Podcast appearances and mentions of Miya Folick

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight our show is called Feed Your Heart. Host Miko Lee speaks with the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network: Elli Nagai-Rothe & Tatiana Chaterji.   Restorative Justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted people working together to repair the harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, First Nation Canadian, and so many others. To find out more about Restorative Justice and the work of our guests check out Info about the AAPI RJ Network on the Ripple website: www.ripplecollective.org/aapirjnetwork NACRJ conference in New Orleans: www.nacrj.org/2026-conference Show Transcript [00:00:00] Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:44] Miko Lee: Good evening. I'm your host Miko Lee, and tonight our show is called Feed Your Heart. And we are speaking about the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network with the collaborators, Elli Nagai-Rothe and Tatiana Chaterji.   [00:01:03] Restorative justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted folks working together to repair that harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, first Nation Canadian, and many others. So join us as we feed your heart.    [00:02:01] Welcome to Apex Express. My lovely colleagues, Elli Nagai-Rothe, and Tatiana Chaterji. I'm so happy to speak with you both today. I wanna start off with a question I ask all of my guests, and Ellie, I'm gonna start with you and then we'll go with to you, Tati. And the question is who are your people and what legacy do you carry with you?   [00:02:24] Elli Nagai-Rothe: Hmm. I love that question. Thank you. My people come from Japan and Korea and China and Germany. My people are community builders and entrepreneurs survivors, people who have caused harm, people who have experienced harm people who've worked towards repair dreamers, artists and people who like really good food.   [00:02:51] And I carry their legacy of resilience and of gaman, which is a Japanese word that's a little hard to translate, but basically means something like moving through moving through the unbearable with dignity and grace. , And I carry a legacy to continue healing the trauma from my ancestral line the trauma and justice. And that's informs a lot of the work that I do around conflict transformation and restorative justice.   [00:03:19] Miko Lee: Thank you so much. And Tati, what about you? Who are your people and what legacy do you carry with you?    [00:03:25] Tatiana Chaterji: Thank you for the question, Miko. The first thing that comes to mind, my people are the people we're, we're, we're coming up on the cusp of a possible teacher strike, and I'm thinking about workers and the labor, movement and comrades in my life from doing work as a classified school worker for about a decade.   [00:03:46] Then my people are also from, my homelands. The two that I feel very close to me are in Finland, from my mom's side, and then in Bengal, both India, west Bengal, and Bangladesh. And my people are also those who are facing facing the worst moments of their life, either from causing harm or experiencing harm as a survivor of violence.   [00:04:08] I think about this a lot and I think about also the smaller conflicts and tensions and issues that bubble up all the time. So my people are those that are not afraid to make it better, you know, to make it right. And I carry, oh gosh, what legacy do I. I wanna say first kind of the legacy of the Oakland RJ movement that really nurtured me and the youth that I've encountered in schools and in detention on the streets in the community.   [00:04:39] Youth who are young adults and becoming bigger, older adults and, and, and also elders. To me. So sort of that's whose legacy I carry in shaping the. Society that we all deserve.    [00:04:52] Miko Lee: Thank you both for answering with such a rich, well thought out response that's very expansive and worldly. I appreciate that. Ellie, I think it was two years ago that you reached out to me and said, I'm thinking about doing this thing with Asian American Pacific Islanders around restorative justice and you're working on a project with Asian Law Caucus. Can you like roll us back in time about how that got inspired, how you started and where we're at right now?   [00:05:22] Elli Nagai-Rothe: Yeah, absolutely. Yeah, I'd forgotten that we, I had reached out to you at the early stages of this miko. The idea for this emerged in the context of conversations I was having with Asian Law Caucus around, anti-Asian violence and restorative justice. There was an enthusiasm for restorative justice as a pathway toward healing for AAPI communities. One of the things that kept coming up in those conversations was this assumption that there are no, or very few Asian restorative justice practitioners. And I kept thinking this, that's not true. There are a lot, plenty of Asian practitioners. And I think that for me reflects the larger context that we're living in the US where Asians are both at the same time, like hyper visible, , right. In terms of some of the violence that was happening. If you roll back several years ago I mean it's still happening now, but certainly was, was at the height several years ago. So like hyper visible around that, but also in terms of like my model minority status, but also at the same time like invisibilized. So that strange paradox. And so my part of that was thinking about, well, what, what opportunities exist here, right? How can we actually bring together the restorative justice, Asian restorative justice practitioners in the Bay Area to be like regionally focused to come together to talk about how do we bring our identities into more fully into our work, , to build community with each other, and then also to build this pathway for new, for emergent practitioners to join us in this work. That's a little bit of the background of how it came to be, and I'd love Tati to speak more to some of that context too.   [00:07:00] Tatiana Chaterji: Yeah, thanks Ellie. Definitely thinking about work that I was doing in Chinatown and San Francisco. I was working with Chinese Progressive Association just before actually Asian Law Caucus reached out to us with this idea. I wanna shout out Lewa and Cheyenne Chen Le Wu, who are really envisioning an alternative process for their the members of this organization who are immigrant monolingual Cantonese speakers and, and working class immigrants. What are the options available to them to respond to harm and violence in any, any number of ways? And one of the things that we really saw.   [00:07:37] Miko Lee: Non carceral, right? Non carceral options to violence and harm, right?    [00:07:42] Tatiana Chaterji: Yes, exactly. That's exactly what we were thinking of is, and in the period of time where people are talking about anti-Asian hate, they're talking about hate crimes and violence against Asian Americans, there's a simultaneous rhetoric and a belief that Asian people love police or want police interventions or actually believe al punishment. And no doubt that can be true for, for some of our community, but it is not the overwhelmingly dominant truth is what I would say. What I would say, and that actually by believing that Asian folks loved the police was its own bizarre and very toxic racial stereotyping that. Very vulnerable communities who are non-English speakers and living un under wage exploitation and other conditions.   [00:08:34] And so what we were doing was looking at what are the ways that we think about justice and the right way to respond to things and our relational ecosystems. And we began with messages from our home and family dynamics and kind of went outwards and, and everything was presented in Cantonese. I'm not a Cantonese speaker. I was working closely with those two women I mentioned and many others to think about. What is. Not just the, the linguistic translation of these concepts, but what is the cultural meaning and what applies or what can be sort of furthered in that context. And there were some very inspiring stories at the time of violence across communities in the city, and particularly between the Chinese community and the African American community and leaders in those spaces working together and calling forth the abolitionist dreams that were kind of already there.   [00:09:28] That people just want this kind of harm or violence not to happen. They don't want it to happen to anyone again. And this is some thing I think about a lot as a survivor, that that is the dominant feeling is like we, you know, vengeance are not desires for some sort of punishment or not, that this should not happen again. And what can we do to prevent that and really care for the healing that needs to happen.    [00:09:53] Miko Lee: I appreciate you bringing up this solidarity between the African American and, and specifically Chinese American communities wanting a more abolitionist approach. We don't hear that very much in mainstream media. Usually it's pitted the Asian against black folks. Especially around the anti-Asian hate. We know that the majority of the hate crimes, violence against Asian folks were perpetrated by white folks. That's what the data shows, but the media showed it was mostly African American folks. So I really appreciate lifting that part up. So take us from that journey of doing that work with a Chinese progressive association, powerful work, translating that also from, you know, your English to Chinese cultural situations to this network that you all helped to develop the A API Restorative Justice Network, how did that come about?   [00:10:45] Tatiana Chaterji: Part of the origin story is, is work that had been happening across the Bay Area. I was speaking about what's happening in Chinatown. There's also this coalition of community safety and justice that really has been diving into these questions of non carceral response to harm and violence. Then on the other side of the bay in Oakland, the Asian Pacific Environmental Network has been working with Restore Oakland to sit with survivors of crime and build up skills around circle keeping and response. So that's just a little bit of this beautiful ecosystem that we are emerging out of. It almost felt like a natural extension to go here, you know, with a pen and restore Oakland. They were thinking a lot about interpretation and language justice. And so this is also just pulling these threads together for more robust future and practice.    [00:11:41] Miko Lee: Thank you so much for making those connections. We'll put a link in our show notes because we did a recent episode on the Coalition for Community Safety and Justice, and particularly the collective Knowledge based catalog, which captures all these different lessons. So I think what you're pointing out is that all these different groups are coming together, Asian American focus groups to, Pacific Islander focus groups to be able to find, alternatives to the Carceral system in an approach to justice.    [00:12:08] Elli Nagai-Rothe: Well, so it came about through lots of conversations, lots of collaborations I feel so, honored to be able to collaborate with Tati in this work. And other folks who were, , partnering alongside the Asian Law Caucus in this larger grant that was being offered to address anti-Asian hate and violence. Ultimately through many conversations, just wanting to create a space that was created for and by Asian restorative justice practitioners. And as far as we know, it's the only. Gathering or, or network if it's kind in the Bay Area, maybe in the nation. Somebody who's listening maybe can chime in if that's true, that's not true. But as far as we know, that's the only space that's like this. And part of what we've wanted to create is certainly first and foremost because this is so much of the work of restorative justice, at least for us, is about relationships. At the end of the day, it's how we relate to each other and thinking of, of different ways than is often modeled in mainstream world about how we relate to each other.   [00:13:11] We wanted to start with those relationships and so. We created space for current practitioners in the Bay Area to come together. And we had a series of both in-person and virtual conversations. And really it was a space to offer to really build this sense of community and these relationships to share our knowledge with each other, to offer really deep peer support. And specifically we were really interested in bringing and weaving more of our cultural and ancestral ways of being into our practice of restorative justice. And so what does that look like? Can we bring more of those parts of ourselves into our work, our lived experiences into our work, and how we address and hold conflict and harm. I'll speak for myself, such a nourishing space to be part of with other practitioners. Just really allowing more of like a holistic sense of ourselves into our work. And what all the things that could that have come from that. So we've been continuing to meet, so what has this been like two years now? [00:14:12] Almost? We had, in addition to the existing practitioners who were based in the Bay Area, we held a training for like an introduction to restorative justice training that built on the things we were thinking about and learning about with each other around our Asian identities. And that was for folks who were kind of in an adjacent field, social workers, therapists, educators, folks who are doing work with API community workers. And so then we train them up and then they join this net, this larger network. And we've continued to have conversations every month, in a community of practice space. For me, such a wonderful space to be able to connect, to continue, explore together how we can bring more of ourselves into our work in a more relational, integrated and holistic way.   [00:14:56] Miko Lee: Thanks so much for that overview. I wanna go into it a little bit more, but I wanna roll us back for a moment. And Tati, I'd love if you could share with our audience what is restorative justice and what does a restorative justice practitioner do.    [00:15:08] Tatiana Chaterji: The big one. Okay. I think of restorative justice as an alternative to criminal and punitive responses to harm and wrongdoing. I think that's where the definition really comes to life. Although people who are in the field will say that actually it's before the harm or wrongdoing happens, and that it's about cultural norms and practices of caring for each other in a communal way, having each other's back relying on relationships, which also includes effective communication and compassionate communication. So Restorative justice in how I've learned it in the, in the Oakland community was, a lot of the practices were carried by a European Canadian woman named Kay PRUs, who's one of my teachers and who had also, studied with first Nations people in Canada that ish and klingit people, and that there's been some controversy over how she carried those teachings and that there's native people on all sides who have sort of taken a stand.   [00:16:12] I wanna name, this controversy because it feels important to talk about cultural appropriation, cultural survival, that circle practice and how circle is done in many restorative justice spaces will feel very foreign to a person who is indigenous, who perhaps has these ancestral practices in their own lineage, their own history and family. And this is because of colonialism and, and erasure and displacement, and. Reckoning with all of this as immigrants who are on native land, you know, from all, most of us in the API RJ network. Just what, what is this? What, how do we grapple with this? You know, how do we do an appropriate recognition of practices and traditions and how do we build and think about interconnection or the inherent and intuitive knowledge that we have to do non-car work, which is at the core, I've sort of expanded off of your prompt, but an RJ practitioner is someone who holds space for for these conversations, kind of when things are the hardest, when there is heartbreak and betrayal and harm or conflict and also what, the work of setting conditions for that not to happen or for the way that we move through those difficulties to go as best as possible.    [00:17:43] Miko Lee: Thank you for expanding on that. I'm wondering if Ellie, you could add to that about like what is a circle practice, what does that look like?   [00:17:51] Elli Nagai-Rothe: A circle practice. It can look like a lot of different things, but ultimately it's being in a circle, and being able to connect with each other. Again, I talked about how relationships are at the core. That might be when we're, when we're in circling together, we are relating to each other. We're telling our stories. We're weaving our stories together that might be happening when there's no conflict and when there's no harm. In fact, ideally that's happening all the time, that we're being able to gather together, to share stories, to be known by each other and so that if and when conflict does occur, we know how to, how to connect and how to come back to each other because the relationships matter. We know. Okay. 'cause conflict will happen. We will, we are gonna hurt each other. We're humans. That's part of being human. We're gonna mess up and make mistakes. And so a prac having a practice to come back together to say, well, what, what can we do to repair this? How can we make this right, as Tati was saying? [00:18:46] And, and so then circling, be circling up and having a circle practice can also mean when there is conflict, when harm has happened, how can we have people be able to hear one another, to understand what's happening and to repair as much as possible. Um, while doing that again in the ecosystem of relationships. So sometimes that's happening with a, a couple folks and sometimes that's happening with a whole community or a whole group of people.   [00:19:10] Ayame Keane-Lee We're going to take a quick pause from the interview and listen to Tatiana recite an excerpt from the A API RJ Network Reflection document.   [00:19:18] Tatiana Chaterji: Mirrors of each other. To prepare for our closing ritual, I pull a small table with a candle and incense from the back room into the circle. This is our last in-person gathering, and we want to end with building a collective altar for the future of RJ that is rooted in the wisdom of our Asian cultural lineages.Please think of an offering to make this vision a reality. I explain that we use our imaginations to sculpt the air in front of us, shaping it into the essence of the offering. As I have done in prison with incarcerated artists who create textures and depth of story without material props, supplies, or the frills of theater production on the outside.   [00:20:01] I volunteered to go first and model how this is done. Standing and walking towards the altar. I bring my fingers to the center of my chest and pinch an imaginary ball of thread. I want to deepen my understanding of Bengali peacemaking and justice traditions. I say pulling the thread in a vertical motion, stretching up and down to create a cord of groundedness. Realizing there are actually many dimensions. I also pull the thread forwards and backwards in a lateral direction, saying this means looking to the past and dreaming the future. I hold this grided net, gather it around my body and ceremoniously place it on the altar. Others echo the desire for bringing forward parts of their Asian lineage that aren't accessible to them. People create shapes with their bodies, making offerings to the altar that symbolize taking up space, staying grounded in a world that is shaky, reciprocity with the earth, ancestors and descendants, bringing in more ancestors permission to create and play forgiveness to self and others. Timelessness with Earth as a mirror and patience.   [00:21:14] Sujatha closes her eyes and forms an image for us through stream of consciousness. She says, I see indra's net infinite with shimmering diamonds. At each point, I notice the goosebumps raise on the skin of my arms as she continues it is as if she has reached inside of me pulling from the sutra of ra, which was part of my childhood. It is a piece of scripture and a spiritual concept that deeply grounds my practice in RJ as an adult. I see her hands, which she has raised, and fingers trembling, glimmering ever so slightly. She speaks slowly carrying us with her in a visualization de drops, mirrors. I cannot be who I am meant to be unless you are who you are meant to be. RJ is the material of the web. This was a rare moment of belonging for me, as I seamlessly reflected in the speech and cultural symbols of a peer seamless. This integration as South Asian and as an RJ practitioner, seamless, being able to hang onto a reference from religious traditions that are hidden in the diaspora or distorted by mainstream social messaging.   [00:22:28] Ayame Keane-Lee We hope you enjoyed that look into the AAPI RJ Network Reflection. Let's get back to the interview.   [00:22:35] Miko Lee: Can you each share what brought you to this work personally?   [00:22:40] Tatiana Chaterji: Sure. As a young activist involved in Insight Women of Color against Violence and aware of the work of Critical Resistance, and I had a pretty clear politics of abolition, but I didn't. Really think that it impacted me as personally as it did when I was in my early twenties and I suffered a brain injury from a vehicular assault, a hit and run that may have been gang affiliated or, a case of mistaken identity. My recovery is, is, is complicated. My journey through various kinds of disabilities has shaped me. But I think the way that I was treated by the police and by the justice quote unquote justice system, which I now call the criminal legal system, it because there was no justice. I sort of don't believe that justice is served in the ways that survivors need. yeah, I really, I got very close to the heart of what an RJ process can do and what RJ really is. I got introduced to Sonya Shah and the work of Suha bga and I was able to do a surrogate victim offender dialogue and then later to facilitate these processes where people are kind of meeting at the, at the hardest point of their lives and connecting across immense suffering and layers of systemic and interpersonal internalized oppression. [00:23:59] Just so much stuff and what happens when you can cross over into a shared humanity and recognition. It's just, it's just so profound and and from that space of healing and, and, and compassion, I've been able to think about. Other ways that RJ can look and have sort of been an advan, what is it evangelical for it? You know, I think that because we don't see these options, I, I, because I knew people, I was able to connect in this way and I would just shout out David uim, who's the one who told me that even if I didn't know the person who harmed me, that this was possible. People so often give up, they're just like, well, I have to feel this way. I have to just deal with it. Swallow the injustice and the lack of recognition. Just sort of keep going. Grit your teeth. I think we don't have enough knowledge of what's possible and so we harden ourselves to that. Yeah, I'll stop there. Thanks for listening.    [00:24:59] Miko Lee: Oh, that's the gaman that Ellie was talking about, right? In Chinese we say swallow the bitter. Right. To be able to just like keep going, keep moving. And I think so much of us have been programmed to just something horrible happens. You just swallow it, you bite it down, you don't deal with it and you move on. Which is really what RJ is trying to teach us not to do, to recognize it, to to talk to it, to speak to it, to address it so that we could heal. Ellie, what about you? How did you get involved?    [00:25:30] Elli Nagai-Rothe: Yeah. And Tati, thanks so much for sharing. I always appreciate hearing. I like your story and what draws you to this work is so powerful. For me, I'll take it a little bit more meta further back. What draws me to this work is my family history. I'm multiracial. My family, my ancestry comes from many different places. And part of that my grandparents, my aunties, uncles, Japanese Americans who were, who were born, some of them, my grandpa, and his family here in Oakland, in this area. And, um, other my grand, my grandmother and her family in Southern California. During World War II, were unjustly incarcerated along with 125,000 Japanese Americans in ways that were so deeply harmful and traumatic and are so parallel to what is happening right now to so many communities who are being detained and deported. And that experience has deeply, deeply impacted certainly my community's experience, but my family's experience of trauma.   [00:26:30] And I'm yonsei, fourth generation Japanese American. And though I wasn't directly involved or impacted by that incarceration, I feel it very viscerally in my body, that feeling of loss, of disconnection of, of severance from community, from family, from place, and, . Even before I knew what restorative justice was, I was in my body striving to find justice for these things that have happened? That drew me into conflict transformation work and ultimately restorative justice work. And that's where I found really at the, at the core, so much of this, this intuitively feels right to me. I didn't wanna have a place of, I wanted to heal. That was what I wanted to feel the feeling of, can we heal and repair and can I heal and repair what's happened in this, my experience and my family's experience and community's experiences?   [00:27:23] That work ultimately led me to do restorative justice work here in the Bay Area. I started doing that work with schools and community organizations. And so I really hold the bigger possibilities of what's possible when we think differently about how we hold relationships and how we hold deep, deep pain and harm and what's possible when we can envision a different kind of, a world, a different kind of community where we can take accountability for things that have happened. And knowing that all of us at, at different places, I know that's true in my family line, have caused harm and also experienced harm, that those things can happen at the same time. And so how can we have a sense of humanity for what's possible when we actually come, come to each other with a humility of what, how can we heal? How can we heal this together? How can we make this as right as possible? So that's, that's a bit of my story.    [00:28:13] Miko Lee: Thank you both for sharing.   [00:28:15] Ayame Keane-Lee Next we're going to take a music break and listen to Miya Folick “Talking with Strangers”   MUSIC   [00:34:05] that was “Talking with Strangers” by Miya Folick   [00:34:09] Miko Lee: I'm wondering, I know this, Asian American, Pacific Islander, RJ Circle, a bunch of it has been online just because this is how we do in these times and I'm wondering if there's something unique and empowering about doing this online. I bring that up because there have been many in person gatherings. I've been a part of this circle, so I'm really happy to be a part of it. For me, the vibe of being in person where we're sharing a meal together, we're in a circle, holding onto objects, making art together is very different from being online. And I'm wondering, if there's something uniquely positive about being online?   [00:34:47] Tatiana Chaterji: I would just say that yeah, the intimacy and the warmth and the sort of the strength of the bonds that we have in this network are, are so beautiful and it's possible to have incredible, virtual experiences together. A lot of us do movement art or theater or creative. We have creative practices of our own. And when we lead each other in those exercises, we are really just a feeling of togetherness. Like that's so special. And for people who have had that online, they know what I'm talking about. That can be really, really incredible. And, you know, we've been in the Bay Area and really in Oakland, but we want to expand or we want to think about what are all the ways that we can connect with other people. Around this intersection of API identity and RJ practice. And so that's the potential, I guess is what I would say is just to really, move across time and space that way.   [00:35:47] Miko Lee: Ellie, do you have thoughts on this, the online versus in real life?    [00:35:51] Elli Nagai-Rothe: I think there's so many wonderful things about being in person because I feel like so much, at least I don't know about your worlds, but my world, so much of it is online these days on Zoom. There is something really special about coming together, like you said, to share a meal to be in each other's physical presence and to interact in that way. At the same time when we're online, there's still so much warmth and connection and intimacy that comes from these relationships that I've been building over now, like two years for some of us. The opportunities are more about being able to reach accessibility, right? Folks to be able to come online and, and potentially even broaden. I mean, who knows what that will look like right now it's regionally focused, but maybe there's a future in which that happens to be outside the Bay Area.   [00:36:31] Miko Lee: And speaking of the future and where it's going. This initially started by, funding from one of the Stop the Hate grants, which sadly has concluded in the state of California. I'm wondering what this means for this, process that it doesn't have any set funding anymore what does the future look like?    [00:36:52] Elli Nagai-Rothe: We really wanna continue this miko and being able to continue to meet and gather in community. Right now we're continuing to meet monthly in our community of practice space to support each other and to continue to explore really this intersection, right, of restorative justice in our idea, our Asian identities. There's so much more opportunity to continue to build together, to create a larger community and base of folks who are exploring and ex doing this work together. Also for the intention of what does that mean for our communities? How can we find ways to take this practice that many of us do, right?   [00:37:27] As practitioners, how can we translate that to our community so that we know, we know at its core that this work, there are things from our cultural practices that are just. So familiar, right? Certain practices around how we you know, this radical, some of the things we talked about, radical acts of hospitality and care are so intuitive to our Asian communities. How can we translate that practice in our work so that we can continue to make this these pathways available to our community? So we hope to continue, we wanna continue to gather, we wanted to continue to build, um, and make space for more people to join us in this exploration and this opportunity for yeah, more expansion of what's possible for our communities.   [00:38:11] Miko Lee: For me as somebody who's Chinese American and being a part of this network, I've learned from other Asian American cultures about some of the practices, well, I did know about things like tsuru folding a paper crane as part of the Japanese American culture, learning different things from different community members about elements that are part of their cultures and how they incorporate that, whether that's yoga or a type of, Filipino martial art or a type of Buddhist practice. And how they fit that into their RJ work has actually helped me kind of expand my mind and made me think about more ways that I could bring in my own Chinese American culture. So for me, that was one of those things that was like a blessing. I'm wondering what each of you has learned personally about yourself from being part of this network.   [00:39:02] Tatiana Chaterji: What comes to mind is the permission to integrate cultural identity and practice more explicitly and to know that there are others who are similarly doing that. It's sort of this, this acceptance of sort of what I know and how I know it that can be special. You know, in the, in the similar way that I mentioned about cultural appropriation and the violence that various communities have felt under capitalism and white supremacist structures. Everything there is, there is, I don't, something, something so magical to just step outside of that and be like, this is, it's a mess. It's a mess out there. We are constantly battling it. How do we actually not make ourselves smaller right here?    [00:39:50] Miko Lee: I totally hear that. And I'm thinking back to this gathering we had at Canticle Farms, where I think Tati, you said, when was the last time you were in a space where you were the only Asian person and how you walk through that mostly white space and what is that like for you and how do you navigate? And so many people in the room are like, what their minds were blown. For me, I'm in mostly Asian American spaces and Pacific Islander spaces, so I'm like, oh wow, that wasn't always true for me. So that's my time in my life right now. So it was really fascinating to kind of ponder that.   [00:40:24] Tatiana Chaterji: Yeah. And I think many of us, I'm so glad that you feel that because many of us, don't really know what exactly our ancestral technologies might be, or even what to name. This gave us, again, permission to look back or to reframe what we know or that we've understood from community as being from various traditions, homelands, you know, longer legacies that we're carrying and just to, to, to, to celebrate that or to even begin to, to, to bring language to that and feel a place of our own belonging. Whereas, I mean, as a South Asian diasporic member of the diaspora, I see so many the words that are coming from Sanskrit, which has its own, history of castes violence and like sort of what the expansion and the co-optation is, is, is really quite massive to the point where I feel like I'm on the outside and I don't believe that I should own it any more than anyone else. But I think if there's a way that it's practiced that is in, in, in integrity and less commodified because it is ancient, because it is medicine. You know, that I, I deserve to feel that, you know, and to tend to be welcomed into it in, in this you know, outside of the homeland to be here in Asian America or whatever it is, and to claim it is something quite special.   [00:41:50] Miko Lee: Love that. Thank you for sharing. Ellie, what about you? What have you learned from being in part of this network?    [00:41:55] Elli Nagai-Rothe: I was just gonna say like, yes, Tati to all the things you just said. So appreciate that. I, it's very similar, similar in some ways to what Tati was saying, like the, the permission giving, the space that we, oh, permission giving that we give to each other, to to claim, like, to claim and reclaim these practices. And I think that's what I heard so often from people in this network and continue to hear that this, the time, our time together and the things that we're doing. Feel like it's, it doesn't feel like a so much about like our, what is our professional practice. And I say professional with quotes. It's more of like, how do we integrate this part, this really profound journey of ancestral reclaiming, of remembering, of healing. And, and when we do that, we're working from this really. A deep place of relationship, of interdependence, of where we're like, our identity and our sense of who we are is so connected to our communities. It's connected to the natural world. And so like how can we, that's part of what I've appreciated is like really in this deep way, how can we remember and reconnect to, in some cases, like practices, pre-colonial practices and wisdom that was suppressed or taken away, certainly in my and family experience, right?   [00:43:11] It was very deliberately state sponsored violence severed those practices. And so some of this reclaiming as a part of my own healing has been really given me more voice and space to say like, yeah, I can, I can, I want to, and I, that's part of my own practice, but also share that with the, the groups that I'm part of. And that feels a little bit. We talked about that a little bit in the network of how do we share these practices in ways that feel authentic, like Tati said, with integrity, but also what does that mean to share these practices in spaces that are outside of, you know, Asian communities? I don't know, like that's a whole other conversation, right? It feels because there is so much cultural co-opting that's happening, right? And so I feel, I think that's why this network is so valuable and, and helpful to be in a space. Of course, it's a very diverse group of Asian identities and yet it's a space where we can feel like we can try on in these practices to see what that feels like in our bodies in ways that feel really like, have a lot of integrity and a lot of authenticity and to support each other in that.   [00:44:12] And so that we can feel able to then share that in spaces than, in our communities and the work that we're doing in terms of, restorative justice work.  [00:44:19] Miko Lee: So how can our audience find out more about these circles if they wanna learn more about how they could potentially get involved?   [00:44:29] Elli Nagai-Rothe: The best way to go is to look at the Ripple Collective website, ripple collective.org. We have some information about, the A API Restorative Justice Network there. I'm hoping that we can continue this. I really am excited about, members of the network continuing to stay in relationship with each other, to support each other. Tati and I are gonna be offering a session at the upcoming national Association for Community and Restorative Justice Conference that's happening in New Orleans in July. We're gonna be sharing what we learned about our experiences with this network and centering our Asian identities and restorative justice practice. We're gonna be holding a a caucus space for Asian practitioners to come and join us. Yeah, so what else? Tati.    [00:45:14] Tatiana Chaterji: We're also compiling reflections from various participants in the network around what this has meant. What, what have they learned or discovered, and what's to come. I think a question that I've had, a question that we've been stewing on with other South Asian, , practitioners is what does you know, what does caste how does caste show up and reckoning with harm doing? And our communities are not a monolith, and, and as we are treated as part of a, sort of like a brown solidarity, third world movement space in the West, there's just a lot of unrecognized and unnamed oppression that is actively happening. So, you know, really like being, being brave and humble to, to, to talk about that.    [00:46:01] Miko Lee: Thank you both so much for sharing your time with me today.    [00:46:05] Elli Nagai-Rothe: Thanks so much, Miko.    [00:46:06] Tatiana Chaterji: Thanks, Miko.   [00:46:07] Ayame Keane-LeeTo finish off our show tonight, we'll be listening to “Directions” by Hāwane.   MUSIC   [00:49:55] That was “Directions” by Hāwane.   [00:49:57] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. To find out more about restorative justice and the work of our guests, check out info about the A API RJ network on the Ripple website, ripple collective.org, and about the conference that Ellie and Tati will be presenting at at the NAC RJ Conference in New Orleans, both of which we'll have linked in our show notes.   [00:50:30] Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.   The post APEX Express – 3.12.26- Feed Your Heart appeared first on KPFA.

Ocie Elliott es un dúo canadiense que factura un delicado e intimista folk de cuidadas melodías y voces cálidas. Escuchamos su nuevo álbum aprovechando su visita esta semana a nuestro país y dejamos que ellos mismos nos presenten las fechas de la gira. Además la actualidad internacional viene marcada por más sonidos acústicos y delicados de la mano de Ed Prosek, Hemi Hemingway, Taylor Swift, Miya Folick, Lewis Capaldi, Tiny Cities, David Henneberg, Minhye J, Rzn8star, Tower of Foil, Garth Adam y Kate Rena. En el apartado nacional te estrenamos lo nuevo de La La Love You, Shinova, Luis Fercán, Delacueva, Anabel Lee, Niña Polaca, Las Petunias, Cora Yako, Griso, Cosas Bien Cosas Mal, Querido, Carlos Gris, Emilia Pardo y Bazán, Öpik y Cien Galgos. La versión de la semana la firma Elem con una delicada y minimalista adaptación a piano, sintetizador y voz del clásico "La salvación" de Arde Bogotá.

...y más nuevas canciones de Wolf Alice, Miya Folick, Far Caspian, Lettuce, Sofía Kourtesis, Punchbag, Fat Dog y Tyler, The Creator.Escuchar audio

The Los Angeles-based musician performs songs from her latest album, Erotica Veronica.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

...y más nuevas canciones de Baxter Dury, Self Esteem, Jessica Winter, Miya Folick, Scott Evil, Destroyer, Beirut y Perfume Genius.Blondshell, Andy Bell…...y más nuevas canciones de Baxter Dury, Self Esteem, Jessica Winter, Miya Folick, Scott Evil, Destroyer, Beirut y Perfume Genius.Escuchar audio

 The February 2025 New Music Train is on the tracks and heating up the rails! Steven Routledge is on board along with Kevin Porter as the train goes from Scotland to Maryland. The former picks music from (friend of the pod) J. Schnitt and the Texas band You, Infinite. The latter is on new releases from Deep Sea Diver and Miya Folick.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Ihre Proben seien wie ein Familienfest. Und immer wenn sie Musik mache, verspüre sie Schmerz, der mit der Zeit einer Euphorie weicht. Derya Yildirims Mix aus Herzlichkeit und Ballast trifft einen Nerv: Man kann Liebeskummer genauso wie Rassismus oder globale Konflikte ansprechen ohne zu verzweifeln. Der Titel des vierten Albums dieses Kollektivs mit Sitz in Hamburg, deren Mitglieder aus Dänemark, Frankreich und Deutschland für die Musik zusammenkommen und deren Sängerin auf Türkisch singt, heisst «Yarin Yoksa». Das bedeutet soviel wie: «Was, wenn es kein Morgen gibt?» - dann hatten wir immerhin fantastische Musik gehört. Und zwar zusammen. +++ PLAYLIST +++ · 22:56 - KEEP PUSHING von CLIPPING. · 22:52 - VAMPIRE von DESIRE · 22:57 - MORE THAN LIFE von THE HORRORS · 22:43 - RISING SOUL von ETIENNE DECRECY FEAT. DAMON ALBARN · 22:39 - ALISON von SLOWDIVE · 22:34 - SLACK von HILKE · 22:28 - CANOPY OF EDEN von CIRCUIT DES YEUX · 22:26 - SORRY, ETC, ETC von LAUREN MAYBERRY/JOE TALBOT · 22:24 - IMMIGRANT SONG von LED ZEPPELIN · 22:21 - MOONLIGHT CONCESSIONS von THROWING MUSES · 22:17 - SOUTH COAST von THROWING MUSES · 22:13 - Your Ghost von KRISTIN HERSH · 22:09 - ORANGE CRUSH von R.E.M. · 21:57 - DUST von SNUGGLE · 21:54 - ILE D'OGOZ von LEOPARDO: · 21:49 - FANTASTIC TOMB von TY SEGALL · 21:45 - JUMP OUT von EZRA FURMAN · 21:40 - FIST von MIYA FOLICK · 21:38 - MOON, SEA, DEVIL von FLORIST · 21:34 - BONNET OF PINS von MATT BERNINGER · 21:30 - THIS SIDE OF THE ISLAND von HAMILTON LEITHAUSER · 21:25 - JOUR DE FETE von MOICTANI · 21:21 - EL OLOR O FOGATO von BABY VOLCANO · 21:18 - CARTAGENA von REYNA TROPICAL · 21:15 - COMIC TRIP von SYLVIE KREUSCH · 21:10 - SWEET LOVE von SYLVIE KREUSCH · 21:06 - LOVE'S A STRANGER von WARHAUS · 20:57 - I LIKE THE NOISE von CAMILLA SPARKSSS · 20:54 - EL CIELO AZUL von ALOIS · 20:51 - 4TH CHAMBER von EL MICHELS AFFAIR · 20:47 - DIRENE DIRENE von DERYA YILDIRIM AND GRUP SIMSEK · 20:42 - RAAT KI RANI von AROOJ AFTAB/KHRUANGBIN · 20:39 - TRES HERMANOS von HERMANOS GUTIERREZ FEAT. DAN AUERBACH · 20:36 - ISTANBUL UN KUSLARI von DERYA YILDIRIM AND GRUP SIMSEK · 20:32 - FAREWELL von TOM SILKMAN · 20:28 - THE YEAR OF THE RABBIT von YIN YIN · 20:25 - BIR SIGARA IC OGLAN von ALTIN GÜN · 20:19 - COOL HAND von DERYA YILDIRIM/GRUP SIMSEK · 20:16 - SUR LA PLANCHE von LA FEMME · 20:11 - ONE NIGHT/ALL NIGHT von JUSTICE/TAME IMPALA · 20:05 - BAL von DERYA YILDIRIM AND GRUP SIMSEK

Shura bringt Sounds!-Liebling Cassandra Jenkins mit, unser «Album der Woche» von Panda Bear kommt mit Animal Collective-Mitgründer Avey Tare an Bord, Soulwax machens mit der kanadischen Techno-Antiheldin Marie Davidson und Little Simz bringt Obongjayar UND Moonchild Sanelly. Plus: Florence Welch... ...von Florence + The Machine taucht zusammen mit Sampha auf Richard Russels neuer «Everything Is Recorded» LP auf. Das Personal hinter unseren fünf Lieblingssongs der Woche hat stolze 13 Sitzplätze im Sounds!-Express gebucht. Gut, dass wir noch gaaaaanz viele freie Plätze für Euch haben. Kommt mit! +++ PLAYLIST +++ · · 22:22 - DON'T THINK TWICE IT'S ALL RIGHT von BOB DYLAN · 22:15 - Maggie's Farm von BOB DYLAN · 22:12 - ONE WAY TRAIN von SUNNY WAR · 22:09 - TERRIBLE LUCK von PETER KERNEL · 21:57 - ALASKA von MIYA FOLICK · 21:53 - FIST von MIYA FOLICK · 21:48 - THINGAMAJIG von MIYA FOLICK · 21:42 - ARE YOU TIRED? (KEEP ON SINGING) von DARKSIDE · 21:39 - GOD KNOWS von TUNDE ADEBIMPE · 21:31 - MAGNETIC von TUNDE ADEBIMPE · 21:29 - MY OWN von REASON · 21:24 - STUCK ON MOMENTS von REASON · 21:21 - MILES TRUMPET 2 von IDK · 21:19 - DAMN GLOVES - BAILE FUNK REMIX von SERPENTWITHFEET/TY DOLLA $IGN/AZZY · 21:15 - SPADES - REMIX von SERPENTWITHFEET/OGI/DESTIN CONRAD · 21:11 - MANTARRAYA von MARIA USBECK · 21:08 - ROOM333 von SIRENS OF LESBOS FEAT. ZACARI · 21:03 - LOVE von KENDRICK LAMAR FEAT. ZACARI · 20:57 - HONOLULU von PABLO NOUVELLE/SOPHIE FAITH · 20:55 - BACKSEAT von SOUKEY · 20:53 - WIFEY RIDDIM von SHYGIRL FEAT. JORJA SMITH/SADBOI · 20:47 - OVULE von BJÖRK FEAT. SHYGIRL · 20:43 - FUN TIMES von MARIE DAVIDSON · 20:37 - E-TALKING von SOULWAX · 20:35 - UNTIL YOU SHOWED ME von CLT DRP · 20:31 - ENDS MEET von PANDA BEAR · 20:25 - FERRY LADY von PANDA BEAR · 20:21 - DOIN' IT RIGHT von DAFT PUNK FEAT. PANDA BEAR · 20:17 - FLOOD von LITTLE SIMZ FEAT. OBONGJAYAR/MOONCHILD SANELLY · 20:13 - NEVER FELT BETTER von EVERYTHING IS RECORDED FEAT. FLORENCE AND THE MACHINE/SAMPHA · 20:08 - SHAKE IT OUT von FLORENCE AND THE MACHINE · 20:04 - RICHARDSON von SHURA FEAT. CASSANDRA JENKINS

Retrofuturistische Eskalation inspririert von einer hyper-technologisierten Gesellschaft: Die Elektro-Antiheldin Marie Davidson aus Montreal haut mit «City of Clowns» voll drauf. Zusammen mit den Soulwax-Brüdern ballert sie uns harten, rohen Big Floor-Techno um die Ohren. Macht leider Spass! +++ PLAYLIST +++ · 22:09 - Sounds! mxtp123: Nicolas Jaar – Meister atmosphärischer Klänge · 21:58 - GRAUCHA MAX von DARKSIDE · 21:50 - ARE YOU TIRED? von DARKSIDE · 21:47 - HELL SUITE, PT. II von DARKSIDE · 21:39 - S.N.C. von DARKSIDE · 21:35 - WE ALL FALL von BELIA WINNEWISSER · 21:31 - NKRABEA - DESTINY von OY · 21:26 - SPACE DIASPORA von OY · 21:22 - FIST von MIYA FOLICK · 21:17 - BILLBOARD HEART von DEEP SEA DIVER · 21:13 - IMPOSSIBLE WEIGHT von DEEP SEA DIVER FEAT. SHARON VAN ETTEN · 21:10 - JUST AS WELL von PANDA BEAR · 21:03 - DEFENSE von PANDA BEAR/CINDY LEE · 20:55 - DEMOLITION von MARIE DAVIDSON · 20:47 - PUSH ME FUCKHEAD von MARIE DAVIDSON · 20:43 - FUN TIMES von MARIE DAVIDSON · 20:35 - CONTRARIAN von MARIE DAVIDSON · 20:31 - NY EXCUSE von SOULWAX · 20:25 - NAIVE TO THE BONE von MARIE DAVIDSON · 20:19 - RENEGADE BREAKDOWN von MARIE DAVIDSON & L'OEIL NU · 20:12 - SEXY CLOWN von MARIE DAVIDSON · 20:08 - LOOKING FOR THE PERFECT BEAT von AFRIKA BAMBAATAA AND SOUL SONIC FORCE · 20:04 - MASTER AND SERVANT von DEPECHE MODE

This week Ken welcomes singer-songwriter behind the must buy brand new album "Erotica Veronica", Miya Folick.   Ken and Miya discuss the troubles of LA, the stress of 2025, trying to be creative and make a living as an artist in 2025, life without respite, no longer being the main character, the dark timeline, allowing yourself to work through your own experience, promoting your stuff, not having kids, growing up as a huge nerd, being social, not getting into music until you were in college, loving doing homework, not having the "cool older brother" effect growing up, college radio, mix tapes, KERTH 101, good peer pressure, Live Journal, being a musician without being able to make every specific tone reference possible, collaboration, songwriting, being an idea generator, planning to learn about music history upon retirement, wanting to shred, Tidal, trusting the algorithym, finding new music, going through music droughts, mood and music, auditory sensitivity tied to your menstral cycle, listening to podcasts, The Ezra Klein Show, The Daily, Democracy Now, Heavyweight, Jonathan Goldman, unresolved issues of the heart, developing parasocial relationships with podcast hosts you listen to, being into super dorky opera competitions, Downtown LA, growing up in Orange County, jumping on the turtleneck bandwagon, master classes at the classical music society, trying and hating acting, the audition process, thinking about a return to acting, Paris, Texas, being inspired by Cinema, Portishead, The Three Colors Trilogy, the magic of cinema, pop music, wanting producers across the country, Steve Albini, the belief that the only good album a band makes is their first album, thinking about going back to or even starting a day job, going to sleep with white noise, not watching TV at night, Marvel Comics in the 1970s, and the nature of storytelling. 

Die britischen Indie-Veteranen Doves veröffentlichen heute ihr zweites Album seit ihrer Reunion 2018. Für die Berner Rapperin Soukey wird's nächsten Monat das erste sein, wie sie heute verriet. Und bei den Amerikanern Cloakroom soll dieses Mal sogar etwas Beatles dabei sein. Unser Ticket to Ride. +++ PLAYLIST +++ · 21:55 – RICH MAN DREAMS von IDK · 21:51 – STUCK ON MOMENTS von REASON · 21:48 – DUMB LIT von COOTIE CATCHER · 21:43 – WE LIVE AND DIE von MORCHEEBA · 21:39 – SNAKE OIL von GLASS BEAMS · 21:33 – GRAUCHA MAX von DARKSIDE · 21:25 – MI MUJER von NICOLAS JAAR · 21:21 – TUESDAY von JULIEN BAKER & TORRES · 21:16 – GROWING UP TAKES A LIFETIME von LONG TALL JEFFERSON · 21:13 – PORCUPINE TATTOO von EVERYTHING IS RECORDED FEAT. NOAH CYRUS & BILL CALLAHAN · 21:07 – THIS TIME AROUND von MIYA FOLICK · 21:03 – ALL CYLINDERS von YVES JARVIS · 20:58 – WRITHING IN THE WIND von SERPENTWITHFEET · 20:54 – 1X1 von OG FLORIN & MELODIESINFONIE · 20:51 – FEELS BETTER NOW von PALINSTAR · 20:43 – FERRY LADY von PANDA BEAR · 20:38 – DEMOLITION von MARIE DAVIDSON · 20:34 – WIFEY RIDDIM von SHYGIRL · 20:31 – KEEP ON SWIMMING von HACHIKU · 20:25 – BILLBOARD HEART vin DEEP SEA DIVER · 20:21 – EASTER WIND von CLOAKROOM · 20:18 – GETTING BETTER von THE BEATLES · 20:15 – BOTTLE BLONDE von MOMMA · 20:10 – SAINT TERESA von DOVES · 20:06 – THE GREAT PYRAMID OF STOCKPORT von ANTONY SZMIEREK · 20:04 – BACKSEAT von SOUKEY

Novedades| Zahara, Grande Amore, Muchachito Bombo Infierno, Peter Murphy, Destroyer, Sparks, Oracle Sisters, Field Music, Beck, Beirut, Sam Fender, Perfume Genius, Doves, Black Country, New Road, Miya Folick, Julien Baker & Torres, Rigoberta Bandini ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Suscríbete a nuestro canal en WhatsApp! https://whatsapp.com/channel/0029VaRw86Q1yT2FeNzrfv2g ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HNMagES ¡Síguenos en Threads! https://www.threads.net/@hnmages

Astropical? Noch nie gehört? Dahinter stecken die beiden lateinamerikanischen Acts Bomba Estéreo (Kolumbien) und Rawayana (Venezuela), die sich hier zu einem neuen Projekt zusammentun. Wir hören den Track heute zum ersten Mal in unserer Sendung. +++ PLAYLIST +++ · 22:55 – TAKE ME TO YOUR INFINITE GARDEN von MESS ESQUE · 22:50 – NEW BAD von ESTHER ROSE · 22:46 – OH MY ACTUAL DAYS von ALABASTER DEPLUME · 22:43 – WATERTREES von SUPERNOVA EASY · 22:38 – 33° von HEY, NOTHING · 22:35 – SIDE BY SIDE von A=F/M · 22:32 – F.U. von JAMIE XX FEAT. ERYKAH BADU · 22:28 – ALL I NEED von MARIBOU STATE FEAT. ANDREYA TRIANA · 22:24 – THE HINDU TIMES von OASIS · 22:19 – IMAGINATION von BIG THIEF · 22:14 – HARMONY HALL von VAMPIRE WEEKEND · 22:09 – KISS AND MAKE UP VON SAINT ETIENNE · 21:57 – LET IT HURT von SIRENS OF LESBOS · 21:52 – COUNTYLINE von CASS MCCOMBS · 21:48 – DUMB FEELING von MEI SEMONES · 21:41 – BEING BORING von PET SHOP BOYS · 21:38 – OMORFO MOU von ΣTELLA · 21:35 – CHARMED von ΣTELLA · 21:31 – HEARSAY von ANIKA · 21:27 – TIME CRISIS TOO von HOLY WAVE · 21:25 – NEVER GOING BACK AGAIN von FLEETWOOD MAC · 21:22 – MOTHER AND CHILD REUNION von PAUL SIMON · 21:18 – YOU'RE THE ONLY ONE WATCHING von MIKE · 21:16 – MUD von WAXAHATCHEE · 21:12 – BURNS OUT AT MIDNIGHT von WAXAHATCHEE · 21:08 – BLEIB AM LEBEN von TOCOTRONIC · 21:03 – GETTING AWAY WITH IT von ELECTRONIC · 20:56 – GOOD ENOUGH von DODGY · 20:53 – BREAKDOWN von PENNY & SPARROW · 20:50 – BOTANICAL GARDEN von ANNA ERHARD · 20:46 – A MINOR PLACE von BONNIE 'PRINCE' BILLY · 20:42 – LONDON MAY von BONNIE 'PRINCE' BILLY · 20:37 – TONIGHT WITH THE DOGS I'M SLEEPING von BONNIE 'PRINCE' BILLY · 20:34 – GOOD LUCK, BABE! von CHAPPELL ROAN · 20:31 – ADORE von CHILD STAR · 20:25 – FIST von MIYA FOLICK · 20:23 – SOY YO von BOMBA ESTÉREO · 20:19 – ME PASA von ASTROPICAL · 20:15 – FOR EMMA von BON IVER · 20:12 – RODEO von SOPHIA KENNEDY · 20:07 – BEING SPECIAL von SOPHIA KENNEDY · 20:04 – SOME KINDA ANGEL von MOJAVE 3 Und die komplette Sounds! Top 5 – die aktuellen Favoriten der Redaktion – gibt's via Link unten auch im Abo.

Der New Yorker Indie-Rapper widmet «Showbiz!» seiner ganz persönlichen Bühne, bespielt von Familie und Freunden. Nachdenkliche Reime über introvertierte, verspielte Eigenbau-Beats, kurz: Ein Album, für das man am besten alleine ins Auto sitzt und die Zeit vergehen lässt. +++ PLAYLIST +++ · 22:56 - PATROL REWORK (NAU LEONE REMIX) von EGOPUSHER/NAU LEONE · 22:53 - ALL I NEED von MARIBOU STATE FEAT. ANDREYA TRIANA · 22:50 - LET IT HURT von SIRENS OF LESBOS · 22:42 - WESPENNEST von DJ KOZE FEAT. SOPHIA KENNEDY · 22:38 - RODEO von SOPHIA KENNEDY · 22:33 - IRREVERSIBLE DAMAGE von THE WEATHER STATION · 22:29 - WATERTREES von SUPERNOVA EASY · 22:23 - AGITA2 von DNGDNGDNG/DENGUE DENGUE DENGUE · 22:21 - LA CHICA-CÁ von JOALIN · 22:18 - ALRIGHTER von DOTTIE ANDERSSON · 22:12 - SLACK von HILKE · 22:09 - SIDE BY SIDE von A=F/M · 21:56 - DO THINGS MY OWN WAY von SPARKS · 21:52 - CRO-MAGNON MAN von SQUID · 21:47 - FIST von MIYA FOLICK · 21:44 - I WANT YOU von MOMMA · 21:40 - RIVER von SUZZALLO · 21:35 - Red River von ROCKY VOTOLATO · 21:31 - IMAGINATION von BIG THIEF · 21:27 - VAMPIRE EMPIRE von BIG THIEF · 21:25 - MUD von WAXAHATCHEE · 21:20 - FIRE von WAXAHATCHEE · 21:16 - ONE OF THESE DAYS von BONNIE PRINCE BILLY · 21:08 - THE WATER'S FINE von BONNIE PRINCE BILLY · 21:04 - AMERICAN DREAMING von SIERRA FERRELL · 20:57 - SO HERE WE ARE von BLOC PARTY · 20:54 - BLACK COUNTRY GOTHIC von BIG SPECIAL · 20:50 - DROP von TUNDE ADEBIMPE · 20:46 - STONES THROW von GREENTEA PENG · 20:43 - BAND4BAND von CENTRAL CEE/LIL BABY · 20:40 - COOK & EFFY von KILLOWEN/FRANKIE STEW AND HARVEY GUNN · 20:38 - NISSAN ALTIMA von DOECHII · 20:33 - NOSEBLEEDS DOECHII · 20:28 - NOT LIKE US von KENDRICK LAMAR · 20:22 - ALRIGHT von KENDRICK LAMAR · 20:20 - YOU'RE THE ONLY ONE WATCHING von MIKE · 20:17 - THEN WE COULD BE FREE.. von MIKE · 20:15 - ARTIST OF THE CENTURY von MIKE · 20:10 - ONE BEER von MF DOOM · 20:07 - HOW FAR? von GORILLAZ FEAT. TONY ALLEN/SKEPTA · 20:04 - THUNDERDOME von PORTUGAL. THE MAN FEAT. BLACK THOUGHT/NATALIA LAFOURCADE

Der Titel seines Debütalbums ist Programm: «Can't Rush Greatness» kommt nach bereits mehreren Jahren an der Spitze der UK-Grime-Szene. Central Cee gilt als der erste, der es auch in den USA «so richtig» geschafft hat. Sounds! Hip Hop-Redaktor Pablo Vögtli sagt, warum dies keine Überraschung ist. +++ PLAYLIST+++ · 22:56 - FAINT OUTLINES von HOLM · 22:53 - AL SUR von THE NOTWIST FEAT. JUANA MOLINA · 22:49 - WATERTREES von SUPERNOVA EASY · 22:44 - AGITA2 von DNGDNGDNG/DENGUE DENGUE DENGUE · 22:38 - DTMF von BAD BUNNY · 22:35 - 2BLAUI von STEREO LUCHS · 22:31 - HEADBANGING PLANTS von ALMOND BUTYL · 22:28 - CRISIS von CISTERN · 22:20 - WONDER von EN ATTENDANT ANA · 22:17 - COLLECT von TORRES · 22:14 - SYLIVA von JULIEN BAKER/TORRES · 22:10 - LATELY I'VE BEEN THINKING OF YOUR MOTHER von KING HÜSKY · 21:56 - WANT YOU (FEVER) von MOMMA · 21:52 - PAPER TIGERS von L.S. DUNES · 21:47 - UNDERSTANDING IN A CAR CRASH von THURSDAY · 21:44 - I'M NOT OKAY (I PROMISE) von MY CHEMICAL ROMANCE · 21:40 - I'M IN THE BAND von THE HELLACOPTERS · 21:36 - TURNED TO DUST von BONNIE PRINCE BILLY · 21:32 - THE BALLAD OF LUCY JORDAN von MARIANNE FAITHFULL · 21:28 - ALIEN COWBOY von GORDI · 21:25 - IT'S A MIRROR von PERFUME GENIUS · 21:20 - FIST von MIYA FOLICK · 21:16 - GET OUT OF MY HOUSE von MIYA FOLICK · 21:12 - IN LOVE WITH A MEMORY von SASAMI FEAT. CLAIRO · 21:08 - BESTIES von BLACK COUNTRY, NEW ROAD · 21:03 - CHAOS SPACE MARINE von BLACK COUNTRY, NEW ROAD · 20:56 - RODEO von SOPHIA KENNEDY · 20:52 - PERFECT STRANGER von FKA TWIGS · 20:48 - STICKY von FKA TWIGS · 20:44 - STONED von MAC MILLER · 20:42 - YOU'RE THE ONLY ONE WATCHING von MIKE · 20:36 - NOW WE'RE STRANGERS von CENTRAL CEE · 20:31 - NO INTRODUCTION von CENTRAL CEE · 20:29 - TEN von CENTRAL CEE/SKEPTA · 20:22 - SPRINTER von DAVE/CENTRAL CEE · 20:20 - BAND4BAND von CENTRAL CEE/LIL BABY · 20:15 - DENIAL IS A RIVER von DOECHII · 20:12 - LET IT HURT von SIRENS OF LESBOS · 20:08 - CALL IT A DRAW von UWADE · 20:06 - WADING IN WAIST-HIGH WATER von FLEET FOXES

ULIEN BAKER & TORRES - SylviaSOPHIA KENNEDY - RodeoYUNO - TuneNIÑA POLACA, DANI FERNÁNDEZ - Dolores RayoMELIFLUO - Lo Que Tenga Que PasarLAB RAT - Rolling LoudMIYA FOLICK - FistSUNFLOWER BEAN - Champagne TasteALIZZZ - En Tu Casa o en La MíaMONTEDAPENA - T'estimo moltLISASINSON - Quiero Que Perdamos La Cabeza (Otra Vez) (David Van Bylen Remix)TUNDE ADEBIMPE - DropTV ON THE RADIO - Wolf Like MeCALA VENTO - GritaBRIGITTE CALLS ME BABY - Careless WhisperJAMIE XX - F.U. (ft Erykah Badu)THE XX - I Dare YouEscuchar audio

Novedades| Destroyer, The Horrors, The Amazons, The Murder Capital, Circa Waves, Inhaler, The Velveteers, Picture Parlour, Sharon Van Etten, Celeste, Miya Folick, Japanese Breakfast, Phoebe Rings, Lucy Dacus, Julien Baker and Torres, My Morning Jacket, etc... Sesión dedicada a la memoria de Luis Gandía ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Suscríbete a nuestro canal en WhatsApp! https://whatsapp.com/channel/0029VaRw86Q1yT2FeNzrfv2g ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HNMagES ¡Síguenos en Threads! https://www.threads.net/@hnmages

...y más nuevas canciones de Panda Bear, Squid, Mogwai, Miya Folick, The Weather Station y Japanese Breakfast.Escuchar audio

Woah. Was für eine lange, schier unerträgliche Pause! But fear not: euer SRF 3 Musikabend ist B-A-C-K – und tischt ab sofort wieder jeden Abend zur gewohnten Zeit ein Festmahl mit neuer Musik auf. Und da ist während den letzten vier Wochen ja einiges zusammengekommen... Neue Tunes von Julien Baker (mit Torres), Hamilton Leithauser (Ex- und Immermalwieder-The Walkmen), ganze Alben von SZA oder Bad Bunny... What a Start!! +++ PLAYLIST +++ · 22:53 – THROUGHLINES von YOU, INFINITE · 22:48 – BODY MOVES von THE WEATHER STATION · 22:43 – PURE LOVE (DAY) von DJ KOZE FEAT. DAMON ALBARN · 22:37 – WIE SCHÖN DU BIST von DJ KOZE FEAT. ARNIM TEUTOBURG-WEISS & THE DÜSSELDORF DÜSTERBOYS · 22:34 – WHEN HE COMES AROUND von TOLEDO · 22:31 – THIS TIME AROUND von MIYA FOLICK · 22:26 – SOPHIE von FREDRIK SVABØ & THEA WANG · 22:23 – LONDON MAY von BONNIE 'PRINCE' BILLY · 22:20 – THE OOGUM BOOGUM SONG von BRENTON WOOD · 22:16 – PITORRO DE COCO von BAD BUNNY · 22:11 – CRYBABY von SZA · 22:09 – CAN I? von JILL RYAN · 21:56 – KILL BILL von SZA · 21:54 – CONNECTION von ELASTICA · 21:50 – PONYTAIL von BIIG PIIG · 21:45 – JULIE von HORSEGIRL · 21:41 – SICK DOGS von HEY, NOTHING · 21:38 – BARN NURSERY von HEY, NOTHING · 21:33 – RIVERSIDE von ORACLE SISTERS · 21:31 – HELLO, HI von LITTLE SIMZ · 21:25 – TONITE von LCD SOUNDSYSTEM · 21:21 – SUGAR IN THE TANK von JULIEN BAKER & TORRES · 21:17 – DRIVE SONG von THALA · 21:13 – FERRY LADY von PANDA BEAR · 21:08 – DEFENSE von PANDA BEAR & CINDY LEE · 21:04 – THIS SIDE OF THE ISLAND von HAMILTON LEITHAUSER

Dans cette émission, nous nous intéressons à l'histoire du corset. En effet, sa petite histoire est liée à la grande histoire des femmes voire à l'évolution de leur statut dans la société. Ce corset forme autant que déforme mais surtout réforme et informe. À chaque époque il repositionne le corps comme il devrait être et surtout comme on voudrait qu'il soit. A la gourgandine, à l'anglaise, à la paresseuse, on prend corps pour mieux décortiquer l'histoire des dessous. extrait : expression, Dialogue amoureux de Clément Marot, Des mots à la mode de Boursault, Commentaire de la Mésangère, description de la walse dans Le journal des modes 1798, Au bonheur des dames de Zola, prix des corset vendus aux Grands Magasins Laborie, Métier de corsetière en 1930, titres Harlequin. Musique : Sola par La Chica, What we wanna par Miya Folick, Conceited de Lola Young

...y más nuevas canciones de Sharon Van Etten, Miya Folick, Sarah Grace White, Anna B Savage, Mike Lindsay, Tunng, One True Pairing y Elias Rønnenfelt.Escuchar audio

Un munt de can

Álbum Destacado| Fontaines D.C. Novedades| The Cure, Amyl and The Sniffers, Pale Waves, Biznaga, The Smile, Primal Scream, Frances Forever, Miya Folick, Philine Sonny, Laura Marling, Lykke Li, Hayley Mary, Half Waif ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Suscríbete a nuestro canal en WhatsApp! https://whatsapp.com/channel/0029VaRw86Q1yT2FeNzrfv2g ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HNMagES ¡Síguenos en Threads! https://www.threads.net/@hnmages

Charli XCX comparte la nueva grabación de "Talk Talk", de la que se ha estado hablando tanto, y lo hace con la colaboración de Troye Sivan y con un cameo de Dua Lipa. El resto del disco que, según ella, "es completamente diferente pero sigue siendo 'Brat' " llegará más tarde con algunas sorpresas, hay rumores de que invite a Taylor Swift. Por otra parte, Father John Misty publica dos nuevas canciones, una de ellas ya ha sido interpretada en directo y es la que escuchamos en este podcast, "She Cleans Up". Además, escuchamos lo nuevo de The Weeknd, Michael Kiwanuka, FKA Twigs, Suki Waterhouse, Veintiuno, Karavana... NILÜFER YANYA - Just a WesternSUKI WATERHOUSE - OMGTHE WEEKND - Dancing In The FlamesKARAVANA - Martes SábadosKARAVANA - El TiempoDAFT PUNK ft JULIAN CASABLANCAS - Instant CrushMICHAEL KIWANUKA - LowdownGINGER ROOT – No ProblemsFATHER JOHN MISTY – She Cleans UpVEINTIUNO, ENOL - AcantiladoFRANZ FERDINAND - AudaciousTEMPLES - Day Of ConquestCHARLI XCX - Talk Talk (ft.Troye Sivan)FKA Twigs - EusexuaMIYA FOLICK - La Da DaEscuchar audio

For today's episode, I'm joined by queer indie pop artist Frances Forever (they/them) to discuss their new album Lockjaw, celebrating Pride, collaborating with Miya Folick, the rise of Chappell Roan, and why Paramore is the best band ever. ✨ MORE ABOUT FRANCES FOREVER ✨ Frances Forever is an indie pop artist based in Boston who rose to prominence in 2020 with their viral dreamy queer love song "Space Girl." They just released their debut album 'Lockjaw' and they're about to embark on a US tour, bringing their pastel-shaded queer utopia to the whole country. ✨ KEEP UP TO DATE WITH FRANCES FOREVER ✨ Web: https://francesforever.com Instagram: instagram.com/frances.4ever/ TikTok: tiktok.com/@frances.4ever X: x.com/frances_4ever Facebook: facebook.com/francesforever YouTube: youtube.com/user/frankie13g Streaming: https://francesforever.co/lockjaw ✨ CONNECT WITH IZZY ✨ YouTube: ⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠

K.Flay (28:00) is a Grammy-nominated American singer and songwriter. K.Flay got her start in music as a freshman at Stanford University where she studied psychology and sociology. She began producing music on her laptop and quickly caught the attention of RCA Records. K.Flay was only signed to RCA for a year before realizing her creative vision differed from her labels. She went on to release her debut album “Life As A Dog” independently in 2014. Since then, K.Flay has released multiple EPs and albums to critical acclaim and even put together a book of letters her fans had written to her while on tour. She also come out as queer and publicly dated another musician, Miya Folick, in 2021. In 2022, K.Flay spontaneously lost her hearing in her right ear and had to grapple with accepting her new reality. The anger, anxiety, and depression that came out of the experience culminated in K.Flay's fifth studio album “Mono” (2023). Today, K.Flay came by the couch to talk about “Mono”, the process behind the album, her love of reading, her new girlfriend, and much more!For a better nights sleep try Beyond Sleep Here:https://www.beyondsleeptech.com/pages/zach-sangYou can always leave us a voicemail - (262) 515-9224!Follow Us On Social!TikTokTwitterInstagramFacebookFollow ZachFollow Dan

K.Flay (28:00) is a Grammy-nominated American singer and songwriter. K.Flay got her start in music as a freshman at Stanford University where she studied psychology and sociology. She began producing music on her laptop and quickly caught the attention of RCA Records. K.Flay was only signed to RCA for a year before realizing her creative vision differed from her labels. She went on to release her debut album “Life As A Dog” independently in 2014. Since then, K.Flay has released multiple EPs and albums to critical acclaim and even put together a book of letters her fans had written to her while on tour. She also come out as queer and publicly dated another musician, Miya Folick, in 2021. In 2022, K.Flay spontaneously lost her hearing in her right ear and had to grapple with accepting her new reality. The anger, anxiety, and depression that came out of the experience culminated in K.Flay's fifth studio album “Mono” (2023). Today, K.Flay came by the couch to talk about “Mono”, the process behind the album, her love of reading, her new girlfriend, and much more! For a better nights sleep try Beyond Sleep Here: https://www.beyondsleeptech.com/pages/zach-sang You can always leave us a voicemail - (262) 515-9224! Follow Us On Social! TikTok Twitter Instagram Facebook Follow Zach Follow Dan Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Sunset “le rock dans toutes ses esthétiques”, une émission de Radio Campus Tours, un lundi sur deux de 20h à 21h et en rediffusion le vendredi matin à 9h. Voici le podcast et la playlist de l'émission du 8 janvier 2024 : Alison Mosshart – Down By Law       Sarah Walk – Lean In  Miya Folick – […] L'article Before Sunset – S04 E09 #86 – 8 janv 2024 est apparu en premier sur Radio Campus Tours - 99.5 FM.

It's Christmas Eve, so no Sangha tonight. I've been looking for an excuse to share this one again from April 13th 2023, so I really hope you'll listen to this one. It's very special to me on so many levels. And of course, there's some great dharma here. Enjoy this Dharma talk and meditation inspired by the one and only Miya Folick. I'd love to hear your thoughts on the talk, and the music. Check them both out!

En esta sesión alternamos algunos de los discos que hoy se publican con versiones y demás clásicos. LOS ZIGARROS – Acantilados DEMOB HAPPY – Autoportrait BLINK 182 - Dance With Me RAMONES – I Wanna Be Sedated PARAMORE - The News (Re: The Linda Lindas) SUPERCHUNK - In Between Days THE INTERRUPTERS – Bad Guy CONFIDENCE MAN – Boyfriend BILLY IDOL, GENERATION X - Dancing with Myself (2001 Remaster) YUNGBLUD – Tissues VEINTIUNO ft LOVE OF LESBIAN – La Vida Moderna MIYA FOLICK – What We Wanna (From “The Buccaneers” Soundtrack) CHARLI XCX ft. RINA SAWAYAMA - Beg For You KUVE - Xena AIKO EL GRUPO - Niños Furbito Y Niñas Lo Que Sea MUJERS – No Puedo Más CAROLINA DURANTE – Marta, Sebas, Guille y los Demás AMARAL – Revolución BUNBURY – La Tormenta Perfecta Escuchar audio

PARAMORE - C'est Comme Ça BECK – Up All The Night POOLSIDE – We Could Be Falling In Love ZAHARA, CAROLINA DURANTE – Joker AIKO EL GRUPO ft MUJERES - Soy Una Fracasada Estúpida SIDONIE – No Salgo Más VEINTIUNO ft SILVESTRE y LA NARANJA – Ya No Nos Hablamos PARCELS - Tieduprightnow AMATRIA con BOYE - La Tierra Del Lince LOS VINAGRES – Pa Que Te Quedes Conmigo ADIÓS AMORES - Caras Nuevas TULSA – Melocotón LIZZIE NO - Lagunita TORRES - Collect AMOS LEE - Greenville TSHA, ELLIE GOULDING & GREGORY PORTER – Somebody MIYA FOLICK – What We Wanna KIM PETRAS - Treat Me Like A Ho LAS ODIO – Presente Perfecto LOS ZIGARROS – Rock Rápido Escuchar audio

This week, the panel begins by dissecting The Golden Bachelor, the latest spin-off of the classic reality TV series starring a 72-year-old bachelor searching for love amongst a group of women in their 60s, 70s, and 80s. Sincerity ensues… or does it? Then, the three return to the ‘80s to discuss A24's re-release of Stop Making Sense, Jonathan Demme's seminal 1984 Talking Heads concert movie that's widely regarded as the apex of the genre. Finally, they investigate the celebrity apology video aesthetic, an artform that's been attempted—and by no means, perfected—by Mila Kunis, Ashton Kutcher, Russell Brand, and Drew Barrymore recently, as an unusual document of the times. In the exclusive Slate Plus segment, the panel discusses the meme and viral TikTok trend, “How often do you think about the Roman Empire?” and the ways it encourages a faux-performance of gender on the internet.  Email us at culturefest@slate.com.  Endorsements: Dana: In the spirit of revelatory live shows, Dana endorses The Bengsons, a folk-rock duo (by married couple Abigail and Shaun Bengson) whose recent concert she describes as “performance art.” Julia: “Stop Talking” by Miya Folick, one Julia's favorite songs from the 2023 Summer Strut Mega-mix, that exasperatedly laments about a friend whose brain space has been eaten up by some boy–and Folick doesn't want to hear about it anymore!  Stephen: Lucky in Paris by saxophonist Lucky Thompson, a relatively under-the-radar record that has become one of Stephen's top five jazz albums of all time.  Outro music: “On the Keys of Steel” by Dusty Decks. Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by dissecting The Golden Bachelor, the latest spin-off of the classic reality TV series starring a 72-year-old bachelor searching for love amongst a group of women in their 60s, 70s, and 80s. Sincerity ensues… or does it? Then, the three return to the ‘80s to discuss A24's re-release of Stop Making Sense, Jonathan Demme's seminal 1984 Talking Heads concert movie that's widely regarded as the apex of the genre. Finally, they investigate the celebrity apology video aesthetic, an artform that's been attempted—and by no means, perfected—by Mila Kunis, Ashton Kutcher, Russell Brand, and Drew Barrymore recently, as an unusual document of the times. In the exclusive Slate Plus segment, the panel discusses the meme and viral TikTok trend, “How often do you think about the Roman Empire?” and the ways it encourages a faux-performance of gender on the internet.  Email us at culturefest@slate.com.  Endorsements: Dana: In the spirit of revelatory live shows, Dana endorses The Bengsons, a folk-rock duo (by married couple Abigail and Shaun Bengson) whose recent concert she describes as “performance art.” Julia: “Stop Talking” by Miya Folick, one Julia's favorite songs from the 2023 Summer Strut Mega-mix, that exasperatedly laments about a friend whose brain space has been eaten up by some boy–and Folick doesn't want to hear about it anymore!  Stephen: Lucky in Paris by saxophonist Lucky Thompson, a relatively under-the-radar record that has become one of Stephen's top five jazz albums of all time.  Outro music: “On the Keys of Steel” by Dusty Decks. Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

LOS FRESONES REBELDES – Al amanecer (Himno Legendarias) CAROLINA DURANTE –Son mis amigos BIELA – El encuentro CARIÑO – Llorando en la limo AIKO EL GRUPO – Toro EL COLUMPIO ASESINO – Que no SOCCER MOMMY– Soak up the sun BROOKE ANNIBALE – No ordinary love MIYA FOLICK –Walking on broken glass ANNIE LENNOX – No more "I love you's" PLACEBO – Running up that hill THE TWILIGHT SINGERS - Hyperballad DAVE GAHAN– Not dark yet JOHNNY CASH -Hurt (con Gustavo Iglesias, durante este mes de agosto) Escuchar audio

Hello and welcome to episode 171 of the ACPG podcast. This week Ben is zooming with Los Angeles where he spoke with Nick and Kelsey of the fantastic Local Natives. Now, I (Ben) have been a massive fan of Local Natives since their debut album Gorilla Manor and especially the songs Sun Hands and Airplanes. So it was great to talk to them about that but also the release of their new album Time Waits For No One. We spoke about the new album, record release parties, and touring, and more. The album was preceded at the tail-end of last year by the swaggering psychedelia-tinged indie-pop of ‘Just Before the Morning' which jumped up to the B-list at 6Music, as well as seeing them doing an LA residency back in December that saw them joined on the stage by contemporaries including Best Coast, Darkside and Miya Folick. The past year or so has also seen them hit up Jimmy Kimmel twice, one of which saw them joined by Sharon Van Etten for their collaborative track ‘Lemon', while they also headed out on a sold-out US tour last summer as well as stop-offs at Lollapalooza, Outsidelands and a bunch more staples of the US festival circuit. The band are also celebrating the 10-year anniversary of their commercial breakthrough Hummingbird album this year, which feels ripe for revisiting (it is still a total knockout). This new set finds the band linking with Grammy-winning producer John Congleton (Death Cab, Sharon Van Etten, St. Vincent) for a run of sessions across a number of historic LA studios that birthed a set of songs rooted in metamorphosis: taking in newfound fatherhood, periods of isolation, loss and identity crisis. Through it all though, the band were reminded that the constants are the people you love and - in their case - their fellow bandmates. While the album's title Time Will Wait For No One has its ominous undertones, the sentiment at the core of the album is that your loved ones will. Can't recommend spending a bit of headphone time with the new record enough if you get a moment, the production on it is glorious - something they've really honed over the four albums to date that have seen them quietly become one of the most consistently acclaimed bands of the last decade (not a single album below a 75 on Metacritic). Thank you to Nick and Kelsey, and Alex and Vanessa for all their help with this episode.

Hello and welcome to episode 171 of the ACPG podcast. This week Ben is zooming with Los Angeles where he spoke with Nick and Kelsey of the fantastic Local Natives. Now, I (Ben) have been a massive fan of Local Natives since their debut album Gorilla Manor and especially the songs Sun Hands and Airplanes. So it was great to talk to them about that but also the release of their new album Time Waits For No One. We spoke about the new album, record release parties, and touring, and more. The album was preceded at the tail-end of last year by the swaggering psychedelia-tinged indie-pop of ‘Just Before the Morning' which jumped up to the B-list at 6Music, as well as seeing them doing an LA residency back in December that saw them joined on the stage by contemporaries including Best Coast, Darkside and Miya Folick. The past year or so has also seen them hit up Jimmy Kimmel twice, one of which saw them joined by Sharon Van Etten for their collaborative track ‘Lemon', while they also headed out on a sold-out US tour last summer as well as stop-offs at Lollapalooza, Outsidelands and a bunch more staples of the US festival circuit. The band are also celebrating the 10-year anniversary of their commercial breakthrough Hummingbird album this year, which feels ripe for revisiting (it is still a total knockout). This new set finds the band linking with Grammy-winning producer John Congleton (Death Cab, Sharon Van Etten, St. Vincent) for a run of sessions across a number of historic LA studios that birthed a set of songs rooted in metamorphosis: taking in newfound fatherhood, periods of isolation, loss and identity crisis. Through it all though, the band were reminded that the constants are the people you love and - in their case - their fellow bandmates. While the album's title Time Will Wait For No One has its ominous undertones, the sentiment at the core of the album is that your loved ones will. Can't recommend spending a bit of headphone time with the new record enough if you get a moment, the production on it is glorious - something they've really honed over the four albums to date that have seen them quietly become one of the most consistently acclaimed bands of the last decade (not a single album below a 75 on Metacritic). Thank you to Nick and Kelsey, and Alex and Vanessa for all their help with this episode.

Sam, Matt, and Fran are back with the 66th episode of the miserable music podcast. Each month we review/argue about 4 recently released albums and a classic album none of us know, before one of us closes the episode with our Why I Love section.This month's recent releases are from Genghar, Jayda G, Foo Fighters, and Miya Folick and the classic is from Hole. Fran closes the episode by telling you why he loves Eminem. Hosted on Acast. See acast.com/privacy for more information.

Miya Folick is a solo artist based in Los Angeles. On her latest album Roach, Miya documents the high highs & low lows of early adulthood. Thanks to her unabashed vulnerability, the record gives us all room to be gentle to our younger selves, laugh at our mistakes, & rejoice in our growth. Learn more about your ad choices. Visit megaphone.fm/adchoices

On her second LP, Miya Folick blends powerful, emotive vocals with polished pop production to take the listener on an emotional journey. We discuss "ROACH" in-depth in episode #192 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.

Miya Folick - So Clear from the 2023 album Roach on Nettwerk. Los Angeles-based musician Miya Folick released her sophomore full-length ROACH in late May, an album that unpacks “trying to get to the core of what life really is,” according to Folick. Following her 2018 debut Premonitions and 2022's 2007 EP, the album is full of rich, shimmery production with help from Gabe Wax (War on Drugs, Fleet Foxes), Mike Malchicoff (King Princess, Bo Burnham) and Max Hershenow (MS MR), heightening her quarter-life crisis to cinematic levels. Our Song of the Day, “So Clear,” is the moment Folick finally sees a way through the wreckage of prior mistakes. “I was desperate like you read in the paper,” she coos. “Screaming in oblivion /I was alone in a lonesome place /'Til I finally said I'm done.” Coupled with sun-drenched production from Hershenow, it's a classic movie-montage moment with our main character breaking through. Folick says this about the song: “‘So Clear' is about pulling yourself out of the wreckage you've made of your own life again and again, for the thousands of days we live on this earth and realizing life is so much more expansive than the petty concerns we waste precious time on. An epiphany that I have over and over again is that I am very small, but my actions are very meaningful. So I have to choose to live truthfully every day. It's not easy! The song is very dramatic, and I imagined it as a good karaoke song when we were making it.” Folick will be joining the Head and the Heart and Father John Misty for a North American tour starting in August, with a date in Spokane at the Pavilion at Riverfront on August 6th. Watch the visualizer for “So Clear" and read the full post at KEXP.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Miya Folick talks her new album Roach and the catharsis of moving through feelings of heartbreak and over coming toxic cycles.

Foo Fighters comparten 'The Theacher', último adelanto del disco que publican este viernes, 2 de junio, diez minutazos de canción en los que Dave Grohl rinde homenaje a su madre, que fue profesora. Escuchamos a Claud con 'Wet', uno de los dos sencillos que acaba de sacar, a Miya Folick con su nuevo álbum y a Jornada con una versión acústica y preciosa de 'Sparks', de Coldplay. Aparte, felicitamos a Luz Casal porque acaba de ser nombrada comendadora de las Artes y las Letras de Francia y hablamos de los últimos tres conciertos de Second, en el Teatro Circo de Murcia, los días 28, 29 y 30 de diciembre.   LUZ CASAL – Antes Que Tú LOS ZIGARROS - River Deep, Mountain High (ft. Aurora García) ÁNGEL STANICH – Mátame Camión LOVEJOY - Portrait of a Blank Slate JORDANA - Sparks CLAUD – Wet MIYA FOLICK - Get Out of My House CAROLINA DURANTE – Marta, Sebas, Guille y los Demás BUM MOTION CLUB - Casi Un buen día LOLA YOUNG - Don't Hate Me BABY KEEM & KENDRICK LAMAR - The Hillbillies FOO FIGHTERS – The Teacher  ROYAL BLOOD - Mountains At Midnight SECOND – Estado de Alegre TristezaEscuchar audio

«Ich bin die Kakerlake», sagt Miya Folick lachend. Sie überlebe nur, indem sie resilient wie eine Kakerlake sei, deswegen auch der Albumtitel «Roach». Das zweite Album der US-Amerikanerin ist keine Heldinnengeschichte, es gibt kein Happy End. Es zeigt das schaukelnde Auf und Ab des Lebens. Miya Folicks zweites Album «Roach» ist weniger elektronisch als ihr erstes. Es sollte roher sein, sagt sie im Interview. Daraus entstand eine wunderschöne Folk-Popplatte, die diese Woche Sounds! Album der Woche ist. Wie immer könnt ihr es täglich gewinnen - Vinyl oder CD - nur live im Radio.

The best albums out this week include Lil Durk's Almost Healed, reflections on surviving your 20s from Arlo Parks and Miya Folick, Gia Margaret's Romantic Piano, a new Kassa Overall project and more.Featured Albums:1. Lil Durk — Almost HealedFeatured Songs: "Same Side (feat. Rob49)," "Therapy Session," "Never Again," "All My Life (feat. J. Cole)"2. Arlo Parks — My Soft MachineFeatured Songs: "Dog Rose," "Bruiseless," "Purple Phase," "Pegasus (feat. Phoebe Bridgers)"3. Gia Margaret — Romantic PianoFeatured Songs: "Ways of Seeing," "Cicadas," "Juno"4. Kassa Overall — ANIMALSFeatured Songs: "Clock Ticking (feat. Danny Brown & Wiki)," "Still Ain't Find Me (feat. Tomoki Sanders, Bendji Allonce, Mike King & Ian Finklestein)"5. Miya Folick — ROACHFeatured Songs: "Get Out of My House," "Oh God," "Cartoon Clouds"Lightning Round:Alex Anwandter — El Diablo en el CuerpoAnna Thorvaldsdottir — ARCHORA / AIŌNSparks — The Girl is Crying in Her LatteWande Coal — Legend or No LegendOther notable releases for May 26:Bayonne — Temporary TimeHenry Threadgill — The Other OneJanai Shankar — Hot & Cold Kari Faux — REAL B*TCHES DON'T DIE!Kevin Morby — More Photographs (A Continuum)MeeeZ — [red album]M. Sage — Paradise CrickMatchbox Twenty — Where The Light GoesMike Oldfield — Tubular Bells - 50th Anniversary CelebrationMaya Ongaku — Approach to AnimaShirley Collins — Archangel HillSimply Red — TimeWater From Your Eyes — Everyone's CrushedWolf Eyes — Dreams in Splattered Lines

Moin! Es wird mal wieder wild. Wir hören 'Gene' von Norayr Gapoyan, 'Screem Writers Guild' von Lordi und 'Roach' von Miya Folick. Der Wein ist diesmal ein Moscato Semidulce aus dem Jahr 2021 von Grand Bodega.

Actualidad: Jessie Ware, Romy, Blusher, Miya Folick, Tash Sultana, Claire Rosinkranz, The Japanese House, Austin Millz, SIDIBE, Sadie, Telenova, Hooverphonic, Rodrigo y Gabriela, Calvin Harris, Tiësto, Torren Foot, Joel Corry, Milky Chance, Imanbek, etc... ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HospitalNeptunoR/

LORI MEYERS & KORA – No Me Merecía La Pena MISS CAFFEINA – Shanghái Baby LEÓN BENAVENTE – Nuestro Aniversario RODRIGO CUEVAS - Mas Animal THE GUAPOS – Soy Un Guapo LOQUILLO – El Rey HERMANA FURIA - Puerta De Amor VINTAGE TROUBLE – Not The One ARDE BOGOTÁ – Cowboys de la A3 MELIFLUO – Historias de Hace Tiempo CHRISTINE AND THE QUEENS ft. 070 SHAKE - True love JORJA SMITH - Try Me JESSIE WARE – Begin Again PORTUGAL. THE MAN - Champ (Ft. Edgar Winter and With War) MIYA FOLICK - So Clear KUVE – Cari Cari Escuchar audio

Sameer Sadhu is Partner at Secret Signals & VP of A&R at Nettwerk Music Group. Artists that are on their rosters included favorites: Andrew McMahon in the Wilderness, Miami Horror, Miya Folick, Terrible Sons, Vacations, Wafia and many more! We share the same interests in the best furniture, clothes, and restaurants, I'm surprised we haven't crossed paths yet. Please welcome Sameer Sadhu to Wear Many Hats. ⁠⁠instagram.com/sameersadhu ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dahsar.com⁠

As broadcast April 17, 2023 without any history?  Tonight we start with a cover of the Yeah Yeah Yeahs by Samia then make moves into the rest after Danno faked himself out with the history.  Great new tunes to feature from The National, Fruit Bats, april june, and many more in our first hour, along with a highlight of Busan indie darlings Bosudongcooler and their upcoming gig in Seoul on the May 5 Children's Day holiday.  Parts 3 and 4 we are always about the new pop just out and Korean indie, but we've also added a spotlight on this weekend's Coachella festival, which saw a heavy Korean presence from some usual and most unusual suspects we were very happy to see getting some international recognition.Tracklist:Part I (00:00)Samia – MapsMiya Folick – So Clearapril june – your nameSarah Kinsley – Oh No Darling!Portugal, The Man feat Edgar Winter – ChampAnimal House feat Band of Skulls – You & MeAlbert Hammond, Jr. feat GoldLink – 100-99 Part II (32:34)The National feat Phoebe Bridgers – Your Mind Is Not Your FriendAndrea Bejar – Quien Tengo Que SerFruit Bats – Sick of This FeelingTeenage Priest – EnjoyerNation of Language – Weak In Your LightBosudongcooler – Kill MeBosudongcooler – James Part III (65:08)BLACKPINK – Shut Down2NE1 – Come Back Homealdn feat Chloe Moriondo – pressure  Jorja Smith – Try MeSZA feat Doja Cat – Kill BillPost Malone – ChemicalHYUKOH – Tokyo InnPart IV (95:57)kenessi – I wannaFOOL IN THE POOL – IllusionJI JIN SEOK feat An Ye Seul – I'll only give you pretty thingsSonya – Miyaong (Art Cat)g0nny – All Was WellJAMBINAI – Time of ExtinctionJAMBINAI – from the place that's been erased

Die Singer-Songwriterin aus Kalifornien bezeichnet sich selbst als einen Oversharer und ihre Musik als intim. Bei Nachts Um Halb 1 erzählt sie uns heute, warum es wichtig ist Fehler zu machen, was sie während ihrer Tour durch Deutschland gelernt hat und wie es war als Buddhistin aufzuwachsen. Wie immer bei Nachts Um Halb 1 gibt es Songs in einer einzigartigen 3D-Audio-Version. Miya Folick spielt für uns: Get Out of My House (Live at Nachts Um Halb 1) Nothing to See (Live at Nachts Um Halb 1) Bad Thing (Live at Nachts Um Halb 1) Also Kopfhörer auf und herzlich Willkommen zu Nachts Um Halb 1 – dem Musikpodcast direkt aus St. Pauli. Feedback oder Fragen gerne an nachts@germanwahnsinn.de! Gefördert von der Behörde für Kultur und Medien der Freien & Hansestadt Hamburg. Miya Folick Website: http://www.miyafolick.com/ Instagram: https://www.instagram.com/miyafolick/ YouTube: https://www.youtube.com/@MiyaFolick Nachts Um Halb 1: Instagram: https://www.instagram.com/nachts.um.halb1/ TikTok: https://www.tiktok.com/@nachtsumhalb1 Youtube: https://www.youtube.com/channel/UC6DneT7qmJgZJGRr4UU4Knw German Wahnsinn: Website: https://germanwahnsinn.de Instagram: https://www.instagram.com/germanwahnsinn/ Facebook: https://www.facebook.com/GermanWahnsinn

Actualidad - Peter Gabriel, Christine & The Queens, Gordi, Braids, Miya Folick, Uma, Arlo Parks, Tame Impala, Rufus T. Firefly, Neuman, Palace, .com, Arima, Furious Monkey House, Yves Tumor, Arde Bogotá, Juanes, Depeche Mode, etc... ¡Suscríbete a nuestro canal en Telegram! https://t.co/d64vSXTYT9 ¡Síguenos en Twitter! https://twitter.com/HNMagES ¡Síguenos en Instagram! https://www.instagram.com/hnmages/ ¡Síguenos en Facebook! https://www.facebook.com/HospitalNeptunoR/

The Tallest Man On Earth comparte 'Henry St', la maravilla de canción que da título al disco que publicará el próximo 14 de abril, una balada que emociona y con la que te dejas llevar sin darte cuenta. Escuchamos, desde Gales, a Panic Shack con 'Meal Deal', otro de sus artefactos, a Sleaford Mods junto a Perry Farrell, de Jane's Addiction, con 'So Trendy' y a Miya Folick con una de sus canciones más íntimas y preciosas, 'Mommy'.   LA HABITACIÓN ROJA – Vuelve a Empezar Sin Mí levitants - Adelante LADY BANANA – Overflow LA PLATA – Volar SHEGO – Steak Tar Tar SLEAFORD MODS ft. PERRY FARRELL - So Trendy PANIC SHACK - Meal Deal THE TALLEST MAN ON EARTH - Henry St NICK WATERHOUSE - Late In The Garden RON GALLO - Entitled Man BARRY WHITE – My Firts, My Last, My Everything RUFUS T FIREFLY - El Hombre De Otro Tiempo MIYA FOLICK – Mommy DE LA SOUL - Me Myself And I HAVALINA - Salmo Destruccion THE NIFTYS – El Calor VIAL - Territorial Pissings Escuchar audio

Actualidad: Dream Wife, Miya Folick, whenyoung, Caroline Rose, Philip Selway, Young Fathers, slowthai, Sleaford Mods, Algiers, Heartworms, Steve Mason, Future Utopia, Bad Sounds, Fever Ray, Alien Tango, Gorillaz, Masdo, etc.. ¡Ya estamos en Instagram! https://www.instagram.com/hnmagcom/ ¡Síguenos en Twitter! @HNMagCom ¡Síguenos en Facebook! https://www.facebook.com/HospitalNeptunoR/

We're finally picking our favorite films of 2022, with the help of some friends. We want to hear or read your picks! email: wildprettyanimals@gmail.com   0:01:15 The Popular Picks https://www.metacritic.com/feature/film-critics-pick-10-best-movies-of-2022    Everything Everywhere All At Once (Jack's fav) metacritic #1 Showtime, discs   The Banshees Of Inisherin (Matt)  metacritic #2 HBO   0:15:00 Tar (Matt's fav) metacritic #3 VOD, discs, Peacock 1/27    0:29:30 Aftersun (Jack) metacritic #4 VOD   NOPE (Tessa's fav) metacritic #5 Peacock, discs    0:38:00 Decision To Leave (Tori's fav) metacritic #8 Mubi   Women Talking (Melissa) metacritic #15 theaters   0:47:00 Bones & All (Matt) metacritic #19 VOD   The Woman King (Melissa's fav) metacritic #30 VOD 0:55:00 Horror Picks   X Showtime, blu-ray 2022 100 Horror Films guide: https://youtu.be/QHAkCJo_0-I    Pearl (Tori) VOD, blu-ray   Prey Hulu WPT podcast review:    Scream (Tessa) Paramount, discs sequel coming this year WPT: https://www.podbean.com/ew/pb-asyd9-12f4418    1:08:30 Sharp Objects: Our Favorites   Worst Person in the World (Melissa) Hulu   Dual (Jarret's fav) Hulu   1:22:15 The Dark Horses   Breakfast In America (Tori) Hulu The Dinner in America song - https://youtu.be/WCDchde-ENk    The Janes documentary HBO 1:34:00 Honorable Mentions Upcoming Episodes ranking the top 10! Picnic At Hanging Rock (1975) - HBO . . . a listener pick     instagram: https://www.instagram.com/wildprettythingspod/   https://wildprettythings.podbean.com/ grrnoise.com > podcast timestamp reminder https://www.patreon.com/wildprettythingspod  THANK PATRONS! new and upcoming content: Parallel Mothers, The Graduate   YouTube channel: https://www.youtube.com/channel/UCCeb-r1oOdLwhyRGl_QVWyA  twitter: @WildPrettyPod https://twitter.com/WildPrettyPod  Jarret: https://letterboxd.com/GrrNoise/ and on Instagram Melissa: : @mellooyellow on Twitter; mellooyellowxx on Instagram;  https://letterboxd.com/mellooyellow/  Melissa's other show: Still Great, Bob? http://stillgreatpod.com/ a Mad Men rewatch podcast Monkey Off My Backlog https://twitter.com/monkeybacklog?lang=en  additional credits and bibliography   Fever Ray, Willow, Bishop Briggs, Brutus, Tove Lo, Alice Glass, Megan Thee Stallion, Miya Folick

Arlo Parks comparte un regalo llamado 'Weightless', para avanzar su próximo disco y, de paso, anunciar una gira por Irlanda, Reino Unido, Holanda, Francia o Italia, que esperamos, la traiga también a España. Estrenamos 'Usted Estuvo Aquí', nuevo artefacto pop -ochentero- de Rayo, escuchamos la maravilla que ha publicado The National, 'Tropic Morning News', y la energía de Miya Folick en 'Get Out My House'. CHICA SOBRESALTO – La Torre THE NATIONAL - Tropic Morning News THUS LOVE - Put On Dog levitants – Adelante ARCTIC MONKEYS - Sculptures Of Anything Goes REME - By magic SLEAFORD MODS - UK Grim SYML – Chariot MIYA FOLICK - Get Out of My House RAYO - Usted Estuvo Aquí FEATHERWEIGHT - No Estás NOEL GALLAGHER - Easy Now ARLO PARKS - Weightless MORREO – Mambo LOS ZIGARROS – A Todo Que Sí Escuchar audio

DIVINO NIÑO – Ecstasy MORMOR -  Chasing Ghost VEINTIUNO  – La Ruina TAMINO - Cinnamon EL KANKA – Autorretrato RED HOT CHILI PEPPERS – Eddie BRKN LOVE -  Rubber Room LADY BANANA – Animal Print STEVIE NICKS - For What It's Worth THE WAR ON DRUGS - Ocean of Darkness SLOAN - Magical Thinking THE 1975 - All I Need To Hear  MIYA FOLICK – Nothing To See DAYGLOW - Second NatureEDITORS – Picturesque Escuchar audio

THE 1975 - All I Need To Hear. EL KANKA – Autorretrato JORGE DREXLER – Guerrilla de la Concordia SLUG - Casual Cruelty FRANZ FERDINAND – Right Action SMASHING PUMPKINS – Beguiled DAVID BOWIE - Modern Love (Moonage Daydream Mix) PELIGRO! - I Love Rock 'n Roll LADY BANANA – Bipolar JAMIE XX - Kill Dem MIYA FOLICK - Bad Thing VEINTIUNO – Escalofríos CALEXICO – Rambler MARGO PRICE - Change Of Heart GANGES - Pensar en ti (ft Natalia Lacunza) ZOLITA - 20 Questions RÖYKSOPP ft GUNHILD RAMSAY KOVACS - Me & Youphoria Escuchar audio

A finales de la pasada temporada te adelantamos algunas de las canciones que en verano aparecerían en el nuevo disco de She & Him y que dedicaban a Brian Wilson. Hoy, con el disco ya en las tiendas, protagoniza la portada de nuestra revista sonora y el programa de esta semana. Además hacemos un amplio repaso a la actualidad internacional escuchando lo nuevo de Ladytron, Gaz Coombes, Perera Elsewhere, Miya Folick, Cerrone, Elisabeth Grey, Trentemoller, Local Natives, Monroe & Moralez, Bart and the Bedazzled, Drea Lake, Zella Day, Rkham, Silk Skin Lovers, Ave Gart, Nurk, The Colour Study, My Kid Brother, Daisy the Great, White Lies y M.I.A. Además escuchamos a Freddie Mercury con un tema inédito de Queen que acaba de descubrirse y publicarse. En el apartado nacional los protagonistas son Casero, Belapalma, Tu Ves Ovnis, Claudia Pumarega, L'Ultim Europeu y La Jetee. Y ponemos el broche con nuestra versión de la semana, escuchando a Muna con un tema original de Taylor Swift.

The War On Drugs acaban de compartir dos canciones, 'Ocean Of Darkness' es una de ellas, melancólica, reflexiva y muy enérgica y llega después de la versión que Stevie Nicks, vocalista de Fleetwood Mac, ha hecho de 'For What It's Worth', de Buffalo Springfield. Aparte, suenan las nuevas canciones de Sloan, El Kanka, Mormor, Dayglow, Red Hot Chili Peppers, Editors y abrimos los discos que acaban de publicar Tamino y Divino Niño. STEVIE NICKS - For What It's Worth THE WAR ON DRUGS - Ocean of Darkness SLOAN - Magical Thinking TAMINO - Cinnamon EL KANKA – Autorretrato DIVINO NIÑO – Ecstasy MORMOR - Chasing Ghost VEINTIUNO – La Ruina RED HOT CHILI PEPPERS – Eddie BRKN LOVE - Rubber Room LADY BANANA – Animal Print THE 1975 - All I Need To Hear MIYA FOLICK – Nothing To See DAYGLOW - Second Nature EDITORS – Picturesque Escuchar audio

All Songs Considered host Bob Boilen shares his favorite new tracks of the week, including the return of Beth Orton, a solo debut from Okkervil River's Will Sheff, Miya Folick and more.Featured songs and artists:1. Courtney Marie Andrews: "These Are The Good Old Days," from Loose Future2. Beth Orton: "Forever Young," from Weather Alive3. Miya Folick: "Oh God," from 2007 - EP4. Hand Habits & Amelia Meath: "Under The Water" (Single)5. Will Sheff (feat. Cassandra Jenkins): "In the Thick of It," from Nothing Special6. Hammered Hulls: "Boilermaker's Notch," from Careening

Destriem el gra de la palla per portar-te el bo i millor de les escenes musicals locals i internacionals. Aqu

Destriem el gra de la palla per portar-te el bo i millor de les escenes musicals locals i internacionals. Aqu

This week, Eva and Katryn talk about how to feed your creativity, from the seedling of an idea through revisions. Music, exercise, mood boards and lots and lots of television? It all works. Eva talks about her childhood crushes (hello, Colm Wilkinson and Devon Sawa in Casper!) and Katryn explains how the Goo Goo Dolls made her buy a refrigerator. Sources Behold the wonder of original Jean Valjean, Colm Wilkinson Also, Katryn…really likes Butterflies and Hurricanes by Muse The yachties of Below Deck have a recipe for espresso martinis because of COURSE they do This article is a good overview if you missed the Barnes and Noble malarkey that is causing bestselling authors of color (like Kelly Yang, Meg Medina, and Keah Brown) to point out the systemic racism and ableism inherent in bookstores at the corporate level. Eva's playlist for “Seducing the Creative Spirit”: Evermore by Taylor Swift, I Will Follow You Into The Dark by Miya Folick, Now & Then by Lily Kernshaw & Goody Grace, Oh Baby by LCD Soundsystem Katryn's playlist: Gillian Anderson by Silent Meow, A Bad Dream by Keane, Cathedrals by Jump, Little Children Spotify Playlist of all songs! Follow us on Instagram: @evadeslaurbooks @katrynwrites @writewhereithurtspod *Tune in next time for another episode powered by broken hearts, belly laughs (and bourbon). Don't forget to RATE, REVIEW, and SUBSCRIBE wherever you listen

Full show: https://kNOwBETTERHIPHOP.com Artists Played: MoZaic, conshus, Jake One, DOOM, MidaZ The BEAST, Miya Folick, Sharky, Marlon Williams, Sampa the Great, Angelique Kidjo, Jon Corbin, Aubrey Noronha, Farnell Newton, Vieux Farka Toure, Khruangbin, Scone Cash Players, Mega Ran, O-Super, EyeQ, Dayme Arocena, LP Giobbi, Caroline Byrne, MiLKCRATE, The Good People, Dinco D, Charlie Brown, Leisure Chief, Dope KNife, Passafire, Stephanie Gayle, Sol Messiah, Evidence, OutKast, GOODie MOb, IMAKEMADBEATS

sent $$$ this week to the Gender Health Center in Sacramento.genderhealthcenter.org“If you know us then you know the services we offer: mental health counseling, needle exchange, mental health respite, advocacy, and healthcare services. We do a lot for such a small organization. But there’s some things we can’t help with:Many Black transgender people come into Gender Health Center with needs like rental assistance, housing, and funds for things like medical bills and daily expenses. In so many cases, referrals are not enough. Therapy is not enough. Respite is not enough. Getting put on a waitlist is certainly not enough. We need your help to establish this fund so that we are able to say yes.Yes, we can help you with your medical bill.Yes, we can help you with gas money.Yes, we can help you make rent this month.We envision the #BlackTransPowerFund as a tool to use in situations like these and many others. We envision a future where other organizations can direct Black transgender and gender variant community members to us for direct cash aid. This fund will allow us to provide direct assistance to 18+ Black transgender and gender variant people locally. 100% of the fund will be directly distributed to folks in need via a simple application process.”DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun(intro by omar)NEUROTIC FICTION “Mediator” Pulp MusicMoon Revenge “Small” Phrases That RemainOutdoor Voices “Catalina Shredder” Catalina Shredder / LandformChronic Anxiety “Don’t Touch Me” Canopy ShynessDonors “Where Do You Live” DonorsFond Han “SQUIRRELY” WRONKEDSLOTHRUST “New Red Pants” The PactDead Tenants “Rubbed Out” LPIISharks’ Teeth “Lost in the Costco” Orlando’s BloomREPO FAM “Skip To My Lou” REPO FAMInland Island “Tip Toes” dreamtPolyester “Pink” PolyesterNew Junk City “Stay Asleep” Same PlacesDAYDREAM “Blissful Future” S/TMiya Folick “Freak Out” PremonitionsBlue Ranger “Saving a Beauty” Saving a BeautyRoyal Roads “The Wheel” Secret ThingsGirl Gaze “Suddenly” Fade OutRose Droll “Riddle” Your DogLand of Blood and Sunshine “Gigantic Heart” Lady and the TranceWume “It’s Okay” Towards the Shadow

This week, Sean sits down with Cassidy Turbin, a 5-time GRAMMY winning audio producer who has worked with artists such as Beck, Storefront Church, Miya Folick, Dwight Yoakam, and Tashaki Miyaki. Cassidy is also one of the audio producers who collaborated with Soundcore on both Liberty 2 Pro and Liberty 3 Pro. Cassidy talks about how he achieves #GoldenSound and the developments in both the music industry and technology world that help that goal. Listen and learn more about the challenges both engineers and artists have when it comes to picking music that you like versus whatever comes your way because you need to make a living.

This week VÉRITÉ sits down with incredible artist and songwriter Miya Folick. They dig into her songwriting process and her insight on how she has built her independent career.  Anatomy of an ArtistCreated by VÉRITÉ Produced by Vanessa MagosMusic & Editing by VÉRITÉ Podcast research by Ysenia Bonilla  Follow VÉRITÉ:Instagram - https://www.instagram.com/verite/Twitter - https://twitter.com/veriteFacebook - https://www.facebook.com/veritemusicSpotify - Apple Music - https://music.apple.com/us/artist/v%C3%A9rit%C3%A9/900063435Website - http://veriteofficial.com/Contact - anatomyofanartistpodcast@gmail.com

sent $$$ this week to Save the West Berkeley Shellmound.shellmound.org“Beneath the pavement in West Berkeley dwells a cultural and historical touchstone of singular significance: the first human settlement on the shore of San Francisco Bay, established 5,000 years ago. There, at the mouth of Strawberry Creek, the ancestors of today’s Ohlone people created a unique lifeway between land and sea. For countless generations, they practiced ceremonial traditions and constructed a great mound in which they buried their dead-the West Berkeley Shellmound.The last remaining undeveloped portion of this heritage site, held sacred by the contemporary Ohlone community, is now at risk of being obliterated by a proposed retail and housing development. The 1900 Fourth Street project would tower six stories high and excavate two acres of land for a basement parking garage. Ohlone family bands have joined together in steadfast opposition to the desecration of their sacred grounds and are leading a broadly-based community campaign to preserve the land.In March of 2018, developer Blake Griggs Properties announced a new plan to force the City of Berkeley to approve a redesigned, enlarged 1900 Fourth project by exploiting a brand new state law designed to address California’s housing shortages. Under this law, 1900 Fourth could be approved in as little as 180 days with no environmental review or public process-silencing the public, steamrolling the will and voices of Ohlone people, and destroying what remains of a sacred site where human burials are likely interred.Ohlone family bands and a broad coalition of Bay Area community members have vowed to not allow this grievous injustice to occur. We ask you to stand with us.”DOWNLOAD RECORDINGsubscribe to the podcast here: http://feeds.feedburner.com/5432fun(intro by omar)Lunch Lady “It’s Easy” DemoExcessive Visage “Buried in Gold” You Are Lost AnywayRAKTA “ATRATIVOS DA MENTIRA” OCULTO PELOS SERES - 7"Luge “Head Boy” Tall Is Just A FeelingPorches “Leave The House” The HouseThick Paint “Why the Sky Pisses” BifocalAnna McClellan “Veronica” BifocalR.Ariel “told” ohDingbat Superminx “The No Song” Beauty is as Beauty DoesNoseholes “Ex Driver” Danger DanceRadiator Hospital “The Songs You Like” Play The Songs You LikeCALYX “Dam Behind Bam” For To, OhFuture Teens “Learned Behavior” Hard FeelingsS. ayton “popcorn” pet namesMoonrace “M-Tentacles” Lunar DunesKissing party “Liars Club” Kissing Party/Break PlazaBobby’s Oar “Jealous” Not What I’m Looking ForMichael O. “Dying to C U” A Fruits & Flowers Three-WayPiano Movers “Combat Boots” A Fruits & Flowers Three-WayThe Reds, Pinks & Purples “Seems Like We’re Always Starting Over” A Fruits & Flowers Three-WayMiya Folick “Trouble Adjusting” Give it to MeSawtooth “Feels Like I’m Going To Die” Why We Are And Why We Are Not (Experiments)Hovvdy “Late” CranberryPolish “Eternal Flunk” DEMOTrauma Harness “Private Surplus” Walt’s CrawlersBenny Gringo “Choose to Confuse” Ben E. Gringo and his popcorn of FeerThe Oilies “Psychic Dog” Psychic DogPalm “Color Code” Rock Islanda stick and a stone “Willow” The Long Lost Art of Getting Lost

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Night Light by Cold Cave on Fate In Seven Lessons (Heartworm Press) 4′26″ Postcard by Small Black on Cheap Dreams (100% Electronica) 13′29″ Strange Astrology by Slothrust on Parallel Timeline (Dangerbird) 17′08″ Gloomy Girl by Softcult on Year Of The Rat EP (Easy Life) 20′16″ Posing In Bondage by Japanese Breakfast on Jubilee (Dead Oceans) 22′23″ Selective Service by Aidan Noell on Selective Service (Self Released) 31′05″ Cloud 9 (ft Tegan & Sara) by Beach Bunny on Cloud 9 (Mom + Pop) 33′15″ The Melting Of The Sun by St. Vincent on Daddy's Home (Loma Vista) 37′41″ Neon Cheap by Methyl Ethel on Neon Cheap (Future Classic) 42′01″ Misandrist To Most by Lady Dan on I Am The Prophet (Earth Libraries) 49′23″ One More Hour by Flock Of Dimes on Head Of Roses (Sub Pop) 52′52″ Don't Be Scared by Sorry on Twixtustwain EP (Domino) 55′30″ C'mon Be Cool by Fanclubwallet on Hurt Is Boring (AWAL) 58′41″ Hot & Heavy by Lucy Dacus on Home Video (Matador) 67′39″ Kyoto (Phoebe Bridgers Cover) by Small Black on Kyoto (100% Electronica) 70′44″ Torn (Ednaswap Cover) by Miya Folick on Torn (Terrible) 74′20″ Off You (The Breeders Cover) by Big Thief on Bills & Aches & Blues (4AD) 78′16″ Streets Of Philadelphia (Bruce Springsteen Cover) by Waxahatchee on Saint Cloud (Deluxe Edition) (Merge) 86′18″ Spanish Doors by Liz Phair on Soberish (Chrysalis) 90′08″ you stupid bitch by girlinred on if i could make it go quiet (AWAL) 93′33″ Nobody Knows We Are Fun by CHAI on WINK (Sub Pop) 96′32″ 4Runner by Rostam on Changephobia (Matsor Projects/Secretly Distribution) 105′45″ Sparkles & Debris by Lydia Ainsworth on Sparkles & Debris (Zombie Cat) 108′56″ Sinking Feeling by Wavves on Sinking Feeling (Fat Possum) 112′32″ Helpless by Caveman on Smash (Fortune Tellers) 117′23″ Muscle Beach by Matthew Dear on Preacher’s Sigh & Potion: Lost Album (Ghostly International) Check out the full archives on the website.

This week I chat with Beth Martinez about her company Danger Village and what its like to work in the music industry.Beth founded Danger Village PR in 2007 to promote emerging artists that she had faith in. After fourteen years of sustained success, she continues to thrive in publicizing artists and music that speaks to her, with the goal of cultivating the careers of exceptional artists that call Danger Village their homeBeth's relationships in the music business run deep and cross the boundaries of publicity, production, distribution, marketing and management. She has assembled career-stimulating campaigns leading to the rise of Bishop Briggs, MØ, Cautious Clay, Welshy Arms, Mating Ritual, Goldroom, Black Honey, Cloud Nothings, Hunny, Lewis Del Mar, MIya Folick, Yuno, Sure Sure, Magic Man, The Preatures, Aquilo, Holychild, Fidlar, Little May, High Highs, Nicky Da B, Say Lou Lou and many more.Find out more at https://www.dangervillage.comContact us at Concertsthatmadeus@gmail.comFollow us on:www.facebook.com/Theconcertsthatmadeuswww.instagram.com/concertsthatmadeuspodcasttwitter.com/ConcertsUs--- Send in a voice message: https://anchor.fm/ctmu/message Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

This week we review the song Haircut by artists Petey & Miya Folick. None of us are familiar with them or this song. A completely random selection from Mark's weekly discovery playlist that we all surprisingly enjoyed.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Sing Til I Cry by IAN SWEET on Show Me How You Disappear (Polyvinyl) 3′50″ Heatwave by Julien Baker on Little Oblivions (Matador) 12′02″ Cranium by Slothrust on Cranium (Dangerbird) 16′25″ Play Cool by Future Teens on Deliberately Alive EP (Take This To Heart) 19′35″ Temporary Goodbye by LA Exes on Temporary Goodbye (Black Rainbow) 22′12″ Haircut by Petey & Miya Folick on Haircut (Terrible) 24′39″ Boardwalk by Hit Like A Girl on Heart Racer (Refresh) 33′05″ Party's Over by Half Waif on Party's Over (ANTI-) 36′21″ Obsession by Shura on forevher (deluxe edition) (Secretly Canadian ) 40′07″ Annie by Becca Mancari on Juniata EP (Captured Tracks) 44′37″ Price Of Blue by Flock Of Dimes on Head Of Roses (Sub Pop) 57′16″ The Last Man On Earth by Wolf Alice on The Last Man On Earth (RCA) 61′22″ Maybe Chocolate Chips (ft Ric Wilson) by CHAI on WINK (Sub Pop) 64′23″ watercolor by nasimiYu on Potions (Figureight) 68′12″ Chokecherry by PONY on TV Baby (Take This To Hearr) 76′24″ Fire (Waxahatchee Cover) by The Vaccines on Cosy Karaoke (AWAL) 78′51″ Ocean Eyes (Billy Eilish Cover) by Shamir on Ocean Eyes (We Are: The Guard) 82′24″ Everything In It's Right Place (Radiohead Cover) by Julien Baker on Everything In It's Right Place (Matador) 86′04″ Needle In The Hay (Elliott Smith Cover) by slowthai on Needle In The Hay (Apple Music) 93′12″ Drugs In California by Transviolet on Drugs In California (Transviolet Partnership) 96′15″ Guard Down by Claud on Super Monster (Saddest Factory) 99′52″ Sober by Adult Mom on Driver (Epitaph) 102′44″ The Princess and the Clock by Kero Kero Bonito on Civilisation II (Polyvinyl) 106′55″ Just One Sec by The Antlers on Green To Gold (Epitaph) 114′42″ One More Time by Daft Punk on Discovery (Virgin) Check out the full archives on the website.

Douglas emerges from his prolonged hibernation. Miya Folick sings “Leave The Party” and “Give It To Me”. Nigel reads his poem, “Navajo Sunday”, and Mr. Ross reads Act 2, Scene 2 and 3 of his play, “The Keeper’s House”.

With this episode we bring you a mix of music curated by and for Tauruses! This special Sad Punks playlist features songs by Nida Fremin, Mac Miller, Lykke Li, Miya Folick, Sharon Van Etten, Ought, and The Hollies! As always, thank you to Rubee for the amazing artwork! If you have a business inquiry for Rubee, just send an email to rubee@sadpunks.com. You can also pick up one of her remakes of famous paintings, which are made-to-order and can be purchased at rubeetrue.com/buy/famous-painting. Subscribe to the podcast on iTunes! Follow us on Instagram! Like us on Facebook! Buy a Sad Punks shirt at sadpunks.bigcartel.com!

Kelly discusses a third murder. Josh takes a look at the two women at the center of this case, and how their lives were affected and intertwined by it. For more information: www.truecrimebullshit.com To support the show: www.patreon.com/truecrimebs. Written, researched, edited, and produced by Josh Hallmark. Music by William Hellfire, Whithe, Sergey Cheremisinov, Lee Rosevere, Radical Face, and Miya Folick. Sources: The Iron Mountain Daily News, Michigan Live, U.P. Matters, The Iron County Reporter, Dead North. This week's sponsors: BetterHelp.com/tcb | Promo code: tcb (10% off your first month). Wine & Crime | wineandcrimepodcast.com

Arról győzködünk egy órán keresztül, hogy hallgass meg egy fél órás lemezt, amire lehet táncolni és félni is tőle.

Sean, Mike and Paul get into the topic of loyalty—for people, for brands, for recovery programs and everything in between. (This episode also boasts references to Boxcar Willie and "Toy Story," so it can't be all bad.) Artists include Randy Newman, Miya Folick, R.E.M. and Local Natives.(Drop the Needle does not own or claim ownership of any music used in this podcast. All rights go to original owner.)

Angel Olsen discusses her latest album, ‘All Mirrors,’ how her rising fame has tested her closest relationships and the strength of learning to be on her own. Producer John Congleton breaks down the production of Angel Olsen’s song, “All Mirrors.” The hosts of the ‘Switched on Pop’ podcast break down the musical elements of some of the decade’s top pop hits as discussed in their new book, ‘Switched on Pop: How Popular Music Works, and Why it Matters.’ KEXP’s Owen Murphy and Troy Nelson talk about how some of the best songs came about accidentally in recording studios, and how Miya Folick takes Death Cab For Cutie’s song, “I’ll Follow You into the Dark” to another level in her cover version of the song. Support the show.

Welcome to Episode 23 of Put This On You Playlist!  We kick off this episode discussing our experience seeing Bishop Briggs, Miya Folick, and Jax Anderson at Canton Hall in Dallas in October.  Then, Taylor covers Catfish and the Bottlemen (26:10) as we prepare to see them live in concert! Connect with us on Instagram and Twitter at @PTOYPPodcast 

Welcome to Episode 22 of Put This of Your Playlist! This week, Sam covers Miya Folick (10:50) as we prepared to see her live with Bishop Briggs!  Connect with us on Instagram and Twitter at @PTOYPPodcast

Miya Folick, Lauren Early, and Marian Li-Pino join Ally for competitive queerness and Tomb Raider.

Miya Folick was raised a Buddhist in Santa Ana, Calif., and is of Ukrainian and Japanese descent. She sings of conviction, not fiction.

Miya Folick was raised a Buddhist in Santa Ana, Calif., and is of Ukrainian and Japanese descent. She sings of conviction, not fiction.

In this episode, Sean and Paul bring music about the hardest steps in the book: Steps 8 and 9. Making amends is fraught with anxiety and tension as it is, but putting that into motion can be even more complicated. They discuss how to practically approach someone to make amends, the act of forgiveness, and how to maintain sobriety without being forgiven, not to mention songs by Paramore, Miya Folick, Jukebox the Ghost, Dum Dum Girls and Tori Amos.Also, we've been nominated for Best Music Podcast for the 2019 Columbus Podcast Awards. If you don't mind showing us a little love, go to the nominations page and throw us a vote! It takes two seconds. Thank you! We're humbled and honored by the nom.(Drop the Needle does not own or claim ownership of any music used in this podcast. All rights go to original owner.)

Would you please help us improve the show by voting for your favourite track from this episode? TweetPinShare US citizen Russian/Japanese descendant Miya Folick surprises the hell out of us by actually being more English than us! Her track Thingamajig prompts debate about how quintessentially English it is. Furthermore, we try to decide between ourselves what her next single should be entitled. Join us to find out more. However, Miya Folick's magic is not all we have today. You'll learn that Tobin is secretly trying to paint a picture of Richard by following up his How To Socialise and Make Friends LP single track a couple of weeks back by introducing Drinker to the show. Ha! Tobin has been rumbled. Secondly, he follows that up with a classic punk track by The Freeze from only this year proving the genre is far from dead. In fact, Tobin introduces more skull cracking punk in a few weeks time so stay tuned. In addition to this already appalling racket, Richard spins up a Record Box Classic from deep within his own personal collection, the heavily E-tuned strings of Kim Thayil's guitar wizardry. Soundgarden pump out from the exquisite translucent yellow vinyl straight into your ears. Revel in it's glory. We then have a cautionary tale of colonialism, sexism, racism and brutality from the past with the musical juggernaut Black Myself. It's a track full of hope and resilience actually and isn't afraid to confront some pretty ugly issues. Oh, no pun intended, brother and sister duo The Oh Hellos bookend the show nicely for us. Let's crack on. Table of Contents[hide]Track ListingTwink: Think Pink IV - Return to Deep SpaceMiya Folick gives us her Thingamajig, closely followed by Whoopsadaisy. Possibly.What happened next to Miya Folick?Songs of Our Native Daughters - very different to Miya FolickGo listen to the whole LP here… Track Listing  Eat You Alive The Oh HellosCalifornia DrinkerWorld I Know The FreezeMind Riot Soundgarden (from the 1991 coloured vinyl)Thingamajig Miya FolickBlack Myself Our Native DaughtersBitter Water The Oh Hellos Twink: Think Pink IV - Return to Deep Space On July 5th 2019 Twink releases his seminal LP Return to Deep Space. We have been listening to this here at Record Box HQ for a few weeks already now and cannot wait to share it with our listeners. It's a dreamy, intergalactic, diverse journey of a listen and one which does in fact transport the listener through the cosmos. From the opening track through to the finale it's music to be consumed whilst sat in a cloud of smoke from a thousand joss sticks. Twink has moved right on along with technology but still has that magic spark that allows him to retain his original sound from all those years ago. Twink is the genuine article and a bona fide psychedelic rock god.

L.A.-based, singer-songwriter Miya Folick performs four diverse songs from her debut album Premonitions. Recorded at KEXP on 2/19/19 1. Premonitions 2. Cost Your Love 3. Deadbody 4. Thingamajig Support the show.

In our fourth season premiere, Sean & Paul introduce the topic of Steps and how each episode forward will be dedicated to one of the 12 steps of recovery. Artists in this episode include Andrew Bird, Ben Kweller, Vampire Weekend, Vienna Teng and Miya Folick. (Drop the Needle does not own or claim ownership of any music used in this podcast. All rights go to original owner.)

With another SXSW in the books, a truncated and reconstituted All Songs Considered gang — Bob Boilen, Stephen Thompson and Jessi Whitten of Colorado Public Radio — gathered late Saturday night (early Sunday morning, really) for one last joyous huddle to share notes on the day's highlights. Since Jessi wasn't on the night before, she had to share at least one major discovery from Friday: The Jazzrauch Bigband, who put on one of the best shows she'd seen in years. (On Saturday, she loved the singer who goes by the name Del Water Gap, as well as Dreamer Boy and Ings.) Bob had raves for Indigo Sparke, THERE and the ever-evolving Miya Folick, while Stephen recommended Jerusalem-based composer and looper ORI, skirts and the soul singer Celeste.

DJ Beowvlf conducts the first phone interview of the HD-2 studio! Miya Folick calls in and the pair discuss Folick's current tour, which includes a stop at King's, what it means to commit as an artist, and so much more.

Musikjournalistin Sonja Riegel und Musiker Sven van Thom sind aus ihrer kurzen Winterpause zurück und reden in der zehnten Folge ihres gemeinsamen Podcasts über Konzerte von Madrugada, Muff Potter, Jens Friebe und Billie Eilish. Außerdem geht es um neue Platten von Minor Majority, Miya Folick, Moritz Krämer und wiederum Jens Friebe. Auch das legendäre Quiz darf natürlich nicht fehlen und Sven berichtet von seinen "Phantomschmerz"-Konzerten in Berlin. Spotify-Playlist zur Folge: https://open.spotify.com/playlist/2AVRXSnBWZCHPcUaGYUCDn

Miya Folick and her band sing “Thingamajig” and “Premonitions”. Douglas talks of his distant past. Nigel Louis Stevenson recites “Toxicology Forum”: Patients 7 thru 9. Mr. Ross reads Act 1, Scene 3 of The Keeper’s House.

LITTLE KIDS LIKE IT, OLD PEOPLE LISTEN TO IT: For the weekend of November 3, the three commissioners tackle the much-anticipated Bohemian Rhapsody and, because it was about time someone saw it, Suspiria! The Girl in the Spider's Web, The Grinch, and The Nutcracker and the Four Realms get some quick takes, and JJ Abrams' Overlord gets taken down a few notches. Most importantly, though, the commissioners get ready for Thanksgiving by tucking into some of their favorite #FilmFeasts!Plus, a long and detailed chronology of who wrote which books and why in the Girl with the Dragon Tattoo series!Draft picks this week:Isn't It RomanticUnder the radar recommendations:Miya Folick's album PremonitionsHomecoming w/ Julia RobertsRed Dead Redemption 2 (heard of it?)RATE/REVIEW FOR MORE FANTASY FLIX LEAGUE!JOIN A LEAGUE OR START YOUR OWN NOW!https://www.fantasyflixleague.com/FOR BREAKING MOVIE NEWS AND DRAFT TIPS, SUBSCRIBE TO FANTASY FLIX LEAGUE ON SOCIAL MEDIA:https://www.twitter.com/fantasyflix/https://www.instagram.com/fantasyflixleague/https://www.facebook.com/fantasyflixleague/GET IN TOUCH WITH THE LEAGUE!Send your questions, comments, and inside info on YOUR draft to ryan@fantasyflixleague.com!THEME BY DANNY COHENPRODUCED BY ALEC SARCHE See acast.com/privacy for privacy and opt-out information.