Podcasts about auditioning

#ChrisDistefano #StandUp #comedy Steph Tolev joins Chris Distefano for one of the most chaotic episodes yet! Steph talks about filming Tires, her acting career, getting American citizenship, relationships, Botox, internet trolls and the insanity of being a comedian. Plus, the streets of New York completely take over the show as random people stop by, Chris and Steph debate just about everything, and Little Petey shows up to close out the episode. This is Chrissy Chaos exactly how it was meant to be: completely unpredictable. 00:00 Steph Tolev Joins the Chaos 03:00 Chris Has a Problem With Bangs 06:24 Steph Reacts to the Trunk Podcast 09:12 Steph on Filming Tires 11:21 Losing Her Dog & Wanting Another 13:36 Random NYC Encounters Take Over 15:21 Chris' Wife Wants Him to Be More Manly 19:23 Steph's Fiancé & Hemorrhoids 20:58 Full-Body Scans & the Longevity Obsession 22:28 Steph's Comedy Cellar Audition 24:27 Steph Becomes an American Citizen 27:07 Steph Got Arrested in High School 29:08 Chris on Getting Older & Working Out for His Kids 33:00 Why Steph Loves Living in LA 34:14 Chris' First Movie Role 37:17 Steph on Auditioning for Tires 39:32 Bangs and Botox 41:50 Steph's Tires Sex Scene 42:58 Why Steph Stopped Reading Comments 46:32 The Legend of Little Petey 50:27 Steph's Insane Childhood Story 53:51 Steph Confronts a Fan 55:24 Little Petey Crashes the Podcast 58:35 Little Petey Performs Stand-Up 1:01:17 Little Petey's Three Wishes 1:04:00 Steph Tolev Closes Out the Chaos UNCUT WILD CONTENT GO HERE

WATCH THE OFFICIAL COVEN ACADEMY TRAILER HERE: https://www.youtube.com/watch?v=ZieRpGqz4VwThis is a first for the middle row podcast! I am sitting down with the three leads of Disney's first YA show, "Coven Academy", Malina Weissman, Ora Duplass and Jordan Leftwich. This is my first time having actresses on the show so to have it be with the newest faces of Disney is such a big deal! We talked about how they auditioned and got cast, the best and hardest days from filming on set and more. I can't wait for you all to see the show when it comes out on Oct 1st on Freeform and streaming on Oct 2nd on Disney and Hulu. TOPICS AND TIME STAMPS: 0:00 - Introduction 2:00 - What is “coven academy” about 3:24 - The first time Disney x Freeform have a young adult show 4:53 - Auditioning for the show 8:15 - Favorite memories from filming together 13:20 - The most difficult scene to film 18:36 - Comfort shows while filming 18:56 - The music they listened to to get into character21:13 - Their big 3 in astrology If you made it this far, you're already a Coconut — so make it official.

Khi'Shawn Robinson began dancing at 14 and initially set his sights on a career in classical ballet. After studying ballet at the University of North Carolina School of the Arts, he unexpectedly took a professional job with Royal Caribbean, which opened the door to a completely different side of the dance industry.Today, Khi'Shawn is a performer and dance captain with the national tour of The Wiz. In this episode, he shares his journey to The Wiz (including auditioning multiple times before finally booking the show), proving that sometimes “no” really does mean “not right now.”We also learn what a dance captain does, what a typical day on tour looks like for Khi'Shawn, and get some insight into the history of The Wiz!Key “Pointes” in this Episode Starting dance at 14 and discovering a passion for ballet What Khi'Shawn learned from earning his degree in Classical Ballet from the University of North Carolina School of the Arts Why he decided to make the leap from classical ballet into musical theater His first professional job with Royal Caribbean's Hairspray The differences between performing on a cruise ship and touring with a national production Auditioning for The Wiz multiple times before finally joining the cast What The Wiz means as a celebration of African American culture and experience What a typical day on tour looks like for Khi'Shawn What it means to be a dance captain and how being a dance captain has changed the way he approaches his own dancingConnect with Khi'Shawn:INSTAGRAM: https://www.instagram.com/khishawnrobinsonLinks & Resources:See The Wiz at the Overture Center in Madison, WI: https://www.overture.org/tickets-events/2026-27-season/the-wiz(head to The Brainy Ballerina IG to enter to win two free tickets!)REGISTER FOR SEE AND BE SEEN: https://eisenhowerdance.org/beseenORZA: www.orzabrand.com (use code BRAINYBALLERINA for 10% off)Let's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

Linda Purl has spent more than five decades building an extraordinary career across television, film, Broadway and music. In this episode of Still Here Hollywood, Linda joins Steve Kmetko for a funny, candid and surprisingly personal conversation about Happy Days, Matlock, The Office, Andy Griffith, Garry Marshall, aging in Hollywood and the unexpected love story that brought her and Dallas star Patrick Duffy together.Linda reveals what The Office was really like behind the scenes, why Happy Days had only one bathroom for the cast and crew, and the remarkable story Andy Griffith told her about fighting for his role in A Face in the Crowd. She also opens up about reconnecting with Patrick Duffy during COVID, their nightly Zoom conversations and the moment he finally drove from Oregon to Colorado to see if their friendship could become something more.Plus, Linda talks about returning to the stage, her lifelong love of music, handling criticism, getting older without “giving up,” and how she and Patrick turned a 70-year-old family sourdough starter into Duffy's Dough and a mission to help fight food insecurity.It's Linda Purl, still working, still laughing, still singing and very much Still Here.#LindaPurl, #PatrickDuffy, #HappyDays, #TheOffice, #Matlock, #AndyGriffith, #GarryMarshall, #RonHoward, #Dallas, #StillHereHollywood, #SteveKmetko YOUTUBE CHAPTERS00:00 Linda Purl Is Still Here01:02 Growing Up in Japan07:34 Becoming an Actor10:42 Auditioning for The Office12:17 Garry Marshall and the Happy Days Family14:49 The Truth About Improv on The Office16:20 The Lasting Bonds of Happy Days18:26 Returning to Happy Days as a Different Character20:16 Working With Andy Griffith on Matlock21:58 Andy Griffith's Wild Elia Kazan Story24:30 Linda's Advice for Young Actors27:43 Criticism and Bad Reviews29:21 Social Media and the New Hollywood32:37 Aging in Hollywood34:20 Linda's Other Career as a Singer38:55 Her New Album, From My Heart41:33 Reinvention and Gregory Harrison's Life Lesson44:22 Playing 16 Characters in Crazy Mama47:55 Falling in Love With Patrick Duffy53:05 Patrick's 70-Year-Old Sourdough Starter56:36 Turning Duffy's Dough Into a Business1:03:33 What Linda Hopes People Remember Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“‘This is what I wanted for the longest time… I'm very blessed.'” says leading man Eric Lutz. With 20 verticals under his belt and countless auditions along the way, Lutz talks about staying grateful while navigating the realities of a career that never seems to slow down.

This week we get to chat with the wonderfully talented actor, Christopher Marquette! We had so much fun chatting with him this week as we discuss how he landed his role in the most recent season of REACHER. He also talks about  his casting stories across his career and how he views the industry. Chris has been auditioning since he was 4 years old and we love his insight and outlook on the industry and the current space we are all living in. We also discuss how he has handled the evolving state of self taping especially as he spans living in 2 countries and he turns the tables and gets to ask us his burning questions for casting. You don't want to miss this one!So grab your favorite cocktail and join us for a fun episode!Make sure to subscribe to our ⁠YOUTUBE⁠ channel for more fun video content!Resources:Christopher's Instagram Christopher's IMDB──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys 

Is Willson Contreras calling out umpires? // Looks like we're gearing up for a series in the Bronx // Which red Sox pitcher will be the odd man out? // Auditioning to be the voice of Logan Airport //

Would you trade Josh Allen for Drake Maye? // Red Sox grab a big win but it comes at a price // Discussing Amazon Prime's TNF broadcast // Will Matthew Slater make the HOF? // Pat Boyle joins the show to help us all win some MONEY! // Jayson Tatum reveals what he thinks about the Jaylen Brown narrative // Will Josh McDaniels let Drake Maye cook this week? // Will the weather help or hurt the Patriots on Sunday? // Can Bill Belichick beat Clemson? // Will the weather be a factor against Pittsburg this Sunday? // Aaron Rodgers or some other douche?! // Would you trade Josh Allen for Drake Maye? // Is Willson Contreras calling out umpires? // Looks like we're gearing up for a series in the Bronx // Which Red Sox pitcher will be the odd man out? // Auditioning to be the voice of Logan Airport //

On this week's episode of the Who Are You? Podcast we sit down with Noah Bennett who is a Actor, Playwriter and teacher. We get into how he got his start in the theater world, what the audition process was like for him to get into a prestigious theater program at Ohio state university, he tells us about his upcoming performance in Antigone: Unmasked, how breathing in a scene seems to be a common problem for new performers, he also gives shout outs to other actors/performers he thinks needs more recognition and so much more!For more on Noah and his upcoming shows / performances check out the links below: Instagram: https://www.instagram.com/officialnoahbennett/?hl=en Website: www.officialnoahbennett.comMake sure to turn on your notifications so you don't miss an episode, please share the episode, leave a like, a review and a 5-star rating. All those things help the podcast be seen by more people!For all questions, business inquires or are interested in being on the show please reach out to: ⁠whoareyoupod@yahoo.com⁠ For all updates and information about the podcast:Instagram: ⁠ https://www.instagram.com/whoareyoupod904/?hl=enTikTok: ⁠https://www.tiktok.com/@who.are.you.podcaYouTube: ⁠ https://www.youtube.com/@whoareyoupodAll other audio links: ⁠https://linktr.ee/Whoareyoupod⁠#whoareyoupodcast #jacksonville

Book your next in-network doctor's appointment in as little as 24–72 hours for free at https://zocdoc.com/itc. Use the code "true crime" for 10% off or more⁣ ⁣ Get 10% sitewide for a limited time. Just visit https://GhostBed.com/cox and use code COX at checkout. ⁣ ⁣ Brian McCarthy shares how his life as an international smuggler and dealer eventually led to jail before he turned his experiences into a career in writing, comedy, and media.⁣ ⁣ Brian's links - ⁣ https://www.instagram.com/brianmshow/?hl=en⁣ https://www.youtube.com/@brianmshow⁣ ⁣ Do you want to be a guest? Fill out the form https://www.insidetruecrimepodcast.com/apply-to-be-a-guest⁣ ⁣ Shop my merch: https://www.etsy.com/shop/MatthewCoxCollection⁣ ⁣ Send me an email here: insidetruecrime@gmail.com⁣ ⁣ Do you extra clips and behind the scenes content?⁣ Subscribe to my Patreon: https://patreon.com/InsideTrueCrime ⁣ ⁣ Check out my Dark Docs YouTube channel here -⁣ https://www.youtube.com/@DarkDocsMatthewCox⁣ ⁣ Follow me on all socials!⁣ Instagram: https://www.instagram.com/insidetruecrime/⁣ TikTok: https://www.tiktok.com/@matthewcoxtruecrime⁣ ⁣ ⁣ Do you want a custom painting done by me? Check out my Etsy Store: https://www.etsy.com/shop/coxpopart⁣ ⁣ Listen to my True Crime Podcasts anywhere: https://anchor.fm/mattcox ⁣ ⁣ Check out my true crime books! ⁣ Shark in the Housing Pool: https://www.amazon.com/dp/B0851KBYCF⁣ Bent: https://www.amazon.com/dp/B0BV4GC7TM⁣ It's Insanity: https://www.amazon.com/dp/B08KFYXKK8⁣ Devil Exposed: https://www.amazon.com/dp/B08TH1WT5G⁣ Devil Exposed (The Abridgment): https://www.amazon.com/dp/1070682438⁣ The Program: https://www.amazon.com/dp/B0858W4G3K⁣ Bailout: https://www.barnesandnoble.com/w/bailout-matthew-cox/1142275402⁣ Dude, Where's My Hand-Grenade?: https://www.amazon.com/dp/B0BXNFHBDF/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1678623676&sr=1-1⁣ ⁣ Checkout my disturbingly twisted satiric novel!⁣ Stranger Danger: https://www.amazon.com/dp/B0BSWQP3WX⁣ ⁣ If you would like to support me directly, I accept donations here:⁣ Paypal: https://www.paypal.me/MattCox69⁣ Cashapp: $coxcon69⁣ ⁣ Chapters: ⁣ 00:00 - Childhood & School Years⁣ 06:54 - Dropping Out & College⁣ 11:16 - Auditioning for Tisch⁣ 15:13 - Moving to NYC⁣ 24:00 - Early Hustles⁣ 31:42 - Street Sales & Pagers⁣ 45:16 - Jamaica Trip Plan⁣ 49:02 - Arriving in Montego Bay⁣ 53:16 - Life in the Blue Mountains⁣ 1:01:10 - Preparing for the Trip Home⁣ 1:08:55 - Customs & Getting Caught⁣ 1:22:47 - Miami-Dade & Court⁣ 1:30:26 - Bond & Next Steps⁣ 1:37:49 - Release & Starting Over⁣ 1:45:30 - Early Entertainment Projects⁣ 1:46:30 - Writing an Iconic Ad Campaign⁣ 1:51:22 - Shane Gillis Story⁣ 2:03:39 - Writing & Publishing Learn more about your ad choices. Visit megaphone.fm/adchoices

Interview Date: February 15, 2026EPISODE SUMMARYIn this episode of The Business of Dance Podcast, Menina Fortunato sits down with New York City-based dancer and content creator Melissa Becraft to unpack the persistence, creativity, and unexpected opportunities behind her career. Melissa shares how she started dancing at 12, moved from South Carolina to New York City at 18, and spent four years auditioning while booking only one professional dance job before finally landing a spot with the NBA Brooklynettes. That opportunity became a major turning point, leading to six seasons with the team, including four as captain.When the pandemic paused live performances, Melissa turned to social media as a creative outlet. What began as a TikTok account with zero followers quickly exploded, reaching 950,000 followers in eight months. She shares how recreating movie scenes, music videos, characters, and decades helped her build a recognizable creative identity and eventually turn dance content into a viable business through brand partnerships. She also gets candid about influencer rates, from early $500 videos to a $35,000 short-form campaign, while comparing the earning potential of content creation to traditional professional dance jobs.Throughout the episode and mentee Q&A, Melissa offers practical advice on confidence, versatility, performance quality, audition preparation, social media safety, time management, and overcoming comparison. Her story is a reminder that success rarely happens overnight—and that dancers do not have to be the “best” person in the room to build a thriving career.SHOW NOTES02:47 – Melissa's dance journey from South Carolina03:28 – Moving to New York at eighteen04:40 – Four years of auditions and rejection06:20 – Auditioning for the NBA Brooklynettes07:05 – Six seasons and becoming team captain09:08 – Pandemic sparks Melissa's social media journey10:48 – Reaching 950,000 followers in eight months13:31 – Turning social media into paid partnerships15:45 – Breaking down influencer income potential18:10 – Performing with BLACKPINK at the VMAs21:07 – Q&A: Building confidence and overcoming comparison24:32 – Q&A: Why tricks don't define dancers29:22 – Q&A: Creating safe, professional dance content33:26 – Q&A: Performance quality that books jobs39:08 – Turning your dancing into a businessABOUT MELISSAMelissa Becraft is a dancer and content creator based in New York City. She began her career with the NBA Brooklynettes, later becoming captain and choreographer. Her credits include the VMAs with BLACKPINK, The Marvelous Mrs. Maisel, and HBO's Last Week Tonight with John Oliver. She has built an audience of more than 3.5 million followers across TikTok, Instagram, and YouTube and created dance content for Disney, Prime Video, Netflix, Hulu, HBO, and Kate Spade.CONNECT WITH MELISSAInstagram — @melissabecraft

Dating has a strange way of pulling us out of ourselves. Instead of meeting the person across from us, we begin watching ourselves through their eyes: Am I saying the right thing? Do they want me?The Baal HaTurim finds a remez to Elul in the words אֶת לְבָבְךָ וְאֶת לְבַב—“your heart and a heart.” By leaving out the word זַרְעֶךָ, the identity of that second heart remains open. The pasuk is revealing something about the mysterious way one heart reaches anotherDrawing on Rebbe Nachman's teaching that every person possesses a unique inner nekudah capable of awakening someone else's heart, this shiur explores why real attraction cannot be manufactured through performance. Sometimes the deepest work of dating is learning to remain inside yourself long enough for another person to actually meet you.

“The Haus of Dots has the best table at the Ball.” This episode features Xavier Reyes who played Jennyanydots in the Broadway production of Cats: The Jellicle Ball. Hear Xavier discuss his CATS history, from watching the DVD in Puerto Rico to auditioning for Skimbleshanks and ultimately booking Jennyanydots as a drag mother role. Xavier explains how he blended the original “Gumbie Cat” with extensive ballroom research, vogue classes, and collaboration with castmates, directors, and dramaturgy to marry ballroom and theater while honoring Cats lore. He describes shaping the Haus of Dots as a trophy-winning “empire,” building relationships and developing tension with Macavity via shared house backstory. Xavier reflects on audience reception at the PAC, the transfer to Broadway, improvisational audience interaction, celebrity judges, performing for Andrew Lloyd Webber, and favorite memories from the run. 03:11 Auditioning for Skimbleshanks & Jennyanydots 05:08 Building Jennyanydots 06:49 Researching Ballroom Motherhood 17:29 Haus of Dots 29:08 Broadway Debut 31:19 Audience Improv 40:42 Rapid Fire Check out Xavier on Instagram: @xavireyesactor Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

In this engaging conversation, Abbie Andrews shares her journey from a creative upbringing to becoming a successful voice actor and founder of VO Gym. She discusses her experiences in the voiceover industry, particularly in video games, and the importance of community and support among voice artists. Abbie also reflects on the challenges and joys of running VO Gym, a platform designed to nurture and train voice talent, while navigating her upcoming transition into motherhood.Main Topics00:00 Introduction and Pregnancy Journeys03:00 The Journey into Acting and Voiceover06:04 Early Influences and Family Support08:57 First Steps in Voice Acting11:57 Navigating the Voiceover Industry15:06 The Appeal of Video Game Voiceover17:58 Auditioning and Recording Experiences20:58 The Birth of VO Gym24:16 Embracing Failure and Starting Fresh25:39 Building a Community in Voiceover29:04 Navigating Voiceover Training and Coaching34:45 The Vision for VoGym36:30 Proud Moments and Future Aspirations38:10 Quickfire Questions and Lighthearted Moments_____WATCH THE EPISODE AND JOIN THE YOUTUBE COMMUNITY - https://youtu.be/G4u8LpNQ3IkQUESTIONS / COLLABORATIONS - AVOAAPOD@GMAIL.COMJOIN MY VO ACTORS CASTING LIST - https://forms.gle/33nc6pUoKYbUdfiS6Guest Info - Abbie Andrews https://abbieandrews.co.uk/You can find me at www.jotroy.comMy E-BOOK https://www.jotroy.com/ebookJoin the community https://www.instagram.com/voaudioadventurepodcast/_____All music used in the episode by Phoenix and the Flower Girl can be found here shorturl.at/gipSZListen, rate, and subscribe! Hosted on Acast. See acast.com/privacy for more information.

Last week we said you don't have to remain identified by your brokenness. This week Pastor Jimmy reveals why: because God has already given you a new identity — accepted in Christ. Leaving the island is only the first step. Where you go once you leave is what truly matters.Many believers have left behind old labels but still carry an unspoken question: do I really belong? Pastor Jimmy unpacks Ephesians 1:6 to show that acceptance was never something we had to earn — it's something Christ has already accomplished, and it's ours the moment we're placed "in the Beloved."In this episode:Why acceptance is something God did, not something you achieveThe difference between being accepted and being approved of in every behaviorWhy your acceptance is as secure as Christ's relationship with the FatherHow Jesus experienced rejection so you could experience belongingWhy sons don't audition for a seat at the table — but servants doHow true acceptance frees you to accept others instead of competing with them

From Raiders of the Lost Ark to Spider-Man 2, Boogie Nights, Frida and Broadway, Alfred Molina has built one of Hollywood's most extraordinary and versatile careers. In this revealing conversation with Steve Kmetko, Molina looks back at making his movie debut for Steven Spielberg, and admits he was so inexperienced he didn't even understand the marks on the floor. He shares the story behind becoming Doctor Octopus, explains how Doc Ock's famous mechanical arms really worked, and reveals the nickname he and the puppeteers gave themselves. Molina also takes us behind the scenes of Boogie Nights, including the line he improvised that Paul Thomas Anderson kept in the film, and talks about Salma Hayek's extraordinary fight to get Frida made with the cast she wanted. Then the conversation gets personal. Molina discusses the times he considered giving up acting, being told he wasn't leading-man material, therapy, his unusual theory about what drives actors, his feelings about awards and the role he'd still love to play. After five decades on stage and screen, Alfred Molina is very much still here.   00:00 Alfred Molina: Still Here Hollywood01:01 His First Movie, Raiders of the Lost Ark02:17 Alfred Molina Was Completely New to Filmmaking04:52 Why Spielberg Told Him to Stop Watching Dailies07:18 Why Raiders Changed Adventure Movies08:43 Auditioning for Steven Spielberg10:22 Learning From Hollywood's Greatest Directors12:20 The One Director He Couldn't Understand14:33 Regretting Not Paying Attention in School15:08 Classical Acting Training at Guildhall17:08 Did Classical Training Help in Hollywood?19:01 Becoming Doctor Octopus20:00 The Secrets Behind Doc Ock's Tentacles23:10 The Movies Alfred Molina Loves25:34 Why Young Fans Know Him as Doc Ock27:04 Does He Take His Characters Home?29:52 Why He Keeps Returning to the Stage31:31 The Incredible Boogie Nights Firecracker Story34:40 Actors, Directors and Happy Accidents38:32 Film vs. Television vs. Theater40:38 The Roles He Still Wants to Play43:34 Playing Tevye and Diego Rivera44:53 Salma Hayek's Fight to Make Frida47:00 Alfred Molina Gets Candid About Awards50:09 Why He Doesn't Really Watch the Oscars51:24 The Best Acting Advice He Ever Received53:18 He Thought About Quitting Acting, A Lot55:42 Alfred Molina on Therapy56:04 His "Genetic Flaw" Theory About Actors58:00 The Role He Still Dreams About59:59 The Career Moment He'd Love to Relive1:02:06 Inside Hollywood's "CADS" Group1:04:09 Why Their Friendships Matter Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Smoke Dogg' Cigars presents Puff, Sip, Chat join Reggie Kimble at Chewy's Lounge in Tampa for a candid conversation with Chewy and Stuart about building a live music venue rooted in Tampa's cigar and music culture. Get the inside scoop on what makes Chewy's different—and what it takes to run a business with friends.• The origin story and unique vibe of Chewy's Lounge• Challenges and honesty in business partnerships• How live musicians and auditions are curated for the venue• Integrating cigars, music, and bar culture in Tampa• The long-term vision for Chewy's Lounge and what guests can expectChapters00:00 Introduction to Chewy's Lounge04:37 Meeting Stu and his influence08:02 Forming a business partnership10:51 Auditioning new band members14:54 The value of live music16:44 Stu's AI music request20:02 Challenges of Cigar Retail Business25:18 Expanding weekly music events26:42 Struggling at early jam sessionsSupport the show

Episode Description:Nancy Cartwright is best known as the voice of Bart Simpson. But in this archive conversation, James is interested in the artist behind the voice.Nancy joins the show to talk about In Search of Fellini, the film she co-wrote with Peter Kjenaas based on her own trip to Italy in the 1980s. At the time, Nancy was already working as an actress and voiceover performer, but she became obsessed with Federico Fellini's La Strada. She studied scenes from the film in acting class, felt deeply connected to Giulietta Masina's performance, and eventually decided she wanted to get the rights to adapt La Strada for the stage.So she wrote Fellini letters. When she finally got a response telling her not to come because Fellini would be working, Nancy heard something else: he would be there.She went anyway.That decision becomes the central metaphor of the episode. Nancy describes the trip not as a business errand, but as an immersion into life, art, culture, language, risk, chance encounters, and personal transformation. The film's line—sometimes you have to travel far, far away to find what is closest to you—comes from one of those real encounters.James and Nancy also talk about her earlier career. Nancy explains how she found her way from speech competitions in Ohio to radio work, to studying with Daws Butler, to acting classes with Milton Katselas. She shares stories about auditioning for Cheers, getting a part after walking straight out of the casting room, and learning that if you surprise yourself, you can surprise everyone else.That lesson also applies to The Simpsons. Nancy originally went in to audition for Lisa, but when she saw Bart's description—“a 10-year-old school-hating underachiever and proud of it”—she knew instantly that was the part. She trusted the instinct.The conversation becomes a meditation on creativity. Mentorship matters. Preparation matters. But at some point, the artist has to do the work, throw it away, walk into the room, and trust what happens.Nancy's story is about voice acting, Fellini, and Bart Simpson. But it is also about making the leap from talent to authorship, from performing other people's words to finding the story only you can tell.Editorial Note:This is a From the Archive episode. References to In Search of Fellini as a new or limited-release film, The Simpsons at that point in its run, Nancy's projects, and release timing reflect the original recording period.What You'll Learn:Why Nancy Cartwright calls herself one of the most recognizable voices attached to an unrecognizable face.How Bart Simpson's voice fits into Nancy's own personality and childhood mischief.Why La Strada affected Nancy so deeply as a young actress.How Nancy's trip to Italy became the foundation for In Search of Fellini.Why “sometimes you have to travel far, far away to find what is closest to you” became the emotional center of the film.How Nancy learned voice acting from Daws Butler.What Milton Katselas taught her about surprising herself.Why walking out of a Cheers audition helped her get the role.How to create an effect without making it feel calculated.Why auditions are not just competitions, but opportunities to fulfill a decision.How Nancy knew Bart was the right role even though she had been called in for Lisa.Why artists need preparation, mentorship, instinct, immersion, and commitment.How The Simpsons has lasted through writing, love, improv, and a giant universe of relatable characters.Why Nancy believes artists have a responsibility to connect with people on a deeper wavelength.How making In Search of Fellini took more than 20 years of persistence, revision, and collaboration.Timestamped Chapters:[02:00] The Most Unknown Famous Person in the WorldJames introduces Nancy Cartwright and asks what it is like to be instantly recognizable by voice but not by face.[02:43] Bart Simpson Enters the RoomNancy demonstrates why millions of people know her even if they do not know what she looks like.[03:04] Bart on an AirplaneNancy tells the story of using Bart's voice on a flight to the UK and entertaining the cockpit crew before landing.[04:55] Beyond Bart SimpsonJames introduces Nancy's broader creative life and her film In Search of Fellini.[06:37] The Pearl Is the Autobiography of the OysterJames connects Fellini's idea of autobiography and art to Nancy's film.[06:54] Traveling Far Away to Find What Is ClosestNancy explains the line from the movie and how it came from her real trip to Italy.[07:47] Studying La StradaNancy describes discovering Fellini's La Strada in acting class and becoming captivated by Giulietta Masina's performance.[10:43] Mentors, Acting Class, and Early RolesJames connects Nancy's early acting work, voiceover success, Daws Butler, Milton Katselas, and her growing artistic identity.[10:47] The Cheers AuditionNancy tells the story of walking out of an audition and discovering that the casting team loved it.[11:39] Surprise Yourself, Surprise Everyone ElseNancy shares Milton Katselas's advice and James identifies the broader lesson behind the audition.[13:18] Authenticity vs. CalculationNancy explains why an effect only works when it is sincere, not staged.[13:52] The Lobster Hat AuditionNancy tells the story of Marian Rose White, a strange hat, thick glasses, and how she was already auditioning before she entered the room.[17:47] You Are On Before You Walk InJames and Nancy turn the audition story into a larger lesson about authenticity and preparation.[18:24] Twenty Years of Writing In Search of FelliniNancy explains how the film evolved through many versions before becoming the final story.[21:05] Finding the Authentic Artistic SelfJames connects Lucy's journey in the film to Nancy's own search for her artistic identity.[21:47] Why Nancy Went to ItalyNancy explains how studying La Strada turned into a real-life mission to find Fellini and ask for the rights.[22:14] Storytelling, Speech Competitions, and Childhood MischiefNancy talks about growing up as one of six kids, discovering performance, and realizing there was a little Bart in her from the beginning.[25:23] Finding Daws ButlerNancy explains how a Warner Brothers contact led her to Daws Butler and how that mentorship changed her career.[27:14] Learning the Professional CraftEven with natural talent, Nancy spent years studying before Daws felt she was ready to record a proper voiceover tape.[30:23] Ride the Horse in the Direction It's GoingNancy reflects on seizing the moment and following the career openings that appear.[31:00] Make a Decision and Back It FullyNancy explains how artists can overcome comparison and negative voices by committing to the choice they make.[33:34] Trust the Work, Then Throw It AwayNancy describes the balance between preparation and presence: do the work, then go in and trust yourself.[33:57] Auditioning for Lisa, Choosing BartNancy remembers seeing Bart's character description next to Lisa's and immediately knowing where her instinct pointed.[35:21] Art as a WavelengthNancy explains why art can reach people beyond logic and pull something out of them emotionally.[37:04] Letters to FelliniNancy describes writing Fellini repeatedly, finally getting a response, and deciding to go to Italy anyway.[39:07] Immersing Herself in ItalyThe trip becomes more than a meeting. Nancy wants to eat, drink, fall in love, learn the culture, and live inside the experience.[41:18] The Line That Became the MovieNancy explains how a chance encounter in Milan gave her the line about traveling far away to find what is closest.[43:19] Real Life Becomes FilmJames and Nancy connect the people and moments from her trip to the characters and scenes in In Search of Fellini.[44:34] Why Nancy Didn't Play ClaireNancy explains why she realized acting in the film as the mother would distract from the story.[46:02] Maria Bello, Mary Lynn Rajskub, and the CastNancy talks about the actors who brought the film to life and the commitment they brought to the work.[48:00] Returning to Italy After DecadesNancy and her collaborators retrace her old journey, draw from diaries and letters, and rebuild the story.[49:31] Art After FearNancy tells the story of finding a sculpture after a frightening encounter in Venice and how that moment stayed with her.[53:47] Yes, AndJames identifies the improvisational quality in Nancy's life: saying yes to the moment and letting the next connection appear.[56:46] Writing the Script in a WeekAfter years of drafts, the final version comes together quickly because the deeper material had been building for decades.[58:11] Everyone Has an Artist InsideJames and Nancy discuss Fellini's belief that people carry artistic potential that often gets shut down by ordinary life.[01:00:38] Fellini, Bart, and Surreal TruthJames connects Fellini's surreal realism to The Simpsons and Nancy's attraction to Bart.[01:03:50] From One-Woman Show to Feature FilmNancy explains how In Search of Fellini began as a monologue and one-woman show before becoming a movie.[01:07:08] Why The Simpsons LastedNancy credits Springfield's huge cast of relatable characters, the writers, the performers, and the love behind the work.[01:08:42] Nancy's Code for SuccessDo what you love, surround yourself with supporters, be professional, find a mentor, surprise yourself, and seize the moment.[01:10:43] Why the Movie Still Works Without Knowing FelliniJames says viewers do not need to know Fellini to connect with the story of finding the artist inside yourself.[01:12:00] James's Reaction to the FilmJames says the movie made him cry and describes it as a story about finding your authentic self.Additional Resources:Nancy Cartwright Official WebsiteIn Search of Fellini — NetflixNancy Cartwright BiographyNancy Cartwright — Fox / The Simpsons BioNancy Cartwright — Television Academy InterviewIn Search of Fellini — Spotted Cow EntertainmentNancy Cartwright on the Personal Inspiration Behind In Search of FelliniMy Life as a 10-Year-Old BoyLa Strada — The Criterion CollectionFederico Fellini — The Criterion CollectionDaws Butler — Television Academy InterviewsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Christoph Wichert shares his journey from classical beginnings to a professional career in music, offering valuable insights into orchestra life, practicing, and performance etiquette. Discover practical tips for musicians and get a glimpse of upcoming concerts and tours with the Singapore Symphony Orchestra. Christoph shares insights on contemporary music, the importance of cultural diversity in composition, and practical advice for young musicians navigating their careers. Discover how to foster creativity, build networks, and embrace experimentation in the world of classical and contemporary music.Biography:Austrian bassoonist and artistic researcher Christoph Karl Wichert has been a member of the Singapore Symphony Orchestra since 2008. He graduated from the Conservatory of Vienna, where he studied Bassoon Performance under Michael Werba (Principal Bassoon, Vienna Philharmonic Orchestra) and Music Education, further enhancing his training through masterclasses with leading musicians.In Vienna, Christoph was regularly invited to work with prominent Viennese ensembles such as the Wiener Kammerorchester. He also worked as a substitute musician for the Vienna State Opera and the Vienna Philharmonic Orchestra, collaborating with renowned conductors like Zubin Mehta, Seiji Ozawa, Mariss Jansons, Riccardo Muti, and Nikolaus Harnoncourt. An active soloist, Christoph has performed in various recitals and with orchestras, showcasing concertos by Mozart, Weber, Pauer, and Hartl, among others. Before relocating to Singapore, he served as Principal Bassoonist with the Orchester der Vereinigten Bühnen Wien for their productions and taught bassoon, music theory, and symphonic wind band at the music school in Tulln. There, he successfully prepared students for admission to prestigious music universities and co-founded a composition workshop with his colleague Cordula Bösze.Beyond his role with the Singapore Symphony Orchestra, Christoph teaches at the Yong Siew Toh Conservatory of Music in Singapore Contemporary and Experimental Music and is a guest artist at the Princess Galyani Vadhana Institute of Music in Bangkok.In 2015, Christoph co-founded SETTS, Singapore's first fully professional contemporary music ensemble, alongside other dedicated musicians.Chapters00:00 Introduction to Christoph Wichert's Musical Journey02:19 Starting with Classical Music and Early Influences04:16 The Sound That Inspired a Career in Bassoon05:00 Moving to Vienna and Studying the Bassoon07:00 Transition from Austria to Southeast Asia08:50 Balancing Freelance Work and Orchestra Positions11:44 Auditioning in Frankfurt and Singapore12:43 The Singapore Symphony Orchestra Opportunity14:22 Deciding to Stay in Singapore15:04 Memorable Concerts with the Singapore Symphony16:55 Upcoming Tours and Concerts20:52 Working with the New Chief Conductor, Hannu Lintu23:06 Tips for Second Bassoon Players37:26 Encouraging Students and Practice Mindset39:01 Handling Mistakes and Performance Anxiety40:24 The Power of Frustration and Growth Mindset41:18 The Joy of Improvisation and Experimental Music

MADtv icon Mo Collins joins Joseph Shepherd to revisit some of her most beloved characters and sketches, including Lorraine, Doreen and Stuart, and her unforgettable Shakira music video parody. Mo shares behind-the-scenes stories from her MADtv audition, working with Michael McDonald, getting cut from Jingle All the Way, and transitioning into drama on Fear the Walking Dead. She also opens up about overcoming childhood shyness, the teacher who changed her life, getting kicked out of college, surviving cancer, and using her platform to speak out.Thanks for watching Hyperfixated! Love you all.0:54 The Impact of MADtv4:22 Auditioning for MADtv7:00 Creating Lorraine10:10 The Shakira Parody15:35 Stuart and Doreen22:18 Jingle All the Way25:45 Fear the Walking Dead33:31 Overcoming Childhood Shyness39:15 Kicked Out of College41:25 Speaking Out47:17 Mo's HyperfixationSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's always nice to turn back the clock and cherry pick some of the tracks that defined a particular year. Surprising to hear how much the sound and style either has or hasn't evolved.This time we go back five years to 2011. Since this was recorded in April we stick to the first half of 2011.Auditioning tracks for the mix was tough, so much deep soulful quality from the likes of Atjazz, Maya Jane Coles and the Reel People label.Hopefully some of the tracks take you back to the not so distant past and refresh happy memories locked away and triggered by a song.This is a recording of the c2eMusic show on Pressure Radio on 28th April 2016.This somehow dropped off the podcast.1 | Guti & Dubshape | Every Cow Has A Bird2 | Tigerskin | Feel For You3 | Manoo & Francois A ft Dyanna Fearon | Crying For Love4 | The Soulshapes | Keep On (Main Mix)5 | Mayan Jane Coles | Humming Bird6 | Yoshitaca | Just Lay Back7 | Warm Days ft Swindle & Natalie Maddix | Selfish Skies (Atjazz Mix)8 | MdCL | Everything I Need (Vocal Mix)9 | Sean McCabe & Stephanie Cooke | Just A Little Bit (Sean McCabe Classic Vocal Mix)10 | Monique Bingham | You. Me. World (Jon Cutler's Distant Music Mix)11 | Version | Nothing (Marlon D's Underground Collective Vocal Mix)12 | Souled ft Ashley Thomas | Cultureless13 | Irfan Rainy & Rex Leon ft Vaceo | Singer Of Songs (Vinyl Ears Mix)14 | MdCL | Uplifted15 | Soul Purpose | Sublim316 | Inner Souls | Disco Dubz For Klubz (Booker T Main Mix)17 | Joey Negro pres Akabu | Feelin' Nervous (Joey Negro Extended Mix)18 | Maurice Joshua | Deep Down (Original Mix)19 | Phonic Funk | Saturday (Original)20 | Tony Lionni | Take Me Higher21 | Phaze Dee | World Of Deep22 | Ben Westbeech | Falling (Deetron Acid Remix Dub)23 | Tom Middleton | Cicadas (Part 1) (Marlon D's U.C. Columbian Mix)24 | And | Don't Panic25 | Dom | Violent ExpressEnjoy!

Editor Jon Fine joins GG Hawkins to discuss shaping The Revisionist, a dialogue-driven drama directed by Alex Vlack and starring Alison Brie, André Holland, and Dustin Hoffman. Fine explains how the cast's performances transformed the tone of the script, how music and abrupt sonic interruptions helped place viewers inside a writer's creative process, and how restructuring the film made its shifting layers of fiction and reality clearer. He also shares his Premiere Pro workflow, his approach to testing editorial ideas, and why emerging filmmakers should learn by making their own projects. In this episode, No Film School's GG Hawkins and guest Jon Fine discuss... How Fine's longtime creative partnership with director Alex Vlack led to The Revisionist Discovering unexpected humor and tragedy in the actors' interpretations of the script Finding a consistent tone across four distinct central performances The creative advantages of having an editor and director work together in the same room Using Philip Klein's score to evoke the interior world of Alison Brie's writer character Interrupting music with hard cuts to create surprise, humor, and playfulness Organizing scenes, takes, transcripts, and searchable dialogue in Adobe Premiere Pro Building a fast first assembly that closely followed the original screenplay Restructuring the film to make the writer's influence over the unfolding story more apparent Using producer, audience, and actor feedback throughout the iterative editing process Balancing the ensemble while keeping Alison Brie's character as the story's emotional anchor Finding usable moments within Dustin Hoffman's improvisations Why limited locations, a small cast, and dialogue-heavy scenes can benefit independent filmmakers Auditioning editorial ideas quickly instead of becoming overly attached to one version Creating an editing environment with natural light, plants, instruments, and opportunities to step outside What traditional editors can learn from filmmakers cutting polished videos on their phones Why the most effective way to learn editing is to make films with friends Memorable Quotes: “I still think the best way to make a film is to be in the room with someone.” “We wanted it to feel like you were inside of the head of a writer. You're in her mind.” “I'm really in favor of just auditioning ideas and trying things.” “I think the best way to learn is in practice.” Guests: Jon Fine Resources: The Revisionist on IMDb Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Garza sits down in-person with Pepper Keenan. Vocalist & guitar player of heavy metal band CORROSION OF CONFORMITY. Also best known as the guitar player in Down. New album “Good God / Baad Man” out now! https://instagram.com/coccabalSupport the podcast here: https://garzapodcast.myshopify.com00:00 - Opening Jam02:16 - Good God / Baad Man06:23 - C.O.C. Early Days & Joining the Band10:44 - Mississippi to New Orleans12:18 - Stealing His First Guitar14:50 - Living in Paris, France17:11 - First Records17:46 - New Orleans Sound21:28 - Skip James & Mississippi Blues Players25:06 - Pepper's Gibson SG31:20 - Playing Malcolm Young's Amp Rig36:46 - Secret to AC/DC Tone40:38 - “Stone the Crow” Riff45:36 - “Jail” Riff49:50 - P90 Pickups51:30 - Recording “Albatross,” Guitars53:39 - Electric Lady Studios55:11 - “Clean My Wounds” Recording Technique1:00:19 - Writing Music, Inspiration1:01:51 - “The Handler”, Tracking New Album1:07:02 - Looking Backwards for Inspiration1:07:58 - Recording ‘Wiseblood'1:11:01 - Vocal Lessons, Warmups1:16:16 - Beavis and Butthead, Down Logo1:20:50 - Pepper's Iconic Stare1:22:12 - Auditioning for Metallica1:33:40 - Remembering Reed Mullin1:37:16 - Pepper's Music to Check Out1:41:43 - Garza Jams on the Gibson1:43:16 - Pepper Jams on the 7 String

In this episode, Cassandra talks about the parallels between auditioning and manifesting: how walking into an audition already knowing you booked the role is the same energy it takes to call in what you want in life. She breaks down what years of auditioning taught her about detachment, trusting the process, and showing up prepared and then letting go of the outcome.   Join the conversation on my “with Intention” substack where I share my personal insights on what it looks like to be consciously creating your life first hand as well as my best advice on how to do it yourself right along with me. As well go LIVE every Monday with these conversations! :) https://cassandrabodzak.substack.com/   Say Hi to Cassandra on social media! http://facebook.com/cassandrabodzak http://twitter.com/cassandrabodzak http://instagram.com/cassandrabodzak http://youtube.com/cassandrabodzakTV

Rex Linn on Unsolved Mysteries, Westerns, Stallone, Cusack & His Dream Role In this funny, loose, and unexpectedly heartfelt episode of Reza Rifts, Keith Reza sits down with legendary character actor Rex Linn for a conversation packed with old-school Hollywood stories, career turning points, and the kind of behind-the-scenes chaos that only comes from decades in the business. Rex opens up about his earliest acting job recreating a real-life bank robber for Unsolved Mysteries, the surreal audition journey that landed him Cliffhanger with Sylvester Stallone, and why that movie changed his life in more ways than one.  The episode also dives into Rex's love of Westerns, his admiration for The Jack Bull, his memories of John Cusack, Mark Rolston, Kurt Russell, John Lithgow, Adam West, and Bob Dylan, plus hilarious stories from Rush Hour, Zodiac, Wyatt Earp, Lethal Weapon, and the gloriously absurd Zombeavers. Along the way, Rex reflects on heartbreak, emotional recall, friendship in the film business, and his lifelong dream of somehow, some way, getting to play the Wolfman.  Guest Info Rex Linn is an American film and television actor best known for a long-running career filled with standout supporting and character roles. He is widely recognized for projects including CSI: Miami, Cliffhanger, Rush Hour, Better Call Saul, and more recently Happy's Place. In this episode, he shares stories from across his career, from his first screen work and breakthrough film roles to the actors, directors, and friendships that shaped his path.  Guest Social Links Instagram: @rexlinn13 … https://www.instagram.com/rexlinn13/?hl=en  Chapters 00:00:00 Intro & Welcome 00:00:55 Keith Introduces Rex Linn 00:04:24 Rex's First Gig: Unsolved Mysteries 00:11:53 The Wild $50-a-Day Bank Robbery Story 00:17:11 From Banking to Acting 00:17:51 Auditioning for Cliffhanger 00:21:28 Meeting Sylvester Stallone 00:29:32 Behind the Scenes of The Jack Bull 00:33:28 Meeting Bob Dylan on Set 00:38:34 Memories from Rush Hour 00:43:18 Why Rex Loves Westerns 00:47:58 Tombstone vs. Wyatt Earp 00:50:18 How Zombeavers Happened 00:54:51 John Mayer, Bill Burr & Random Cameos 00:57:33 Meeting Childhood Hero Adam West 01:05:36 Transforming for Lethal Weapon 01:10:20 Recommending Melissa Peterman 01:11:50 Rex's Dream Role: The Wolfman Call to Action If you enjoyed this episode of Reza Rifts, make sure to: Subscribe Rate and review Share this episode with fans of Cliffhanger, Rush Hour, CSI: Miami, Westerns, and behind-the-scenes Hollywood stories Follow Rex Linn and Keith Reza for more interviews, clips, and updates Host Links Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!     #RezaRifts #KeithReza #RexLinn #Cliffhanger #RushHour #TheJackBull #WyattEarp #Zombeavers #BetterCallSaul #CSIMiami #HappyPlace #SylvesterStallone #JohnCusack #KurtRussell #HollywoodStories #ActorInterview #MoviePodcast #BehindTheScenes #Westerns #CharacterActor    

Episode Chapter Summaries Chapter 1: The Audition Addiction Metric (00:00 – 02:08) Anne and Lau challenge the industry-standard phrase, "the audition is the job." Lau warns against letting auditioning become a static, addictive loop, explaining that many exclusive talent agencies provide detailed submission reports specifically so talent can weigh their output against their actual revenue. They suggest assessing and reassessing your audition volume quarterly to determine your true Return on Investment (ROI). Chapter 2: Shifting from Mass Auditions to SEO & Referral Engines (02:09 – 04:41) Anne pulls back the curtain on her own multi-faceted business structure as a full-time talent, coach, and demo producer. She reveals that she rarely auditions anymore except for her agents because her calendar simply doesn't allow it. By shifting her focus to non-broadcast corporate and medical narration genres, Anne built her business around direct marketing, strong web SEO, and top-tier demos. Instead of spending hours recording speculative files, she relies on organic search placement, high-converting email negotiations, and repeat client referrals to fill her pipeline. Chapter 3: Time Management & Taking Agency with Agents (04:42 – 07:14) Lau addresses the structural collapse of time management when a voice actor falls into a three-to-six-hour daily audition black hole. She urges talent to take control of their schedules by setting strict time limits and alarms. Lau shares a crucial insider agent secret: if an audition arrives that doesn't fit your current availability or artistic wheelhouse, it is perfectly okay to pass. You do not need to send an apologetic email; your agent has already moved on to other roster selections. Chapter 4: The Seasonal Strategy & Developing Rep Relationships (07:15 – 10:17) The hosts unpack how to leverage the natural seasonal shifts of the entertainment year. Lau suggests heavy audition tracking during high-volume periods like autumn, while using quieter summer months to overhaul websites, clean up databases, and update marketing assets. Anne notes that a secure, communicative relationship with your talent agent reduces the artificial pressure to book every cattle-call notice that hits your inbox. Chapter 5: The Wild West of Pay-to-Plays (10:18 – 13:25) Anne and Lau dissect the transactional reality of modern pay-to-play casting platforms. Anne warns that over-submitting on these open marketplaces can actually tank your algorithmic score on certain sites. They emphasize the necessity of prioritizing hand-picked agency notices over unvetted web auditions, asking talent a vital baseline question: "Would you rather submit 1,000 blind auditions or cultivate 10 high-paying, repeat clients?" Chapter 6: The 1:3 Production Limit & Mental Burnout (13:26 – 21:15) Anne introduces the technical logistics of audio production, sharing that after years of professional editing, her benchmark turnaround speed remains capped at a 1:3 ratio—meaning every single hour of raw recorded audio requires three hours of painstaking cleaning, editing, and mastering. She points out that the sheer physical and mental capacity consumed by constant recording leaves talent too exhausted to handle essential business items like invoicing or pipeline cultivation. This ongoing rejection loop quickly induces performance fatigue, leading to a sterile, uninspired delivery that casting directors filter out instantly. Chapter 7: The "Miyagi" 3-Read Cap & Corporate Safety Nets (21:16 – End) To maintain creative focus, Anne shares her golden rule: allow yourself a maximum of three recording takes per script, pick the best one, and move on. Lau delivers her strategic closing framework, reminding talent to step outside the daily operational weeds to look at the overall geography of their business. They conclude by encouraging voice actors to establish an intentional six-month business savings reserve, giving them the confidence and mental stability needed to deliver relaxed, booking-winning performances. Top 10 Boss Takeaways Calculate your true audition ROI: Submitting audio files all day without tracking your conversion metrics is counterproductive. Audit your calendar quarterly to ensure your booking ratio justifies the time spent in your booth. Auditioning is a task, not a business model: Sending out file after file won't magically build an independent brand. Do not use constant recording as an excuse to avoid hard business tasks like direct outbound marketing or pipeline building. Set a hard deadline on your recording blocks: Avoid letting submissions drift across your entire afternoon. Use a structural time-blocking system—such as dedicating 9:00 AM to 11:00 AM exclusively to agency notices—and step out of the booth once the buzzer sounds. Take absolute agency over the "pass": Your relationship with your talent agent is a two-way professional dynamic. If a casting notice is a poor demographic fit or arrives past your operating hours, decline the submission confidently without guilt. Leverage seasonal market cycles: Align your business goals with corporate seasons. Maximize your studio tracking during heavy autumn casting rushes, and reallocate quiet summer quarters to database development, website updates, and direct outreach. Beware the open platform loop: Pay-to-play sites often operate as unvetted, high-volume digital environments. Prioritize hand-picked, direct agency opportunities where your unique biological voiceprint is structurally valued. Respect the 1:3 editing standard: Remember that a single hour of raw voiceover audio demands up to three hours of post-production labor. Budget your energy wisely to protect your studio's operational capacity. Implement the 3-read maximum limit: Avoid over-analyzing and recording fifteen variations of the same paragraph. Limit yourself to three distinct takes, select the most honest file, delete the leftovers, and keep moving. Step out of the operational weeds: Step back regularly to evaluate the macro geography of your small business. Ensure you are actively managing larger items like business development and client retention, rather than getting lost in micro-mechanics. Anchor your creativity with a financial safety net: Maintain a distinct business savings account containing at least six months of baseline operational expenses. Financial security eliminates desperation, immediately freeing your voice up to sound relaxed and authentic.  

Hello audio creatives - 'ow do? I (excitedly) caught up with three very busy and brilliant AWARD WINNING PRO VOICE ACTORS about not being a newbie anymore -and we explore the good the bad and the noise reduction of being a feisty working VA. Thank you SO MUCH to my Wonderful guests:Karim KronfliMarta Da SilvaMargaret AshleyHerein we find out how ridiculous a warm up sounds in an interview podcast, and what these wonderful folks have done to get where they re today! Though there be a squeaky chair, We discuss:** Why we persevere in this industry** Hurray for actors of a certain age** Inspiration for working in audio** Why amdram groups are groovy** Auditioning top tips** Fave tech Tools** How once upon a time you sent recorded tape through the post to folks for auditions!** Etiquette and tips for studio rec and home rec setups** Why tenacity and begging for work are groovy things! ** How smaller parts lead to bigger ones!** Cold emailing - why not!?** When these folks realised they had made it as a VA** Developing the technical craft of acting** What actor training and coaching is important** Check Bluesky, Insta, Linked in, Tumblr, CCC, Backstage for work** Careful to check the pedigree of projects you audition for** Why TAFCON and HUBFEST are groovy things** Why production companies need to make themselves findable** Paper script etiquette (or…just get an iPad and i-annotate!) ** Using AI in this space….(no fighting)…and how they can help** BRILLIANT TRAINING COURSES AND FOLKS TO WORK WITH** Why doing speed reading is amazing helpful** Why you should tell my guests they are awesome, and share, rate and review this show! THANK YOUPPlease hydrate every time you hear the squeaky chair!Thank you so soooo much to my wonderful Patreon supporters who help make me make this show, and without whom this may well have stopped as a resource! MUCH APPRECIATE YOU ALL - PAST AND PRESENT! You wanna help me keep going - please share the ep, or feel free to become a patreon for $2 a month and keep these chats a-cominnnnHUZZAHSThere will be a short break for a few weeks from public ep releases whilst I have a wee holiday. (As in small, Its not a bladder problem)  BUT my patreons will continue to get the zoom vids of the Eos we create….** aND A wee chat on voice reels…HAPPY VOICE ACTING PEOPLESarah

Paul Sun-Hyung Lee, the actor you might know best as Appa in Kim's Convenience, or perhaps Captain Carson Teva in The Mandalorian, is returning for season two of another massive franchise: the live-action adaptation of Avatar: The Last Airbender. Today on Q, he sits down with guest host Gill Deacon to talk about how he got his role, how he adapted a beloved animated character into live action, and how he remains humble.

She played Robin Russo on The Secret Life of Alex Mack. Millions of 90s kids knew her face. Nobody knew what was happening behind the scenes.Natanya Ross started using in her teens like a lot of kids in the industry did. Party drugs turned into heroin by her twenties. She had one shot left, an audition for Eight Mile, and she blew it. Showed up high off cocaine and lost her team, her career, everything that took her childhood to build.She ended up living in her car on Skid Row. In and out of treatment more times than she can count. She was there the night someone she loved, a well known name in Hollywood, died of an overdose right in front of her.Now 44 and sober, Natanya works in treatment helping people who are exactly where she used to be. She just launched her own podcast to tell the stories nobody wants to talk about out loud.Today's episode is brought to you by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Seasons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠in Malibu. For over 18 years, Seasons has been a sanctuary for individuals seeking to reclaim their lives from addiction and mental health challenges. Our story began with a simple but profound vision: To create a luxurious sanctuary for individuals struggling with addiction or mental health issues, where they can receive the finest, evidence-based treatment in the world.Built on Compassion, Driven by ExcellenceWhat started as a small number of compassionate professionals has grown into one of the nation's most respected luxury treatment centers. But growth has never meant losing sight of what matters most—the individual engaging with our therapists, one-on-one, taking the courageous first step toward healing.From the beginning, we understood that truly transformative treatment requires more than clinical protocols. It demands a personalized approach, led by the most qualified professionals, in an environment that nurtures the whole person. That's why we've assembled a team where every primary therapist holds a Doctorate in Psychology - a distinction virtually unmatched in our field.Check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Seasons Malibu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ online or call 1-866-314-5160 for more information.Connect with Natanya on InstagramConnect with Seasons on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DM me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Message me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen AD FREE & workout with me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email me chasingheroine@gmail.com

Send us Fan MailIn this episode of Acting with Asha, I'm joined by acclaimed actress Kellie Shirley, whose career has spanned television, theatre and film for over two decades.Kellie reflects on the lessons she's learned from building a lasting career in one of the world's most competitive industries, from her breakthrough roles to navigating life beyond them. We discuss staying creatively fulfilled, overcoming setbacks, balancing family life with acting, and why longevity matters more than overnight success.Whether you're an aspiring actor, an established performer, or simply fascinated by the realities of the entertainment industry, this conversation is packed with honest advice, behind-the-scenes stories and practical insights from someone who has truly stood the test of time.If you've ever wondered what it really takes to create a career that lasts, this is an episode you won't want to miss.Connect with Kellie Shirley Instagram: @kelshirlhttps://www.kellieshirley.co.uk/Connect with Jade Asha Instagram: @jadeashaa Website: www.londonindependentpictures.com London Independent Pictures: @londonindependentpictureIf you enjoyed this episode, please follow Acting with Asha, leave a review, and share it with a fellow actor or filmmaker. Your support helps us continue bringing you conversations with leading actors, casting directors, producers and filmmakers from across the industrySupport the showActing with Asha – Episode FooterEnjoyed this episode?Discover more insights on acting, entrepreneurship, and building a sustainable creative career with Jade Asha's book, Actorpreneur.

Mark ‘Squeezebox Wally’ Wallace is an Australian-based accordion and keyboard player, who for more than forty years has played around the world with a range of outfits including Weddings Parties Anything and Mick Thomas’ Roving Commission.  We cover a lot of that career, in addition to some discussion on accordions in contemporary music, some great desert island disc selections and a whole bunch more. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Mark’s musical upbringing and earning his stripes in a Scottish dance band from age 12. Auditioning and joining Weddings Parties Anything Wedding Parties Anything live in 1988 – Under The Clocks Weddings Parties Anything – Streets of Forbes Early days gigging with Weddings Parties Anything, including a residency at Fitzroy’s Jike Jika Hotel. Weddings Parties Anything’s first album – Scorn of the Women The Infanticide of Marie Farrar Weddings Parties Anything – Away Away The second album – Roaring Days Discussion on Weddings Parties rise and rise and supporting acts like Stevie Ray Vaughan, Robert Cray, Steve Earle and U2. The third album – The Big Don’t Argue The Ballad of Peggy and Col The fourth album – Difficult Loves The fifth album – King Tide Changes in band lineup and making Australia the ‘new Europe’ touring-wise. The sixth album – Donkey Serenade The last album – River’esque The ending of Weddings Parties Anything, the final gigs and stage diving with an accordion Touring with U2 and BB KingMark in action with Sally Dastey The brilliant Tiddas Playing on Mick Thomas and The Sure Thing albums – including Big Geographical The formation of Mick Thomas’ Roving Commission Three Roving Commission songs to check out: Back in the Day, Build This, Anything You Recognise (which in part retells the discussion with Mark on the breakup of Weddings Parties Anything) Mark’s accordions and go to keyboard: the Nord Electro 3 The solo album: Squeezebox Wally Thoughts on musical legacy The The – This Is The Day Desert Island Discs: Kite – Kirsty Maccoll, Five Leaves Left – Nick Drake, Dancer With Bruised Knees – Kate & Anna McGarrigle, Moon Safari – Air, How Will The Wolf Survive? – Los Lobos, Nina Simone At Town Hall – Nina Simone. Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations. A special thanks to Tim Pyers who introduced me to Weddings Parties anything way back in 1989. Do get in touch Tim!The post Mark ‘Squeezebox Wally’ Wallace, Weddings Parties Anything, Mick Thomas’ Roving Commission appeared first on The Keyboard Chronicles.

“If you'd asked me if I'd be in CATS again, I would have absolutely laughed and said don't be ridiculous.” This episode features Leigh Archer who played Demeter in Australia in 1994 and recently returned as Jennyanydots on the Australian tour. Leigh recounts first encountering CATS music while dancing in a Sydney football grand final show at age 14, later auditioning and joining an already-running Melbourne cast, where a rehearsal exercise helped her embody Demeter's fear of Macavity. She describes touring Asia in the '90s, especially Korea's rock-concert-level audience reactions, and contrasts them with varied Australian crowds on the recent tour. Leigh shares what it was like re-entering the show many years later, relying on muscle memory, adapting to re-choreographed tap, navigating modern backstage social media fun, and defining character relationships. An episode you won't want to miss. 04:28 Auditioning for Demeter 11:31 Returning After 30 Years 15:35 Backstage Culture Shift 20:05 Character Relationships 28:17 Tour Memories Then Now 32:14 Modern CATS Fandom 35:20 Rapid Fire Check out Leigh on Instagram: @⁠archer5196 Produced by: ⁠⁠⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever felt like you're constantly proving yourself?Explaining your intentions.Defending your character.Showing people how loyal you are.How much you care.How hard you try.Only to still feel unseen.For a lot of us, approval became something that felt conditional. We learned that love had to be earned, acceptance had to be secured, and belonging came with expectations. So we adapted. We became the helper, the fixer, the people-pleaser, the overachiever, the one who kept giving just a little more in hopes that someone would finally say, “You're enough.”But what happens when you're exhausted from performing?What happens when you're tired of convincing people that you're worthy of respect, love, understanding, or a seat at the table?In this episode of Conversation For One, we talk about the hidden cost of living for validation, why so many people feel trapped in a cycle of overexplaining and overgiving, and how conditional approval can leave us feeling like we're constantly auditioning for a role in someone else's life.Because the truth is, healthy relationships don't require a constant presentation of your value.The people who are meant for you won't need to be convinced of your worth.And healing often begins the moment you stop performing and start believing that who you are is already enough.It's time to step off the stage, put down the script, and stop auditioning for a role that was never yours to earn.

Get those ripped fishnet tights ON queens. We have the one and only Taylor Momsen joining us today on the pod! Taylor talks about never watching back Gossip Girl, auditioning for Hannah Montana & Joey Essex being REEM? PLUS all things Grinch and whether she actually likes Christmas?? Hosted on Acast. See acast.com/privacy for more information.

What happens when the "masterpiece" you expected turns out to be just the beginning of a very different journey?   In this first part of a special release from the archives, I'm sharing the beginning of my landmark conversation with the legendary Paul McGann. Recorded in May 2020 and originally released in August 2020, this was Paul's first-ever podcast interview. While he has hosted many shows since then, this remains the definitive look at the moment he first "went down the rabbit hole" to discuss his life and career with a fan.   To coincide with the 30th anniversary of the 1996 Doctor Who TV movie, Paul shares the story of his childhood Olympic dreams, his "acting family" business, and the "indifference" of show business. We talk about why the fans are the true custodians of the TARDIS and why stories are sometimes the only thing that can save our morale and tip the scales toward kindness.   I'm Nancy Norbeck, and I'm your Messy Muse Mentor. I help people feel alive again through creativity, curiosity, and play.   In this episode, we discuss: The 2020 Perspective: A snapshot of creative survival recorded in May 2020 during the first months of the pandemic. The Failed Athlete: Why Paul's first ambition wasn't the stage, and how he navigated the "brutality" of not making the cut. The RADA Turning Point: How a "confused kid" who nearly joined the Navy found his way to the Royal Academy. The Custodians of History: Why the fans, not the actors, are the ones who truly look after the Doctor's legacy. Ready to send your inner critic to summer camp for an hour and just enjoy some creative company? We get together once a month for a relaxed, co-working-style session where you can work on whatever you want—without any pressure to do it "right." Join the Creativity Circle.   Episode breakdown:   0:00 Introduction 1:26 Paul's first-ever podcast interview (Recorded May 2020) 3:24 The Liverpool "acting family" business 5:20 Childhood Olympic dreams and the "brutality" of sport 10:15 Auditioning for RADA and being a "confused kid" 13:38 Sharing an agent with three brothers 19:46 2020 Lockdown: Sanity, cycling, and simple things 23:02 Rehearsing with the brothers for a West End hit 33:14 Bruce Robinson's advice: "Just take the next thing" 39:05 From convention skeptic to fan family 45:46 The 1996 Pilot and the 5-year Vancouver plan 54:32 The Power of Stories: Fables, mythologies, and morale 58:30 Reclaiming kindness: Lessons from the Doctor 1:13:58 Keeping the secret: The "Night of the Doctor" return   Want more? Here are handy playlists with all my previous interviews with guests in theatre and  Doctor Who. Check out the full show notes at fycuriosity.com, and join us for the Follow Your Curiosity Creativity Circle. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

What's up bros? It seems the Atlanta season has slowly changed its course back to being entertaining and we're thankful for that. I suppose we can thank Drew for being incredibly entertaining while deciding not to audition for Pinky's new series as well as Shamea for chilling the hell out. We can only hope things continue to improve leading up to the eventual cast trip where things will inevitably pop off. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode features Audra Miller, lead vocalist of First to Eleven, the YouTube cover band that has captivated millions of viewers with its creative takes on popular songs. From joining the band at a young age to becoming part of one of the platform's most successful music channels, Audra shares what it takes to build a lasting career in the digital music space.Here's what we talked about in this episode:• How Audra joined First to Eleven at a young age• Building one of YouTube's biggest cover bands• The creative process behind producing weekly music videos• Navigating online fame and connecting with fans• Auditioning for a major singing competition• What the future holds for her music careerThis episode offers a behind-the-scenes look at creating music for a global audience, balancing creativity with consistency, and building a career through the power of digital platforms._____________________________________https://www.firsttoeleven.com/https://www.instagram.com/audra.mllrhttps://linktr.ee/firsttoeleven_____________________________________Link to all things Not in a Huff Podcast: https://linktr.ee/notinahuffpodcastPlease follow/subscribe to the podcast to be the first to see new episodes when they come out each week. Be extra awesome and rate us on Apple Podcast and Spotify! :)

Do you ever feel like you're constantly trying to prove yourself as a stepmom?If only you could just be more patient, more understanding, more involved, or more helpful, then maybe you'd finally feel accepted in your blended family?In this episode, Alicia dives into a struggle many stepmoms silently carry: the belief that they have to earn their place in their own home. Whether you're dealing with outsider syndrome, people-pleasing, perfectionism, or feeling invisible in your stepfamily, this episode will help you understand why belonging cannot be earned through sacrifice and exhaustion.Alicia shares the mindset shift that changed everything for her—the moment she stopped auditioning for acceptance and started recognizing her own worth. She also breaks down the common traps stepmoms fall into when they tie their value to their partner's approval, their stepkids' behavior, or the overall success of the family dynamic.If you've ever felt like you're working harder than everyone else just to feel like you belong, this conversation will remind you that your worth is not something you have to prove.Support the showWant a specific topic covered? Let me know here.After you listen to this, tag me on Instagram @aliciakrasko and let me know what you think!Get all the FREE RESOURCES here.Want to learn more about The Stepmom Side community? Here's where you get all the info. Looking forward to connecting with you on the inside.All things Alicia visit www.aliciakrasko.comGet on the list,  get behind the scene info on Stepmom life, and tips delivered to your inbox.

I sit down with Leif Tilden, the man behind Donatello in the original Teenage Mutant Ninja Turtles films. From the legendary Jim Henson Creature Shop to the prehistoric set of Dinosaurs, Leif shares incredible stories from a career spent bringing beloved characters to life through physical performance and puppetry.   In this episode, Leif discusses his roots in experimental theater at NYU and how that unique training prepared him for the intense demands of suit performance. You will hear firsthand accounts of what it was really like working with director Steve Barron, navigating the complex animatronics of the turtle suits, and the genuine brotherhood formed between the four actors under the shells.   Leif takes me behind the scenes of the hit show Dinosaurs where he played Robbie Sinclair and operated the arms for the formidable BP Richfield. He also opens up about the evolution of his career into directing and location managing, offering a rare look at the logistics of filming in Los Angeles. Plus, some wild stories from his time as a gorilla performer. Whether you are a TMNT super-fan or a lover of practical effects and puppetry, this conversation is packed with nostalgia and industry insights.   Chapters   0:00 Welcome to Canned Air with Leaf Tilden 2:15 Early inspirations and NYU Tisch School of the Arts 6:40 Defining experimental theater and storytelling 11:55 The journey to Hollywood and early auditions 16:30 Auditioning for Donatello in Ninja Turtles 21:20 First impressions of the Jim Henson Creature Shop 27:05 A personal connection to comics and superheroes 32:45 Working with world class puppeteers and mentors 38:10 The physical reality of the Donatello suit 44:30 Building a family on the set of TMNT 50:15 Comparing the first film to The Secret of the Ooze 55:50 The shift in tone and production for the sequels 1:00:25 Moving from turtles to Dinosaurs 1:05:40 Bringing Robbie Sinclair and BP Richfield to life 1:11:15 Memories of working with Steve Whitmire and Kevin Clash 1:16:50 The challenges of filming for Disney and ABC 1:22:30 Gorilla suits and a surprising story from Brentwood 1:28:10 Directing Big Love and working with Sam Rockwell 1:33:45 The complex world of location management 1:37:04 Closing thoughts and cowabunga   If you enjoyed this look behind the curtain of pop culture history, please like this video and subscribe for more exclusive interviews. Don't forget to leave a comment with your favorite Donatello memory!   #tmnt #donatello #jimhenson #dinosaurs #behindthescenes

I sit down with Leif Tilden, the man behind Donatello in the original Teenage Mutant Ninja Turtles films. From the legendary Jim Henson Creature Shop to the prehistoric set of Dinosaurs, Leif shares incredible stories from a career spent bringing beloved characters to life through physical performance and puppetry. In this episode, Leif discusses his roots in experimental theater at NYU and how that unique training prepared him for the intense demands of suit performance. You will hear firsthand accounts of what it was really like working with director Steve Barron, navigating the complex animatronics of the turtle suits, and the genuine brotherhood formed between the four actors under the shells. Leif takes me behind the scenes of the hit show Dinosaurs where he played Robbie Sinclair and operated the arms for the formidable BP Richfield. He also opens up about the evolution of his career into directing and location managing, offering a rare look at the logistics of filming in Los Angeles. Plus, some wild stories from his time as a gorilla performer. Whether you are a TMNT super-fan or a lover of practical effects and puppetry, this conversation is packed with nostalgia and industry insights. Chapters 0:00 Welcome to Canned Air with Leaf Tilden 2:15 Early inspirations and NYU Tisch School of the Arts 6:40 Defining experimental theater and storytelling 11:55 The journey to Hollywood and early auditions 16:30 Auditioning for Donatello in Ninja Turtles 21:20 First impressions of the Jim Henson Creature Shop 27:05 A personal connection to comics and superheroes 32:45 Working with world class puppeteers and mentors 38:10 The physical reality of the Donatello suit 44:30 Building a family on the set of TMNT 50:15 Comparing the first film to The Secret of the Ooze 55:50 The shift in tone and production for the sequels 1:00:25 Moving from turtles to Dinosaurs 1:05:40 Bringing Robbie Sinclair and BP Richfield to life 1:11:15 Memories of working with Steve Whitmire and Kevin Clash 1:16:50 The challenges of filming for Disney and ABC 1:22:30 Gorilla suits and a surprising story from Brentwood 1:28:10 Directing Big Love and working with Sam Rockwell 1:33:45 The complex world of location management 1:37:04 Closing thoughts and cowabunga If you enjoyed this look behind the curtain of pop culture history, please like this video and subscribe for more exclusive interviews. Don't forget to leave a comment with your favorite Donatello memory! #tmnt #donatello #jimhenson #dinosaurs #behindthescenes Learn more about your ad choices. Visit megaphone.fm/adchoices

We all go a little mad sometimes! This week Jack and Corey are joined by the hilarious Ryan Stanger (Actionboyz Podcast) to talk Gus Van Sant's controversial (nearly) shot-for-shot remake of Alfred Hitchcock's PSYCHO (1998)! The three talk Van Sant vs Van Damme, charcuterie boards, Vince Vaughn's dramatic roles, Shower Scenes, Anne Heche's rear end, Van Sant's un-Hitchcockian style, hated movies, hot tempers, added shots, pantsing people, experimental cinema, Christopher Lloyd, Psycho 2, J-Blow, 90s acting trends, infuriating jerk off scenes, secret St. Patrick's Day movies, Nepo Daddies, Rob Zombie, the Psycho house, the Universal Studio Tour, Jim Carrey, Hokas, Anthony Perkins, differences from the book, XXX Psycho parody, Dunkaroos, Lena The Plug, mooning people, Auditioning for Gus Van Sant, digital cows and Bad Mothers.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In 1997, during Styx's tour, Lawrence Gowan's band performed as a supporting act for Styx at Montreal's Molson Center and Quebec City's Colisee. Tommty Shaw admired his talent and vibrant stage charisma and called him in May 1999 asking him to tour with them for 53 dates, temporarily replacing their lead singer, Dennis DeYoung who had fallen ill. Lawrence permaentaly replaced the lead singer after the tour.  Styx had long been plagued by differences in artistic inclination. DeYoung's absence created an opportunity for a more premanent restructuring of Styx. Lawrence subsequently became the band's permanent vocalist. This year, Styx' current tour includes Cheap Trick and later this summer, the "Windy Cities" tour begins with Chicago and Styx.  As always for our show notes, please visit our website: www.rockandrollconfessional.rocks Also we ask that you rate and subscribe the podcast where ever you can.  

Send us Fan MailJD Vance keeps showing up like a man being tested for the chair.Tested in the briefing room.Tested in donor rooms.Tested on foreign policy.Tested in front of Trump.Tested by the machinery of power.But the real question is not whether JD Vance wants to be president. Of course he does.The real question is whether the power structure around Donald Trump believes Vance can operate the machine if Trump can't.This is not just a 2028 story. This is an Article I versus Article II story. It is about whether Congress still has the power to check the executive — or whether the presidency has become a throne that donors, loyalists, and political operatives prepare for the next man in line.Trump can name an heir.He cannot hand over the spell.Read more at The Coffman Chronicle and get the full show for paid subscribers.Rumble: https://rumble.com/v7a6ub8-jd-vance-is-auditioning-to-inherit-trumps-power-tmp-1054.htmlThe Coffman Chronicle: https://www.thecoffmanchronicle.com/Pocket Constitution: https://thecoffmanchronicle.kit.com/pocket-constitutionYou're listening to today's Opening Argument from The Tony Michaels Podcast. The full show is free on Rumble, with clips, receipts, and the full breakdown. For the ad-free version and deeper breakdowns, subscribe to The Coffman Chronicle at TheCoffmanChronicle.com. Support the show

Welcome back to another chaotic and hilarious episode of SHENK! This week, Sarah Wine-Shank sits down with the brilliantly funny comedian, Dylan Carlino (host of the 'Feeling Girly' podcast). In this episode, Dylan shares his unforgettable out-of-body experience meeting Demi Lovato in first class and why he feels spiritually connected to the Olsen twins.  Sarah and Dylan dig deep into the stark differences between the comedy scenes in Austin and LA, the toxic green room dynamics at Joe Rogan's Comedy Mothership, and the brutal reality of gay dating apps. From childhood weight struggles and body dysmorphia to deep-cut pop culture takes on Sydney Sweeney, Euphoria Season 3, and Amber Heard—nothing is off-limits.

Intro! (00:00-00:29). Interview with Off Campus stars Ella Bright & Belmont Cameli - talking the audition process, BTS of season 1, filming season 2 + more! (1:40-45:28). Summer House E15 recap (46:21-59:56). Savannah Bananas star Jackson Olson joins Dancing with the Stars cast (1:01:13-1:09:14). Beat Ria & Fran game 218 with Melissa & Jen (1:10:50-1:34:14). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

This week, Good Moms are joined by actress, singer, and valley girl through and through, Chelsea Tavares. The ladies talk about navigating single motherhood, dating as a recognizable face in Hollywood, and what it really means to protect your peace — and your kid — while still living your life. They also get into the ever-present bitch-ass nigga epidemic, the Met Gala, and why LA beaches are simply not it. You can expect to hear: Growing up in the industry and transitioning out of teen roles into adult ones The unique pressure of being a Black actress in Hollywood's casting machine Dating as a single mom — opportunists, love bombers, and the ones who leave you in Paris Why actors (especially the aspiring ones) might be undateable Raising a boy as a single mom and navigating co-parenting with intention Protecting your child's emotional world while still modeling real relationships The "BAN" epidemic and why we need to stop teaching girls to be careful and start teaching boys not to harm Auditioning in the age of self-tapes vs. the magic of being in the room Creating your own content and building confidence as a public figure Coachella, the Met Gala, and the performance of culture vs. actual culture The beauty and exhaustion of being an ambitious, dreaming woman Tarot, mushrooms, and finding gratitude in your own bathtub ------------------------ Watch This episode & more on YouTube! Catch up with us over at Patreon and get all our Full visual episodes, bonus content & early episode releases. Join our private Facebook group! Let us help you! Submit your advice questions, anonymous secrets or vent about motherhood anonymously! Submit your questionsSee omnystudio.com/listener for privacy information.

We sit down with writer Michael Tove this week to discuss his hit short film Yard Sailing and his incredible journey through the world of cinema. Michael shares his fascinating transition from being a simple extra on the set of The Handmaids Tale to producing a film that has achieved over 230 wins and nominations on IMDb. We dive deep into the making of Yard Sailing, including the staggering amount of auditions they received for just nine roles and what it was like working with veteran actors like Eric and Eliza Roberts. Michael also shares personal stories from his time on sets with legends like Bob Hope and Gregory Peck, offering a rare look at the passion and persistence required in the film industry. Whether you are an aspiring filmmaker, an actor, or a pop culture fan, this conversation is one you don't want to miss! Watch Yard Saleing with the link below: https://www.emeraldoakproductions.com/film CannedAirPodcast.com TikTok: @CannedAirPodcast Instagram: @Canned_Air Chapters 0:00 Intro to Michael Tove 3:20 Hitchcockian Storytelling Roots 7:15 Lessons from the Handmaids Tale Set 11:45 Screenwriting Training and Biopics 15:30 The 35 Year Journey of Yard Sailing 19:10 Working with Director Tom Logan 23:45 Casting 87000 Actors for 9 Roles 28:20 Working with Eric Roberts 32:50 Building Lasting Industry Friendships 37:15 The Can World Film Festival Success 41:30 Respecting Background Players on Set 46:45 Premiere Night and the Big Screen Experience 51:15 Persistence and the 15 Minutes of Fame 55:30 Auditioning for Forrest Gump 59:45 Stories of Bob Hope and Gregory Peck 1:02:45 Upcoming Projects and Wrap Up If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! #filmmaking #yardsailing #michaeltove #indiefilm #hollywoodstories Learn more about your ad choices. Visit megaphone.fm/adchoices

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Godfrey is joined by Perry Strong, Dante Nero, Akeem Woods, and Vishnu Vaka to talk about Vishnu's 30 minute Youtube Special, 2 Comics on a Bench and building an audience, Rob Schneider bombing in front of audience and getting heckled, auditioning vs stand up comedy, Howard University and BTS, why MAGA is obsessed with Obama, the phone being more addictive than TV, where Perry Strong learned to act, and why social media is required for all industries. Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish twice a week... with GODFREY on In Godfrey We Trust. Original Air Date:  ----------------------------------------------

Godfrey is joined by Perry Strong, Dante Nero, Akeem Woods, and Vishnu Vaka to talk about Vishnu's 30 minute Youtube Special, 2 Comics on a Bench and building an audience, Rob Schneider bombing in front of audience and getting heckled, auditioning vs stand up comedy, Howard University and BTS, why MAGA is obsessed with Obama, the phone being more addictive than TV, where Perry Strong learned to act, and why social media is required for all industries.Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish twice a week... with GODFREY on In Godfrey We Trust.Original Air Date: ----------------------------------------------