Thoughts on Sharing Setlists Online and More, Ahead of The Voice of The Who Tour - Touching on his feeling toward revealing the contents of a performance online, Daltrey asserted, “I'm not gonna talk about songs.” Providing reasoning, he added, “Too many people reveal songs. There's no surprises left with concerts these days, 'cause everybody wants to see the setlist. I'm f–king sick of it. The Internet's ruined the live shows for me. Who wants to know what's coming next? People forget about surprises. I can't stand it.  Here's an idea for Roger – don't play the exact same show every night!  Mix up your songs and then set lists can only give you probabilities of what might get played.  See the Grateful Dead, Phish and every other jam band ever. 4.     As promised last week, here are the deets on Trey playing with Billy Joel in MSG last week:  Madison Square Garden residencies have long been a career-defining staple of the New York City live entertainment location, with names like Billy Joel and Phish dominating multi-night show cycles, making the venue a known place to catch a memorable Big Apple performance. However, last night's performance was a truly unique event, a planned convergence for the two title-holders, Joel and Phish's Trey Anastasio. They teamed up on select songs, including “Sleeping With the Television On,” a cover of Derek and the Dominos' “Layla” and night closing “You Might Be Right,” featuring a Led Zeppelin “Rock and Roll” insert, sung by Mike DelGuidice.                                                 SHOW No. 2:                    Victim Or The Crime    (First time played)                                                Track #9                                                0:00 – 2:13 (long clip but it's the first time played so I had to run with it)                 Written by Bob Weir and Gerrit Graham                               Garcia – “It's one of Weir's stunningly odd compositions, but it's also very adventurous. It's uncompromising; it's what it is, and the challenge of coming up with stuff to play that sounds intelligent in the context has been incredible, but also appropriately gnarly. I really wanted that part of it to work.I think we did a nice job on the record with it. It works. Whatever it is, it works. I'm real happy with it because it was one of those things that was like, "What are we going to do with this?" It's like having a monster brother that you lock in the attic. It's like a relative that you -- "God, I hope nobody comes over when he's eating...." But that's one of the things that makes the Grateful Dead fun.”             “The text of it -- I don't believe I've ever actually listened to all the words to it. Ever. I have the gist of it; by now I probably could recite it if I really had to, but the text of it is more of the same in a way, it doesn't have a whole lot of light in it. It's very dense, and it's angst-ridden to boot.”             Played 96 times, “Victim” debuted on June 17, 1988, at the Metropolitan Sports Center in Bloomington, Minnesota THIS SHOW. It remained in the rotation thereafter, and was played for the final time on July 2, 1995 at Deer Creek Music Center in Noblesville, Indiana.    SHOW No. 3:                    All Along The Watchtower                                                Track #19                                                1:22 – 3:22  (another long one but could not break up the jam)                 "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston.             Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. The singer has performed the song live more than any of his other ones, with over 2,250 recitals.             I always loved the Dead's cover of this tune.  As you heard in the clip, it is a rocking tune and Jerry would really jam hard on it.  Great snappy second set tune that would always get the crowd moving in the next gear.  Played:  118 timesFirst:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  MJ NEWS 1.        Biden Admin Is ‘Mischaracterizing' Marijuana Rescheduling Impact As Big Pharma Is ‘Waiting In The Wings,' Former Massachusetts Regulator Says (Marijuana Moment) 2.       GOP Congressman Says ‘Millions Of Marijuana Users' Own Guns And Shouldn't Face Prosecution Like Hunter Biden Did 3.    Marijuana Rolling Paper Company Will Pay $4.20 To Volunteers To ‘Smoke Joints For Science'  SHOW No. 4:                    Black Peter                                                Track #20                                                1:36 – 3:11                 Garcia/Hunter tune released on Workingman's Dead in 1970.                  Robert Hunter was not afraid of death; he experienced it a thousand times over. The American musician composed the lyrics to many of The Grateful Dead's most successful songs and played an essential role in curating the band's mythos, one that saw the psychedelic rock outfit earn hordes of dedicated fans, or ‘deadheads'. One such song was ‘Black Peter' – written for the band's 1970 album Workingman's Dead.          By 1969, The Dead were practically synonymous with the liberal drug culture of the hippie era. In the June of that year, Robert Hunter and the gang were given a glass of apple juice laced with “probably a full gram of crystal LSD … worth perhaps $50,000.” The intense trip that followed would completely reinvigorate Hunter's understanding of death and influence his subsequent lyrics for ‘Black Peter'. Bassist Phil Lesh would later recall tasting the LSD in the juice after a single sip: “I wish you could be where I am right now—it's so beautiful,” he told drummer Mickey Hart, “but I couldn't possibly play music now. I don't even know what music is.” Still, there was a job to do, so the band played anyway. In the ‘80's and ‘90's, one of Jerry's rotating post-drums second set ballads along with Morning Dew, Wharf Rat and Stella Blue. This version was one of the highlights of this show.  Jerry's voice is strong if not a bit “ragged” around the edges just the way Deadheads liked it, with just enough emotion to really convey the song's meaning and its statement about the end of life. Played: 351 timesFirst: December 4, 1969 at Fillmore West, San Francisco, CA, USALast:  June 22, 1995 at Knickerbocker Arena in Albany, NY  OUTRO:                               Black Muddy River                                                Track #23                                                4:09 – 5:55  Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, Il – looked like it was going to the last song of the show (encore) and the last song of the difficult summer tour.  Turns out, it could have been the last song ever played in concert by the Dead, until Phil stepped in to leave everyone with a smile on their face and no bad taste in their mouths with a great second encore Box of Rain which then became the last song ever played by the Dead in concert. By contrast, this version is outstanding with strong playing and singing by Jerry.  And, with the show practically on the banks of the Mississippi, it was a geographically appropriate song for the venue. Mikey, JT and I rolled off into the night, a crazy weekend in Minny, and then the next four shows on the tour at Alpine.  Ah, to have the kind of energy again, even if just for a night.  Thank you psychedelics!! Enjoy the Summer Solstice and the beginning of summer. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Tonight's featured LP is Are You Experienced by The Jimi Hendrix Experience - Some great tracks from our featured LP as well as The Beatles, The Allman Brothers Band, Gary Moore, Rory Gallagher and many others. Broadcast on OAR 105.4FM Dunedin www.oar.org.nz

This week's show, after a 2002 Decemberists ditty: brand new John Cale, Rain Parade, Miki Berenyi Trio, New Model Army, Blushing, Greg Hoy & the Boys, and Matt Hunter & the Dusty Fates, plus Jimi Hendrix Experience, Pretty Things, Bob Gibson, Left Bank...

"Chestnut-brown canaryRuby-throated sparrowSing a song, don't be longThrill me to the marrowHappy Mothers Day, please join me and some singing feathered friends on the Sunday Edition of Whole 'Nuther Thing. Flying with us are Janis Ian, Procol Harum, Jeff Beck, Chicago, Pink Floyd, Fleetwood Mac, The Beatles, Bob Dylan, Renaissance, Savoy Brown, Jimi Hendrix Experience, Return To Forever and Crosby Stills & Nash.Tunes start flowing at 3PM PST, 6PM EST, we go to 5PM/ 9PM.https://www.themorningbreeze.org/

"Before you slip into unconsciousness, I'd like to have another kissAnother flashing chance at bliss, another kiss, another kissThe crystal ship is being filled a thousand girls, a thousand thrillsA million ways to spend your timeWhen we get back, I'll drop a line"Please get you boarding pass ready for this weeks Red Eye Journey on the Crystal Ship. Joining us are Return To Forever, Stevie Ray Vaughn, Tom Waits, Spanky & Our Gang, Orpheus, James Taylor, Maria Muldaur, Shuggie Otis, Traffic, Frank Sinatra, The Beatles, Moody Blues, Arthur Lee & Love w Johnny Echols, The Left Banle, Association, Critters, John Lee Hooker, J. Geils Band, Kenny Burrell, Glen Campbell, Jeff beck, Jimi Hendrix Experience, Bee Gees and The Doors...

Send us a Text Message.On this episode, we tackle a BIG album, the 1967 debut LP by the Jimi Hendrix Experience, Are You Experienced. Heralded by many as the greatest rock guitarist of all time, to many Jimi Hendrix, along with his band the Jimi Hendrix Experience (bassist Noel Redding and drummer Mitch Mitchell) seemingly came out of nowhere. However, in reality, Hendrix more than paid his dues, playing in relative obscurity backing a myriad of musicians on the "Chitlin' Circuit," including the Isely Bothers and Little Richard.  Endlessly restless, his stints with these bands was often short lived because he would eventually tire of being in the background and get fired for upstaging the star he was hired to support.  He was finally "discovered" in New York by Chas Chandler (bassist of the Animals) who convinced him to go to England where he finally found the success that had alluded him in his own country. But Are You Experienced  proves Hendrix was more than just an amazing guitarist. It showcases what a gifted singer (if a shy and underappreciated one) and  songwriter he was. It underscores his imagination and creativity in how he used the studio in his quest to find new sounds from his guitar. After its release, Hendrix became a star and would eventually become the highest paid rock musician of the era.  While he would continue to stretch the boundaries of what both the guitar and  the studio could do over his next two LPs, Are You Experienced  is where it all began, and the the music within sounds as innovative and imaginative as it did in the over the five-plus decades since its release. Visit us at www.tappingvinyl.com.

We finally did it! Our first Jimi Hendrix episode. Wesley Dean joins us to discuss "Are You Experienced" from The Jimi Hendrix Experience as well as Wesley's new album "Music From Crazy Hearts" which comes out on Friday. Plenty of other discussion including moving your family to the US from Australia (and changing your name as well), Shannon Sanders, Nirvana (because, you know, Seattle), differences between the US and the UK version of this album (and some very notable omissions on the UK edition) Wayne's World, and competition among band members equals this classic album.Check out Wesley Dean at: https://wesleydeanmusic.com/Check out Jimi at:  https://www.jimihendrix.com/Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

This week is all about bands playing a famous singer–songwriter's songs better than he ever did… This is a particular phenomenon known as, “The Dylan Factor”. In this episode, we showcase songs by old Bobby Dylan that sound better than the versions he recorded. Some will say that's not a hard feat, but none can deny the powerful songwriting and auspicious lyrics of Dylan.What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. If you've never listened to Dylan because of his polarizing voice and delivery, try these awesome rock n' punk n' metal versions instead! Songs this week include:Frank Marino & Mahogany Rush – “All Along The Watchtower” from Tales Of The Unexpected (1979)Me First & The Gimme Gimmes – “The Times They Are A-Changin'” from Rake It In: The Greatest Hits (2017) Vains Of Jenna – “Blowin' In The Wind” from Reverse Tripped (2011)Mick Ronson – “Like A Rolling Stone” from Heaven And Hull (1994)Ministry – “Lay Lady Lay” from Filth Pig (1995)Red Hot Chili Peppers – “Subterranean Homesick Blues” from The Uplift Mofo Party Plan (1987)The Dead Weather – “New Pony” from Horehound (2009)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Esta semana, en Islas de Robinson, territorio clásico, entre 1968 y 1969. Suenan: BLOOD SWEAT & TEARS - "I CAN'T QUIT HER" ("CHILD IS FATHER TO THE MAN", 1968) / THE IMPRESSIONS - "YOU WANT SOMEBODY ELSE" ("THIS IS MY COUNTRY", 1968) / JIMI HENDRIX EXPERIENCE - "HAVE YOU EVER BEEN (TO ELECTRIC LADYLAND)" ("ELECTRIC LADYLAND",1968) / THE ELECTRIC FLAG - "GROOVIN' IS EASY" ("A LONG TIME COMIN'", 1968) / CANNED HEAT - "TIME WAS" ("HALLELUJAH", 1969 ) / SLY & THE FAMILY STONE - "COLOR ME TRUE" ("DANCE TO THE MUSIC", 1968) / TRAFFIC - "WHO KNOWS WHAT TOMORROW MAY BRING" ("TRAFFIC", 1968) / SPIRIT - "UNCLE JACK" ("SPIRIT", 1968) / NAZZ - "NOT WRONG LONG" ("NAZZ NAZZ", 1969) / LOVE - "I'M WITH YOU" ("FOUR SAIL", 1969) / THE GUESS WHO - "6 A.M. OR NEARER" ("CANNED WHEAT", 1969) / THE CITY - "WHY ARE YOU LEAVING" ("NOW THAT EVERYTHING'S BEEN SAID", 1968) / BUFFALO SPRINGFIELD - "FOUR DAYS GONE" ("LAST TIME AROUND", 1968) / MOBY GRAPE - "HE" ("WOW", 1968) / JEFFERSON AIRPLANE - "GREASY HEART" ("CROWN OF CREATION", 1968) / Escuchar audio

Dave Hill in conversation with David Eastaugh https://www.davehillslade.com/the-band Without doubt one of the most exciting bands to come out of Great Britain in the past 50 years. With their unique blend of perfect pop-rock'n'roll, outrageous flamboyance and pure fun, and no less than 23 Top-20 singles of which 6 were No-1 smash hits...plus 6 smash albums, Slade have become a firm favourite in the hearts of pop fans all over the world.   SLADE'S chart career has spanned 6 decades and their enduring songs “Far Far Away”, "Cum On Feel The Noize" and "Coz I Luv You" are still featured today in TV commercials for some of the Worlds biggest companies.   SLADE first hit the road in 1966, touring throughout Great Britain and Europe and becoming a regular concert attraction. Joining forces with the former Animals bass guitarist and Jimi Hendrix Experience manager, Chas Chandler, Slade achieved their first chart hit in May 1971 with the Bobby Marchan song "Get Down And Get With It" then, released in October of the same year "Coz I Luv You" was the bands first No-1 and a huge hit across Europe. Throughout the seventies, Slade became one of Europe's biggest bands, touring and recording continually and making regular trips to America, Japan and other parts of the world. Slade's catalogue of hits are synonymous with the era:- "Take Me Bak 'Ome", "Mama We'er All Crazee Now", "Cum On Feel The Noize", "Gudbye T' Jane", along with the many others provided a soundtrack to the Glam Generation and are still today, heavily featured on any retrospective of the time.

Ya tenemos aquí nuestro primer disco favorito de 2024, el debut de The Hypos, la nueva aventura de Greg Cartwright (Reigning Sound, Oblivians, Compulsive Gamblers) y Scott McMicken (Dr Dog, The Ever Expanding). Un disco de pop superlativo, melodías brillantes y canciones redondasPlaylist;THE HYPOS “Me and Theo” (ST, 2024)THE HYPOS “Tore my whole world down” (ST, 2024)THE HYPOS “All summer” (ST, 2024)JAMIE PERRETT “Poetic justice” (single, 2024)ALEJANDRO ESCOVEDO “Bury me” (adelanto del álbum “Echo dancing”)TY SEGALL “My best friend” (adelanto del álbum “Three bells”)NY HED STUDIO presenta DISTURBIOS “Surf Gnossiene”TRIO VALORE “Rehab” (Return of the iron miracle, 2008)TRIO VALORE “Fuoco” (Return of the iron miracle, 2008)Versión y original; THE JIMI HENDRIX EXPERIENCE “Fire” (1967)BARRENCE WHITFIELD and THE SAVAGES “Big mamou” (Dig yourself, 1985)THE WOGGLES “There goes danger” (Rock and Roll Backlash, 2007)JIM JONES REVUE ALL STARS “Your arms will be the heavens” (Ain’t no peril, 2023)Escuchar audio

We talk through all three albums by The Jimi Hendrix Experience!

Matt & Dom return with lots of sounds from around the world, all vinyl music without borders. Featuring the brand new, limited edition, Double AA side Dear Boys 7”. We play both sides, as you do with a double AA! Also Les Big Byrd, L'Épée, Jimi Tenor, Tony Allen, Nick Cave, The Pogues, Jimi Hendrix Experience, Carolina Chocolate Drops, Luminescent Orchestrii and loads more! Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Monday from 10 AM - 12 Noon EST / 3- 5 PM GMT.For more info visit: https://thefaceradio.com/worldy///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

 Experience Hendrix & Legacy Recordings released Jimi Hendrix Experience: Hollywood Bowl August 18, 1967.  This live concert performance was captured just five days before the US release of Are You Experienced, their album debut.  Amazingly, not a single second of this two-track live recording has ever been released before in any capacity, either via official channels or otherwise.During their set, The Jimi Hendrix Experience (Jimi Hendrix, Mitch Mitchell, Noel Redding) blazed through originals such as “Purple Haze,” “The Wind Cries Mary,” and yet-to-be-released classics “Foxey Lady” and “Fire,” as well as their own re-imagining of favorites Bob Dylan (“Like a Rolling Stone”), The Troggs (“Wild Thing”) and Muddy Waters (“Catfish Blues”). Having already conquered the band's UK base as well as Continental Europe over the previous ten months, the vast majority of the 17,000 plus Los Angeles concert goers were there to see headliners The Mamas & The Papas and were caught off guard by Jimi Hendrix's electrifying musicality and showmanship.John McDermott is the director, writer and producer who has long been associated with the legacy of Jimi Hendrix.  He has served as the Catalog Director for the Jimi Hendrix family company Experience Hendrix, L.L.C. for nearly three decades.  Together with Janie Hendrix and Eddie Kramer, McDermott has co-produced every Jimi Hendrix CD and DVD release, including 1999's Grammy Award-winning Band Of Gypsys, 2014's Emmy Award-winning Hear My Train A Comin' and the recent Grammy nominated Music, Money, Madness: Jimi Hendrix In Maui.   His most recent project is Jimi Hendrix Experience: Hollywood Bowl August 18, 1967. Source: https://www.jimihendrix.com/music/hollywood-bowl-august-18-1967/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

The electric guitar is a beautiful, maddening instrument, and man does it sound good in the right hands. On this episode, Kirk takes a deep dive into solos by guitar legends Charlie Christian, Wes Montgomery, Jimi Hendrix, and Larry Carlton.FEATURED/DISCUSSED:"Seven Come Eleven" by Charlie Christian and Benny Goodman, recorded by the Benny Goodman Sextet in 1939"Fried Pies" by Wes Montgomery from Boss Guitar, 1963"Hey Joe" by Billy Roberts recorded by the Jimi Hendrix Experience on Are You Experienced?, 1967Larry Carlton's solo on "Kid Charlemagne" by Donald Fagen and Walter Becker (AKA Steely Dan) from The Royal Scam, 1976OUTRO SOLOIST: Kirk HamiltonKirk returns for another outro guitar solo, this time with a few new licks under his belt.-----LINKS-----SUPPORT STRONG SONGSPaypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music----------------NOVEMBER 2023 WHOLE-NOTE PATRONSCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyNOVEMBER 2023 HALF-NOTE PATRONSEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonDamian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenRob FPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

El mejor disco del mejor guitarrista. ¿Querían un clásico? El Sábado prendimos el ampli y soleamos a full con el rey de la guitarra Jimi Hendrix. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

"Phish's Chicago Adventure: Unpacking the Three-Night Run"Larry Mishkin  talks about his experience at a recent Phish concert in Chicago. He mentions the uniqueness of this Phish show and focuses on their cover songs, specifically mentioning their cover of Talking Heads' "Remain in Light" album and the way Phish adds their signature jamming style to it. Larry also discusses a rare cover of Neil Young's "Albuquerque" and the joy of seeing a band like Phish covering classics. He mentions the fan culture at Phish concerts, including the prevalence of nitrous oxide vendors in the parking lot. He shares his experience over three nights of the concert and highlights the setlist from each night. Larry also talks about Phish covering Little Feat's "Spanish Moon" and its significance, given that it's a rarely played song by Phish..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast  Phish Weekend in ChicagoOctober 13 – 15, 2023United Center Today is the Phish covers which were spectacularPlay amazing covers by incredible artists – sometimes they dig deep into the other performer's catalogue to pull out rarities.  Other times they cover the hits.  This weekend featured some great examples.  INTRO:                  Cross Eyed and PainlessPhish Cross Eyed and Painless 2023 10 13 Chicago Illinois - YouTube2:00 – 3:40October 13, 2023, Second set, out of Tweezer and into Light. Who doesn't love a cover of a Talking Heads tune, ANY Talking Heads tune.  But this one is special.  Second song on Remain In Light, one of the greatest albums of all time.  Released on October 8, 1980 by Sire Records, the band's fourth album.   Last Heads album produced by Brian Eno.  Phish debuted the tune on October 31, 1996 at the Phish Halloween show at the Omni in Atlanta, GA, covered Remain In Light as their Musical CostumePlayed 62 times overallThey really jam it out in a way the Talking Heads did not.  Always well received and this show was no differentLast played on August 4, 2023 at MSG, 7 shows ago  SHOW #1             AlbuquerquePHISH : Albuquerque : [NEIL YOUNG] : {4K Ultra HD} : The United Center : Chicago, IL : 10/13/2023 - YouTube:50 – 2:18October 13, 2023, First set, out of a killer Ghost and into Saw It Again. Beautiful Neil Young tune from Tonight's The Night released in 1975The song sees Young returning to a theme that has filled his music from very early on: the vapidity of fame. It's something he seems to struggle with even more than most other musicians. Or, at least, it's something he's chosen to sing about more often than most. It may in fact be the most common theme of all his music, besides obvious stuff like heartbreak and love.In "Albuquerque," Young is thinking about renting a car and driving from Albuquerque, New Mexico, to Santa Fe, just to be alone and "independent from the scene." He never tells us why he's in Albuquerque to begin with, but he does tell us he wants to roll a joint and rent a car and stop to eat some "fried eggs and country ham."The "country ham" bit is kind of interesting, because country ham is a food popular in the southeast, not so much in the southwest. It's probably just a simple oversight on Young's part, but it may also reveal another common thread in Young's music: the escape into rural simplicity as a cure for the craziness and fakeness of modern day life.Phish first played this song on July 26, 1998 at the Starplex Amphitheatre in Dallas, TX.Played a total of 17 timesLast played on June 11, 2011 at Merriweather Post Pavillion outside of D.C., gap of 457 shows  SHOW #2:           Spanish MoonPHISH : Spanish Moon : [LITTLE FEAT] : {4K Ultra HD} : The United Center : Chicago, IL : 10/15/2023 - YouTube:50 – 2:05October 15, 2023, Second set out of Pebbles and Marbles and into A Wave of Hope Little Feat cover, one of their most popular tunes.From the album, Feats Don't Fail Me Now, released in 1974 "Spanish Moon" was written and sung by guitarist Lowell George, who was a creative powerhouse in the early years of Little Feat. The song is about a fictional place called the Spanish Moon - a seedy club with whiskey and bad cocaine, but a girl singer that made it worth it. There are many dangers at the Spanish Moon, but the ones likely to do you in are the women.Lowell George was an excellent storyteller and created the Spanish Moon from his imagination, but he lived through the vices he describes in the song, especially cocaine. Around this time, his addictions were starting to overpower him, his health started failing, and he developed hepatitis. Feats Don't Fail Me Now was the last Little Feat album where he was clearly the leader; his contributions to the band slowly tailed off, and in 1979 he released a solo album. While on tour supporting it, he died of a heart attack at 34. Phish debuted it live on October 31, 2010 at Boardwalk Hall in Atlantic City when Phish's musical costume was Waiting For Columbus, the famed Little Feat live album.Phish has performed it live only 3 timesLast before this show was on February 21, 2019 at Barcelo Maya Beach, Riviera Maya, Qunitana Roo, Mexico, gap of 170 shows  SHOW #3:           No QuarterPHISH : No Quarter : [LED ZEPPELIN] : {4K Ultra HD} : The United Center : Chicago, IL : 10/14/2023 - YouTube1:53 – 3:25October 14, 2023, Second Set, out of Everything's Right, into Fluffhead "No Quarter" is a song by Led Zeppelin that appears on their 1973 album Houses of the Holy. It was written by John Paul Jones, Jimmy Page, and Robert Plant. The song became a centerpiece at all Led Zeppelin concerts thereafter, until their final tour. It appears in both the film versions and both live album versions of The Song Remains the Same, released in 1976 and expanded in 2007. It appeared once more in 1994 on Page and Plant's reunion album as the title track. It also appears on Led Zeppelin's 2012 live album Celebration Day, which documented their 2007 reunion performance at the O2 Arena in London. It was re-released on the deluxe edition of Houses of the Holy. The title is derived from the military practice of showing no mercy to a vanquished opponent and from the brave act of not asking for mercy when vanquished. This theme is captured in several of the song's lyrics. Like "Immigrant Song" two albums prior, it evokes imagery from the Vikings and Norse mythology, with lyrics such as “the winds of Thor are blowing cold.”Record producer Rick Rubin remarked on the song's structure, "It takes such confidence to be able to get really quiet and loose for such a long time. [Led] Zeppelin completely changed how we look at what popular music can be."                        Phish debuted the song on June 1, 2011 at PNC Bank Arts Center in Holmdel, NJ                        Phish has performed the song 19 times                        Last before this show was on April 23, 2023 at the Hollywood Bowl, gap of 32 shows SHOW #4        IzabellaPHISH : Izabella : [JIMI HENDRIX] : {4K Ultra HD} : The United Center : Chicago, IL : 10/13/2023 - YouTube:35 – 1:14October 13, 2023, Encore Written by Jimi Hendrix, released on Band of Gypsys, released April 8, 1970After Hendrix disbanded the Jimi Hendrix Experience in early 1969, he formed Gypsy Sun and Rainbows to fulfill his contract to play Woodstock. This was one of the new songs that he introduced at the festival, after which the guitarist was eager to perfect a studio version. Hendrix recruited bassist Billy Cox, who had played with him while they were in the army and his drummer friend Buddy Miles, for a new ensemble, Band of Gypsys. They recorded this as the B-side to his "Stepping Stone" single for Reprise, but it was quickly pulled after Hendrix complained about the mix. The Band of Gypsys made their live debut at the Fillmore East on New Year's Eve, 1969 and this song was played during their first set. Phish debuted the song on June 13, 1997 at The S.F.X. Centre in Dublin, IrelandPhish has performed the Song  17 timesLast before this show July 30, 2023 at MSG in NYC, gap of 15 shows OUTRO:                Loving CupPhish Remastered - 10 - 15 - 2023 - United Center, Chicago, Illinois - YouTube2:34:50 – 2:36:23October 15, 2023, Second set, out of Evolve, set closer. Written by Mick Jagger and Keith Richards, released on Exile on Main Street (1971)Exile on Main St. has grown to be appreciated with time, and this is an example of a song that become more popular later on. In a 2003 interview, Mick Jagger explained: "On the Forty Licks tour, when we were preparing the set list for a show in Yokohama, Chuck Leavell suggested we play 'Loving Cup,' the ballad from Exile on Main St. I didn't want to play the tune and I said, Chuck, this is going to die a death in Yokohama. I can't even remember the bloody song, and no one likes it. I've done it loads of times in America, it doesn't go down that well, it's a very difficult song to sing, and I'm fed up with it! Chuck went, Stick in the mud! so I gave in and put it in the set-list. Lo and behold, we went out, started the song and they all began applauding... Which just proves how, over time, some of these songs acquire a certain existence, or value, that they never had when they first came out. People will say, What a wonderful song that was, when it was virtually ignored at the time it was released." >> Phish debuted the song on February 3, 1993 at the Portland Expo in Portland, MaineInteresting because they did eventually cover Exile On Main Street as a Halloween musical costume on October 31, 2009 at the Empire Polo Club in Indio, CA, part of Phish Festival 8.Clearly one of their favorite covers, and a crowd pleaser, played 148 times.Last played before this show on August 5, 2023 at MSG, gap of 13 shows

This week, hosts Jim DeRogatis and Greg Kot pay tribute to their late colleague and friend, Mary Gaffney. Mary was a pioneer in audio engineering, working for 45 years, 12 of which she worked on sessions with Sound Opinions. Jim and Greg revisit some of their favorite sessions they did with Mary, which includes Jenny Lewis, Bob Mould and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs: Jenny Lewis feat. The Watson Twins, "Rise up With Fists!! (Live on Sound Opinions)," Rabbit Fur Coat, Team Love, 2006The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967the Jimi Hendrix Experience, "The Wind Cries Mary," The Wind Cries Mary (Single), Reprise, 1967Jon Brion, "Magnolia," Magnolia: Music from the Motion Picture, Reprise, 1999Jon Brion, "I Believe She's Lying," Meaningless, Straight to Cut-Out, 2001Jon Brion, "Eternal Sunshine (Live on Sound Opinions)," Eternal Sunshine of the Spotless Mind, Hollywood, 2004Jenny Lewis feat. The Watson Twins, "The Charging Sky (Live on Sound Opinions)," Rabbit Fur Coat, Team Love, 2006The Mekons, "Last Dance (Live on Sound Opinions)," Fear and Whiskey, Sin, 1985Hüsker Dü, "Whatever," Zen Arcade, SST, 1984Hüsker Dü, "Eight Miles High," Eight Miles High (Single), SST, 1984Bob Mould, "Hold On (Live on Sound Opinions)," Patch the Sky, Merge, 2016Patti Smith Group, "Because the Night," Easter, Arista, 1978See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.