Podcast appearances and mentions of Patti Smith

Some of New York's most iconic concerts, including Simon and Garfunkel in Central Park, the Beatles at Forrest Hills Stadium, were organized by legendary concert promoter Ron Delsener. Director Jake Sumner speaks about his new documentary that tells the story of Ron Delsener's life, from a childhood in Queens to a life in the music industry. The film also features interviews with artists whose concerts Delsener helped promote, including Bruce Springsteen, Billy Joel, Patti Smith, and more. "Ron Delsener Presents" is in theaters May 30.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Henry McCullough of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's show, we welcome back our good friend and Charlotte Magazine back page columnist Jen Tota-McGivney to talk about her new book, Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

On this week's show, we wish a very happy 80th birthday to Bob Seger, spend quality time with new records from The Waterboys, Murray Attaway & Craig Finn and spin fresh tracks from Bruce Springsteen, The Feelies & The Beths. All this & much, much less. Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

• Sound Art • Die Veränderung unseres Planeten durch den Klimawandel ist vielerorts noch unsichtbar. Dennoch schafft sie schon jetzt neue Landschaften und Lebensbedingungen. Das Soundwalk Collective macht diese Entwicklung hörbar. Von Soundwalk Collective www.deutschlandfunkkultur.de, Klangkunst

Hirayami ist so etwas wie ein analoges Fossil in einer digitalisierten Welt. Jeden Morgen noch vor Sonnenaufgang fährt er mit seinem Bully los, um die schicken öffentlichen Klos des Tokio Toilet Projects zu reinigen. Er hört klassische Rock & Roll Musik auf seinem Kassettenplayer, knipst Fotos von Bäumen mit einer einfachen Analogkamera und liest Patricia Highsmith und Aya Kōda. Er ist bei seiner Arbeit pflichtbewusst, meistens schweigsam und verkehrt immer in den gleichen Restaurants und Bars. Aufgebrochen wird sein routinierter Alltag von verschiedenen Begegnungen: Da ist zum Beispiel die Hostesse Aya, die Hirayamis lauten Kollegen Takashi datet und bei einer Fahrt mit seinem Bully in die Musik von Patti Smith verliebt. Da ist ein anonymer Toilettenbenutzer, mit dem Hirayami Fern-Tic-Tac-Toe spielt. Da ist der Obdachlose, der gerne Bäume in Park umarmt. Da ist die Bar-Besitzerin, die auf wundervolle Weise “The House of the Rising Sun” in einer japanischen Variante singt. Und da ist Niko, Hirayamis junge - lange nicht gesehene - Nichte, die plötzlich unerwartet vor seiner Tür steht. Hirayamis Alltag ist einfach, ohne große Dramen, ohne große Abwechslung. Und doch erlebt er in den Wochen, von denen Wim Wenders' Film aus dem Jahr 2023 erzählt, die titelgebenden Perfect Days. Johannes, als ausgesprochener Fan von Heldengeschichten, Konflikten und Charakterentwicklungen… war dir das zu wenig?

Inspired by feminist anthem, Beacon Rising marches on Lisa Andretta loves singing in the car but never figured she could be a real vocalist. After joining the Beacon Rising Choir, she found her voice. "When I went to my first rehearsal, I instantly fell in love," she says. "I had no idea something like this existed." The chorus, which started in 2017 with 13 members, now has 70, says founder Gina Samardge. Its next concert is May 18 at Beacon High School. Beacon Rising is a "resistance choir," Samardge says, open to women and nonbinary singers. A feminist anthem from the 2017 women's march in Washington, D.C., "Quiet," by Milck, inspired the choir's formation. The song includes the lyric, "I can't keep quiet for anyone anymore. … Let it out now." Cellphone videos of flash mobs performing to the song went viral and Samardge responded. "I needed to sing it with other women," she says. Her activist roots are reflected in the choir's repertoire, with songs that preach love, acceptance and a fight-the-power attitude such as "The Hymn of Acxiom," by Vienna Teng; "Refugee," by Moira Smiley; "On Children," by Ysaye Barnwell (with lyrics by Khalil Gibran); and "People Have the Power," by Patti Smith. "The 2016 election spawned a lot of choirs," Samardge says. "Singers always tell me that this is a healing force in their lives." A trained music educator and curious musician who lights up when speaking about playing clawhammer banjo, Samardge conducts the choir and arranges some songs. She came to Beacon in 2010 after getting priced out of Brooklyn. "I grew up in a small town in Ohio [Marion] and there is such a stronger community feeling here," she says. Samardge and her husband, musician Andy Reinhardt, who assembles the band that accompanies the choir, are childless by choice. Yet she's touched the lives of many youngsters in Beacon and beyond through Compass Arts, a grassroots organization she founded that runs programs in the schools and from the First Presbyterian Church on Liberty Street. Compass Arts initially rented a 1,000-square-foot space at Beacon Music Factory, then expanded to the church's Fellowship Hall, which features a stage, kitchen and new flooring installed by the nonprofit. In 2023, when the Beacon City School District called with an arts emergency - the middle school drama club had no teacher - she arranged for three visiting artists to structure a 10-week afterschool program teaching dance and choreography, improv and theater games and a glee club-style singing and movement class. "I remember being 18 years old and saying to my mother, 'I only want grandchildren,' and she said, 'Well, that's not how it works,'" Samardge says. "But I was at an event and some teenagers waved to me, and it turned out that they had attended a bunch of [Compass Arts] programs. I realized that somehow, someway, I got my wish. These kids are my temporary grandchildren." Beacon High School is located at 101 Matteawan Road. Tickets to the May 18 concert start at $20 ($10 seniors, teens; $5 ages 6-12; free ages 5 and younger); see compassarts.org/beacon-rising. The doors open at 1 p.m. for a free event with community organizations, a raffle and bake sale, followed by the concert at 2 p.m.

Joy and Tove share their insights on sustainable Japan issues, news, updates for April 2025

Feuilleton "Y'a du Rimbaud dans l'air" de Stéphanie Van Vyve : Rimbaud, sur un air de Patti Smith, et aussi de Bob Dylan, Jim Morrison... La fascination qu'a eue Rimbaud sur les artistes est impressionnante, en particulier sa Saison en enfer. Illuminée par ses Illuminations, Patti Smith a même traversé l'Atlantique pour marcher dans ses pas et retrouver la ville natale de son poète fétiche, Charleville-Mézière. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Call the reservationist, we're popping champagne with downtown restaurateur Keith McNally and his spankin' new memoir "I Regret Almost Everything." From his homosexual relationship with British playwright Alan Bennett to hitchhiking across Turkey, suic*de, medical crises, class anxieties, retro revanchist Americana aesthetics, sex with unnamed celebrities, zinc bars, and of course, Patti Smith being a bitch—it doesn't get any more NEW YORK than this. Stay tuned for Part 2 next Wednesday! To hear part 2—subscribe at http://patreon.com/cbcthepodSupport the show: https://www.patreon.com/cbcthepodSee omnystudio.com/listener for privacy information.

Hablamos de la canción «Redondo Beach» de Patti Smith, con Toni Castarnado (periodista musical, escritor y editor) como invitado. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos comentado en el pódcast. Escucha el comentario completo del disco 'Horses' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/6TcBSRmERZNtnP2bEWIv2b?si=BwzI9V5WTqSrIARkV1QU3Q IVOOX: https://go.ivoox.com/rf/126037687 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/1-4-horses-de-patti-smith-con-toni-castarnado/id1672847595?i=1000649528430 WEB: https://marcaliana.com/patti-smith-horses-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

Founder & CFO, Delicate ProductionsChris “Smoother” Smyth is the founder and CFO of Delicate Productions, with over 45 years in live event production. His career began in the early '70s with a spontaneous leap onto a U.S. tour, eventually working with artists like Genesis, Leo Sayer, Patti Smith, and Kiss. A pivotal tour with Supertramp led to the founding of Delicate in 1980, whose first show was The Clash at the Santa Monica Civic.Smoother has since supported acts like Dire Straits, INXS, Tool, and Yanni, and built long-lasting relationships across the industry. Known for his calm leadership and commitment to learning by doing, he remains a respected figure in the field. “I still don't consider this a real job,” he says—just a passion that became a legacy.This Episode is brought to you by Elation and Main Light

First issues are hard. Last issues are hard. Second-to-last issues are hard. Maybe...all issues are hard? Book Club is back in session with creators Rick Quinn and Dave Chisholm, discussing Spectrum #5, the penultimate issue in their brilliant Mad Cave Studios series. With the end just around the corner (the final issue arrives in shops on May 21st, as does our final Book Club episode with Quinn and Chisholm, so mark your calendars), Spectrum #5 must elevate and explode a bunch of grandiose ideas about art that the comic has so far been teasing or suggesting. Spectrum #5 is a BIG comic following two central characters while traversing multiple timelines and encountering alternate-dimension stand-ins for iconic cultural figures and places from our world. Quinn and Chisholm might not say it, but we will: PBGBs is CBGBs, and Gloria Bell is Patti Smith. Half the pleasure of reading Spectrum is tracking their sci-fi alternatives of real-world legends, which recalls similar joys had when devouring Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen. However, as Spectrum #5 ramps toward its fiery conclusion next month, the fervor with which Quinn and Chisholm explore vital artistry is the ultimate appeal. Why do humans sing? Why do they paint? Why do they tell stories to one another? During a moment when artistic expression is recklessly dismissed or downright eradicated, Spectrum #5 shows its readers how they're constantly engaged with creative expression and why only the most vile and pathetic people are detached from it. Last month's Spectrum Book Club was extremely process-heavy in its conversation. Now, for the penultimate issue, it's time to dig into the thematic weeds, have a serious chat about human connection, and worry not about labels of pretension. We're all friends here. Spectrum 1 - 5 are currently available from Mad Cave Studios, and the final issue will arrive in shops on April 21st. Make sure you're following Dave Chisholm on his Website, TikTok, Instagram, and Bluesky. And follow Rick Quinn on his Website, Bluesky, and Instagram. This Week's Sponsor We're sponsored by 2000 AD, the greatest comic you're not reading! Within its pages is a whole universe of characters, from Judge Dredd and Strontium Dog to Rogue Trooper, Shakara, Halo Jones, and the poor sods slogging across the Cursed Earth in The Helltrekkers. Get a print subscription at your door every week - and the first issue is free! Or subscribe digitally, get free back issues, and download DRM-free copies of each issue for just $9 a month. That's 128 pages of incredible monthly comics for less than $10. Other Relevant Links to This Week's Episode: Spectrum Book Club Part One Spectrum Book Club Part Two Spectrum Book Club Part Three Spectrum Book Club Part Four Four Color Fantasies Charity Sketch Cover Auction Patreon Exclusive: Saga of the Swamp Thing Book Club Support Your Local Comic Shop Free Patreon Series Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

There's a very exciting gig coming up in Wellington next week. Atomic 2.0 will see an all-women group of Kiwi music stars performing the hits of some of history's greatest female artists, including Blondie, Eurythmics, Pretenders, Patti Smith, Garbage, Alanis Morissette, Hole, Joan Jett and more. Atomic 2.0 is made up of Vera Allen, Julia Deans, Diane Swann and Boh Runga - all acclaimed Kiwi artists in their own right. Runga, the lead singer of Stellar, joined Nick Mills to discuss the concert. LISTEN ABOVESee omnystudio.com/listener for privacy information.

This week, we received our annual audit visit from corporate! That's right, The Chairman not only graced us with his presence, but he demanded we deliver to you this episode: “Grave Mistake: BÖC Shoulda Been Huge!!!”. One could argue that selling 24M albums would negate “Shoulda Been Huge” treatment. However, when most folks can only name 3 songs by this band, and one of them is due to an SNL skit, we think they fit the bill.This episode is rooted in our Should Have Been category; however, there is a strong case to be made that they've been largely forgotten as innovators and architects of what we know as heavy metal. We think they should be remembered as titans of hard rock and metal! Hope ya dig!Songs this week include:Blue Öyster Cult - “Transmaniacon MC” from Blue Öyster Cult(1972)Blue Öyster Cult - “The Red & The Black” from Tyranny And Mutation (1973)Blue Öyster Cult - “Flaming Telepaths” from Secret Treaties (1974)Blue Öyster Cult - “Tenderloin” from Agents Of Fortune (1976)Blue Öyster Cult - “R.U. Ready 2 Rock” from Spectres (1977)Blue Öyster Cult - “The Vigil” from Mirrors (1979)Blue Öyster Cult - “Monsters” from Cultosaurus Erectus (1980)Blue Öyster Cult - “Joan Crawford” from Fire Of Unknown Origin (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

"We skipped the light fandango, turned cartwheels 'cross the floorI was feeling kind of seasick, but the crowd called out for moreThe room was humming harder, as the ceiling flew awayWhen we called out for another drinkThe waiter brought a tray"Join me on this Holiday weekend as we skip the light fandango accompanied by 2 hours of great tuneage. Joining us are The Blue Dolphins, Love, Urge Overkill, Miles Davis, Yes, Patti Smith, Pat Metheny, Crosby Stills & Nash, Carole King, Leon Russell, John Coltrane, Van Morrison, The Blues Project, Art Garfunkel, Jefferson Airplane, The Smiths, XTC, Blind Faith, Tears For Fears, Joni Mitchell, Kenny Rankin, The Shangri-Las, Beatles, Tommy James & The Shondells, The Doors, Moody Blues and Procol Harum.

Listen to an interview with Todd Rundgren, a pioneering musician, songwriter, and producer known for his eclectic style and innovative approach to technology in music. Rising to fame in the late 1960s with the band Nazz, Rundgren gained widespread acclaim with his 1972 solo album Something/Anything? which included the hit singles “Hello It's Me” and “I Saw the Light.” Rundgren is also a sought-after producer, working on landmark albums by the New York Dolls, Hall & Oates, XTC, Meatloaf, The Psychedelic Furs, and Patti Smith.  Rundgren has charted multiple Billboard hits and earned widespread critical acclaim. In 2021, he was inducted into the Rock and Roll Hall of Fame. Rundgren's genre-defying work spans rock, pop, soul, and experimental electronic music. He's been recognized as a visionary for his early adoption of music videos and interactive media. But his latest project looks into the past. Todd Rundgren will be performing music from the late songwriter Burt Bacharach in Indianapolis on April 18, as part of What The World Needs Now: The Burt Bacharach Songbook Live tour. Also hear an interview with Nnenna Freelon, a prolific jazz vocalist, whose career spans over three decades. She'll be performing at the Jazz Kitchen on April 18th. Freelon issued her debut LP on Columbia Records in 1992, marking the start of an accomplished recordings career. Freelon's music has attracted significant recognition, including seven Grammy nominations, and she's collaborated with numerous jazz luminaries, including Ray Charles, Ellis Marsalis, Kenny Baron, Pat Metheny, Christian McBride Al Jarreau, and Herbie Hancock. Hear music from Freelon's latest album, titled Beneath the Skin.

durée : 00:10:34 - Les Nuits de France Culture - par : Antoine Dhulster - En 1995, Sylvain Alzial reçoit le poète Michel Bulteau à l'occasion d'une série de cinq épisodes qui lui est consacrée sur France Culture. Dans ce troisième volet, le poète évoque les foules indomptées du rock'n'roll, ainsi que les personnalités emblématiques de John Lennon et Patti Smith. - réalisation : Jeanne Cherequefosse - invités : Michel Bulteau Poète et éditeur français

Nuggets curator Lenny Kaye joins Brown Acid creators Lance Barresi and Daniel Hall to celebrate their 20th volume of rescuing forgotten proto-metal singles from the early 70s, discuss rare vinyl discoveries, and preserving music that would otherwise be lost to time. Topics Include: Introduction of Lance Barresi, Daniel Hall, and Lenny Kaye. Lenny explains discovering Brown Acid at Other Music in Manhattan. Lenny compares Brown Acid's impact to how Nuggets defined garage rock. Discussion of what makes Brown Acid unique in music archaeology. How Jac Holzman gave Lenny the original idea for Nuggets. Daniel and Lance never expected Brown Acid to reach 20 volumes. Track-by-track discussion of Brown Acid Volume 20 begins. AfterFlash's "Cookbook" was originally a B-side. 500 copies was typical minimum pressing quantity in the early 70s. Lenny mentions pressing 1500 copies of Patti Smith's first single. Most Brown Acid records didn't come with picture sleeves. Discussion of Polvo, the first Mexican band on Brown Acid. Other international acts include bands from Australia, Sweden, UK, Canada. Three primary regions for Brown Acid music: Youngstown, Detroit, Texas. Osage Lute from Missouri is Lance's hometown connection. Osage Lute drummer Mike Lusher preserved extensive band history materials. Frozen Sun's "Jamm Pt 1" was from original master tape. Some records are so rare they have no Discogs sales history. Many original artists don't remember details about their recordings. Lenny mentions difficulty finding information when creating original Nuggets. The Banana Bros record isn't even listed on Discogs. Surprising connection: Banana Bros member was father of Permanent Records performer. Many Brown Acid discoveries happen through impossible coincidences. A horror movie soundtrack led to discovering one Brown Acid track. B-sides often better fit the Brown Acid aesthetic than A-sides. Lance must track down artists for proper licensing for each song. Some negotiations take years to complete. Nick Townsend credited for consistent audio mastering across compilations. RTI pressing plant provides consistent quality for Brown Acid vinyl. Paul Major writes the colourful track descriptions for Brown Acid. Lenny wrote the foreword for Brown Acid Volume 20's deluxe edition. Brown Acid 20th anniversary release party happening at Permanent Records Roadhouse. DJ Mr. Dibs creating special Brown Acid mixtape to celebrate milestone. Brown Acid preserves songs that would be lost without the project. The team has enough material licensed for many future volumes. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

W najnowszej Miesiączce: Mochnaczewska o serialu Dojrzewanie okiem psychologa; Makselon o ripostach ministra Sikorskiego i języku dyplomacji; Fiolka o show Meghan Markle, ups, księżnej Sussex; Sulej o modzie sportowej i Kasia o korzyściach płynących z podróży. Poza tym: co obejrzeć, co przeczytać, nową książka Patti Smith, koń robot, genialna olimpijka z Polski, dokument o Lizie Minnelli, Hania Rani napisała muzykę do filmu Joachima Triera, który jedzie do Cannes i wiele innych super smakowitych rzeczy specjalnie na Święta! Ten podcast powstaje dzięki Patronite https://patronite.pl/karolinakp   0:00:00 Intro 0:02:37 Wybory   0:05:20 Felieton Macieja Makselona 0:10:17 Newsy i newsiki 0:38: 18 Comiesięczna księgarnia 0:46:43 Felieton Anny Mochnaczewskiej 1:08:50 W kinie i na kanapie 1:19:58 Dział mody 1:04:26  Felieton Agaty Herbut 1:09:48 Dział mody 1:26:18 Felieton Karoliny Sulej 1:39:41 Muzealny rozkład jazdy 1:43:54 Felieton Fiolki Najdenowicz 1:51:21 Felieton Katarzyny Kasi 1:56:50 Outro

The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse's walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse's mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

These days, large-scale high-production music festivals take over major cities and regularly attract crowds of every genre — including the current version of Lollapalooza that draws a casual 400,000 people to its resident Chicago stomping grounds. But kick it back a few decades and this kind of maximalist mega-show wasn't quite the norm it is now, especially for musical tastes outside of the mainstream. In their second collaborative book, Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, music journalists Richard Bienstock and Tom Beaujour flash back to when the Lollapalooza we know now was a new tour concept bringing 1990s alternative artists and ideas center stage. Lollapalooza first transports readers back to the festival's origins – a 20+ city summer sprawl highlighting alternative music, art, and counterculture, conceived by Perry Farrell as a farewell tour for his band Jane's Addiction. From 1991-1997, this breakthrough tour shifted the scope of live music experiences and helped forge a new path for the decade's subcultures to reach the masses and the media. Bienstock and Beaujour have compiled hundreds of new interviews to dig into the dirt of how the historic festival came into being at every level – from headlining artists and record label execs to tour organizers and promoters to freakshow performers, stage crews, and roadies. Lollapalooza is packed with gritty details of an era of shows that defied genres and drew crowds across style lines. Music, art, and politics drawing from alt-rock, goth, industrial, metal, punk, hip-hop, EDM, and avant-garde explorations – all coming together under one big tent. Featuring original interviews with iconic artists like Green Day, Patti Smith, Rage Against the Machine, Ice-T, Pearl Jam, Sonic Youth, Soundgarden, Nine Inch Nails, Jane's Addiction, Tool, Smashing Pumpkins, Alice in Chains, Metallica, and many more, this collection amplifies voices that helped shape generations of contemporary thinkers, creative activists, and live music audiences. Journeying through 90s nostalgia, uncensored first-hand accounts, and the long-term reverberations of a groundbreaking tour, Bienstock and Beaujour document a high-impact chapter of modern American music. A VIP pass to the action onstage and backstage, on the road and behind the scenes – Lollapalooza details the cultural shift of the alternative rock revolution and the echoes still heard through concert crowds today. Richard Bienstock is a journalist, musician, and author whose work has been featured in the New York Times, The Wall Street Journal, Rolling Stone, Billboard, and Spin. He is the executive editor of Guitar Aficionado magazine and former senior editor of Guitar World and has authored and co-authored books including Kurt Cobain: Montage of Heck and Slash: An Intimate Portrait.  Tom Beaujour is a journalist, music producer, and engineer who has been featured in television shows like Orange is the New Black, A Handmaid's Tale, and Criminal Minds. He is a co-founder and former editor-in-chief of Revolver and has contributed to Rolling Stone, the New York Times, Blender, and Billboard. He is the co-author of Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion, alongside Richard Bienstock. Mike Squires is a Seattle-based touring musician and the host of Couch Riffs Podcast since 2019. His touring and recording credits include Duff McKagan, Peter Hook, Ugly Kid Joe, Harvey Danger, and The Long Winters.   Buy the Book Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival Third Place Books

Send us a message, so we know what you're thinking!Why do you like the music you do?  Is it as simple as “It's what I heard on the radio”? Or something deeper? People with elder siblings may be exposed to music earlier than first children.   Jeff had an older brother, so was exposed earlier to cool music - Beatles, Janis, Hendrix, and so on.  Mick was the eldest in his family and had to find his own taste. (No surprise considering what he listens to!) Were you bullied as a child?  Influence!  Did you share music with your friends?  Influence!  Did you have access to a good radio station?  Or print media?  Influence!! We talk about our early influences – musical & otherwise – and look at how they played a role in what we listen to today.    In Rock News, Ringo has released a country album, and Toto is touring.  Oh well, shouldn't take them long to play their 3 hits. You know Jeff's obsessed with AI, so he asked three AI brands to nominate the greatest albums of 1971.  Not much variation, really.  One day, we may ask them to understand quality, rather than sales figures, and see what they give us.    Our Album You Must Listen to Before you Die is “Blue” by Joni Mitchell - an top grade album that deserves to be here.  Mick references Atlantic Records' sampler called “Very Together” which featured “Carey” from this album, and pointed out a link between Joni Mitchell and Scottish hard rock band, Nazareth. How did YOUR tastes develop?  Drop us a line & let us know. Enjoy! References:  RAM Magazine, Rock Australia Magazine, Countdown, Molly Meldrum, 2DoubleJay, The Magus/Holger Brockman, Chris Winter, Mac Cocker, “Never Mind the Bollocks”, The Sex Pistols, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie, “Five Years”, “Room to Move”, Chris Winter, “Starman”, “Rock'n'roll Suicide”, Birdland, Weather Report, Joe Zawinul, Brian Eno, “Another Green World”, “Zawinul Lava”, “Rock'n'Roll Animal”, Lou Reed, Steve Hunter, “Sweet Jane”, “Heroin”, “Rock'n'Roll”, Berlin, Alice Cooper, Velvet Underground, Peter Gabriel, “Car”, “Stranded”, Roxy Music, Bryan Ferry, “Song for Europe”, “Street Life”, “Psalm”, Sisters of Mercy, XTC, Nico, REM, Television, Patti Smith, “Sgt Pepper's Lonely Heart Club Band”, The Beatles, "Within You Without You”, “Tomorrow Never Knows”, Bob Dylan's Greatest Hits, Like a Rolling Stone”, Revolver, Bridge Over Troubled Water, Simon and Garfunkel, Pearl, Janis Joplin, Tapestry, Carole King, Slade Alive, Hot August Nigh”, “Goodbye Yellow Brick Road”, “Dark Side of the Moon”, “Led Zeppelin IV”, “Silk Degrees”, Box Scaggs, “Journey to the Centre of the Earth”, Rick Wakeman, “Woodstock”, “Monterey Pop”, “The Song Remains the Same”, “The Last Waltz”, The Guitar Spa, Redeye Records, John Foy, bootleg records, “His Master's Voice”, “Sheetkeeckers”, Australian electronica/dance music store, Hipgnosis, Pink Floyd, Peter Gabriel, Regurgitator, “I like your old stuff better than your new stuff", DeepSeek, ChatGPT, Google Gemini, Blue, Joni Mitchell, Henry Lewy, “Very Together”, “This Flight Tonight”, Nazareth  Episode Playlist  The first song played by 2DoubleJay - “You Just Like Me ‘Cos I'm Good in Bed” 

It's another historical outing for the show, with the first political figure to ever host the show: Ron Nessen, Press Secretary for Gerald Ford! What better way for Ford to gain some momentum in the upcoming election against Jimmy Carter then make it seem like he's in on all the fun going on down at SNL? Just have Ron host the show, Ford can make a few pre-taped appearances, everything will be fine! Except it wasn't. Arriving late in the week, Ron didn't quite realize that the show had quietly written it's raunchiest outing to date, but with no time to do anything about it, well...the show must go on. In the end, Ron and Ford were made to look quite the fools indeed. But what about the show? Well, it lands an early classic (Super Bass-O-Matic), exposes America to some early punk with Patti Smith and keeps it's counter-culture image intact by making a fool of the president. Not bad for a show that was still trying to figure out just what the hell it was.

Alyssa Oursler (author, musician, photographer & music journalist) joins host Grant Glad on this weeks episode to talk about what it's like to write a novel and have to live in that world, how she is influenced by Patti Smith, and anything else that pops in our heads. This episode brought to you by Car Concierge, Willow Wood Insurance Agency, Petrichor Sound and Pulse Barre & Fitness.

In this episode of the Kate Bush Fan Podcast, Seán introduces Darrell's chat with Pat Martin, bass guitarist with British band Unicorn. Because of his close association with Dave Gilmour of Pink Floyd, he was asked to play for the young Cathy Bush's first ever recording at the age of fifteen in 1973. Pat can be heard on ‘Passing Through Air' from this session which was released as a B-side to ‘Army Dreamers' in 1980. The late, Ricky Hopper is also discussed. It was through him that Kate's music was heard in the first place, championing her relentlessly. We get to hear how Pat was invited to this session at Gilmour's house, and his fond remembrances of the young and shy Cathy. He knew there was something very special and that here was an artist, sure and confident about her craft. We also get to hear wonderful stories about Pat's involvement with Unicorn, and the amazing artists they worked with, including Patti Smith, Fleetwood Mac and Linda Rondstadt among many otters. Unicorn's song 'Ooh Mother' was recently played in the USA TV drama ‘Paradise'. It has resulted in the song being streamed 115k times on Spotify. It's worth a listen.

In LOLLAPALOOZA: The Uncensored Story of Alternative Rock's Wildest Festival (St. Martin's Press; March 25, 2025; $32.00 Hardcover) New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, LOLLAPALOOZA chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise - as well as the reverberations that led to a massive shift in the music industry and the culture at large. LOLLAPALOOZA features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today - cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

TVC 683.1: Ed welcomes back David Arnoff, one of the best music photographers of his generation. David's book Shot in the Dark is a collection of photos featuring Patti Smith, The Clash, Devo, Blondie, Lydia Lunch, The Cramps, The Ramones, David Johanson, Misfits, Nick Cave, Siouxsee and the Banshees, Joan Jett, Elvis Costello, and other music artists—all taken circa 1976 to 1985, and nearly of all which capture these performers in seminal moments in their careers. Shot in the Dark is available at DavidArnoff.com. Topics this segment include how the Beatles and other British bands helped shape the music scene of the 1960s, and how shows like Shindig and Hullabaloo helped influence David's decision to become a photographer.

On April 12, 2007, I had two phone calls with Patti Smith for a print piece about both her then-new album, Twelve, which features her interpretations of songs by other artists, and her life and work. We were originally only meant to speak once but, after a publicist cut us off after 25 minutes, Patti told me she found my questions thoughtful, asked for my phone number, and promised to call me later that night to talk further, after she was done the press junket she was on. Roughly four hours later, she called me back and we spoke for another 35 minutes. I still marvel at this kindness and respect she displayed to me, a young, green journalist she felt some connection with. We were both ailing with a stubborn, recurring cough and cold that day, which we commiserated over, but we also talked about Jimi Hendrix and Bob Dylan, how Donald Trump and other real estate developers were ruining New York City, Robert Mapplethorpe's role in her work, gravitating to male musicians, losing her husband Fred “Sonic” Smith and balancing work and raising a family, what the future held, and more.To To hear this entire 60 minute conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Related episodes/links:Ep. #900: Fugazi and Jem CohenEp. #739: Isla CraigEp. #455: FIDLAREp. #314: SaltlandEp. #264: Choir! Choir! Choir!Ep. #234: Michelle McAdoreyEp. #220: EsmerineEp. #131: Ronnie SpectorSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

"Laughing on the busPlaying games with the facesShe said the man in the gabardine suitWas a spy, I said, "Be carefulHis bow tie is really a camera"Counting the cars on the New Jersey TurnpikeThey've all come To look for America"It's here, please join me this afternoon as we reveal it's existence through a wondrous thing we call music. Joining us on are journey are Red Hot Chili Peppers, Lou Reed, Radiohead. U2, The Hollies, Beatles, Byrds, Los Bravos, RE.M. Velvet Underground, Bob James, Steely Dan, Tom Petty & The Heartbreakers, Harry Chapin, Pat Metheny, The Wallflowers, The Mark-Almond Band, Patti Smith, The Grass Roots, Mamas & Papas and Simon & Garfunkel...

Send us a message, so we know what you're thinking!This episode, we look back at two hugely influential women artists – Patti Smith, whose 1975 “Horses” album inspired so many artists, and Marianne Faithfull, whose passing in January, 2025, is a huge loss.  “Horses”, with its confrontational approach - “Jesus died for somebody's sins, but not mine” - changed the landscape of rock music for the next few decades.  Produced by John Cale, of Velvet Underground fame, the album opened the door for so many women, including Blondie and so many English punk and new wave bands.  We talk about why we like this album, its influential impact, and how Patti Smith developed over later years. Marianne Faithfull has long been one of our favourites, and we talked about “Broken English” in Season 3. (If you haven't heard that episode, here's the link.) Tributes have come from every corner of the industry, all saying one thing – Marianne was inspirational to everyone she worked with, from The Rolling Stones to Metallica to Nick Cave and Warren Ellis. Banging our own drum for a moment, we've just been named as one of the top Australian Music Podcasts by monitoring service, Feedspot, which compiles the most comprehensive list of Australian Music Podcasts on the web. Great subjects.  Great episode.  Enjoy.  References:  Marianne Faithfull, Patti Smith, Andrew Loog Oldham, Sister Morphine, Girl on a Motorcycle, Samuel Beckett, homelessness, Hipgnosis, Storm Thorgerson, Mick Jagger, Keith Richards, “The Memory Remains”, Metallica, Lars Ulrich, Warren Ellis, She Walks in Beauty, Graham Coxon, Blur, TOTO, “Africa”, “Hold The Line”, "Rosanna”, Robert Dimery, 1001 Albums You Must Listen to Before You Die,  Jim Morrison, oil shortage – 70's, Robert Mapplethorpe, Allen Lanier, Blue Öyster Cult, Tom Verlaine, Television, "Break It Up",  John Cale, “Gloria”, Van Morrison, “Marquee Moon”, “Land (Horses)”, “Radio Ethiopia”, “Wave”, “Easter”, “Because the Night”, Siouxsie Sioux, Siouxsie & The Banshees, R.E.M.,  Michael Stipe, Peter Buck, Morrissey, Johnny Marr,  Courtney Love, Hole, PJ Harvey Episode playlistHorsesBroken EnglishMarianne Faithfull - Series 3, Episode 14

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Goodbye Earl by Me First & the Gimme Gimmes (2006)Song 1: Mama Said Knock You Out by LL Cool J (1990)Song 2: On the Road Again by Canned Heat (1968)Song 3: Dark Red by Steve Lacy (2017)Song 4: How Much is That Doggie in the Window by Patti Page (1953)Song 5: Fireworks by Animal Collective (2007)Song 6: Still Frame by Trapt (2002)Song 7: Because the Night by Patti Smith (1978)Song 8: 9Mm Goes Bang by Boogie Down Productions (1987)Song 9: Ladyfingers by Herb Alpert (1965)Song 10: Peanut Butter Jelly Time by Buckwheat Boyz (2004)

What's the best way to fight evil? Laugh at fascist idiots and keep hunting Nazis, with your camera and the power of your voice.    This week, we're honored to welcome legend Sandi Bachom, an award-winning documentary filmmaker of such powerful films as Telling Jokes in Auschwitz and a Getty Images contributor whose work has appeared in acclaimed films like Laura Poitras's All The Beauty and All The Bloodshed, Danny's Strong's Dopesick, and Alex Gibney's Crime of the Century. But Sandi isn't just behind the camera—she's on the frontlines, documenting Nazis, like Trump's MAGA rallies, and the Charlottesville tiki torch march where Heather Heyer was murdered. Sandi was also at the Capitol on January 6th, capturing Trump's violent coup attempt in real time, footage used by the January 6 committee in Congress.  Stay loud. Stay brave. And as always—get ungaslit.    Join the Resistance Gaslit Nation Book Club: This Monday, March 31st at 4 PM ET, we're discussing From Dictatorship to Democracy by Gene Sharp—the handbook that inspired revolutions from Ukraine to the Arab Spring. Grab your copy in the show notes and join us!  Share Your Story: History is unfolding now—and we need your eyewitness accounts. Take our Reject Hypernormalization Survey (linked in the show notes) to combat gaslighting and preserve the truth.   This week's episode is sponsored by Factor: Eat smart with Factor. Get started at FACTOR MEALS.com/gaslit50off to get 50% off your first box plus free shipping.    Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, ad-free episodes, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit!   Show Notes:   Take Gaslit Nation's Reject Hypernormalization Survey https://www.gaslitnationpod.com/survey-reject-hypernormalization   Read or listen to for free: Gene Sharp's From Dictatorship to Democracy https://archive.org/details/from_dictatorship_to_democracy_1306_librivox   Patti Smith clip: https://www.youtube.com/watch?v=Wxqhg6z-t9o   Humiliation as Propaganda: Videos of Shackled Detainees Have History in El Salvador https://www.nytimes.com/2025/03/19/world/americas/deportation-videos-el-salvador.html Amid ‘DEI' purge, Pentagon removes webpage on Iwo Jima flag-raiser Pages celebrating Navajo code talkers and other minority service members were also erased. https://www.washingtonpost.com/investigations/2025/03/17/pentagon-dei-native-american-iwo-jima/     Olga Lautman unmasks the making of a Russian/Trump group chat: https://x.com/OlgaNYC1211/status/1904344536521797806   EVENTS AT GASLIT NATION: March 31 4pm ET – Gaslit Nation Book Club: From Dictatorship to Democracy: A Conceptual Framework for Liberation, which informed revolts in Ukraine, the Arab Spring, Hong Kong, and beyond NEW! April 7 4pm ET – Security Committee Presents at the Gaslit Nation Salon. Don't miss it! Indiana-based listeners launched a Signal group for others in the state to join, available on Patreon.  Florida-based listeners are going strong meeting in person. Be sure to join their Signal groupavailable on Patreon.  Have you taken Gaslit Nation's HyperNormalization Survey Yet?: https://www.gaslitnationpod.com/survey-reject-hypernormalization Gaslit Nation Salons take place Mondays 4pm ET over Zoom and the first ~40 minutes are recorded and shared on Patreon.com/Gaslit for our community  

Richtig gelesen. Auf Michelle Zauners viertem Album «For Melancholy Brunettes (& sad women)» singt doch tatsächlich Schauspieler Jeff Bridges («The Big Lebowski») mit. Tiefe Reibeisen-Stimme trifft auf zarten Indie-Pop. Passt das? +++ PLAYLIST +++ · 22:54 – TREAT MODE von AVALON EMERSON · 22:49 – HUMAN NATURE von DESIRE · 22:45 – DIGITAL LOVE von DAFT PUNK · 22:40 – TARDIS von GREENTEA PENG · 22:34 – NOWHERE MAN von GREENTEA PENG · 22:31 – FAMILY AFFAIR von SLY & THE FAMILY STONE · 22:28 – WOES OF THE WORLD von SABA & NO I.D. · 22:23 – CRASH von SABA & NO I.D. FEAT. RAPHAEL SAADIQ & KELLY ROWLAND · 22:19 – I LOVE YOU von KT GORIQUE & RIGA · 22:13 – SINGULIER von KT GORIQUE · 22:10 – MERLOT & GRIGIO von YAYA BEY FEAT. FATHER PHILIS · 21:55 – BRUISED LUNG von SUPERCHUNK FEAT. ROSALI · 21:51 – RUNNING/PLANNING von CMAT · 21:46 – DOWN ON THE FREEWAY von LAEL NEALE · 21:41 – AGE OF CONSENT von NEW ORDER · 21:37 – CLEAN HEART von PERFUME GENIUS · 21:33 – QUEEN von PERFUME GENIUS · 21:30 – REDONDO BEACH von PATTI SMITH · 21:23 – VILLAIN von ANNAHSTASIA · 21:21 – IF NOT NOW, IT'S SOON von SELF ESTEEM · 21:15 – I DO THIS ALL THE TIME von SELF ESTEEM · 21:12 – STAY von SEA LEMON · 21:08 – GHOSTS & ALIENS von CLAIRE MY FLAIR · 21:05 – APPEAR DISAPPEAR von THE YOUNG GODS · 20:56 – FLIGHT SIMULATOR von PRUNE CARMEN DIAZ · 20:53 – LEMME KNOW von MY MORNING JACKET · 20:48 – BEGINNING FROM THE ENDING von MY MORNING JACKET · 20:41 – MAHGEETAH von MY MORNING JACKET · 20:37 – COUNTRY HOUSE von BLUR · 20:33 – MEN IN BARS von JAPANESE BREAKFAST FEAT. JEFF BRIDGES · 20:30 – PICTURE WINDOW von JAPANESE BREAKFAST · 20:25 – HONEY WATER von JAPANESE BREAKFAST · 20:22 – MEGA CIRCUIT von JAPANESE BREAKFAST · 20:18 – BE SWEET von JAPANESE BREAKFAST · 20:15 – MY LOVE MINE ALL MINE von MITSKI · 20:11 – THIS BOY IS TOCOTRONIC von TOCOTRONIC · 20:07 – ELECTRIC GUITAR von TOCOTRONIC

People Have the Power: A Celebration of Patti Smith is taking over Carnegie Hall on Wednesday, March 26, 2025. Luminaries including Bruce Springsteen, Michael Stipe, Courtney Barnett, Sharon Van Etten, Ben Harper, Kim Gordon, Flea, The National's Matt Berninger, Susanna Hoffs, Chrissie Hynde, and many others are participating in the festivities. https://musicof.org/ And, damn, if this epic event didn't make us think about our VIDEO with Amy Brenneman telling her story of a very awkward encounter while trying to snap a selfie with Patti in front of a live audience at Stephen Stills' Autism Speaks event. Word to the wise...don't do it! WATCH HERE: https://youtube.com/shorts/DwbYjiVEg68 Plus, in this episode Amy recounts being the first person ever to take off their clothes on network TV; offbeat moments with legends Robert De Niro, Al Pacino, Jeff Bridges, John Lithgow, Joel Grey, and Sylvester Stallone; and, in all seriousness, what it means to be a good man in show business (and anywhere else). Amy IG: @amybrenneman Amy webs: theamybrenneman.com --- ***http://distrokid.com/vip/tmep*** Too Much Effing Perspective is proud to be sponsored by DISTROKID - the best way for Musicians, Songwriters, Producers, DJs to get their original music into Spotify, Apple, TikTok, and all the major platforms. Get the VIP treatment that you and your music deserve AND get 30% OFF your first year subscription to DISTROKID at this special link. ***http://distrokid.com/vip/tmep*** --- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

In LOLLAPALOOZA: The Uncensored Story of Alternative Rock's Wildest Festival (St. Martin's Press; March 25, 2025; $32.00 Hardcover) New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, LOLLAPALOOZA chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise - as well as the reverberations that led to a massive shift in the music industry and the culture at large. LOLLAPALOOZA features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today - cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife's head…and pulled the trigger. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In his memoir Sonic Life (Faber), Thurston Moore recounts a life that has been defined by music. Following a childhood rock 'n' roll epiphany in the early 1960s, his infatuation with the subversive world of 1970s punk and no wave led him to move to New York City, where he immersed himself in the underground music and art scenes. In 1981 he co-founded the band Sonic Youth, who changed the sound of modern rock music in a thirty-year career of constant experimentation. Throughout the book we encounter a constellation of musicians and artists who inspired him, including The Velvet Underground, The Stooges, Patti Smith, Television, Jean-Michel Basquiat and Keith Haring.Moore talks with poet Jack Underwood (A Year in the New Life, Happiness). Hosted on Acast. See acast.com/privacy for more information.

32: She's not good at counting, but she can read! Let's recap my reading list from 2024, starting with books I loathed to books I loved. Consider this my Goodreads: https://margotlee.substack.com/p/consider-this-my-goodreadsList spoler below:16)Memory Piece by Lisa Ko15)Delicious! by Ruth Reichel14)Cleopatra and Frankenstein 13)The Guest by Emma Kline12)M Train by Patti Smith 11)Never Let Me Go by Kazuo Ishiguro 10)Lessons in Chemistry by Bonnie Garmus9)Legends and Lattes by Yravis Baldree8)The Rachel Incident by Caroline O'Donoghue7)The Art of Hearing Heartbeats by Jan-Phillipp Sendeker6)The Song of Achilles by Madeline Miller 5)All Fours by Miranda July4)The Giver by Lois Lowry3)The Marriage Portrait by Maggie O/Farrell 2)The Seven Spiritual Laws to Success by Deepak Chopra1)The Bee Sting by Paul MurrayFind me on Instagram: https://www.instagram.com/margot.lee/YouTube: https://www.youtube.com/@MargotLeeNo Particular Order Instagram: https://www.instagram.com/noparticularorder/ No Particular Order Shop: https://noparticularorder.co/

On this episode of Prisoners of Rock and Roll, we're stepping into the grimy, graffiti-smeared chaos of CBGB—the legendary Bowery dive that became punk's ground zero. A Cathedral of Misfits. Picture this: December 1973, Hilly Kristal, a former Marine, opens a bar at 315 Bowery, dreaming of country, bluegrass, and blues. Instead, the junkies and misfits of New York's underbelly gave him something else—a revolution.  CBGB wasn't just a club; it was a musical laboratory for rebels. With a simple rule that bands couldn't play covers, The Ramones hammered out three-chord blitzkriegs, Patti Smith snarled poetry into punk, Blondie strutted to stardom, and Talking Heads turned weird into gold—all while helping change rock forever. The place stank, the bathrooms were a nightmare, but the music? Pure, unpolished fire.  By the ‘80s, Sunday matinees flipped it to hardcore—bands like Bad Brains and the Beastie Boys' early thrash days tearing the roof off.  From punk's birth to its brutal evolution, CBGB launched a global DIY movement, proving you didn't need polish, just guts.  But the story ends ugly—rent wars and gentrification killed it in 2006, turning a punk mecca into a fashion boutique and an airport restaurant.  Grab your leather jacket, because we're diving into the birthplace of rebellion, the chaos inside those peeling walls, and how a little club with a country name rewrote rock's rulebook. This is CBGB, unfiltered. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Prisoners of Rock and Roll, we're stepping into the grimy, graffiti-smeared chaos of CBGB—the legendary Bowery dive that became punk's ground zero. A Cathedral of Misfits. Picture this: December 1973, Hilly Kristal, a former Marine, opens a bar at 315 Bowery, dreaming of country, bluegrass, and blues. Instead, the junkies and misfits of New York's underbelly gave him something else—a revolution.  CBGB wasn't just a club; it was a musical laboratory for rebels. With a simple rule that bands couldn't play covers, The Ramones hammered out three-chord blitzkriegs, Patti Smith snarled poetry into punk, Blondie strutted to stardom, and Talking Heads turned weird into gold—all while helping change rock forever. The place stank, the bathrooms were a nightmare, but the music? Pure, unpolished fire.  By the ‘80s, Sunday matinees flipped it to hardcore—bands like Bad Brains and the Beastie Boys' early thrash days tearing the roof off.  From punk's birth to its brutal evolution, CBGB launched a global DIY movement, proving you didn't need polish, just guts.  But the story ends ugly—rent wars and gentrification killed it in 2006, turning a punk mecca into a fashion boutique and an airport restaurant.  Grab your leather jacket, because we're diving into the birthplace of rebellion, the chaos inside those peeling walls, and how a little club with a country name rewrote rock's rulebook. This is CBGB, unfiltered. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Town and state leaders are working to improve humans' relationship with beavers to support flood resiliency. Beavers' brains are small — about the size of a walnut — but you wouldn't know it from watching them work. "They get up and go to work every single day, never take a vacation," said Skip Lisle, a wildlife biologist in Grafton. Lisle invented the Beaver Deceiver, a flow device that sneaks water away from beavers and removes the need to trap or kill them.For naturalist Patti Smith of the Bonnyvale Environmental Education Center in West Brattleboro, it's important for Vermonters to understand what happened when beavers were overhunted in the 17th, 18th, and 19th centuries. "When all of the beavers disappeared from North America — disappeared being a euphemism for 'turned into stylish hats' — eventually those dams degraded and all of those wetlands drained," she said.

The Chelsea Hotel sits at 222 West 23rd Street in Manhattan…since it was completed in 1884, the place has been a hangout for some very colourful characters…most were New York eccentrics and bohemians who needed a place to live…but it also attracted some famous people. At one point or another, it was home to sci-fi writer Arthur C. Clarke who wrote a big chunk of “2001: A Space Odyssey” in his room…later, Stanley Kubrick, the producer of the movie version of the book would stay there… Other long-term guests included photographer Robert Mapplethorpe stayed there…so did included beat writer Jack Kerouac, playwrights Tennessee Williams, Arthur Miller, and Sam Shepherd, actors Dennis Hopper, Uma Thurman, Elliott Gould, and Jane Fonda…plus, for extra colour, poets William Burroughs and Allen Ginsberg—not to mention Andy Warhol and some of his crew. The Chelsea was also a favourite haunt of musicians…Bob Dylan, Patti Smith, Leonard Cohen, Janis Joplin, Jimi Hendrix, Tom Waits, Jim Morrison, Jeff Beck, Joni Mitchell, Alice Cooper, the guys in Pink Floyd, and many, many others. But the most notorious floor was floor 1…it was designated the “junkie floor,” the place where guests with drug problems were placed so that staff could keep an eye on things… This was where ex-Sex Pistol Sid Vicious and his American girlfriend, Nancy Spungen checked in…they were given room 100. It was in that room Nancy died…it looks like she was murdered...but by whom? ...Sid was charged with killing her, but did he?. This is “Uncharted: Crime and Mayhem in the Music Industry”…and this time, it's the wild story of the death of Nancy Spungen and the questions that still remain decades later…around whether Sid Vicious actually did it. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:25:07 - Bryce Dessner, guitariste et compositeur (4/5) - par : Thomas Vergracht - Compositeur parmi les plus recherché de la scène internationale, héritier de Steve Reich et Philip Glass, Bryce Dessner est également guitariste d'un des groupes les plus en vue de la scène « indie » rock : The National. Portrait en cinq épisodes d'un musicien attachant et humble. - réalisé par : Béatrice Trichet

Join us as Lenny Kaye of Patti Smith Group and Kevn Kinney of Drivin N Cryin, join us in studio for an insightful conversation. This episode highlights their inspiring friendship between them, showcasing their mutual influence on each other's artistic journeys. • Discover the moments that bonded Kevn and Lenny in the music scene • Reflect on Patti Smith's 'Horses' and its historical significance • Explore the relationship between poetry and rock music • Hear about the spontaneity and magic of live performances • Discuss the importance of versatility in artistic expression • Understand how early experiences shaped their identities as musicians • Learn about their perspectives on musical collaboration • Delve into memories of the legendary CBGB club • Reflect on the journey of understanding and evolving through music "Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Today, the Spotlight shines On New York live music and venue impresario Michael Dorf.In addition to founding The Knitting Factory and City Winery, Michael has brought legendary artists together at Carnegie Hall for over twenty years, raising millions for music education while creating unforgettable tribute nights. He launched his first tribute show in 2004 after seeing how school music programs were vanishing.Now, he's put together what might be his most powerful lineup yet. Michael Stipe, Courtney Barnett, Chrissie Hynde, and others will perform on March 26th to celebrate the music of Patti Smith. The show will raise funds for over a dozen music education programs nationwide.–Dig DeeperVisit Michael Dorf at michaeldorf.comLearn more about People Have the Power: A Celebration of Patti Smith, happening March 26 at Carnegie Hall, at musicof.orgCity WineryIndulge Your Senses: Scaling Intimacy in a Digital World - a book by Michael DorfMichael Dorf Uncorked (email newsletter)Remembering the Original Knitting FactoryMichael Dorf and The Philosophy of IndulgenceShlomo Lipetz'Feedback Howled Every Night': Back to the Knitting Factory on East HoustonFounder Michael Dorf: How City Winery Survived the RecessionDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

You ever think about creating art for arts sake???? Meet us at the old version of the Chelsea Hotel to think about Just Kids by Patti Smith. It's a quintessential read about just making stuff and having it randomly be some of the best stuff ever made.  WE'RE BACK ON TOUR April 4: Toronto April 10: Philadelphia April 11: Washington DC  April 24: San Francisco  May 1: Chicago  May 16: London  May 18: Dublin June 14: New York  MERCH!!!!!! https://shop.celebritymemoirbookclub.biz/ If you want to host a CMBC meetup here's a meetup 101 packet to help you plan! Keep up with all the latest:  https://celebritymemoirbookclub.biz/ Join our Geneva Community to chat with the other worms!!!!  Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub  Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub  Art by @adrianne_manpearl and theme song by @ashleesimpsonross Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alpha Genesis responds to PETA… Groundhog Day prediction… Predictions from 1925 for 2025… Million-dollar reward expected… A little look at the Grammys… Little House Primevel?... Who Died Today: Allyce Ozarski 41… Patti Smith collapses on stage… Chuck Todd out at NBC… Frontier wants Spirit again… Air Traffic Controllers are needed… Dog food recall… Joke of The Day... Learn more about your ad choices. Visit megaphone.fm/adchoices