Podcasts about Tokyo Police Club

Listen to the full episode here: https://www.patreon.com/c/coldpod We're back with another solo pod! In this episode we discuss Doritos Spicy Tropical Fusion, cilantro, popcorn addiction, day drinking, UK pub culture, gallery hopping, watching movies alone, balancing introverted and extroverted phases, FOMO, djing hardcore shows, the nu metal revival, The Bridge, Tokyo Police Club, forward momentum in art, trying to having meaningful conversations in a club, maximalism, pre drinking, the Survivor finale, Mike White, Keith Mcnally, Love Actually, The Family Stone, having a birthday close to Christmas, making art to reach 'just one person', Luigi Mangioni, handshakes and more! ⁠Josh McIntyre⁠ ⁠Austin Hutchings⁠ ---- ⁠COLD POD⁠

As Tokyo Police Club winds up their illustrious recording and live-concert career, Graham reminisces about the cursed tour van they bought in America that they couldn't get across the Canadian border. Find 'em on IG: @wearetokyopoliceclub -------------------------------------------------- ***http://distrokid.com/vip/tmep*** Get your original songs into Spotify, Apple, Amazon, Tidal, TikTok, YouTube, and more with DISTROKID. It couldn't be easier. You deserve VIP treatment. Get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** -------------------------------------------------- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

As Tokyo Police Club prepare for their final show, we go back to the announcement earlier in 2024 and Lana's interview with Dave Monks and Graham Wright. Dive in to hear the reasons behind the decision, stories from the start (including old reviews) and why there's a whole lotta love around the final tour. Thank you for everything, Tokyo Police Club!

Tokyo Police Club started as a high school band in an Ontario suburb, but it didn't take long for them to become Canadian indie rock darlings. Now, after nearly 20 years together, Tokyo Police Club is calling it quits. Dave Monks and Graham Wright from the band sit down with Tom Power to tell us how they're feeling as they head into their final shows this week.

Will and special guest Jon Garrett from Charlotte, North Carolina discuss new releases by Thus Love, 22° Halo, and Julie, plus live reports and bonus songs.  

Send us a textMatt Krahula is a multi-instrumentalist, singer-songwriter, producer, currently based out of Honolulu, HI.  He is the bassist for Grammy Nominated artist Henry Kapono, lead singer of The Nightmare River Band and one half of the Chamber Folk duo, Beyond Hope, with Canadian Singer Fiddler, Sierra Noble.  After years of touring the mainland and bouncing around the vibrant New York City music scene, Krahula uplifted his roots and decided to take his talents to sunny Waikiki.  Since 2018, he has established himself as one of the most in demand artists in Hawaii, with residencies at some of Oahu's most popular bars and clubs, and opening slots for major artists such as Silver Sun Pickups, Frank Turner, Mike Love, Jerry Santos, and Keola Beamer.  Krahula started his musical career at the Purchase Conservatory of Music, earning a Bachelor Degree in Classical Music Performance on Upright Bass. He has spent the last 15 years touring, writing and recording, playing over 500 shows with his band, and sharing the stage with acts such as Old Man Markley, The Last Bandoleros, Boy and Bear, Matt Simons, Tokyo Police Club, and Robert Ellis.  He has previously been nominated for an Independent Music Award for Best Alt-Folk song of the Year and has performed at Summerfest, SXSW, and CMJ to name a few. His music has been featured in 9-1-1 on Fox, American Pickers, Showtime's Gigolo's, Comedy Bang! Bang!, NHL Broadcasts, as well as several commercial campaigns.​Since relocating to Hawaii, Matt has developed a reputation as one of the most dependable sidemen in the scene.  He is a full time member of Henry Kapono's legendary Dukes on Sunday Band, upright bassist for Hawaii's premier bluegrass band, Hook & Line, as well as bassist for the indie rockers, 7 Pairs of Iron Shoes.  He has also found himself playing with the likes of Sistah Robi Kahakalau (Grammy Nominee), Tavana, Josh Tatofi (Hoku Award Winner), Kimie Miner (Grammy Nominee), Alx Kawakami, John Cruz, Keola Beamer, and Brother Noland (Pineapple Express).Matt Krahula WebsiteOskar Cartaya - Latin Bass Workshophttps://www.thebassshedacademy.org/events/latin-bass-workshop-october-26Barry Green - The Inner Game of Music Workshophttps://www.thebassshedacademy.org/events/barry-green-the-inner-game-of-musicBarry Green- Four Elementshttps://www.thebassshedacademy.org/events/barry-green-four-elementsConnectInstagram: Instagram.com/The_Bass_ShedYouTube: https://www.youtube.com/@TheBassShedThreads: https://www.threads.net/@the_bass_shedTwitter (X): https://x.com/bassshedFacebook: https://www.facebook.com/The.Bass.Shed.official/Podcast Directory/Subscribe: https://thebassshedpodcast.buzzsprout.com/followBass Shed Academy: https://www.thebassshedacademy.orgGet Featured: https://www.thebassshed.com/featureSupport the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

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In this episode of The Bandwich Tapes, I had the pleasure of sitting down with singer-songwriter and multi-instrumentalist Matt Krahula. I recently stumbled upon his music and was instantly hooked.Matt Krahula, currently based in Honolulu, HI, is a true musical talent. He's the bassist for Grammy-nominated artist Henry Kapono, the lead singer of The Nightmare River Band, and one half of the Chamber Folk duo Beyond Hope, alongside Canadian singer-fiddler Sierra Noble. After years of touring across the mainland and immersing himself in New York City's vibrant music scene, Matt decided to plant new roots in sunny Waikiki. Since 2018, he's become one of Hawaii's most sought-after artists, securing residencies at some of Oahu's top venues and opening for major acts like Silver Sun Pickups, Frank Turner, Mike Love, Jerry Santos, and Keola Beamer.Matt's musical journey began at the Purchase Conservatory of Music, where he earned a Bachelor's Degree in Classical Music Performance on Upright Bass. Over the past 15 years, he's toured extensively, written, and recorded music, playing over 500 shows with his band. He's shared the stage with acts like Old Man Markley, The Last Bandoleros, Boy & Bear, Matt Simons, Tokyo Police Club, and Robert Ellis. His talent has earned him a nomination for an Independent Music Award for Best Alt-Folk Song of the Year, and his music has been featured in TV shows like 9-1-1 on Fox, American Pickers, Showtime's Gigolos, NHL broadcasts, and various commercial campaigns.Since making Hawaii his home, Matt has built a solid reputation as a dependable sideman. He's a full-time member of Henry Kapono's legendary Wild Hawaiian Band and the resident bassist for Hawaii's premier bluegrass band, Hook + Line, as well as the indie rockers, 7 Pairs of Iron Shoes. He's also had the privilege of playing with celebrated artists such as Sistah Robi Kahakalau (Grammy Nominee), Tavana, Josh Tatofi (Hoku Award Winner), Kimie Miner (Grammy Nominee), Alx Kawakami, John Cruz, Keola Beamer, and Brother Noland (of Pineapple Express fame).You can check out more about Matt at krahula.com.  Thank you for tuning in! If you have any questions, feedback, or ideas for the show, feel free to reach out to me at brad@thebandwichtapes.com. And please, spread the word about the show!Our theme song, "Playcation," was written by Mark Mundy.

After a long and self-imposed pause, Canadian indie-rock band In-Flight Safety is heading back to a familiar stage. Member John Mullane joins guest host Preston Mulligan to talk about why the band is reuniting to play at The Marquee Club in Halifax with Tokyo Police Club next week.

Send us a Text Message.Matt Krahula is a versatile multi-instrumentalist, singer-songwriter, and producer based in Honolulu, HI. He currently plays bass for Grammy-nominated artist Henry Kapono, fronts The Nightmare River Band, and is one half of the chamber folk duo Beyond Hope with Canadian singer-fiddler Sierra Noble. After years of touring the mainland and immersing himself in the vibrant New York City music scene, Krahula relocated to sunny Waikiki. Since 2018, he has become one of Hawaii's most sought-after artists, holding residencies at some of Oahu's top bars and clubs, and opening for major acts like Silver Sun Pickups, Frank Turner, Mike Love, Jerry Santos, and Keola Beamer.Krahula began his musical journey at the Purchase Conservatory of Music, earning a Bachelor's degree in Classical Music Performance on Upright Bass. Over the past 15 years, he has toured extensively, written, and recorded music, performing over 500 shows with his band and sharing the stage with acts such as Old Man Markley, The Last Bandoleros, Boy and Bear, Matt Simons, Tokyo Police Club, and Robert Ellis. He has been nominated for an Independent Music Award for Best Alt-Folk Song of the Year and has performed at renowned festivals like Summerfest, SXSW, and CMJ. His music has been featured in TV shows such as "9-1-1" on Fox, "American Pickers," Showtime's "Gigolos," "Comedy Bang! Bang!," and NHL broadcasts, as well as several commercial campaigns. Since moving to Hawaii, Matt has earned a reputation as one of the most reliable sidemen in the scene. He is a full-time member of Henry Kapono's legendary Dukes on Sunday Band, the upright bassist for Hawaii's premier bluegrass band Hook & Line, and the bassist for indie rockers 7 Pairs of Iron Shoes. He has also performed with Grammy nominee Sistah Robi Kahakalau, Tavana, Hoku Award winner Josh Tatofi, Grammy nominee Kimie Miner, Alx Kawakami, John Cruz, Keola Beamer, and Brother Noland of Pineapple Express.https://www.krahula.com/Support the Show.Thanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/

We got to notch another bucket list honour by bothering our host's favourite band, Tokyo Police Club, as they tessellate on their farewell tour and the band calls it quits.

Plush https://files.fireside.fm/file/fireside-uploads/images/c/c7e7a43b-5714-4470-a244-6aa82c1dceff/F4JG8i4w.jpg Will she smell alone? Rick Beato interviews Robert DeLeo about writing "Plush" (https://www.youtube.com/watch?v=dPSyOvPX5UI) What we're listening to: Jake: Idles, Tangk (https://songwhip.com/idles/tangk) Mildlife, Chorus (https://songwhip.com/mildlife/chorus-2) Matthew: Ducks Ltd, Harm's Way (https://songwhip.com/ducksltd/harms-way) Emma Anderson, Pearlies (https://songwhip.com/emmaanderson/pearlies) Tokyo Police Club, Just a Scratch/Catch Me If You Can (https://songwhip.com/tokyo-police-club/just-a-scratch-catch-me-if-you-can)

This week we offer up the 12th installment of our series called, “Degrees Of Separation…” where we discuss side projects and solo releases from artists we love. We are celebrating the adjacencies to a true rock n' roll icon: ALICE COOPER. Not much to say about the man, the myth, the legend. Capn'n Content suggested that we focus our listening to the gunslinger guitarists that have supported the Coop throughout his long career. So, that's what we are doing! Enjoy.New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. While we may be talking about an artist that many of you know in this episode, perhaps you are not aware of the depth of the side projects that the guitarists who've supported him over his 50+ years have. Our hope is that we turn you on to something new!Songs this week include:Hollywood Vampires - “The Boogieman Surprise” from Rise (2019)Billion Dollar Babies - “Too Young” from Battle Axe (1977)Electric Angels - “Dangerous Drug” from Electric Angels (1990)Lou Reed - “Vicious” from Lou Reed Live (1975)Kane Roberts - “Rock Doll” from Kane Robers (1987)Tokyo Police Club - “Little Sister (feat. Orianthi)” from 10x10x10 (2011)Avantasia - “The Toy Master (Feat. Alice Cooper & Henjo Richter)” from The Scarecrow (2008)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Greg Alsop is the producer of In This New Season (and Kailea's husband!). He has been the drummer of Tokyo Police Club since the band was formed in 2005. TPC has released 9 Top 20 Singles, received 3 Juno Nominations, and recently announced their farewell tour happening later this year. Greg has recently been signed by Spectra Creative Agency as a composer for kid's television and movies. He has written songs for DreamWorks Animation, AppleTV+ and Nickelodeon.  In this conversation, Kailea and Greg explore: Greg's 20-year career with Tokyo Police Club, starting from what it was like to leave university for the band, the climb to fame, and what it feels like to be leaving the only job he's ever had. Greg and Kailea's relationship path and how Kailea's year at Harvard was one of Greg's most challenging - where he experienced depression and loneliness. How Greg's identity was shaped by experiencing rapid success at a young age. With the band, all risk was shared – now he has more ownership over his work and this comes with greater pressures (yet the potential for greater fulfillment).   How Greg is creating success for himself on terms he can control (whereas his path to success with the band felt like a wild, uncontrollable dream). How Greg is navigating starting a new career as a composer and all the fear, self-doubt and insecurity that comes along with it. How Greg is learning to accept himself and his ‘enoughness,' but that it's an ongoing struggle of feeling a deep need to achieve. Kailea and Greg share their hearts and provide a candid look into their relationship. Identity struggles are relatable to us all and learning to build safety and freedom inside ourselves is a lifelong journey.    This episode is brought to you by the following sponsors:  Modo Yoga Charlottetown. Discover more here: https://modoyoga.com/charlottetown/ Fuel Your Body. Learn more at https://eatfyb.ca Ashe Green Design. Find out more at  https://www.ashleygreen.ca  Join the conversation over on Instagram @inthisnewseason (www.Instagram.com/inthisnewseason). To find out more about Kailea's practice visit: ⁠https://kaileaswitzer.com⁠.  In This New Season is recorded and produced by Greg Alsop at Don't Wake Baby Studio: https://www.gregalsop.com/

Steven and Ian start today's episode with an in-depth critical analysis of one of the hottest songs in pop right now, Ice Spice's "Think U The Shit (Fart)." Probably too in-depth, really. But the song is truly a rich text. From there they do the inevitable Sportscast on this weekend's Super Bowl game. Anyone who gets their sports news from indie rock podcasts will want to hear Steven and Ian's predictions (6:51). They also wonder how the brewing Taylor Swift backlash (if such a thing exists) might karmically affect the outcome. In the fantasy draft update, Ian marvels at the performance of the new Brittany Howard solo album and Steven wonders whether the controversy over Mannequin Pussy's recent AI-assisted video will impact his team (15:02).Next is a conversation about 2000s era indie folk spurred by new music this week from The Decemberists and Iron And Wine (23:10). Are the guys yay or nay on these acts? They also talk about a recent article outlining the behind-the-scenes fallout from the Pitchfork layoffs (34:17). In the mailbag, Steven and Ian reflect on the breakups of two bands, Tokyo Police Club and Hot Hot Heat (40:59).In Recommendation Corner (47:56), Ian goes with Bill Ryder-Jones (formerly of The Coral) while Steven picks two records from David Nance and Mowed Sound and Ducks Ltd.New episodes of Indiecast drop every Friday. Listen to Episode 175 and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Canada's rock n' roll messiah, Sam Roberts, joins us for the second time on The Adamantium Podcast. We discuss his latest album, The Adventures of Ben Blank, what it was like for him writing from the perspective of a character, how the songs chronicle himself and the character, and why the song “Bad Country” in particular is so special to him. We also talk about forming the band, Anyway Gang, with members of Sloan, Hollerado, and Tokyo Police Club, the 20th anniversary of his acclaimed debut album, We Were Born In A Flame, tour planning, favourite venues, and Canada's Men's National Soccer Team.

Will and Anurag discuss new releases by Sleater-Kinney and Marika Hackman, plus a live report, bonus songs, and Aaron Rodgers.

An American record producer and Grammy Award winning recording engineer, Doug has worked with some of the best Pop, Indie, and Rock musicians.  His roster includes the critically acclaimed Girls, and their offspring-solo artist Christopher Owens, Tokyo Police Club and French Kicks.  Recently, he has been in the studio with Aussie favorites Birds Of Tokyo, Roadkill Ghost Choir, Twin Peaks, Elle King, and LA's Dear Boy. Recording and mixing credits include Australia's The Vines, Paul Dempsey, Powder Finger, as well as American pop phenoms Katie Perry, Fallout Boy and Miley Cyrus. Other credits include Booker T Jones, Guided By Voices, The Whigs, The Pharcyde, Guru, Dr Dog, Company of Thieves, The Honorary Title, Islands, Liz Phair, Starsailor, Ezra Furman and the Harpoons, and the Stone Foxes. IN THIS EPISODE, YOU'LL LEARN ABOUT: Quitting audio college as a fast track to working in the audio industry How to rise up the ranks in a studio Working for Jack Joseph Puig The simple trick for getting things to sound good How to analyze reference tracks Getting mixes to translate Why your monitors aren't your problem NS10s: why they're the worst Preserving the sound of a client's rough mixes Getting bug, wide guitars His simple approach to micing guitar amps A trick for getting wider drum room sounds Working with Tokyo Police Club Using Transient Designers on room mics Committing to sounds on the way in The importance of automation to make mixes sound exciting Notable gear mentioned in this episode: Shure SM57: https://sweetwater.sjv.io/vN2JYO To learn more about Doug Boehm, visit: https://www.dougboehmmusic.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

The Groovy Guys welcome ChatGPT onto the pod to share a short story about the exploits of the Crate Boss, the Crate Crusader, the Crate Connoisseur and the Crate Master. This is Diggin', Spinnin', Giggin' our semi-regular round up of new arrivals, music on heavy rotation and gigs we've been to. Groovy Guy Tom also reveals a huge development for the future of the pod. Diggin': Beddy Rays, JB Paterson, The Beatles, The Chats, C.O.F.F.I.N., Red Hot Chilli Peppers, Eminem, Shania Twain, Green Day and Pink Spinnin': C.O.F.F.I.N., Andy Shauf, Way Dynamic, Boy Genius, Tokyo Police Club, Chuck Berry, The Kinks, Adam Newling, Paramore, Yeah Yeah Yeahs and Shania Twain Giggin': Mayhem, Knotfest, JB Paterson and Shania Twink! Show notes: 00:00:00 - 00:06:23 Intro and ChatGPT-generated short story about the pod 00:06:23 - 00:20:00 Diggin' 00:20:00 - 00:24:29 Spinnin' 00:24:29 - 00:32:25 Giggin' 00:32:25 - 00:33:44 Outro LISTEN ON SPOTIFY https://open.spotify.com/show/3TOshx7wCkeiPF2Vhl7ksf ON APPLE https://podcasts.apple.com/us/podcast/crate-expectations/id1583755634 OTHER PLATFORMS https://anchor.fm/crate-expectations ALBUM PLAYLIST https://open.spotify.com/playlist/58F0MiF6en9S9uhOHfsSEA?si=96e5f569b7634df8 ENGAGE TWITTER https://twitter.com/cratepod INSTAGRAM https://www.instagram.com/crateexpectationspod/ REDDIT https://www.reddit.com/user/crateexpectationspod WEBSITE www.crateexpectationspod.com EMAIL crateexpectationspod@gmail.com About Crate Expectations Crate Expectations is a podcast for vinyl record collectors and music fans - featuring Groovy Guys Tom, Dan, Matt and Chris rambling on about vinyl culture, new and old bands, the music industry, gigs… and bunnies. --- Send in a voice message: https://podcasters.spotify.com/pod/show/crate-expectations/message

This summer, Minneapolis-based synth-pop band Poliça released their sixth studio album Madness via Memphis Industries Records. When they stopped by KEXP in July to play songs off the record, frontwoman Channy Leaneagh spoke with Cheryl Waters about the incorporation of a new band member of sorts, an anthropomorphic production tool designed by producer Ryan Olson and the sound-artist Seth Rosetter called “AllOvers(c)” which added an eerie element to the band's icey sound. For an extra gift, we're sharing a snippet from labelmates Tokyo Police Club's KEXP in-studio session from 2008. Recorded 07/07/2022. Sweet Memz Blood Madness Amongster Watch the full Live on KEXP session on YouTubeSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

This summer, Minneapolis-based synth-pop band Poliça released their sixth studio album Madness via Memphis Industries Records. When they stopped by KEXP in July to play songs off the record, frontwoman Channy Leaneagh spoke with Cheryl Waters about the incorporation of a new band member of sorts, an anthropomorphic production tool designed by producer Ryan Olson and the sound-artist Seth Rosetter called “AllOvers(c)” which added an eerie element to the band's icey sound. For an extra gift, we're sharing a snippet from labelmates Tokyo Police Club's KEXP in-studio session from 2008. Recorded 07/07/2022. Sweet Memz Blood Madness Amongster Watch the full Live on KEXP session on YouTubeSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Oh my goodness I was so energized in this conversation, haha. Here's another one from the Live From My Bachelor Pad days.

On this week's podcast, Canadian Musician Editor-in-Chief Mike Raine is joined by Kim Fry, one of the organizers behind Music Declares Emergency Canada (MDEC). It's the Canadian chapter of a global movement of people in the music industry working together “towards a carbon neutral future.” More than 200 artists have signed on in Canada, including Tegan & Sara, LAL, Sarah Harmer, Caribou, and members of Broken Social Scene and Tokyo Police Club. Kim, who has a background with Greenpeace and climate activism, is also the mother of Brighid Fry of the popular Canadian indie-folk group Housewife (formerly Moscow Apartment). Mike and Kim discuss MDE/MDEC's formation, it's approach to activism and making change, why and how artists should get involved with climate activism, even if they're not “perfect” environmentalists, and what specifically the music industry needs to change in order to be part of the solution of halting climate change. For more about Music Declares Emergency, go to www.musicdeclares.net.

Our Three Albums: A Lesson in Crime by Tokyo Police Club; The Crane Wife by The Decemberists; Boys and Girls in America by The Holdsteady Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Rocky Mtn Mixdown podcast where we discuss and document the making of the Colorado music scene. On this week's episode, hosts Kenny Vasko and Liz Vasko are paling around with former Dog House members and current Dog House hall-of-famers Eddie and Justin of Colorado-based Big Dopes. Big Dopes' music evokes the loose, lighthearted feel of 90s alternative and indie with detours into loungey 60s-indebted pop. Lead songwriter Eddie uses a playful, conversational baritone to sing through neuroses about long-distance relationships, being a houseguest, and wasting money on busted headphones. Veteran drummer Ricky lends a steady groove and harmonies, and Justin's bass often takes the lead, playing energetic, melodic lines. Paul, who joined in 2019, plays tasteful guitar, violin, and keys. Big Dopes' second album Destination Wedding came out in November 2021 and was recorded in 2020 during the heart of the pandemic. The band recorded the album in Denver while two bandmates were living out-of-state, making the recording process an "interesting" but also deeply fulfilling experience. The band recently played their first shows at Denver's iconic Bluebird Theater (with Tokyo Police Club) and Gothic Theater, both of which being major achievements and benchmarks in the group's career. Big Dopes is currently working on a vinyl release for the new album, (projected for this summer) and continue to get together for weekly writing sessions to work on new music! If you're listening from the (currently frigid) midwest, look out for Big Dopes' spring midwest tour April 7th through 16th! You can find the Rocky Mtn Mixdown podcast on Spotify, Apple Podcasts, Google Podcasts, and at doghousemusic.com/rockymtnmixdown. As always, thank you to Dog House Music's own Ty Gallaway for producing this and every episode. EPISODE LINKS Big Dopes | Instagram | Facebook | YouTube | Spotify Dog House Music Studios | Website | Instagram | Facebook | YouTube Kenny Vasko | Facebook Liz Vasko | Facebook --- Send in a voice message: https://anchor.fm/rockymtnmixdown/message Support this podcast: https://anchor.fm/rockymtnmixdown/support

Good day to you! The Road The Stage is here with a new episode, this week featuring Graham Wright, fresh off the release of his new solo album The Cost Of Doing Business. Patrick Bateman and Peter Michaels are pretty hyped on this new record and you should be too. So go listen to it! And tune in as Graham takes us through some of the process, his recent weeks on tour with Tokyo Police Club, the magic of Hans Zimmer and Dune, directing a movie, writing books - I mean, Graham does just about everything but play Crokinole. OH WAIT, he does that too.  Watch the episode at the Communal Creative Studios YouTube channel. And SUBSCRIBE, YOU CAN DO IT!

“I've Always Wanted To Be Me” You might know Dave Monks from his work with his band Tokyo Police Club. Since 2005 The Canadian-bred TPC have been one of the most exciting indie rock outfits around, putting out winning albums like Champ and Elephant Shell. They played on Letterman and Craig Ferguson played festivals like Outside Lands, Lollapalooza and Coachella and though the beloved Juno-nominated band are still an ongoing proposition so is Monks' solo career. His sophomore album I've Always Wanted To Be Me is a nervy blast of life-affirming indie rock that's big and crunchy, hook filled and catchy—but it's also lyrically direct and emotionally vulnerable, making it one of the most memorable albums of the year. In this equally memorable chat, Monks talks to Alex about being competitive, the benefits of having a partner who's also in the music business and the changing shapes of his daily practice. www.tokyopoliceclub.com www.davegoeswild.com www.bombshellradio.com Stereo Embers: Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

We had the pleasure of interviewing Geographer over Zoom video!  Synth-pop luminary Geographer recently released his newest album, Down and Out In The Garden Of Earthly Delights, an 18 track voyage of synth-pop bliss. Formed in San Francisco, Geographer is the moniker for now Los Angeles-based artist Mike Deni. Earlier this month he announced a headlining U.S. tour that will launch in San Francisco on March 8th and includes stops in Chicago, Boston, New York, and more before wrapping on April 16th in Phoenix, AZ.  He is also confirmed for Treefort Festival and for the Just Like Heaven Festival 2022.ABOUT THE ALBUM & GEOGRAPHER:“I hit a ceiling in San  Francisco. I was writing a lot more songs with people in LA, so I moved down. I didn't really have any friends and just spent way too much time alone, making music. I wasn't thriving, I was surviving. Everything feels possible here. That's the vibe of LA: You've made it to paradise! You should be really happy...and then nobody is. There's a lot of darkness —you have to sift through everything to find your own path,” remarks Deni. While recording his album, engineer  Jules de  Gasperis showed him an image of the famed, 15th-century triptych painting “The Garden of Earthly Delights,” depicting alternate realities of paradise, hell, and reality. “It's like, why are we all so bummed out? We are all miserable.  And  we're  in  paradise.” And thus, Down and Out in the Garden of Earthly Delights—recorded between Spring and Winter of 2019 —was born. Part social scientist, part troubadour, if Geographer is an expert at anything, it's precisely chronicling life's imperfections. He has headlined many national tours, played Outside Lands, Firefly, and other festivals, released two critically acclaimed albums, and performed with such musical luminaries as K.Flay, The Flaming Lips, Young The Giant, Tycho, Ratatat, Betty Who, and Tokyo Police Club. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #Geographer  #zoom Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! 

Got together with the Colorado Crew (Henry, Tara, and Jason) to discuss the ten-year anniversary re-release of Champ by Tokyo Police Club. An album we'd all listened to before and that has become a staple in so many an indie kids' playlist repertoire. By touring this album ten years on and releasing a deluxe version with 13 extra tracks for their fans, TPC is really honoring one of their most popular albums this year and we had to pay tribute as well. Hope you enjoy it! HAPPY ONE YEAR OF THE LUMR ROUNDTABLE!!! Follow for more @londonmusicreview on Instagram and Facebook, and @LondonMusicRev on Twitter. --- Support this podcast: https://podcasters.spotify.com/pod/show/londonmusicreview/support

Kevin sits down with Graham Write of Tokyo Police Club to talk about the indie rock band's 2010 album, Champ, and the band's 10th anniversary tour celebrating that album.  Podcast episodes, music news and reviews at http://popsandhisses.com  Subscribe to the Pops and Hisses podcast: https://linktr.ee/popsandhisses  Follow Kevin – Twitter: https://twitter.com/omahamusicguy  – Facebook: https://www.facebook.com/kevincoffeyomaha  – Instagram: https://www.instagram.com/omahamusicguy A Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

2 MUCH TV - The Best Comedy/Songwriting Podcast of 2021 - Real Magazine This week we're diving into the CIA psy-op HOMELAND we're also trying to figure out exactly how popular john leguizamo is. Just a warning: this is the last week that you'll get to know us as losers because we're making a big hair change. Our guest this week is GRAHAM WRIGHT of the bands Tokyo Police Club and Girlfriend Material. Graham also played keys on the PONY record and recently released a solo album! Graham is a late bloomer to the TV and dove deep into crime and mystery on Homeland. Follow Graham: https://www.instagram.com/wrighteous/ https://twitter.com/grahamwright https://grahamwright.bandcamp.com/ https://tokyo-police-club.bandcamp.com/ https://girlfriendmaterialrock.bandcamp.com/ _________________________________________ www.patreon.com/2muchtv www.prettymatty.com www.ponytheband.ca twitter.com/prttymtty twitter.com/PONYtoronto

My guest today is Pierre de Reeder who spreads his time between making records as a commercial studio owner at 64 Sound and its affiliated production room facilities, inhabiting the occasional role as a solo artist or player in various projects, running his indie record label Little Record Company, and managing all things Rilo Kiley… a band for which he is both a founding member, as well as now having its two latest releases on his label. In recording things, he has worked with the likes of Mavis Staples, She & Him, M. Ward, Sia, Tim Heidecker (from Tim & Eric), Emitt Rhodes, Vampire Weekend, Ben Gibbard, Julian Casablancas, Bright Eyes, and much of his own and various bands.  And his studio, 64 Sound and its incarnations have hosted artists such as X, Devendra Banhart, My Morning Jacket, Amanda Palmer, Michael Kiwanuka, Tokyo Police Club, Bat For Lashes, Ty Segall, St. Vincent and Sleater-Kinney, Starcrawler, Warpaint, and many more.   Because of its very extensive collection of vintage recording gear, microphones and instruments (lifelong collections of Pierre and his studio partners Curt Anderson and Kingsize Soundlabs), as well as multiple analog tape formats and/or digital, 64 Sound, has become a highly coveted recording destination for bands and songwriters from around the country and globe who come to play and write on more than 50 vintage guitars, 40 vintage keyboards, synths and organs, multiple pianos and drums and effects and doodads galore. Thanks so much to Rob Schnapf for making our introduction... Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 50% off select mics https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://www.youtube.com/user/adamaudiospeakers http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/4v0vOCWpGQnd5NVIowxffG?si=20f2d5ef9b014dc1 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/319

EVERYBODY LISTEN UP! It's Dave Monks week on The Road The Stage. Just in time for the release of his new record I've Always Wanted To Be Me (Out October 15th), Patrick Bateman and Peter Michaels got to chat with Dave about his newest tunes, getting ready to suit up and tour the US again with Tokyo Police Club, creating fire content and it coming off like you're a seasoned pro, and lots more. Plus, just to prove how wonderful he is - Dave even brought his Bo's Bar & Stage hat to the episode. SICK HAT, BRO. Peep it in the episode, broadcasting on the Bo's YouTube channel WHICH YOU SHOULD SUBSCRIBE TO THANKS. Recorded and Produced at Communal Creative Studios in Red Deer, Alberta.

As a teenager, Jason Dufour's musical purchases were informed not by the name on the front cover or the track listing on the back; instead, he looked to the liner notes. “I would walk into HMV and I knew the guys there,” he begins to recall. “I'd say, ‘I think this one dude worked on this CD, can I open it? I just want to see!' If I opened it and didn't see the name, I'm like, ‘I don't want to buy this!'” Two decades later, Jason Dufour is the name in the liner notes, wherever you may be reading them. A graduate of London's Ontario Institute of Audio Recording Technology (OIART), Dufour has gone on to have a hand in multiple Juno Award-winning and nominated records across a slew of genres, and is one of the Canada's most in-demand and well-rounded engineers today. His résumé is dotted with marquee names, including Lights, Three Days Grace, Tokyo Police Club, Donovan Woods, Protest the Hero, and The Tea Party, and is punctuated by a Juno victory of his own as 2017's Recording Engineer of the Year for his mixing work on July Talk's acclaimed LP Touch. Links mentioned in this episode: https://www.professionalsoundpodcast.com http://www.nwcmarket.com https://www.professional-sound.com This podcast is hosted by ZenCast.fm

On episode 29, I am joined by Jacob Tsafatinos of the band Good Kid - who's latest EP - Good Kid 2 came out on November 6, 2020. This band is one of my favourite musical discoveries of 2020, with a sound reminiscent of The Strokes and Tokyo Police Club, with a little Fallout Boy or Panic at the Disco in vocals for good measure. What I love about the band is the visual and creative identity they have developed for themselves based on their passions and interests that lie outside of the music world, from video games to anime. We talk about the character the band has created called “Nomu” who is embedded in all of their album art - like Eddie from Iron Maiden - generating what they call “fan art friday”. We get into the creation of the band's very own 8-bit side scrolling video game called Good Kid - Ghost King's Revenge, and it's accompanying 8-bit soundtrack of their music - that they created themselves. We also talk about how they got their song “Witches” added to Fortnite radio on the ever popular video game - Fortnite.If you have music you would like us to hear, or have a great release day rollout plan you want the world to know about, send an email with your EPK and release plan to: contactreleaseday@gmail.comThank you so much for listening, and Welcome to Release Day!Theme music composed by Evan Denley.Reference Links:Good Kid Website: https://goodkidofficial.com/DMCA: https://www.dmca.com/News from Twitch RE: DMCA: https://www.dexerto.com/entertainment/twitch-reaches-new-agreement-to-protect-streamers-from-dmca-strikes-1658617/Decolonial Clothing - https://decolonialclothingco.ca/Release Day Spotify Playlist - https://open.spotify.com/playlist/0GbiC5YorhQObK1n3FndhJ?si=l0sbbP1ARnaWaDbFRVzpEwRelease Day Website - https://releasedayseries.com/"Release Day," an ongoing series where we sit down with Canadian musicians of all genres to discuss their latest releases from singles to albums, and their strategy behind releasing it to the world.https://releasedayseries.com/https://twitter.com/ReleasedaySrshttps://www.instagram.com/releaseday_series/

Graham from Tokyo Police Club joins the boys to chat about playing puck on tour, growing up a Toronto Maple Leafs fan, and all thing TPC. NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW! FOLLOW: INSTAGRAM: https://www.instagram.com/bardownbreakdown/ TWITTER: https://twitter.com/bdbdpodcast FACEBOOK: https://www.facebook.com/BarDownBreakdownPodcast/ WEBSITE: https://bardownbreakdown.com MERCH: https://www.c2chockey.net PLAYLISTS: https://open.spotify.com/playlist/7FonU7NPNQtFxRZnqm4dxL?si=z1RX3VUgSbKVrKHn2Az7TA TOKYO POLICE CLUB: https://open.spotify.com/artist/3wyfo3svXNWnszGAEVey11?si=xHzKby4lQZKuOPPI8BWm9Q BROUGHT TO YOU BY THE HOCKEY PODCAST NETWORK: https://www.thehockeypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Graham from Tokyo Police Club joins the boys to chat about playing puck on tour, growing up a Toronto Maple Leafs fan, and all thing TPC. NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW! FOLLOW: INSTAGRAM: https://www.instagram.com/bardownbreakdown/ TWITTER: https://twitter.com/bdbdpodcast FACEBOOK: https://www.facebook.com/BarDownBreakdownPodcast/ WEBSITE: https://bardownbreakdown.com MERCH: https://www.c2chockey.net PLAYLISTS: https://open.spotify.com/playlist/7FonU7NPNQtFxRZnqm4dxL?si=z1RX3VUgSbKVrKHn2Az7TA TOKYO POLICE CLUB: https://open.spotify.com/artist/3wyfo3svXNWnszGAEVey11?si=xHzKby4lQZKuOPPI8BWm9Q BROUGHT TO YOU BY THE HOCKEY PODCAST NETWORK: https://www.thehockeypodcastnetwork.com

Reedicions: The Black Crowes. Trenta anys despr

La actualidad internacional ocupa buena parte del programa de hoy, abriendo con los japoneses Still Dreams y Chai, que le dan la mano a The Weeknd, Tokyo Police Club, Stereolab, Loyle Carner, Goat Girl, Field Music, Cyn, Juan Wauters, Myd, Alfie Templeman, Deap Vally, Françoise and the Atlas Mountains, Lewis del Mar, Perfume Genius, Midnight Sister, Matt Berninger, James Yorkston y Chevalrex como recomendación del Instituto Francés. Además, desde New York, Hypnotic Brass Ensemble nos envían un mensaje para presentarnos su reciente nuevo álbum con el que firman nuestro disco de la semana. En el apartado nacional escuchamos a Olalla Lux, Georgy Aveni, Luis Prado, Cuchillas, Los Inocentes y Amalia P, que nos presenta en primera persona su nueva canción. Completamos el programa con nuestra versión de la semana: un clásico de The Four Tops que firma Paul Stanley (cantante de Kiss) y que formará parte de su próximo disco.

There are albums in the indie rock and alternative rock realm that were influential and beloved at the time of their release, but have since been lost to the test of time and sadly — some might say shamefully — left out of the widely accepted canon of the genre. On this episode, Steven and Ian are looking to right these wrongs with the creation the Indiecast Hall Of Fame. This week, Hyden and Cohen are using the episode as a way to give proper recognition to albums they love, and to make the case for why they remain important in the lore of indie rock history to this day. Included on the list are records from Counting Crows, The Promise Ring, Afghan Whigs, and more.In this week’s Recommendation Corner, Cohen has been revisiting Tokyo Police Club’s Champ in honor of its upcoming tenth anniversary. Looking ahead, Hyden is excited about Drunk Tank Pink, the forthcoming effort from UK post-punk outfit Shame.

There are albums in the indie rock and alternative rock realm that were influential and beloved at the time of their release, but have since been lost to the test of time and sadly — some might say shamefully — left out of the widely accepted canon of the genre. On this episode, Steven and Ian are looking to right these wrongs with the creation the Indiecast Hall Of Fame. This week, Hyden and Cohen are using the episode as a way to give proper recognition to albums they love, and to make the case for why they remain important in the lore of indie rock history to this day. Included on the list are records from Counting Crows, The Promise Ring, Afghan Whigs, and more.In this week’s Recommendation Corner, Cohen has been revisiting Tokyo Police Club’s Champ in honor of its upcoming tenth anniversary. Looking ahead, Hyden is excited about Drunk Tank Pink, the forthcoming effort from UK post-punk outfit Shame.

In this very special, supersized episode the guys are joined by Graham of Tokyo Police Club. Together they explore the astronomical number of islands that make up Japan, the insane amount of chopsticks that are produced yearly and they talk a little bit about the 2014 album Forcefield. Graham is the keyboardist/guitarist/backing vocalist/tambourine-ist for TPC and he brings with him a valuable insight into the background of the album that took the band four years to make. We enjoyed our talk with Graham so much that it went on for three hours and Jake even had to leave half way through to rehearse for a live streamed performance with his band Lula Violet, though he was able to offer his final thoughts on the album.

The 'My 00s No1 Album' series of bonus podcasts continues with Graham Wright from Tokyo Police Club naming his favourite album of the era. Remember, you can catch up with our full chat with Graham about the Tokyo Police Club story in our library, and we'll have a new full-length episode with another 00s indie star landing on Saturday. Tokyo Police Club fan? Share your memories of the band with us:  Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - boysinthebandpod@gmail.com Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 7 October 2020* 

On this week's show we're joined by Tokyo Police Club's Graham Wright to talk about the Canadian band's journey from Ontario to touring the world - and how they ended up on Desperate Housewives!   Graham also lifts the lid on what it's like being wined and dined by record companies trying to sign your band, tells some great stories from life on the road, and reveals how they almost left stellar tune Your English is Good off their breakout album Elephant Shell. Tokyo Police Club fan? Share your memories of the band with us:  Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - boysinthebandpod@gmail.com Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 7 October 2020* 

In this episode, I chat with Michigander. Michigander emanates a magnetic Midwest spirit, delivering uplifting anthems, raised even higher by six-string fireworks, empowering lyrics, and understated arena ambition. Garnering 3 million-plus streams and the acclaim of NPR, Paste, NME, Metro Times and more by 2019, the sonic alter ego of Michigan native, singer, producer, and guitarist Jason Singer bottles the feeling of the region on the 2019 EP, Where Do We Go From Here [C3 Records]. Jason brought Michigander to life during 2014 while moving across his home state to Kalamazoo. In 2016 the independent single “Nineties” took off, claiming real estate on multiple major Spotify playlists and cracking 1 million streams on the platform. Between releasing the 2018 Midland EP, the group shared the stage with the likes of Ra Ra Ra Riot, Tokyo Police Club, Twin Peaks, and JR JR in addition to gracing the stages of festivals with alt-j, Solange, Foster The People, and Run The Jewels, to name a few. Signed to C3 Records, he recorded Where Do We Go From Here and expanded the sound in 2019 as illuminated on singles such as “Misery” and "Poplar", of which the later saw placements on Spotify's The New Alt, Fresh Finds, and Rock'n Vibes. Please go and follow Michigander at: Facebook: https://fb.me/michiganderband Instagram: https://www.instagram.com/michiganderband/ YouTube: https://www.youtube.com/channel/UCL-BIPO1Z1RcgvqufyncaQA Twitter: https://twitter.com/michiganderband Spotify: https://open.spotify.com/artist/0oL26Dn9y761yfJgNb3vfu SoundCloud: https://soundcloud.com/michiganderband iTunes: https://itunes.apple.com/us/artist/michigander/id1096482927 *** You can follow me on Twitter at http://twitter.com/MKLikesMusic --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/matthias-kaseorg/support

Rob is an incredible producer who has worked in the music industry for decades. His credits include: Beck, Toadies, Tokyo Police Club, Elliot Smith, and lots other other influential bands and artists. This interview was recorded shortly after David Bowie died. The death of one of the greatest artists of our time led us to an in-depth conversation about the importance of art and what it means to be a true artist. Rob really is an amazing example of someone who has made amazing albums on a shoestring budget! He made Beck's "Mellow Gold" on a Foster E8 and a Roland Hard Disk recorder and the "Loser" video for $3000!  

John Cullen is a Vancouver-based comedian (originally from Toronto). His comedy album, “Most Likely To Be a Comedian” topped iTunes charts and regularly plays on SiriusXM radio. He has appeared at the Just For Laughs comedy festival and the Halifax Comedy Festival. He is also a contributor to CBC's The Debaters.His former podcast “Real Good Show” was nominated for a Canadian Comedy Award and amassed over 300,000 downloads. His current podcast, “Blocked Party” with Stefan Heck, features some of Vancouver's funniest comics and regularly hits the iTunes podcast charts.In addition to comedy, John is a competitive curler who has won five medals at the BC Men's Provincials. He has a drummer whose bands Shukov and Hayfa Makes Music have toured Western Canada with the likes of Hey Ocean!, k-os, and Tokyo Police Club. He is also a substitute teacher.

Dave Monks of Tokyo Police Club spoke to us at SXSW

This weeks episode features Graham Wright, the keyboardist from the band Tokyo Police Club- the first band ever on The Kodakery! We talk about their latest album, shooting their music video with Super 8, and their upcoming tour! Definitely give it a listen.

Portlander Andre Allen Anjos is up for a Grammy on Monday for best remixed recording. He works under the name RAC, and he's become the go-to guy for remixing indie bands, from The Arcade Fire to Foster the People.As a college student in Greenville, Illinois, Andre Allen Anjos didn't aspire to be a globe-trotting artist and DJ whose songs have racked up millions of listens.“My highest aspiration was to be a studio assistant, where I could work with recording equipment and make a living, but not necessarily be a musician,” he says.But he wasn't getting anywhere, so he decided to create his own agency called the Remix Artist Collective, or RAC. His first cold call: the Shins. The band was putting out its third album, “Wincing the Night Away.” The manager asked for some demos. Weeks later, he called Anjos in the middle of history class — Anjos had a green light to remix “Sleeping lessons.”“James mercer, he's like super nice,” says Anjos of meeting the bandleader backstage after finishing the remix. “I was just this little kid — so scared to meet them. He told me he liked my version better than his.”The music taste-making blog Pitchfork picked up the remix, and the band released it as a B-side. Suddenly Anjos had real cred, and he saw an opening.“At the time, remixing was just dance beats underneath a vocal,” he recalls. “Not a lot of people were remixing indie bands or remixing more rock-oriented stuff.”Pretty soon, bands were soliciting Anjos. He's worked with a who's who of indie royalty: The Yeah Yeah Yeahs, Death Cab for Cutie, Tokyo Police Club, not to mention mega acts like U2, Katy Perry and Lady Gaga. Read the full story: http://www.opb.org/artsandlife/article/portland-indie-remix-pioneer-rac-on-grammy-nominated-work