Podcasts about Krzysztof Penderecki

Un saludo queridos amigos y oyentes. Hoy estudiamos a este filósofo existencialista y simpatizante del marxismo que fue Sartre. Al final de su vida (años 60 y 70) su actividad fue infatigable: escritor de novelas, teatro, obras filosóficas y activista político, llegando a visitar a Fidel Castro, Che Guevara y viajó a la URSS. Una de sus últimas obras de carácter filosófico es "Crítica de la razón dialéctica" de 1960, donde hace un esfuerzo por conciliar el existencialismo y el marxismo. 📗ÍNDICE *. Resúmenes. 1. VIDA Y OBRAS. 2. LA NÁUSEA. 3. EL EN-SÍ Y EL PARA-SÍ. AQUÍ https://go.ivoox.com/rf/140832026 puedes escuchar una introducción al Existencialismo. Audio recomendado de la semana: William James, el pragmatismo creyente norteamericano. puedes escucharlo aquí>>> https://go.ivoox.com/rf/132691337 🎼Música de la época: 📀 Sintonía: Sinfonía Nº2 de Krzysztof Penderecki, que acabó de escribir en 1980. 🎨Imagen: Jean-Paul Sartre (París, 21 de junio de 1905-París, 15 de abril de 1980) fue un filósofo, escritor, novelista, dramaturgo, activista político y militante, biógrafo y crítico literario francés, exponente del existencialismo. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

12th-21st CenturiesThis week we hear anonymous works and works by Josquin des Prez, Nicolas Gombert, Anthony Holborne, Cristofaro Caresana, Johann Michael Haydn, François-Auguste Gevaert, Ralph Vaughan Williams, Ottorino Respighi, Hugo Distler, Krzysztof Penderecki, Rachel Laurin, J. Healey Willan, Harold Edwin Darke, Peter Warlock, Sir John Rutter, and John David.186 Minutes – Week of 2024 December 23

Nos saltamos las fronteras estilísticas establecidas para ofrecerte, de nuevo en viernes 13, una segunda entrega dedicada a las bandas sonoras del cine de terror.Playlist;(sintonía) WENDY CARLOS y RACHEL ELKIND “Title Music from A Clockwork Orange” (La naranja mecánica (A Clockwork Orange), 1972)WENDY CARLOS y RACHEL ELKIND “Main title “The Shining”” (El resplandor (The Shining), 1980)KRZYSZTOF PENDERECKI “Urenja Ewangelia” (El resplandor (The Shining), 1980)JOHN CARPENTER “Season of the witch” (Halloween III; Season of the witch, 1982)PHILIP GLASS “Helen theme” (Candyman, 1992)ENNIO MORRICONE “Regan’s theme” (El Exorcista II; El Hereje (The Exorcist II; The Heretic, 1977)JERRY GOLDSMITH “Main title” (La maldición de Damien (Damien; Omen II), 1978)PAUL GIOVANNI and MAGNET feat ANNIE ROSE “Willow’s song” (El hombre de mimbre (The Wicker Man), 1973)FABIO FRIZZI “Voci dal Nula (The Beyond Theme)” (El más allá (E tu vivrai nel terrore! L'aldilà), 1981)FRED MYROW y MALCOLM SEAGRAVE “Phantasma main title” (Phantasma, 1979)JAY CHATTAWAY “Maniac's Theme” (Maniaco (Maniac), 1981)CLAUDIO SIMONETTI, MASSIMO MORANTE y FABIO PIGNATELLI “Tenebre” (Tenebrae), 1982)TORU TAKEMITSU “Biwa Uta” (El más allá (Kwaidan), 1965Escuchar audio

Compositor y director de orquesta polaco, debuta con 26años mostrando tres composiciones que resultan premiadas a la vez. Trabaja con arriesgadas e innovadoras mezclas instrumentales y modificaciones a la formación orquestal, que evolucionan a lo largo de una carrera prolífica y comprometida._____Has escuchadoThrenody to the Victims of Hiroshima (1960). ORF Radio-Symphonieorchester Wien; Michael Gielen, director. ORFEO (2022)St. Luke Passion: No. 24. Stabat Mater (1963-1966). Warsaw Philharmonic Choir; K. Penderecki, director. WARNER (2017)Partita: For Harpsichord and Orchestra (1971). E. Stefanska, clave; Warsaw Philharmonic Orchestra; Antoni Wit, director. NAXOS (2012)_____Selección bibliográficaBERGÉ, Pieter, et al. “Krzysztof Penderecki: Pools Requiem”. En: Dies Irae: Kroniek van Het Requiem. Leuven University Press, 2021DICKINSON, Peter, “Polish Music Today”. The Musical Times, vol. 108, n.º 1493 (1967), pp. 596-598*KOZAK, Mariusz, “Experiencing Structure in Penderecki's Threnody: Analysis, Ear-Training, and Musical Understanding”. Music Theory Spectrum, vol. 38, n.º 2 (2016), pp. 200-217*MALECKA-CONTAMIN, Barbara, Krzysztof Penderecki. Style et matériaux. Kimé, 1997 MIRKA, Danuta, “To Cut the Gordian Knot: The Timbre System of Krzysztof Penderecki”. Journal of Music Theory, vol. 45, n.º 2 (2001), pp. 435-456*MURPHY, Scott, “A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki”. Perspectives of New Music, vol. 45, n.º 1 (2007), pp. 184-222*PENDERECKI, Krzysztof, Le labyrinthe du temps: cinq leçons pour une fin de siècle. Les Editions Noir sur Blanc, 1999SCHWINGER, Wolfram, Krzysztof Penderecki. His life and work. Schott, 1979 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

This week on The Sound Kitchen you'll hear the answer to the question about the new plan for gender equity at France's Ministry of Foreign Affairs. There's a recap of this year's Nobel Prizes, “The Listener's Corner”, and plenty of good music - all that, and the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.It's time for you to start thinking about your New Year's resolutions for our annual New Year's Day show. If you've already made up your mind about what you'll aim for in 2025, go ahead and send it to us … if not, be sure you send us your resolution - or resolutions if you are really ambitious! - by 15 December.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, Spotlight on Africa, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 21 September, I asked you a question about a gender equality plan at France's Ministry of Foreign Affairs.  We reported on that plan in our article “France's foreign ministry unveils two-year gender equality strategy”.You were to re-read the article and send in the answer to this question: What is the Foreign Ministry's goal for promoting women to important posts? What is the percentage they are aiming for?The answer is, to quote our article: “According to the ministry, this year more than 45 percent of ambassadors appointed for the first time will be women, while among newly-appointed consuls-general, over 40 percent will also be women.” In addition to the quiz question, there was the bonus question: “How would you define a truly happy person?”, which was suggested by Sabah Binte Sumaiya from Bogura, Bangladesh:Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Hans Verner Lollike from Hedehusene, Denmark. Hans is also this week's bonus question winner. Congratulations, Hans, on your double win.Also on the list of lucky winners this week are RFI Listeners Club members Samir Mukhopadhyay from Kolkata, India; Mizanur Rahman from Dhaka, Bangladesh, and Faiza Zainab - who's also a member of the International Radio Fan and Youth Club in Khanewal, Pakistan.Last but certainly not least, RFI English listener Tafriha Tahura from Munshiganj, Bangladesh.Here's the music you heard on this week's programme: "Mazurka no. 4" by Frédéric Chopin, arranged by Serge Forté and performed by the Serge Forté Trio; “Threnody for the Victims of Hiroshima” by Krzysztof Penderecki, performed by Antoni Wit and the National Polish Radio Symphony Orchestra; “La Grande Galerie de la Zoologie” by Philippe Hersant, performed by the Ensemble Bestiaire Fabuleux; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Don't Worry, Be Happy” by Bobby McFerrin, performed by McFerrin.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read Paul Myers' article “Kenya's Ruth Chepngetich sets women's world record at Chicago Marathon”, which will help you with the answer.You have until 11 November to enter this week's quiz; the winners will be announced on the 16 November podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.Click here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club,  

Interview mit einer Persönlichkeit des Düsseldorfer Musiklebens. Das Gespräch führt der Komponist Thomas Blomenkamp. Interviewgast ist diesmal Oskar Gottlieb Blarr. Der aus Ostpreußen stammende Oskar Gottlieb Blarr kam 1961 ins Rheinland und wurde Kirchenmusiker an der Neanderkirche. Er studierte Komposition u.a. bei Bernd Alois Zimmermann, Krzysztof Penderecki, Milko Kelemen und Günther Becker. Über vier Jahrzehnte organisierte er die erfolgreiche Konzertreihe „3 x neu“ mit neuer Musik sowie Komponisten und Interpreten aus Düsseldorf und aller Welt. Viele seiner Kompositionen sind von Aufenthalten im vorderen Orient – insbesondere in Jerusalem – geprägt. Er pflegt aber auch enge Beziehungen nach Ostpreußen, ins heutige Polen, wo er sich für den Erhalt alter Orgeln einsetzt. Am 6. Mai 2024 feierte Oskar Gottlieb Blarr seinen 90. Geburtstag.

Attack of the Killer Soundtrack 68  Composer Erich Stem once again joins us as we play and discuss all the 2023 Oscar nominees for both Best Original Song and Best Original Score. And as we try to decide if we are really into serialism or total serialism, we also cover… the mandocello, the use of motives, electro punk, Tōru Takemitsu, chord progression, it disrupts the food industry, Threnody, sci-fi predictions, singing about battling oil and greed, Woman in the Dunes, whispering song voice, hard bop, real life events attaching themselves to songs, scat singer, Disney songs, connecting with the song, detuning, Juilliard trained, AI writing, compared to other songs of a similar style, a dry studios recording sound, free jazz, Milton Babbitt, use of instrumentation, Krzysztof Penderecki, ultra modern pop and a certain very successful song writer.  “...I think it makes it better for the movie industry.”

Edward Colver is essentially a self taught photographer; Largely influenced by Dada and Surrealism. Three months after he began taking photographs, Edward had his first photo published: an image of performance artist Johanna Went, featured in Bam magazine. Since then he has shot photos for dozens of record labels including EMI, Capitol, and Geffen. His photographs have been featured on more than 500 album covers and include some of the most recognizable and iconic covers of the late 20th century. His work as a rock photographer is well documented in the film American Hardcore. He has photographed bands like Black Flag, T.S.O.L, Christian Death, Bad Religion, Dead Kennedys, Adolescents, Social Distortion, Vandals, X, Red Hot Chili Peppers, X, Tom Waits, Alice Cooper and so much more! https://www.instagram.com/edwardcolver/ BUY A TEESHIRT HERE From Ed: https://edwardcolver.com/t-shirts/ Check out his galleries: https://edwardcolver.com/ Kevin Vonesper has his own youtube channel - Check it out HERE: https://www.youtube.com/@VonesperStudios www.frumess.com⁠⁠⁠⁠ Join this channel to get access to videos not available on the public channel: ⁠⁠⁠https://www.youtube.com/channel/UC6pX3ePQjr8TKBQqKRiobNQ/join⁠⁠⁠ FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Anna S. Dębowska rozmawia z prof. Wojciechem Widłakiem, rektorem Akademii Muzycznej im. Krzysztofa Pendereckiego w Krakowie, o dziedzictwie Krzysztofa Pendereckiego oraz o 4. Międzynarodowym Konkursie Wiolonczelowym jego imienia, odbywającym się w 90. rocznicę urodzin kompozytora. Więcej podcastów na https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na: listy@wyborcza.pl.

- Krzysztof Penderecki był mistrzem form scenicznych, czuł tę dramaturgię. Nawet bez elementów wizualnych jesteśmy w stanie tę opowieść śledzić, choć oczywiście lepiej widzieć to, co jest przygotowane przez reżysera i choreografa - mówiła w Dwójce Beata Bolesławska-Lewandowska.

"Pasja do Pendereckiego" to tytuł najnowszego, czwartego tomu serii PWN przybliżającej najistotniejsze teksty wybitnego teoretyka i krytyka muzycznego Andrzeja Chłopeckiego. - Była to relacja bardzo długotrwała i różnorodna; dwie linie, które na początku biegły bardzo równolegle i w zbliżeniu, a potem zaczęły falować i oddalać się od siebie w jakimś przedziwnym kontrapunkcie - mówił w Dwójce w dniu 90. rocznicy urodzin Krzysztofa Pendereckiego (23.11) Jan Topolski, współredaktor wydawnictwa.

W czwartek (23.11) mija 90. rocznica urodzin Krzysztofa Pendereckiego. - Cały czas był otwarty na sugestie, nowe rozwiązania, dopytywał o różne rzeczy. Nawet samo to, że choć stwierdził jednoznacznie, że nie powstanie nowy, integralny utwór na akordeon, nie ma na to czasu, to zaproponował stworzenie wersji - wspominał w Dwójce wybitnego kompozytora Maciej Frąckiewicz, akordeonista.

- Pendereckiego można porównać z Richardem Straussem, Brahmsem czy Beethovenem. W jego twórczości reprezentowane są w dużych formatach wszystkie formy muzyczne. To symfonie, opery, muzyka kameralna, solowa czy kameralna. Właściwie nie mamy drugiego kompozytora tak pełnego w sensie muzyki europejskiej - mówił w Dwójce Jurek Dybał, dyrygent i kontrabasista, przed rozpoczynającym się we wtorek (21.11) Festiwalem Krzysztofa Pendereckiego.

Learn Polish in a fun way with short Episodes. On this episode we talk about  Polish quiz - Polski quiz. ===== Thanks to my Sponsors for Helping Support me:   If you or know some body you know is struggling with anxiety and want to know how to be 100% anxiety free, in 6 weeks, without therapy or drugs, fully guaranteed - then let me tell you about our sponsor Daniel Packard.   Daniel Packard is a U.C. Berkeley Mechanical Engineer and his research company spent 8 years researching and testing to develop an innovative process that solves your anxiety permanently in just 6 weeks - with an astounding 90% success rate.  And because their program is so effective, people who join their program only pay at the end, once they have clear, measurable results.   If you're interested in solving your anxiety in 6 weeks - fully guaranteed  - and you want to learn more and have a free consultation with Daniel, go to https://www.danielpackard.com/ --------------------------   Do you have High Blood Pressure and/ or want to get off the Meds   Doctors are amazed at what the Zona Plus can do   $50 Discount with my Code ROY https://www.zona.com/discount/ROY   --------------- Store https://www.podpage.com/learn-polish-podcast/store/   Our Websites https://www.podpage.com/learn-polish-podcast/   https://learnpolish.podbean.com/   Find all Graphics to freely Download https://www.facebook.com/learnpolishpodcast    Start Your Own Podcast + Social Media & Donations https://bio.link/podcaster     All other Social Media & Donations https://linktr.ee/learnpolish   ===================================== Now also on   Bitchute https://www.bitchute.com/channel/pxb8OvSYf4w9/   Youtube https://www.youtube.com/channel/UC9SeBSyrxEMtEUlQNjG3vTA   To get Skype lessons from Kamila or her team please visits http://polonuslodz.com/  -------------------------------------------------- 1st Episodes https://learnpolish.podbean.com/page/50 ====================== In this Episode we discuss:   Pierogi ruskie to popularne polskie danie - Pierogi ruskie is a popular Polish dish   Krzysztof Penderecki to polski kompozytor- Krzysztof Penderecki is a Polish composer   Żubrówka to polska wódka- Żubrówka is a Polish vodka   Kościół Mariacki to kościół w Krakowie- St. Mary's Church is a church in Krakow   Wawel to zamek w Krakowie- Wawel is a castle in Krakow   Śląsk to region przemysłowy na południu Polski- Silesia is an industrial region in the south of Poland   Gniezno to pierwsza stolica Polski- Gniezno is the first capital of Poland   Karol Wojtyła to papież- Karol Wojtyła is the pope   Maluch to polski fiat- Maluch is a Polish Fiat   Solidarność to związek zawodowy- Solidarity is a trade union   Krzysztof Kieślowski to polski reżyser- Krzysztof Kieślowski is a Polish director Graphic can be downloaded from here https://www.facebook.com/learnpolishpodcast --------------------------------------------------------------- If you would like Skype lessons from kamila or her team please visit http://polonuslodz.com/       Donations https://www.podpage.com/learn-polish-podcast/support/   Store https://www.podpage.com/learn-polish-podcast/store/   All Social Media + Donations https://linktr.ee/learnpolish   Start your own Podcast    https://bio.link/podcaster   Please Share with your friends / Subscribe / Comment and give a 5* Review  - Thank You (Dziekuje Bardzo :) )   #learnpolish #polishpodcast #learnpolishpodcast #speakpolish

 Musik på trods 2 : Denne podcast fortæller om Krzysztof Penderecki fra Polen og om Kresimir Baranovic fra Koatien. Kirsten Rønn har tilrettelagt.

 Musik på trods 2 : Denne podcast fortæller om Krzysztof Penderecki fra Polen og om Kresimir Baranovic fra Koatien. Kirsten Rønn har tilrettelagt.

- Krzysztof Penderecki zajmuje w naszych kontaktach artystycznych jedno z najważniejszych miejsc. Przyjaźniliśmy się także na polu bardziej osobistym, ale na tym polu artystycznym należy do najważniejszych kompozytorów, z którymi współpracowaliśmy. Trwało to w zasadzie do końca jego życia - mówił w Dwójce Jan Łukaszewski przed koncertem Polskiego Chóru Kameralnego "Barwy Chóru vol. 2" z okazji 90. rocznicy urodzin Krzysztofa Pendereckiego.

- To sezon szczególny, ponieważ trzech wielkich polskich kompozytorów ma swoje rocznice: Krzysztof Penderecki, Witold Lutosławski i Henryk Mikołaj Górecki. Jednocześnie ten sezon chciałem rozpocząć od IX Symfonii Beethovena, którą planowaliśmy już dawno, ale ze względu na pandemię nie mogliśmy jej wykonać - mówił w Dwójce Andrzej Boreyko, dyrektor artystyczny Filharmonii Narodowej.

De hedendaagse componist Krzysztof Penderecki groeide op in Polen, waar hij van dichtbij de Tweede Wereldoorlog meemaakte en later het strenge regime van Stalin. Kees en Botte verdiepen zich in de Poolse geschiedenis en vertellen hoe dit op zijn beurt de muziek van Penderecki beïnvloedde. Ook komen zijn iconische werken voorbij: van zijn avant-gardistische Threnody to the Victims of Hiroshima tot het religieuze Pools Requiem.

30 marca 1966 Krzysztof Penderecki na zlecenie publicznej rozgłośni Westdeutscher Rundfunk zaprezentował w Münster "Pasję według św. Łukasza". Jego dzieło okrzyknięto jedną z najwybitniejszych kompozycji Nowej Muzyki. Dlaczego? Posłuchaj kolejnego odcinka z cyklu "Encyclopaedia Polonica". COSMO po polsku i Porta Polonica przypominają w nim wydarzenia, miejsca i postaci, które stały się częścią historii obu krajów. Von Monika Sedzierska.

- W VI Symfonii Pendereckiego istnieje analogia do "Pieśni o ziemi" Mahlera. W obu czytelny jest motyw natury. Krzysztof Penderecki pasjonował się roślinami, kolekcjonował je w swoim wielkim w ogrodzie - mówił w Dwójce baryton Thomas E. Bauer, który wraz z tenorem Thomasem Mohrem wystąpił podczas 27. Wielkanocnego Festiwalu Ludwiga van Beethovena. Z artystami rozmawiał Michał Dębski.

Un día como hoy, 29 de marzo: Nace: 1895: Ernst Jünger, filósofo alemán (f. 1998). 1940: Godfrey Reggio, cineasta estadounidense. 1943: Vangelis, teclista y compositor griego. Fallece: 1891: Georges Pierre Seurat, pintor francés. 2020: Krzysztof Penderecki, compositor y director de orquesta polaco (n. 1933) Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Would you believe that Poland is one of the pioneering countries of electronic music? Back in the 1950s, Polish Radio was one of the first broadcasters in the world to set up a dedicated experimental sound studio, which hosted some outstanding composers, including Krzysztof Penderecki. It closed around 2004, but its legacy lives on. So much so, that the famous Black Room at the Experimental Studio is now to be recreated at the new Museum of Modern Art in Warsaw when it opens its new building in downtown Warsaw in 2024. Join John Beauchamp and his guests Paweł Nowożycki and Jolanta Woch from MSN Warszawa Interesting links: PRES Facebook Group Włodzimerz Kotoński Oskar Hansen Polish Radio Experimental Studio Polish Radio Experimental Studio – Podcast from Culture.pl Short newsreel (in Polish) on PRES when it first opened  

This week I have been tantalizing my followers with the promise of a tall, dark, handsome singer who was born on January 1. I shall keep you in suspense no longer: he is the great Polish baritone Andrzej Hiolski, born in Lvov in New Year's Day 1922 and died in Krakow on 26 February 2000. I have known of Hiolski for years because of his association with the works of the late Krzysztof Penderecki, but I began digging deeper into his legacy a few years ago and was absolutely stunned at what I found: a singer with a near-perfect technique with a powerful voice with a slightly burred timbre characterized by both beauty, range, and subtlety of expression. I have been collecting his recordings for a few years now and have featured him at every possible opportunity on the podcast, including twice already in the current season. But this episode is devoted entirely to him and it may well serve, strange as it may seem for an artist who is so revered and treasured in his native country, as an introduction for many of my listeners to one of the great baritone voices of the twentieth century. The episode features recordings and performances, many of them exceedingly rare, ranging over more than 50 years, and includes music by Verdi, Wagner, Schubert, Mahler, Bach, Leoncavallo, Mozart, Tosti, Rossini, Tchaikovsky, and Giordano, but also a generous helping of music by Hiolski's compatriots, including Karol Szymanowski, Frédéric Chopin, Augustyn Bloch, Mieczysław Karłowicz, Stanisław Moniuszko, Tadeusz Baird, Tadeusz Szeligowski, as well as, of course, Penderecki. Guest vocalists include the supercharged Greek-American mezzo Tatiana Troyanos and the delectable Polish soprano Alina Bolechowska, as well as the venerable Polish bass Adamo Didur, an early mentor of Hiolski's. who now joins company with Jorma Hynninen and Gérard Souzay in the triumvirate of my favorite baritones of all time! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

For a Halloween special, Alec and Nick take up Søren Kierkegaard's frightening text “Fear and Trembling” as a starting point to discuss fear as it relates to philosophy, music, film, and life. Discussing the chilling crisis of faith during Abraham's binding of Isaac and the subsequent “Teleological suspension of the ethical”—the conversation evolves into a broader exploration of universal vs. situational fear, affects of fear vs. the motivations of fear, and the administration and control of fear in everything from the music of Scott Walker, Kubrick's The Shining, Krzysztof Penderecki, climate protesters actions toward paintings, alien surveillance, Sasquatches on the beach, and more. Ultimately, the discussion arrives at tautologies or “degree zeros” of existential fear—from John Cage confronting his own circulatory system in an anechoic chamber, to capitalism and environmental collapse in Lars “TCF” Holdus' new blogpost “Undoing nihilism.” 

This week's episode celebrates Halloween while at the same time initiating my new ongoing series on Twentieth Century Opera. From Dvořák's Rusalka, premiered in Prague in 1901, through Corigliano's The Ghosts of Versailles, premiered in New York in 1991, there is a wealth of operatic material, some barely remembered today, that touches upon various aspects of the occult, be that witches, devils, exorcisms, demonic possessions, or those that conjure the dead. Alongside the aforementioned works, this episode also features work by Benjamin Britten, Gian Carlo Menotti, Igor Stravinsky, Ferruccio Busoni, Franz Schreker, Serge Prokofiev, Ottorino Respighi, and Krzysztof Penderecki, performed by Teresa Stratas. Tatiana Troyanos, George Shirley, Anna Moffo, Mack Harrell, Maralin Niska, Gwendolyn Killebrew, Jane Rhodes, and others in performances recorded between 1949 and… nearly yesterday. Some of it is folksy, some humorous, some creepy, some horrific, but it is peopled by characters that either haunt or are haunted. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.    

Synopsis On today's date in 2001, during the Lucerne Festival in Switzerland, the German violinist Anne-Sophie Mutter premiered a new chamber work for violin and piano titled “Tango, Song and Dance.” She had commissioned the work from Andre Previn several years earlier, but its premiere was delayed as Mutter embarked on a project to perform and record all Beethoven's Violin Sonatas. “After doing all those stern [Beethoven] recitals,” said Mutter, “I wanted to play pieces which reflected the basis of musical history, the folksongs and dances which has inspired composers through so many centuries. ‘Tango, Song and Dance' is both modern and old-fashioned, and it touches the heart, especially the slow movement, which is really a ‘Song Without Words'.” And that wasn't the only thing to touch her heart. It was around this time that Previn and Mutter became husband and wife. For his part, Andre said, “I have one piece of advice to composers for the violin – make sure Anne-Sophie premieres your piece. Then you're home and dry, and everything works!” Other composers seem to agree, and Krzysztof Penderecki, Witold Lutoslawski, Henri Dutilleux, Wolfgang Rihm, and John Williams have all written violin works for Anne-Sophie Mutter. Music Played in Today's Program Andre Previn (1929-2019) –Tango Song and Dance III. Dance (Lambert Okis, pno; Anne-Sophie Mutter, vln.) DG 8143

Si en 17 minutos pudiera mostrarte cómo mejorar la velocidad (y calidad) de tu articulación en los próximos 30 días o menos... ¿te interesaría saber cómo? Entonces Regístrate aquí y Accede Ahora a esta Clase Gratuita para descubrir cómo mejorar tu articulación En el episodio de hoy tenemos como invitada a Ona Cardona, Solista Internacional y Catedrática de Clarinete en el Conservatorio Superior de Música de Málaga Ona Cardona es una intérprete de gran sensibilidad que combina la actuación solista con la música de cámara, disfrutando de un amplio repertorio que va desde el clasicismo hasta los estrenos contemporáneos. Ha tocado en las principales salas españolas, como Palau de la Música y L'Auditori de Barcelona, Auditorio Nacional de Madrid, Fundación Juan March, Palau de la Música de València, Auditorio de Zaragoza, y ha actuado en los Festivales Internacionales de Granada, Segovia, Castell de Peralada, Úbeda, Al-Kalat, Santa Cristina d'Aro, Schubertíada de Vilabertran, Quincena Donostiarra. También ha realizado conciertos en relevantes salas europeas (Wigmore Hall, St-Martin-in-the-Fields, Barbican Hall, Glyndebourne Opera, Berlin Konzerthaus, Elbphilarmonie) así como en Estados Unidos (Carnegie Hall, Adrienne Arsht Center) y China (Nanjing Music Hall). Como solista, se ha presentado junto a orquestas tales como Radiotelevisión Española, Sinfónica de Castilla y León, Simfònica de Barcelona i Nacional de Catalunya, OCAZ Enigma, Orquesta de Córdoba, Nacional de Cambra d'Andorra o Simfònica de les Illes Balears, entre otras. Apasionada de la música de cámara, habitualmente comparte escenario con artistas de la categoría de Alexandar Madzar, Gerold Huber, Denis Pascal, Enrique Bagaría, Juliane Banse, Mojca Erdmann, Maximilian Hornung, Ramón Ortega, The Soloists of London o los cuartetos AmarArt y Casals. En el ámbito orquestal, colabora con prestigiosas agrupaciones (Orquestra de Cadaqués, Camerata 432, Arts Symphony Orchestra) y, vinculada a sus raíces, es clarinete solista de la Orquesta de Cambra Illa de Menorca. Ha trabajado con reconocidos directores como Adrian Leaper, Vassily Petrenko, Salvador Mas, Virginia Martínez, Peter Rundel, Christian Curnyn, Jaime Martín, Eva Ollikainen, Krzysztof Penderecki, Nuno Coelho o Vladimir Ashkenazy. Muy comprometida con el arte de creación actual, ha estrenado numerosas obras y le han dedicado sus partituras compositores como Carles Santos, Alberto García-Demestres, Gabriel Brnčić, Jesús Rodríguez-Picó, Julian Philips, Cimeon Ellerton, Pedro Faria Gomes, Solfa Carlile, Mark Wolf, Rhian Samuel o Henrik Goldschmidt. Ha grabado para Radio Nacional de España, Catalunya Música, Televisión Española, D+3 Artmusic Project, Tritó y Anacrusi, siendo sus interpretaciones retransmitidas internacionalmente. Destaca en su discografía el CD para Columna Música que incluye la World première “Suite for Solo Clarinet” de Michel Camilo, así como la grabación del disco Chiaroscuro para Eudora Records con obras de Johannes Brahms, Robert y Clara Schumann junto al pianista Josep Colom, con quien actúa regularmente. Graduada por la Escola Superior de Música de Catalunya con las máximas calificaciones, obtiene el Máster with Distinction en la Guildhall School of Music and Drama of London. También se ha formado en el Royal College of Music of London, cursando hoy en día el doctorado en la Universitat Rovira i Virgili de Tarragona. Su calidad musical ha sido reconocida con numerosos galardones (Concurso Nacional Intercentros de Grado Superior, Concurso Permanente de Juventudes Musicales de España, Concurso Internacional El Primer Palau, entre otros) y en la actualidad es solicitada con frecuencia como miembro de tribunales. Con una amplia experiencia docente, imparte cursos y clases magistrales en las que integra los principios del Método Trager®. Ha desarrollado su labor pedagógica en el Conservatori Superior de Música de les Illes Balears y el Conservatorio Superior de Música de Aragón, y recientemente ha sido nombrada Catedrática de clarinete del Conservatorio Superior de Música de Málaga. Para leer su biografía completa y saber más sobre Ona, puedes visitar su web aquí: www.onacardona.com En el episodio de hoy hablaremos de... Su trayectoria musical Método Trager De dónde provienen la gran mayoría de tensiones que generamos con el cuerpo y los peligros de tocar en piloto automático Cómo utilizar el Método Trager para sentirnos más cómodos a la hora de tocar y de la importancia de la respiración Rutina de estudios Grabaciones de CD´s, futuros proyectos Y muchas cosas más... Y ahora déjame preguntarte algo: Si en 17 minutos pudiera mostrarte cómo mejorar la velocidad (y calidad) de tu articulación en los próximos 30 días o menos... ¿te interesaría saber cómo? Entonces Regístrate aquí y Accede Ahora a esta Clase Gratuita para descubrir cómo mejorar tu articulación

A sáskarák, aki szinesebben látja a világot mindenkinél. Futtában. Palik László sok szempontból kínos videója Rogán-Gaál Cecíliával. A gombapresszós emailcímünk ideiglenesen nem üzemel. Helyette használjátok ezt.  Adászene: Henryk Górecki: 3. Szimfónia (A fájdalmas dalok szimfóniája) Vezényel: Krzysztof Penderecki Énekel (és a borítóképen): Beth Gibbons ........................... Ha szeretnél támogatni minket, a Patreon oldalunkon megteheted. A gombapresszó Twitter csatornája. Az élő adások helyszine, az MR4 csatorna. Az adászenéket tartalmazó Spotify lista.

For most people, nightmares produce insomnia, exhaustion, and unease. For Graham Gordon Ramsay, a spate of severe nightmares in April 2020 developed into something more lasting and meaningful: a five-movement, 18-minute musical work for organ or string ensemble called "Introspections." To me, it's one of the most arresting artistic documents of the opening phase of the global coronavirus pandemic, and so we've made it the subject of this week's Song Exploder-style musical episode. (Headphones recommended!)Graham is a friend of the podcast; longtime listeners will recognize him as the composer of our opening theme. But he's also a prolific writer of contemporary pieces for solo voice, solo instruments, chamber ensemble, choir, and orchestra. In this three-way conversation, which includes organist and conductor Heinrich Christensen of King's Chapel, we retrace Graham's musical and psychological journey from the pandemic's dark, lonely early months (echoing through the turbulent, disquieting first and second movements of "Introspections") to the gradual adaptation and broader reckoning that marked the late summer of 2020 (reflected in the fifth and final movement's turn to more conventional major keys and harmonies).  As Graham himself emphasizes, there's no easy 1:1 correspondence between his pandemic experiences, his nightmares, and this composition. The piece is less literal than that, and listeners will, of course, bring their own experiences and interpretations to the work. But "Introspections" clearly takes its place among a genre of musical creations tied to a particular crisis or tragedy, with examples ranging from Benjamin Britten's "War Requiem" to Krzysztof Penderecki's "Threnody to the Victims of Hiroshima" to John Adams' "On the Transmigration of Souls," which won the Pulitzer Prize for its portrayal of the 9/11 attacks.Composers—alongside poets, artists, and even architects—help us gain some perspective on our collective traumas. And speaking for myself, both as Graham's friend and as one of the first to hear "Introspections," the piece will always be associated in my mind with the grim, stressful, baffling, but occasionally uplifting events of 2020.After the interview with Graham and Heinrich, stick around to hear "Introspections" in its entirety.I. Unrushed but steady (37:50)II. With an improvisatory feel (40:56)III. Quick, with a very light touch (46:08)IV. Uncomfortable, plodding (47:12)V. Poignantly, rubato throughout (50:38)For more on Graham Gordon Ramsay, including his discography and musical scores, see http://www.ggrcomposer.com."Introspections for Organ"—a YouTube playlist of the five movements for organ, performed by Heinrich Christensen at Kings Chapel, Boston"Introspections for String Ensemble" by Graham Gordon Ramsay — the full Proclamation Chamber Ensemble performance on videoNotesA special thank you to Graham Gordon Ramsay, Heinrich Christensen, King's Chapel, the members of the Proclamation Chamber Ensemble, and all the volunteers who helped with the GBH rehearsal and recording sessions on September 7 and 8, 2021.Thanks also to Hrishikesh Hirway for his inspiring work on Song Exploder from Radiotopia. It's not just one the smartest and most educational music podcasts out there—it's one of the top podcasts, period.The Soonish opening theme is by Graham Gordon Ramsay.The outro music is from "In Praise of San Simpliciano" (2009), also by Graham Gordon Ramsay.If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

- Uświadomiłam sobie właśnie wczoraj, podczas uroczystości upamiętnienia Krzysztofa Pendereckiego, jak monumentalne i magiczne są moce, które objawiał swoją muzyką i jak wiele jego muzyki zakradło się w zakamarki duszy każdego z nas - mówiła Anne-Sophie Mutter. Znakomita niemiecka skrzypaczka otrzymała tytuł doktora honoris causa Akademii Muzycznej im. Krzysztofa Pendereckiego w Krakowie.

West Coast Cookbook & Speakeasy is Now Open! 8am-9am PT/ 11am-Noon ET for our especially special Daily Specials, Smothered Benedict Wednesdays!Starting off in the Bistro Cafe, the seven hour telephone record gap suggests willful and felonious omissions about January 6.On the rest of the menu, the New York AG asked a state appeals court to enforce Trump's subpoena; a federal judge in Texas put the national security at risk by barring the Navy from taking action against anti-vax sailors; and, the Federal Trade Commission is suing Intuit to stop its “bait and switch” TurboTax ads.After the break, we move to the Chef's Table where an Ethiopian court ordered an Ethiopian journalist released on bail after being imprisoned for four months without charges; and, Poland finally held a state funeral for award-winning composer Krzysztof Penderecki after a two year delay due to COVID restrictions.All that and more, on West Coast Cookbook & Speakeasy with Chef de Cuisine Justice Putnam.Bon Appétit!~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~"To those of us who believe that all of life is sacred every crumb of bread and sip of wine is a Eucharist, a remembrance, a call to awareness of holiness right where we are. I want all of the holiness of the Eucharist to spill out beyond church walls, out of the hands of priests and into the regular streets and sidewalks, into the hands of regular, grubby people like you and me, onto our tables, in our kitchens and dining rooms and backyards.” - Shauna Niequist "Bread and Wine: A Love Letter to Life Around the Table with Recipes"~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Show Notes & Links: https://www.dailykos.com/stories/2022/3/30/2089004/-West-Coast-Cookbook-amp-Speakeasy-Daily-Special-Smothered-Benedict-WednesdaysNetroots Radio Deep Archive:https://archive.org/details/@netroots_radio

Krzysztof Penderecki pozostawił po sobie nie tylko piękną muzykę, ale też arboretum. To 15-hektarowy park w Lusławicach z kolekcją ponad 1500 gatunków drzew i krzewów - unikalnych w skali Europy. Jego tworzenie zajęło kompozytorowi ponad 40 lat. W otoczeniu ukochanego ogrodu przez artystę znajduje się odrestaurowany, XVIII-wieczny dwór oraz Europejskie Centrum Muzyki. W drugą rocznicę jego śmierci przypominamy w reportażu jedną z jego największych pasji obok muzyki, której poświęcał niemal każdą wolną chwilę. Unikatowe sadzonki przywoził z różnych zakątków świata. Kochał wszystkie drzewa ale chyba najbardziej buki i klony, profesor pochylał się z czułością nad każdą rośliną w parku - opowiada ogrodnik Stanisław Dudek. 29 marca, po dwóch latach od śmierci, urna z prochami wielkiego kompozytora została przeniesiona z krypty bazyliki św. Floriana do Panteonu Narodowego w Krakowie. 

La 1153-a E_elsendo el la 19.03.2022 ĉe www.pola-retradio.org En ĝia enhavo vi aŭdas, gesinjoroj pri: – pli ol 2 milionoj da ukrainaj militrifuĝontoj en Pollando; pri Japanio kiu ankaŭ komencis akcepti la ukrainajn rifuĝintojn; – En kulturkroniko ni informas pri: la baldaŭa sepulto de la renoma pola komponisto, Krzysztof Penderecki en la Nacia Panteono;  pri […]

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Music publisher Peter Hanser-Strecker was born in Munich in 1942. He studied musicology and law in Mainz, Munich and Frankfurt. In 1968 he completed his law studies and received his PhD for his thesis on "Plagiarism in Music". In the same year, he began working for Schott Music as head of the legal department. In 1974 he was appointed to the management board of the publishing house, which he has chaired since 1983. In addition to his publishing activities, Hanser-Strecker is involved in a number of music organizations and professional associations and is an honorary member of the German Music Publishers Association and GEMA, among others. He is also a member of over twenty other associations, organizations, and foundations. Tracks Credit: Krzysztof Penderecki - Seven Gates of Jerusalem, St. Luke Passion, Fluorescenses, Devils Of Louden.

Nazywany bywał Pierwszym Krawcem Rzeczypospolitej i ambasadorem prawdziwej elegancji. Józef Turbasa, żołnierz AK, pseudonim Brzoza, za swoją działalność osadzony w więzieniu św. Michała w Krakowie. Siedział w celi z folksdojczem, mistrzem krawieckim i to właśnie od niego posiadł wiedzę w tym zawodzie. Jak wspominał – "musiałem mieć w małym palcu, nawet krój kaszkietu czy bryczesów i to w środku nocy". Po wyjściu z więzienia i zdaniu egzaminu mistrzowskiego zakłada w Krakowie Artystyczną Pracownię Krawiecką. Od pierwszego spotkania "widział" klienta w nowym okryciu. Bezbłędnie doradzał, sugerował wybór kroju, tkaninę, fakturę. Stworzył legendę firmy, w której ubierały się osobowości tworzące historię drugiej polowy XX i początku XXI wieku – laureaci nagrody Nobla, filmowych Oskarów, wielcy kompozytorzy, literaci, prezydenci. W jego fraku rozpoczynał swoje międzynarodowe triumfy Krzysztof Penderecki, dyrygowali m.in. Kazimierz Kord, Antoni Witt. Pracownię odwiedzali: Stanisław Lem, Maciej Słomczyński, Czesław Miłosz.

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Jurek Dybał is the General Director and Chief Conductor of The Orchestra of the Royal Capital City of Krakow Sinfonietta Cracovia, an acclaimed conductor and a musician of the famous Vienna Philharmonic. His charismatic personality has been valued by the audience of many European music venues, in which he has made an appearances with the Beethoven Orchester Bonn, Tonkünstler-Orchester Niederösterreich, Radio Symphonie Orchester Wien, Orchestre Philharmonique de Monte Carlo, L'Orchestra del Teatro Carlo Felice di Genova, Wiener KammerOrchester, Wiener Concert-Verein, Concerto Köln, Bayerische Kammerphilharmonie, Tatarstan National Symphony Orchestra, Kuopio Symphony Orchestra, Czech National Symphony Orchestra, Brno Philharmonic Orchestra, Sinfonia Varsovia Orchestra, Polish National Radio Symphony Orchestra, Polish Radio Orchestra, Silesian Chamber Orchestra, Wrocław's Leopoldinum and National Forum of Music Symphony Orchestra as well as Philharmonic Orchestras in Poznań, Krakow, Łódź and Gdańsk. As a conductor he collaborated with such eminent soloists as Gidon Kremer, Martin Grubinger, Katia and Marielle Labèque, Xavier de Maistre, Cameron Carpeneter, Lawrence Power, Erwin Schrott, Tomasz Konieczny, and singers of the Vienna State Opera among others. Jurek Dybał is a founder and a director of the Krzysztof Penderecki International MusicFestival – Level 320 held in the historical hall of Guido mine in Zabrze. The artist premiered there a number of Pendereckis works. His recordings can be found on the albums by Sony Classical and Warner Classics among others. Tracks: Penderecki Sinfonietta No. 1 & 2https://www.naxos.com/catalogue/item.asp?item_code=8.572212 (https://www.naxos.com/catalogue/item.asp?item_code=8.572212) Sinfonietta No. 3 youtube Polish Requiem https://www.naxos.com/catalogue/item.asp?item_code=8.557386-87 (https://www.naxos.com/catalogue/item.asp?item_code=8.557386-87) Credohttps://www.naxos.com/catalogue/item.asp?item_code=8.572032 (https://www.naxos.com/catalogue/item.asp?item_code=8.572032) 3 Pieces in Old Style; No. 3https://www.naxos.com/catalogue/item.asp?item_code=8.572212 (https://www.naxos.com/catalogue/item.asp?item_code=8.572212) Concertino per tromba e orchestra youtube UBU REX youtube

On 8 September, 1939, when Krzysztof Penderecki was just a few weeks shy of his sixth birthday, German forces took control of his home town of Dębica with its majority Jewish population. Between then and the liquidation of the Dębica ghetto in 1943, the young Penderecki had to witness the Nazi regime's systematic intimidation, segregation and extermination of Europe's Jews as it played out literally his own doorstep. Twenty years later he took Leon Weliczker's Holocaust memoir, Brigade of Death, and constructed a work for narrator and electronics which, following its premiere, would not be performed again until 2011. Reflecting on a painful history in this podcast, we explore Brigade of Death and the reactions of different generations of listeners to Penderecki's work.  Transcription WCAG

Fifty two strings. Eight minutes. Thirty seven seconds. Completed in 1960, Krzysztof Penderecki's Threnody to the Victims of Hiroshima has become one of his most well-known works thanks to its use in soundtracks of films by David Lynch, Wes Craven and Alfonso Cuarón. In this podcast we explore its genesis, how its textures suggest an incomprehensible terror and sorrow, and its transition from abstraction to memorial.  Transcription WCAG

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Julian Rachlin is one of the most renowned artistic personalities of our time. In his over thirty-year career, Mr. Rachlin's multifaceted interests have taken him across the globe as a conductor, soloist, recording artist, chamber musician, teacher, and artistic director. As a violinist, Rachlin has shared the stage with virtually every major orchestra and conductor. A frequent presence on the conductor's podium, his performances have thrilled audiences worldwide and his electrifying and sensitive interpretations have placed him at the forefront of classical music. Rachlin's elegant and dynamic style has cemented his reputation as one of the leading conductors of his generation. Known for his meticulous rehearsal methods and superb musicianship, he has conducted the Chicago Symphony Orchestra, Israel Philharmonic Orchestra, Royal Philharmonic Orchestra, Konzerthausorchester Berlin, Russian National Orchestra, Moscow Philharmonic Orchestra, China Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, and the symphony orchestras of Vienna, City of Birmingham, RAI Torino as well as at the Grand Teton and Verbier festivals. Mr. Rachlin serves as Principal Guest Conductor of the Turku Philharmonic Orchestra, the Kristiansand Symphony Orchestra, and he is Principal Artistic Partner of the Royal Northern Sinfonia. A major presence in the performing arts since the age of thirteen, Mr. Rachlin has spent over three decades cementing his reputation as one of the world's premiere classical violinists. Recent highlights as soloist include appearances with the Munich Philharmonic and Los Angeles Philharmonic Orchestra under the baton of Zubin Metha, Mariinsky Orchestra with Valery Gergiev, Oslo Philharmonic Orchestra under Klaus Mäkelä, St.Petersburg Philharmonic Orchestra with Yuri Termirkanov, Boston Symphony Orchestra, Orchestra Filarmonica della Scala, Symphonieorchester des Bayerischen Rundfunks, Montreal Symphony Orchestra under Christoph Eschenbach and the Pittsburgh Symphony Orchestra with Manfred Honeck. Tracks: Penderecki - Sextet for Clarinet, Horn, Violin, Viola, Cello and Piano: https://www.naxos.com/catalogue/item.asp?item_code=8.557052. Penderecki - Ciaconne transcription (violin & viola) from A Polish Requiem. Penderecki - Double Concerto. Penderecki - Metamorphosen: https://www.naxos.com/catalogue/item.asp?item_code=8.555265.

12th-21st CenturiesThis week we hear works by Magister Leoninus, Jacobus Vaet, Delphin Strungk, Jan Dismas Zelenka, José Maurício Nunes Garcia, Peter Cornelius, Sir Arnold Bax, Krzysztof Penderecki, John Rutter, and Philip Lawson.162 Minutes – Week of December 13, 2021

We explore the traumatic events of Penderecki's upbringing, growing up as a boy in Nazi-German-occupied Poland from the ages of 6 to 12. How was his music a reaction to the events of the Second World War? Further reading & listening: Krzysztof Penderecki // bio on Culture.pl Visit Penderecki's Garden, a digital garden in the composer's honour. Many thanks to the Penderecki estate for granting us permission to use extended parts of his music. Some of the pieces heard in this episode can be listened to in full elsewhere on the Internet: Krzysztof Penderecki: String Quartet No. 3 'Leaves from an Unwritten Diary' Henryk Górecki: Symphony No.3, Op.3 Szymon Laks: Quintet for Piano Hosted by Jack Pepper Transcription WCAG A Polish translation of the audio can be found here.

We use Penderecki's A Polish Requiem to explore the volatile history of the Polish nation, and how this in turn influenced Penderecki's outlook. From trade union protests to sustaining religious faith under communist rule, we discover how a composer can reflect wider issues of state, nationhood and identity. Further reading & listening: Krzysztof Penderecki // bio on Culture.pl A Polish Requiem // profile on Culture.pl Visit Penderecki's Garden, a digital garden in the composer's honour. Many thanks to the Penderecki estate for granting us permission to use extended parts of his music. Some of the pieces heard in this episode can be listened to in full elsewhere on the Internet: Krzysztof Penderecki: A Polish Requiem Andrzej Panufnik: Polonia, Suite for Orchestra Hosted by Jack Pepper Transcription WCAG A Polish translation of the audio can be found here.

There are those of us from Generation X in the U.S. that grew up on a steady diet of horror films, underground comix, sci-fi mags, punk and metal music while the rest of the country soaked up sitcoms and disco.  It was an era where such preoccupations were not met with wide enthusiasm despite occasional mainstream successes.    This, of course, has all changed. To define grunge, for example, is to say that it was the synthesis of metal & punk with both noise and classic rock thrown in for good measure. Hollywood has gone all in on horror and especially films starring people in tights. The kids that grew up throughout the 70s and 80s have now become the tastemakers and almost everything has become mainstream (even bands like The Velvet Underground and Mötörhead).   On this episode of FIVE DOLLAR BUZZ, the Buzzards get down with an artist that defines the best combination of all of those influences, Rich Ragsdale. As a director he's made the horror films THE CURSE OF EL CHARRO, GHOST HOUSE and the upcoming THE LONG NIGHT and music videos for Avicii & Lenny Kravitz, Sean Lennon and Les Claypool, Chevelle, Theory of a Deadman and countless others.  He's composed scores for most of his films and films EIGHT-LEGGED FREAKS, BIG RIVER MAN and THE GIANT MECHANICAL MAN and TV series' "The King of Queens,"  "According to Jim" and "Freakshow." His recent spate of cartoons revolving around the last four years in politics takes their grotesque cue from famous EC horror comics from the 50s.    Rich is the definition of the modern Renaissance Man influenced by John Carpenter, David Cronenberg, Richard Corbin, Jack Davis, Krzysztof Penderecki, Bernard Herrmann and Iron Maiden.    The Buzzards go down the proverbial rabbit hole of all these topics and more as Rich Ragsdale gives insight into his childhood and influences that helped shape an artist that just keeps growing with each new avenue he pursues.    So, turn out the lights, pour a mug of hard cider and take a walk down memory lane with the current reign of the new prince of darkness, Rich Ragsdale.    Please subscribe to us on our YouTube Channel and hit like on our audio only versions on Spotify and iTunes. If you have any questions, comments, ideas for guests or episodes, please reach out to us at FIVEDOLLARBUZZ@gmail.com.  We'll get back to you as soon we can find a light switch...it's goddamn hard to feel around in the dark as things go bump in the night...

How coronavirus is changing the landscape of China's underground electronic music scene. DJ and broadcaster Frank McWeeny speaks to leading DJs and promoters about the collaboration and creativity that is transforming China's electronic music scene after lockdown. Inside the political battle between the pop star and the President that's dividing Uganda. Journalist Patience Akumu on the political contest between seventy-six year old incumbent President Yoweri Museveni, and the man called the Ghetto President, the thirty-eight year old musician and performer Bobi Wine. The Venezuelan pop sensation Liana Malva on her new musical project Gotas, that she hopes can help promote environmental awareness and protect her nation's natural beauty. Plus has a film, a book or a piece of music ever changed the way you see the world? Radiohead guitarist and film composer Jonny Greenwood shares his love for the Polish composer, Krzysztof Penderecki. Presented by Tina Daheley (Photo credit: Tao Yun)

Ideias provocativas e inovadoras que a música transmite através dos séculos moldaram culturas, narraram guerras e revoluções, contaram o inexplicável através das composições de artistas que vivenciaram anos tanto tenebrosos quanto gloriosos. E, além da transformação como indivíduos (compositor, intérprete, ouvinte), a educação musical também pode ser um agente transformador de uma comunidade, como uma via de inclusão social e educacional. Ouça a discussão inspiradora entre os contrabaixistas Walace Mariano (Filarmônica de Minas Gerais) e Pedro Gadelha (Osesp), apresentada e mediada por Ana Lúcia Kobayashi (nossa arquivista). Neste terceiro episódio da segunda temporada do podcast "Filarmônica no Ar", apresentado pela Cemig, ouvimos trechos das seguintes obras: "Trenodia para as vítimas de Hiroshima", de Krzysztof Penderecki, com a Orquestra da Rádio Nacional da Polônia, sob regência do compositor. "Sinfonia nº 7, 'Leningrado'", de Dmitri Shostakovich, com a Orquestra Sinfônica da NBC, regência de Arturo Toscanini. Prelúdio das "Bachianas Brasileiras nº 4", Heitor Villa-Lobos, executada pelos artistas do Festival Ilumina. "Uma vida de herói, op. 40", Richard Strauss, com a Orquestra Sinfônica de Heliópolis, regida por Isaac Karabtchevsky.

Pólski tónsmiðurinn Krzysztof Penderecki er allur. Hátalarinn rifjar upp örfá dæmi um verk hans frá fyrri hluta ferilsins. Í tengslum við þá tónlist er síðan haldið á sporbaug um ártalið 1970 áður en hugað er að hinum snjalla trompetleikara Wallace Roney sem hvarf af djasssviðinu fyrir skemmstu, aðeins sextugur að aldri.

Fiona Ross on traditional Scots song, from murder ballads and rebel codes, to immortal songs by Scotland's National Bard, Robert Burns. And the legacy of Poland's acclaimed composer Krzysztof Penderecki.

This week Tim talks to Classic FM's composer-in-residence Debbie Wiseman about her latest project with Stephen Fry, Sam points out the similarities between Rachmaninov and Jacob Collier and the pair review music by Krzysztof Penderecki, Stephen Swartz and Gustavo Díaz-Jerez. Arts Professional's Report: https://www.artsprofessional.co.uk/pulse/survey/freedom-expressionMichael Hann on the connection between musicians and their instruments: https://www.theguardian.com/music/2020/feb/20/it-feels-like-an-extra-limb-musicians-on-the-bond-with-their-instrumentsMusic Credits: ‘Tim and Sam's Podcast', written and performed by Harry Sever '976 Love', written and performed by Dan Brown 'Rhapsody on the Theme of Paganini' by Rachmaninov, performed by Rachmaninov and the Philadelphia Orchestra under Leopold Stokowski'The Story of Rhea' from The Mythos Suite, by Debbie Wiseman and Stephen Fry, performed by Stephen Fry and the National Symphony Orchestra under Debbie Wiseman Krzysztof Penderecki's Horn Concerto performed by the LPO and Radovan Vlatković under Michał Dworzyński Ymarxa (Tenerife) from Gustavo Díaz-Jerez's Maghek, performed by the Royal Scottish NO under Eduardo Portal Jean Sibelius's Fifth Symphony, arranged and performed by Timmy Fisher Handel's ‘Eternal source of light divine', performed by Antonia Dunjko, Edmund Andler-Borić and Igor MrnjavčićFollow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Grime artist Stormzy became a worldwide sensation when online videos of him and his friends in the park went viral. With the release of his first studio album Gang Signs & Prayer and a national tour, he talks about his range of different styles, trying to please his mum and the police kicking down his door.Poland's greatest living composer, Krzysztof Penderecki, whose powerfully dissonant music has been used in films such as Kubrick's The Shining, reveals that his terrible experience of Nazi occupation inspired his masterpiece St Luke Passion. Ash to Art is the response of 25 artists to the fire that destroyed a significant part of the Glasgow School of Art in 2014. Each was given a piece of charcoal from the burned-out Mackintosh Library and asked to make a work that could be auctioned to raise money for the building's restoration. Cornelia Parker, Chantal Joffe and Ishbel Myerscough show John round the exhibition at Christie's in London.Presenter John Wilson Producer Jerome Weatherald.