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Marco Alfano"Parole a manovella"La linea scrittawww.lalineascritta.itSpesso i grandi scrittori si mettono a giocare mentre scrivono.Dagli insospettabili Dante e Boccaccio fino a Joyce, Nabokov, Cortàzar e Primo Levi, solo per citarne alcuni, la letteratura si è nutrita e si nutre sottotraccia di sperimentazioni sulla forma che sono delle vere e proprie macchine giocose, i cui ingranaggi sono regole rigorose che producono piacere aggiuntivo nel lettore. E soprattutto che hanno la funzione di stimolo alla creatività, come ben sapevano gli scrittori dell'OuLiPo come Perec e Queneau (cui si unì Italo Calvino), che hanno prodotto capolavori assoluti a partire da una griglia di norme formali in cui sbizzarrirsi con la fantasia per ottenere il miglior risultato, proprio come in un gioco di società.E, d'altra parte, il piacere del gioco, che sia coltivato individualmente o in gruppo, si alimenta spessissimo con la lingua, le parole e la loro duttilità, i sensi multipli (e i nonsensi), le assonanze. Dal Gioco del vocabolario al Telegrafo senza fili, dal Taboo ai surrealisti Cadaveri Squisiti, ai molteplici giochi enigmistici il divertimento passa attraverso il linguaggio, la sua manipolazione gioiosa, lo stupore infantile della scoperta di nuovi sensi e nuovi suoni.Questo laboratorio vuole affrontare con serissima leggerezza la relazione tra parola e gioco, in entrambe le direzioni: usare il gioco e le sue regole come strumento creativo per scrivere e le parole per giocare e divertirsi. Lo faremo attraversando la miriade di forme della ludoscrittura, leggendo e analizzando gli scrittori e i poeti che l'hanno praticata ma soprattutto scrivendo e giocando assieme. A chi è rivolto:A chi scrive e vuole aggiungere nuovi utensili, manovelle, trottole, scatole a molla e caleidoscopi alla sua cassetta degli attrezzi narrativaA chi è appassionato di giochi, letteratura, enigmistica, poesia, combinatoria, scrittura umoristicaA chiunque, che sia o no incluso nelle due categorie precedenti, voglia divertirsi e impararenuovi giochi e cimenti da sperimentare in gruppo o da soloCome si articolaSei incontri in videoconferenza, il giovedì, di due ore ciascuno, con una parte teorica e, principalmente, l'applicazione pratica e creativa delle varie forme di scrittura ludica o “a contrainte”. Esercizi, giochi e scritture saranno condivisi continuativamente attraverso una mailing list e un gruppo Facebook che saranno attivi durante il laboratorio e anche successivamente.Alcuni degli argomenti/giochi:l'OuLiPo e la scrittura a contrainte; Lipogrammi e tautogrammi; Acrostici, palindromi e anagrammi; Poesia metasemantica; Le lingue inventate; Le parole inesistenti e il gioco del vocabolario; La combinatoria; Le forme poetiche come Ur-contraintes; Il nonsense e i Limericks; Le scritture automatiche; Il cut-up di Borroughs; Il cinegioco (gioco dei titoli).Alcuni degli autori trattati:Georges Perec; Raymond Queneau; Primo Levi; Stefano Bartezzaghi; Giampaolo Dossena; Umberto Eco; Italo Calvino; Tommaso Landolfi; Julio Cortázar; Jorge Luis Borges; J. Rodolfo Wilcock; Giorgio Manganelli; Marcello Marchesi; Achille Campanile; Ettore Petrolini; Raymond Roussel; Leonardo Sciascia; Vladimir Nabokov; Giovanni Boccaccio; Dante Alighieri; Gianni Mura; Beppe Varaldo; Toti Scialoja; Edward Lear; Lewis Carroll; Fosco Maraini.Marco AlfanoCura per Lalineascritta, nei cui laboratori si è formato, il sito web, e i corsi in videoconferenza, che ha ideato e realizza assieme ad Antonella Cilento dal 2011. È docente del laboratorio di ludoscrittura "Parole a Manovella". Ha pubblicato racconti in numerose antologie, sui quotidiani L'Unità e Roma e sulla rivista internazionale «Storie». È in preparazione una sua raccolta di poesie illustrate ispirate a Toti Scialoja e sta lavorando al suo primo romanzo. Musicista, è stato membro fondatore dei Panoramics (con i quali ha tra l'altro composto le musiche originali per lavori video e teatrali di Mario Martone e Andrea Renzi e collaborato con Enzo Moscato e Peppe Servillo) ed è attualmente componente dei Ferraniacolor, pop band il cui album di esordio è uscito nel marzo del 2018. È tra gli autori di «Perdurante», tributo a Francesco Durante pubblicato nel 2021 dall'OpLePo, sezione italiana dell' OuLiPo.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
durée : 00:10:00 - Les Nuits de France Culture - par : Philippe Garbit - Poésie ininterrompue - Harry Mathews : Lectures de textes par Harry Mathews 3/4 : "La bataille" et "Clément et les Féroce" de H. Mathews, "Nouvelles impressions d'Afrique" de Raymond Roussel (1ère diffusion : du 18 au 24/08/1975)
Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun 1. Los Buddenbrook – Thomas Mann 2. El sabueso de los Baskerville – Arthur Conan Doyle 3. El corazón de las tinieblas – Joseph Conrad 4. Cañas y barro – Vicente Blasco Ibáñez 5. El inmoralista – André Gide 6. Los embajadores – Henry James 7. El enigma de las arenas – Erskine Childers 8. La llama de la selva – Jack London 9. Sucesos memorables de un enfermo de los nervios – Daniel P. Shreber 10. Sonatas – Ramón María del Valle Inclán 11. Adriano VII – Frederick Rolfe 12. Nostromo – Joseph Conrad 13. La casa de la alegría – Edith Wharton 14. El profesor Unrat – Heinrich Mann 15. Solitud – Víctor Catalá 16. Los extravíos del colega Törless – Robert Musil 17. La saga de los Forsyle – John Galeworthy 18. La jungla – Upton Sinclair 19. El agente secreto – Joseph Conrad 20. La madre – Máximo Gorki 21. La casa en el confín de la tierra – William Hope Hodgson 22. Cuento de viejas – Arnold Bennett 23. El infierno – Henri Barbusse 24. Una habitación con vistas – E.M. Forster 25. La puerta estrecha - André Gide 26. Los apuntes de Malte Laurids Brigge - Rainer María Rilke 27. Regreso de Howards End - E.M. Forster 28. Impresiones de África - Raymond Roussel --- Send in a voice message: https://podcasters.spotify.com/pod/show/irving-sun/message
durée : 01:24:59 - Les Nuits de France Culture - par : Albane Penaranda - Par Michel Foucault - Lectures Jean Marchat, Roger Blin, Michel Bouquet, Nadine Alari, Pierre Leproux et Renaud Mary - Réalisation Pierre Barbier
**Find out more about our Year of Reading here: https://www.shakespeareandcompany.com/product/7486597/shakespeare-and-company-year-of-reading **A series of short readings from some of our favourite poets.Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith. In this essential volume, renowned translator Mark Polizzotti offers authoritative and inspired new versions of Rimbaud's major poems and letters, including generous selection of Illuminations and the entirety of his lacerating confession A Season in Hell—capturing as never before not only the meaning but also the daredevil attitudes and incantatory rhythms that make Rimbaud's works among the most perpetually modern of his or any other generation.Buy The Drunken Boat - Selected Writings: https://www.shakespeareandcompany.com/product/6010246/rimbaud-arthu-the-drunken-boatMark Polizzotti has translated more than fifty books from the French, including works by Gustave Flaubert, Patrick Modiano, Marguerite Duras, André Breton, and Raymond Roussel. He is the recipient of numerous prizes and the author of eleven books, including Revolution of the Mind: The Life of André Breton, Highway 61 Revisited, and Sympathy for the Traitor: A Translation Manifesto. His essays and reviews have appeared in The New York Times, The New Republic, The Wall Street Journal, ARTnews, The Nation, Parnassus, Bookforum, and elsewhere. He lives in New York.*SUBSCRIBE NOW FOR BONUS EPISODESLooking for Friends of Shakespeare and Company read Ulysses? https://podfollow.com/sandcoulyssesIf you want to spend even more time at Shakespeare and Company, you can now subscribe for regular bonus episodes and early access to Friends of Shakespeare and Company read Ulysses.Subscribe on Patreon here: https://www.patreon.com/sandcoSubscribe on Apple Podcasts here: https://podcasts.apple.com/fr/podcast/shakespeare-and-company-writers-books-and-paris/id1040121937?l=enAll money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit, created to fund our noncommercial activities—from the upstairs reading library, to the writers-in-residence program, to our charitable collaborations, and our free events.*Listen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
durée : 00:46:00 - Les Nuits de France Culture - Au micro d'Alain Veinstein en 1990, l'écrivain et poète américain Harry Mathews racontait sa formation à New York, son arrivée à Paris et son amitié "bouleversante et irremplaçable" avec Georges Perec, qui le fit entrer à l'Oulipo en 1973. Né en 1930 à New York, étudiant à Princeton puis à Harvard dont il sortit diplômé de musicologie en 1952, Harry Mathews a publié ses premiers poèmes en 1956 aux Etats-Unis. Avec le poète américain John Ashbery, rattaché comme lui à la dénommée « école de New York », il fonda la revue Locus Solus - un titre emprunté à Raymond Roussel, dont la découverte fut pour lui fondamentale. * C'est la règle primordiale de Raymond Roussel : « rien, sauf l'imaginaire », qui m'a inspirée, autant sinon plus que ses procédés d'écriture. Après son installation en France au début des années 1950, il fit la connaissance de Georges Perec en 1970. Il en devint l'ami, et c'est par l'entremise de Perec qu'il rejoignit l'Oulipo, en 1973. Avec Georges Perec, j'ai connu une amitié bouleversante et, je le crains, irremplaçable. C'est quelqu'un que j'ai aimé tout de suite et qui m'a aimé tout de suite. Je n'ai compris que bien des années plus tard pour quelles raisons. Dans l'Oulipo, j'ai trouvé non pas des racines, mais une famille. Cela marche véritablement comme une famille : on ne met pas en question les opinions politiques, les goûts des uns et des autres. Nous sommes ensemble dans cette entreprise, cette toute petite entreprise, et nous nous aimons beaucoup à l'intérieur de cette structure. Disparu en 2017, il fut l'auteur de plusieurs recueils de poésie, de traductions, d'essais critiques et de six romans, depuis Conversions, son tout premier publié aux Etats-Unis au début des années 1960, jusqu'à Ma vie dans la CIA, paru en 2005. En 1990, à l'occasion de la reparution de Conversions aux éditions Gallimard et du Naufrage du stade Odradek aux éditions POL, il était l'invité d'Alain Veinstein dans l'émission « Du jour au lendemain », et exposait notamment son travail sur ces deux romans, sans toutefois tout dévoiler les contraintes ayant présidé à leur composition. A l'Oulipo, il y a en quelque sorte deux clans : le "clan Perec", c'est-à-dire les écrivains qui croient que quand on écrit, on doit afficher les règles. Et le "clan Queneau", qui pense que le mystère ne fait pas de mal. J'appartiens plutôt au deuxième clan. Par Alain Veinstein Avec Harry Mathews Réalisation Bernard Treton Du jour au lendemain - Harry Mathews pour la réédition de "Conversations" et "Le naufrage du stade Odradek" (1ère diffusion : 27/04/1990) Archive Ina-Radio France
Have you considered that you might be a brain in a vat of liquid floating in a laboratory somewhere? How can you know that the world around you is real, not just a simulation being piped directly to your brain? In episode 30, Ellie and David unpack one of philosophy's favorite thought experiments: the brain in a vat. They also analyze our cultural obsession with the brain, common criticisms of this thought experiment from consciousness studies, and precursors in Descartes and science fiction. Also--what's with the Italian neuroscientist who keeps trying to do head transplants?Works discussed:Daniel Dennett, "Where Am I?"Gilbert Harman, ThoughtAlva Noë, Out of Our Heads: Why You Are Not Your BrainEvan Thompson and Diego Cosmelli, "Brain in a Vat or Body in a World? Brainbound Versus Enactive Views of Experience"Shaun Gallagher and Dan Zahavi, The Phenomenological MindBronwyn Parry, "Technologies of Immortality: The Brain on Ice"John Desmond Bernal, The World, the Flesh and the DevilRaymond Roussel, Locus SolusJohn Tresch, "In a solitary place: Raymond Roussel's brain and the French cult of unreason"Harry Smit and Peter M. S. Hacker, "Seven Misconceptions About the Mereological Fallacy: A Compilation for the Perplexed"Bessel van der Kolk, The Body Keeps the ScoreWebsite | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | Dearoverthink@gmail.comYouTube | Overthink podcast
Lizz takes Sam to a worm concert. Sam forgets to make any vore jokes.Thanks to Hyenik, who played the zither music featured in this episode.Find Us:@vanishingdogs@lizzhamilton@samsketchbookMusic by Greta Russell, @noise_wife
durée : 00:58:48 - Toute une vie - par : Françoise Estèbe - Retour sur la vie du poète, dramaturge et écrivain français, Raymond Roussel - réalisation : Jean-Claude Loiseau - invités : François Piron Critique d'art, commissaire d'expositions; Christelle Reggiani Professeur de Littérature à l'Université de Lille 3; Patrick Besnier Écrivain et professeur retraité de littérature à l'Université du Maine; Pierre Bazantay Spécialiste de Roussel, Professeur de Littérature à l'Université de Rennes 2; Jean-Jacques Pauvert Editeur; Annie Le Brun Ecrivain
In our on-going inquiry into the nature of the Great Pause, this third QUARANTINE session trains itself on John Ashbery’s much ballyhooed poem “Self-Portrait in a Convex Mirror,” an ekphrasis composition taking its frame and flame from the painting of the same name by Italian Renaissance artist Francesco Parmigianino (1503-1540). Without wandering too far from the work, we cite and sometimes linger on Raymond Roussel, Lisa Jarnot, Charles North, Kenneth Koch, the soul and its shapes, the appearance of “sequestered,” Walt Whitman, Jonathan Swift, W.B. Yeats, “The Rhyme of the Ancient Mariner,” the word “speculum,” Wallace Stevens, Jorie Graham and, once more with feeling, The Tetragammaton.
durée : 01:24:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Michel Foucault - Réalisation Pierre Barbier - réalisation : Virginie Mourthé
durée : 01:24:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Michel Foucault - Réalisation Pierre Barbier - réalisation : Virginie Mourthé
Recorded on the 5th October, 2018. Speaking to Charles Adrian for a particularly dreamy 125th Second-Hand Book Factory in his own studio in Mile End is artist Tim Spooner. They talk some difficult poetry, the Berlin Wall and rule-bound beauty. Episode image is a detail from the cover of The Complete Cosmicomics by Italo Calvino, published by Penguin Modern Classics in 2010; cover image is a detail from The Last Judgement: The Stars Fall And Everything Is Turned Upside Down, Italian School, 15th century/Fol 149va Biblioteca Reale, Turin, Italy (Alinari/The Bridgeman Art Library). (Correction: Charles Adrian talks about the 29th anniversary of the falling of the Berlin Wall, which he says happened on a Wednesday. In fact, he is thinking of the Tag der Deutschen Einheit, celebrated on the 3rd of October, which was a Wednesday in 2018. The 29th anniversary of the falling of the Wall was the 9th of November 2018, which was a Friday. In any case, what is true is that, at the time of recording this episode, about 29 years had passed since the fall of the Berlin Wall.) (If On A Winter’s Night A Traveller is also a book by Italo Calvino, translated into English by William Weaver.) (The story from The Cosmicomics that Charles Adrian tries to remember is called The Form Of Space, which is included in this Penguin Classics collection of The Complete Cosmicomics in a translation by William Weaver; the story that Tim talks about, translated by Martin McLaughlin in this collection, is called Shells And Time.) More info and a link to a transcript of the episode is at http://www.pageonepodcast.com/ Book Listing: New Impressions Of Africa by Raymond Roussel (trans. Ian Monk) Funeral In Berlin by Len Deighton Pale Fire by Vladimir Nabokov If On A Winter’s Night A Traveller by Italo Calvino (trans. William Weaver) The Complete Cosmicomics by Italo Calvino (trans. William Weaver, Tim Parks and Martin McLaughlin)
In honour of Krista Tippett, whose podcast On Being both Tim and Charles Adrian listen to and enjoy, this is an unedited recording of their conversation released in parallel with the edited version that appears in your feeds. Recorded on the 5th October, 2018. Speaking to Charles Adrian for a particularly dreamy 125th Second-Hand Book Factory in his own studio in Mile End is artist Tim Spooner. They talk some difficult poetry, the Berlin Wall and rule-bound beauty. Episode image is a detail from the cover of The Complete Cosmicomics by Italo Calvino, published by Penguin Modern Classics in 2010; cover image is a detail from The Last Judgement: The Stars Fall And Everything Is Turned Upside Down, Italian School, 15th century/Fol 149va Biblioteca Reale, Turin, Italy (Alinari/The Bridgeman Art Library). Correction: Charles Adrian talks about the 29th anniversary of the falling of the Berlin Wall, which he says happened on a Wednesday. In fact, he is thinking of the Tag der Deutschen Einheit, celebrated on the 3rd of October, which was a Wednesday in 2018. The 29th anniversary of the falling of the Wall was the 9th of November 2018, which was a Friday. In any case, what is true is that, at the time of recording this episode, about 29 years had passed since the fall of the Berlin Wall. If On A Winter’s Night A Traveller is also a book by Italo Calvino, translated into English by William Weaver. The story from The Cosmicomics that Charles Adrian tries to remember is called The Form Of Space, which is included in this Penguin Classics collection of The Complete Cosmicomics in a translation by William Weaver; the story that Tim talks about, translated by Martin McLaughlin in this collection, is called Shells And Time. The unedited version of this recording includes a long digression on Mile End Green and environs and a longer discussion of Pale Fire by Vladimir Nabokov than is kept in the edited version. There is also mention of a show Charles Adrian had recently in Berlin; this was Die Zukunft Von Gestern by Nico And The Navigators. More information (in German) about that show here: http://navigators.de/index.php?id=602&L=54#c2119 More info and a link to a transcript of this episode is at http://www.pageonepodcast.com/ Book Listing: New Impressions Of Africa by Raymond Roussel (trans. Ian Monk) Funeral In Berlin by Len Deighton Pale Fire by Vladimir Nabokov If On A Winter’s Night A Traveller by Italo Calvino (trans. William Weaver) The Complete Cosmicomics by Italo Calvino (trans. William Weaver, Tim Parks and Martin McLaughlin)
Nouvelle entrevue avec Raymond Roussel, cofondateur de l'entreprise Dragon Shield et spécialiste de la sécurité incendie. Comme chacune des villes est en mesure de légiférer sur son territoire et qu'il s'agit d'un aspect pouvant engendrer des dépenses importantes, Raymond nous aide à dénicher les meilleures astuces afin de naviguer à travers un rapport d'évaluation, les détails auxquels il est important de porter attention afin de simplifier le processus et quels documents demander lorsque vous êtes en démarche transactionnelle.
Sébastien Lamarre nous parle de sa lecture de Raymond Roussel.
Luca Lo Pinto is a friend, a curator of the Kunsthalle Wien and a founder of the art magazine Nero. “Impression d'Afrique is the title of a journey in the form of a book undertaken by Raymond Roussel to a land which existed entirely within his imagination. This compilation is a journey to a place I never been but I’ve been imagined many times. It’s 58 minutes long. Kaleidoscopical, meringueulous, bootylicious, mesmerizing. Close your eyes. Twist your tongue. Hold your chest. And listen at high volume.” The episode features: Pasteur Lappe, Yoruba Singers, Sahara Band, Francis Bebey, Ice, Cesaria Evora & Carl Craig, Eko and U.C.A.S. Band de Sédhiou.