1968 studio album by the Jimi Hendrix Experience
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2 episodes with Electric Ladyland
2 episodes with Electric Ladyland
Send us a textGuitarist Barrie Cadogan (Little Barrie, Primal Scream, The The) joins Al for this episode to dig into The Jimi Hendrix Experience's 1968 album Electric Ladyland. Barrie talks about getting introduced to the album by his father and getting much of his guitar education from listening to it (and Hendrix's other albums). He also goes in depth in discussing some of his favorite tracks from the album. Barrie also talks about working with Matt Johnson on The The's Ensoulment, and on the making of the second Little Barrie & Malcolm Catto album, Electric War.Barrie mentioned that he recorded an early version of his riff for The The's “Cognitive Dissident' on his Instagram account. Check it out here! https://www.instagram.com/tv/CaAXLbTAmRM/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==Speaking of Instagram, you can find Barrie and Little Barrie there at @littlebarrie. He and the band are also on Facebook at @littlebarrie. You can also find Little Barrie's music on YouTube at @littlebarrieofficial and on their website, littlebarrie.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. You can support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.IMPORTANT UPDATE! You, Me and An Album will soon have additional offerings on Patreon. More information will be coming soon. To sign up, go to patreon.com/youmealbum.1:34 Barrie joins the show1:57 Barrie describes the nature of his connection to Jimi Hendrix's music5:12 Barrie's love of Hendrix's music was handed down from his father7:48 Listening to Hendrix's albums were an important part of Barrie's guitar education9:03 Al contrasts his childhood experience of hearing Hendrix to Barrie's10:22 Barrie talks about seeking out older music in the pre-internet age11:50 Barrie recalls how Little Barrie wound up supporting one of his teen-years musical heroes12:54 Barrie talks about the differences and similarities between Electric Ladyland and the band's previous albums18:05 Barrie and Al discuss the impact Chas Chandler's departure as producer had on Electric Ladyland21:45 Barrie singles out some of his favorite tracks from the album28:36 Barrie talks about the challenges inherent in learning from playing along with Hendrix29:29 Barrie discusses the many musicians that Hendrix collaborated with34:28 Barrie talks about the jazzy feel that Mitch Mitchell brought to the songs37:25 Barrie explains why Electric Ladyland is his favorite Hendrix album41:06 Barrie makes note of Electric Ladyland's staying power and younger listeners discovering ‘60s rock44:59 Barrie theorizes why Electric Ladyland was recorded in both London and New York46:22 Barrie talks about how Little Barrie's collaborations with Malcolm Catto came about50:39 Barrie notes how Electric War sounds different from previous Little Barrie albums53:52 Barrie talks about Electric War coming in the midst of a busy schedule55:05 Barrie explains how one of his riffs became the basis for The The's “Cognitive Dissident”58:45 Barrie recounts his first meeting with Matt Johnson1:03:51 Barrie talks about his upcoming tour plans with Little Barrie, The The and the Black KeysOutro music is from “My Now” by Little Barrie & Malcolm Catto.Support the show
Jimi Hendrix is widely regarded as the best guitarist of all time, not least by our very own Chula. With unparalleled technical mastery, showmanship and innovation, Hendrix seemed to be one with his instrument. Over the course of his upsettingly brief career, he redefined the musical landscape of his time, and cemented himself as a cultural legend of the late 60's and early 70's.Yet behind the myth was a shy young man, whose early years were difficult, unsettled, and marked with emotional and physical neglect. He found music as an escape from his chaotic upbringing; but struggled with the immense fame and fortune that came along with it. In the final episode of the season, Chula goes beyond the myth of Jimi Hendrix and explores the public triumphs and private pains of his ultimate guitar hero. Drawing on his work as a psychotherapist, he discusses how Hendrix's unstable childhood, particularly as a child of alcoholic (ACA), might have contributed to his ability to experience and cope with fame and success in adulthood.This week's ‘ One For The Road' is ‘Electric Ladyland' - the third and final studio album by the Jimi Hendrix Experience - which Chula believes “everyone should listen to once before they die”. Treat yourself to a physical copy or stream it on your favourite platform.Content Warnings: childhood neglect, poverty, alcohol addiction, early loss of a parent, drug use, overdoseIf you or someone you know has been affected by the themes in this episode, there are some useful organisations on Attune's website that can be of help: www.we-are-attune.com/podcast Attune, as a dedicated provider of mental health and well-being services, is committed to delivering holistic support and resources. With its team of skilled professionals, Attune excels in recognising and responding to the intricate needs of people and teams in talent-based industries.You can learn more about Attune through our website: https://www.we-are-attune.com/Follow Attune on Instagram: https://www.instagram.com/we_are_attune/#Youtube: https://www.youtube.com/@weareattune and LinkedIn: https://www.linkedin.com/company/we-are-attune/ Empathy For The Devil is produced by Message HeardListen to more Message Heard shows through our website: https://messageheard.com/Follow Message Heard on LinkedIn: https://www.linkedin.com/company/messageheard/mycompany/ and Twitter: https://x.com/messageheard?lang=en-GB This is a Message Heard ProductionProducer and Editor - Emma WernerSenior Producer - Harry StottExecutive Producer - Sandra FerrariVideographer - Ethan JuddAudio Engineer - Lizzie AndrewsProduction Coordinator - Kirsty McLeanFilmed at ID Studios___Empathy For The Devil Season 2 is brought to you in partnership with London Records.
Madison Morris is a singer-songwriter who focuses on bringing his storytelling nature to light over top of an Americana sound - playing more than 200 live performances throughout the year as a full-time musician. He co-wrote "We're All Still Here" with his wife in the aftermath of Hurricane Ian after they were displaced from their home and lost so much. It was included on the official ballot for Grammy consideration in 2023. The newest single, “Hard Rain”, came out in July of 2024 and was also recognized with a Grammy consideration in 2024. Madison also officially launched his band, called Madison Morris & the Stringfellows. SONG 1: “Seminole Wind” by John Anderson from his 1992 album of the same name. 3:57 - https://youtu.be/UmWexj90OU4?si=nZluDeCKRcfIF5kd SONG 2: “24 Frames” by Jason Isbell by his, IMHO, singular album Something More Than Free released in 2015. 3:13 - https://youtu.be/-JLlPssDF5A?si=QBL6gqDhXNCF2rTP SONG 3: Jimi Hendrix's “Voodoo Child (Slight Return)” from his 1968 album, Electric Ladyland. 5:13 - https://youtu.be/L7UMubmfbH0?si=9KXMJZuioFzfLpgt See omnystudio.com/listener for privacy information.
James Marshall Hendrix (nacido como Johnny Allen Hendrix; Seattle, Washington, 27 de noviembre de 1942-Notting Hill, Londres, 18 de septiembre de 1970), más conocido como Jimi Hendrix, fue un guitarrista, cantante y compositor estadounidense. A pesar de que su carrera profesional solo duró cuatro años, es considerado uno de los músicos y guitarristas más influyentes de la historia del rock. El Salón de la Fama del Rock and Roll lo describe como «Indiscutiblemente uno de los músicos más grandes de la historia del rock».[1]? Nacido en Seattle, Washington, en una diversa familia afroestadounidense que contaba además con raíces cheroquis, comenzó a tocar la guitarra a los 15 años. En 1961, se enroló en el ejército de los Estados Unidos como paracaidista en la 101.ª División Aerotransportada y se licenció al año siguiente. Poco después, se mudó a Clarksville, Tennessee, y comenzó a tocar en algunos conciertos conocidos como Chitlin' Circuit, donde consiguió un hueco tocando como músico de apoyo de The Isley Brothers y después para Little Richard, con quien continuó hasta mediados de 1965. Más adelante pasó a tocar con Curtis Knight and The Squires antes de mudarse a Inglaterra a finales de 1966 gracias a Linda Keith, quien además llamó la atención del bajista de The Animals Chas Chandler para convertirse en su mánager. En cuestión de meses, Hendrix ya había obtenido tres sencillos Top 10 en el Reino Unido con su banda The Jimi Hendrix Experience: «Hey Joe», «Purple Haze» y «The Wind Cries Mary». Saltó a la fama en Estados Unidos después de su actuación en el Monterey Pop Festival de 1967. Al año siguiente, en 1968, su tercer disco de estudio Electric Ladyland, llegó al primer puesto de la lista estadounidense de éxitos; fue su éxito comercial más grande y único número uno en dicho país. En su momento, fue el artista mejor pagado por su concierto en el Festival de Woodstock (1969) y el Festival de la Isla de Wight (1970), antes de su muerte por ingesta de barbitúricos el 18 de septiembre de 1970 a los 27 años de edad.
John McDermott is a writer, producer and, for nearly three decades, the Catalog Director for the Jimi Hendrix family company Experience Hendrix, L.L.C.. Together with Jimi Hendrix's sister, Janie Hendrix and legendary engineer Eddie Kramer, McDermott has co-produced every Jimi Hendrix CD and DVD release, including 1999's Grammy Award-winning Band Of Gypsys, 2014's Emmy Award-winning Hear My Train A Comin' and the recent Grammy nominated Music, Money, Madness: Jimi Hendrix In Maui. John & Maggie discuss his latest project is Electric Lady Studios: A Jimi Hendrix Vision the new feature-length documentary film chronicling the creation of Electric Lady Studios (directed by John) Rising from the rubble of a bankrupt, Greenwich Village nightclub to the state of the art recording facility inspired by Jimi Hendrix's vision and becoming the first ever, artist owned commercial recording studio. Contained on the five vinyl LPs or three CDs in the Electric Lady Studios: A Jimi Hendrix Vision box set are 39 tracks recorded by Jimi and his band—consisting of bassist Billy Cox and drummer Mitch Mitchell—at the studio within the last four months of the guitarist's life. Hendrix was hard at work creating First Rays Of The New Rising Sun, the ambitious double album that would follow his 1968 masterwork Electric Ladyland. Inspired by the possibilities of the new studio, the Experience built classic fare such as “Night Bird Flying,” “Freedom,” and “Dolly Dagger” from the ground up. The set offers a comprehensive look at the work Hendrix undertook during that fruitful summer of 1970Source: https://ajimihendrixvision.com/Source: https://www.sonymusic.com/legacy/documentary-box-set-electric-lady-studios-a-jimi-hendrix-vision/Source: https://www.jimihendrix.com/music/electric-lady-studios-a-jimi-hendrix-vision/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique
Start Artist Song Time Album Year Fleesh Tears 3:37 The Next Hemisphere (Rush Tribute) 2017 0:04:17 Blind Guardian To France 4:36 The Forgotten Tales 1996 0:09:26 The Black Sweden Enter Sandman / Take A Chance On Me 3:48 Gold 2000 0:13:47 Jimi Hendrix All Along The Watchtower 3:54 Electric Ladyland 1997 0:18:27 Sky Architect Silent […]
Ausgangspunkt für Electric Ladyland ist die Musik Jacques Offenbachs und im Besonderen der zweite Akt aus Hoffmanns Erzählungen. | Von Michaela Melián | Mit Mit Christos Davidopoulos, Juno Meinecke, Damian Rebgetz, Steven Scharf | Chor: Miriam von Aufschnaiter, Anton Winstel, Antonia Wirth, Moritz Zehner | Gesang: Maximiliane Reichart | Violine: Ruth May | Komposition und Realisation: Michaela Melián | BR 2016
Episode 105 is here, our 2nd Anniversary gala continues! We finish the Jimi Hendrix Experience album Electric Ladyland. How will it fare on side two? Will Frank, Sav and Mark think Is it as great as everyone says? Stay Tuned!
Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6). Took a night off for my wedding on Sunday 4th. Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple. Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO: Hell in a Bucket Track #2 0:00 – 1:34 David Dodd: The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987. The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance. Played: 217 timesFirst: May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA SHOW No. 1: Dire Wolf Track #5 2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played: 229 timesFirst: June 7, 1969 at Fillmore West, San Francisco, CA, USALast: June 7, 1969 at Fillmore West, San Francisco, CA, USA MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2. SHOW No. 2: Althea Track #7 3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played: 273 timesFirst: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago SHOW No. 3: Scarlet Begonias Track #10 0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F. Interestingly, they played the combo to close the first set. Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal. Nothing like the reaction when you hear the first few notes. “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played: 317 (Fire played 254 times)First: March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4: All Along The Watchtower Track #17 1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987. Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded. So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played: 118First: June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast: June 22, 1995 at Knickerbocker Arena, Albany, NY, USA OUTRO: Black Muddy River Track #20 4:15 – 6:34 Garcia/HunterFrom: In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while. Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River. Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles. Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired. So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song. A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night. Some were there, some weren't. That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played: 66 timesFirst: December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs: Wed – my anniversary, and H and Robbin Thurs. – JW's anniversary with the lovely Allie Bella – birthday on Monday Jackie G. in St. Louis on Sunday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Episode 104 is here, It's our 2nd Anniversary! And that means, the Jimi Hendrix Experience. The album is Electric Ladyland from 1968. This is going to be a good one! Stay Tuned!
"Deadhead Adventures: From Minneapolis to Alpine Valley"Larry Mishkin delves into a nostalgic recount of a Grateful Dead concert he attended on June 17, 1988, in Minneapolis, part of their Midwest Summer Tour. He reminisces about attending the show with friends Mikey and JT, detailing their travel adventures and the concert's setlist, which included memorable performances of "Hell in a Bucket" and "Far From Me."Larry also shares personal anecdotes about his experiences following the Grateful Dead, including the challenges of balancing concert trips with his professional life and the thrill of attending multiple shows in a short span. He transitions into discussing the significance of the song "Hell in a Bucket," its debut, and its frequent performance as a show opener. He explains the concept of "Mondegreens," humorous misheard lyrics, using an example from a Grateful Dead song review.The show revisits a story about a Phish fan who was initially banned from all Madison Square Garden Entertainment venues for smoking a bong at the Sphere. MSG later rescinded the ban, citing an internal error. Larry expresses surprise and amusement at the quick reversal and discusses the implications for fans.Finally, Larry discusses the resale of Dead & Company tickets for their Las Vegas Sphere shows, noting that many are being sold at face value or below on cashertrade.org. He expresses mixed feelings about fans having to sell tickets at a loss but appreciates the platform's role in preventing scalping. Grateful DeadJune 17, 2024 (36 years ago)Met CenterMinneapolis, MNGrateful Dead Live at Metropolitan Sports Center on 1988-06-17 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape First show of the 1988 Midwest Summer TourWith my good buddies Mikey and JT – weekend in Minny, Friday night show but had to stay until Sunday to fly home because if you stayed over a Saturday night, round trip airfare was much less expensive. Got home on Sunday and headed straight for Alpine Valley for the first of four shows S, M, W, Th. Each night headed home, slept for 4 hours, got up for work, left work at 3 p.m., ride the El to the middle of the Kennedy Expressway at Addison, hop in a car and drive straight up. Fight the crazy post show traffic in that horridlbe parking lot (unless you have one-armed Lary as your driver). Hardcore. My law firm didn't know what to make of it. I got in four shows at home with no vacation days taken! INTRO: Hell In A Bucket Track #2 0:00 – 1:34 [From David Dowd]: The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. “Bucket” debuted on May 13, 1983, at the Greek Theater in Berkeley. Alice Kahn wrote a review of the show, in which she promulgated one of the best-ever Mondegreens, referring to the song as “Police on a Joy Ride.” The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance. It was performed by the Dead for the final time on June 30, 1995, at Three Rivers Stadium in Pittsburgh, Pennsylvania.“Hell in a Bucket” appeared on In the Dark, released in July 1987 (aka Touch of Grey album).Played: 217 timesFirst: May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast: June 30, 1995, at Three Rivers Stadium in Pittsburgh, PennsylvaniaSHOW No. 1: Far From Me Track #6 3:18 – 4:45Brent MydlandGo To Heaven (April 28, 1980)Strong Brent tune. I saw them open the second set with it a my second show ever (also with my buddy Mikey) in the Carrier Dome on September 24, 1982, the night I got on the bus forever.Played: 74 timesFirst: March 30, 1980 at Capitol Theatre, Passaic, NJ, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (the night before Brent's last show). It died with him.MUSIC NEWS:MSG ENERTRAINMENT REDACTS INDEFINITE VENUE RESTRICTION FOLLOWING PHISH FAN BONG/SPHERE CONTROVERSY 2. Dead & Company Sphere Tickets Listed for Face Value or Below on CashorTrade! Dead & Company announced 24 dates at the Las Vegas Sphere, and many fans eagerly bought tickets. Now, some can't attend and are selling their tickets at face value or less on CashorTrade.org. Built by fellow Deadheads in 2009 to protect fans from scalped tickets, 3. Roger Daltrey Shares Thoughts on Sharing Setlists Online and More, Ahead of The Voice of The Who Tour - Touching on his feeling toward revealing the contents of a performance online, Daltrey asserted, “I'm not gonna talk about songs.” Providing reasoning, he added, “Too many people reveal songs. There's no surprises left with concerts these days, 'cause everybody wants to see the setlist. I'm f–king sick of it. The Internet's ruined the live shows for me. Who wants to know what's coming next? People forget about surprises. I can't stand it. Here's an idea for Roger – don't play the exact same show every night! Mix up your songs and then set lists can only give you probabilities of what might get played. See the Grateful Dead, Phish and every other jam band ever. 4. As promised last week, here are the deets on Trey playing with Billy Joel in MSG last week: Madison Square Garden residencies have long been a career-defining staple of the New York City live entertainment location, with names like Billy Joel and Phish dominating multi-night show cycles, making the venue a known place to catch a memorable Big Apple performance. However, last night's performance was a truly unique event, a planned convergence for the two title-holders, Joel and Phish's Trey Anastasio. They teamed up on select songs, including “Sleeping With the Television On,” a cover of Derek and the Dominos' “Layla” and night closing “You Might Be Right,” featuring a Led Zeppelin “Rock and Roll” insert, sung by Mike DelGuidice. SHOW No. 2: Victim Or The Crime (First time played) Track #9 0:00 – 2:13 (long clip but it's the first time played so I had to run with it) Written by Bob Weir and Gerrit Graham Garcia – “It's one of Weir's stunningly odd compositions, but it's also very adventurous. It's uncompromising; it's what it is, and the challenge of coming up with stuff to play that sounds intelligent in the context has been incredible, but also appropriately gnarly. I really wanted that part of it to work.I think we did a nice job on the record with it. It works. Whatever it is, it works. I'm real happy with it because it was one of those things that was like, "What are we going to do with this?" It's like having a monster brother that you lock in the attic. It's like a relative that you -- "God, I hope nobody comes over when he's eating...." But that's one of the things that makes the Grateful Dead fun.” “The text of it -- I don't believe I've ever actually listened to all the words to it. Ever. I have the gist of it; by now I probably could recite it if I really had to, but the text of it is more of the same in a way, it doesn't have a whole lot of light in it. It's very dense, and it's angst-ridden to boot.” Played 96 times, “Victim” debuted on June 17, 1988, at the Metropolitan Sports Center in Bloomington, Minnesota THIS SHOW. It remained in the rotation thereafter, and was played for the final time on July 2, 1995 at Deer Creek Music Center in Noblesville, Indiana. SHOW No. 3: All Along The Watchtower Track #19 1:22 – 3:22 (another long one but could not break up the jam) "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. The singer has performed the song live more than any of his other ones, with over 2,250 recitals. I always loved the Dead's cover of this tune. As you heard in the clip, it is a rocking tune and Jerry would really jam hard on it. Great snappy second set tune that would always get the crowd moving in the next gear. Played: 118 timesFirst: June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast: June 22, 1995 at Knickerbocker Arena, Albany, NY, USA MJ NEWS 1. Biden Admin Is ‘Mischaracterizing' Marijuana Rescheduling Impact As Big Pharma Is ‘Waiting In The Wings,' Former Massachusetts Regulator Says (Marijuana Moment) 2. GOP Congressman Says ‘Millions Of Marijuana Users' Own Guns And Shouldn't Face Prosecution Like Hunter Biden Did 3. Marijuana Rolling Paper Company Will Pay $4.20 To Volunteers To ‘Smoke Joints For Science' SHOW No. 4: Black Peter Track #20 1:36 – 3:11 Garcia/Hunter tune released on Workingman's Dead in 1970. Robert Hunter was not afraid of death; he experienced it a thousand times over. The American musician composed the lyrics to many of The Grateful Dead's most successful songs and played an essential role in curating the band's mythos, one that saw the psychedelic rock outfit earn hordes of dedicated fans, or ‘deadheads'. One such song was ‘Black Peter' – written for the band's 1970 album Workingman's Dead. By 1969, The Dead were practically synonymous with the liberal drug culture of the hippie era. In the June of that year, Robert Hunter and the gang were given a glass of apple juice laced with “probably a full gram of crystal LSD … worth perhaps $50,000.” The intense trip that followed would completely reinvigorate Hunter's understanding of death and influence his subsequent lyrics for ‘Black Peter'. Bassist Phil Lesh would later recall tasting the LSD in the juice after a single sip: “I wish you could be where I am right now—it's so beautiful,” he told drummer Mickey Hart, “but I couldn't possibly play music now. I don't even know what music is.” Still, there was a job to do, so the band played anyway. In the ‘80's and ‘90's, one of Jerry's rotating post-drums second set ballads along with Morning Dew, Wharf Rat and Stella Blue. This version was one of the highlights of this show. Jerry's voice is strong if not a bit “ragged” around the edges just the way Deadheads liked it, with just enough emotion to really convey the song's meaning and its statement about the end of life. Played: 351 timesFirst: December 4, 1969 at Fillmore West, San Francisco, CA, USALast: June 22, 1995 at Knickerbocker Arena in Albany, NY OUTRO: Black Muddy River Track #23 4:09 – 5:55 Played: 66 timesFirst: December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 9, 1995 at Soldier Field, Chicago, Il – looked like it was going to the last song of the show (encore) and the last song of the difficult summer tour. Turns out, it could have been the last song ever played in concert by the Dead, until Phil stepped in to leave everyone with a smile on their face and no bad taste in their mouths with a great second encore Box of Rain which then became the last song ever played by the Dead in concert. By contrast, this version is outstanding with strong playing and singing by Jerry. And, with the show practically on the banks of the Mississippi, it was a geographically appropriate song for the venue. Mikey, JT and I rolled off into the night, a crazy weekend in Minny, and then the next four shows on the tour at Alpine. Ah, to have the kind of energy again, even if just for a night. Thank you psychedelics!! Enjoy the Summer Solstice and the beginning of summer. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
https://www.virginradio.it/audio/long-playing-stories/1368535/long-playing-stories-jimi-hendrix-electric-ladyland.htmlhttps://www.virginradio.it/audio/long-playing-stories/1368535/long-playing-stories-jimi-hendrix-electric-ladyland.htmlFri, 10 May 2024 14:06:46 +0200Virgin RadioVirgin Radiono0
It's hard to put into words what it means to meet your heroes. To be able hit record 5 minutes later and get to share that conversation with you is one of the prouder moments of my career. With stories about how he started out, practicing in a shed in Steve Smith's backyard, to walking into Electric Ladyland in New York City for a record date where the horn section was Michael and Randy Brecker and Barry Rogers, we cover a lot of ground in this conversation. John Tesh, Tracy Chapman, Chick Corea, Lee Ritenour, Vince Neal, Billy Cobham, Mike Stern, Vinnie Colaiuta, Frank Gambale, about a thousand other legendary recording artists grace the pages of Tim's career highlights. I hope this is the first of many times I get to pick Tim's brain and share it with you. The man is a treasure chest of knowledge and experience with some of the best music and bass related stories you could hope to hear. Enjoy!Janek Get full access to Janek's Newsletter at janekgwizdala.substack.com/subscribe
Esta semana, en Islas de Robinson, territorio clásico, entre 1968 y 1969. Suenan: BLOOD SWEAT & TEARS - "I CAN'T QUIT HER" ("CHILD IS FATHER TO THE MAN", 1968) / THE IMPRESSIONS - "YOU WANT SOMEBODY ELSE" ("THIS IS MY COUNTRY", 1968) / JIMI HENDRIX EXPERIENCE - "HAVE YOU EVER BEEN (TO ELECTRIC LADYLAND)" ("ELECTRIC LADYLAND",1968) / THE ELECTRIC FLAG - "GROOVIN' IS EASY" ("A LONG TIME COMIN'", 1968) / CANNED HEAT - "TIME WAS" ("HALLELUJAH", 1969 ) / SLY & THE FAMILY STONE - "COLOR ME TRUE" ("DANCE TO THE MUSIC", 1968) / TRAFFIC - "WHO KNOWS WHAT TOMORROW MAY BRING" ("TRAFFIC", 1968) / SPIRIT - "UNCLE JACK" ("SPIRIT", 1968) / NAZZ - "NOT WRONG LONG" ("NAZZ NAZZ", 1969) / LOVE - "I'M WITH YOU" ("FOUR SAIL", 1969) / THE GUESS WHO - "6 A.M. OR NEARER" ("CANNED WHEAT", 1969) / THE CITY - "WHY ARE YOU LEAVING" ("NOW THAT EVERYTHING'S BEEN SAID", 1968) / BUFFALO SPRINGFIELD - "FOUR DAYS GONE" ("LAST TIME AROUND", 1968) / MOBY GRAPE - "HE" ("WOW", 1968) / JEFFERSON AIRPLANE - "GREASY HEART" ("CROWN OF CREATION", 1968) / Escuchar audio
Im zweiten Teil unseres Meilensteine-Weihnachtsspecials geht es um die Musik von Ryan Adams, Mike Viola und der deutschen Band "The Jeremy Days. Mit dabei ist auch Dirk Darmstädter von "The Jeremy Days". Mike Viola ist Sänger, Produzent, Musiker und Songwriter und auch wenn er selbst nicht zu den ganz großen Stars gehört, so hat er doch schon mit einigen zusammengearbeitet. Mit dabei waren zum Beispiel Ryan Adams, auf den wir später noch zu sprechen kommen und auch die Band "Panic! At The Disco" rund um Sänger Brendon Urie. Diese wurde Mitte der 2000er Jahre immer bekannter und konnte sogar Preise wie den MTV Video Music Award und Grammys gewinnen. Vor allem ihre Songs "I Write Sins Not Tragedies" und "High Hopes" waren international sehr erfolgreich. "Panic! at the Disco"-Sänger Brendon Urie wirkte im Umkehrschluss auch bei Mike Violas neuem Album "Paul McCarthy" mit. Allerdings nicht als Sänger, sondern am Schlagzeug – eine Hand wäscht eben die andere. Besonders spannend ist bei der Musik von Mike Viola, dass er immer wieder auch mit popkulturellen Referenzen spielt, was zum einen seine persönliche Meinung dazu übermittelt und zum anderen bei Pop-Afficionados das ein oder andere Schmunzeln hervorruft. Für Sänger und Songwriter Dirk Darmstädter ist es definitiv das beste Popmusik-Album, das er in diesem Jahr gehört hat, erzählt er im SWR1 Meilensteine Podcast. "Jeder der wirklich mal eintauchen möchte in die magische Welt, was Popmusik eigentlich sein könnte, der möge sich diese Platte anhören", empfiehlt Dirk Darmstädter von der Hamburger Band "The Jeremy Days". Taylor Swift ist großer Fan von Ryan Adams Der Titel von seinem Album "1989" kommt einem als Popmusik-Fan durchaus zurecht bekannt vor. Es ist nämlich ein Coveralbum von Taylor Swift's gleichnamigem Album. Textlich ist es quasi identisch, musikalisch dabei aber vollkommen anders. Die Musik des Singer/Songwriters ist keine episch ausproduzierte Popmusik, sondern sehr zarter und zurückgenommener (fast) Akustik-Pop. Spannend ist dabei zu entdecken, wie viel mehr an Möglichkeiten in der Musik von Popstar Taylor Swift steckt. "Er hat wirklich etwas Neues daraus gemacht", sagt SWR1 Musikredakteurin Katharina Heinius. Neu ist für Sie, bei Songs wie "Shake It Off" zum Beispiel, dass Ryan Adams dabei die ganzen elektronischen Elemente durch organische Instrumente ersetzt, dadurch den Sound komplett verändert und die Songs mehr atmen lässt. Sängerin Taylor Swift ist übrigens überhaupt nicht böse gewesen, dass sich Ryan Adams an ihren Songs bedient hat. Ganz im Gegenteil, sie fühlte sich dadurch sogar richtig geehrt. The Jeremy Days – Circushead "Circushead" ist das zweite Album der Band "The Jeremy Days". Und die zweite Platte ist – wir haben es schon öfter erwähnt – das schwierigste Album für einen Künstler oder eine Band, denn daran entscheidet sich oft: war die Band nur ein Zufallserfolg, oder kann man sich doch vielleicht als seriöser Künstler etablieren? Was Dirk Darmstädter und seiner Band in den 80ern wichtig war: sie wollten vor allem nicht nach Neuer Deutscher Welle klingen und das in Deutschland war dieser Sound und diese Musik gerade das Nonplusultra. Also machte die Band das, was für sie am sinnvollsten erschien: sie zogen um! Von Hamburg nach London. "Damit (NDW) wollten wir überhaupt nix zu tun haben. Wir fühlten uns in Hamburg nicht als Teil irgendeiner Szene und wir fühlten uns auch nicht verstanden. Und alle unsere musikalischen Helden [...] waren alle in dieser magischen Stadt: London", erzählt Dirk Darmstädter im Podcast. In London waren die Künstler, die die Band selbst feierte und es war die Stadt, in der sie ihre musikalischen Soundwünsche am ehesten verwirklichen lassen konnten. Daher hat die Musik der "Jeremy Days" auch diesen sehr internationalen britischen Sound. __________ Über diese Songs wird im Podcast gesprochen: (01:19) – "Brand New Toy" von The Jeremy Days(01:40) – "Are You Inventive" von The Jeremy Days(03:48) – "That Thing You Do" von Mike Viola(06:04) – "Paul McCarthy" von Mike Viola(11:47) – "Love Letters From a Childhood Sweetheart" von Mike Viola(14:25) – "I Think I Thought Forever Proof" von Mike Viola(20:48) – "Shake It Off" von Taylor Swift(21:10) – "Shake It Off" von Ryan Adams(24:09) – "Blank Space" von Taylor Swift(25:00) – "Blank Space" von Ryan Adams(26:13) – "Welcome To New York" von Taylor Swift(27:16) – "Welcome To New York" von Ryan Adams(33:20) – "Time Is On My Side" von den Rolling Stones(35:11) – "Give It a Name" von The Jeremy Days(40:02) – "Julie Thru The Blinds" von The Jeremy Days(43:27) – "Sylvia Suddenly" von The Jeremy Days(50:59) – "Roam To Revolution" von The Jeremy Days(59:39) – "History (of the World Part II)" von The Jeremy Days(01:02:48) – "Clouds of Maine" von The Jeremy Days(01:06:54) – "Beauty in Broken" von The Jeremy Days __________ Shownotes: Homepage der Jeremy Days: https://thejeremydays.com/ Die Jeremy Days im Rockpalast: https://www.ardmediathek.de/video/rockpalast/the-jeremy-days-crossroads-festival-2022/wdr/Y3JpZDovL3dkci5kZS9CZWl0cmFnLWY3YTU0NmJjLTNiOGEtNDEwNi1hMDYxLWNlYjhjOTU4YzdmZA Rockpalast-Artikel über die Jeremy Days: https://www1.wdr.de/fernsehen/rockpalast/bands/ueber-the-jeremy-days-100.html Dirk Darmstädters Radioshow bei Bremen 2: “Sounds like Dirk”: https://www.bremenzwei.de/sendungen/sounds-like-dirk-100.html^ Portrait der Jeremy Days bei laut.de: https://www.laut.de/The-Jeremy-Days Mike Violas Homepage mit Videos: https://www.mikeviola.com/ Youtube-Kanal von Ryan Adams: https://www.youtube.com/channel/UCiYhdA1f18cZiBbcxvSfWkg Artikel der “Süddeutschen Zeitung” zu Ryan Adams Version von “1989”: https://www.sueddeutsche.de/kultur/cover-versionen-im-pop-kann-das-gutgehen-1.2662883 Interview des Guardian mit Ryan Adams über seine Version von “1989”: https://www.theguardian.com/music/2015/oct/25/ryan-adams-1989-album-taylor-swift-like-shakespeare-interview “Paul McCarthy” Vorstellung des Mike Viola Albums beim „Tracks Magazin“: https://tracks-magazin.ch/mike-viola-paul-mccarthy/ SWR1-Meilensteine Folge zu “Electric Ladyland” von Jimi Hendrix: https://www.ardaudiothek.de/episode/swr1-meilensteine/jimi-hendrix-electric-ladyland/swr1/85537468/ Podcast-Tipp: "Starthilfe" vom Saarländischen Rundfunk: https://www.ardaudiothek.de/sendung/starthilfe-der-musik-podcast-mit-den-stars-von-morgen/94673504/ __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de
Im Erscheinungsjahr 1968 war das Album ein echter Flop — mittlerweile ist es das meistverkaufte Kinks-Album überhaupt. Bekannt wurden sie durch Single-Hits wie "You Really Got Me" oder "Sunny Afternoon". Auf ihrem Album "The Kinks Are the Village Green Preservation Society" sind zwar keine großen Hits, dafür umso mehr spannende Kompositionen. Die Kinks gehen deutlich weg von ihrem Image als Single-Hit Komponisten hin zu dramaturgisch denkenden Songstrukturen. Im Erscheinungsjahr selbst war das Album ein echter Flop — mittlerweile ist es das meistverkaufte Kinks-Album überhaupt. Ray Davies hat das in seinem britischen Humor schön auf den Punkt gebracht: "The Kinks Are the Village Green Preservation Society" is the most successful flop of all time." Zeitreise zurück in die wilden 60er Uns erwartet eine kleine Zeitreise zurück in die wilden Sixties. Für die Welt war 1968 ein Jahr des Umbruchs und des Aufbruchs durch die Revolution. Der 68er Soundtrack kommt beispielsweise von Jimi Hendrix "Electric Ladyland", dem weißen Album der Beatles, "Beggars Banquet" von den Rolling Stones oder "In-A-Gadda-Da-Vida" von Iron Butterfly. Bei den Kinks geht es — ganz anders als zu der Zeit üblich — um das einfache Leben auf dem Land im Norden von London und die britische Kultur. Es geht zurück aufs Dorf in "The Kinks Are the Village Green Preservation Society". Die Kinks selbst nehmen dabei die Rolle des Vereins zur Erhaltung des Dorfplatzes ein. Von dem Album selbst gibt es mehrere Ausgaben, wir beziehen uns auf die britische Variante mit 15 Songtiteln. Ursprünglich gab es noch weitere Songs für das Album, da es zunächst als Doppelalbum geplant war. Einige davon finden sich auf dem 1973 erschienenen Folgealbum "The Great Lost Kinks". Auftrittsverbot in den USA Die Kinks haben versucht, in den USA Fuß zu fassen, bis sie einen offiziellen Auftrittsberbot von der Musikergewerkschaft in den USA erhielten. Es soll Schlägereien auf der Bühne gegeben haben und sie sollen sich insgesamt danebenbenommen haben. Die Kinks waren jung und wild. Durch das erlangte Konzertverbot von 1965 bis 1969 entging ihnen die Chance, die Bands wie beispielsweise The Who bekommen haben, auf Woodstock 69 zu spielen und somit auch ein großes Karriere-Sprungbrett. Durch dieses "Verbannen" wurden sie ein Stück weit vom amerikanischen Musikmarkt abgeschnitten. Produktion von "The Kinks Are the Village Green Preservation Society" Ray Davies fing infolgedessen an, sich auf England konzentrieren und Songs mit Blick auf die englische Kultur und Gesellschaft zu schreiben. In dieser Zeit entstand auch der Song "Village Green", der später auf dem Album einen Platz findet. 1967/68 beginnen dann die Aufnahmen zum Album selbst, immer mal wieder unterbrochen durch kleine Tourneen innerhalb Europas. Letztlich haben sie zwei Jahre gebraucht, um das Album aufzunehmen. "The Kinks Are the Village Green Preservation Society" ist ein Konzeptalbum und dieses Konzept stammt von Ray Davies. Es geht um das Leben auf dem Land, es geht um Heimat und um Freundschaft. "Das Album zeigt einfach sehr gut, was für ein hervorragender Songschreiber Ray Davies ist. Diese Texte, die sind britisch, die sind witzig, die sind bissig, das ist einfach ziemlich gut." (SWR1 Musikredakteur Benjamin Brendebach) Ein Meilenstein der Musikgeschichte In diesem Meilenstein wird darüber gesprochen, was es mit Walter auf sich hat, dem Schulfreund von Ray Davies, wie verrückt Annabella wirklich ist und wie wichtig so eine Dorfgemeinschaft sein kann. Außerdem geht es darum, warum das Album 1968 ein totaler Flop war und wie es im Rahmen von Popmusik und Bands wie Blair und Oasis ein echtes Revival erleben durfte, mehr noch — wie es jetzt über 50 Jahre nach Erscheinen des Albums zu dem meistverkauften Kinks-Album überhaupt geworden ist. __________ Über diese Songs vom Album "The Kinks Are the Village Green Preservation Society" wird im Podcast gesprochen (03:52) – "Animal Farm"(04:29) – "Sitting by the Riverside"(20:30) – "Village Green"(26:40) – "The Village Green Preservation Society"(30:27) – "Monica"(34:21) – "Wicked Annabella"(37:34) – "Walter"(42:43) – "Picture Book" __________ Über diese Songs wird außerdem im Podcast gesprochen (01:32) – "You Really Got Me" von The Kinks(01:39) – "Sunny Afternoon" von The Kinks(18:50) – "Penny Lane" von The Beatles(45:23) – "Warning" von Green Day(45:55) – "Don't Look Back in Anger" von Oasis __________ Shownotes Doku zu The Kinks – "The Kinks Are the Village Green Preservation Society": https://www.youtube.com/watch?v=Z-ragx6CtTI Auftrittsverbot in den USA: https://www.youtube.com/watch?v=oup7NCcfb10 YouTube-Channel von The Kinks: https://www.youtube.com/@TheKinksMusic __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Billy GriffinJimi Hendrix “All Along the Watchtowwer" from the 1968 album "Electric Ladyland" released on Reprise (US)/Track (UK). Written by Bob Dylan and produced by Jimi Hendrix.Personel:Jimi Hendrix – vocals, guitars, piano, percussion, electric harpsichord; bass guitarNoel Redding – backing vocalsMitch Mitchell – backing vocals, drums, percussionBrian Jones – percussionDave Mason – twelve-string guitarCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:U2 Pearl JamThe Dave Matthews Band
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Billy GriffinJimi Hendrix “All Along the Watchtowwer" from the 1968 album "Electric Ladyland" released on Reprise (US)/Track (UK). Written by Bob Dylan and produced by Jimi Hendrix.Personel:Jimi Hendrix – vocals, guitars, piano, percussion, electric harpsichord; bass guitarNoel Redding – backing vocalsMitch Mitchell – backing vocals, drums, percussionBrian Jones – percussionDave Mason – twelve-string guitarCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:My Morning Jacket “It Still Moves”Pearl Jam “Ten”Roger Waters “The Wall”The Shins “Oh, Inverted World”Garden StateModest MouseDanger MouseBroken BellsWilco “via Chicago”Dave Matthews BandWillie Nelson “Funny How Time Slips Away”Wilie Nelson “Stardust”Hoagy CarmichaelPet Shop Boys “Always On My Mind”Soft CellChris CornellPrince “Nothing Compares to You”Aretha Franklin “Respect”Otis ReddingDolly PartonWhitney Houston “I Will Always Love You”Joe Cocker “With A Little Help From My Friends”The Wonder YearsDave MasonConan O'BrienJoe Cocker “Feelin' Alright”The Steve Miller BandStevie WonderThe Beatles “We Can Work It Out”Nirvana “In the Pines”Nirvana “MTV Unplugged”LedbellyBob Dylan “Takes a Lot to Laugh, Take a Train to Cry”The Grateful Dead “Postcards for Hanging”Pearl JamThe Who “The Kids Are Alright”Eddie VedderPapa Roach “Last Resort”Forrest GumpWingsBilly JoelBruce SpringsteenPink Floyd “Comfortably Numb”The Eagles “Hotel California”Jimi Hendrix “Voodoo Chile”The Dave Matthews Band “Live at Red Rocks”Cream “Sunshine of Your Love”Eric ClaptonBob Dylan “John Wesley Harding”Fat MattressDave van RonkThe Dave Matthews Band “Grey Street”Jimi Hendrix “Foxy Lady”Jimi Hendrix “Purple Haze”Ten Years After “I'd Love to Change the World”Robert JohnsonWoody GuthrieTaj MahalThe Dave Matthews Band “Listener Supported”SantanaRobert RandolphTedeschi Trucks BandEd SheerenCharlie CrockettU2
In this episode, we discuss the Jimi Hendrix Experience's third and final studio album, 'Electric Ladyland,' in celebration of the 55th anniversary of its October 16, 1968 release.Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com
El mejor disco del mejor guitarrista. ¿Querían un clásico? El Sábado prendimos el ampli y soleamos a full con el rey de la guitarra Jimi Hendrix. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify
Jimi Hendrix- "Electric Church/ Red House"An unreleased Jam session featuring Noel Redding, Mitch Mitchell, Lee Michaels and the great Buddy MilesThis track was originally intended for release on an album titled "Best Of The Bootlegs". This album was scheduled for release by Warner Brothers in 1994 but was shelved by producer Alan Douglas. All tracks were early demos and studio jam recordings.JIMI HENDRIX ON THE BIG SCREEN:Jimi Hendrix: Electric Church presents the legendary guitarist in full flight at the 1970 Atlanta Pop Festival before the largest US audience of his career. This critically acclaimed film combines color, 16mm multi-camera footage of Hendrix's unforgettable July 4, 1970 concert in its original performance sequence together with a new documentary that traces his journey to the festival amidst the dark shadow of civil rights unrest, the unrelenting toll of the Vietnam War and a burgeoning festival culture that drew together young people across the country who were inspired by the Woodstock festival.
This week Elle talks with Kristie Tacey, the winemaker behind Tessier Winery. A former scientist, Kristie had an interesting journey towards becoming a winemaker--and she also moonlights as a dj! She pairs her wines with music--for instance Elle and she taste through Electric Ladyland, an orange wine blend that pairs with Jimi Hendrix's "Have You Been (To Electric Ladyland). Grab a bottle of Tessier, check out this week's episode, then pull up Kristie's playlist here! Hosted on Acast. See acast.com/privacy for more information.
https://www.virginradio.it/audio/long-playing-stories/1353922/long-playing-stories-jimi-hendrix-electric-ladyland.htmlhttps://www.virginradio.it/audio/long-playing-stories/1353922/long-playing-stories-jimi-hendrix-electric-ladyland.htmlMon, 17 Jul 2023 15:46:45 +0200Virgin RadioVirgin Radiono0
From August 3, 2020: Dave Mason and friends have taken the downtime during quarantine to remake one of Mason's most iconic and heavily covered songs since its release in 1968 - "Feelin' Alright." Dubbed "Dave Mason and the Quarantines," the group's new song features Mason singing along with Mick Fleetwood, Sammy Hagar, Michael McDonald, and The Doobie Brothers: John McFee, Tom Johnston, John Cowan, and Pat Simmons. Dave's longtime drummer, Alvino Bennett, also lends a hand as does Pat Simmons Jr., Pat's son, joining in the fun.ABOUT DAVE MASONRock and Roll Hall of Famer Dave Mason's career spans over half a century and encompasses producing, performing and song writing. Fans and critics alike hail Dave as one of the most talented songwriters and guitarists in the world - which is why he is still performing over 100 shows a year to sold-out crowds. Mason has been playing guitar most of his life. By 15, Dave had founded two bands: The Deep Feeling and The Hellions. At 18, the Worcester, England native teamed up with Steve Winwood, Jim Capaldi and Chris Wood to form the legendary band Traffic. At 19, Mason penned the song "Feelin' Alright". The rock anthem, first recorded by Traffic and then covered by dozens of other artists (including Joe Cocker), cemented both Dave's and Traffic's legacy and had a profound influence over rock music that continues today.Mason left Traffic in 1969 to pursue a solo career in the US. Dave has penned over 100 songs, has 3 gold albums: Alone Together, Dave Masonand Mariposa De Oro and a platinum album Let it Flow, which contained the top-ten single "We Just Disagree".In addition to cranking out hits, Dave has performed on or contributed to a number of famous albums, including: The Rolling Stones' Beggars Banquet, George Harrison's All Things Must Pass, Paul McCartney and Wings Venus and Mars and Jimi Hendrix's Electric Ladyland. Mason is featured playing acoustic guitar in "All Along the Watchtower" on Electric Ladyland, a favorite in Dave's live shows!Dave, a prolific artist in his own right, has collaborated with an enviable list of the who's who in the music industry. Jimi Hendrix, George Harrison, Paul McCartney, Stevie Wonder, Michael Jackson, Graham Nash, Stephen Stills, Rita Coolidge, Delaney & Bonnie, Leon Russell, Ron Wood, Steve Winwood, Eric Clapton, and Jim Capaldi, just to name a few. In addition to his own productions, Mason's distinctive work is featured on numerous gold and platinum albums such as:Jimi Hendrix Electric Ladyland "All Along The Watchtower" (acoustic guitar) and "Crosstown Traffic" (vocals)George Harrison All Thing Must Pass (various tracks)The Rolling Stones Beggars Banquet "Street Fighting Man" (shehnai and mellotron)Paul McCartney and Wings Venus And Mars "Listen To What The Man Said" (guitar)Graham Nash Songs For BeginnersDavid Crosby & Graham Nash, Graham Nash David CrosbyDave Mason & Cass Elliot (Mamas & Papas) Dave Mason & Cass ElliotThe Spencer Davis Group "Somebody Help Me", "Gimme Some Lovin'" and "I'm A Man" (vocals)Fleetwood Mac Time(guitar, vocals)Eric Clapton Crossroads (guitar)When Dave is not touring, he spends his time writing and producing music in his home studio, as well as tirelessly supporting philanthropic efforts for Rock Our Vets, a non-profit he co-founded.
Is this the first time we've completed all the albums that a group created on our podcast? It just might be, as we spend time with The Jimi Hendrix Experience for their second album, our THIRD to review on this list of the greatest albums. There is a clear correlation to John Mayer here (we talk about that) and you can see something building from their debut (Are You Experienced?), through this one, to their final album (Electric Ladyland). What did we think, and how does this fit with these three incredible albums from a guitar virtuoso? We'll press play, drop the needle, and find out more! As a reminder, you can find our favorite songs from the RS500 on our Spotify playlist right here - we'll be updating it as we go with our favorite songs from each album! You can check out Rolling Stone's 2020 list right here. We'd love it if you would review us in your favorite podcast app, and while you're at it, give us a like on our Facebook Page or Instagram, follow us on Twitter, and send us a message if you have any comments or questions. --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundlogic/message Support this podcast: https://podcasters.spotify.com/pod/show/soundlogic/support
Special times in each other's lives is really what matters most to me, I feel like the alliances and the trials and tribulations in life, while sometimes can really suck, they can teach us a great many things. One thing in particular it has really tought me who my friends are, IYKYK. This week while on the 502/812 tour, Jason Gardner of The Heavy Metal Wasteland and Temptation's Wings were here in Louisville for a weekend stint. We had lots of laughs and fun times. I was able to meet the guys for the first time ever and have a few minutes to sit down in The Metal Forge with them and talk shop and more. Temptation's Wings: Bandcamp: https://temptationswings.bandcamp.com/ Metal Archives: https://www.metal-archives.com/bands/Temptation%27s_Wings/3540360847 Links to our Sponsors & Partners: Ageless Art Tattoo & Piercing - Clarksville/New Albany: http://www.agelessartclarksville.com http://www.agelessartna.com MAG BAR/Pizza DoNisi: https://magbaroldlouisville.com https://pizzadonisi.com/ Electric Ladyland: https://www.electricladyland420.com Shadebeast: http://shadebeast.com and use PROMO CODE: "SITHLORD" at check out for a 10% Discount! Creeping Death Designs: http://www.creepingdeathdesigns.com and use PROMO CODE: "METALFORGE10" at check out for a 10% Discount! Record Labels: Unchained Tapes: http://www.unchainedtapes.bigcartel.com and use PROMO CODE: "METALFORGE10" at check out for a 10% Discount! Mercenary Press: http://www.mercenarypress.bigcartel.com and use PROMO CODE: "METALFORGE" at check out for a 10% Discount! Coming soon: fkr! Other shows you can listen to: Flamekeeper Podcast Network: The Alehorn: https://open.spotify.com/show/3Lwm20UxrHR8WUDfkZXoe5?si=c36e5d58384241e5 The Mudhorn: https://www.youtube.com/@themudhornpodcast630 Night Demon Heavy Metal Podcast: http://www.nightdemon.net https://open.spotify.com/show/2ozLCAGQ4LdqJwMmeBYJ7k?si=OvvfZsNYRPqywwb86SzrVA Zines: Soulgrinder Zine: http://www.facebook.com/soulgrinder.zine OFFICAL LINKS OF THE METAL FORGE®/FLAMEKEEPER http://www.metalforgeradio.com https://www.patreon.com/flamekeeper FB/IG/TW/TikTok/YouTube - @metalforgeradio Jason Gardner's Heavy Metal Wasteland: https://www.facebook.com/FlamekeeperPodcasts The Metal Forge® Playlist on Spotify: https://open.spotify.com/playlist/0XCBtgJeTpfZ7c60xjIUkF The Metal Forge® Playlist #2 on Spotify: https://open.spotify.com/playlist/7tjWRTGs728xyp6IUHsjtW The Metal Forge Compilation Vol. 1 - COMING SOON!!! All Rights Reserved. Any unauthorized reproduction/duplication is expressly forbidden without prior written consent and is punishable by law. Metal Forge Intro copyright 2020 The Metal Forge® Published by UNTIL I GET IT RIGHT MUSIC/ASCAP. The Metal Forge®, please contact metalforgeradio@gmail.com for any and all other info. All other music is owned by writers/publishers respectively and is used with permission for means of promotion. ©2019-2023 The Metal Forge® --- Support this podcast: https://podcasters.spotify.com/pod/show/metalforgeradio/support
Zdravo. Tokratna epizoda je polna poslovnih idej (dobimo ideji za aplikacijo proti tinitusu in predlagamo avtobusnim podjetjem, naj začnejo na svojih linijah predvajati podkaste). Ugotovimo tudi, da peš hoja koristi zdravju in da vsak avtobus šteje. Artur in Fenchurch sta na Zahodnem kraju in počneta tisto, kar počne vsak galaktični štopar večino svojega časa. Čaka ... tako, kot čaka večina nas od plače do plače. Kot pravi Aljo gre leto tik-tak naokol', le od plače do plače noče. Mi pa najdemo povezavo med Retrogradnim merkurjem in prihodi vesoljcev in da je eden od vesoljcev, ki jih Artur pozna, prišel z letečim krožnikom in poskrbel za vrsto nepopisnih izgredov v krčmah. Tudi o Sirijski korporaciji, pospeševalcih prodaje njenih izdelkov in zaostalih civilizacijah, telefonskem klicu in o Galaktični uniji je govora, pa najbrž še o čem. Lepo poslušanje želimo.
There's not much to say about this most OBA of topics, except please please please listen to this episode on headphones! This week's word is "mixing" as in the unsung professional artists known as mixers that create the soundscapes in your brain that the artists want you to hear. TOP TEN ULTIMATE HEADPHONE ALBUMS is such a great topic that it has to be a "volume 1 situation", as in there will be more volumes at some point. Anyway, we finally got The Old Boy Himself Ryan Blake to visit GoodList Studios with his first pod taping there in almost 10 years! In Part 1, we count down picks 10-6 of some of the most incredible musical delights you can sink your ears into. Have some delicious ear candy.Our good friend Ryan Blake has new music out! Listen to his album Silence In The Traffic on Spotify or wherever you get your streaming!https://open.spotify.com/user/1236032200?si=3ab623f488a5423dWe never stop putting out cool shit for our Patreon members. In fact this coming Wednesday we'll premiere the exclusive bonus episode TOP TEN SONGS SET IN A BAR with our pal from Sydney, Andrew Lewis, $10 tier member extraordinaire. Get this and all monthly episodes and help out the pod by chipping in $2 a month.https://www.patreon.com/alltimetopten
This week is getting psychedelic and indulgent with the third and final studio album Electric Ladyland by Jimi Hendrix. Let's see if this week gets the critics cancelled. This episode features a sponsored message from your crush.
Dem Vinyl Boyz are back again and this week they're dropping the needle on 'Electric Ladyland' a groovy record from the 60s by musical pioneer and genius Jimi Hendrix. When rock critic connoisseur's refer to him as the creator of a generation's most potent exceptional music, this is the album they're talking about. What Hendrix musically compassed on this record expanded the canvas of what an artist could generate out of a modern recording studio. Tragically Hendrix would lose his life less than two years after this album was released due to asphyxia while intoxicated with barbiturates. He was a legendary icon who created art that can never be replicated in any shape or form as well as pioneering a path for fellow guitarists and musicians to follow and evolve the craft. Make sure to subscribe and follow for our latest reviews. If you think our podcast sucks leave us a review to let us know. Learn more about your ad choices. Visit megaphone.fm/adchoices
Show #967 The Originals 01. Bob Dylan - Everything Is Broken (3:15) (Oh Mercy, Columbia Records, 1989) 02. Ray Charles - Hard Times (No One Knows Better Than I) [1955] (2:55) (The Genius Sings The Blues, Atlantic Records, 1961) 03a. Ray Charles - Mess Around (2:39) (45 RPM Single, Atlantic Records, 1953) 03b. Charles 'Cow Cow' Davenport - Cow Cow Blues (3:09) (78 RPM Shellac, Vocalion Records, 1928) 04. Fabulous Thunderbirds - Full Time Lover (4:43) (Girls Go Wild, Takoma Records, 1979) 05. Al Green - Love And Happiness (5:07) (I'm Still In Love With You, Hi Records, 1972) 06. Dire Straits - Money For Nothing (8:26) (Brothers In Arms, Vertigo Records, 1985) 07a. Screamin' Jay Hawkins - I Put A Spell On You (3:31) (45 RPM Single, Okeh Records, 1956) 07b. Screamin' Jay Hawkins - I Put A Spell On You (2:52) (Unreleased, Grand Records, 1955) 08. Sonny Boy Williamson II - Don't Start Me Talking (2:35) (45 RPM Single, Checker Records, 1955) 09. Atlanta Rhythm Section - So In To You (4:16) (A Rock And Roll Alternative, Polydor Records, 1976) 10. ZZ Top - Tush (2:14) (Fandango!, London Records, 1975) 11. Mothers Of Invention - Trouble Comin' Every Day (5:47) (Freak Out!, Verve Records, 1966) 12. Son House - Grinnin' In Your Face (2:07) (Father Of Folk Blues, Columbia Records, 1965) 13. Lynyrd Skynyrd - Gimme Three Steps (4:24) (Lynyrd Skynyrd, MCA Records, 1973) 14. Elvis Presley - Heartbreak Hotel (2:09) (45 RPM Single, RCA Victor, 1956) 15. Neville Brothers - Yellow Moon (3:58) (Yellow Moon, A&M Records, 1989) 16. Little Feat - Spanish Moon (4:50) (Waiting For Columbus, Warner Bros Records, 1978) 17a. Peggy Lee & Benny Goodman Orchestra - Why Don't You Do Right (3:14) (78 RPM Shellac, Columbia Records, 1942) 17b. Harlem Hamfats - Weed Smoker's Dream (3:17) (78 RPM Shellac, Decca Records, 1936) 17c. Lil Green - Why Don't You Do Right (3:00) (78 RPM Shellac, Bluebird Records, 1941) 18. Prince & the Revolution - Kiss (3:38) (Parade, Paisley Park/Warner Bros Records, 1986) 19. Fenton Robinson - Somebody (Loan Me A Dime) (2:23) (45 RPM Single, Palos Records, 1967) 20. Jimi Hendrix - Voodoo Child (Slight Return) (5:12) (Electric Ladyland, Polydor Records, 1968) 21. Tampa Red - It Hurts Me Too (2:28) (78 RPM Shellac, Bluebird Records, 1940) 22a. Leonard Cohen - First We Take Manhattan (5:58) (I'm Your Man, Columbia Records, 1988) 22b. Jennifer Warnes - First We Take Manhattan (3:47) (Famous Blue Raincoat, Cypress Records, 1986) 23. Albert King - Oh Pretty Woman (2:47) (Born Under A Bad Sign, Stax Records, 1967) 24. Fleetwood Mac - Black Magic Woman (2:49) (45 RPM Single, Blue Horizon Records, 1968) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Your Bristol Life is a new series of five podcasts shining a light on underrepresented aspects of Bristol's history. This BCfm series was made with the Bristol Cable, Bristol History Podcast and In The Dark. *** Old Market (REMIXED) by Tom Marshman *** Old Market (REMIXED), written and performed by Tom Marshman and recorded and edited by Bernie Hodges, uncovers the hidden histories of communities in Old Market, shining a light on the area from the 1990s to the present day. Tom finds memories of a lawless place, the proclaimed gay village, and the home of gentrification; an area that has undergone radical change since its day as Bristol's ‘golden mile'. Woven together from the stories of people who experienced it first hand, this audio piece celebrates the raucous, riotous, tragic and the artisan. The show includes stories from 25A, Old Market Assembly, Bristol Bear Bar, Old Market Assembly, Fi Real, Rudies, Trinity, Jokoto Tailoring and Electric Ladyland. The piece also premiered as a live theatre show in November 2021, and will be performed again in a 5-night run at The Wardrobe Theatre in November 2022. Featured artwork by Jon Trace
I had the pleasure of hosting Ian Gordy for episode 11, and when I say pleasure, I mean it was a true joy and a privilege to be gifted his time to talk music, which is really what this thing is all about.Sometimes -- across this pandemic -- I've heard folks say things like, People need people, or, We need each other. Hell, my old man was saying that 25 and 30 years ago.It's a strange thing to contemplate, though. I mean, we've kinda carved ourselves into these seemingly self-sufficient grooves, but what we've really done is eliminate a lot of direct, one-on-one contact with others, and I feel like these kinds of conversations are a sort of food for the soul. At least they are for me, anyway.I don't know where this thing will go; I'm now kinda, sorta three months into recording episodes and the growth has been snail's-pace, to say the least, but I really, really dig it. It's good to see people. It's good to talk to them about where they've been and who they are and where they're going. It's lovely to hear them open up about their journeys and be true and honest and, yes -- vulnerable with both me and the Internet. I like to think we're learning from each other.Anyway, I've known Ian for a minute, and he's always been one of my favorite dudes. He's always had a sense of humor and an angle of determination about him, and I couldn't be happier for him when it comes to where he's landed in life, and I'm excited for him and his family and all that they have ahead of them. I suspected Mr. Gordy'd nab a Hendrix album, and my hunch proved correct. Electric Ladyland was such a treat to revisit and, boy did I learn a lot about what I thought I knew but didn't from this conversation.So many thanks to him and his family for the time. And thanks to Ian for another fantastic chat about life and music. And, hey...if you enjoyed this, please tell a friend. Cheers, everyone.copyright disclaimer: I do not own the rights to the intro/outro audio samples. They are both from The War on Drugs's A Deeper Understanding, which is a goddamn grand slam (2017) of a badass record, if ever there was one. The samples come from "Thinking of a Place" and "Strangest Thing," c/o Atlantic Recording Corporation.
durée : 00:32:00 - Les Nuits de France Culture - En 1990 dans l'émission "Jimi Hendrix : les albums d'un visionnaire", Bruno Feller dit son admiration pour Hendrix et analyse ses albums. Eddie Kramer se souvient de la participation du musicien dans le mixage de ses disques et des archives de la Radio Suédoise nous font entendre sa voix. Combien ont-ils été, ceux pour qui la première écoute de Hey Joe par Jimi Hendrix fut l'un des grands émois musicaux de leur adolescence à la fin des années soixante ? * Auteur d'un Jimi Hendrix aux éditions Albin Michel, ancien de Rock&Folk, Benoît Feller fut de ceux-là, comme il le racontait dans le troisième volet de la série qu'en 1990 Le rythme et la raison consacrait à Jimi Hendrix. Une émission dans laquelle on pouvait entendre Jimi Hendrix dans deux des rares interviews qui nous restent de son passage météorique sur cette planète. C'était en 1967 et 1968, pour la présentation des albums devenus mythiques, Are You Experienced et Electric Ladyland quand, avec à ses côtés le bassiste Noel Redding et le batteur Mitch Mitchell, ils formaient The Jimi Hendrix Experience. On pouvait également découvrir le travail de création de Jimi Hendrix en studio, grâce au témoignage de l'ingénieur du son et producteur Eddie Kramer. En 1967, Jimi Hendrix disait à propos de l'album Axis: Bold As Love : Le titre signifie l'axe de la terre. Il change et quand il change, il change toute la face de la terre, ça se passe tous les mille ans. C'est comme l'amour entre les êtres humains, si on tombe profondément amoureux, on change totalement et cela change toute notre vie. Avec Benoît Feller (journaliste et critique musical) et Eddie Kramer (ingénieur du son et producteur) - Avec des extraits d'entretiens de Jimi Hendrix. Par Gérard Tourtrol Réalisation : Chantal Barquissau Le rythme et la raison - Jimi Hendrix, 3ème partie : les albums d'un visionnaire 1ère diffusion : 12/12/1990 Indexation web : Sandrine England, Documentation sonore de Radio France. Archive Ina-Radio France
Bob Dylan wrote “All Along The Watchtower” for his 1967 album, John Wesley Harding, after realizing he was getting swindled by his own management and record label. Jimi Hendrix immediately covered the song for his final album, Electric Ladyland, and did such a mind-blowing job of interpreting it musically and lyrically that Bob Dylan has long admitted it to be the better version. Find out the history this classic in the new episode of the Behind The Song podcast. Watch the video episode and subscribe to the Behind The Song Youtube channel: https://bit.ly/2DBF4wJ
074 - Molly Moore with her guitarist Ariel Bellvalaire and MUNA's Josette MaskinEpisode 74 of “Have Guitar Will Travel” opens with host James Patrick Regan speaking with Molly Moore and her guitarist, Ariel Bellvalaire. Ariel grew up in the Connecticut and moved to L.A. when she was 15. Starting on guitar at 12 and influenced by Eddie Van Halen, Randy Rhodes, and Steve Vai, she studied at Musicians Institute and gigged at the Bitter End when she was 17. Molly's new band came together through social media. Also in the episode, James sits with Josette Maskin, guitarist for the electronic-pop band MUNA, who talks about her first guitars, early influences, how the group met almost 10 years ago as students at USC, and the thrill of recording at Electric Ladyland studio. As you'll hear, she's jazzed about the band's upcoming tour with Kasey Musgraves. Please like, comment, and share this podcast! Download Link
Episode 78 covers Jimi Hendrix's album, 1968's "Electric Ladyland" Is this one of the best albums of all time? Is it just too darn long? The opinions among the group start to diverge on this album. Mark, Chris and Kevin debate, discuss, love and flush their favorites and not-so-favorites from this record. Now streaming live, join us Sunday Nights 7PM Central Time at twitch.tv/lightthesky
This week the usual 27 club fan club members get out their paddles and beer bongs and initiate a new member into the club, Thomas. Then they talk about Electric Ladyland, and an old friend stops by the show.
Obsesionado con las nuevas tecnologías de grabación, el guitarrista nse pasó meses en el estudio perfeccionando un sonido que mezcló el blues con la psicodelia y que terminó por hacerlo triunfar en su natal Estados Unidos.
Rhapsody Podcast Deep Dive: Jimi HendrixToday's episode is a Deep Dive and will dive into the artist Jimi Hendrix, focusing on his influences both musically and culturally, and his discography during his lifetime. Segment 1: InfluencesBrief overview of Jimi Hendrix's influences stemming from his childhood, musical career, 1960s culture, and …hobbies. Segment 2: Are You Experienced?Focusing on Jimi Hendrix's 1967 debut album, using examples from the songs “Fire” and “Third Stone From The Sun.” Segment 3: Axis: Bold As LoveFocusing on Jimi Hendrix's 1967 sophomore album, exploring its R&B and Psychedelic sound. Used the song “Spanish Castle Magic.” Segment 4: Electric Ladyland & ConclusionFocusing on Jimi Hendrix's third and final album released during his lifetimes, the legendary 1968 double album Electric Ladyland. Discussing its wide variety and legendary reputation, used songs “...And the Gods Made Love” and “All Along The Watchtower.” Concluding with a discussion on Jimi Hendrix's death and lasting legacy. Credits:Jimi Hendrix, “https://open.spotify.com/track/5LI7PoHEolR8plrf3I16sq?si=7f4d96893693457e (Fire)” Jimi Hendrix, “https://open.spotify.com/track/34jAhU99TNRvYwwOEoINl3?si=49f2b35e83cb41b5 (Third Stone From The Sun)” Jimi Hendrix, “https://open.spotify.com/track/2KFE98Iw0X23sf4vJYcbLH?si=cdecc4e6b6904d65 (Spanish Castle Magic)” Jimi Hendrix, “https://open.spotify.com/track/4COmeKH1pLNNpXcgtMcyQH?si=fdaac10515ef44ee (...And the Gods Made Love)” Jimi Hendrix, “https://open.spotify.com/track/2aoo2jlRnM3A0NyLQqMN2f?si=a0ffbe4948a4467d (All Along the Watchtower)” Visit our Website https://hvspn.com/podcast/rhapsody/ (www.hvspn.com)Subscribe to our Podcast https://podcasts.apple.com/us/podcast/rhapsody/id1557279744 (Apple Podcasts ) https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5jYXB0aXZhdGUuZm0vcmhhcHNvZHk?sa=X&ved=0CAMQ4aUDahcKEwjwta_Sj_HvAhUAAAAAHQAAAAAQAw&hl=en (Google Podcasts) https://www.youtube.com/channel/UC07e_nBHLyc_nyvjF6z-DVg (YouTube) Connect with us on Social Media Twitter https://twitter.com/thehvspn (@thehvspn) Twitter https://twitter.com/HVRhapsody (@HVRhapsody) Instagram https://www.instagram.com/hvrhapsody/ (@HVRhapsody)
Nemone Metaxas has gained a vast range of skills and knowledge through her education, sport and her career in broadcasting and DJ'ing. As we'll hear, she is using her experience and passions to create a multi-hyphen life in the worlds of music and psychotherapy. She has some fascinating insights into how she has found that these worlds - which, at first glance appear very different -actually do intertwine. Thanks Nemone, this was an awesome chat!About NemoneNemone has been broadcasting and DJing for the best part of a quarter of a century, two decades of which she has been a familiar voice across the BBC. Joining Radio 1 in 2000, she has taken stints broadcasting to mainstream audiences on Radio 2 and Five Live before finding her spiritual home at BBC Radio 6 Music, latterly producing and presenting her own weekly electronic show - Electric Ladyland - from 2013 to 2021. She has produced and presented documentaries for BBC Radio 2 and has hosted numerous television shows reflecting her passion for sport and music.Nemone holds a degree in psychology and a masters degree in Psychotherapy and Counselling and having had many years of hearing people's stories through her broadcasting work, she now runs her own integrated counselling practice alongside DJ'ing, radio show hosting and innovative music projects.She has been a huge advocate for breathing and grounding exercises; during the COVID pandemic producing her own 15 minute mid afternoon meditations to help people cope in isolation.I Wanna Jump Like Dee Dee is a music podcast that does music interviews differently. I'm Giles Sibbald and I'm talking to extraordinary musicians, DJ's and producers about how they use an experimental mindset in their lives to amplify their own creativity, pursue new challenges, overcome fears and bounce back from mistakes.- brought to you by Hey Sunday, the mothership of the experimental mindset™.- podcast logo and art by Tide Adesanya, Coppie and Paste
On this first edition of the TRAPPO album exchange, Ky introduces 1968's classic rock masterpiece Electric Ladyland by The Jimi Hendrix Experience and Dustin submits 2003's seminal art punk revelation Fever To Tell by Yeah Yeah Yeahs. Will either of these albums find their home in the TRAPPO Essentials Can(n)on? Tune in and find out! And while you're here, why not join the conversation? Visit the official TRAPPO blog and tell us what you think about our picks. What albums would you like to see join the TRAPPO Essentials Can(n)on? What else is on your mind? Leave a comment and tell us! Or you could always send us an email, or visit us on Twitter or Instagram and let us know how we're doing! Thanks for listening! --- Send in a voice message: https://anchor.fm/trappo/message
#175-173Intro/Outro: we fell in love in october by girl in red175. Songs About Jane by Maroon 5 (She Will Be Loved, This Love, Tangled, Sunday Morning)174. In Your Honor by Foo Fighters (Best of You & No Way Back & The Deepest Blues are Black & Miracle & Cold Day in the Sun)173. Electric Ladyland by Jimi Hendrix Experience (All Along the Watchtower & Crosstown Traffic & Burning of the Midnight Lamp & Voodoo Child (Slight Return))Songs About Jane album artIn Your Honor album artElectric Ladyland album artVote on Today's Album ArtWeek 5 Round 1 Winners (episodes 321-325)Vote on Week 5 Round 2 Album ArtWeek 4 Round 2 Winner!! (Moves on to Round 3)Round 3 starts now!!Weeks 1-4 Round 2 Winners (episodes 301-320)Vote on Weeks 1-4 Round 3 Album Art
Maggie & John discuss the celebration of the 50th anniversary of the release of the Jimi Hendrix Experience masterpiece Electric Ladyland, Experience Hendrix, L.L.C. and Legacy Recordings, the catalog division of Sony Music Entertainment, releasied the Deluxe Edition box set on November 9. Available as either a 3CD/1 Blu-ray set or a 6LP/1 Blu-ray set, both packages include the original double album, now newly remastered by Bernie Grundman from the original analog tapes. For the LP set, Grundman prepared an all analog direct to disc vinyl transfer of the album, preserving the authenticity. Also included is Electric Ladyland: The Early Takes, which presents demos and studio outtakes from this period in Hendrix's career, plus a new 5.1 surround sound mix of the entire original album by Hendrix's original engineer Eddie Kramer. This marks the first and only time this has been done with a Hendrix studio album, and gives listeners the original stereo mixes in uncompressed 24 bit/96 kz high resolution audio.Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68, part of Experience Hendrix's Dagger Records official bootleg series, is another exclusive component. The never before released recording captures the band and the mounting excitement that took place just weeks before the release of Electric Ladyland. The Blu-ray also includes the acclaimed, feature length documentary At Last… The Beginning: The Making of Electric Ladyland.Lastly, Electric Ladyland Deluxe Edition includes a full color, 48-page book containing Jimi's handwritten lyrics, poem and instructions to his record label, as well as never before published photos from the recording sessions that were shot by Eddie Kramer himself.Date first available: August 15, 2018Source: https://www.jimihendrix.com/electric-ladyland-50/This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show
Master Bassist & Composer Stanley Clarke Discusses His Musical Career In Great Depth starting from the beginning in Philadelphia to his meeting and collaborating with maestro Chick Corea. Stanley discusses the journey of finding his own sound, Long before he became a four-time Grammy Award-winning recording artist, performer, composer, conductor, arranger, producer, a composer for recordings and film, as well as one of the most celebrated acoustic and electric bass players in the world, Stanley Clarke was a student. Stanley's “school days” were not only the inspiration for his world-renowned bass anthem, but essential to the origin story of the pioneering bass virtuoso from the streets of Philadelphia.Source: https://stanleyclarke.com/Source: https://stanleyclarke.com/stanley/This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show
If there was ever a band that decided to bring "old school" back, it has to be Black Wail.Black Wail hails from Jersey City NJ and is comprised of 5 talented musicians, each bringing an intangible of epic proportions and a classic rock vibe that cannot be denied. If you like Thin Lizzy, Clutch, Mastodon, or Cactus, or just the sound of melodic dueling guitars, Black Wail is for you.Speaking to guitarist and front man, Michael Tarlazzi, I was able to get a brief breakdown of the recipe to their hard edged sound and as it turns out, it isn't so much how but who.... Black Wail delivers because they ARE Black Wail.'Born on Fire,' the new EP, can be purchased and downloaded ASAP. If you're not sure, check out the song SEE CONSPIRACY on YouTube. You'll be sure after you hear the sludge. It's fantastic rock and roll.Black Wail will release a follow up EP coming out later this year. Do whatever you need to do to buy this and the future EP. While you're at it, get the older and equally awesome records.If your music taste is anything like mine, you'll be more than happy you picked it up.This is Mike Tarlazzi from Black Wail on the Rockstar Superhero PodcastTime Codes:2:00 Publicity tours are hard4:00 Politics and stuff happening to everyone7:00 Black Wail knocks me out of my seat10:00 You can't ignore influences12:40 Guitar harmonies are the next thing17:00 Production at Electric Ladyland and beyond20:00 The 70's vibe and everything black24:10 Mike as a drummer and upcoming singer27:50 Doing the dual guitars liveWebsite: http://rhyme-reason.com/black-wailInstagram: https://www.instagram.com/blackwail/Facebook: https://www.facebook.com/blackwailband/"See Conspiracy" (intro and outro song) courtesy of Black Wail and Rhyme and Reason Records 2021 - All rights reserved. Release date April 23rd, 2021.Subscribe to both shows here: https://bit.ly/3airCvhWanna be on the show? Go here: https://calendly.com/rockstarsuperheroinstituteThe Rockstar Superhero Podcast examines the personal lives and creative careers of your favorite classic rock artists. We are obsessed with understanding the inner workings of the music business and all that it takes to remain in the public eye for as long as possible. Join us as we pursue conversations with legends and legends in the making.The Rockstar Superhero Radicals podcast was created to connect you directly to people, professional and private, who have lived lives worth discussing and offer solutions to our listeners, one heart at a time. If you are seeking truth and purpose beyond yourself, the Radicals podcast is for you.Copyright 2021 Rockstar Superhero Podcast - All Rights ReservedBecome a supporter of this podcast: https://www.spreaker.com/podcast/rockstar-superhero--4792050/support.
A sixth-grade music homework assignment finally pays off as the idiots confront the Hendrix Enigma
A sixth-grade music homework assignment finally pays off as the idiots confront the Hendrix Enigma
阿富汗、叙利亚、伊拉克、黎巴嫩、以色列……提及这些时常出现在国际新闻中的遥远国家，似乎总会让我们想起战争与动荡。在这种模糊的媒介呈现之下，当地人的日常生活是怎样的？在当地的文化中，喝酒是一种怎样的禁忌？ 本集节目的嘉宾是国际记者刘怡，他常年穿梭在中东、南亚、中亚等动荡的冲突地带，为中国读者带回来自当地的一手信息与报道。我们将一起聊一聊，被复杂的宗教民族传统以及现实政治旋涡裹挟的民众，如何在酒精中与周边和世界互动，并在此建立与日常生活秩序的连接。 微信搜索bgsyxzs加入听众交流群，欢迎您参与互动。 【主持】 戴鸿靖（微信公众号：佛门太闲） 钱老板（微信公众号：酒壶和点唱机） 【嘉宾】 刘怡（《战争史研究》副主编、《三联生活周刊》主笔） [06:00] 大马士革的地下酒吧 [09:10] 从走私渠道进入叙利亚的威士忌 [14:20] 黎巴嫩酒店行业的全球影响力 [17:00] 奥斯曼帝国与茴香酒的环地中海流行 [25:15] 宗教圣地的国际化程度很高 [28:20] 中东的葡萄酒产区：以色列和黎巴嫩 [30:20] 可以饮酒的中餐馆成为喀布尔最全球化的地点之一 [33:15] 本期推荐：《征服与革命中的阿拉伯人：1516年至今》 [39:30] 冲突地区的日常宣泄与自我逃避 [44:30] 电影《八佰》中租界里的洋人竟然喝的是…… 【本集酒单】 Glenfiddich 格兰菲迪苏格兰威士忌 Arak 茴香酒 Raki 茴香酒 Ouzo 茴香酒 Pastis 茴香酒 Chateau Musar 穆萨酒庄 Cointreau 君度利口酒 【音乐】 Strawberry Fields Forever (The Beatles, Magical Mystery Tour) All Along the Watchtower (Jimmy Hendrix, Electric Ladyland) 【logo设计】杨文骥 【后期制作】Nikko 【制作总监】王若弛 【节目助理】猫老师 【收听方式】 推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《杯弓舌瘾》，也可通过网易云音乐、喜马拉雅、蜻蜓FM和荔枝FM收听。 【本节目由JustPod出品】 【互动方式】 商务合作：contact@justpod.fm 微博@杯弓舌瘾TipsyProof 微信公众号：杯弓舌瘾 微博@播客一下 微信公众号：播客一下
Scot and Jeff discuss Jimi Hendrix with Jane Coaston. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Jane Coaston. Jane is Senior Politics Reporter at Vox with a focus on the GOP, conservatism, the far-right, and white nationalism. Jane is on Twitter at @cjane87. Jane's Music Pick: Jimi Hendrix Excuse us while we praise this guy. Jimi Hendrix's career lasted only four years while alive (with decades of posthumous releases to follow), but he remains one of the most influential guitarists in history. He pioneered new uses of the guitar, experimenting with feedback, distortion, and effects on a higher level. The songs weren't so bad either, of course, kicking off with the single releases of “Hey Joe” and “Purple Haze” and continuing through Are You Experienced? and Electric Ladyland. Hear Jeff and Jane fight over the relative merit of Noel Redding's songwriting contributions to the band! And as for those posthumous releases? We spend specific time discussing First Rays of the Rising Sun and Blues, along with various live releases. So much has been said about the music of Jimi Hendrix, but we find new angles for you to consider on this edition of Political Beats.
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