Podcasts about jallad

Dave, Bill, and Carmen sit down with Abe Bueno-Jallad, who plays “Big James” in The Chosen, during a “bring your mom to work” segment featuring Carmen’s mom, “Mohair,” a devoted fan. Abe shares a line from season two—“Sometimes I don’t always know what I’m doing, I’m just following”—that has grown in significance for him, and discusses how playing a disciple without a dedicated biblical book pushed him to study the Gospels and broader scripture like a detective. He describes the emotional weight the cast carried while filming season six’s crucifixion scenes, compares the cast dynamic to a family cooking Thanksgiving dinner every day, and talks about the show’s reach in Spanish-speaking regions and the Arab world, including connecting with Christian families in Bethlehem. He also notes how the series can challenge viewers’ preconceived ideas about Jesus and mentions fun on-set moments he can’t fully share, including an unused version of the triumphal entry. Connect with us: The Morning Cruise on Instagram The JOY FM YouTube Listen Live: https://www.thejoyfm.com/

Songforms of conventional and highly unconventional sorts tonight, taking in folk traditions from around the world, jazz, the outer limits of metal and more, plus strange twistings of clubforms, impressionist composition of the early 20th century, field recordings and more… LISTEN AGAIN, unconventionally. Stream on demand from fbi.radio, podcast right here. Wendy Eisenberg – Take A Number [Joyful Noise/Bandcamp] Wendy Eisenberg – Curious Bird [Joyful Noise/Bandcamp] We’ve heard from brilliant guitarist, sometime banjoist, songwriter, improviser & composer Wendy Eisenberg in many contexts in the last couple of years: there’s the amazing postpunk/art-rock trio Editrix, Bill Orcutt’s Guitar Quartet, their avant-garde songwriting collaboration with Caroline Davis, and most recently their appearance on their now-partner Mari More Eaze Rubio’s brilliant solo album sentence structure in the country. But the highlight for me remains Eisenberg’s breathtaking final track, “In The Pines”, from their 2024 album Viewfinder. So for all their jazz guitar chops and restless experimentation, I’m already primed to love Eisenberg’s most pure songwriting on this album. There’s definitely a statement in self-titling a mid-career album, and Wendy Eisenberg presents as a straightforward album of songwriterly storytelling, deeply grounded in their newfound love with Mari Rubio. There’s definitely more than a little country in these songs, as well as folk-revivalist styles from Britain, Appalachia etc, but whatever genre, Wendy’s particular melodic sensibility comes through. Supporting this, however, are the utterly essential, sumptuous string arrangements from Mari Rubio, who also co-produced the album with Eisenberg and added pedal steel and synths. With longtime bandmates Trevor Dunn on bass (known for Mr Bungle, Secret Chiefs 3, many John Zorn-related lineups etc) and Ryan Sawyer on drums (of too many collaborations including a time in At The Drive-In and long-ago UFog faves Stars Like Fleas), there’s a homely feel to these songs, songs which contemplate identity, life’s trajectory, past trauma and coming into a hard-won happiness. Margareth Kammerer – Gift [Ftarri/Bandcamp] Margareth Kammerer – Amor [Ftarri/Bandcamp] Weirdly, when I did my DJ set for Art After Hours/Liquid Architecture/Sydney Biennale in March (stream it here) I decided to play a track by Berlin-based Italian singer & composer Margareth Kammerer, and only a day or two later I discovered that she’d just released a new album, The Garden. I’ve been a fan of hers since, I would say, the mid 2000s, when she released the extraordinary album To Be an Animal of Real Flesh, full of odd, experimental songs. Following a few years later came two wonderful, mysterious albums with The Magic I.D., a quartet with Christof Kurzmann on electronics and vocals next to her own guitar & vocals, and the two clarinettists, Kai Fagaschinski & Michael Thieke, who also play bewitching, alien music as The International Nothing. So it’s reasonable to say she’s been deconstructing and re-examining songform for some decades by now. Released by Japanese label Ftarri (also a tiny experimental music venue & store in Tokyo), The Garden is of a piece with her earlier albums – the last of which came out a mere 12 years ago… Her oddly beautiful songs are supported by many important fellow travellers including our own Chris Abrahams of The Necks etc, double-bassist/electronicist Werner Dafeldecker, experimental musician Valerio Tricoli and experimental cellist Bo Wiget. I remain in awe. Espen Reinertsen – Til noens dype muskelvev [SusannaSonata/Bandcamp] Espen Reinertsen – Skal jeg følge deg til havet [SusannaSonata/Bandcamp] What astonishing beauty to stumble upon without warning! Espen Reinertsen is a name I’ve known for a while, as his saxophone and woodwinds – or his mixing skills – are credited on many a Norwegian release, including those from Trondheim Jazz Orchestra, Erik Honoré, Kim Myhr, Jenny Hval and Christian Wallumrød Ensemble. But these are his own songs, with sparse live drums and drum machines, sparse keyboards and gorgeous woodwind & trumpet arrangements which frequently shift into unexpected voicings and harmonies. You’ll hear a lot of Radiohead here – albeit more jazz-informed – but it’s also one of those rare cases when the post-rock-as-in-Talk-Talk tag is completely justified. Reinertsen’s melodies are simple until they spin off into some harmonically distant galaxy, and his layers of woodwinds are delicately emotive, merging invisibly with synthesizers just as Erik Nylander’s acoustic drums somehow have the precision of drum machines and also the sparkle of jazz drums. What a blessing. Marianna Sangita Angeletaki Røe & Trondheim Jazz Orchestra – Kori [Puritone/Bandcamp] So, Trondheim Jazz Orchestra are a collective with a varying lineup of Norwegian improvising musicians, who enlist different musicians to collaborate with them, with reliably extraordinary results. On this album, they work with Greek-Norwegian singer & composer Marianna Sangita Angeletaki Røe, who has titled the album ΣΠΙΤΙ (SPITI), which is Greek for “Home”. Marianna Sangita explores her own search for belonging, caught between two very different places, and she sings in four different languages: Norwegian, Greek, English, and Sámi, the latter being a people indigenous to the Sápmi region across northern parts of Norway, Sweden, Finland and part of Russia. The music, too, draws from many different traditions, with Greece’s proximity to the area Europeans call the “Middle East” evident in its traditional musical forms, and the combined vocals of Sangita, Ina Sagstuen and Sissel Vera Pettersen (and other musicians at times) evoking Eastern European musics as much as Nordic. The musicianship is uniformly brilliant, the songs sparkling, moving, joyful. Highly recommended. Mayssa Jallad – Taamir (Bahriyyeh) [Ruptured Records/Bandcamp] A few years back, Beirut label Ruptured put out an amazing album by Lebanese singer/songwriter and researcher Mayssa Jallad called Marjaa: The Battle of the Hotels. In touching experimental songs, Jallad chronicled the beginning of the Lebanese Civil War in 1975, in which Christian Nationalists and pro-Palestinian leftists fought a violent battle amongst the high-rise hotels in Beirut, leading to the Green Line dividing the city, a rift that lasted for 15 years. Since then the album has been remixed in spectral dub fashion by Civilistjävel!, and in 2024 Mayssa created a stunning piece about a Palestinian woman displaced from her village in the Nakba. That single was created out of an instrumental track by Tunefork Studios & Ruptured Records’ Fadi Tabbal, and her new song “Taamir (Bahriyyeh)” is a musical collaboration with Tabbal, featuring drums from Postcards & SANAM‘s Pascal Semerdjian. Jallad is an urban researcher as well as a musician, and urban history is the basis of all these works. This song is about the Taamir social housing project, built in the wake of a destructive earthquake in 1956. By the time the project started, the Ain el Helwe refugee camp had already existed for 8 years, and the juxtaposition of Palestinian refugees, unfortunates who lost their homes in the earthquake, and those more fortunate, is explored by Jallad in this moving, experimental piece, with rumbling, clattering drones and field recordings surrounding Jallad’s voice. Radwan Ghazi Moumneh & Frédéric D. Oberland – Squeal Of Swine خنخنة خنازير [Constellation/Bandcamp] Montreal’s storied Constellation label here brings together a Canadian and French artist for their first duo work. Radwan Ghazi Moumneh has been deeply involved in the Montreal postrock & experimental music in Quebec for over 2 decades, and he’s the co-owner of the mighty Hotel2Tango, originally a performance & artists’ space co-run by members of Godspeed You! Black Emperor and A Silver Mt. Zion, but his main musical outlet has been Jerusalem In My Heart, begun as an audiovisual project with Erin Weisgerber, with Moumneh’s stunning melismatic vocals fed through granular processing to create a contemporary Arabic music ahead of its time in the mid-2010s. Frédéric D. Oberland is a key figure in Paris’s psych & avant-rock scenes, although he also began making films on Super8 & video. Among many bands & collaborations, he leads the incredible Oiseaux-Tempête, a collective whose music draws on psych, krautrock, postpunk and electronic music, with many collaborators and a deep connection to SWANA artists. Moumneh & Oberland had worked together via Oiseaux-Tempête and other projects, but had long intended to collaborate as a duo. Some works were started at Hotel2Tango in 2023, but as Moumneh puts it, since the genocide began he’d experienced sever writer’s block, so he took himself off to Paris in 2024 to complete the work. Four of the seven tracks do feature Moumneh’s voice, but here it’s Oberland taking more of a driver’s seat. Nevertheless, as well as Moumneh’s pain-filled voice Moumneh plays both buzuk and rababa, and there’s daf in the mix along with lots of electronic drones, drum machines and Oberland’s sax and clarineau. This is immersive music of great emotion. Maryam Saleh – Nedaa نداء [Simsara Records/Bandcamp] I first heard Egyptian singer Maryam Saleh as part of the magnificent trio release Lekhfa back in 2017. There, Saleh’s voice combined with the voice and instruments of Palestinian-Egyptian musician Tamer Abu Ghazaleh and the production wizardry and music of Maurice Louca – a masterpiece of Arabic indie music. As far as I can see, her new album, coming some 9 years later, is her first since that collaboration. Produced by Maurice Louca, it also features multiple instruments and creative mentoring from Paris-based Palestinian musician Kamilya Jubran, who founded the organisation Zamkara in Paris to support artistic projects. After three years of development, the result is Syrr سِرّ, the Arabic word for secret, which also happens to be the name Saleh gave her daughter. The album is imprinted by heavy events in Saleh’s life, particularly post-natal depression and divorce. Released by Sarah El Miniawy‘s Simsara Records, this is a creative take on Arabic music, leaning into trip-hop at times, into acoustic instrumentation at other times, carried by Saleh’s beautifully expressive voice and the confident hands of Jubran and Louca, and the impeccable musicianship of the other instrumentalists who join them. But one of the highlights is “Nafas نفَس”, in which Saleh is accompanied solely by Jubran’s oud and exquisitely-harmonised vocal shadows from the two of them. All in all, not to be missed! Taroug – Sirocco [Denovali/Bandcamp] On his second album with Denovali Records, Chott, Düsseldorf-based Tunisian musician Taroug (aka Tarek Zarroug) presents a highly varied mixture of styles. When Zarroug wants to make beat-based bass music, he hits all the right production notes with a healthy dose of north African percussion, while elsewhere there’s dreamy postrock with vocals by the artist himself. Honestly it’s uncanny how the album flits between genres, displaying Zarroug’s ancestry here, slipping into UK bass there or indie guitar music elsewhere. A really impressive album. Wraz. – Twist [Deep Dark & Dangerous/Bandcamp] Rites, the second full album from Montreal dubstep master Wraz., is released through Deep Dark & Dangerous, the label run by New Zealand’s longstanding dubstep duo Truth. As usual, heavyweight dubstep gear, sci-fi aesthetics, surprising melodies… Battery Operated – Stutter [YUKU/Bandcamp] Battery Operated – Casting Shadows [YUKU/Bandcamp] It should be obvious by now that YUKU delivers the goods, but here they are again with something insanely great. The artist behind Battery Operated is also known as PS95, an outlet for mangled jungle breaks that draws our attention to the fact that the Playstation was launched in 1995, the heyday of jungle. On the other hand, Battery Operated has thus far been an alias for deliciously lo-fi tape loops – see their Instagram for videos of their beautifully-modded cassettes & players. But the debut Battery Operated album for YUKU, TYPE I, combines these two strands in stunning fashion. From what I can tell, PS95 & the recording artist Battery Operated are the same person, but the tape loop “art” projects are done with his brother. So this ain’t dance music, not primarily, but nor is it dreamy loop-jelly. Breaks surface from tape hiss, tape loop experiments are layered & sequenced into melodies and sonic narratives, often sounding like a half-analogue/half-digital current-day version of IDM. Wonderful. Thugwidow – IT DIDN’T NEED EXPLAINING [Thugwidow Bandcamp] Thugwidow – pristine heart [Thugwidow Bandcamp] Jungle may be having a renaissance right now, with no end in sight, but Welsh producer Alex Lowther-Harris was on the jungle train way before most. The first Thugwidow releases were around 2017, and for a few years he was fiercly prolific, released mostly on cassette and digital, with a couple of CDs and some vinyl further down the track. His lo-fi early work gave way to slicker production chops as time went on, and the creative firehose slowed by around 2021-22. So it was a joyful shock to see something new appear on his bandcamp, only… it’s a swan song? Yes, SWUN SUNGZ does do what its title suggests, but it also shows that this prolific artist had more up his sleeve – it’s just that the pleasure had drained from it, he was feeling stuck… So here’s *ahem* 121 tracks, going for almost 11½ hours, and there’s a lot of quality material here, including a bunch of collaborations, and productions ranging from hardcore jungle-techno to advanced rhythm science. It’s a helluva way to go out! Note also that not only is all the money likely going to the British bird & wildlife charity RSPB, but he says most of his earnings from the project were always given away to charity. CRZKNY – 009 [Virgin Babylon Records] Japanese experimental electronic producer CRZKNY (which I’ve just learned stands for “CRAZY KENNY”) has brushed shoulders with experimental genre-mashing legend (and seminal UFog artist) World’s End Girlfriend before, on WEG productions and on his label Virgin Babylon, but this is a bit of a special release – a bit like Thugwidow’s above, this is a massive collection of unreleased tunes, here all just numbered as they’re pieces that CRZKNY has played at the Nagoya club GOODWEATHER. CZRKNY put this collection together to help support the club’s founder Eri Ishii after she suffered both an aortic dissection and a cerebral thrombosis, leaving her in a coma for some weeks. She is now on a long road of rehabilitation, and CRZKNY wants to give back to a person who built this perfect live space for his music. Lots of great techno, including glitchy shit and tasty breakbeats, for a good cause. deafkids – CICATRIZES [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. Lint – Balsam of Peru [Lint Bandcamp] OK so, you know, like Scattered Order? A band who I have referred to in the past as “Sydney postpunk/post-industrial/experimental electronic legends”. Mitch Jones is a founding member of said legendary band, active since the early ’80s or possibly slightly earlier, post-etc as described above. Drusilla Johnson aka Dru Jones has been a member of said legendary band at times, and has contributed some brilliant artwork in various phases of their existence. She’s also Mitch’s wife, and they live now in Mt Victoria, in the Blue Mountains on Dharug and Gundungurra country, and at times they release music together as Lint. It’s instinctual, artistic, splashes of colour washed over detailed line drawings… It’s the sound of Air in the taps, but it’s also the sound of over four decades building and trashing and rebuilding a musical language, and you can hear it in every dialogue sample and every wonky beat and the occasional guitar noise solo. It’s so lovely to have a seemingly endless font of new music from these folks in many changing combinations. Roman Rofalski – Ondine (radio edit 1) [Puddle Label/Bandcamp] Last time we heard from German pianist Roman Rofalski – only a few weeks ago – he was deconstructing his piano… again, following his wonderful Fractal from 2024, which shredded piano and prepared piano into constellations of granular sound and rhythm. Ravel Reimagined does just what it tells you – but to be clear, Rofalski does it really well. Over four tracks, Rofalski excerpts four celebrated piano works by the beloved impressionist composer and deconstructs them – and it’s notable that these are live performances, with Rofalski playing grand piano and simultaneously sampling himself, then reworking phrases into loops & glitchy constructions, overlaying them with synths and even beats at times. Maurice Ravel was famously prickly, was not fond of the borrowed artistic term of “impressionism” being used for his music (nor was his elder, Debussy), and was underappreciated in his time. He’s also one of my favourite composers, who I believe advanced composition in directions hitherto unimagined. Rofalski’s extrapolations push Ravel far beyond his imaginings, and it’s quite likely he would be horrified to hear what’s been done to his pieces – but now we’re imagining a composer unmoored by over a century from his origins; these prickly pieces require decades of context to situate them here and now. The virtuosic pianism outlining harmonies full of augmented and diminished intervals, whole-tone scales, melodies woven through corruscating hemidemisemiquavers (hear the original here) are thrown immediately into digital reverberation and gradual distortion until they’re glitched and chopped, then crash into long-ringing tones, a fragmented sample bleating around Ravel’s melody as the piece comes to a close. Bravo. OD – Arrival [Driftworks/Bandcamp] Alex O’Donovan is a recording & mixing engineer, but as OD he makes his own music. On Svalr, O’Donovan documents time spent in Svalbard, an island archipelago in the Arctic which is also home to Norway’s Global Seed Vault (the subject of another beautiful sound work by Ecker & Meulyzer). This album is part of a new project called SITE, co-curated by Audiobulb and Driftworks. O’Donovan took extensive field recordings of the diversity of natural sounds (including glaciers!) as well as the built environment, and found commonalities in all these sounds that formed the basis of his compositions. Remote as it is, Svalbard is inevitably encroached upon by anthrogenic climate change, and as the EP goes on, the sounds of water & ice & animals are swept up in almost industrial impulses, and glitched beat constructions. OD’s Svalr makes compelling music around its highly engaging field recordings. Sandscape – half closed eyes [Octopoda Records/Bored of Works/Bandcamp] Sudanese-Scottish “ethereal grunger” Eliza Shaddad and screen composer Daniel Sonabend team up as Sandscape on the forthcoming album Phenomenology, and first single “half closed eyes” is like hearing a dusty 7″ record playing in a different room of your house – a beguiling piece of ambient-dub-jazz with both artists’ vocals, soft but saturated piano, and muffled drumming from Liam Hutton. Unexpected harmonisations flow over the looping music, but not long after it fades away like a dream – “half closed eyes” indeed. The album promises noise-laden trip-hop, muffled jazz and an exploration of the mixed Arab/British/Jewish heritage between the members… Keen to hear more. Stine Janvin / Morten Joh – Leaving home – O Verden, Hav Da Gode Nat! (feat. Lucy Railton) [Futura Resistenza/Bandcamp] Stine Janvin / Morten Joh – Before the burial site – Jeg Raader Eder Alle [Futura Resistenza/Bandcamp] Returning now to Norway, we finish with beautiful strangeness from Norwegians Stine Janvin and Morten Joh, adapting funeral procession music (“Liksongen” = corpse songs) from Ryfylke, Norway. Janvin’s voice forms the basis of these works, but the ceremonial music is rendered alien through extensive electronic processing and additional electronics, and occasional vibraphone from Joh. Two guests, both with innovative approaches to their instruments, contribute further: Berlin-based Australian guitarist Jules Reidy and British cellist Lucy Railton. But one of the most magical moments must be when Janvin’s voice is shadowed by its electronic twin in warbling harmony. On the second last track, the alien elements mostly give way to the acoustic sounds of voice and vibraphone, although the album concludes with stentorian synths playing J.S. Bach. Not for the faint of heart, but rewarding listening. Listen again — ~208MB

James interviews Abe Bueno-Jallad & George H. Xanthis who play James and John, The Brothers Thunder on the CW's The Chosen. TheChosen.tv #thechosen #Abe Bueno-Jallad#cwnetwork #jesus #georgehxanthis

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Send us a textIn celebration of 'The Chosen' - Season 5, debuting on July 13th, Cheryl sits with the brilliant Abe Bueno Jallad who plays the beloved disciple ‘Big James'!This is a must-listen episode as Abe shares on how 'The Chosen' has impacted his personal life,  how he's evolved the character of James and the global impact The Chosen has around the world!Season 5 premieres globally across North America on Sunday, July 13th! Don't miss it! Watch On The Path on Pioneer channel, ROKU, Amazon Fire, Apple TV, FaithTV and CrossTV as well as on YES TV across Canada.Subscribe to my YouTube channel and watch this episode and others here: (https://www.youtube.com/@CherylNembhardTV)#onthepathpodcast #onthepathwithcherylnembhard #thechosen #thechosenseries #thechosenseason5

La guitare Hauts-de-France de Clément Nourry et la folk alternative de la Libanaise Mayssa Jallad. Notre 1er invité est le guitariste Clément Nourry pour la sortie de Amor.Après sept ans d'attente, Clément Nourry revient avec un nouvel album solo, Amor, véritable manifeste de liberté artistique. Il y trouve une échappatoire créative, loin des attentes esthétiques et des contraintes extérieures. À travers les huit titres de Amor, Clément Nourry tisse un lien entre la noise qu'il affectionne et les mélodies qu'il compose à la guitare électrique, son instrument de prédilection. Entre fingerpicking délicat et feedbacks électroniques, il crée un univers sonore à la fois sauvage et intime, où se rencontrent deux mondes musicaux. L'album a été enregistré en seulement deux jours à la Free House, dans une atmosphère brute et authentique. Un homme, une guitare, un ampli, une prise.Une fois les performances capturées par Ted Clark. Amor est marqué par des influences profondes, comme la bande originale de Paris, Texas de Ry Cooder et celle de Dead Man de Neil Young, qui ont laissé une empreinte indélébile sur sa jeunesse. Amor puise dans l'expérience nocturne de  Clément Nourry, qui a composé, écrit et mixé principalement la nuit. La pochette, conçue par l'artiste Margot Degert, capture cette ambiance, évoquant des dunes et des paysages désertiques, un clin d'œil à Ry Cooder et aux souvenirs du désert.Titres interprétés au grand studio- Amor Live RFI- Le Cœur Léger, Fumée du Crépuscule et Bête Aveugle, medley extrait de l'album- Serpent Live RFI.Line Up : Clément Nourry, guitare.Son : Mathias Taylor, Camille Roch.► Album Amor (Capitane Rd 2024).Youtube - Bandcamp. Puis nous recevons Mayssa Jallad pour la sortie de Marjaa : The Battle of The Hotels.«Marjaa : La bataille des hôtels» est né des deux vocations de la chanteuse/compositrice Mayssa Jallad : la musique et l'architecture. Écrit en collaboration avec le producteur Fadi Tabbal, l'album explore les étincelles de la guerre civile libanaise en 1975. Durant cinq mois, les factions opposées se disputent le quartier des hôtels du centre de Beyrouth cherchant à dominer les hauteurs architecturales de la ville. L'issue de cette bataille détermina la ligne de démarcation est-ouest qui scinda la ville pendant plus de 15 ans. Une division violente qui résonne encore aujourd'hui dans la culture libanaise.Les chansons de Mayssa s'adressent à la génération de l'après-guerre à qui l'on n'a jamais enseigné cette histoire difficile. Elles sont aussi un appel au renouvellement (plutôt qu'au recyclage par l'oubli) de la classe politique qui tient le peuple en otage de sa violence historique.Titres interprétés au grand studio- Baynana, Live RFI- Markaz Azraq, extrait de l'album- Mudun, Live RFI.Line Up : Mayssa Jallad (chant / guitare), Julia Sabra (claviers / guitare / chant), Pascal Semerdjian (batterie).Son : Mathias Taylor, Jérémie Besset, Camille Roch.► Album Marjaa : The Battle of The Hotels (Ruptured Music 2024).Site - Bandcamp - Youtube.

La guitare Hauts-de-France de Clément Nourry et la folk alternative de la Libanaise Mayssa Jallad. Notre 1er invité est le guitariste Clément Nourry pour la sortie de Amor.Après sept ans d'attente, Clément Nourry revient avec un nouvel album solo, Amor, véritable manifeste de liberté artistique. Il y trouve une échappatoire créative, loin des attentes esthétiques et des contraintes extérieures. À travers les huit titres de Amor, Clément Nourry tisse un lien entre la noise qu'il affectionne et les mélodies qu'il compose à la guitare électrique, son instrument de prédilection. Entre fingerpicking délicat et feedbacks électroniques, il crée un univers sonore à la fois sauvage et intime, où se rencontrent deux mondes musicaux. L'album a été enregistré en seulement deux jours à la Free House, dans une atmosphère brute et authentique. Un homme, une guitare, un ampli, une prise.Une fois les performances capturées par Ted Clark. Amor est marqué par des influences profondes, comme la bande originale de Paris, Texas de Ry Cooder et celle de Dead Man de Neil Young, qui ont laissé une empreinte indélébile sur sa jeunesse. Amor puise dans l'expérience nocturne de  Clément Nourry, qui a composé, écrit et mixé principalement la nuit. La pochette, conçue par l'artiste Margot Degert, capture cette ambiance, évoquant des dunes et des paysages désertiques, un clin d'œil à Ry Cooder et aux souvenirs du désert.Titres interprétés au grand studio- Amor Live RFI- Le Cœur Léger, Fumée du Crépuscule et Bête Aveugle, medley extrait de l'album- Serpent Live RFI.Line Up : Clément Nourry, guitare.Son : Mathias Taylor, Camille Roch.► Album Amor (Capitane Rd 2024).Youtube - Bandcamp. Puis nous recevons Mayssa Jallad pour la sortie de Marjaa : The Battle of The Hotels.«Marjaa : La bataille des hôtels» est né des deux vocations de la chanteuse/compositrice Mayssa Jallad : la musique et l'architecture. Écrit en collaboration avec le producteur Fadi Tabbal, l'album explore les étincelles de la guerre civile libanaise en 1975. Durant cinq mois, les factions opposées se disputent le quartier des hôtels du centre de Beyrouth cherchant à dominer les hauteurs architecturales de la ville. L'issue de cette bataille détermina la ligne de démarcation est-ouest qui scinda la ville pendant plus de 15 ans. Une division violente qui résonne encore aujourd'hui dans la culture libanaise.Les chansons de Mayssa s'adressent à la génération de l'après-guerre à qui l'on n'a jamais enseigné cette histoire difficile. Elles sont aussi un appel au renouvellement (plutôt qu'au recyclage par l'oubli) de la classe politique qui tient le peuple en otage de sa violence historique.Titres interprétés au grand studio- Baynana, Live RFI- Markaz Azraq, extrait de l'album- Mudun, Live RFI.Line Up : Mayssa Jallad (chant / guitare), Julia Sabra (claviers / guitare / chant), Pascal Semerdjian (batterie).Son : Mathias Taylor, Jérémie Besset, Camille Roch.► Album Marjaa : The Battle of The Hotels (Ruptured Music 2024).Site - Bandcamp - Youtube.

“C'est un risque les Trans”, c'est ce que déclare Jean-Louis Brossard à nos confrères de Magic. Ici les artistes viennent présenter des projets très jeunes, et s'il peut y avoir un côté ça passe ou ça casse, on peut compter sur le public rennais pour venir soutenir massivement et avec bienveillance les près de 80 artistes à l'affiche. Depuis 1979, les Trans Musicales font la démonstration qu'on peut remplir des grandes jauges sans s'appuyer sur des locomotives vendeuses de billets et que faire le pari de la curiosité du public peut s'avérer payant. Bien malin qui saura comprendre la magie d'un festival vraiment pas comme les autres… Alors chaque année, on bosse, les écoutilles grandes ouvertes et on interroge Jean-Louis Brossard, pour composer le programme de notre émission annuelle en direct du Liberté, dans le centre-ville de Rennes. Dans cette émission, nous allons parler de ce qu'est d'être artiste aujourd'hui au Liban avec la musicienne, mais aussi architecte, Mayssa Jallad, on va s'intéresser à la scène électronique rennaise avec MAC&WESTER, on va faire notre habituelle escale au Théâtre de l'Aire Libre où a lieu la traditionnelle création des Trans assurée cette année par l'attachant duo Candeur Cyclone. On va s'ambiancer avec le disco-glam de l'Anglo-syrien, Ziyad Al-Samman et Sam et Simon qui compose à eux deux Pamela.

“Loneliness isn't just an uncomfortable feeling; it's dangerous to us as individuals and as a society.” In 2023, U.S. Surgeon General Vivek Murthy went so far as to declare it an epidemic. "Being socially disconnected is...[as detrimental as] caused by smoking up to 15 cigarettes a day..." Failing to address it would lead Americans to "further retreat to our corners—angry, sick, and alone."But what if churches held the key to addressing this growing problem? In this new season of the Fresh Expressions podcast, we'll explore the loneliness epidemic and how contextually-rooted Christian communities can draw people to Jesus and to each other.To kick off this discussion, host Heather Jallad will be joined by Luke Edwards, author of Becoming Church, and Fresh Expressions Director of Training Shannon Kiser. We'll dig into what the loneliness epidemic looks like and how we have seen God work through the church to spread love and connection.

Mayssa Jallad on Falafel Frequencies with Noha Mohamed In our conversation with singer/songwriter Mayssa Jallad on Falafel Frequencies, we talk about her music and how she blends architecture into her latest album ‘Marjaa: The battle of the hotels' We talk about the theme of loss and belonging ‘ana meen yalahwy' for SWANA diaspora individuals. And, of course, we talk a bit about

On this episode of Reel Insights with the Mayor of Nerdtropolis, Sean Tajipour speaks with Vanessa Benavente and Abe Bueno-Jallad, who play Mother Mary and Big James on Season 4 of The Chosen. Advance Screenings: https://Nerdtropolis.com/tag/advance-screenings Visit Our Website: https://Nerdtropolis.com --- Support this podcast: https://podcasters.spotify.com/pod/show/nerdtropolis/support

James interviews Abe Bueno-Jallad & George H. Xanthis who play James and John, The Brothers Thunder on the CW's The Chosen. TheChosen.tv #thechosen #Abe Bueno-Jallad#cwnetwork #jesus #georgehxanthis

In this episode, Jim Garrity discusses a brand new court ruling where a judge held that requests to review a transcript before it's finalized must be made before the deposition is completed, failing which the request is untimely, even if made immediately after the deposition concludes. The order says defense counsel claimed to make the "read request" after the reporter announced "We're off the record" but while the reporter and all counsel were still logged in on a Zoom link. Even so, the court said, that's too late. Garrity talks about the significance of the ruling, and offers practice tips in the event you inadvertently miss your chance to make a timely request for review.SHOW NOTESCypress Property and Casualty Insurance Company v. Jallad & R Investments, LLC, 2023 WL 3021075, No. 3:21-cv-1478-L (N. D. Tex. Apr. 20, 2023) (request for review copy of transcript before finalization untimely where not made before deposition concluded, even if made immediately afterwards)EBC, Inc. v. Clark Bldg. Sys., Inc., 618 F.3d 253, 266 (3d Cir. 2010) (In a case involving a different Fed. R. Civ. P. 30(e)(1) errata sheet-related deadline, court suggested judge has some discretion in forgiving the missed deadline, saying, “Note, however, the phrasing of the rule—it provides that a party or deponent “must be allowed 30 days” to submit errata (the rule formerly stated that the party or deponent “shall have 30 days”). Fed.R.Civ.P. 30(e)(1). The natural language of the rule, then, does not preclude courts from allowing more time upon a prior request or forgiving minor untimeliness after the fact. Instead, the rule grants courts discretion to do so under appropriate circumstances. While courts retain the authority to enforce the amendment window strictly, we leave the matter to their sound discretion to determine if and when extension of the time limit is appropriate.”)Fed. R. Civ. P. 30(e)(1) (requiring request for review copy to be made before deposition concludes)

Imprégné de contestation sociale, le premier album de l'artiste libanaise Mayssa Jallad fusionne ses deux vocations : la musique et la recherche urbaine. Sur un canevas de chansons en clair-obscur, aux climats parfois trip hop, elle y raconte un pan de la guerre du Liban, "La guerre des hôtels", et fait serpenter sa voix cristalline dans un orient sonore sensiblement mélancolique. Portrait. Compositrice, musicienne et chanteuse, mais aussi chercheuse en architecture et enseignante à Beyrouth, le parcours artistique de Mayssa Jallad est intimement lié aux événements dramatiques qu'a connus son pays, le Liban, en bord de Méditerranée. Depuis sa naissance il y a 33 ans, quelques mois seulement avant la fin de la guerre, jusqu'à aujourd'hui où elle choisit de rester vivre dans un pays qui connaît, selon la Banque mondiale, "la pire crise financière du monde moderne".Moitié du duo indie-rock Safar, 3 EPs au compteur, Mayssa Jallad vient de sortir son premier projet solo Marjaa : The Battle of the Hotels. Imprégné de contestation sociale, cet album conceptuel fusionne ses deux vocations : la musique et la recherche urbaine. Par le prisme de l'architecture, elle y raconte un pan de la guerre du Liban, "La guerre des hôtels", et fait serpenter sa voix cristalline sur un canevas de chansons en clair-obscur, aux climats parfois trip hop où se déploie un orient sonore sensiblement mélancolique.J'ai rencontré Mayssa Jallad dans le sud-est de la France, à Marseille, à la Friche de La Belle de Mai, une fabrique d'art et de culture investie cette année par le Babel Music XP, un forum international dédié aux musiques actuelles du monde. Mais c'est bel et bien dans les rues de Beyrouth que l'on a évolué ensemble, au croisement de la mémoire collective et de l'histoire personnelle, de l'engagement militant et de la ferveur intérieure.SessionLab par Hortense Volle : une conversation en toute intimité et en audio 3D (son spatialisé). Un podcast à écouter, de préférence, au casque.Réalisation : Benjamin SarraliéMixage 3D : Jérémie BessetProduction : RFI LaboFacebook / Instagram / YouTube  ► Titres diffusés : Extrait de l'album Marjaa: The Battle of the Hotels : Etel ; Baynana ; Kharita ; Mudun ; Haigazian (October 22) ; Burj al Murr (October 25 to 27) ; Markaz Azraq (December 6) ; Markaz Ahmar (December 6 suite) ; Al Hisar (December 8) ; Holiday Inn (January to March) ; Al Irth Single Madina min Baeed (Thawra Records & Found Sound Nation – 2022)Extraits de l'EP In Transit du duo Safar formé avec Elie Abdelnour (Ruptured Records- 2016) : Olive Oil Soul ; Wa Namshi ;Otherlove ► Et aussi :  Extraits des journaux de France 24 et RFI sur les manifestations de 2019 et l'explosion de 2020 à BeyrouthExtrait du Documentaire sur la Guerre du Liban (INA)

Want to know why camping isn't my thing? It involves a scorpion, and I'm still traumatized by it. Plus some news and praise for the Akuphone label before getting into today's pick. Wednesday episodes are exclusively on Patreon. Album of the Day: Mayssa Jallad “Marjaa: The Battle Of The Hotels” https://rupturedthelabel.bandcamp.com/album/marjaa-the-battle-of-the-hotels Additional links for the day: https://akuphone.bandcamp.com/music https://akuphone.bandcamp.com/album/archeophony Brad Rose is the the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine and has run various DIY record labels for the last 30 years. Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis Mastodon: foxydigitalis@mastodonmusic.social

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This evening's show features FRANCESCO FABRIS / BEN FROST, AMP, MORIN HEIGHTS DOOM QUINTET, GIOVANNI LAMI, and MAYSSA JALLAD.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Friday night's broadcast features Mayssa Jallad, Matt Ro?sner, Strafe F.R., øjeRum, Asher Tuil, Sonologyst, Marla Hlady / Christof Migone, and Masayoshi Miyazaki.

EPISODE 400! 4,945 unique artists and labels featured and well over 4,000 tracks of experimental music touching pretty much every country on the globe (we haven't checked, but it'll be close). For this amazing milestone we've done nothing more than putting out a regular episode celebrating the experimental music that is exciting us the most right now. That includes a concept diss album aimed at a recently assassinated Japanese Prime Minister, it includes ferocious punk with lasers, it includes stop-offs at Ugandan grime, Lebanese folk, French drugs music, and everything in between. You can listen to the first six tracks for free. To listen to the full episode, get a huge back catalogue of music, and access to our live shows and Discord group, please join our Patreon: patreon.com/independentmusicpodcast. The podcast only survives with Patron support. Tracklisting Big Break – Big Break (Wrong Speed Records, UK) Love Dolls – Peligroso Abe (Hamfuggi Records, Spain) Gorgonn – Greed (SVBKVLT, China) Maquis Son Sistèm – Cortègi Astral (Folklore Séries, France) Alasdair Roberts – Eppie Morrie (Drag City, USA) Mayssa Jallad – Baynana (Ruptured Records, Lebanon) MC Yallah – Sikwebela (Hakuna Kulala, Uganda) Tzusing – 孝 忍 狠 (Filial Endure Ruthless) (PAN, Germany) Cruelle – La parade du serial killer (Avon Terror Corps, UK) King General – Wicked Haffi Move Away (Sound Transmission Records, UK) This week's episode is sponsored by The state51 Conspiracy, a creative hub for music. Head to state51.com to find releases by JK Flesh vs Gnod, Steve Jansen, MrUnderwSood, Wire, Ghost Box, Lo Recordings, Subtext Records and many more Produced and edited by Nick McCorriston

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions (Brill, 2022) by Ahmad al-Jallad presents evidence for religious identity and ritual practices among the Safaitic-writing nomads of pre-Islamic Arabia. For this evidence, al-Jallad relies on a large corpus of rock-carved inscriptions in the Safaitic language. Unlike Islamic-period literary sources, this material was produced by practitioners of traditional Arabian religion; the inscriptions are eyewitnesses to the religious life of Arabian nomads prior to the spread of Judaism and Christianity across Arabia. Al-Jallad reconstructs this world using the original words of its inhabitants, interpreted through comparative philology, pre-Islamic and Islamic-period literary sources, and the archaeological context. In this episode we discuss the lifestyles, worldviews, belief systems, languages, and gender and social norms of the nomadic peoples of pre-Islamic Arabia based on the epigraphic evidence. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore the history and development of the Arabic language, as well as its connection to religion.Check out this excellent lecture by Ahmad al-Jallad on the subject: https://www.youtube.com/watch?v=dHRbuu8c8nw&t=2836sSources/Suggested Reading:Al-Jallad, Ahmad (2019). "Safaitic". Article.Al-Jallad, Ahmad (?). "The Earliest Stages of Arabic and its Linguitic Classification". Article.Al-Jallad, Ahmad (2019). "The Linguistic Landscape of Pre-Islamic Arabia: Context for the Qur'an". Article, first proof.Macdonald, Michael C.A. (2004). "Ancient North Arabian". In "the Cambridge Encyclopedia of the World's Ancient Languages". Cambridge University Press.Macdonald, Michael C.A. (2010). "The Development of Arabic as a Written Language". Seminar for Arabian Studies, v. 40. Archaeopress, Oxford.Macdonald, Michael C.A. (2003). "Languages, Scripts, and the uses of Language among the Nabataeans". In "Petra Rediscovered" (Edited by Elaine M. Stainton). Harry N. Abrams, Inc. Publishers.#Arabic #Arabia #Language Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Sources/Suggested Reading:al-Jallad, Ahmad (forthcoming) "The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A reconstruction based on the Safaitic Inscriptions". Pre-Print Darft (Version 2: April 3, 2021).al-Jallad, Ahmad (2019). "The 'One' God in a Safaitic Inscription". Draft. The Ohio State University.al-Jallad, Ahmad (2020). "The pre-Islamic basmala: reflections on its first epigraphic attestation and its original significance". Draft. The Ohio State University.Bowersock, G.W. (2017) "The Crucible of Islam". Harvard University Press.Hoyland, Robert G. (2001). "Arabia and the Arabs: From the Bronze Age to the Coming of Islam". Routledge.Also check out these two great resources for ancient Arabic inscriptions:DASI: http://dasi.cnr.it/Ociana: http://krcfm.orient.ox.ac.uk/fmi/webd/OCIANA#Arabia #Religion #Paganism Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Ehab Jallad on the killing of Palestinian Reporter Shireen abu Akleh by Radio Islam

Fresh expressions of church are transforming lives of people who would never come to church on a Sunday. In this episode, you'll hear the stories of individuals who encountered Jesus through a fresh expression, and Christians whose faith expanded by starting a new kind of faith community.

Ehab Jallad - Palestinians Prison Break leaves Israel embarrassed by Radio Islam

In this episode, Jake and Michael are joined by Yaz Jallad as he embarks on the journey of becoming a full time freelancer.This episode is sponsored by Makeable.dk and was streamed live.

Program Director Adam Borneman speaks with the Rev. Heather Jallad (Lead Cultivator, North Georgia Annual Conference of Fresh Expressions) about the blended ecology of church, better questions that lead to deeper joy, and how prevenient grace should send us to discover where God is already at work.

Palestinian activist Eyhab al-Jallad says Israeli occupation forces stormed into Masjid Al-Aqsa to thwart the victory celebrations of Palestinians. Israeli police fired rubber bullets and sound bombs just after Jumu’ah salaah on Friday following a ceasefire agreement brokered by Egypt

Join me as I discuss pre-Islamic Arabia, epigraphy, and Arabic with Dr. Ahmad Al-Jallad (twitter: @Safaitic). What is pre-Islamic Arabia and how can we know about it? How did pre-modern scholars approach the subject and what were their goals? How has the discovery of new inscriptions advanced our knowledge of pre-Islamic Arabia, the Qur'an, early-Islam, and the Arabic language? Why did people make inscriptions? How do we know an inscription is actually going back to a particular date?  What methodology is applied to determine the pronunciation of certain words in bilingual inscriptions and how important have such inscriptions been for the study of Arabic and other N.E languages? And much more! The professor also discusses some of his findings and the exciting stories behind them.    Link to Professor Ahmad Al-Jallad's Academia page: https://leidenuniv.academia.edu/AhmadAlJallad

Dr. Ahmad Al-Jallad is a philologist, epigraphist, and historian of language. His work focuses on the languages and writing systems of pre-Islamic Arabia and the ancient Near East. He has authored books and articles on the early history of Arabic, language classification, North Arabian and Arabic epigraphy, and historical Semitic linguistics. Relevant links: Twitter: https://twitter.com/Safaitic Personal website: https://leidenuniv.academia.edu/AhmadAlJallad Recently published book (The Damascus Psalm Fragment, available in pdf format): https://www.academia.edu/43189829/Al-Jallad._2020._The_Damascus_Psalm_Fragment_Middle_Arabic_and_the_Legacy_of_Old_%E1%B8%A4ig%C4%81z%C4%AB_w._a_contribution_by_R._Vollandt Support the channel: Ko-Fi: https://ko-fi.com/decafquest Patreon: https://www.patreon.com/decafquest Twitter: https://twitter.com/Decafquest

Fresh Expressions are new forms of church for our changing world created primarily for people that are not yet a part of any church. Finding common ground is all about looking for ways to meet people where they are, build community and begin to grow and explore what it means to follow Jesus together. This episode shares the what along with some of the why and how of the movement.  Mentioned in this episode; Mission Shaped Church Report, Mission Shaped and Rural    Background- Common Ground and the Fresh Expressions Movement  Contact- heather.jallad@ngumc.net  Reading; Field Guide to Methodist Fresh Expressions by Michael Beck and Jorge Acevedo, Entrepreneurial Church Planting by Jay Moon  Rereading; Canoeing the Mountains by Tod Bolsinger 

AJ from Jallad Productions is a Dallas based videographer who specializes in helping businesses grow with a creative take on digital marketing. Website:http://jalladproductions.com/Instagram:@jalladproductionshttps://www.instagram.com/jalladproductions/For a $20 amazon gift card click the link below!https://www.buzzsprout.com/?referrer_id=383866Buzzsprout is who I use to host my podcast, you should use them too.For free Shipping, 10-Year Limited Warranty, 100-Night Risk Free Trial, Financing As Low as 0% APR on a DREAMY MATTRESS, click the link below!https://allswellhome.mvvx.net/c/1963444/602398/9824Allswell is the mattress we chose, and we are so happy with the choice. Try them out!For amazing CBD products, that I use, and my pets use, with great results, click this link to purchase the best CBD products on the market. https://www.ybbicbd.com/Elheet.comElheet.com/OobsnewsInstagram/ Twitter @aelheet Youtube @ Oobs News

Heather Jallad is an area director of Fresh Expression UK and US. This movement is seeking to take the Church from the fringe of society back to the center of impact.

Heather Jallad is an area director of Fresh Expression UK and US. This movement is seeking to take the Church from the fringe of society back to the center of impact.

In this episode we talk to Dr Ahmed Al Jallad, Sofia Chair of Arabic Studies at Ohio State University. Dr Jallad is an expert on the languages and scripts of pre-Islamic Arabia. We talk about the origins of Arabic, the development of the Arabic script, and the inscriptions of the region..

Rosor är röda, violeter är blå, idag släpper vi ett nytt avsnitt som är svårt att motstå. Det är bara att trycka play och luta er tillbaka för det är Chillauran, okay! Jalladåååååååå lyssna till er.

What does it take to build a dream? Maybe an architect. Steven Jallad designs and oversees the building of homes in Naples, Florida. His path to architecture began with a love for drawing and working with his hands. He followed that passion as the thread in his life. The craft of carpentry during the summers kept his hands working while earning a degree in Architecture from the University of Virginia. Traveling to West Africa with the Peace Corps, he built homes that fit a very different environment. This sparked an interest in green design that took him to Colorado for the next 10 years to build "off the grid" homes - designing in the winter, building in the summer. In 2008, he traded in mountain style for beach style and moved to Naples, Florida. Yet, he hangs on to the thread of passion, continuing to build a dream through architecture. His personal journey inspires us to find the passion in life and continue to follow the thread. The thread from A to B is not always a straight line. Even as we make choices on how to weave our life, the loom of life takes us each on her own journey. Through ups and downs, sideways and detours, holding onto the thread is not always easy, but that is how to weave a life of passion and purpose. Listen to our conversation as Steven Jallad takes us into the life of an architect. In this interview … What does an architect do? How do you become an architect? A personal journey finding passion in building homes Find Steven Jallad at sjallad@mhkap.com. Living the Present Moment - the Podcast Interview Series "People of Passion and Purpose, Doing Interesting Things, Living the Present Moment" Recorded: Thu Feb 21, 2019; Released: Fri Mar 1, 2019 Background Music: (public domain) Happy African Village by John Bartmann

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Like digging through archaeological layers, documenting the development of language and writing provides important clues about historical events. Recent discoveries in the deserts of Syria and Jordan are yielding clues not only about the origins of the Arabic writing system, but also about the rich history of the Arabs in the periods just before and after the rise of Islam. A new archaeological find seems to provide the first contemporary evidence of a major figure in the early history of Islam–and even more fascinating, it appears to have been written by a loyal Christian Arab subject. Ahmad al-Jallad, the incoming Sofia Chair of Arabic Studies at the Ohio State University, discusses his work in the desert of Jordan, and describes recent finds that paint a picture of a vibrant Christian Arab community in Syria, decades after the Islamic conquest.

Guest Ahmad al-Jallad shares his research that’s shedding new light on the writings of a complex civilization that lived in the Arabian peninsula for centuries before Islam arose.

In most world history survey courses, Arabia is introduced for the first time only as backstory to the rise of Islam. We’re told that there was a tradition of oral poetry in Arabic, a language native to central Arabia, and that the Qur’an was the zenith of this oral tradition. New evidence, however, suggests that Arabia was linguistically diverse, that the language we’ve come to know as Arabic originated in modern day Jordan, and that the looping cursive writing system that’s become the language’s hallmark wasn’t the original system used to write it. What to make of all this? Guest Ahmad al-Jallad has spent the past several summers digging in Jordan and Saudi Arabia, uncovering new inscriptions thousands of years old, and shares his research that’s shedding new light on the writings of a complex civilization that lived in the Arabian peninsula for centuries before Islam arose.

State executioners in their various guises are explored in all their horrific detail by Tasneem Khalil, in his new book Jallad: Death Squads and State Terror in South Asia (Pluto, 2016). From the Rapid Action Battalion of Bangladesh to the men in white vans in Sri Lanka, the book interrogates both the brutal specificities of state agents, as well as the underlying themes that cross cut state terror in the region. Strong, brave and relentless Jallad is an important and timely book. Learn more about your ad choices. Visit megaphone.fm/adchoices

State executioners in their various guises are explored in all their horrific detail by Tasneem Khalil, in his new book Jallad: Death Squads and State Terror in South Asia (Pluto, 2016). From the Rapid Action Battalion of Bangladesh to the men in white vans in Sri Lanka, the book interrogates both the brutal specificities of state agents, as well as the underlying themes that cross cut state terror in the region. Strong, brave and relentless Jallad is an important and timely book. Learn more about your ad choices. Visit megaphone.fm/adchoices

State executioners in their various guises are explored in all their horrific detail by Tasneem Khalil, in his new book Jallad: Death Squads and State Terror in South Asia (Pluto, 2016). From the Rapid Action Battalion of Bangladesh to the men in white vans in Sri Lanka, the book interrogates both the brutal specificities of state agents, as well as the underlying themes that cross cut state terror in the region. Strong, brave and relentless Jallad is an important and timely book. Learn more about your ad choices. Visit megaphone.fm/adchoices