Podcast appearances and mentions of Patti Smith

The conclusion of the 4-parter featuring Debut Album Openers, that is first cuts from first sides from first albums, and we're into bands beginning with the letters S-Z, with trips to Detroit's Cobo Hall, Pistols and Stooges, Patti Smith does Van Morrison, The Hip, Wilburys, U2, Van Halen and the song that set the stage for ZZ Top. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Through her multifaceted work, the Bulgarian-born, Brooklyn-based writer, reader, and researcher Maria Popova, founder of the “free, ad-free, A.I.-free, fully human” website and newsletter The Marginalian, braids together literature, science, philosophy, poetry, and art in beautiful, alchemical ways. Traversing centuries, she approaches various ideas and thinkers, living and dead, as active references in the expansive, ongoing project of learning what it means to be human. Now, nearly 20 years since the site's founding, she continues to cultivate a singular space on the internet—one devoted not so much to information but to illumination. Her latest book, Traversal, which links figures such as Mary Shelley and Walt Whitman, alongside other writers, poets, physicists, and philosophers, serves as an intellectual journey and an across-time meditation on creativity, consciousness, and interconnectedness. On this episode of Time Sensitive, Popova discusses the idea of “spiritual ancestors,” why today's A.I. debates are fundamentally modern versions of age-old questions about the soul, and the mystery of being alive. Show notes:  Maria Popova [4:58] Traversal (2026) [5:43] René Descartes [6:50] Aristotle [6:50] Susan Sontag [7:03] Alan Lightman [8:16] Mary Shelley [8:16] Walt Whitman [9:42] Frankenstein (1818) [14:08] Frances “Fanny” Wright [17:13] Freeman Dyson [17:13] Maker of Patterns: An Autobiography Through Letters (2018) [16:04] Rube Goldberg [22:26] Nina Simone [23:28] Dan Frank [23:29] Figuring (2019) [34:24] The Marginalian [43:18] T.S. Elliot's “The Love Song of J. Alfred Prufrock” (1915) [55:00] Dacher Keltner's Awe (2023) [45:17] Iris Murdoch [45:33] The Universe in Verse (2024) [45:55] Patti Smith [45:57] Rebecca Elson [45:58] Vera Rubin [47:23] “Urns for Living” [48:54] Sylvia Plath [59:35] Leaves of Grass (1855)

In this episode of the AART Podcast, host Chris Stafford sits down with renowned American digital collage artist Maggie Taylor, whose dreamlike, surreal imagery has redefined the boundaries between photography, technology, and fine art.Known for her pioneering work in digital collage, Maggie Taylor creates richly layered visual narratives that blend 19th-century photographic elements with contemporary digital tools. Her work invites viewers into imaginative, often whimsical worlds—where memory, symbolism, and storytelling converge in unexpected ways. In this intimate and insightful conversation, Maggie shares how she discovered her distinctive artistic voice, her transition from traditional photography to digital media, and how tools like Photoshop became central to her creative process.Raised in a creative environment and married to photographer Jerry Uelsmann, Maggie Taylor developed an early appreciation for photographic experimentation. Yet she forged her own path, becoming one of the most recognized figures in digital art. Her work has been exhibited internationally and is held in major museum collections, including the Art Institute of Chicago, the George Eastman Museum, and the Smithsonian American Art Museum.On AART, Maggie reflects on the evolution of her career, the role of intuition in her artistic decisions, and the balance between control and discovery when creating complex digital compositions. She also discusses the emotional resonance of her work, the importance of curiosity, and how artists can embrace new technologies without losing their authenticity. This episode offers a fascinating look into the mind of an artist who has quietly but profoundly influenced contemporary visual culture. Whether you're an artist, photographer, or simply someone drawn to imaginative storytelling, Maggie Taylor's journey is both inspiring and deeply thought-provoking.Maggie's links website: www.maggietaylor.com Instagram: @maggietaylor.art Some favorite women artists: Julie Blackmon, Sandy Skogland, Lori Nix, Cig Harvey, Marion Peck, Lori Vrba, Claire RosenDinner party guests: Patti Smith, Aimee Mann, Laurie Anderson, Tilda Swinton, Kara Swisher, and Eve SchoolerKeywords: Maggie Taylor, digital collage artist, American artist Maggie Taylor, surreal digital art, digital collage photography, contemporary digital artists, Photoshop art, fine art photography, AART podcast, Chris Stafford podcast, women artists interview, visual storytelling, surrealism in digital art, creative process artists, modern collage art, experimental photography, women in art podcast, artist interviews, contemporary art podcast, museum exhibited artists, digital art techniques, storytelling through images, imaginative art, photography and technology, Jerry Uelsmann influence, American contemporary artists, art podcast interviews, Women Unscripted podcast networkBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosFollow @twomenunscriptedpodcasts on InstagramOn Facebook at Women Unscripted PodcastsEmail: hollowellstudios@gmail.com

In this episode of the AART Podcast, host Chris Stafford sits down with renowned American digital collage artist Maggie Taylor, whose dreamlike, surreal imagery has redefined the boundaries between photography, technology, and fine art.Known for her pioneering work in digital collage, Maggie Taylor creates richly layered visual narratives that blend 19th-century photographic elements with contemporary digital tools. Her work invites viewers into imaginative, often whimsical worlds—where memory, symbolism, and storytelling converge in unexpected ways. In this intimate and insightful conversation, Maggie shares how she discovered her distinctive artistic voice, her transition from traditional photography to digital media, and how tools like Photoshop became central to her creative process.Raised in a creative environment and married to photographer Jerry Uelsmann, Maggie Taylor developed an early appreciation for photographic experimentation. Yet she forged her own path, becoming one of the most recognized figures in digital art. Her work has been exhibited internationally and is held in major museum collections, including the Art Institute of Chicago, the George Eastman Museum, and the Smithsonian American Art Museum.On AART, Maggie reflects on the evolution of her career, the role of intuition in her artistic decisions, and the balance between control and discovery when creating complex digital compositions. She also discusses the emotional resonance of her work, the importance of curiosity, and how artists can embrace new technologies without losing their authenticity. This episode offers a fascinating look into the mind of an artist who has quietly but profoundly influenced contemporary visual culture. Whether you're an artist, photographer, or simply someone drawn to imaginative storytelling, Maggie Taylor's journey is both inspiring and deeply thought-provoking.Maggie's links website: www.maggietaylor.com Instagram: @maggietaylor.art Some favorite women artists: Julie Blackmon, Sandy Skogland, Lori Nix, Cig Harvey, Marion Peck, Lori Vrba, Claire RosenDinner party guests: Patti Smith, Aimee Mann, Laurie Anderson, Tilda Swinton, Kara Swisher, and Eve SchoolerKeywords: Maggie Taylor, digital collage artist, American artist Maggie Taylor, surreal digital art, digital collage photography, contemporary digital artists, Photoshop art, fine art photography, AART podcast, Chris Stafford podcast, women artists interview, visual storytelling, surrealism in digital art, creative process artists, modern collage art, experimental photography, women in art podcast, artist interviews, contemporary art podcast, museum exhibited artists, digital art techniques, storytelling through images, imaginative art, photography and technology, Jerry Uelsmann influence, American contemporary artists, art podcast interviews, Women Unscripted podcast networkBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

Leonora Carrington, A map of the Human Animal (détail) Dans Mu, le maître et les magiciennes, Alexandro Jodorowsky livre un récit halluciné de sa rencontre avec Leonora Carrington, au Mexique, au début des années 1960. Jodorowsky, je le lisais parce que Gurdjieff ; Gurdjieff, parce que Katia et le Matin des magiciens ; le Matin des magiciens parce que ma mère et Planète. Et entre Gurdjieff, Jodorowsky, René Daumal, le Mont Analogue, Patti Smith et Leonora Carrington, Leonora Carrington à qui Claude me fait un peu penser et à laquelle le Musée du Luxembourg consacre actuellement une exposition, il y a un enchevêtrement d’échos, de correspondances, de liens oniriques,  filamenteux et magiques comme ceux qui apparaissent dans ses tableaux, liant des êtres, des visions, des moments, au-delà de tout ce qui les sépare. They shall behold Thine Eyes, 1950 Dando de comer a une mesa, 1959 L’analogie, le bondissement d’une chose à une autre, à une autre qui n’a rien à voir avec la première et pourtant ; le négatif, le même vu à travers le miroir, ou le miroir des rêves ou le miroir des souvenirs, quelque chose qui déforme, voile et parfois dévoile, ces hommes et ces femmes cachées et encapuchonnées, ces chevaux et licornes de feu, filiformes, qui s’ébrouent, ces magiciens et ces sorcières, ces sorciers et ces magiciennes, cette œuvre comme un jeu de tarot géant, il y a une part de moi qui, sans comprendre, comprend et en est fasciné comme devant une boule de cristal où s’ouvrirait un pan caché du monde. Mars Red Predella, 1946 Sans titre, 1956 Il y a certainement une part de fantasme dans le récit de Jodorowsky, comme il y a une part d’imposture dans l’enseignement de Gurdjieff et une part d’auto-suggestion dans la peinture de Leonora Carrington. Mais cette part, qui émane de la personne, qui en est à l’origine une simple projection, et peut-être même une sorte de mensonge, est performative : elle fait naître ce qu’elle prétend décrire, donne substance et structure à l’inarticulé de nos rêves et de nos cauchemars, ancre dans une forme et un verbe ce qui peut-être n’existe pas mais qui, pourtant, pourrait, à tout le moins, exister puisque, même de façon peut-être artificielle, ce fut imaginé. Lee Miller, Leonora Carrington à Saint-Martin d’Ardèche Je ne sais pas, je n’ai jamais su faire la part des choses entre l’œuvre et la personne, non plus qu’entre la personne, les oeuvres et les résonances diverses qu’elles éveillent. Et je dois dire, à ce propos, que ma propension à croire, à accepter d’être enchanté, peut-être mené en bateau, par Leonora Carrington, n’est pas totalement délié de la beauté de la jeune femme (dont j’avais découvert le visage à l‘exposition Lee Miller) ou du charme qui émane de la vieille dame filmée dans les années 1990 à Mexico. Las tentaciones de San Antonio, 1945 Three Nornir, 1998 Une dernière chose encore : on peut à la fois être un imposteur et ne pas en être un : Georges Gurdjieff avait certainement beaucoup de défauts mais il était aussi un compositeur dont certaines pièces, comme Bayaty sont magnifiques. On aimerait (ou pas) que le vrai soit simple mais il est le plus souvent épais, vibrant, plein de doubles fonds et de choses étranges, comme les tableaux de Leonora Carrington. Comme très souvent, on entend, derrière ma lecture, Bayaty, de Georges Gurdjieff. Cet article Leonora Carrington est apparu en premier sur Aldor (le blog).

Bókaklúbbur Lestarinnar verður í gangi í júní. Fyrsta bókin sem við tökum fyrir er Kæri Fáviti eftir franska rithöfundinn Virginie Despentes. Bókin gerist á internetinu í tölvupóstssamskiptum, og fjallar um Metoo, fíkn, stéttaklifur og ótal margt fleira. Rokkgoðsögnin Patti Smith kom fram í Eldborg í Hörpu um helgina og brunaði svo beint á Akureyri til að spila í Hofi. Við ræðum við Andreu Jónsdóttur, útvarpskonu á Rás 2, um Patti. Einar Már Jónsson sendir okkur pistil frá París.

"The more that things change, the more they stay the same... Nevertheless, we have to keep pushing forward. We have to keep moving that line forward in order to make a better tomorrow for all of us." - Sharon JohnsonWelcome to 80s TV Ladies The Winds of Ch-ch-ch-change!In this special episode—the first half of an epic two-part spectacular—hosts Susan Lambert Hatem and Sharon Johnson are joined by their fabulous producer Melissa to talk about the massive personal transitions currently unfolding in all of their lives. With both Susan and Sharon in the middle of major moves, the ladies take a heartwarming, funny, and deeply honest look at packing up decades of memories, downsizing, and the emotional weight of nostalgia.But a season of change wouldn't be complete without the ultimate 1980s soundtrack! The ladies kick off Part 1 of their definitive countdown of the 20 Most Revolutionary 80s Music Videos, diving into the first 13 incredible videos on their list. They explore how the golden era of MTV transformed visual storytelling, artist autonomy, and pop culture forever. From groundbreaking feminist rap anthems and synth-pop milestones to a full-blown Madonna masterclass and jaw-dropping stop-motion animation, this conversation is a sparkling, nostalgic reflection on turning the page to the next chapter.THE CONVERSATION- THE WINDS OF CHANGE: Sharon, Susan and Melissa discuss the nature of personal and professional transitions—navigating the "two steps forward, one step back" rhythm of life and why we must keep pushing forward for a better tomorrow.- THE FOREIGN COUNTRY OF THE PAST: Susan opens up about packing up her home after 19 years, three kids, a house full of pets, and how digging into old boxes feels like visiting a foreign country where “they do things differently there.”- MOVING ACROSS THE U.S.A.: Sharon shares the bittersweet reality of leaving Southern California after 42 and a half years to move back to the Midwest, explaining how she is judiciously sorting through her life to downsize into her mother's home in Indianapolis.- CUE THE ROBIN, DEER, AND EAGLE: Producer Melissa shares an incredibly moving, cinematic story about losing her mother and brother Dougie, and a persistent red robin that visited her window in Pennsylvania alongside a herd of deer and a majestic bald eagle overhead.- LOVELY PARTING GIFTS & PRECIOUS VHS TAPES: The ladies talk about finding new homes for nostalgia, including Sharon giving away her classic Mark and Brian radio memorabilia on Facebook and her absolute refusal to let go of her original Star Wars trilogy on VHS—because the prequels simply do not exist!- FRESHMAN YEAR AT THE COLISEUM: Susan reminisces about discovering her oversized 1984 Bruce Springsteen Born in the U.S.A. concert souvenir tour program from her freshman year at USC, back when legendary stadium tickets were only $25. (Actually, according to the internet, the tickets cost $17.50!)- CH-CH-CH-CHANGES (PART 1): The main event kicks off as the ladies begin their countdown of the most revolutionary music videos of the decade, highlighting how the rise of MTV reshaped the cultural landscape.- THRILLER (Sharon's Pick): Sharon kicks it off with the music video credited with transforming music videos into the stratosphere - and into short, storytelling films. She also talks about learning the zombie dance and how it transformed her exercise routine!- TAKING CONTROL (Susan's Pick): Susan spotlights Janet Jackson's seminal "Control" music video, directed by Mary Lambert (no relation, though Susan wishes she had pretended otherwise!). This was quite literally the album and song when Ms. Jackson declared her independence over her career after leaving her new husband, James DeBarge, and firing her manager (and father) Joseph Jackson. A revolutionary move and every song speaks to finding her voice.- I'M STILL STANDING (Susan's Pick): A deep dive into Elton John's ultimate comeback anthem, exploring his personal resilience and the hilarious realization by the ladies that Dancing with the Stars judge Bruno Tonioli is one of the featured neon dancers in the video.- LOVE SHACK (Sharon's Pick): Sharon and Susan takes a trip down the Atlanta highway looking for the B-52s' legendary "Love Shack" and celebrating its pure, joyful energy.- LADIES FIRST (Susan's Pick): Susan pays tribute to Queen Latifah's revolutionary 1989 feminist rap anthem "Ladies First" (featuring Monie Love) from her debut album, All Hail the Queen.- THE MADONNA TWO-FER (Sharon's Picks): Sharon talk about her favorite two Madonna songs and music videos,  "Crazy for You" and "Express Yourself" and the groundbreaking visual style of the 80s Pop Queen.- STUNNING ANIMATION (Sharon's Pick): The ladies marvel at Peter Gabriel's award-winning stop-motion animation masterpiece "Sledgehammer" created by Aardman Animation.- PEOPLE HAVE THE POWER (Susan's Pick): Susan closes out Part 1 by honoring Patti Smith's powerful, timeless 1988 anthem "People Have the Power."AUDIO-OGRAPHY

Democracy Now! Marks 30 Years with Angela Davis, Bruce Springsteen, Patti Smith, Michael Stipe & More

Democracy Now! Marks 30 Years with Angela Davis, Bruce Springsteen, Patti Smith, Michael Stipe & More

On today's show: Democracy Now! Marks 30 Years with Angela Davis, Bruce Springsteen, Patti Smith, Michael Stipe & More Democracy Now! is a daily independent award-winning news program hosted by journalists Amy Goodman and Juan Gonzalez. The post Democracy Now! – May 25, 2026 appeared first on KPFA.

Conductor Ben Gernon and baroque recorder player Heidi Fardell open the new series alongside Jeffrey Boakye and Anna Phoebe as they add the first five tracks, taking us from a steamy New York summer to a celebrated Bach composition that violinist Joshua Bell has described as 'not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history'. Throw in Gershwin, Louis XIV and a very serious musical accident, and you've got a cornucopia of an opening episode.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Summer in the City by The Lovin' Spoonful An American in Paris by George Gershwin Overture to Phaëton by Jean-Baptiste Lully Ain't It Strange by Patti Smith Violin Partita No. 2 in D Minor (the Chaconne) by J.S. Bach Other music in this episode:Batman Theme by Neil Hefti & his Orchestra 12 Sonatas Op. 11 'Parensi': No 7 in A Minor: II. Allegro by Robert Valentine, performed by Heidi Fardell Because The Night by Patti Smith

I dette afsnit af ’Poptillægget’ ringer Lucia Odoom til sanger, producer og danser FKA Twigs, der er kendt for at bygge verdener i sin musik – senest på de to album ’Eusexua’ og ’Eusexua Afterglow’. Med sin blanding af electronica, ambient, klassisk musik og avantgardistisk R&B har hun indtaget scener over hele verden med koncerter, der mest af alt minder om performancekunst. Da hun lagde vejen forbi Roskilde Festival i sommer, var der både et samuraisvær og en stripperstang på scenen. Her laver Lucia Odoom og FKA Twigs et mixtape over de stemmer, der har været med til at forme hendes helt særlige lyd. Og det er folk lige fra Patti Smith til den ikoniske koreograf Pina Bausch. Redaktion: Lucia Odoom, Jonas Bach-Madsen og Sille Westphal. See omnystudio.com/listener for privacy information.

"Crying The Neck" With seven marvelous albums under his musical belt, including 2003's Lycanthropy, 2005's Wind In The Wires and his latest album Crying The Neck, which broke a nearly fifteen-year hiatus from recorded music, Patrick Wolf is a wondrous talent. The London-born musician is one of the most arresting artists on the planet--his songs effortlessly meld trip-hop, electronica and indie rock into some of the most compelling, dramatic and altogether moving compositions you're likely to hear. Wolf's music is literary, emotionally precise and sonically arresting. I know a lot of people say his music is baroque and that's not too far off the mark, but an easier way to think of it is Tricky by way of Scott Walker. A multi-instrumentalist, a model, a producer, a playwright a label owner, a poet, and a student at Trinity College, Wolff has played with Arcade Fire, Patti Smith and The Hidden Cameras. He's the recipient of The Edmund Burke Medal from Trinity College Historical Society, Dublin for his Outstanding Contribution to Discourse through the Arts and he's on tour this summer. www.patrickwolf.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

Ramones. Blondie. Television. Talking Heads. Patti Smith. New York Dolls. Everyone knows the big names that made New York City THE epicenter of American punk rock in the 1970s. But that's only a part of the story... For every band that "made it" in some way, there were hundreds of bands who either faded into obscurity or never got the break they deserved. They shared the same stages at legendary clubs like CBGB and Max's Kansas City. And their stories are essential to the NYC punk revolution of the era. One of those bands was Manhattan's The Rousers, whose drummer, Jerid O'Connell, joins us as Third Lad today!  Rousers 1979 Sire Session is out now on Left For Dead Records on both black and translucent white individually numbered 12” LP vinyl and 2 x CD set (with bonus tracks). Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdi­vision Sire. But no one committed them to vinyl until their single “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981.  This oversight is corrected with the release of the demos that the original Rousers lineup cut for Sire in the label's basement studio on New York's Upper West Side in 1979.  Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and re­stored in 2024. This is not a footnote. It's a rescue mission. Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors.  We celebrate the true underground of NYC punk this week, including Jerid's incredible stories ranging from hanging out with Sid Vicious the week before his death to the Rousers' neighbor Madonna opening for them. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:08:31 - Le masque et la plume - par : Rebecca Manzoni - Seize ans après "Just Kids", Patti Smith poursuit son exploration mémorielle avec "Le Pain des anges", elle y détaille son enfance, le processus de création de ses albums et son rapport à l'écriture. Un livre "plein de grâce" pour certains, "trop sage" pour d'autres. - réalisation : Stéphane Le Guennec, Ilinca Negulesco - invités : Patricia Martin Journaliste et femme de radio française, Jean-Marc Proust Auteur et critique (Slate), Arnaud Viviant Critique littéraire (Revue Regards), Raphaëlle Leyris Journaliste au Monde, critique littéraire Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:51:37 - Le masque et la plume - par : Rebecca Manzoni - Ferrari face à l'enfer, Kennedy face au temps, Patti Smith face aux anges, Sylvie Germain face aux oiseaux, Lindenberg face à l'ombre : cinq romanciers, cinq façons d'interroger nos limites. - réalisation : Stéphane Le Guennec, Ilinca Negulesco - invités : Elisabeth Philippe Critique littéraire (L'Obs), Arnaud Viviant Critique littéraire (Revue Regards), Jean-Marc Proust Auteur et critique (Slate), Patricia Martin Journaliste et femme de radio française Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Elle relève de l'art la composition de ce repas complet, à emporter, disposé dans une boîte bento. C'est bien plus qu'une version nipponne de la gamelle, ou de la lunch box, le bento est un incontournable de la culture nippone. Au temps des samouraïs, une feuille de bambou suffisait à transporter quelques onigiris, ces triangles de riz. Depuis les années 80, à l'ouest comme à l'est, déjeuners, gouters, pique-niques se sont « bentoïsés » et ces boites – simples ou plus complexes, à étages et compartiments – se sont généralisées. Une tradition japonaise À l'intérieur des bentos : du riz, des légumes saumurés, une protéine – du tofu grillé pour la version végane telle que la propose Hiroko Shiraishi, à Paris. C'est dans sa cuisine que la cheffe nous reçoit avec sa complice, la photographe Dorothée Perkins. Elle explique que le bento au Japon est traditionnel et millénaire. Ces repas nomades sont des repas à emporter, qui permettent d'avoir avec soi au bureau, à l'école ou en voyage, un repas complet, dessert compris. « Ce sont les mères qui les préparent tous les jours. Elles se lèvent très tôt pour que les bentos soient prêts à l'heure du départ de chacun. » Au Japon, ces bento sont omniprésents, en vente dans les gares, dans les trains, dans les petites échoppes. Ils se déclinent selon les saisons et les régions.  Des bentos végan, avec de la couleur et toute une variété de textures Hiroko Shiraishi raconte qu'elle est devenue naturellement végane. Elle s'est longtemps intéressée à l'alimentation microbiotique et végétale, à l'équilibre entre le yin et le yang, le chaud et le froid. Lorsque cet équilibre se trouve déstabilisé, se nourrir autrement permet de rétablir cet équilibre. C'est ce qu'a fait Hiroko, pour permettre à son corps de respirer à nouveau. Depuis des années maintenant, elle crée des recettes véganes, qui nourrissent mieux, légères. Une cuisine du quotidien, économe, locale, colorée, et joyeuse qu'elle propose depuis six ans avec H Vegan Bento, le service traiteur qu'elle a fondé. À écouter aussiParis-Tokyo : récits et recettes métissées de deux pays qui s'aimantent L'art de se nourrir autrement ? Dans ce livre, Hiroko Shiraishi partage plusieurs aspects de sa cuisine : les inspirations des bentos, les sauces, les plats que l'on peut ensuite diviser en petites portions à emporter, ou bien conserver tels quels à partager, des desserts : elle donne les clefs pour se nourrir autrement, en mangeant mieux. Une cuisine exclusivement végane, qui l'a emmenée à créer, à inventer pour que l'absence de protéine animale ne laisse aucune impression de frustration. Le résultat est bluffant, tout est joyeux, coloré, loin de la cuisine végétale et végane telle qu'elle a pu laisser comme souvenir. Au-delà du repas, le bento incarne une philosophie : celle du soin apporté à l'instant présent, du respect des saisons et de la modération. Préparer un bento, c'est accepter de ralentir. Là réside peut-être l'art du bento : nous rappeler qu'un repas, même modeste, peut être un geste d'attention vers les autres et envers soi-même.  Avec : Hiroko Shiraishi, cheffe et fondatrice de H Vegan Bento, traiteur spécialisé dans les bentos végan | Instagram Dorothée Perkins, photographe et autrice de En cuisine avec Hiroko, Paris Tokyo mon amour aux éditions de La Martinière | Instagram Pour aller plus loin Dictionnaire gourmand du japon de Chihiro Masui – éditions Flammarion Miso de Setsuko Kurata et Lina Merkscha – éditions La Plage Japan Cantina de Clémence Leleu – éditions Hachette Cuisine japonaise maison de Maori Murota – Hachette Cuisine Japon, le livre de la cuisine végétarienne de Nancy Singleton – Phaïdon Japon, la cuisine à la ferme de Nancy Singleton – éditions Picquier Programmation musicale : « Adagh Oyantid » de Tamikrest  Et quelques notes de « Mother Rose » de Patti Smith en fin d'émission 

In this episode, host Anne Marie Gunn highlights the book “Pleasure Activism” by adrienne maree brown and shares her own lineage of who taught her how to feel good. “Hot & Heavy Homework” Prompt from “Pleasure Activism”:“Write up your pleasure activism lineage! Who awakened your senses? Who politicized your experiences of body, identity, sensation, feeling good? If they are still living, have you thanked them properly? If yes, good, do it again. If not, reach out. If they are ancestors, honor them with a pleasure altar covered in sticky fruit, sweet smalls, sacred water, and thick earth, centered around fire. Gratitude is part of pleasure too.” Additional sources mentioned/shared:PLEASURE Definition & Meaning - Merriam-Webster SENSUAL Definition & Meaning - Merriam-Webster The Tool Shed “Wild Geese” by Mary Oliver“Holy Hurt” by Hillary McBride“The Vagina Monologues” by V Ensler“Your Body is Not an Apology” by Sonya Renee Taylor“Sister Outsider” by Audre Lorde, specifically the essay “Uses of the Erotic”Other authors: Taylor Jenkins Reid and Patti Smith, Haley Jakobson, Jenny Slate, Cheryl StrayedVisual artists: Frida Kahlo, Hilma af Klint, Martha Jungwirth, Etel Adnan Musical artists: Bon Iver, Dijon, Rihanna, Janelle Monae, Chappell RoanQueer Sex Therapy on Instagram (Casey Tanner)

We're back in the Beatles Revolution feed today, remembering one of the greatest rock producers ever, Jack Douglas, who sadly passed away Monday (May 11), at age 80.Douglas not only produced many classic albums by John Lennon, Aerosmith, the Who, Patti Smith and others, he discovered Cheap Trick and kickstarted many other artists' successful music careers.Fortunately for us, Jack was a generous, kind soul with a great memory and stories for days. Ken's 2019 interview with him was released in two parts. With this episode, we put both parts in one, so you can just let it roll and enjoy Jack at his best: in conversation.See omnystudio.com/listener for privacy information.

On this episode, Marc talks with Caryn Rose, author of Why Patti Smith Matters, published by the University of Texas Press, and Three Chords and Blessed Noise: A Patti Smith Tour Chronicle, a chapbook released on her own Till Victory Press imprint. The former is part biography, part memoir of Smith fandom, and part critical analysis of Smith's work and life. The latter is a tour diary that Rose wrote when she went to four Smith concerts held in celebration of the 50th anniversary of Smith's debut album Horses in November of 2025.Taken together, these books paint a portrait of Smith as a vital artist but also a devoted worker, someone who never stops putting time and energy into her art. Rose herself has been a writer for many decades, so she knows what it's like to treat creativity as a job, and it makes her insights about Smith particularly sharp.As Rose writes in Why Patti Smith Matters, "This is not a biography and this is not a hagiography. This is a book about Patti Smith's work, because it is her work that matters, and because of that work and the value that she places on her labor within the creative process."We hope you enjoy Marc's conversation with Caryn Rose!

On this episode of Talking Guitars, we remember legendary producer Jack Douglas, who has passed away at the age of 80. Throughout his incredible career, Douglas worked with some of rock's biggest names, including Aerosmith, Cheap Trick, John Lennon, Blue Öyster Cult, Patti Smith, and the New York Dolls. Born in the Bronx, New York, Douglas started out as a folk musician before attending the Institute of Audio Research and landing a job at the legendary Record Plant — first as a janitor, then quickly rising to become one of rock's most respected engineers and producers. Along the way, he contributed to classic recordings by The Who, Miles Davis, Alice Cooper, and many more. Douglas is perhaps best known for producing Aerosmith's classic albums Get Your Wings, Toys in the Attic, Rocks, Draw the Line, Rock in a Hard Place, Honkin' on Bobo, and Music from Another Dimension! He also engineered and co-produced landmark albums including John Lennon's Imagine, Double Fantasy, and Milk and Honey, while contributing to legendary records like The Who's Who's Next and Cheap Trick's self-titled debut album. His close relationship with Aerosmith even earned him the nickname “the sixth member” of the band, and his influence on rock music can still be heard today. Join us as we look back at the life, music, and legacy of one of rock's most influential producers.

Patti Smith is returning to her native Chicago this fall - but not for a concert. The Rock and Roll Hall of Famer is accepting this year's Harold Washington Literary Award.

Patti Smith is returning to her native Chicago this fall - but not for a concert. The Rock and Roll Hall of Famer is accepting this year's Harold Washington Literary Award.

Patti Smith is returning to her native Chicago this fall - but not for a concert. The Rock and Roll Hall of Famer is accepting this year's Harold Washington Literary Award.

Anna and Geoff discuss the 2026 Women's Prize for Fiction Shortlist. Is it  more commercial than usual?   Our book of the week is LÁZÁR by Nelio Biedermann translated by Jamie Bulloch. This sweeping historical novel about the aristocratic von Lázár family during the 20th century from the Austro Hungarian empire through to Russian occupation is a buzzy debut which has received much praise. Patti Smith, Dua Lipa and Christian Kracht are fans.    It prompted some questions: Is One Hundred years of Solitude a good comparison? What is the meaning of the translucent skin and gothic forest? Can you spot the modern literature references (Anna missed most of them!) Here are some read-alikes if you enjoyed Lázár: Held by Anne Michaels Beddebrooks by Thomas Mann The Director by Daniel Kehlmann translated by Ross Benjamin The Radetzky March by Joseph Roth translated by Michael Hofmann Coming up: TRANSCRIPTION by Ben Lerner Follow us! Email: Booksonthegopodcast@gmail.com Instagram: @abailliekaras  Substack: Books On The Go Credits Artwork: Sascha Wilkosz  

Borderless sanat kitapları buluşması bu yıl yedinci kez düzenleniyor; Bilgi öğrencilerinin hazırladığı çağdaş gösteri sanatları festivali Fest408 on beş yaşında; Mardin Bienali'nin yedincisi bu hafta sonu Yer/Gök temasıyla kapılarını açıyor; Patti Smith uzun bir aradan sonra İstanbullu izleyicileriyle bu Pazar akşamı buluşuyor. Kent Takvimi'yle haftanın notları yayında!

Quel est le point commun entre David Bowie, Nicoletta, Elvis Presley, Ella Fitzgerald et Marie Laforêt ? Depuis les années 1940, ces objets mystérieux fascinent, inquiètent et divisent. Insaisissables, peut-être, et pourtant ils s'infiltrent partout : dans les archives militaires, la musique, le cinéma et dans l'imaginaire collectif. Dans cet ouvrage, notre invité Egon Kragel, artiste et ufologue, explore l'impact culturel de ces phénomènes et montre comment l'ovni et ses passagers ont dépassé le statut de simple fait divers pour devenir une véritable machine à créer et à penser. Dans cette émission, nous allons aborder la pop culture en musique. Pour cela, l'auteur a rencontré des personnalités et recueilli leurs témoignages. Il ouvre également sa collection de disques et de long-métrages. Egon Kragel assure donc la programmation musicale de cette émission. Egon Kragel a déjà écrit Ovnis – Enquête sur un secret d'État avec Yves Couprie (Cherche-Midi), puis rédigé trois autres ouvrages sur le sujet. Il donne de nombreuses conférences. Il est également auteur, compositeur et interprète. – The Buchanan Brothers, When You See Those Flying Saucers – 1947 (première chanson écrite sur le phénomène). – Ella Fitzgerald Two Little Men in a Flying Saucer – 1951 – David Bowie, Starman – 1969 – Parliament Mothership Connection – 1975 – Nina Hagen, UFO – 1982 – Patti Smith, Birdland – 1975 – Stevie Wonder, Saturn – 1976 – Ry Cooder, UFO Has Landed in the Ghetto – 1982 Medley à la française avec : — Les 3 Horaces La Java martienne – 1957 (Boris Vian) – Henri Salvador, Le Martien – 1963 — Françoise Hardy, Le Martien – 1971 – Armande Altaï, Le Message de l'Espace – 1979 — Marie Laforêt L'Homme de l'Espace – 1980 – Et enfin Marie José, Sur une Soucoupe Volante – 1954 L'Instagram d'Egon Kragel

Quel est le point commun entre David Bowie, Nicoletta, Elvis Presley, Ella Fitzgerald et Marie Laforêt ? Depuis les années 1940, ces objets mystérieux fascinent, inquiètent et divisent. Insaisissables, peut-être, et pourtant ils s'infiltrent partout : dans les archives militaires, la musique, le cinéma et dans l'imaginaire collectif. Dans cet ouvrage, notre invité Egon Kragel, artiste et ufologue, explore l'impact culturel de ces phénomènes et montre comment l'ovni et ses passagers ont dépassé le statut de simple fait divers pour devenir une véritable machine à créer et à penser. Dans cette émission, nous allons aborder la pop culture en musique. Pour cela, l'auteur a rencontré des personnalités et recueilli leurs témoignages. Il ouvre également sa collection de disques et de long-métrages. Egon Kragel assure donc la programmation musicale de cette émission. Egon Kragel a déjà écrit Ovnis – Enquête sur un secret d'État avec Yves Couprie (Cherche-Midi), puis rédigé trois autres ouvrages sur le sujet. Il donne de nombreuses conférences. Il est également auteur, compositeur et interprète. – The Buchanan Brothers, When You See Those Flying Saucers – 1947 (première chanson écrite sur le phénomène). – Ella Fitzgerald Two Little Men in a Flying Saucer – 1951 – David Bowie, Starman – 1969 – Parliament Mothership Connection – 1975 – Nina Hagen, UFO – 1982 – Patti Smith, Birdland – 1975 – Stevie Wonder, Saturn – 1976 – Ry Cooder, UFO Has Landed in the Ghetto – 1982 Medley à la française avec : — Les 3 Horaces La Java martienne – 1957 (Boris Vian) – Henri Salvador, Le Martien – 1963 — Françoise Hardy, Le Martien – 1971 – Armande Altaï, Le Message de l'Espace – 1979 — Marie Laforêt L'Homme de l'Espace – 1980 – Et enfin Marie José, Sur une Soucoupe Volante – 1954 L'Instagram d'Egon Kragel

durée : 00:49:27 - La 20e heure Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Lenny Kaye será eternamente recordado como el guitarrista de Patti Smith durante los años 70 y en las últimas tres décadas. Periodista e historiador musical, responsable de la mítica compilación “Nuggets”, productor y colaborador de otros artistas. Las grabaciones a su nombre son escasas y muy dispersas a lo largo del último medio siglo. A sus 79 años el neoyorquino anuncia nuevo trabajo a su nombre con el sello Yep Roc Records. El primer adelanto, “Goin’ local”, nos sirve de excusa para recordar una trayectoria en la que nunca ha dejado de defender sus pasiones artísticas.Playlist;THE FLESHTONES feat LENNY KAYE “Comin’ home baby” (Brooklyn sound solution, 2011)LENNY KAYE “Goin’ local” (2026)PATTI SMITH and LENNY KAYE “Ballad of a bad boy” (live, 10 febrero de 1971)PATTI SMITH GROUP “Till victory” (Easter, 1978)LINK CROMWELL “Crazy like a fox” (1966)LENNY KAYE “Child bride” (1980)LENNY KAYE “Sacramento and polk” (Por Vida: A tribute to the songs of Alejandro Escovedo, 2004)LENNY KAYE “I wanna know” (Daddy Rockin' Strong: A tribute to Nolan Strong & the Diablos, 2010)PATTI SMITH and LENNY KAYE “Pale blue eyes” (R&R Hall of Fame Induction, live 1996)PATTI SMITH “White rabbit” (Twelve, 2007)PATTI SMITH “Fuji-san” (Banga, 2012)PATTI SMITH GROUP “Radio Ethiopia” (Radio Ethiopia, 1976)Escuchar audio

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Es imposible no ser de Patti Smith, galardonada con el Premio Princesa de Asturias de las Artes. Patti no es sólo música, es literatura, es poesía y es arte puro. Fue una niña que aterrizó en Nueva York y que trabajó en librerías, donde dormía, porque vivía sumida en una pobreza extrema. Una muchacha fascinada por Keith Richards, al que imitaba a la hora de vestir. Se subía a los escenarios para hacer recitales de poesía y de repente, en 1975, se reveló como una artista global.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Patti Smith gana el Premio Princesa de Asturias de las Artes 2026 y los profesionales y expertos con experiencia de tres años podrán impartir clases de FP en Madrid. Eva Soriano y Nacho García comentan la actualidad del jueves 30 de abril de 2026.

El Departamento de Justicia de Estados Unidos presentó ayer una acusación formal contra 11 funcionarios de Sinaloa. Entre ellos está incluido el actual gobernador morenista, Rubén Rocha Moya, y mandos de corporaciones policiales del estado.El Senado aprobó con mayoría el ingreso de 96 militares estadounidenses a México para capacitar a las Fuerzas Armadas. Tatiana Clouthier anunció públicamente su intención de buscar la gubernatura de Nuevo León en las elecciones de 2027.Siete familias de las víctimas del tiroteo en Tumbler Ridge, Canadá, presentaron demandas en California contra OpenAI y su CEO, Sam Altman, por negligencia al no alertar a las autoridades sobre las interacciones de la atacante con ChatGPT. Este ataque ocurrió en febrero pasado, cuando Jessie Van Rootselaar, de 18 años, disparó en una escuela secundaria.Esta semana arrancó el juicio entre Elon Musk contra Sam Altman en el que se definirá, básicamente, el futuro de OpenAI y el manejo de la inteligencia artificial.Patti Smith recibió ayer el Premio Princesa de Asturias de las Artes 2026, uno de los galardones más prestigiosos del mundo hispanohablante y reconoce contribuciones sobresalientes en áreas como música, literatura, ciencia y cooperación internacional. La cantante country Kacey Musgraves se irá de gira y los hermanos Gámez-Cuéllar serán sus teloneros. El trío de adolescentes mariachis fueron detenidos por ICE en febrero pasado y liberados en marzo.Para enterarte de más noticias, suscríbete aquí a nuestro newsletter y síguenos en redes sociales. Estamos en todas las plataformas como Te lo cuento. Hosted on Acast. See acast.com/privacy for more information.

Hoy celebramos el Premio Princesa de Asturias de las Artes a Patti Smith. Para ello, hablamos con nuestra compañera Paula Quintana. También entrevistamos a Lola Martínez de Albornoz, editora de Lumen el sello que publica a Patti Smith en España.Entrevistamos también a la escritora Laura Fernández, que acaba de publicar 'Diminuta casa encantada', una historia multidimensional desbordante de diversión y fantasía.Pedro Torrijos, en su sección de arquitectura, nos cuenta la historia de los dos apagones históricos que sufrió la ciudad de Nueva York. Vemos qué ocurre cuando la ciudad que presume de no dormir nunca se durmió de golpe.Escuchar audio

El periodista reflexiona sobre la carrera de Patti Smith, que ha sido galardonada con el Premio Princesa de Asturias de las Artes 2026. El jurado valora de ella su creatividad y la conexión en su obra entre la poesía, el rock y el espíritu de la cultura. Dice el jurado que sus canciones palpitantes son iconos de la música de nuestro tiempo.

Iron Maiden will not attend their induction into the Rock And Roll Hall Of Fame due to scheduling conflicts with their upcoming Australian Tour, Slayer announce two special shows in the U.S. to celebrate the 40th anniversary of ‘Reign In Blood' by performing the album in its entirety,  former Metallica bassist Jason Newstead will embark on his first ever U.S. headlining tour with his Chophouse Band and Blackberry Smoke, the sons of Motorhead's Phil Campbell announce a few memorial shows in the UK to honor their late father with their family-centric ‘Bastard Sons' band, CBGB festival returns to New York for its second year with Patti Smith, Interpol, Morrissey & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#IronMaiden #Slayer #JasonNewstead #PhilCampbellsBastardSons #CBGBFest #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

Ben and Ione open with childhood party games (Catch and Kiss vs Seven Minutes in Heaven), then riff on their Pulp/Dave Grohl clip going viral and what it means to be living in "clip culture" where people quote your Shorts but never listen to the pod. Ione shares a tantalising story about a famous actress at a Hollywood party she can't name. They debate Gen X restraint on the internet versus younger generations' oversharing. Ben recounts a Bondi Boys album launch that felt like an 80s NYC loft party (no MDMA in the wine, definitely not). The second half digs into Lena Dunham's #1 NYT book, why divisive women in culture get asked to play the "mad bad crazy witch" role, and the Patti Smith vs Lena Dunham model of provocation. And finally a chat about the tactile fanzine revival moment — after an enlightening experience printing actual flyers for his May shows with Zoe from The Boys.Dive deeper into our world at https://weirdertogether.substack.com

“If you play piano, bass guitar, saxophone, I don't care - I'll play with you all night. That's how I did it. And I tell all my grandkids - get an event, get a few of your schoolmates together. They're practising and playing by themselves. Get with people!”Regan Morris speaks to musician Ringo Starr about his career. Born in Liverpool, England, during the Second World War in 1940, Ringo, real-name Richard Starkey, found fame as the drummer of the legendary British band The Beatles - widely regarded as one of the most influential acts in music history.After joining John Lennon, Paul McCartney and George Harrison in 1962, the four-piece became a global pop music sensation through hits such as ‘She Loves You', ‘Yesterday', ‘Penny Lane', and ‘Hey Jude'. They also released multiple studio albums and starred in five major motion pictures.Although the band split up in 1970, their legacy continues to live on. They remain one of the best-selling musical acts of all time over half a century later. And such was his and the band's cultural impact, that Ringo, one of two surviving members of The Beatles, received a knighthood at Buckingham Palace for his services to music in 2018.But despite achieving seemingly all that can be achieved in a music career, the 85-year-old seems to be showing no interest in retirement — he's just released his third country album, which is his 22nd album as a solo artist. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Stevie Wonder, Patti Smith and Pete Townshend. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Regan Morris Producer: Ben Cooper Editor: Farhana HaiderGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Ringo Starr Credit: Jason Kempin/Getty Images)

Gary Lachman in conversation with David Eastaugh https://www.amazon.co.uk/Touched-Presence-Blondies-Bowery-Occult/dp/B0DSV388DQ https://www.gary-lachman.com/ https://garylachman.co.uk/ In this memoir, Lachman recounts how he went from being a successful rock and roller to a writer on consciousness and the Western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, and Iggy Pop and also his time with Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from CBGB, the birthplace of punk rock, Lachman discovered occultism via a follower of Aleister Crowley. Post rock and roll, Lachman's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff 's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a science writer while managing a famous metaphysical bookshop at the height of the New Age movement. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines and pilgrimages to Colin Wilson's home in Cornwall are a few of the highlights of this introspective, often humorous account of a nascent writer's struggle from rock and roll to individuation.

In the latest episode of None But The Brave, co-hosts Hal Schwartz and Flynn McLean report on the Springsteen Center For American Music's 4th annual American Music Honors event, which took place Saturday night on the campus of Monmouth University. The honorees this year were Dionne Warwick, The Doors, Dr. Dre, The E Street Band, and Patti Smith. There was also a special tribute to The Band. At the start of the episode, Hal gives his thoughts on the Phoenix stop of the 2026 Land Of Hope & Dreams Tour. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast. This show is sponsored by DistroKid. Use this link to support the show and get 30% off your first year: http://distrokid.com/vip/nbtb Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are joined by narrative film director Chandler Levack to discuss her video store-centered film, I Like Movies, and her latest film, based on her time as a music critic in Montreal, Mile End Kicks.We discuss her teenage years working at Blockbuster video and what kind of employee she was, getting her start writing music reviews at age 18, music critic heroes, what Montreal meant for music in the 2010s, working with Barbie Ferreira (Euphoria) who plays a version of herself in Mile End Kicks, recreating and revisiting personal trauma in her films, Alanis Morissette's Jagged LIttle Pill, musicals based on rock albums, the struggle to get Mile End Kicks made, Susan Seidelman's Smithereens, the fictitious band Bone Patrol, Patti Smith, breaking down some of the deep cut Canadian jokes in her films, Sloan, Much Music, the surreal aspect of having Adam Sandler help make her latest film Roommates, what kind of film does Chandler want to make next, and more!CHANDLER LEVACK:PUP MUSIC VIDEO: www.youtube.com/watch?v=4gnntMvMgx4I LIKE MOVIES TRAILER: www.youtube.com/watch?v=3yvWA1h3p04MILE END KICKS TRAILER: www.youtube.com/watch?v=mzaCmw_VrlICHANDLER LEVACK: instagram.com/clevackHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

durée : 00:57:33 - Very Good Trip - par : Michka Assayas - Voix brute et âme libre, Patti Smith s'empare des chansons des autres pour mieux révéler la sienne. Que ce soit Dylan, Young, ou Cobain, elle ne reprend pas, elle habite. - réalisation : Vincent Godard Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

The Rock and Roll Hall Of Fame 2026 inductees were announced, and guess what? You’re pissed! So we are starting our own Hall of Fame. Plus, we are hearing from you through your voicemails, texts, and emails about Tom Waits, Patti Smith, and, of course, this week’s subject, Grace Jones. Welcome to the After Party, Disgos! For more great music and true crime stories, check out our archive, including episodes on: George Michael Madonna Jeff BuckleySee omnystudio.com/listener for privacy information.

Disgos, we’ve got some big news—and you’re hearing it first. Also, Patti Smith has us asking (and answering), which movies about the Chelsea Hotel are worth watching, plus your voicemails, texts, DMs and more on the greatest music memoirs. For more great stories, check out our archive of over 250 episodes, featuring artists like: Mia Zapata Lisa "Left Eye" Lopes Metallica See omnystudio.com/listener for privacy information.

The Lindbergh Baby Kidnapping, Helter Skelter, the .44 Caliber Killers, the crime and grime of 70s New York; Central Park, the Chelsea Hotel, 42nd St., rape, murder, and the influence of junkie poets, and thieving novelists, all of it compelled Patti Smith to create music “for the criminals”, and perhaps to also survive, when so many other artists did not. To listen to Disgraceland ad free and get access to exclusive bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter) ⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠TikTok⁠ See omnystudio.com/listener for privacy information.

Fresh off of reading Patti Smith’s excellent memoir Just Kids in preparation of our upcoming Patti episode, we are discussing our favorite music history memoirs and autobiographies, everything from Henry Rollins to Carrie Brownstein back to Henry Rollins via David Lee Roth and more plus, as always, your voicemails, texts, dms, emails and a new segment we’re calling “New Song Old Song”.See omnystudio.com/listener for privacy information.

Headlines for March 25, 2026; New DHS Head Markwayne Mullin Is “Trump Loyalist, Anti-immigrant, Incompetent”: Rep. Delia Ramirez; Pentagon Whistleblower Criticizes “Bloodthirst” of Iran War, Says Hegseth Is Enabling War Crimes; Patti Smith Remembers Rachel Corrie, Sings “Peaceable Kingdom” at DN!’s 30th Anniversary Event; “People Have the Power”: Patti Smith, Bruce Springsteen, Michael Stipe at Democracy Now! Celebration