Podcasts about queensland art gallery gallery

This week's guest is Renai Grace. She's the CEO of the Museum of Brisbane and she revolutionised the museum and brought it into the public eye. She's a visionary and her whole thing about telling the story in the social fabric of Brisbane has been incredibly successful in her six-year tenure. Renai has dedicated her career to raising awareness of the impact of creativity to connect and inspire communities and create vibrant cities.  Renai Grace was appointed Director/CEO of the Museum of Brisbane in November 2016. Since joining Museum of Brisbane, Renai has led popular exhibitions including Mao's Last Dancer the exhibition (2017-2018), The Designers' Guide: Easton Pearson Archive (2018-2019), World of Wonder: Margot McKinney (2022) and initiated the bi-annual BRISBANE ART DESIGN FESTIVAL (BAD). Prior to joining Museum of Brisbane, Renai worked for some of Queensland's leading cultural institutions and projects including Queensland Art Gallery/Gallery of Modern Art, Women of the World Festival, Northsite (formerly Kickarts) and Artisan (Queensland's peak body for Craft and Design). She has also served as director of investment and development at Arts Queensland. As a curator, Renai has supported the work of many artists. She co-founded art galleries, Spiro Grace Art Room, Smith & Stoneley and Blindside as well as Independent Arts Management, an arts consultancy that has overseen the management of corporate art collections and orchestrated the master planning and commissioning of major public artworks across Australia.   LINKS: Renai Grace - Special Guest LinkedIn - https://www.linkedin.com/in/renai-grace-58472538/ Website- https://www.museumofbrisbane.com.au/ Paul Fairweather - Co-host https://www.paulfairweather.com Chris Meredith - Co-host https://www.chrismeredith.com.au Two Common Creatives https://www.twocommoncreatives.com/podcastSee omnystudio.com/listener for privacy information.

Join us for a conversation between international artist, Joachim Froese, and Emily Wakeling, Curator at Rockhampton Museum of Art, during Froese's recent exhibition of photographic work at RMOA, "Echoes of Process". Queensland photographer Joachim Froese's technical expertise of the varied mechanics of photography inform a conceptual approach to the medium, often dealing with the role of photography in shaping the known world. The exhibition features several key series that raise environmental concerns, amongst them ‘Entangled', his recent series of salt prints that depict close-ups of seedlings he grows in his garden, and a new photographic installation that re-interprets panorama visions taken by NASA's Mars rovers. Raised in Germany and based in Brisbane and Berlin, Joachim Froese has been a practicing artist and educator for over three decades. He holds a PhD from RMIT University, Melbourne, and has lectured in photography at the Queensland College of Art and other tertiary institutions in Australia and Germany. His works are held by the National Gallery of Australia, the National Portrait Gallery of Australia, Queensland Art Gallery | Gallery of Modern Art, and several regional Queensland galleries.

On Episode #79 of the podcast I have a deadly yarn with Megan Cope. Megan is a Quandamooka (North Stradbroke Island in South East Queensland) artist. Her site-specific sculptural installations, video work and paintings investigate issues relating to identity, the environment and mapping practices.Megan's work often resists prescribed notions of Aboriginality, and examines psychogeographies that challenge the grand narrative of ‘Australia' and our sense of time and ownership in a settler colonial state. These explorations result in various material outcomes. Megan's work has been exhibited in Australia and internationally including at the Queensland Art Gallery/Gallery of Modern Art; Art Gallery of New South Wales; Para Site Contemporary Art Space, Hong Kong; Careof Art Space, Milan; the Australian Embassy, just to name a few.In 2020, Cope presented newly-commissioned work at the 2020 Adelaide Biennial of Australian Art: Monster Theatres. She has also featured work in the NGV Triennial 2020, the 2021 TarraWarra Museum of Art Biennial: Slow Moving Waters and in the 2021 exhibition, OCCURRENT AFFAIR: ProppaNOW at the University of Queensland Art Museum. Recent solo exhibitions include Fractures and Frequencies presented at UNSW Galleries as part of Sydney Festival 2020/21, and Unbroken Connections at Canberra Glassworks, following an artist residency. Join our yarn as we dive deep into Megan's story. It's fascinating! We learn all about her journey as an artist, travelling the world and some of the exciting projects she currently has in the works. Don't miss this one!Recommendations throughout this episode: https://www.megancope.com.au/aboutWebsite: www.blackmagicwoman.com.auFollow us on Instagram - @blackmagicwomanpodcastThe Black Magic Woman Podcast is hosted by Mundanara Bayles and is an uplifting conversational style program featuring mainly Aboriginal guests and explores issues of importance to Aboriginal people and communities. Mundanara is guided by Aboriginal Terms of Reference and focusses more on who people are rather than on what they do.If you enjoyed this episode, please ‘Subscribe' on Apple Podcasts or ‘Follow' on your Spotify app and tell your friends and family about us! If you'd like to contact us, please email, info@blackmagicwoman.com.auSupport this show http://supporter.acast.com/black-magic-woman. See acast.com/privacy for privacy and opt-out information.

Music by: Kaumaakonga Album: Taoba Song: Tonga Paupau Listen to more tracks >> http://www.kaumaakonga.com/ Dr. Tess Newton Cain, Adjunct Associate Professor at the Griffith Asia Institute and project lead of the Pacific Hub, chats with Ms Ruha Fifita from Queensland Art Gallery | Gallery of Modern Art about how artistic and cultural expression is an integral part of Pacific being and thinking. Visit the Pacific Hub> https://www.griffith.edu.au/asia-institute/partnerships-collaborations/pacific-hub

Sutthirat Supaparinya lives and works in Chiang Mai, Thailand. Her works encompass a wide variety of mediums such as installation, objects, still and moving images. Through her works, she questions and interprets public information and reveals or question what’s structure affect her/us as a national/global citizen. Her recent projects focus on history and the impact of human activities on other humans and the landscape. Sutthirat seeks to cultivate freedom of expression through her art practice. As a visual artist among the art community in Chiang Mai, she has participated in the founding and operation of CAC – Chiangmai Art Conversation since 2013. She was a director of Asian Culture Station (ACS) in the year 2016-2019 when CAC partnered with the Japan Foundation Asia Center Tokyo to establish the project. CAC aims to promote contemporary art in Chiang Mai while ACS activated Asian culture and its network. Sutthirat earned a BFA in painting from the Faculty of Fine Arts at Chiang Mai University and a postgraduate diploma in Media Arts from Hochschule Fuer Grafik und Buchkunst in Leipzig, Germany. She is a 2005 Imaging Our Mekong media fellowship and a 2010 Asian Cultural Council fellowship at International Studio & Curatorial Program – ISCP in New York City. She was selected to participate in the International Creator Residency Program at the Tokyo Wonder Site Aoyama in 2012, Foundation Künstlerdorf Schöppingen, NRW, Germany in 2013 and Wellington Asia Residency Exchange, New Zealand in 2015. She was nominated for the Prudential Eye Awards 2016 shortlist in ‘Best Emerging Artist Using Digital/Video’, Singapore. Winners of Institut Français for an artist-in-residence at Cité Internationale des Arts, Paris, France in 2018. Museums and galleries that have featured Sutthirat’s work include Tokyo Photographic Art Museum, Hiroshima City Museum of Contemporary Art, Mori Art Museum, Japan, Jim Thompson Art Center, Maiiam Contemporary Art Museum, Gallery Ver, Thailand, Queensland Art Gallery and Sherman Contemporary Art Foundation, Australia, the Solomon R. Guggenheim Museum, USA, Singapore Art Museum and ArtScience Museum, Singapore, Kuandu Museum of Fine Arts, Taiwan, Hong Kong Arts Centre, Hong Kong and Centre for Contemporary Art Ujazdowski Castle, Poland. International festivals and biennials; Koganecho Bazzar 2011 in Yokohama, Yebisu International Festival for Art & Alternative Visions 2012 and 2018, Japan, EVA International [Ireland’s Biennial] in Limerick City, Ireland, 12th Gwangju Biennale, Gwangju, South Korea, Cairo Biennale 13 in Cairo, Egypt and Biennale Jogja Equator #5, Yogyakarta, Indonesia. The highlight of upcoming exhibitions such as After Hope: Videos of Resistance, the video program under #MuseumFromHome and engage with art at a distance policy, the Asian Art Museum, San Francisco, USA [Open from Spring 2021] and The 10th Asia Pacific Triennial of Contemporary Art (APT10), Queensland Art Gallery | Gallery of Modern Art, Brisbane, Queensland, Australia [27 November 2021 – 25 April 2022]. Recently, she is a fellow of the DAAD Artists-in-Berlin Program in 2021, the one-year artist in residence in Berlin, Germany. When Need Moves the Earth, synchronized 3 – channel video, 2014 ©Sutthirat Supaparinya Ten Places in Tokyo, synchronized 10 – channel video, 2016, ©Sutthirat Supaparinya These are the books that she is reading which were mentioned in the interview - Here are the links to books that Sutthirat Supaparinya is reading: Most of them are old books and a rare find. [1] https://www.se-ed.com/product/Pirates-of-Tarutao-The.aspx?no=9789748904696&nomobile=true [2] เสียงแผ่นดิน และอ้อยในปากช้าง [3] https://m.se-ed.com/Product/Detail/2229090006237 [4] เส้นทางยุคศรีอาริยะ บันทึกกบฏ

In this episode Henri Van Noordenburg gives us an in-depth look at the works that formed the heart of the Queensland Centre of Photography in Brisbane. As part of the Rockhampton Art Gallery's exhibition ‘Exposed', we finally get an insider's look into the collection that hasn't been viewed since 2014. With a Masters in Photography and Theatre, Henri Van Noordenburg is a highly-skilled visual arts educator, coordinator and former Board Member at the QCP. Henri currently works at the Queensland Art Gallery/Gallery of Modern Art and is a practising artist.

Zara StanhopeCuratorial ManagerAsian and Pacific Art As a curator practising within institutions and independently Zara Stanhope focuses on expanding engagement with contemporary art across the Global South. She is currently the Lead Curator for Post hoc by Dane Mitchell, New Zealand’s pavilion at the 58th Venice Biennale. Currently Curatorial Manager, Asian and Pacific Art at Queensland Art Gallery|Gallery of Modern Art (QAGOMA), Stanhope is the lead curator on the 10th Asia Pacific Triennial (APT) for 2021 and led the 9th Asia Pacific Triennial in 2018. Other recently curated exhibitions and collaborations include Dane Mitchell’s Iris, Iris, Iris (Mori Art Museum, Tokyo and Auckland Art Gallery Toi o Tāmaki, New Zealand, 2017–18, co-curator Mami Kataoka); Ann Shelton: Dark Matter (Auckland Art Gallery 2016–17); Out of Office, Public Share collective, RMIT Project Space, Melbourne 2017); Space to Dream: Recent Art from South America (Auckland Art Gallery, 2016, co-curator Beatriz Bustos);  Yang Fudong: Filmscapes (Centre for the Moving Image and Auckland Art Gallery, 2014–15, co-curator Ulanda Blair), and TransVersa: Artists from Australia and New Zealand (Museo de Arte Contemporáneo, Santiago, Chile, 2006, co-curator Danae Mossman). Stanhope is commissioning editor of and has contributor to: Ann Shelton: Dark Matter, Auckland Art Gallery (2016); The Māori Portraits: Gottfried Lindauer’s New Zealand, co-edited with Ngahiraka Mason, Auckland University Press and Auckland Art Gallery (2016); and collected symposium papers Artmatter 01: Engaging Publics/Public Engagement, Auckland Art Gallery and AUT University, 2014 and Artmatter 2: Agency and Aesthetics, co-edited with Ann Shelton, Auckland Art Gallery and Massey University (2018). Her other recent publications include: ‘Living in These Times’ in Gregor Kregar, Gow Langsford Gallery and Gregor Kregar, Auckland (2018); ‘Everything Now’ in Us V Them: Tony de Lautour, Christchurch Art Gallery Te Puna o Waiwhetū (2018); ‘We Journey on through These Rough Waters’ in APT9, Queensland Art Gallery|Gallery of Modern Art (2018), Found in Translation (for Richard Maloy: Things I Have Seen) Youkobo Art Space, Tokyo (2017). She is a regular contributor to art magazines and journals, recently publishing: ‘Curating APT9: Staying with the Questions’, Art Monthly Australasia, iss 313, Summer 2018–19: 34–39 and ‘Home Truths: The Politics of Debility in Recent Projects by Shannon Novak’, Art New Zealand, iss 68, Summer 2018–19: 62–65. Institutional roles Stanhope has held include: Deputy Director and Senior Curator at Heide Museum of Modern Art, Melbourne, Australia (2002−08); inaugural Director of Adam Art Gallery, Victoria University of Wellington, New Zealand (1999–2002); and Assistant Director, Monash University Gallery, Melbourne, Australia (1993–99). She is an Adjunct Professor in the School of Art and Design at AUT University, Auckland and at RMIT University, Melbourne, and holds a PhD from the School of Arts and Social Sciences at the Australian National University, Canberra which focused on the international development of socially engaged art practices. Dancers, part of Women's Wealth' in The 9th Asia Pacific Triennial of Contemporary Art (APT9)Queensland Art Gallery | Gallery of Modern Art (QAGOMA)Start date 24 November 2018End Date 28 April 2019OPENING WEEKEND Vuth Lyno, 'House-Spirit' 2018, installation viewThe 9th Asia Pacific Triennial of Contemporary Art (APT9)Queensland Art Gallery | Gallery of Modern Art (QAGOMA)Start date 24 November 2018End Date 28 April 2019OPENING WEEKEND

Two speakers, Janelle Koh, a law student who enjoys writing about arts, and Hugh Davies, a senior researcher in games and an artist, joined me and shared their individual experiences of visiting Mori Art Museum in Japan. Janelle vividly described her favourite works in the current exhibition titled 'Catastrophe and the Power of Art'. Whereas, Hugh shared some history of Mori and another exhibition he saw last year there. Hugh also told us about his swift visit to APT9, which is currently showing at Queensland Art Gallery/Gallery of Modern Art till 28/4/2019. Two speakers:Janelle KohHugh Davies - https://www.rmit.edu.au/contact/staff-contacts/academic-staff/d/davies-dr-hughThe exhibition, the artworks and artists mentioned by Janelle:Mori Art Museumhttps://www.mori.art.museum/en/about/index.html'Catastrophe and The Power of art'currently showing to 20/1/2019https://www.mori.art.museum/en/exhibitions/index.htmlMiroslaw Balka - artist'Soap Corridor'http://miroslaw-balka.com/en/Huang Hai Hsin - artist'Swan Lake'http://www.haihsinhuang.com/new-gallery-1/Takeda Shimpei - artistthe 'Trace' serieshttp://www.shimpeitakeda.comHirakawa Kota - artist'Black color timer'http://www.hiwak.net/projects/Katerina Šedá'It doesn't matter'http://www.katerinaseda.cz/en/The exhibition talked by Hugh:APT9https://www.qagoma.qld.gov.au/whats-on/exhibitions/the-9th-asia-pacific-triennial-of-contemporary-art-apt9Sunshower: Contemporary Art from Southeast Asia 1980s to Now -  5/7/2017 - 23/10/2017Mori Art Museumhttps://www.mori.art.museum/en/exhibitions/sunshower2017/

This forum considers the role of the curator in relation to Indigenous artists and communities, and address some of the challenges and recent trends in curating Indigenous art today, as well as what the future might look like for Indigenous art and curatorial practice in Australia and internationally. Convened by Hannah Presley, Curator, Australian Centre for Contemporary Art, Melbourne Guest speakers: Tina Baum, Curator of Aboriginal and Torres Strait Islander Art, National Gallery of Australia, Canberra Bruce McLean, Curator of Indigenous Australian Art at the Queensland Art Gallery | Gallery of Modern Art, Brisbane Coby Edgar, Assistant Curator of Aboriginal and Torres Strait Islander art, Art gallery of New South Wales, Sydney; This event was recorded on Monday 27 August 2018 Resources: https://acca.melbourne/exhibition/a-lightness-of-spirit-is-the-measure-of-happiness/ https://acca.melbourne/program/indigenous-art-and-curatorial-practice/

As part of ACCA's exhibition 'Unfinished Business: Perspectives on art and feminism', ACCA presents Learning From Each Other, a special leadership and professional development seminar. This seminar set out to create a productive space for discussion and mentoring amongst a small group of arts administrators, curators and students to share experiences, unpack pathways and build networks. Convened and chaired by ACCA’s Executive Director, Linda Mickleborough and Senior Curator, Annika Kristensen with guest speakers: Charlotte Day: curator, writer and Director, Monash University Museum of Art (MUMA) Julie Ewington: curator, writer and broadcaster, co-curator of Unfinished Business and previously Head of Australian Art, Queensland Art Gallery / Gallery of Modern Art (GAGOMA) Genevieve Grieves: Koorie educator, curator, filmmaker, artist, oral historian, researcher, writer and Manager, First Peoples Department, Museums Victoria Patrice Sharkey: curator, writer and Director, West Space This program is supported by the Trawalla Foundation, the Office for Prevention and Women's Equality and The University of Melbourne. Recorded on Monday 19 March 2018

Aaron Seeto and Rachel Kent in conversation about Southeast-Asian art, moderated by Gene Sherman. Aaron Seeto is Curatorial Manager, Asian and Pacific Art at the Queensland Art Gallery | Gallery of Modern Art, and Rachel Kent is Chief Curator at the Museum of Contemporary Art, Australia. Recorded at Sherman Contemporary Art Foundation (SCAF), 11 August 2016, in association with SCAF Project 32, Jompet Kuswidananto: After Voices.

Queensland Art Gallery/Gallery of Modern Art’s Curator of Indigenous Art Bruce McLean in-conversation with Brisbane-based artist Vernon Ah Kee. McLean has worked with Ah Kee on a number of occasions, including My Country, I Still Call Australia Home: Contemporary Art from Black Australia (2013) at QAGOMA. For this event, they discuss Ah Kee’s practice, engaging specifically with his new work for Imaginary Accord.

Chris Saines, Director of the Queensland Art Gallery | Gallery of Modern Art, presents the second of a series of talks titled 'What Can Art Institutions Do?', followed by a conversation with Johan Lundh, Co-Director of the IMA. Saines has 30 years’ experience in Australian and New Zealand galleries as a director, curatorial and collection manager, educator and curator. He commenced as Director of the Queensland Art Gallery | Gallery of Modern (QAGOMA) in April 2013, having previously been Director of Auckland Art Gallery Toi o Tāmaki from 1996–2013. He led that institution’s $125 million redevelopment, which opened in 2011 and won World Building of the Year 2013. Previously, Mr Saines spent 11 years at Queensland Art Gallery, eight of them as Manager of Curatorial Services. He re-joined QAGOMA as Director with a commitment to internally curating major exhibitions both from the Collection and with leading international artists, and to touring Collection exhibitions nationally and internationally. His vision is for QAGOMA to be the leading museum for the contemporary art of Australia, Asia and the Pacific.