Podcast appearances and mentions of Patti Smith

The godmother of punk says she never had a choice when it came to being an artist — it was her calling from the moment she first laid eyes on a Picasso in a Philadelphia gallery. She talks about creating through loss, listening to omens and reliving her childhood, in new memoir Bread of Angels.

Florian Schroeder ist Satiriker, Kolumnist, Hörfunk- und Fernsehmoderator und Autor von Büchern wie »Unter Wahnsinnigen – Warum wir das Böse brauchen« und »Happy End - Warum Du ohne Glück glücklicher bist«.Ein Gespräch über Patti Smith, Hegel und Friedrich Merz' vergebliche Versuche gemocht zu werden, über Anti-Dogmatische Haltung, ab wann es keine Idole mehr gibt und was die Voraussetzung sind, um die Wirklichkeit zu kommentieren, über Texte von Karl Schmidt, Nick Land und Curtis Yarvin, über das Ende der Silicon Valley Ära, die Auflösung von Widersprüchen im chinesischen System und was denn jetzt wirklich “Glück” ist.Zur Folge⁠⁠Florian Schröder im NetzBuch: »Happy End - Warum Du ohne Glück glücklicher bist«⁠⁠ (signiertes Exemplar bei Dussmann)⁠⁠Podcast Homepage⁠Unterstützung

«La Metafisica è stata uno dei capitoli più controversi delle avanguardie europee: si è imposta come fondamento teorico e visivo di una parte decisiva dell'immaginario moderno: un linguaggio che apriva le porte al mistero, creava atmosfere oniriche, dava voce al silenzio»: così Renata Cristina Mazzantini, direttrice della Galleria Nazionale d'arte moderna e contemporanea di Roma, città dove giungerà – con un diverso percorso espositivo - la grande mostra Metafisica- Metafisiche, ora visibile a Palazzo Reale a Milano. Un progetto espositivo che ambisce a ricostruire grazie a una ricerca sul campo la genealogia di questa stagione artistica e delle sue molteplici diramazioni. Quella “scuola metafisica” nata a Ferrara come una rivelazione nell'ospedale psichiatrico di Villa Del Seminario nel 1917 dove De Chirico si ritrova insieme con il fratello Alberto Savinio, Carlo Carrà e Filippo de Pisis, avrà un impatto di vasta portata anche su altre regioni delle arti del XX e del XXI secolo. Dei pittori metafisici non verranno riprese soltanto le iconografie, ma anche la loro visione del mondo, che attraversa l'architettura, la fotografia, il teatro, il cinema, ma anche la moda, il design e il fumetto. Una storia eterodossa raccontata nella mostra Metafisica-Metafisiche ideata e curata da Vincenzo Trione che sarà ospite di “Voci dipinte”. Una rilettura dell'opera di Robert Mapplethorpe, incentrata sulla ricerca estetica del grande fotografo americano, è l'intenzione dell'ampia mostra in corso in queste settimane negli spazi di Palazzo Reale di Milano: oltre duecento le opere esposte, dai primi sorprendenti collage alle celebri serie dei nudi e dei fiori, dagli autoritratti ai ritratti dedicati alle sue muse, Patti Smith e Lisa Lyon. “Voci dipinte” ve la racconta in compagnia del curatore, Denis Curti.

Katharina Franck über das Ende der Rainbirds, warum Patti Smith ihre Englischlehrerin war und wie schön es ist, jetzt wieder zusammen auf der Bühne zu stehen

durée : 00:10:34 - Les Nuits de France Culture - par : Antoine Dhulster - En 1995, Sylvain Alzial reçoit le poète Michel Bulteau à l'occasion d'une série de cinq épisodes qui lui est consacrée sur France Culture. Dans ce troisième volet, le poète évoque les foules indomptées du rock'n'roll, ainsi que les personnalités emblématiques de John Lennon et Patti Smith. - réalisation : Brice Garcia - invités : Michel Bulteau Poète et éditeur français

Aquesta setmana al Males Vibracions marxem a França i Grècia amb el garatge rock, és el que té la ressaca del SAPF. No sabem si el teu telèfon és roig però segurament amb ell escoltes a Rubén, Andreu i Òscar amb les seues novetats i Agenda Vibradora. No t'oblides de brillar amb la música d'aquest llistat: Migthy Joe Castr & The Gravamen - I'm Just an Old Chunk of Coal (But I'm Gonna Be a Diamond Someday); Ant Colony - The Destruction of Pompeii; Fast Kids – Out Of States Plates; Zdan - T-shits; Ist Ist- Warning Signs; Eric Sardinas - Long Shots; El Diablo de Sanghai – Patti Smith; Free Robots - Discotheque; Los Vivos - Déjalo; Christie Laume - Rouge-rouge; Jaqueline Taïeb - 7 heures du matin; Helena Lemkovic - I’ll n’est plus; Johnny Hallyday - Les bars en croix; The Mongrelettes - Μόνο Εσó; Yesterday's Thoughts - Why can't see you; The Basements - I'm dead; The Satelliters - Lost in time.

It's New York's hellacious summer of '77. Rampant crime, a city-wide blackout and the Son of Sam murders have knocked Gotham on its ass. When Lucien Lowe, a young poet on the downtown scene, is found dead in his East Village tenement with a heroin needle in his arm, overworked cops rule it an accidental overdose. But Ike's wealthy girlfriend Julie Baroda suspects murder and urges Ike's best friend, the artist and punk rock fashion designer Finn Burdon, to investigate.Despite Finn's own issues with heroin, he shows an uncanny talent for detective work. As Julie, Finn and police detective Benny Cherin dig deeper, their investigation ultimately encompasses some of the most famous names of 1970s New York, including William S. Burroughs, Jean-Michel Basquiat, CBGB owner Hilly Kristal, Allen Ginsberg, Lou Reed, Truman Capote, Roy Cohn, Fat Tony Salerno, Holly Woodlawn, Steve Rubell, Andrew Crispo, Bella Abzug, Leonard Cohen and many others. In the process, they begin to glimpse the outlines of a violent plot to sabotage the opening night of Hilly Kristal's highly anticipated new venue, The CBGB 2nd Avenue Theater, when Patti Smith is playing and it's packed with thousands.Set during the glory days of New York's downtown music, art, literary and fashion scenes, The CBGB Conspiracy mixes fiction with a host of real events and historical figures. Behind them all looms a character just as visceral and ultimately doomed: the crumbling New York of 1977.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Un DESAFINADO lleno de solistas, un viaje musical que nos lleva de CARLOS CANO a GUITARRICADELAFUENTE, pasando por el universo tan particular de LORENA ÁLVAREZ o SOLEÁ MORENTE. Pasan por el DESAFINADO 162 también NACHO VEGAS y GUITARRICADELAFUENTE. Recibimos en el estudio del AUDITORIO PILAR BARDEM al cantautor CARLOS GRIS, que viene a presentar su EP "Mariposas". Y además es tan amable de interpretar dos de sus canciones en directo. Escucha DESAFINADO todos los jueves, de cinco a seis. En el 95.4fm y en www.espacio4fm.com Síguenos en IG: desafinado4fm

durée : 00:54:08 - Very Good Trip - par : Michka Assayas - Ce soir dans Very Good Trip, il n'y aura qu'une seule voix, et vous en devriez pas avoir trop de mal à la reconnaître... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Denis Curti"Robert Mapplethorpe. Le forme del desiderio"Palazzo Reale, Milanofino al 17 maggio 2026A Palazzo Reale di Milano, la mostra Robert Mapplethorpe. Le forme del desiderio: un'ampia selezione delle opere più iconiche, potenti, anticonformiste del fotografo statunitense, arricchita da una raccolta di scatti inediti, per offrire ai visitatori di Milano, anche durante il periodo olimpico e paralimpico, la grande opportunità di incontrare l'opera di uno tra i più originali, raffinati e controversi artisti del XX secolo. Promossa da Comune di Milano-Cultura e prodotta da Palazzo Reale e Marsilio Arte in collaborazione con la Fondazione Robert Mapplethorpe di New York, l'esposizione è inserita nell'ambito dell'Olimpiade Culturale di Milano Cortina 2026, il programma multidisciplinare, plurale e diffuso che animerà l'Italia per promuovere i valori Olimpici attraverso la cultura, il patrimonio e lo sport, in vista dei Giochi Olimpici e Paralimpici Invernali che l'Italia ospiterà rispettivamente dal 6 al 22 febbraio e dal 6 al 15 marzo 2026. Curata da Denis Curti, è allestita nelle sale di Palazzo Reale fino al 17 maggio 2026. Nato a New York nel 1946 e morto a Boston a soli 42 anni, Mapplethorpe è uno degli interpreti della controcultura tra gli anni Sessanta e Ottanta, quando la creatività si fa gesto politico e le arti si fondono in nuovi linguaggi di libertà e identità. “Tutto cambia quando l'amica regista Sandy Daley regala a Mapplethorpe una polaroid  - racconta Denis Curti curatore della mostra - e con questa tra le mani, tra il 1970 e il 1971, Robert inizia un percorso legato allo studio del suo autoritratto, concentrato sulla rappresentazione del sesso omoerotico e partendo da se stesso. Nello stesso momento incontra Tom of Finland (pseudonimo di Touko Laaksonen): il primo a dare vita all'estetica omosessuale. Tra di loro nasce una grande amicizia che cambia per sempre la visione di Mapplethorpe. Entrambi esplorano il tema del feticismo, della pelle e della bellezza classica applicata al corpo maschile. Mentre Tom lo faceva con l'esagerazione del disegno, Mapplethorpe lo faceva con la precisione quasi marmorea della fotografia, ma entrambi hanno contribuito a rendere "arte" ciò che prima era considerato solo un materiale sotterraneo”. A Milano protagonista è la sua ricerca estetica, i suoi nudi sensuali che si distinguono per la perfezione formale, una mimesi greca olimpica, in cui risaltano muscolatura e tensione fisica: il corpo, scolpito dall'uso sapiente della luce e dei contrasti, è il mezzo per la sublimazione della sua indagine artistica. “Autodidatta, - continua Denis Curti - Sam Wagstaff (suo mentore e compagno) gli regala nel 1975 la prima Hasselblad, la macchina a medio formato che gli permette di ottenere quella precisione scultorea e quei bianchi e neri perfetti per cui è oggi universalmente conosciuto. L'obiettivo di questa mostra è proprio quello di ricollocare Robert Mapplethorpe nella dimensione della fotografia più alta, tra i più importanti fotografi del XX secolo, oltre la provocazione e oltre la censura”. La costruzione di un percorso espositivo così completo è stata possibile grazie alla generosa collaborazione con la Fondazione Mapplethorpe di New York, creata dallo stesso fotografo nel 1988 pochi mesi prima della sua morte, non solo a tutela del suo lavoro ma anche per finanziare la ricerca medica e i progetti legati alla lotta contro il virus e alla cura dell'HIV.La mostra si snoda infatti attraverso diverse sezioni tematiche con oltre 200 opere che ripercorrono l'intera evoluzione del linguaggio di Mapplethorpe, dagli esordi sperimentali alla maturità stilistica. I primi collage. Il percorso si apre con gli assemblaggi realizzati sul finire degli anni Sessanta. In queste opere, molto rare e poco esposte, in cui Mapplethorpe combina ritagli di riviste, disegni e feticci religiosi, indumenti e oggetti, si riflettono la ricerca sull'identità e il piacere dell'artificio, sperimentati dall'artista con l'obiettivo di creare una relazione con l'altro. Patti Smith e Lisa Lyon. Ampio spazio è dedicato in due sezioni alle muse fondamentali dell'artista. Se i ritratti di Patti Smith immortalano un legame simbiotico e vulnerabile che attraversa decenni, una vera e propria ode indelebile all'amata amica, quelli della campionessa mondiale di bodybuilding Lisa Lyon esplorano una bellezza androgina che trascende le convenzioni di genere, celebrando la potenza fisica attraverso parametri estetici neoclassici. Autoritratti e identità. La sezione degli autoritratti rivela un'introspezione dolorosa e fluida. Mapplethorpe usa la macchina fotografica come uno specchio dell'anima, documentando la propria esistenza dalle pose dandy degli anni Settanta fino alle immagini finali scavate dalla malattia.  Il ritratto. In mostra i volti di celebrità come Andy Warhol, Peter Gabriel, Yoko Ono, Isabella Rossellini. Per Mapplethorpe il ritratto in studio è un incontro tra due anime: un "altare visivo" dove la corporeità viene trasfigurata in leggenda grazie a una cura maniacale per l'equilibrio e la luce. Nudi e fiori. Nudi maschili e femminili celebrano la perfezione classica, sfidando al contempo gli schemi sociali tradizionali. Particolarmente iconiche sono le fotografie dei fiori (calle, orchidee, tulipani), ritratti come apparizioni passionali e "muscoli pulsanti", in bilico tra la sacralità della forma e allusioni delicatamente erotiche. In dialogo con l'Antico. La mostra chiude con una sezione che evidenzia il legame tra la fotografia contemporanea e la statuaria classica. Mapplethorpe usa la sua Hasselblad 500C per "sciogliere" le membra marmoree delle sculture antiche, infondendo loro una scintilla di vita e rendendo la pietra morbida come carne viva.https://marsilioarte.us14.list-manage.com/track/click?u=c47da75d8834873eb7150a10f&id=81ea925391&e=0696917494La retrospettiva Robert Mapplethorpe. Le forme del desidero è il secondo atto di una più ampia trilogia, che ha avuto inizio a Venezia nelle Stanze della Fotografia e proseguirà poi a Roma, al Museo dell'Ara Pacis, dal 29 maggio al 4 ottobre 2026. Ogni evento esplora un percorso di studio e ricerca volto ad approfondire un differente aspetto della figura di Mapplethorpe.  “In Marsilio Arte - afferma Luca De Michelis, amministratore delegato di Marsilio Editori e Marsilio Arte - crediamo che la fotografia sia il linguaggio universale del contemporaneo. Il nostro impegno si concretizza in una visione che unisce la tradizione editoriale di Marsilio alla creazione di grandi progetti espositivi: dalla valorizzazione dei patrimoni di grandi fotografi alla gestione di spazi d'eccellenza come Le Stanze della Fotografia a Venezia. Attraverso una rete culturale che connette città come Venezia, Milano e Roma, vogliamo trasformare l'esperienza di una mostra in un dialogo vivo, dove la qualità del catalogo e il rigore del progetto espositivo si fondono per restituire al pubblico la forza straordinaria dell'immagine”. Accompagnano e approfondiscono la mostra il podcast - disponibile su Spotify, Apple Music e sulle principali piattaforme - Mapplethorpe Unframed, scritto e condotto da Nicolas Ballario, e un catalogo pubblicato da Marsilio Arte, che indaga la vasta produzione e l'evoluzione del linguaggio di Mapplethorpe attraverso 257 opere.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 00:54:33 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas nous propose une sélection de voix féminines sous l'influence de la prêtresse du punk, Patti Smith. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

David Senra: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Jimmy Iovine is the co-founder of Interscope Records, Beats by Dre, and the USC Jimmy Iovine and Andre Young Academy. Iovine is widely regarded as one of the most influential figures in the modern music industry. Growing up in the Red Hook neighborhood of Brooklyn, New York, Iovine was raised in an Italian working-class family.  He began working as a recording engineer in the early 1970s, and went on to engineer landmark albums including Bruce Springsteen's Born to Run and John Lennon's Rock 'n' Roll and Walls and Bridges, before transitioning into production with Patti Smith's Easter, Tom Petty's Damn the Torpedoes, Stevie Nicks' Bella Donna, and U2's Rattle and Hum. In 1990, Iovine co-founded Interscope Records with Ted Field. Under his leadership, the label became one of the most dominant forces in popular music, launching or elevating the careers of Dr. Dre, Tupac Shakur, Nine Inch Nails, No Doubt, Eminem, 50 Cent, Lady Gaga, and Kendrick Lamar. He rose to become chairman of Interscope Geffen A&M Records. In 2006, he and Dr. Dre co-founded Beats by Dre, which Apple acquired in 2014 for $3 billion — the largest acquisition in Apple's history at the time. Iovine subsequently helped launch Apple Music in 2015 before departing Apple in 2018. His accomplishments include being inducted into the Rock & Roll Hall of Fame in 2022 with the Ahmet Ertegun Award, being honored by the Recording Academy's Producers & Engineers Wing during Grammy Week 2012, co-founding the USC Jimmy Iovine and Andre Young Academy in 2013 with a $70 million donation alongside Dr. Dre, launching the Iovine and Young Center high school program in Los Angeles in 2022 with additional locations in Atlanta and Inglewood, and donating to the city of Compton during the COVID-19 pandemic to fund medical supplies, testing, and meals for residents. https://davidsenra.com/episode/jimmy-iovine Made possible by Ramp: ⁠https://ramp.com⁠ Eight Sleep: https://eightsleep.com/senra Function: https://functionhealth.com/senra Chapters (00:00:00) Introduction: The Corny World of Fame (00:00:54) The Impact of Social Media on Fame (00:01:27) Chasing Greatness: Personal Reflections (00:02:10) Technological Shifts in the Music Industry (00:03:24) The Streaming Service Dilemma (00:05:34) The Artist's Perspective on Streaming (00:06:39) Early Career and Influences (00:09:40) The Importance of Humility (00:11:19) Working with the Best: A Career Retrospective (00:13:07) The Role of Brutal Honesty (00:15:00) Navigating the Music Industry (00:33:50) The Birth of Beats by Dre (00:46:14) The Music Industry's Customer Problem (00:46:44) Vertically Integrating Culture and Fashion (00:47:13) Building Beats: From Music Videos to Headphones (00:48:03) Marketing is Empathy (00:50:28) The Journey of Beats Music (00:59:09) The Future of the Music Industry with AI (01:14:40) The Bend in the Pipe: Harnessing Fear and Obsession (01:29:12) Comparing Work Approaches with Dr. Dre (01:30:50) The Tortured Path to Success (01:32:41) Balancing Happiness and Ambition (01:35:22) The Importance of Peace and Therapy (01:49:30) Learning from Legends (01:55:57) The Influence of Bono and Dre (02:00:15) California Dreams and Career Milestones (02:07:20) Final Thoughts and Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

D‘Patti Smith, déi amerikanesch Sängerin, Poetin a Schrëftstellerin, huet en neie Memoire rausbruecht an deem si de Lieser ganz privat Abléck gëtt. Si verréit, dass si eigentlech ni geplangt hat, Musek ze maachen an erkläert wisou se sech an den 80er Joren aus der Ëffentlechkeet zeréckgezunn hat. D‘Claire Barthelemy huet d‘Buch fir eis gelies.

Hay primeros discos memorables, que suenan a puñetazo sobre la mesa, que funcionan como un soplo de aire fresco y que, en ocasiones, son toda una declaración de intenciones. Hoy te ofrecemos una selección gourmet de algunos de nuestros álbumes de debut favoritos de rock, viajando por diferentes décadas. Escuchamos a Rage Against The Machine, Arctic Monkeys, Beastie Boys, Patti Smith, Television, Led Zeppelin, Jimi Hendrix, MGMT, Billie Eilish, The Last Dinner Party, Pearl Jam o Nirvana, entre otros.Playlist:BEASTIE BOYS - Fight For Your RightRAGE AGAINST THE MACHINE - Know Your EnemyPEARL JAM - Even FlowNIRVANA - About A GirlJEFF BUCKLEY - Eternal LifeLED ZEPPELIN - Good Times Bad TimesROYAL BLOOD - Out of the BlackARCTIC MONKEYS - I Bet You Look Good On The DancefloorTHE STROKES - Take It Or Leave ItTHE KILLERS - Somebody Told MeLORDE - Tennis CourtBILLIE EILISH - Bad GuyTHE LAST DINNER PARTY - Nothing MattersOASIS - Live ForeverBLUR - There's No Other WayWEEZER - Buddy HollyPATTI SMITH - Gloria: In Excelsis DeoTELEVISION - See No EvilSEX PISTOLS - Holidays In The SunRAMONES - Blitzkrieg BopJIMI HENDRIX - FireTHE DOORS - Soul KitchenTHE VELVET UNDERGROUND - I'm Waiting For The ManJACK WHITE - Freedom At 21DAN AUERBACH - Heartbroken, In DisrepairFRANZ FERDINAND - The Dark Of The MatinéeEscuchar audio

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

REDIFFUSION VOUS AVEZ UN MP - Phil Collins, David Bowie, Iggy Pop, Patti Smith, Depeche Mode, Higelin, Lavilliers, Blondie, Henri Salvador… Il ne s'agit pas d'un simple name dropping, comprenez un étalage de noms célèbres qui parlent au plus grand nombre. Non, il s'agit tout simplement des artistes avec lesquels Alain Lahana a travaillé et/ou continue de travailler. Car ce Français à la voix éraillée fait partie des discrets, de ceux qui œuvrent activement dans l'ombre. Il est l'un des managers les plus prolifiques et les plus importants du monde de la musique. Pour nous, il revient avec pudeur sur son incroyable carrière qui n'est clairement pas finie. Pour vous éviter de sursauter, sachez que vous allez m'entendre ci et là pour vous apporter quelques précisions et pour finir la lecture qui n'a pas été la question favorite d'Alain mais qu'il a eu, malgré tout, l'extrême gentillesse de commencer.  ---Venez écouter, apprendre et éveiller votre conscience aussi sur notre compte Instagram : @parlonsbpodcastInterview, prise de son et montage réalisés par Nolyne Cerda.Le jingle est une création originale de Julien R.Les extraits audio sont dans l'ordre : l'artiste Agnes Martin lors d'une interview, un bout de poème de Marguerite Yourcenar énoncé par Jean d'Ormesson, Simone Veil défaisant son chignon sur le plateau "Toutes Folles de Lui" de Christophe Dechavanne et le poète Christophe Bobin dans l'émission "La Grande Librairie". Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

(00:00:00) Sisters of Mercy - Floodland / 1987 (00:29:49) Patti Smith - Horses / 1975 (01:02:18) The Dillinger Escape Plan - Ire Works / 2007

Nick Robinson speaks to Polish President Karol Nawrocki about Trump, Russia and the future of Europe.A historian and a boxer by background, he was elected in June 2025 with the support of Poland's conservative opposition Law and Justice Party.A social conservative and devout Catholic, he is also an outspoken critic of the European Union and staunch supporter of Donald Trump, believing that the US President is the only person who can stop the threat to Europe from Vladimir Putin's Russia: "Europe for a number of years was involved in not so important things, in ideological issues such as Green Deal for instance, climate policy, migration issues. It was not building its resilience and its security."The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Google CEO Sundar Pichai, American singer-songwriter Patti Smith and Jordan Bardella, leader of the National Rally in France. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Nick Robinson Producers: Oscar Pearson, Kirsty Mackenzie and Lucy Sheppard Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Polish President Karol Nawrocki. Credit: Wojtek Radwanski/AFP)

In dieser Folge geht es um einen Greifvogel, der in vielerlei Hinsicht besonders ist. Der Wespenbussard hat sich voll und ganz auf Wespen und vor allem auf ihre Larven als Beute spezialisiert, weshalb er auch erst im Mai zu uns in sein Brutgebiet zurückkommt. Er überwintert im südlichen Afrika, denn Wespen gibt es hier ja nur im Sommer. Und davon braucht er dann viele, wenn er seine Jungen großzieht. Er gehört zu den sehr heimlichen Arten, die ganz schwer zu beobachten sind - aber das ist ja ein guter Vorsatz für das Jahr 2026! Wie man ihn vom Mäusebussard unterscheiden kann, warum er nicht von den Wespen vollkommen zerstochen wir und was die Sängerin Patti Smith mit dieser besonderen Vogelart zu tun hat - das und noch viel mehr erfahrt ihr in dieser Folge!

Paul Myers is here to discuss his new book, John Candy: A Life in Comedy, how the actor and producer Ryan Reynolds helped him get from a Boston event about the documentary, John Candy: I Like Me, to an Edmonton book event within 24 hours and in style, the fortuitous connection between the documentary and the book, which were made independent of one another but released around the same time, a Myers family member's pivotal interaction with John Candy and why Paul decided to write this book, the remarkable array of people he interviewed, including Catherine O'Hara, Joe Flaherty, Tom Hanks, Steve Martin, and Martin Short, what he learned about Candy's sensitivity to body shaming and other emotional hardships, the Record Store Day Podcast, future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1037: SloanEp. #937: Mouth CongressEp. #744: Don PyleEp. #691: Kids in the HallEp. #512: Kevin McDonaldEp. #439: Bruce McCulloch and Paul MyersEp. #333: Kevin McDonaldEp. #158: Bruce McCullochSteve Martin and Martin Short (March 2019)Patti Smith (2007) – TeaserSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Lisa G and Lisa Marr from cub are here to discuss the 30th anniversary vinyl edition of Come Out Come Out, the significant year in culture that was 1995, being pegged as “cuddlecore” in a time where labels and preconceptions were being shaken off on the regular, not identifying as men in a predominantly male underground music community and how some fans treated cub, vinyl records and the pros and cons of the internet, when Nardwuar asked Lisa Marr to join his band the Evaporators so she learned how to play the bass in five days by playing along to Ramones songs and also what it was like for her to meet Joey Ramone, learning how to be a performer in public, why cub broke up, what this reissue might mean for future cub activity, what's next for each of the Lisas, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #900: Fugazi and Jem CohenEp. #868: Kathleen HannaEp. #646: They Might Be GiantsEp. #162: Janet Weiss of Sleater-KinneyNardwuar the Human Serviette (2010)Patti Smith (2007)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

As the Church moves from Christmas back into Ordinary Time, we're talking about what that transition means in our own lives. We also talk about the Chapman's pilgrimage to Rome, Patti Smith, Bruce Springsteen, the Clarks, “The Pitt,” Christmas gifts, detective fiction, and the direction snow blows (Emily was jet lagged, folks, really jet lagged).Show Notes:Born to RunBread of Angels by Patti SmithRussia, OHWith a Daughter's Eye: A Memoir of Margaret Mead and Gregory BatesonCormoran Strike Mysteries by Robert Galbraith (aka J.K. Rowling)Springsteen: Deliver Me From NowhereThe ClarksJoy Clarkson: “Not Everyone is Everything”Ordinary Time: Lessons Learned While Staying Put“On ‘The Pitt,' ER Doctors Try to Fix This Broken World”Keep Sane(ish) Catholic conversation on the Internet by becoming a subscriber today. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit visitationsessions.substack.com/subscribe

Destination 2026 with Glenn Davis! How 48 team tournament will test tactics, managers, and players Glenn's reaction to the African Cup, and how those teams are shaping up as we enter a World Cup year Houston updates, including the fan fest with Patti Smith of World Cup Committee Former USMNT striker Bruce Murray on playing in '90 World Cup

durée : 00:05:18 - C'est une chanson - par : Frédéric Pommier - Autrice des livres "Patronyme" et "Le consentement" (ed. Grasset), elle participe au Festival "Paris des Femmes", lequel se tient du 8 au 10 janvier au théâtre de la Pépinière. Au micro de Frédéric Pommier, Vanessa Springora évoque "Smells Like Teen Spirit" de Nirvana dans la version de Patti Smith. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

¡Feliz Año Nuevo desde Los Vinilos de Barbarella! Queridísimos amantes del Vinilo, bienvenidos al tercer y último programa especial de "Los Vinilos de Barbarella" dedicado a los discos que cumplen 50 años en 2025. En esta edición, nos sumergimos en la magia de la música de artistas legendarios como Elton John, Roger Daltrey de The Who, los mismísimos The Who, Mike Oldfield y Patti Smith. En este episodio, podréis disfrutar de los increíbles sonidos y las historias detrás de las canciones que han marcado una época. Desde las melodías inconfundibles de Elton John hasta la potente voz de Roger Daltrey en solitario y también con The Who, pasando por la genialidad musical de Mike Oldfield y la rebeldía poética de Patti Smith, este programa promete transportarlos a un viaje inolvidable a través de la música de los años dorados. ¡Deseamos que los Reyes Magos sean generosos y os traigan muchos vinilos para seguir disfrutando de la mejor música en formato físico! Recordad que podéis escucharnos en las mejores plataformas de streaming como Apple Podcasts, Amazon Music, Spotify e iVoox. ¡Hasta el próximo programa y que la música siga siendo la banda sonora de vuestras vidas!

Wer kennt nicht Patti Smith – Performerin, Sängerin, Punk der ersten Stunde, früher mit schwarzer, jetzt mit grauer Mähne, denn Patti wird in diesem Jahr 80. Von Heike Knispel.

We're playing our favorite Stephen-hosted podcasts from 2025 all week long to ring in the New Year! In today's Intro Rewind, hear the moment that went viral when Stephen described Patti Smith's mid-conversation interruption. And later in the extended interview, Patti Smith offers advice to young artists and shares stories from her decades-long career like being photographed by the legendary Robert Mapplethorpe for the cover of her seminal 1975 album, “Horses.” Her new memoir, “Bread of Angels,” is available everywhere now. For a performance by Patti Smith, head to YouTube.com/ColbertLateShow! This podcast was originally released on November 24th, 2025. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Another fun trip to Florida after saying we didn't visit enough, some Patti Smith halftime, and a "Happy Holidays" from the DSOTM Family to all of you! GRATEFUL DEAD  November 28, 1980  Lakeland Civic Center  Lakeland, FL SOURCE:  Soundboard HALFTIME:  Patti Smith 2004

Just abans que s'acabi l'any, fem un programa especial amb discos que aquest 2025 han celebrat el 50

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2025  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

“If he wanted to, he would.” Those are the resolute words anchoring Izzy Mahoubi's newest single, “Good”—a bluesy Americana power ballad that proves why this 20-year-old artist is one of the most compelling new voices in the indie-folk/pop scene. In this episode, Jaime sits down with the Phoenix-born, Nashville-based singer-songwriter to discuss her journey from "child prodigy" to opening for acts like Mt. Joy and Em Beihold. Izzy opens up about the raw reality of the music industry, the struggle to balance social media with "real art," and how the grit of Janis Joplin and the prose of Patti Smith have shaped her soulful sound. In this conversation, we discuss: The Power of "Good": The making of her new single and its "soul-drenched grit." The Industry "Crash Out": Dealing with the mental toll of the modern music business. Social Media vs. Art: The tension between being a content creator and a serious songwriter. The Nashville Transition: Moving from the Arizona desert to the Tennessee indie-pop scene. Songwriting DNA: Why she prioritizes feeling and lyrics over formal music theory. Stream "Good" by Izzy Mahoubi on all platforms now. ___ Support The Show: Cheerios: Try Cheerios Protein! https://www.cheerios.com/shop-protein-bundle Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca Foon and Aliayta Foon-Dancoes are here to discuss their debut album, Reverie, studying at Princeton, their family dynamic and their respective early forays in classical music, how much formal music education can inform improvisation and punk rock, Rebecca's work on the Lost River Music Festival and the Pathway to Paris initiative, how their feelings about the ecological inspiration behind Reverie are more melancholy since collective climate change mitigation targets have not been met, a conversation about the novel The Alchemist with Patti Smith and Jesse Paris Smith, what's next, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1048: Mark MolnarEp. #667: Efrim Manuel MenuckEp. #636: SofaEp. #382: EsmerineEp. #314: SaltlandEp. #220: EsmerinePatti Smith (2007) – TeaserEp. #18: Colin Stetson & Sarah NeufeldSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

You're invited next September 20-26, 2026, to The Tender Harvest, a week-long retreat amidst the golden hues and organic bounty of the world-class Ballymaloe House in County Cork, Ireland. Each day will feature yoga, meditation, farm-to-table meals, and curated excursions—plus ample time for rest, self-nurturance, and imagination.__I awake to the murmur of a boy speaking to his slumbering father. All night long, the darkening stillness of December had settled over the house, and, as usual, our son had scampered down the hall just before dawn, burrowed under a breathing mound of blankets, and reached toward whichever one of us was nearest. “I love you so much,” I hear my child sigh as he tucks himself beneath the warm weight of his father's arm.I have no language to measure such a moment, ordinary though it may seem. I have only an attention born of it, a residue of tenderness reminding me that somehow –however improbable, fleeting, and marvelous – we are here together, and here at all.Later, diagonal rays of winter sunlight beam across the sky, a fact bright enough to leave an afterimage seared on the inside of my eyelids. Of this event, too, I keep only what impression remains: a momentary flash that lingers and softens.Which brings me to the medicine of tenderness—our capacity not just to intellectualize or conceptualize, but to feel the invisible textures of this living world. The word “tender” shares its etymological parent, the Latin word tendere–meaning “to extend outward or upward, to stretch toward or hold out, to offer; to direct toward, to aim toward”–with the verb “to tend,” in the sense of caring for, but also with “intention,” “attention,” and “tenders,” the small boats that carry people or goods from larger vessels to shore.A thruline here links the practices of intention and attention, guiding our consciousness toward what we care about, with a whole-bodied suppleness of presence. The metaphor of tender boats bridges the mutual nature of tenderness. How can one person's practice of tenderness bring another to shore in a gradual and reciprocal softening of nervous systems? How is it that when one person rests with awareness in the tender weight of their body, heart, and mind, it can signal to another that their bruises are safe from further harm?Ezra Klein recently shared an interview with Patti Smith, the iconic musician, writer, and visual artist—sometimes called the “godmother of punk”—who rejects those labels wholesale. With a shrug that suggests the humbler, deeper values of her practice, she says, “call me a worker.” I love her for that.Many moments resonate in their conversation, but none so much as when she likens a good poem to a teardrop: “If you're thirsty and you get that drop of water, it suddenly becomes the most welcome thing in the world.” My mind catches on what kind of thirst—what invisible needfulness—a good poem can satisfy. This is not the thirst of the yarrow or migrating whitethroat, not even the thirst of the bear in autumn. It seems a uniquely human thirst that calls out for the sincerity of real art.On the subject of death and spiritual thirst, Mary Oliver wrote: “Who knows what will finally happen or where I will be sent, yet already I have given a great many things away, expecting to be told to pack nothing, except the prayers which, with this thirst, I am slowly learning.”I believe this kind of thirst, of the nature of wanting to understand and be nourished by the mystery of our existence—by the grace of what it means that we are alive and able to wonder at the circumstances of our aliveness—dwells somewhere beneath the surface of every human being. This thirst lives in the unseen currents of heartache, uncertainty, and longing that flow like water beneath a frozen river.According to fellow poet Jane Hirshfield, Galway Kinnell once called “Tenderness” “the secret title of every good poem.” That line, for me, speaks to the particular mechanism within poetry that can meet such thirst. Tenderness is the dynamic tension between bearing witness to our shared fragility and strengthening our capacity for wholehearted presence and connection with ourselves and each other. It is the alchemy of kindness that can distill cold facts into feelings, thaw a hardened heart, and show us how we're not alone. Like a teardrop, a gesture of tenderness can be small and exact, yet it can quench us with vital sustenance and healing.Strangely, the image of a teardrop has seeped into my morning practice like a quiet teaching. As I reach for some nearby poem, my mind skidding over the uneven terrain of the hours ahead, I pause to take a breath, and it occurs to me: I can carry a teardrop inside this day. Most authentic mindfulness practices seem strange to the outer gaze, but their effectiveness lies in the specificity and earnestness with which we orient toward them. So, here it is: a useful practice, an invisible resource to mind my life. One way I am learning to soften.__+ Join me every month for movement + meditation exclusively for paid supporters of The Guest House. Our next practice will be live on Thursday, December 18, at 9 am MT / 11 am ET, and will be shared via replay soon thereafter.+ Back to a regular studio class! Join me at YogaSource in Santa Fe every Wednesday morning, 9-10:15 am MT / 11 am-12:15 pm ET for Dynamic Practice. This class is live and not recorded. Join in-person or virtually from home. Register directly through the studio here.+ Two deeply envisioned retreats in the year to come: first at Beyul Retreat in the pristine wilderness surrounding Aspen, Colorado, for an extended Memorial Day weekend, May 21-25, 2026; then at world-class Ballymaloe House in County Cork, Ireland, September 20-26, 2026. All the details here.Together, we are making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shawnparell.substack.com/subscribe

The godmother of punk says she never had a choice when it came to being an artist -- it was her calling from the moment she first laid eyes on a Picasso in a Philadelphia gallery. She talks about creating through loss, listening to omens and reliving her childhood, in new memoir Bread of Angels.

The Culture Show's Jared Bowen discusses ABC signing Kimmel to a one-year contract a social media ban for kids in Australia and his interview with Patti Smith.Harvard national security expert Juliette Kayyem on cracks showing in the Trump Cabinet — namely, Pete Hegseth and Kristi Noem.Franchie Viaud of JustBookish in Dorchester and Cathy and Bruce Jacobs of Turtle Books in Brookline join for an indie bookstore panel.Musician Will Dailey performs ahead a show at the Paradise Rock Club this weekend.Naturalist Sy Montgomery joins via zoom for the Afternoon Zoo to talk piano-playing octopuses and falcons protecting cherry crops in Michigan.

ERK sits with VIVIAN BOND, icon - performer, writer, artist, activist, musician, amidst her current run at JOE'S PUB. The pair discuss acting vs. creating music, early days of New York and STUDIO 54, stories meeting PATTI SMITH, MADONNA, EARTHA KITT, MICK JAGGER (to name a few), performing in JOHN CAMERON MITCHELL's SHORTBUS, befriending her demons, what it would take to revive KIKI DUANE, the give and take of political progress particularly in the LGBTQ community, and much more. Ticket link for Justin Vivian Bond: Crushed Ice! at Joe's Pub: https://publictheater.org/performances-jp/2025/j/justin-vivian-bond-crushed-ice/Watch the podcast: https://youtu.be/s2tGq-FcDoEHost: Evan Ross KatzProducer: Sophia Asmuth Show links: Evan Ross Katz on Instagram https://www.instagram.com/evanrosskatz/CHAPTERS(00:00) Intro (3:30) Childhood (12:28) Meeting idols, Patti Smith, portraying strong women(18:55) New York, LA, nightlife, Studio 54, Limelight(28:07) Meeting Madonna (32:07) Shortbus, unsimulated sex scenes, portraying Kiki, (43:05) Jonathan Anderson, fashion today(44:48) LGBTQ then and now, loneliness epidemic, forgiveness(54:27) Outro See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Reading Patti Smith writing is like entering a giant daydream. Bread of Angels is like a pre-quell and a sequel to her first memoir -Just Kids. With this book you get a more intimate look at her marriage, childhood, motherhood and her life beyond fame. *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox?  Sign up for the FREE monthly BLAST!! newsletter- right here Subscribe now and get the BONUS newsletter featuring the first annual Rock Talk Studio Holiday Shopping Guide!Support the showemail Big Rick at:info@rocktalkstudio.com

‘A lot of people will say artists need to speak up, it's artists' responsibility to speak. I believe that'Katie Razzall, the BBC's culture and media editor, speaks to American singer-songwriter Patti Smith during her UK tour marking the 50th anniversary of her ground-breaking debut album ‘Horses'.Best-known for her hit ‘Because the Night', she shares the story behind the song, co-written with Bruce Springsteen, and reflects about being at the vanguard of a new wave of artists in the 1970s.Patti also opens up about her new memoir, Bread of Angels, a deeply personal journey through her music, her relationships, and the chance discovery of a devastating secret that changed everything. Thank you to the Culture team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts.Presenter: Katie Razzall Producers: Melanie Abbott, Roxanne Panthaki and Ben Cooper Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Patti Smith. Credit: Stefania D'Alessandro/WireImage)

Thalia Zedek is a guitarist and singer based in Boston. Throughout the 1980's and 90's, she has joined and or been a founding member of several influential rock  bands including Live Skull, UZI, and Come. She continues to record and tour with her solo project Thalia Zedek Band and E.  Recently her mid 80's band Via, a short-lived project with members of Nuclear Theater, Six Finger Satellite, UZI and Cell, have released their long lost self-titled EP, available now via Dromedary Records.  Thalia and Joe discuss the origin of Via, why the project didn't continue beyond two shows and one recording session, and Thalia paints us a picture of a hustling mid 80's NY punk scene.  Thalia shares share's her experience growing up in a DC music scene and how Patti Smith and other woman forward DIY bands inspired her to play music. We get a peek into the one and only Via recording session, hear a few tunes from the new release and Thalia tells the story of how she wound up singing for Live Skull. Thalia Zedek Dromedary Records SPECIAL REQUEST FROM JOE ..."if you like this podcast, please subscribe and tell all your friends. also, if you love, hate or kinda sometimes like Tour Stories/The Check In, please express yourself loudly in the comments . Lovingly, Joe Please visit and support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for continued exclusive listener discounts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the leader in audio repair, mixing and mastering. Ruinous uses ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and you should too. Trust us. Check out Ozone 12 now! Ep supported by @distrokid. Distro now connects direct to TikTok!!!!! with exclusive access to your tiktok artist account.  @thetourstories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH ⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Stephen's gracing the podcast airwaves this week to kick off "Rock & Roll Thanksgiving" with Hall of Famer member Patti Smith, who says her new memoir “Bread of Angels” was written to express gratitude to the people she's loved, some of whom have been lost along the way. In this extended interview, she offers advice to young artists and shares stories from her decades-long career like being photographed by the legendary Robert Mapplethorpe for the cover of her seminal 1975 album, “Horses.” “Bread of Angels” is available everywhere now. For a performance by Patti Smith, head to YouTube.com/ColbertLateShow! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on Transmissions, Kate Pierson, vocalist and keyboardist of The B-52s. Writing about the legendary Atlanta band, AD founder Justin Gage says, “The B-52's 1979 debut album ushered in a practically fully formed sound/band. No one else was doing this…whatever ‘this' was.” Indeed, The B-52s created a one-of-a-kind sound, blending punk, funk, and art-pop, and while they broke into the mainstream with ubiquitous radio hits, they never sacrificed their avant-garde edge. This fall, the band embarked on a co-headlining tour with Devo—we recorded this talk just before they departed on the jaunt—and last week, Kate Pierson released a cover of Patti Smith's “People Have The Power!” featuring the Uniting Voices Chicago teen choir. Benefiting the choir and the anti-gun violence organization Sandy Hook Promise, the recording reifies Pierson's radical bonafides.  Pierson joins us for a loose chat about her life in art, solo projects, and the band's longtime association with Devo. Along the way, we get into their status as queer icons and reflected on the passing of Julee Cruise, the Twin Peaks vocalist who also served as a member of The B-52s. Transmissions is created in partnership with the Talkhouse Podcast Network. We're brought to you by ⁠⁠⁠⁠⁠⁠⁠Aquarium Drunkard⁠⁠⁠⁠⁠⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

Patti Smith, “the Godmother of Punk,” has lived a wild life and accumulated so much wisdom in the process. In the 1960s and '70s, Smith was a fixture of the New York City creative scene — hanging out with the likes of Bob Dylan, Janis Joplin, Allen Ginsberg and Robert Mapplethorpe. Merging her own poetry with an ace backing band, she became a global rock star. Then she gave it up, moved to Michigan, raised a family, and remade herself into a best-selling author. Her stunning memoir “Just Kids” won the National Book Award and is one of the books that I've kept returning to, again and again.There is clearly something unusual about Smith. People who know her have described her as “shamanistic.” But even for those of us who will never become rock stars, there's something inspiring — and oddly relatable — in how she thinks about life. So I was excited to have the opportunity to sit down with her and learn more.Smith is out with a new memoir, “Bread of Angels,” and is on tour for the 50th anniversary of her breakthrough album, “Horses.” We talk about that book and that album and so much more: the boundless curiosity that drives her; the books that shaped her; her childhood communion with a snapping turtle; what Andy Warhol was like; what color she thinks the soul is; and a lot more that's hard even to describe.This episode contains strong language.Mentioned:“Pan's Labyrinth” by Guillermo del ToroGrimm's Complete Fairy Tales by Jacob Grimm and Wilhelm GrimmBread of Angels by Patti SmithJust Kids by Patti Smith“The Dark Blot” by Gérard de Nerval“Genie” by Arthur Rimbaud“Guernica” by Pablo Picasso“The Last Supper” by Andy WarholBook Recommendations:The Adventures of Pinocchio by Carlo CollodiFrankenstein by Mary ShelleyThe Poetry of Sylvia Plath Edited by Claire Brennan2666 by Roberto BolañoThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Annika Robbins. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Michelle Harris, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Caryn Rose and Annika Robbins. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Patti Smith's album “Horses” came out fifty years ago, on November 10, 1975, launching her to stardom almost overnight. An anniversary reissue came out this year, to rapturous reviews. Yet being a rock star was never Smith's intention: she was a published poet before “Horses” came out, and had also written a play with Sam Shepard. Music was an afterthought, as she tells it, a way to make her poetry readings pop. “I didn't want to be boring,” she tells David Remnick. In recent years, it may finally be that more people know Smith as a writer than as a musician. Her memoir “Just Kids,” about her friendship with the late photographer Robert Mapplethorpe, won a National Book Award. “M Train” reflected on her withdrawal from music as she raised a family. In her newest memoir, “Bread of Angels,” Smith writes intimately about the loss of her husband, her brother, and close friends; she also shares a startling revelation about her family and past. It's a book that was challenging for her and took her years to write. “I write profusely—fiction, fairy tales, all kinds of things that aren't even published—without a care,” she says. “Writing a memoir, bringing other people into it, one has to really be prudent, and search themselves and make sure that they're presenting the right picture.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Spanish pop star Rosalía is back with her new album, Lux. Over eighteen tracks, she trades in the dembow beats that filled her last record Motomami for maximalist orchestral sounds more in line with Björk than Bad Bunny.  The album is dense: there's four movements, thirteen languages, arrangements by Caroline Shaw, and a wide breadth of influences – from Benedictine saints to Patti Smith. But despite (or because) all of this, Rosalía has gone on record referring to Lux as, ultimately, a pop album.  That's where we come in. On this episode of Switched On Pop, Nate and Reanna put on their tour guide hats to talk all things Lux: its sonic genre-bending, Rosalía's poetic lyricism, and her hyper-local flamenco influence.  Songs discussed: Rosalía – Berghain Rosalía – Bizcochito Rosalía – De Madrugá Rosalía – Mio Cristo Rosalía – La Yugular Björk – Joga Caroline Shaw, Roomful of Teeth – Partita for 8 Voices Rosalía – Sexo, Violencia y Llantas Rosalía – Divinize Rosalía – Porcelana Rosalía – Dios Es Un Stalker The Police – Every Breath You Take Rosalía – La Perla Johann Strauss II – The Blue Danube Drake – Push Ups Rosalía – Sauvignon Blanc Lady Gaga – Grigio Girls Adele – I Drink Wine Rosalía – Focu ‘Ranni Rosalía – Novia Robot Rosalía – La Rumba del Perdón Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before he was directing box office hits or launching the careers of comedy superstars, Judd Apatow was a kid writing fan letters to his heroes, collecting autographs, and obsessively documenting everything. He's now opened his personal archive for a new book of photographs, letters, scripts, and journals that shaped movies like ‘The 40-Year-Old Virgin,' ‘Knocked Up,' and ‘Trainwreck.'  Also, we hear from Misty Copeland, who captivated audiences as the first Black woman to become a principal dancer with American Ballet Theatre. She also performed with Prince, who helped change her perception of herself. “He was my biggest supporter. He showed what it was the be one of a kind, to be unique and to use that as a power.”Ken Tucker celebrates 50 years of Patti Smith's album ‘Horses.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

50 years ago next week, Patti Smith released her debut album, ‘Horses,' ushering in a new era of rock and roll. We're listening back to portions of our interviews with Smith, from 1996 and 2010. She talks about her early days in New York City, when she was trying to find her way as a poet, performer and later songwriter. When it came to ‘Horses,' she says, “I thought I would do this record and then go back to my writing and my drawing and return to my somewhat abnormal normal life. But ‘Horses' took me on a whole different path.”  And Ken Tucker reviews the new anniversary edition of the album. Also, we remember actress Diane Ladd in an excerpt of an interview with her daughter, Laura Dern. And David Bianculli reviews ‘Pluribus,' the new series from ‘Breaking Bad' creator Vince Gilligan.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

'Atlantic' journalist David Graham describes how President Trump could potentially use troops near polling places, pressure local election workers and have federal agents seize voting machines.Also, Maureen Corrigan reviews Patti Smith's ‘Bread of Angels,' a prequel/sequel to ‘Just Kids.' Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy