Podcasts about mozart symphony

Good News: Despite public perception, violent crime is declining in the United States, Link HERE. The Good Word: A familiar bit of poetry from Langston Hughes. Good To Know: A great bit of historic trivia about cheese… Good News: An obscure psychedelic dramatically reduces PTSD in veterans, Link HERE. Wonderful World: Check out National Geographic’s […]

The Treasure Hunt, a personal account by conductor Bas Wiegers about how a musical score functions as a treasure map and leads to a concert. Also an upbeat to the next episode, where I will tell you more about Sycorax, a new opera by Georg Friedrich Haas, opening at the Bern opera house in September 2022.    Mirela Ivicevic - Black Moon Lilith - RSB Berlin, Bas Wiegers  https://www.youtube.com/watch?v=unJRA38yvX8 Georg Friedrich Haas - in vain - Klangforum Wien, Sylvain Cambreling  https://www.youtube.com/watch?v=oUfLkc_Smvg W.A. Mozart - Symphony no 40 - Concentus Musicus, Nicolaus Harnoncourt https://www.youtube.com/watch?v=j5iVnSBOz6w          

Join Rob Turner & Jimmy Knowledge for side A of the DBK discussion on the newest installment of The Umphreys "WOW" Show.  In this episode, Rob & Jimmy dissect one of Umphrey's most iconic songs, put a magnifying glass to its lyrics, and reveal some of its history with insight from Joel, Bayliss & Stasik.   Listen closely for a trivia question from Joel about a track on the new album, "Asking for a Friend" to score a vinyl copy and an AFAF t-shirt of the winner's choosing! Dates of DBK versions heard in this episode. Listed in order played.  * 02/03/12: Setlist:  https://allthings.umphreys.com/setlists/umphreys-mcgee-february-3-2012-first-avenue-minneapolis-mn-usa.html Nugs.net: https://2nu.gs/30tp3R5  UMLive: https://umlive.net/live-music/0,7214/Umphreys-McGee-mp3-flac-download-2-3-2012-First-Avenue-Minneapolis-MN.html Archive: https://archive.org/details/UM2012-02-03 Relisten: https://relisten.net/umphreys/2012/02/03 * 10/29/99: Setlist: https://allthings.umphreys.com/setlists/umphreys-mcgee-october-29-1999-madison-oyster-bar-warehouse-south-bend-in-usa.html Archive: https://archive.org/details/um1999-10-29.shnf Relisten: https://relisten.net/umphreys/1999/10/29 * 04/03/08: Setlist: https://allthings.umphreys.com/setlists/umphreys-mcgee-april-3-2008-the-orange-peel-asheville-nc-usa.html Nugs.net: https://2nu.gs/2nC3EAV   UMLive: https://umlive.net/live-music/0,2418/Umphreys-McGee-mp3-flac-download-4-3-2008-The-Orange-Peel-Asheville-NC.html Archive: https://archive.org/details/UM2008-04-03 Relisten: https://relisten.net/umphreys/2008/04/03 * 02/11/06: Setlist: https://allthings.umphreys.com/setlists/umphreys-mcgee-february-11-2006-the-orpheum-theatre-madison-wi-usa.html Nugs.net: https://2nu.gs/2hR0eZy UMLive: https://umlive.net/live-music/0,897/Umphreys-McGee-mp3-flac-download-2-11-2006-Orpheum-Theatre-Madison-WI.html * 08/14/21: Setlist: https://allthings.umphreys.com/setlists/umphreys-mcgee-august-14-2021-first-avenue-minneapolis-mn-usa.html Nugs.net: https://2nu.gs/2VXdvaD   UMLive: http://www.umlive.net/live-music/0,27057/Umphreys-McGee-mp3-flac-download-8-14-2021-First-Avenue-Minneapolis-MN.html Archive: https://archive.org/details/um2021-08-14.nak701 Relisten: https://relisten.net/umphreys/2021/08/14 * 11/02/11: Setlist: https://allthings.umphreys.com/setlists/umphreys-mcgee-november-2-2011-northern-lights-clifton-park-ny-usa.html Nugs.net: https://2nu.gs/2heNZXj UMLive: https://umlive.net/live-music/0,6906/Umphreys-McGee-mp3-flac-download-11-2-2011-Northern-Lights-Clifton-Park-NY.html Also heard in this episode:   * “Cat in a Hat” - Allan Sherman - https://open.spotify.com/track/2RGb0C1jIOHx4ECNXCoRL4?si=0a9486c061d84f41 * “I've Seen All Good People” - Yes - https://open.spotify.com/track/65OkkbojeDsPcwS9J7EiCc?si=0eff424916d449ae * "Mozart Symphony 40 in G Minor" - https://open.spotify.com/track/6OC0v9yU90ME5DW2o1skKr?si=40729170f86546d8 * "Mozart Symphony #40" - Grant Green - https://open.spotify.com/track/7zs0BUgI8GB3UcpjfElYnF?si=1182c211ae0d4be7 Contact the Umphreys "WOW" show:  umwowshow@gmail.comWall of "WOW": https://datcmediacompany.com/wall-of-%22wow%22-wednesdayWhere you can find the hosts on Twitter:The Umphrey's "WOW" show: https://twitter.com/umWOWshowJimmy Knowledge: https://twitter.com/UMfactsRob Turner: https://twitter.com/RsTnerDropped Among This Crowd Podcast Episode 189: https://droppedamongthiscrowdpod.simplecast.com/episodes/a-conversation-with-rob-turner-jimmy-knowledge-announcing-the-umphreys-wow-showSupport DATC Media on Patreon: https://tinyurl.com/3ueekmjeDATC Media Company: https://datcmediacompany.comDropped Among This Crowd Podcast: https://droppedamongthiscrowdpod.simplecast.comEmail: droppedamongthiscrowdpod@gmail.comDATC Media Instagram: DATC Media Company (@datcmediacompany) • Instagram photos and videosDATC Media Facebook: (5) Dropped Among This Crowd Media | FacebookDATC Media: (1) DATCMediaCompany (@DatcMedia) / Twitter

The Preserving Machine, online copy [ http://sickmyduck.narod.ru/pkd097-0.html ] Smooth Criminal, Japanese flute version [ https://youtu.be/MUWxHnEaBT8 ] Don't change color, kitty [ https://emperorx.bandcamp.com/album/10000-year-earworm-to-discourage-settlement-near-nuclear-waste-repositories ] Intro and Outtro music: Mozart Symphony no. 40 in G Minorpatreon Patreon: [ https://patreon.com/unculturedswinepodcast ]

The French invade Belgium in 1794 and the Netherlands in 1795. The coalition against them starts to fall apart as individual members came to terms. Russia, Prussia and Austria are distracted by their partitioning of Poland, which is wiped off the map.Next the French invade Austria and Italy, the Italian campaign led by a promising young commander Napoleon Bonaparte.www.patreon.com/historyeuropewww.historyeurope.netMusic from Mozart (Symphony no. 40 'Prague'), courtesy of www.musopen.orgPicture - Louis-François, Baron Lejeune - The Battle of Lodi 1796 See acast.com/privacy for privacy and opt-out information.

"Mozart composed 41 symphonies, the last three considered to be his best. Today's program will feature Symphony#40

In this episode, we begin a two-part series where we play a concert presented in Armstrong Auditorium on January 7, 2021 — featuring conductor Gerard Schwarz, his son Julian Schwarz as cello soloist, the Mozart Orchestra of New York, in collaboration with another father-son duo. Video of the Haydn Symphony at Armstrong Auditorium: www.facebook.com/258323144562283/…test_videos_card Video of the Mozart Symphony at Armstrong Auditorium:www.facebook.com/GerardSchwarzCon…/?type=2&theater

Chris and Sridhar discuss the premiere of a newly discovered work by Mozart, the challenges of playing Mozart, some frustrations with Mozart despite his obvious genius, and some of their favorite Mozart interpreters. If you enjoy the show, you can “buy us a coffee,” tell your friends about us, spread the word on social media, or rate/review us on Apple Podcasts. We appreciate your support. Buy us a coffee Check out our new website! Tweet us our feedback @impolitelisten Short clips on Instagram @impolitelisten Spotify playlist for this episode's music Discuss this episode on r/impolitetolisten Useful Links: Classic FM article on Mozart's "unheard" piano piece "Previously unknown Mozart piece enthuses Mozart week" Premiere of Mozart's "Allegro in D" Dr Jay Hook - our music theory professor at Indiana University Salvator Mundi - Da Vinci painting Krystian Zimerman plays Mozart Piano Sonata no. 10 Mozart Flute & Harp Concerto - Emmanuel Pahud/Marie-Pierre Langlamet Noah Bendix-Balgley gives a masterclass on Mozart's Symphony no. 40 Mozart Symphony no. 40 in G Minor Leonard Bernstein's lecture on Mozart Symphony no. 40 Victor Borge - Happy Birthday as different composers Sonata form - wikipedia Bernstein conducts Beethoven's 5th Symphony Haitink conducts Mozart Symphony no. 35, "Haffner" Mozart String Quartet no. 15 - played by Alban Berg Quartet Mitsuko Uchida plays Mozart Piano Concerto no. 24 in C Minor Maurizio Pollini plays Mozart Piano Concerto no. 21 in C Major Peter Pringle plays Mozart on theremin Glenn Gould plays Mozart Piano Sonata no. 11 in A Major Henryk Szeryng & Ingrid Haebler play Mozart Violin Sonata no. 18 in E Minor Mitsuko Uchida plays Mozart Piano Sonata no. 10 in C Major Robert Levin - "Improvising Mozart" lecture Robert Levin - "Composing Mozart" lecture F Murray Abraham's iconic performance as Salieri in "Amadeus"

I'm so thrilled to be able to talk to my guest: Professor of Music Theory and Cognition, Professor Vasili Byros. Professor Byros is a tenured Associate Professor of Music Theory and Cognition at Northwestern University. He researches the compositional, listening, and pedagogical practices of the long 18th century, with an emphasis on the music of Beethoven, J. S. Bach, and Mozart, using a holistic methodology that combines perspectives from schema theory. A prolific scholar, his research articles can be founded in numerous scholarly publications and journals. Examples include, “Thinking in Bach's language, Teaching in His Shoes”, “Mozart's Vintage Corelli,: The Microstory of a Fonte-Romanesca”, “Prelude on a Partimento: Invention in the Compositional Pedagogy of the German states in the time of JS Bach” and many more. His article “Prelude on a Partimento” received the Outstanding Publication Award from the Society for Music Theory in 2017. Also in 2017, he was awarded the Charles Deering McCormick Professorship, Northwestern University's highest recognition of teaching excellence and curricular innovation. Finally, Professor Byros is currently writing a monograph on Late Beethoven. ----- 1:40 What is the long 18th century? 2:33 What was your musical background? 4:30 Could explain what musical cognition is? 6:12 When did serious music cognition research start in the 20th century? 7:07 What is the Langloz manuscript? 8:20 Were they called partimenti in the Langloz manuscript? 9:39 Do Germans have something similar to the Rule of the Octave? 10:06 What were the key differences in music education between the Germans and the Italians? 11:28 Wasn't Bach criticized for being too much of a blend of styles? 12:15 Can we relate schema theory to Bach? 13:05 Could you give an example of how it would be different? 16:02 Can you talk about how you composed your prelude? 17:56 How did the Fonte Romanesca find it's way into the galant era? 18:56 Are these schema specific or are there endless variations to these schema archetypes? 20:45 How familiar was Mozart with all these different schema? 22:28 Have all the Schema been discovered? Will we find new ones in the future? 24:56 What's a good way to put Schema, form-wise, into your compositions? 27:48 How could somebody get better at form with these schema? 28:48 Talking his dissertation on Beethoven's Eroica Symphony 32:10 Talking about his experiment getting people to listen to a Mozart Symphony and determining when a modulation took place 34:31 Were people able to identify the modulation earlier? 36:03 Does Schema theory apply to late Beethoven? 38:29 On his talk “Beethoven contra Partimento” 41:30 What are some common mistakes when trying to teach schema theory to students 42:49 What's your position on roman numerals, numbers, Schenkerian analysis and other forms of analysis? 45:48 How would you recommend students learn music theory from young? 48:17 Have you seen a change in attitudes towards classical improvisation? 51:03 What's the landscape now for musical analysis? 54:36 When is the Late Beethoven book coming out and your second book? 55:20 Upcoming events and articles 55:58 Wrapping Up

In Episode 59 the busy June race calendar continues with TRS represented at both the Beach 10K and Dunideer Hill, and with Kyle a week out from the Mozart 100 ultra marathon we talk about his final preparation for that. We've got race results coming out of our ears, selection news for Scottish athletes and a fresh running rant!

The No Sleep 'til Sudbury podcast is back with the incredible and irrepressible Molly Johnson. She's got fire, she's got insight, and the lady has stories.  What a discussion - Molly talks to me about the American civil rights movement, what Aretha smoked, Rick James' real name, the politics of tuna, where Jim Cuddy got his voice from, how The Police formed, the genius of Gord Downie, and what all the greatest singers actually have in common (it's not what you think!)     Johnson's playlist: Mozart – Symphony 46 Measha Brueggergrosman – Hymn to Freedom KD Lang – Hallelujah Aretha Franklin – Respect  Miles Davis – Birth of the Cool Moe Koffman – Curried Soul Blue Rodeo – Try The Tragically Hip – Bobcaygeon The Staples Singers – Anything with Pops on guitar Neil Young – Harvest Moon     

Today's episode features Houston Symphony principal bassist Robin Kesselman.  Robin studied with David Allen Moore and Paul Ellison at the Coburn School of Music and the University of Southern California, and with Hal Robinson and Edgar Meyer at the Curtis Institute of Music.  He has also performed as Guest Principal Bass with the Saint Paul Chamber Orchestra, travelled internationally with both the Philadelphia Orchestra and the Los Angeles Philharmonic, and performed with the National, Atlanta, and Baltimore Symphonies. During Robin’s time at USC, he sustained a playing injury that took him out of commission for a prolonged period.  We dig into how Robin ultimately recovered from this and how it changed his approach to practicing and performing on the bass, and how he practiced while he was out of commission.  This was a left arm injury, and Robin continued to practice open string and harmonics with the bow, going into his lessons and working on the Bottesini Concerto on open strings.  We also discuss how Robin approaches the audition process: his preparation strategies, his musical goals for an audition, and using visualization techniques. We also feature excerpts from Krzysztof Penderecki's Duo Concertante with Eunice Kim on violin.  Enjoy! Interview Highlights Discoveries During Playing Injury: sitting in practice room - “this hurts, but it also still sounds bad” - the mistake of pushing through pain this time spent not using his left hand ultimately took his bow game to a new level - he spent large amounts of time just practicing with the right hand - playing solos and excerpts on open strings / harmonics in lessons! “the building blocks with which I was making my shapes were not completely honest” - referring to the bow arm mental practice / visualization - he got into this during this time period learning the difference between an ache and something more serious Thoughts on Auditioning: there’s nothing that isn’t practicable timing and pulse mathematical pulse/note division vs. feeling right the fallacy of perfect audition rounds similarities between prepping for an audition and a recital auditions have to be an artistic endeavor and about musical expression if you walk out and your whole goal is to play notes that are even and in tune, the second that one note isn’t exactly the same as another note you officially have nothing left to offer, because your single goal has crumbled if your goal is to make lines and to make shapes and be expressive, it’s ok if one note is a little shorter than the others philosophy from David: as soon as you come in and things are in tune and in time, you are officially at zero The Audition Process in Detail: record constantly during this whole process -throughout the whole day first 50% of the interval really hibernate and work things super slow - considerably under 50% tempo move something up 40 clicks over a period of weeks A and B lists that kind of parallel each other (one Mozart Symphony on one and one on the other, for example) doesn’t play for anyone during this time - nothing’s put together - it’s all really cut up at this point next 25% buff out the edges, smooth out the music, give it a shine playing with recordings, getting the flow right last 25% take the show on the road, play for anybody and everybody, start setting up mock auditions and lessons with other (non-bass) instrumentalists the last week go back to “hibernating" stop playing for people - running rounds - 4-5 excerpts in a row hours wise it’s similar through he whole process, but the hours are being used differently all the way until audition time, there was never a day/time when he could not continue to make things better have a specific game plan for those 20 minutes of warm-up once you arrive at the hall bass players don’t hire bassists - committees of other instrumentalists do

VOLITION DEFENDER OF THE UNIVERSE - DRUM AND BASS TIME TRAVEL ALHAMBRA LOS ANGELES SAN MARINOCALIFORNIA DRUM AND BASS SCENE BREAD & BEANS PIZZA ANDTACOS Computers LIVE is a podcast dedicated to(Live) Reakor Music. This show features Live Jungle,Techno, DNB, Hip Hop, Dubstep, Future, Noise, Synth, Trance, Pop,DJ, Mixing, Battle, Records, Music, Altering, AM, FM, Modulations,Radio, Computer, Harmonies. Thunderous Scratch-Tracks, Techno,Glitches, Old, Skool, Breaks, Ejects, iDose, Chaos and Bass. Anhour long podcast of Fresh Original Electronic Dance Music.Menacing Cantus Firmus Basslines, Heavyweight Drums andSynthesizers all LIVE! Computer Music Live is posted every SaturdayNight from California, only the hottest Underground Jungle Music ischosen. New podcasts are posted on a weekly basis and up to theminute show information is here http://citrusonic.libsyn.com/ andyou may also visit www.citrusonic.com for more. Thank you and makesure to tell all your friends to subscribe to ComputersLive.   https://itunes.apple.com/us/app/computer-music-live/id390440928?mt=8 This is the most convenient way to access ComputerMusic Live on your iPhone, iPad or iPod Touch. You're alwaysconnected to the latest episode. Instant access, just touch andplay! Computers LIVE contains the following features: * Streaming access to play episode from anywhere * Always updated with the latest episodes- and an archived backcatalog * Download the episodes and play them when offline * Playback resume (when interrupted by a call or otherdistraction) * Favorites (mark the episodes you want to return back to over andover) * Quick access to all the contact methods for the show COMPUTERS LIVE features Underground Ape Music. The hottest BASSMUSIC on the planet. Drum and Bass Tunes / Jungle unlike anythingyou've heard. Amen Breaks Podcast created by the living idol JavierCasas : Strong, tall, Otaku Athlete. a.k.a The Reaktor & MaxMSPGosu & Three Time Golden Mouse Winner. And now there is aweekly podcast of these works. Exclusive Dubstep Trap from thecountry. Hidden away in a Los Angeles studio. It is offered onlythrough Podcast. All circuits will be bent once a week. Eight bitsthru eight terabytes. Do you like playing video games? Well we'vestolen the synthesizer so get ready! ACCESS VIRUS your way to atrance. DJs you like mixing, OK we've got you covered. This L.ABattle Artist has ties with AKB48! Thunderous the meanestscratching of fresh bassline and 303's on steroids. Up to theminute show information is posted here http://citrusonic.libsyn.comand you may visit www.fm48.org for my info. Thank you and make sureto tell all your friends to subscribe to Computer Music Live! OFFICIAL PODCAST LINK https://itunes.apple.com/us/podcast/drum-bass-electronic-trap/id286020710?mt=2 (Please note, not all features are available for all episodes.Call-in feature is only available on iPhone but not the iPad oriPod Touch) http://www.amazon.com/Wizzard-Media-Computer-Music-Live/dp/B0052UNHKS Strong, Tall, Otaku Athlete. Reaktor & Max/MSP Gosu.Three Time Golden Mouse Winner. Weekly podcast on iTunes called"Computer Music Live" along w Apps on iOS, Android &Amazon https://www.instagram.com/citrusonic Computer Music Live / Citrusonic is a weekly podcast dedicatedto Live Computer Music Performances. This show features LiveUnderground Jungle, Techno, DNB, Hip Hop, Dubstep, Future, Noise,Synth, Trance, Pop, DJ, Mixing, Battle, Records, Music, Altering,AM, FM, Modulations, Radio, Computer, Harmonies. ThunderousScratch-Tracks, Techno, Glitches, Old, Skool, Breaks, Ejects,iDose, Chaos and Bass. An hour long podcast of Fresh OriginalElectronic Dance Music. Menacing Cantus Firmus Basslines,Heavyweight Drums and Synthesizers all LIVE! Computer Music Live isposted every Saturday Night from California, only the hottestUnderground Jungle Music is chosen. New podcasts are posted on aweekly basis and up to the minute show information is herehttp://citrusonic.libsyn.com/ and you may also visitwww.citrusonic.com for more. Thank you and make sure to tell allyour friends to subscribe to Computer Music Live. Thisweek... www.javiercasas.com  www.fm48.org http://citrusonic.com http://fm48.org  http://facebook.com/computerslive  Special  

TSO President and CEO Jeff Melanson speaks with Peter Oundjian from Naples on a tour of Florida. Plus, Rob Kapilow on Mozart Symphony 40 and what makes it great.

Celebrating Beethoven's 244th birthday with historical recordings.  Works include movements from: Symphony #2, Bagateles Op. 33, String Quartet #5, Piano Concerto #5, Variations on a Theme by Mozart & Symphony #7. Performers include: Arthur Schnabel. Rudolph Serkin, Herbert von Karajan, Arturo Toscanini & Pablo Casals.

Directions: Please read along in your music while you listen to this recording. Circle each measure in which your section does not sound together. Above each "not together" measure, write why it's not together. (Just one word, "rhythm, beat, notes, intonation" etc). Practice those parts at home, fixing any errors. Post your constructive, specific observations. Posts and written analysis are due by rehearsal on Thursday, February 28th.

Directions: Please read along in your music while you listen to this recording. Circle each measure in which your section does not sound together. Above each "not together" measure, write why it's not together. (Just one word, "rhythm, beat, notes, intonation" etc). Practice those parts at home, fixing any errors. Post your constructive, specific observations. Posts and written analysis are due by rehearsal on Thursday, February 28th.