Podcast appearances and mentions of peter frankl

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenA quick note - Although I mentioned on the podcast that some of these cycles are hard to source on physical CDs, they mostly appear to be available via downloading and streaming services.Here are the links to recordings:Peter Frankl - https://www.prestomusic.com/classical/products/8534580--robert-schumann-complete-music-for-piano-soloKarl Engel - https://www.qobuz.com/us-en/album/schumann-luvre-de-piano-vol-2-karl-engel/3298490044506Reine Gialoni - https://open.spotify.com/album/3cRQoJIPxvfrOPv2yVOOzCJörg Demus - https://www.amazon.com/Schumann-Complete-Piano-Jorg-Demus/dp/B000W99IPMJean-Pierre Marty - https://www.amazon.com/Schumann-Works-Piano-Oeuvres-Pour/dp/B001LPDIZCFlorian Uhlig - https://www.amazon.com/Complete-Works-Piano-Florian-Uhlig/dp/B0BGM5B4BYDana Ciocarlie - https://www.prestomusic.com/classical/products/8366293--r-schumann-complete-solo-piano-works-vol-12-drei-romanzen-op-28-novelletten-op-21?srsltid=AfmBOoqE5HZi9WbUC1aPwCfkz8fW3lyX6VYVHN2EmH2h6tc5u37pWsl6Eric Le Sage - https://www.prestomusic.com/classical/products/8024256--schumann-project-eric-le-sage

'Ik was altijd best wel onrustig en ik was aan het zoeken naar iets bijzonders waarin ik alles kwijt kon. Mijn ouders namen mij toen mee naar een concert en dat deed zoveel met mij. Ik weet nog dat ik een pianist zag op het podium... Peter Frankl, een klassieke pianist. Vleugel op het podium, man gaat spelen, het was het mooiste moment van mijn leven. Ik heb nog nooit zoiets moois meegemaakt.' In een nieuwe aflevering van 30 MINUTEN RAUW praat ik een half uur met Wibi Soerjadi.

Israeli pianist Eden Agranat Meged is a full ABRSM Scholarship student at the Royal Academy of Music, London, in the class of Ian Fountain. He started his piano studies in Jerusalem with Anat Paul at the Hasadna Conservatory and continued with Adela Umansky, at the Kfar-Saba Conservatory.  Eden won the first prizes in the Lillian Davis Piano Competition, London, the Harriet Cohen Bach Competition, London, and the Pnina Salzman Piano Competitions, Israel. He won the 3rd prize in the Beethoven Piano Society of Europe Competition. He receives the AICF – American Israel Culture Foundation Scholarships and the Zfunot Culture Scholarships.Murray Perahia has been a central mentor for Eden, guiding Eden at the selective JMC Excellence Piano Program. Eden was privileged to play in many masterclasses with world-renowned pianists: Imogen Cooper, Emanuel Ax, Menachem Presler, Tatiana Zelikman, Craig Shepard, Joseph Kalichstein, Victor Rosenbaum, Jerome Leventhal, Boris Slutzky, Matti Raekallio, Jonathan Biss, Boris Berman, Pascal Devoyon, Steven Osborne, Colin Stone, Claudio Martinez, Golda Vainberg Tatz, Krzystof Jablonski, Jay PengjieSun, Meng Chieh Liu, Chen Sa, Kum Sing Lee,  Xiaohan Wang, David Moroz, Haesun Paik, John Perry, Jeremy Denk, Peter Frankl, Ilana Vered, Sonia Rubinsky, Arie Vardi, Tomer Lev, Emanuel Krasovsky, Ron Regev and Asaf Zohar.Eden participated in international festivals: Morningside Music Bridge at the New England Conservatory, the International Summer Academy Cervo, International Holland Music Sessions and Tel-Hai International Program. Eden was invited to the prestigious HenleVerlag Masterclasses celebrating Beethoven's 250th anniversary in Munich.  Eden received training in the Taubman Approach with Robert Durso and the Golandsky Institute.  Eden performed as a soloist with orchestras: the Jerusalem Symphony Orchestra, Haifa Symphony Orchestra, Israel Stage Orchestra and the Ashdod Symphony Orchestra. Eden Performed in Israel's major venues, radio broadcasted concerts and performed outside his home country in the United Kingdom, Italy, the Netherlands, Switzerland and the United States.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

Zaradi visokih stroškov tiskanja in distribucije, usihanja prihodkov od oglaševanja, pa tudi zaradi spremenjenih bralnih navad tiskani mediji preživljajo težke čase, saj prodaja naklad pada, naročnikov je vsako leto manj, zaposlenim pa grozijo z odpuščanji. Kakšna prihodnost čaka časopise in revije, ki še vedno dosežejo velik del slovenske populacije in so pomemben temelj demokratične družbe? O poslovnih modelih preživetja s predstavniki vodstev in lastniki tiskanih medijev. Sogovorniki so: Tomaž Vesel (Salomon, Media 24), Bojan Petan (Dnevnik, DZS) in Peter Frankl (Finance).

A meditation preached in Lyncroft Centre in Toronto on Oct 1, 2021 by Fr. Eric Nicolai. We begin October with the feast of St. Therese. She inspires us because she had such deep desires for sanctity. For living out the call from God in her life. This does not mean that it was easy for her, or that she even found it easy to discern her vocation. She came to discover that she could be like the beating heart of the church. Josemaria discovered the beauty of sanctity in the ordinary. God gave him a light one day. This month we will examine this and give thanks. Music: Claude Debussy, Suite Bergamasque L75-3 Clair De Lune Played by Peter Frankl (1962). Internet Archive. For more meditations, check my channel: https://www.youtube.com/c/EricNicolai/videos www.ernescliff.ca www.opusdei.ca

At the end of Chapter 24 of Matthew, the Lord speaks about his second coming, about eventual judgement, and therefore that we will have to give an account of everything that we have received in this life. Things may go well, we may be humanly considered a success, get prizes, recognition, but he is the one who will really be the one to give the real prize, eternal life. It is a stirring call to responsibility, not to fear or meant to cause an attitude of forced submission. That was chapter 24. But chapter 25 is the whole area of practical application in the parable of the talents. Music: Claude Debussy Suite Bergamasque L75-3 Clair De Lune, Played on Piano by Peter Frankl (1962) https://archive.org Thumbnail: Rembrandt drawing of the parable of the talents, reed and ink, Louvre, 1652

Escucha y lee sobre la vida y obra de uno de los compositores románticos más conocidos, Franz Schubert, para niños y adultos.   En este episodio escucharás: 00:30 - Symphony No. 2 in B-Flat Major, D. 125_ I. Largo - Allegro vivace por Philharmonia Hungarica & Peter Maag. 01:59 - Moments musicaux, D. 780, (Op. 94): No. 3, Allegro moderato "Air russe" por Peter Frankl. 02:41 - Sonata for Piano No. 4 in D Minor, D. 537: III. Allegro vivace por Walter Klien. 05:11 - String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": I. Allegro por Tokyo String Quartet. 07:08 - Piano Trio in E-Flat Major, D. 929 (Op. 100): III. Scherzo. Allegro moderato por Trio Concertante. 07:55 - Symphony No. 5 in B-Flat Major, D. 485: I. Allegro por Slovak Philharmonic Orchestra & Zdenek Kosler. 09:53 - 5 German Dances, D. 90: No. 5 in C Major por Berliner Symphoniker & Carl-August Bünte. 10:32 - Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato por Slovak Philharmonic Orchestra & Bystrik Rezucha. 12:06 - Quintet in A Major, D. 667 (Op. 114) "The Trout": III. Scherzo por Eugene List, Carroll Glenn, Francis Tursi, Alan Harris & Oscar Zimmermann. 12:38 - Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major (Andante) por Alfred Brendel. 13:12 - Military March in D Major, D. 733 No. 1 (Op. 51 No. 1) por Berliner Symphoniker & Gerhard Becker. 13:41 - Ellen's Chants, D. 839: III. Ave Maria por The Budapest Strings & Béla Bánfalvi. En el álbum The 100 Most Essential Pieces of Classical Music. 14:41 - Erlkönig, D. 328 por Matthias Goerne & Andreas Haefliger. En el álbum Schubert: Erlkönig.   Todas las piezas, excepto las dos últimas, son del álbum 111 Schubert Masterpieces de Menuetto Classics.   Síguenos en: Facebook, Twitter, Instagram y Pinterest.    Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :)    No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.     

I'm really honored to have violinist Violaine Melançon on the show this week to discuss her views on the skills young musicians need to develop to become well-rounded artists. As you'll get to hear, Violaine is an artist of great depth and a dedicated pedagogue with wonderful wisdom and empathy.  I'm certain that you will resonate with her message and walk away inspired and motivated In our conversation, Violaine expands on: The importance of choosing a teacher that will be a good fit The wonderful teaching philosophies of Isadore Tinkleman, which created “searching musicians” and fostered thinking and creativity in his students The importance of learning to listen and trust your ear Becoming a “Searching Musician” The importance of being versatile How and how long we should practice What summer festivals can bring to a young musician's development How much we learn when we teach The importance of having a good balance between routine, consistency, and variety Listening to yourself as if you were your own best student (which will help you listen better and assess what is objectively) Her main “engines:” curiosity, creativity in problem-solving, and yoga Her wise advice to students Her beautiful actionable tip: find a way to be inspired every day     Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use every day!  Find it here: www.mindoverfinger.com/resources!   And join the Mind Over Finger Book Club in the Tribe!  We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey!   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     MORE ABOUT VIOLAINE MELANÇON: Website: https://www.violaineMelançon.com/     An artist deeply dedicated to the range of violin and chamber music repertoire, violinist Violaine Melançon is Associate Professor of Violin at the Schulich School of Music at McGill University, and serves on the violin and chamber music faculties of the Peabody Conservatory. She was for thirty years the founding violinist of the Peabody Trio which was ensemble-in-residence at the Peabody Conservatory from 1987 to 2016. After winning the prestigious Naumburg Chamber Music Award in 1989, the Peabody Trio established itself as an important presence in the chamber music world as vivid interpreters of the classics of the repertoire, advocates for new music, and dedicated teachers and mentors to a generation of young musicians. As a member of the Peabody Trio, Ms. Melançon gave a New York debut in 1990 at Alice Tully Hall and has performed in the most important chamber music series in North America, including New York, Washington, DC, Chicago, Denver, Vancouver, Montreal, Seattle, San Francisco, Los Angeles, San Diego, Indianapolis, Dallas, Honolulu, Memphis, Minneapolis, New Orleans, Portland, St. Louis, Boston and Philadelphia. With them, Ms. Melançon toured internationally, frequently performing in England, making repeat appearances at London's Wigmore Hall, and in Japan and Israel.   She has a special affection for the music of today and is a serious interpreter of works of Gyorgy Kurtag, Mauricio Kagel and Zhou Long. The Israeli composer Shulamit Ran wrote a violin concerto for her and she has premiered several works by other leading composers. Among the artists with whom she enjoys collaborating are pianists Leon Fleisher, Gilbert Kalish and Peter Frankl, soprano Phyllis Bryn-Julson, and violist Roger Tapping.   During the spring of 2012, she presented the complete works for solo violin by J.S. Bach. She performs recitals annually, exploring unusual gems of the solo and violin-piano duo repertoire. Ms. Melançon is from Québec, Canada. After receiving First Prize in violin at the Conservatoire de Musique, she continued her studies with Ivan Galamian at the Curtis Institute of Music, with Isadore Tinkleman at the San Francisco Conservatory and with Arthur Grumiaux in Belgium. While at Curtis, she was a member of the Nisaika Quartet, prize winner of the 8th International String Quartet competition in Evian, France. Ms. Melançon is also the recipient of many awards for solo performance including the 1984 Prix d'Europe. In 1983, she formed the Knopp-Melançon Duo, an artistic collaboration which would eventually expand to become the Peabody Trio. In 1987, as a result of having been appointed USIA Artistic Ambassadors, the duo toured abroad extensively and made their Washington, DC debut at the Kennedy Center. Since then, her activities as a chamber musician, soloist with orchestras, and teacher have taken her to major music centers in the United States, Canada, Europe, the Middle East, and Japan.   She has participated in many summer festivals as violinist, teacher and guest artists, including those of Tanglewood, Ravinia, Skaneateles, Rockport, Orford, and Domaine Forget. She gives yearly masterclasses at the Green Mountain Chamber Music Festival, and teaches regularly at NOI, the National Orchestral Institute and Festival. For many years, she has served on the faculty of Yellow Barn   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

The stupid questions episode. What do Rachmaninoff and pancakes have in common? What does “singing like a pianist” mean? Find out on our first episode devoted purely to stupid questions. Let us know what you thought of this episode! Mostly … Continued

Money, money, money :). V drobovje časnika Finance nas pospremi direktor Peter Frankl.  Pogovarjamo se o prekernem delu v medijih, donosnosti nišnih vsebin in...

12.12.2013 - Vid Sodnik in Peter Frankl tokrat v studiu gostita Saro Šoukal in Uršo Strehar Benčina - improvizatorki in dolgoletni impro mentorici, ki predstavita svoje poglede na poučevanje improvizacije. Da bo mera polna, pa svoje pristavi še mag. Irena Strelec, ki o učenju veščin gledališke improvizacije celo piše doktorat! Hvala: Juš Milčinski, Halo Katra, soliden čaj iz Milerja.

6.12.2013 - Vid Sodnik, Juš Milčinski in Peter Frankl iz Improvizacijskega gledališča Ljubljana - IGLU tokrat govorijo o gospodični, ki je ravnokar dopolnila okroglih 20 let. To je seveda Impro liga, projekt, ki vsako leto združi preko 100 improvizatorjev iz vseh koncev Slovenije. V intervjuju tokrat ne bo manjkala Alenka Ogrin, "impro mama", ki je vodila Impro ligo ob njenih začetkih, bila je soustanoviteljica ŠILE - Šolske impro lige in projekta MIŠ - Mala impro šola za osnovnošolce. Seveda pa ne gre brez aktualnega dogajanja v svetu improvizacije pri nas in po svetu. Hvala: Alenka Ogrin, Vancouver, piškoti

29.11.2013 - Vid Sodnik, Peter Frankl in Juš Milčinski iz Improvizacijskega gledališča Ljubljana se tokrat pogovarjajo o humorju. Gresta improvizacija in humor vedno nujno z roko v roki? Sta kot rit in srajca? Kot lupina in jajca? Kot luna od krajca do krajca? Ali... ne? V podcastu na nek način odgovorijo na ta vprašanja, pri tem pa jim pomaga tudi posebni gost - improvizator, glasbenik, multikulti človek Igor Bračič (aka Sadež). Seveda pa ne manjka niti pregled improvizacijskega dogajanja pri nas in po svetu. Hvala: Igor Bračič, kostanj, Monty Python.

5.11.2013 - Vid Sodnik, Peter Frankl in Juš Milčinski iz Improvizacijskega gledališča Ljubljana - IGLU se tokrat pogovarjajo o igrivosti, eni najpomembnejših začimb impro teatra. O njej povprašajo tudi Tomaža Lapajneta Deklevo (Kolektiv Narobov) in seveda pregledajo najvidnejše impro dogodke v bližnji preteklosti in prihodnosti. Hvala: Tomaž Lapajne Dekleva, KD Priden možic za snemalnik, mandarine.

30.10.2013 - Prvi Impro Podcast Improvizacijskega gledališča Ljubljana - IGLU. Juš Milčinski, Peter Frankl in Vid Sodnik pregledajo dogajanje na impro sceni v preteklem tednu, opravijo intervju z enim začetnikov improvizacije v Sloveniji - Gorom Osojnikom, se pogovorijo o svojih začetkih in napovejo impro dogajanje v prihodnosti. Podcast kot ozadje deloma vsebuje skladbo "Reverse" švedskega dueta Mire Kay. Glasbo smo uporabili z dovoljenjem avtoric. This podcast partially uses the song "Reverse" by the Swedish duo Mire Kay as background music. The song is being used with authors' permission. Hvala: - KD Priden možic za snemalnik - Goro Osojnik - Mire Kay

Juš Milčinski, Peter Frankl in Vid Sodnik pregledajo dogajanje na impro sceni v preteklem tednu, opravijo intervju z enim začetnikov improvizacije v Sloveniji – Gorom Osojnikom, se pogovorijo o svojih začetkih in napovejo impro dogajanje v prihodnosti. IGLU ima tudi svojo spletko in FB stran. Mreža Apparatus.si je tudi na Facebooku in jo lahko finančno podprete tudi osebno. […]