Podcasts about Jorge Luis Borges

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "Pierre Menard, Author Of The Quixote" which can be found in Collected Fictions. If focuses specifically on the main portion of the story, where the author discusses Pierre Menard's "other, subterranean, interminably heroic production", namely that of writing the Don Quixote, a project which he was able to carry out in part before his death. We look at the inspiration, the motivation and intention, and the method of this work, and the author's own assessments of the superiority of Menard's over Cervantes' Quixote. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "Pierre Menard, Author Of The Quixote" which can be found in Collected Fictions. It focuses specifically on the first portion of the story, where the author discusses Pierre Menard's visible work, of which he provides a definitive and chonological listing, supplemented by "a few vague sonnets", and certain portions of Don Quixote. In this video, we look at some of the common themes, features, and preoccupations of Menard's writing. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "Emma Zunz" which can be found in Collected Fictions. It provides an interesting tale of revenge to which Borges gives his usual narrative depth and twists. Emma finds out that her father, who was slandered and sent to prison by the genuine embezzler, Loewenthal, who now owns the mill she works at, and she sets into a motion a plan to bring about justice To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "The Shape Of The Sword" which can be found in Collected Fictions. Borges listens to a story told by a former Irish revolutionary, marked by a scar across his face. the narrative centers on a physically cowardly and intellectually arrogant comrade, John Vincent Moon, who the narrator will save and protect and then be betrayed by to the British. It will turn out that the narrator himself is that very person Moon, and that he has told the story in that manner to get a full hearing. He then demands that Borges despise him. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

durée : 00:54:53 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Alain Bosquet - Lectures de textes : "Le moment le plus grave de la vie" de César Vallejo, lu par Jean-Roger Caussimon, Jean-Pierre Jorris et Dominique Mac Avoy ; "Les neuf monstres" de César Vallejo, lu par Jean-Roger Caussimon ; "Interrogation", "L'étrangère" et "Absence" de Gabriela Mistral, lus par Catherine Sellers ; "Les fureurs et les peines" de Pablo Neruda, lu par un interprète inconnu ; "Devinettes" de Nicolas Guillen, lu par Pierre Michael ; "Chaleur" de Nicolas Guillen, lu par Dominique Mac Avoy ; "L'autre tigre" de Jorge Luis Borges (interprète inconnu) ; "Méditation devant le lac Titicaca" de Miguel Angel Asturias, lu par Michael Pierre et Jean-Roger Caussimon ; "Hymne parmi les ruines" d'Octavio Paz, lu par Jean-Pierre Jorris- Réalisation Jean Chouquet - réalisation : Massimo Bellini, Vincent Abouchar

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "The Theologians" which can be found in Collected Fictions. It centers on a (perhaps one-way) rivalry between two Christian theologians, Aurelian and John of Pannonia, in a time when the Christian church is struggling with a number of heresies, some opposed to each other. John and Aurelian both produce refutations of one heresy, and then when Aurelian uses a passage from John's earlier refutation in a new refutation of a different heresy, John is condemned as a heretic. In the end, Borges suggests, there might not be any real difference between the two men To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It's fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation. Marina and Chloe explore Borges's fiction with particular focus on two stories: ‘The Circular Ruins' and ‘The Aleph'. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsff⁠⁠ Further reading in the LRB: Michael Wood on Borges's collected fiction: ⁠⁠⁠https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief⁠⁠⁠ Colm Toíbìn on Borges's life: ⁠⁠⁠https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me⁠⁠⁠ Marina Warner on enigmas and riddles: ⁠⁠⁠https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned⁠⁠⁠ Daniel Wassbeim on Sur and Borges's circle: ⁠⁠⁠https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo⁠⁠⁠ Next episode: Marina and Chloe discuss The Hearing Trumpet by Leonora Carrington.

Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It's fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation. Marina and Chloe explore Borges's fiction with particular focus on two stories: ‘The Circular Ruins' and ‘The Aleph'. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠https://lrb.me/applecrff⁠⁠ In other podcast apps: ⁠⁠https://lrb.me/closereadingsff⁠ Further reading in the LRB: Michael Wood on Borges's collected fiction: ⁠⁠https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief⁠⁠ Colm Toíbìn on Borges's life: ⁠⁠https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me⁠⁠ Marina Warner on enigmas and riddles: ⁠⁠https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned⁠⁠ Daniel Wassbeim on Sur and Borges's circle: ⁠⁠https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo⁠⁠ Next episode: Marina and Chloe discuss The Hearing Trumpet by Leonora Carrington.

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "Deutsches Requiem" which can be found in Collected Fictions. The story is narrated in the voice of an unrepentant Nazi about to be executed for war crimes, Otto Dietrich zur Linde. He claims to be inspired in his life and in his activity within the Nazi party by great people in philosophy, literature, and music, and argues that we are now entering a new age of violence, which Nazi Germany helped to steer the world towards, even though it has to be sacrificed in the process To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "The Writing Of The God" which can be found in Collected Fictions. It centers on a priest Tzinacán, previously serving at the pyramid of Qaholom, now imprisoned for the rest of his life in a dark cell. There is a jaguar on the other side. Inspired by a legend about the god, he attempts to discern what the writing of the god would be, and eventually deciphers it To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "Death And The Compass" which can be found in Collected Fictions. It takes the form of a detective tale, where the legendary, highly intelligent detective, Eric Lönnrot, does not figure out all of the aspects of the pattern of crimes, including the fact that he is the intended victim of the fourth crime. This is revealed to him by the criminal Red Scarlach, who has set up the entire sequence of crimes to entice Lönnrot to his death, creating a labyrinth in which he would be drawn To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Get Borges' Collected Fictions here - https://amzn.to/3xZnwHA

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3August 18, 2025The Narrative Attack Paradox: When Cybersecurity Lost the Ability to Detect Its Own Deception and the Humanity We Risk When Truth Becomes OptionalReflections from Black Hat USA 2025 on Deception, Disinformation, and the Marketing That Chose Fiction Over FactsBy Marco CiappelliSean Martin, CISSP just published his analysis of Black Hat USA 2025, documenting what he calls the cybersecurity vendor "echo chamber." Reviewing over 60 vendor announcements, Sean found identical phrases echoing repeatedly: "AI-powered," "integrated," "reduce analyst burden." The sameness forces buyers to sift through near-identical claims to find genuine differentiation.This reveals more than a marketing problem—it suggests that different technologies are being fed into the same promotional blender, possibly a generative AI one, producing standardized output regardless of what went in. When an entire industry converges on identical language to describe supposedly different technologies, meaningful technical discourse breaks down.But Sean's most troubling observation wasn't about marketing copy—it was about competence. When CISOs probe vendor claims about AI capabilities, they encounter vendors who cannot adequately explain their own technologies. When conversations moved beyond marketing promises to technical specifics, answers became vague, filled with buzzwords about proprietary algorithms.Reading Sean's analysis while reflecting on my own Black Hat experience, I realized we had witnessed something unprecedented: an entire industry losing the ability to distinguish between authentic capability and generated narrative—precisely as that same industry was studying external "narrative attacks" as an emerging threat vector.The irony was impossible to ignore. Black Hat 2025 sessions warned about AI-generated deepfakes targeting executives, social engineering attacks using scraped LinkedIn profiles, and synthetic audio calls designed to trick financial institutions. Security researchers documented how adversaries craft sophisticated deceptions using publicly available content. Meanwhile, our own exhibition halls featured countless unverifiable claims about AI capabilities that even the vendors themselves couldn't adequately explain.But to understand what we witnessed, we need to examine the very concept that cybersecurity professionals were discussing as an external threat: narrative attacks. These represent a fundamental shift in how adversaries target human decision-making. Unlike traditional cyberattacks that exploit technical vulnerabilities, narrative attacks exploit psychological vulnerabilities in human cognition. Think of them as social engineering and propaganda supercharged by AI—personalized deception at scale that adapts faster than human defenders can respond. They flood information environments with false content designed to manipulate perception and erode trust, rendering rational decision-making impossible.What makes these attacks particularly dangerous in the AI era is scale and personalization. AI enables automated generation of targeted content tailored to individual psychological profiles. A single adversary can launch thousands of simultaneous campaigns, each crafted to exploit specific cognitive biases of particular groups or individuals.But here's what we may have missed during Black Hat 2025: the same technological forces enabling external narrative attacks have already compromised our internal capacity for truth evaluation. When vendors use AI-optimized language to describe AI capabilities, when marketing departments deploy algorithmic content generation to sell algorithmic solutions, when companies building detection systems can't detect the artificial nature of their own communications, we've entered a recursive information crisis.From a sociological perspective, we're witnessing the breakdown of social infrastructure required for collective knowledge production. Industries like cybersecurity have historically served as early warning systems for technological threats—canaries in the coal mine with enough technical sophistication to spot emerging dangers before they affect broader society.But when the canary becomes unable to distinguish between fresh air and poison gas, the entire mine is at risk.This brings us to something the literary world understood long before we built our first algorithm. Jorge Luis Borges, the Argentine writer, anticipated this crisis in his 1940s stories like "On Exactitude in Science" and "The Library of Babel"—tales about maps that become more real than the territories they represent and libraries containing infinite books, including false ones. In his fiction, simulations and descriptions eventually replace the reality they were meant to describe.We're living in a Borgesian nightmare where marketing descriptions of AI capabilities have become more influential than actual AI capabilities. When a vendor's promotional language about their AI becomes more convincing than a technical demonstration, when buyers make decisions based on algorithmic marketing copy rather than empirical evidence, we've entered that literary territory where the map has consumed the landscape. And we've lost the ability to distinguish between them.The historical precedent is the 1938 War of the Worlds broadcast, which created mass hysteria from fiction. But here's the crucial difference: Welles was human, the script was human-written, the performance required conscious participation, and the deception was traceable to human intent. Listeners had to actively choose to believe what they heard.Today's AI-generated narratives operate below the threshold of conscious recognition. They require no active participation—they work by seamlessly integrating into information environments in ways that make detection impossible even for experts. When algorithms generate technical claims that sound authentic to human evaluators, when the same systems create both legitimate documentation and marketing fiction, we face deception at a level Welles never imagined: the algorithmic manipulation of truth itself.The recursive nature of this problem reveals itself when you try to solve it. This creates a nearly impossible situation. How do you fact-check AI-generated claims about AI using AI-powered tools? How do you verify technical documentation when the same systems create both authentic docs and marketing copy? When the tools generating problems and solving problems converge into identical technological artifacts, conventional verification approaches break down completely.My first Black Hat article explored how we risk losing human agency by delegating decision-making to artificial agents. But this goes deeper: we risk losing human agency in the construction of reality itself. When machines generate narratives about what machines can do, truth becomes algorithmically determined rather than empirically discovered.Marshall McLuhan famously said "We shape our tools, and thereafter they shape us." But he couldn't have imagined tools that reshape our perception of reality itself. We haven't just built machines that give us answers—we've built machines that decide what questions we should ask and how we should evaluate the answers.But the implications extend far beyond cybersecurity itself. This matters far beyond. If the sector responsible for detecting digital deception becomes the first victim of algorithmic narrative pollution, what hope do other industries have? Healthcare systems relying on AI diagnostics they can't explain. Financial institutions using algorithmic trading based on analyses they can't verify. Educational systems teaching AI-generated content whose origins remain opaque.When the industry that guards against deception loses the ability to distinguish authentic capability from algorithmic fiction, society loses its early warning system for the moment when machines take over truth construction itself.So where does this leave us? That moment may have already arrived. We just don't know it yet—and increasingly, we lack the cognitive infrastructure to find out.But here's what we can still do: We can start by acknowledging we've reached this threshold. We can demand transparency not just in AI algorithms, but in the human processes that evaluate and implement them. We can rebuild evaluation criteria that distinguish between technical capability and marketing narrative.And here's a direct challenge to the marketing and branding professionals reading this: it's time to stop relying on AI algorithms and data optimization to craft your messages. The cybersecurity industry's crisis should serve as a warning—when marketing becomes indistinguishable from algorithmic fiction, everyone loses. Social media has taught us that the most respected brands are those that choose honesty over hype, transparency over clever messaging. Brands that walk the walk and talk the talk, not those that let machines do the talking.The companies that will survive this epistemological crisis are those whose marketing teams become champions of truth rather than architects of confusion. When your audience can no longer distinguish between human insight and machine-generated claims, authentic communication becomes your competitive advantage.Most importantly, we can remember that the goal was never to build machines that think for us, but machines that help us think better.The canary may be struggling to breathe, but it's still singing. The question is whether we're still listening—and whether we remember what fresh air feels like.Let's keep exploring what it means to be human in this Hybrid Analog Digital Society. Especially now, when the stakes have never been higher, and the consequences of forgetting have never been more real. End of transmission.___________________________________________________________Marco Ciappelli is Co-Founder and CMO of ITSPmagazine, a journalist, creative director, and host of podcasts exploring the intersection of technology, cybersecurity, and society. His work blends journalism, storytelling, and sociology to examine how technological narratives influence human behavior, culture, and social structures.___________________________________________________________Enjoyed this transmission? Follow the newsletter here:https://www.linkedin.com/newsletters/7079849705156870144/Share this newsletter and invite anyone you think would enjoy it!New stories always incoming.___________________________________________________________As always, let's keep thinking!Marco Ciappellihttps://www.marcociappelli.com___________________________________________________________This story represents the results of an interactive collaboration between Human Cognition and Artificial Intelligence.Marco Ciappelli | Co-Founder, Creative Director & CMO ITSPmagazine  | Dr. in Political Science / Sociology of Communication l Branding | Content Marketing | Writer | Storyteller | My Podcasts: Redefining Society & Technology / Audio Signals / + | MarcoCiappelli.comTAPE3 is the Artificial Intelligence behind ITSPmagazine—created to be a personal assistant, writing and design collaborator, research companion, brainstorming partner… and, apparently, something new every single day.Enjoy, think, share with others, and subscribe to the "Musing On Society & Technology" newsletter on LinkedIn.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “The Garden of Forking Paths” by Jorge Luis Borges. What can we learn from this seminal work? How does the Garden of Forking Paths function in the story? […]

¿Quién fue Emanuel Swedenborg? No muchos lo saben, algunos pocos si. Como por ejemplo Jorge Luis Borges, quien estudió tanto a su obra como a él.Emanuel Swedenborg ​fue un científico, teólogo pluralista cristiano, filósofo y místico​ sueco, se loconoce como el Buda del Norte.Publicó un gran número de libros sobre matemáticas, geología, química, física, mineralogía, astronomía, anatomía, biología y psiquiatría, en los cuales se contiene el germen de numerosas ideas brillantes asignadas más tarde a otros investigadores.

Programa conducido por Darío Lavia y Chucho Fernández.Ilustraciones: Thomas Eakins, Gertrude Martin Hodges, William Blake, V. Kryuchkov, Frederick Leighton, Mårten Eskil Winge, Irving Amen, Leonid Afremov, Gustave Doré, Henry Fuseli, Magnuss Zeller.Acto I: "Alguien sueña" de Jorge Luis Borges por Natán Solans 0:01:49Bitácora 1: Etimología de la pesadilla por Jorge Luis Borges 0:07:08Acto II: "Pesadillas de Freddy: Sueños post-freudianos" de Linda Badley por Querelle Delage 0:09:10Bitácora 2: El número de teléfono de Freddy, testimonio de Rafael Martori 0:18:29Acto III: "Atrapados en una pesadilla" de Jeffrey Cooper por Chucho Fernández 0:20:51Inspiración para "A Nightmare on Elm Street" de Wes Craven por Darío Lavia 0:23:28La risa, remedio infalible por Chucho Fernández 0:25:33Acto IV: "Vida y muerte de Freddy Krueger" de Jeffrey Cooper por Chucho Fernández 0:27:11Fuentes de los textos: Jorge Luis Borges, "Alguien sueña" en "La Nación" de Buenos Aires (16/12/1984)Linda Badley, "Film, Horror and the Body Fantastic" (Greenwood Press, 1995)Quentin Falk, testimonio de Wes Craven de "Cinema's Strangest Moments: Extraordinary but true tales from the history of film", (Robson Books, 2003)Jeffrey Cooper, "The Nightmares on Elm Street, Parts 1, 2 & 3", (St. Martin Press, 1987)Tributo Narciso Ibáñez Mentahttps://www.instagram.com/narciso_ibanez_menta/Querelle Delagehttps://www.instagram.com/queenquerelle/Imdbhttps://www.imdb.com/title/tt37671775/Web de Cineficción⁠http://www.cinefania.com/cineficcion⁠/Fan Page de Cineficción⁠https://www.facebook.com/revista.cineficcion/

Die Textwelten des Schriftstellers Jorge Luis Borges verzweigen sich ins Unübersehbare. Auf einer der Inseln Venedigs kann man sich ganz real in ihnen verlaufen. Von Andra Joeckle.

Die Textwelten des Schriftstellers Jorge Luis Borges verzweigen sich ins Unübersehbare. Auf einer der Inseln Venedigs kann man sich ganz real in ihnen verlaufen. Von Andra Joeckle.

Eis que, seis anos depois, chegamos à edição de número 200 do podcast. É uma marca bem importante. Bom ver o trabalho tendo essa longevidade. Como não poderia deixar de ser, agradeço imensamente a todos vocês pela companhia ao longo dessa jornada. Para celebrar a marca, um episódio um pouco diferente. Um bate-papo entre leitores com um leitor que admiro pra caramba. Falo de Júlio Pimentel Pinto, que já esteve aqui em outras duas ocasiões. No episódio 191 conversamos sobre Jorge Luis Borges, uma de suas paixões. Antes, no episódio 179, havíamos papeado a respeito do livro mais recente de Júlio: “Sobre Literatura e História: Como a Ficção Constrói a Experiência”. Júlio é ensaísta, crítico literário e professor no departamento de história da Universidade de São Paulo e há cerca de 40 anos pesquisa a relação entre nosso passado e a ficção. Espero que curtam essa conversa sobre leitura, crítica, bibliotecas, desafios do dia a dia e, claro, paixão pelos livros e pela literatura. * Aqui o caminho para a newsletter da Página Cinco: https://paginacinco.substack.com/

En 1975, Jorge Luis Borges escribió un cuento titulado ese es su título en idioma español y lo escribió en memoria de H. P. Lovecraft. A primera vista, parece un tributo… Y sin embargo, a través de entrevistas, Borges dejó muy en claro que para él, Lovecraft era un escritor que no valía la pena leer.

Mars 2018. La mission de la Croix-Rouge a été un succès. 95% des soldats ont pu être identifiés. Geoffrey Cardozo et Julio Aro sont nominés pour le prix Nobel de la paix par une université argentine. Deux avions quittent Buenos Aires avec à bord des centaines de membres des familles des disparus, en direction des Falklands selon la dénomination britannique. Au cimetière, que beaucoup découvrent pour la première fois, presque toutes les tombes portent enfin des noms. C'est un très grand moment d'émotion pour tous. Geoffrey Cardozo qui n'a cessé de penser à la douleur des mères, voit l'aboutissement d'une mission.   Avec Julio Aro ancien combattant argentin, Gaby Cociffi, journaliste argentine, le docteur Morris Tidball-Binz de la Croix Rouge internationale et la voix de Jorge Luis Borges lisant un de ses poèmes.   Une enquête d'Anne Brunswic en collaboration avec Yvan Amar. Avec la voix de l'acteur Alain Berlioux (Julio Aro et Borges).

Trev Downey reads and then discusses The Gospel According To Mark by Jorge Luis Borges

Born from grief, exile, intellectual ferment and the ‘year without a summer', Frankenstein is a creation myth with its own creation myth. Mary Shelley's novel is a foundational work of science fiction, horror and trauma narrative, and continues to spark reinvention and reinterpretation. In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley's treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein's philosophical and personal undercurrents, and how the creature and his creator have broken free from the book. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠https://lrb.me/applecrff⁠ In other podcast apps: ⁠https://lrb.me/closereadingsff⁠ Read more in the LRB: Claire Tomalin on Mary Shelley's letters: https://www.lrb.co.uk/the-paper/v03/n03/claire-tomalin/scandal-s-hostages Caroline Gonda on the original Frankenstein: https://www.lrb.co.uk/the-paper/v32/n02/caroline-gonda/ink-blots-pin-holes Marilyn Butler on Frankenstein as myth: https://www.lrb.co.uk/the-paper/v10/n09/marilyn-butler/versatile-monster Anne Barton on Mary Shelley's life: https://www.lrb.co.uk/the-paper/v23/n03/anne-barton/tousy-mousy Next episode: Chloe Aridjis on the short fiction of Jorge Luis Borges.

Jorge Luis Borges nace en Buenos Aires el 24 de agosto de 1899 y muere en Ginebra el 14 de junio de 1986. Es un gran poeta, autor de relatos y magnífico ensayista. Es el autor de 'Historia universal de la infamia', 'Ficciones', 'El Aleph' y de poemarios como 'Fervor de Buenos Aires', 'El hacedor' o 'Los conjurados'.

Ambrose Bierce (1842 – ¿desaparecido en 1913?) fue un escritor, periodista y satirista estadounidense, conocido por su estilo mordaz, su visión pesimista de la naturaleza humana y su maestría en el relato corto. Es especialmente célebre por: "El diccionario del Diablo", Una obra satírica en la que redefine palabras comunes con sarcasmo e ironía. Ejemplos: Diplomacia: el arte de decir “buen perro” mientras se busca una piedra. Cerebro: aparato con el que pensamos que pensamos. Relatos de horror y guerra: Bierce fue un veterano de la Guerra Civil estadounidense, y muchas de sus historias reflejan el trauma, el absurdo y la brutalidad del conflicto. Entre sus cuentos más destacados están: “Un suceso en el puente sobre el río Owl”: una de las mejores narraciones cortas de la literatura estadounidense, con un sorprendente giro final. “Chickamauga”: un relato sobre la guerra visto desde la inocencia de un niño, que contrasta brutalmente con la realidad de la violencia. Bierce es considerado precursor del realismo psicológico y del horror moderno. Su escritura es aguda, precisa, a menudo sarcástica y con finales inesperados. Influenció a escritores como H. P. Lovecraft y Jorge Luis Borges. En 1913, Bierce viajó a México durante la Revolución Mexicana. Se unió (según se cree) a las fuerzas de Pancho Villa como observador, y nunca más se supo de él. Su desaparición alimentó leyendas y mitos.

Me quería dar el gusto de subir este cuento maravilloso desde hacía mucho tiempo. Hoy ese día llegó. Los que quieran hacer una pequeña contribución para ayudarme a mantener el ritmo del podcast, pueden hacerlo a través de los siguientes links:En la app de cafecito⁠⁠https://cafecito.app/matigalletti⁠⁠O si están fuera de Argentina, por PayPal:⁠⁠https://www.paypal.com/donate/?hosted_button_id=H79YUGWDB9CT8⁠⁠Y los que quieran participar en las cenas que hacemos los jueves o viernes pueden escribirme a mi dirección de e-mail mtsgalletti@gmail.com

Jorge Luis Borges (1899–1986) fue un escritor, poeta, ensayista y bibliotecario argentino, considerado una de las figuras literarias más importantes del siglo XX. Su obra es fundamental en la literatura universal y se caracteriza por su erudición, su exploración de temas metafísicos, y el uso de laberintos, espejos, bibliotecas infinitas y realidades alternativas como símbolos recurrentes. Nacimiento: 24 de agosto de 1899, Buenos Aires, Argentina. Muerte: 14 de junio de 1986, Ginebra, Suiza. Obras destacadas: Ficciones (1944), El Aleph (1949), El hacedor (1960), Otras inquisiciones (1952). Su prosa es precisa y densa, con influencia de la filosofía, la teología, la literatura inglesa, alemana y oriental. Temas frecuentes: el infinito, el tiempo, la identidad, los sueños, los laberintos, los libros, la literatura como juego. Fue nombrado director de la Biblioteca Nacional de Argentina en 1955. Se quedó ciego progresivamente, como su padre, lo cual marcó profundamente su vida y su literatura. Nunca recibió el Premio Nobel de Literatura, lo cual sigue siendo tema de debate.

Daily QuoteI have always imagined that Paradise will be a kind of library. (Jorge Luis Borges)Poem of the Day夏夜何其芳Beauty WordsThe Widow and Her SonWashington Irving

No ensaio “El idioma analítico de John Wilkins”, Jorge Luis Borges aborda a estranha e utópica “linguagem filosófica” de Wilkins, calcada na denominação complexa de objetos do mundo. Para exemplificar a beleza e o absurdo de tal teoria da linguagem, Borges inventa/concebe/imagina uma obra clássica chinesa inexistente (mas que poderia existir), “Emporio celestial de conocimientos benévolos”, espécie de enciclopédia repleta de estranhas e inconcebíveis classificações. Pois, e essa é a conclusão do autor argentino, toda lista será arbitrária pois arbitrário é nosso universo: “notoriamente no hay clasificación del universo que no sea arbitraria y conjetural. La razón es muy simple: no sabemos qué cosa es el universo.” Assim, inauguramos nossa playlist de listas singulares, estranhas, assustadoras e impossíveis no canal RES FICTA.Lista das melhores heresias ficcionais (sem ordem de preferência):“O Evangelho segundo São Marcos”, Jorge Luis Borges, publicado em “O Informe de Brodie”, de 1970 (menções honrosas do mesmo autor: “A seita dos trinta” e “Os teólogos”).Os conspiradores em “O pêndulo de Foucault” de Umberto Eco (1988).Haçane Saba em “Alamut”, de Vladimir Bartol (1938).A heresia e a ortodoxia pela visão do protagonista em “The Dreams of Cardinal Vittorini”, de Reggie Oliver, publicado em “The Dreams of Cardinal Vittorini and Other Strange Stories”, de 2003-2012 (menção honrosa do mesmo autor: “The Sermons of Dr Hodnet”)A nova organização social em “Os clãs da Lua Alfa”, de Philip K. Dick (1964).Conheça nosso novo projeto “Câmera Obscura”, que traz pela primeira vez o horror refinado do veterano Reggie Oliver ao Brasil: https://www.catarse.me/camera_obscuraEntre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://seboclepsidra.lojaintegrada.com.br/buscar?q=Raphus+Press

Daily QuoteI have always imagined that Paradise will be a kind of library. (Jorge Luis Borges)Poem of the Day渔翁柳宗元Beauty of WordsEvery Man's Natural Desire to Be Somebody ElseSamuel Mc Chord Crothers

Coordina Isaías GardePara participar de los encuentros de lectura:isaiasgarde@gmail.comhttps://isaiasgarde.blogspot.com/https://www.facebook.com/groups/textosentransicionTambién pueden seguir la actividad en los siguientes canales:Canal Whatsapp: https://whatsapp.com/channel/0029VaBZRE39sBIABWavgA1fCanal Telegram: https://t.me/+RJr1kBJeSDt_YLHZ

Nous sommes en 1941. Cette année-là est publié, à Buenos Aires, un recueil intitulé « El jardín de senderos que se bifurcan » (Le jardin aux sentiers qui bifurquent). L'ouvrage est signé Jorge Luis Borges qui, à l'époque, à quarante-deux ans. Parmi les textes proposés par l'auteur plusieurs fois nommé pour le prix Nobel de littérature, on retrouve « La bibliothèque de Babel ». L'Argentin y conçoit un univers où serait rassemblés tous les livres pouvant être produits par combinaison aléatoire des lettres d'un alphabet choisi. Ce fantasme d'une bibliothèque totale, contenant tous les savoirs de l'humanité, n'est pas neuf : on en trouve des sources chez certains philosophes de l'antiquité gréco-romaine, plus tard chez le philosophe allemand Leibniz ou chez les Encyclopédistes du siècle des Lumières. Borges, d'ailleurs, attribue la paternité du concept à l'un des pères de la psychologie expérimentale, Gustav Théodore Fechner. Quelle est, réellement, la valeur ajoutée d'un tel savoir ? La bibliothèque de Babel, parce qu'elle contient tout, n'est-elle pas parfaitement dénué de sens ? Internet, aujourd'hui, par sa volonté totalisante, en est-il l'effrayante réalisation ? Si toutes ces choses nous dépassent, tentons, malgré tout, de ne pas les ignorer … Avec nous : Jean-Louis Migeot, professeur d'acoustique à l'Université Libre de Bruxelles au conservatoire de Musique de Liège. Membre de la Classe Technologie et Société de l'Académie royale de Belgique. Auteur de « Dans la bibliothèque de Babel » ; éd. Académie royale de Belgique. sujets traités : bibliothèque, Babel, web, Jorge Luis Borges , littérature,,Gustav Théodore Fechner., encyclopédie, Antiquité, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pete Townshend is the songwriter, guitarist and co-founder of The Who. The band first stormed the pop charts sixty years ago, with teenage anthems including I Can't Explain, Substitute and My Generation. Broader songwriting ambitions led him to create the rock opera Tommy in 1969, and the concept album Quadrophenia four years later. Both projects were adapted as films, and Quadrophenia has now been staged as a ballet by Sadlers Wells. Throughout the seventies, The Who were regarded as the biggest and loudest live act in the world. They played at Woodstock, at Live Aid, Live 8 and the 2012 Olympic closing ceremony. Despite the deaths of drummer Keith Moon and bassist John Entwhistle, Townshend and singer Roger Daltrey continue to perform as The Who. Pete Townshend talks to John Wilson about the influence of his parents, who were both musicians. His father, the saxophonist Cliff Townshend, played in the popular dance band The Squadronaires, but it was his mother Betty, a singer, who was most supportive of Pete's early musical talent. Seeing Bill Haley and The Comets at Edgware Road Odeon in 1956 was another formative moment that introduced the teenage Townshend to the possibilities of a rock 'n' roll performance. Pete also reveals how his art school tutor Roy Ascot, who was head of the Ground Course at Ealing Art School, shaped his his approach to his band that was to become The Who. He also recounts how reading Labyrinths, a book of short stories by Jorge Luis Borges on the first US Who tour in 1967 opened his imagination and helped him expand his musical storytelling. Producer: Edwina Pitman

In this episode, host Antonio Tijerino sits down with award-winning writer, filmmaker, and cultural storyteller Alberto Ferreras for an unforgettable conversation about art, identity, and the power of storytelling. From the groundbreaking Habla series to working with Madonna (yes, THE Madonna), Alberto reflects on the spiritual power of creativity, queer and immigrant narratives, and how art connects us all. Released as we kick off World Pride 2025 in Washington, D.C. next week, this episode is both celebration and call to unity. Tune in for laughs, wisdom, and a reminder that our stories are our strength. EPISODE RESOURCES:Read about Alberto's latest installation, "American Latinos 1935-1945", a multimedia project that includes an immersive video installation with more than 250 images of Hispanic-Americans, captured almost a century ago by some of the most influential photographers of the 20th century. Click here to learn more about his career and work. WATCH: Click here to watch this and other episodes on YouTube. FOLLOW: Follow us on Insta @FritangaPodcastCONNECT: For questions or guest recommendations, email us at Fritanga@HispanicHeritage.orgTEAM:Host: Antonio TijerinoExecutive Producer: Antonio Caro Senior Producer:  Connor Coleman Producer: Ambrose Davis EPISODE TIMESTAMPS:00:00:00 - The Essence of Latino Identity00:00:24 - Introducing Alberto Ferreras00:03:11 - Pride Month and Community00:04:45 - Unity in Diversity00:07:22 - Cultural Background and Identity00:10:08 - Challenges of Being Venezuelan00:12:21 - The Power of Storytelling00:13:03 - The Habla Series00:17:27 - Working with Madonna00:22:00 - The Impact of Music on Life00:23:03 - Exploring Identity Through Art00:24:00 - Be As In Beauty: A Novel00:29:10 - The Importance of Self-Expression00:31:06 - The Miracle: A New Show00:37:11 - The Healing Power of Music00:39:08 - Art as a Form of Connection00:42:18 - The Role of Storytellers in Culture00:46:01 - Creating Quality Content for Children00:47:56 - Navigating Modern Challenges for Youth

La Casa de Asterión fue publicado originalmente en 1947 en la revista Los Anales de Buenos Aires y, posteriormente, fue incluido en el libro El Aleph. Desde entonces ha sido motivo de múltiples interpretaciones filosóficas y literarias, pues Jorge Luis Borges, como siempre, nos deja más preguntas que respuestas y nos invita a mirar con otros ojos e incluso a sentir compasión por uno de los monstruos más temidos de la mitología clásica. Hosted on Acast. See acast.com/privacy for more information.

Matthias Politycki schreibt mit spitzer Feder. In seinem neuen Essay „Mann gegen Mann“ geht er der Frage nach, ob eine neue Männlichkeit gefragt sei. Dies im Angesicht von Gender-Debatten, virilen Politikern wie Putin und Trump und dem Ukraine-Krieg. Ist das Soldatische, das Männliche wieder ein Thema? Dieser Frage geht Politycki nach und beruft sich dabei auf Autoren wie Jorge Luis Borges und Ernest Hemingway. Rezension von Andreas Puff-Trojan

Matthias Politycki schreibt mit spitzer Feder. In seinem neuen Essay „Mann gegen Mann“ geht er der Frage nach, ob eine neue Männlichkeit gefragt sei. Dies im Angesicht von Gender-Debatten, virilen Politikern wie Putin und Trump und dem Ukraine-Krieg. Ist das Soldatische, das Männliche wieder ein Thema? Dieser Frage geht Politycki nach und beruft sich dabei auf Autoren wie Jorge Luis Borges und Ernest Hemingway. Rezension von Andreas Puff-Trojan

Episode #24 of Impact in the 21st Century features the legendary author, editor, and bibliophile Alberto Manguel. Alberto Manguel is the acclaimed author of A History of Reading, The Library at Night, and dozens of other works exploring literature, memory, and the profound human need for stories. A lifetime reader and former Director of the National Library of Argentina, Manguel has lived a life shaped by books—reading to Jorge Luis Borges as a teenager, curating libraries across continents, and writing deeply about the roles books play in our personal and collective lives. In this episode, Manguel offers a masterclass on the power of reading in shaping empathy, identity, and civilization itself. We explore: What it means to read deeply in a distracted age How libraries function as the “memory of humanity” Why stories hold the key to understanding ourselves and our societies His reflections on the current state—and future—of reading This is a timeless conversation for lovers of language, ideas, and the written word.  

Real Life Devon went full medieval this week with a trip to a Renaissance Fair—this one featuring permanent structures that actually looked “authentic” instead of slapped together by ye olde hot glue. There were swinging rides, wooden horses, and some legit jousting. Unfortunately, the real fantasy was thinking the kids would have fun. Big downer energy. Steven is gearing up for an Arizona trip but had to make a sudden detour into Best Buy territory after his TV gave up the ghost. On the plus side, Andor continues to be amazing and makes up for any consumer electronics woes. (It really is still that good.) Ben has seen Labyrinth (have you?), and he's here for the dream logic and David Bowie's entire vibe. Also thrown into the cinematic blender: The Island and Cliffhanger. We're now seeking out more films where geological or man-made features are basically the co-stars. Let us know if you have one. Oh, and Ben also saw the Slate all-electric pickup truck, which looked like something out of Black Mirror. Meanwhile, TVs just… work now? What a time to be alive. Future or Now Time for some spicy Star Wars takes. We got into it over which trilogy was better: the Prequels or the Sequels. Episode IX (The Rise of Skywalker) got roasted—Devon called it "the worst." Ben leaned sequel-side, arguing they're better than the prequels overall. The breakdown went something like: Prequels: bad films, good plots Sequels: good films, bad plots There were also complaints about Starkiller Base, which feels like someone said “What if Death Star, but more?” But then there's Andor, which everyone agrees is just pure excellence. So Star Wars can still be good when they let writers write. Our rankings for maximum judgment: Devon's list: The Phantom Menace, The Force Awakens, Rise of Skywalker, Attack of the Clones, The Last Jedi, Revenge of the Sith Ben's list: Rise of Skywalker, The Phantom Menace, Attack of the Clones, Revenge of the Sith, The Force Awakens, The Last Jedi Your move, Internet.

Esses dias quase comprei um livro que eu já tinha.Mencionado no episódio: “Tsundoku,” the Japanese Word for the New Books That Pile Up on Our Shelves: https://www.openculture.com/2024/07/tsundoku-should-enter-the-english-language-now.htmlOs cadernos de Dom Rigoberto, de Mario Vargas Llosa: https://amzn.to/3EWEpWKBorges oral, de Jorge Luis Borges: https://amzn.to/4k7Cy0ePara saber mais sobre mim e sobre o que produzo: https://marcosramon.net/

Real Life: Devon would like to make one thing clear: queso is fine. Queso is acceptable. Just… not on everything, okay? Some of us still want to taste the actual food under the goo. That said, he did just survive a kid's pool party, so maybe he's earned the right to eat whatever the hell he wants — even fake grass, which he claims is "for winners." We're choosing not to dig into that statement. Steven, meanwhile, embraced the full Force of May 4th with joy, lightsabers, and an animated binge of Tales of the Empire — now fully released and featuring everyone's favorite dead-or-maybe-not-dead villainess Asaaj Ventress and the cowboy space bug bounty hunter Cad Bane. Is she still canonically dead? Who knows anymore. The rule is: if you didn't see the body dissolve, they can always come back. Also, Steven's forge is officially up and running. That's right — he's now a blacksmith. We're still waiting to see if this is a long-term thing or just a midlife crisis in steel-toed boots. Over in The Last of Us land, Season 2 Episode 4 dropped, and fans collectively screamed, cried, and probably tweeted GIFs because one of the game's most beloved scenes finally made it to screen — and yes, they nailed it. In a good way. Not like a fungal-mutant-jaw-through-your-neck way. Ben went to a roller derby bout in Irvine (report: chaotic and excellent), wandered the capitalist labyrinth that is Daiso, and wants to remind you it's Teacher Appreciation Week. So tell a teacher they rock, preferably with coffee, snacks, or a handwritten note of pure gratitude. Future or Now Ben brought us Writing Tools, a sleek, free, open-source app created by a high school student in Bangalore (hi, Jesai!) that gives Mac, Windows, and Linux users a system-wide writing boost via AI. It fixes grammar, summarizes content, and even helps you rewrite your angsty emails into something that won't get you fired. Bonus points for working offline and being featured basically everywhere. Teachers, students, chaotic creatives — check it out on GitHub. This also led us down the rabbit hole: Are LLMs bad? Short answer: not inherently. Long answer: come back next week for a full debate, complete with Devon's skeptical eyebrows and Ben's tech optimism. Devon watched Mickey 17, and the verdict is… “eh?” He appreciated the weirdness but didn't feel like the weird ever came together in a satisfying way. Unlike Parasite, which he still recommends, Mickey 17 left him shrugging with existential confusion, which is not his preferred flavor of sci-fi. Steven hit us with some mouse science: researchers have engineered gut bacteria that can detoxify methylmercury in mice, even when those mice are on a diet of bluefin tuna. The mice — and their babies — showed fewer signs of mercury poisoning. This means your sushi habit may one day come with a side of helpful microbes. Until then, maybe cool it on the sashimi. Book Club:  This week, we read A Brief Dance to the Music of the Spheres by Michael Kurland (from The Best of Omni Science Fiction, 1983). It's a sleek, sharp short story that offers a fresh take on the Fermi Paradox: if there's intelligent life out there, why haven't we seen it? The story gives us a possible answer — one we won't spoil here, except to say it involves jazz, physics, and a little cosmic humility. You can read it on Archive.org or listen to the adaptation here. Next week: we're diving into Jorge Luis Borges' There Are More Things. Yes, it's a Borges horror story. Yes, we're terrified and delighted. Yes, Devon has thoughts. Got thoughts on queso, metal mice, or fictional villains who refuse to stay dead? Hit us up. And thank a teacher. Seriously. They've seen some things.

Jorge Bergoglio recuerda su admiración por Jorge Luis Borges y su profunda conexión con la literatura y la espiritualidad.

On this episode of the Energy Security Cubed Podcast, Kelly Ogle and Joe Calnan interview Eric Miller about Canada-US energy relations in the context of the current Canadian election. // For the intro, Kelly and Joe discuss the LPC and CPC costed platforms on energy. // Guest Bio: - Eric Miller is President of Rideau Potomac Strategy Group and a Fellow with CGAI // Host Bio: - Kelly Ogle is Managing Director of the Canadian Global Affairs Institute - Joe Calnan is an Energy Security Analyst and Energy Security Forum Manager at the Canadian Global Affairs Institute // Reading recommendations: - "Inside Asia", by John Gunther: https://www.minotavrosbooks.com/pages/books/007655/john-gunther/inside-asia - "Selected Non-Fictions" by Jorge Luis Borges: https://www.penguinrandomhouse.com/books/331517/selected-non-fictions-by-jorge-luis-borges-edited-by-eliot-weinberger-translated-by-esther-allen-suzanne-jill-levine-and-eliot-weinberger/ // Interview recording Date: April 22, 2025 // Energy Security Cubed is part of the CGAI Podcast Network. Follow the Canadian Global Affairs Institute on Facebook, Twitter (@CAGlobalAffairs), or on LinkedIn. Head over to our website at www.cgai.ca for more commentary. // Produced by Joe Calnan. Music credits to Drew Phillips.

On Easter Weekend, Jesus descended into Hades on Saturday, and thus, we went down into hell to face the Archons inside and outside our minds. Scott R. Jones leads us like a psychopomp, based on his book, Drill. Beyond understanding the control systems of our current simulation, which include fundamentalist religion and parental trauma, Scott provides High Weirdness advice that reminds us of the Gnosis of Philip K. Dick, William Burroughs, and Jorge Luis Borges. You are in danger, and those mind parasites are ready to drain your energetic body completely. Let's turn the tide right now with our innate magic. Get the book: https://amzn.to/3Y50lFz More on Scott: https://scottrjoneswriter.com/ Stream All Astro Gnosis Conferences for the price of one: https://thegodabovegod.com/replay-sophia/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Get The Occult Elvis: https://amzn.to/4jnTjE4

En Deutsches Requiem, Borges se mete en la mente de Otto zur Linde, un nazi condenado tras la guerra que no se arrepiente ni pide perdón. Al contrario: se ve a sí mismo como un servidor de una causa moral superior. A través de este personaje, Borges no nos habla del mal como ignorancia o miedo, sino como convicción. Nos recuerda que algunos fanáticos están dispuestos a destruir el mundo no porque no sepan lo que hacen, sino porque creen que están haciendo lo correcto.https://linktr.ee/bibliotequeando

Daily Quote君子之交淡如水，小人之交甘若醴。（庄子）Poem of the DayBrowning Decides To Be A PoetJorge Luis BorgesBeauty of WordsThe Cardinal Virtue of ProseArthur Clutton-Brock

durée : 01:04:52 - Les Nuits de France Culture, archives d'exception - par : Antoine Dhulster - En 1963 Jacqueline Trutat et Severo Sarduy proposent une série de deux épisodes sur la littérature sud-américaine. Dans le premier volet, ils nous emmènent sur les terres des écrivains Jorge Luis Borges, Alejo Carpentier, Miguel Ángel Asturias, Juan Rulfo et Pablo Neruda à la découverte de leur art. - réalisation : Virginie Mourthé

Notes and Links to Douglas J. Weatherford's Work       Doug was born in Salt Lake City but grew up in Statesboro, Georgia, where his father taught German at Georgia Southern University. Doug loves to read, travel, and ride bicycles and motorcycles. He graduated from BYU in 1988 (BA Spanish) and the Pennsylvania State University in 1997 (PhD Latin American Literature). He has been a professor at BYU since 1995. Doug's research and teaching emphases include Latin American literature and film, representations of the period of Discovery and Conquest, and Mexico at mid-Century (1920–1968, with particular focus on Rosario Castellanos and Juan Rulfo). His latest are new translations of Pedro Páramo and The Burning Plain.   Buy Pedro Páramo (English Translation)   Buy Pedro Páramo (En Español)    Doug's BYU Webpage   New York Times Book Review of Pedro Páramo by Valeria Luiselli   At about 2:15, Doug talks about his “journey” to becoming a professor of Latin-American Literature and Film, with regard to his early language and reading backgrounds At about 6:00, Doug talks about his main focus in teaching over the years At about 7:15, The two discuss linguistics classes At about 8:30, Doug responds to Pete's questions about texts and writers who have resonated with his students  At about 10:30, Doug reflects on Jorge Luis Borges' work and potential for teachability  At about 11:35, The two talk about translations of Rulfo's titles At about 13:30, Doug gives a primer on the collection El Llano en llamas and its various translations  At about 16:40, Doug emphasizes the need to “follow in Rulfo's footsteps” in translating the famous story “No Oyes Ladrar los Perros” At about 20:15, Doug responds to Pete's question about Juan Rulfo's evolving reputation/legacy in Mexico At about 24:15, Pete shares compliments and blurbs for Doug's Pedro Páramo translation and Pete and Doug talk about Gabriel Garcia Marquez's important Foreword  At about 27:20, Doug gives background on screenplays done for Rulfo's work by Marquez and towering respect for Rulfo's work, especially Pedro Páramo  At about 28:20, The two talk about Pedro Páramo's movie adaptations and challenges in adapting the work with connection to older characters  At about 31:55, Pete and Doug reflect on key archetypes and connections featured in the first line of  Pedro Páramo  At about 35:00, Doug gives background on his decision-making that affected his translations, including the laser-focus on the book's first line At about 41:00, The two discuss the book's exposition, such as it in a chronologically-unique book, including the book's first narrator's role At about 42:55, Doug discusses the connections in the book: Citizen Kane and Pedro Páramo, as well as Hernán Cortes and Pedro Páramo  At about 46:30, Doug talks about La Lllorona and Malinche and Páramo connections At about 49:30, Doug gives background on Pedro's son, Miguel and Father Renteria and ideas of betrayal and Biblical archetypes At about 52:35, Themes of sin and afterlife, including purgatory, are discussed, as Doug gives background on Rulfo's “conflicted” views regarding Catholicism  At about 55:30, Doug goes into greater depth about the links between Citizen Kane and Pedro Páramo At about 59:45, Doug responds to Pete's question about  At about 1:02:00, Doug responds to Pete's question about Rulfo's treatment of Mexican “Indians” At about 1:04:20, Hope and misogyny as a theme in the novel are discussed, and Doug discusses the 2024 Rodrigo Prieto Pedro Páramo film At about 1:09:40, Doug “puts a spin” on the novel's ending At about 1:15:45, Doug gives book buying information for his translations of Rulfo's work   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. My conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 278 with Kevin Nguyen, features editor at The Verge, previous senior editor at GQ. He has written for New York Magazine, The New York Times, The Paris Review and elsewhere, and is the author of New Waves and the novel Mỹ Documents, which has April 8, the same day the episode airs, as its Pub Day.

Description He’s back! Protagonist Podcast co-founder Todd Mack joins Joe to discuss the Jorge Luis Borges’ short story “La Biblioteca de Babel.” This is more of a thought experiment masquerading as a short story, but we find plenty to discuss. … Continue reading →

Fictions by Jorge Luis Borges (1944-1955) vs The Aleph by Jorge Luis Borges (1945)

In this episode we delve into one of the signature commercial and critical flops of New Hollywood: Dennis Hopper's The Last Movie. This gorgeous yet impenetrable film was a crucial turning point bridging the early hippie-influenced films of the late 60s with the more cynical and popular mainstream cinema that came to define the 1970s. We are joined by Stephen Lee Naish, author of two different books discussing this week's subject - Create or Die: Essays on the Films of Dennis Hopper, and Music and Sound in the Films of Dennis Hopper. So enjoy listening to someone actually qualified to talk about this stuff for a change! Topics include: American New Wave vs. New Hollywood, Jorge Luis Borges, and Charles Manson.