Podcast appearances and mentions of Giovanni Boccaccio

Quase um terço da população europeia deixando a vida em um pandemia de alguns anos! Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre o que foi a Peste Negra.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube, e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja!www.lolja.com.br/creators/historia-em-meia-hora/PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- SHREWSBURY, J. F. D. A History of Bubonic Plague in the British Isles. Cambridge: Cambridge University Press, 2005- NASCIMENTO, Flávia Vianna do. Sacerdotis profanus: a crítica ao clero em Decamerão de Giovanni Boccaccio. In: Semana de Historia da UFF, 2012, Niterói. Semana de História da Uff - Caderno de Resumos. Niteroi: Universidade Federal Fluminense, 2012.- PIRENNE, Henri. As cidades da Idade Média: ensaio de história econômica e social. 2. ed. Lisboa: Europa-América, 1964.- VILA-CHÃ, João J. “Renascimento, Humanismo E Filosofia: Considerações Sobre Alguns Temas E Figuras”. In: Revista Portuguesa de Filosofia, vol. 58.4, 2002. Disponível em: http://www.jstor.org/stable/40337719 Acessado em: 01/03/2016- SIMONI, Karine. De peste e literatura: imagens do Decameron de Giovanni Boccaccio. Anuário de Literatura (UFSC), v. 12, p. 3, 2007. Disponível em: https://periodicos.ufsc.br/index.php/literatura/article/viewFile/5447/4882

Quand le passé n'a jamais eu lieu. Périodes entières inventées, figures historiques imaginaires, événements majeurs falsifiés : le récentisme soutient que notre chronologie officielle a été construite de toutes pièces par des faussaires avides de pouvoir. Dans cet épisode, Gaël et Geoffroy démêlent les fils de cette théorie vertigineuse qui considère que l'Histoire est une gigantesque imposture. Des spéculations savantes d'Isaac Newton aux hypothèses radicales de François de Sarre, en passant par les équations chronologiques d'Anatoly Fomenko, ils explorent un récit alternatif qui bouleverse notre conception au temps et interroge notre rapport à la vérité et à la fabrication du réel. Musique : Thibaud R. Habillage sonore / mixage : Alexandre Lechaux Le Shop Tous Parano

Gelesen von Werner Seuken

We're venturing to Garfagnana, Italy, in the Year of Our Lord 1347, for a raunchy comedy based on The Decameron by Giovanni Boccaccio. In the film, three medieval nuns lead a simple life in their convent until a virile young servant who's been forced into hiding by his angry lord appears, and the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry. The film, written and directed by Jeff Baena, has an all-star cast, including Alison Brie, Aubrey Plaza, Kate Micucci, Dave Franco, Jemima Kirk, John C. Reilly, Molly Shannon, Fred Armisen, and Nick Offerman. Baena, who passed away earlier this year, was married to co-star Aubrey Plaza. In their review, the Catholic League called the film “pure trash.” But is the price of admission into this Garden of Earthly Delights worth the penance, or do we love the sin but hate the sinner?   If you are in crisis, you should call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255), or text the Crisis Text Line (text HELLO to 741741). Both services are free and available 24 hours a day, seven days a week.   ITHACON 48 is April 5-6, 2025, at Ithaca College in Ithaca, NY! Details at https://www.ithacon.org/    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Un viaggio nel capolavoro di Giovanni Boccaccio che, tra peste e racconti di vita, ci mostra quanto siamo simili agli uomini e alle donne del Trecento. Scopriremo insieme l'ironia, le avventure e la saggezza nascosta nelle cento novelle che hanno rivoluzionato la letteratura italiana.

Spine 631 is a boxset of Pier Paolo Pasolini's "Trilogy of Life", a collection of adaptations of collections of stories. We kick it off this week with The Decamaron, based on Giovanni Boccaccio's 14th century collection of tragic and erotic stories. Pasolini adapts these as celebrations of pre-capitalist, pre-consumerist sex, language, and dentistry. Pasolini's Decamaron is very horny, and very fun. We can't wait to see what he does in the rest of the Trilogy of Life

This week, we discuss two anthology films. The first is The Decameron (1971), written and directed by Pier Paolo Pasolini, based on the 14th-century allegory by Giovanni Boccaccio. It is the first film of Pasolini's Trilogy of Life, the others being The Canterbury Tales and Arabian Nights. Each film was an adaptation of a different piece of classical literature focusing on ribald and often irreligious themes. The tales contain abundant nudity, sex, slapstick and scatological humour. The second is Paris, je t'aime (2006), starring an ensemble cast of actors of various nationalities. The two-hour film consists of eighteen short films set in different arrondissements (districts). It was the first film in the Cities of Love franchise.   Timestamps What we've been watching (00:01:00) –  Shogun, Saturday Night, A History of Violence, Conclave, Everybody Knows, Predator 2 The Decameron (00:31:52) Paris, je t'aime (00:47:20) Coin toss (01:08:30)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

Marco Alfano"Parole a manovella"La linea scrittawww.lalineascritta.itSpesso i grandi scrittori si mettono a giocare mentre scrivono.Dagli insospettabili Dante e Boccaccio fino a Joyce, Nabokov, Cortàzar e Primo Levi, solo per citarne alcuni, la letteratura si è nutrita e si nutre sottotraccia di sperimentazioni sulla forma che sono delle vere e proprie macchine giocose, i cui ingranaggi sono regole rigorose che producono piacere aggiuntivo nel lettore. E soprattutto che hanno la funzione di stimolo alla creatività, come ben sapevano gli scrittori dell'OuLiPo come Perec e Queneau (cui si unì Italo Calvino), che hanno prodotto capolavori assoluti a partire da una griglia di norme formali in cui sbizzarrirsi con la fantasia per ottenere il miglior risultato, proprio come in un gioco di società.E, d'altra parte, il piacere del gioco, che sia coltivato individualmente o in gruppo, si alimenta spessissimo con la lingua, le parole e la loro duttilità, i sensi multipli (e i nonsensi), le assonanze. Dal Gioco del vocabolario al Telegrafo senza fili, dal Taboo ai surrealisti Cadaveri Squisiti, ai molteplici giochi enigmistici il divertimento passa attraverso il linguaggio, la sua manipolazione gioiosa, lo stupore infantile della scoperta di nuovi sensi e nuovi suoni.Questo laboratorio vuole affrontare con serissima leggerezza la relazione tra parola e gioco, in entrambe le direzioni: usare il gioco e le sue regole come strumento creativo per scrivere e le parole per giocare e divertirsi. Lo faremo attraversando la miriade di forme della ludoscrittura, leggendo e analizzando gli scrittori e i poeti che l'hanno praticata ma soprattutto scrivendo e giocando assieme.  A chi è rivolto:A chi scrive e vuole aggiungere nuovi utensili, manovelle, trottole, scatole a molla e caleidoscopi alla sua cassetta degli attrezzi narrativaA chi è appassionato di giochi, letteratura, enigmistica, poesia, combinatoria, scrittura umoristicaA chiunque, che sia o no incluso nelle due categorie precedenti, voglia divertirsi e impararenuovi giochi e cimenti da sperimentare in gruppo o da soloCome si articolaSei incontri in videoconferenza, il giovedì, di due ore ciascuno, con una parte teorica e, principalmente, l'applicazione pratica e creativa delle varie forme di scrittura ludica o “a contrainte”. Esercizi, giochi e scritture saranno condivisi continuativamente attraverso una mailing list e un gruppo Facebook che saranno attivi durante il laboratorio e anche successivamente.Alcuni degli argomenti/giochi:l'OuLiPo e la scrittura a contrainte; Lipogrammi e tautogrammi; Acrostici, palindromi e anagrammi; Poesia metasemantica; Le lingue inventate; Le parole inesistenti e il gioco del vocabolario; La combinatoria; Le forme poetiche come Ur-contraintes; Il nonsense e i Limericks; Le scritture automatiche; Il cut-up di Borroughs; Il cinegioco (gioco dei titoli).Alcuni degli autori trattati:Georges Perec; Raymond Queneau; Primo Levi; Stefano Bartezzaghi; Giampaolo Dossena; Umberto Eco; Italo Calvino; Tommaso Landolfi; Julio Cortázar; Jorge Luis Borges; J. Rodolfo Wilcock; Giorgio Manganelli; Marcello Marchesi; Achille Campanile; Ettore Petrolini; Raymond Roussel; Leonardo Sciascia; Vladimir Nabokov; Giovanni Boccaccio; Dante Alighieri; Gianni Mura; Beppe Varaldo; Toti Scialoja; Edward Lear; Lewis Carroll; Fosco Maraini.Marco AlfanoCura per Lalineascritta, nei cui laboratori si è formato, il sito web, e i corsi in videoconferenza, che ha ideato e realizza assieme ad Antonella Cilento dal 2011. È docente del laboratorio di ludoscrittura "Parole a Manovella". Ha pubblicato racconti in numerose antologie, sui quotidiani L'Unità e Roma e sulla rivista internazionale «Storie». È in preparazione una sua raccolta di poesie illustrate ispirate a Toti Scialoja e sta lavorando al suo primo romanzo. Musicista, è stato membro fondatore dei Panoramics (con i quali ha tra l'altro composto le musiche originali per lavori video e teatrali di Mario Martone e Andrea Renzi e collaborato con Enzo Moscato e Peppe Servillo) ed è attualmente componente dei Ferraniacolor, pop band il cui album di esordio è uscito nel marzo del 2018. È tra gli autori di «Perdurante», tributo a Francesco Durante pubblicato nel 2021 dall'OpLePo, sezione italiana dell' OuLiPo.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

En la segunda conferencia del ciclo “Cuentos medievales: el Decamerón y los Cuentos de Canterbury”, el profesor titular de Filología Italiana de la Universidad Autónoma de Madrid, Lorenzo Bartoli, expone la relevancia del Decamerón (c. 1353) de Giovanni Boccaccio, escrito durante el periodo de la Baja Edad Media y tras la epidemia de la peste negra de 1348, para la construcción de la tradición cultural europea, así como su actualidad en el debate social y cultural contemporáneo.Más información de este acto

L'Eau Trois by Diptyque (1975) + Pier Paolo Pasolini's The Decameron (1971) + The Decameron by Giovanni Boccaccio (1348-53) with Catherine of Temple of Friendship 9/2/24 S6E67 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Podcast host Neal Pollack revisits his roots this week as he interviews his old friend Arthur Bradford, the director of 'To Be Destroyed', a new short documentary about the efforts of the school district of Rapid City, South Dakota, to ban a bunch of books, including the novel 'The Circle' by Dave Eggers.If you mess with Dave Eggers, you'd best not miss. And they did miss. Arthur was once a writer but is now a documentary filmmaker. He and Eggers had been talking about doing a documentary, but this was the obvious topic. Eggers went to South Dakota and met with students, and Arthur accompanied him. A crusade against injustice ensued. Neal and Arthur talk about the film and the issues at hand, and also about Neal's "psychological issues" surrounding his former colleague and mentor Eggers. A revealing conversation ensues about the realities of book banning and why Neal wants a camera crew to "follow me to Trader Joe's."A more conventional but still insightful segment follows. Contributor Greg Ford joins Neal to talk about the strange new adaptation of Giovanni Boccaccio's 'The Decameron', now airing on Netflix. They both enjoyed the performance of main character Tanya Reynolds but also found the adaptation to be overly long and needlessly silly. Greg, who has actually read 'The Decameron,' also notes that the show isn't nearly as bawdy as the book itself, which was controversial in its time for its overtly sexual and anti-clerical content, two issues that are not a problem today.Enjoy the show!

Coucou everyone! We're back - we had a fabulous summer and are ready to share more Europhile episodes with you! :) On this week's episode, we discuss what is considered to be thee original Italian novel, The Decameron (Il Decamerone) by Giovanni Boccaccio. Inspired by the recent debaucherous Netflix show, Kate tells us about why it was trailblazing, why it was controversial and why it eventually was (briefly) banned by the Catholic Church - naughty! For the mini topic, Catherine then tells us about the tragic tale of Amedeo Modigliani and his muse, Jeanne Hébuterne. So please join us this week and enjoy! Main topic sources: Britannica: The Decameron⁠ British Library: Il Decamerone - 'Corrected' by Rome Spark Notes: The Decameron Mini topic sources: The Tragic Story of Jeanne Hébuterne and Modigliani Jeanne Hébuterne wiki Kate's recommendation: Officine Universelle Buly Body Oils⁠⁠⁠ Catherine's recommendation: "Rebecca" by Daphne du Maurier (1938) Don't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :) Cover art and logo by Kate Walker Mixed and edited by Catherine Roehre Theme song by Lumehill Thank you all - ciao! --- Support this podcast: https://podcasters.spotify.com/pod/show/europhile/support

The 14th century collection of short stories, The Decameron, by Giovanni Boccaccio, isn't obvious inspiration for a Netflix comedy. But creator and showrunner Kathleen Jordan has done just that, creating a dark comedy set in the midst of the Black Plague. She joins us to discuss the show, which is available to stream now on Netflix.

Earlier this week, new comedy drama The Decameron dropped on Netflix. Based on a set of 14th-century tales by Giovanni Boccaccio, it follows the raucous exploits of a group of medieval Italian nobles, after they flee to the hills to escape the Black Death. Boccaccio's text is one of the key sources we have on the plague pandemic that ravaged Europe in the 1340s, so with the release of the new series, we're bringing you an archive episode all about the Black Death. Speaking to David Musgrove back in 2021, historian John Hatcher answers your questions on the pandemic. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Blue Ruin by Hari Kunzru is a novel about how we live now, the price we pay for the choices we make, and who gets to call themself an artist. Kunzru joins us to talk about structure and character development, identity and culture, authenticity in storytelling and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.           Featured Books (Episode): Blue Ruin by Hari Kunzru White Tears by Hari Kunzru Red Pill by Hari Kunzru The Decameron by Giovanni Boccaccio

Emilio BraghinContinua il viaggio. Passato e futuro di un alimento: il formaggio Parmigiano ReggianoMemoria Festival, Mirandolawww.memoriafestival.it25 Maggio 2024, ore 15:00Continua il viaggio. Passato e futuro di un alimento: il formaggio Parmigiano ReggianoCon Emilio Braghin, Alberto Pecorari e Mario ZannoniUn sapore che di certo non si dimentica è quello del Parmigiano Reggiano, un'eccellenza gastronomica del territorio, di cui Emilio Braghin, presidente sezione di Modena del Consorzio, Mario Zannoni, professore e storico e tecnico esperto e Alberto Pecorari, responsabile dei servizi istituzionali del Consorzio, illustrano tutte le virtù.In collaborazione con il Consorzio del Formaggio Parmigiano Reggianohttps://www.parmigianoreggiano.com/it/“Et eravi una montagna tutta di formaggio Parmigiano grattugiato, sopra la quale stavan genti, che niuna altra cosa facevan, che fare maccheroni e ravioli e cuocerli in brodo di capponi, e poi li gittavan quindi giù, e chi più ne pigliava, più se n'aveva”Giovanni Boccaccio, Decamerone, 1351, nel descrivere il Paese del Bengodi.Emilio Braghin, presidente della sezione di Modena e membro del comitato esecutivo del Consorzio Formaggio Parmigiano Reggiano, è stato funzionario dell'Associazione Interprovinciale Produttori Carne, funzionario Legacoop settore agricolo zootecnico lattiero-caseario, funzionario responsabile ufficio soci conferimento latte panne e Parmigiano Reggiano del consorzio Granterre, ricoprendo nello stesso periodo diversi incarichi, tra cui quello di amministratore del gruppo Granlatte e collaborando con la Regione Emilia Romagna e il Ministero delle politiche Agricole. Ha fatto parte delle Commissioni di indagini governative per le quote latte ed è stato membro del COPA-COGECA con la Commissione Agricoltura Europea nel settore lattiero-caseario. Dal 2011 è presidente della Cooperativa Casearia Castelnovese SCA e dal 2012 è Amministratore del Consorzio Formaggio Parmigiano Reggiano.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

“It's like our mind wants to categorize things, and it's much easier to feel pity than trying to embrace the complexity that life goes on and you can live in the midst of war.” Elena Tochilina is a Ukrainian coach and consultant as well as a colleague at Cultivating Leadership. In this conversation she challenges Wendy, and all of us, to step away from pity and see life in the midst of war as changing, evolving, and composed of not just pain but also beauty. Mentioned in this episode: The Decameron by Giovanni Boccaccio

Nick and Angela welcome an OG Derry girl to Dish HQ. Saoirse-Monica Jackson grew up in Northern Ireland and studied acting at the Arden School of Theatre in Manchester. She is best known and loved for her portrayal of Erin Quinn in the Emmy award-winning series Derry Girls. Over three seasons the 90s-set comedy became the most popular show on Channel 4 and is now a hit with a global audience on Netflix. It wasn't long before Hollywood came knocking and Saoirse-Monica won a role in the DC superhero movie The Flash. She is currently starring in period drama The Doll Factory on Paramount+ and later in the year will also appear in The Decameron, based on Giovanni Boccaccio's 14th-century collection of comic short stories. Nick kicks off proceedings with a bottle of the Waitrose loved & found Nerello Mascalese rosé while Angela puts the finishing touches to the best lasagne; a recipe by Martha Collison. As our trio tuck into their meal, they enjoy a delicious glass of the Waitrose loved & found Lacrima and discuss the pitfalls of planning a birthday party, Saoirse-Monica's favourite snacks and Derry Girls the Movie. Just so you know, our podcast might contain the occasional mild swear word or adult theme. All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer in a future episode. Dish is a S:E Creative Studio production for Waitrose & Partners Learn more about your ad choices. Visit podcastchoices.com/adchoices

Melvyn Bragg and guests discuss Marguerite, Queen of Navarre (1492 – 1549), author of the Heptaméron, a major literary landmark in the French Renaissance. Published after her death, The Heptaméron features 72 short stories, many of which explore relations between the sexes. However, Marguerite's life was more eventful than that of many writers. Born into the French nobility, she found herself the sister of the French king when her brother Francis I came to the throne in 1515. At a time of growing religious change, Marguerite was a leading exponent of reform in the Catholic Church and translated an early work of Martin Luther into French. As the Reformation progressed, she was not afraid to take risks to protect other reformers.With Sara Barker Associate Professor of Early Modern History and Director of the Centre for the Comparative History of Print at the University of LeedsEmily Butterworth Professor of Early Modern French at King's College LondonAnd Emma Herdman Lecturer in French at the University of St AndrewsProducer: Simon TillotsonReading list: Giovanni Boccaccio (trans. Wayne A. Rebhorn), The Decameron (Norton, 2013)Emily Butterworth, Marguerite de Navarre: A Critical Companion (Boydell &Brewer, 2022)Patricia Cholakian and Rouben Cholakian, Marguerite de Navarre: Mother of the Renaissance (Columbia University Press, 2006)Gary Ferguson, Mirroring Belief: Marguerite de Navarre's Devotional Poetry (Edinburgh University Press, 1992)Gary Ferguson and Mary B. McKinley (eds.), A Companion to Marguerite de Navarre (Brill, 2013)Mark Greengrass, The French Reformation (John Wiley & Sons, 1987)R.J. Knecht, The Rise and Fall of Renaissance France (Fontana Press, 2008)R.J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge University Press, 2008)John D. Lyons and Mary B. McKinley (eds.), Critical Tales: New Studies of the ‘Heptaméron' and Early Modern Culture (University of Pennsylvania Press, 1993)Marguerite de Navarre (trans. Paul Chilton), The Heptameron (Penguin, 2004)Marguerite de Navarre (trans. Rouben Cholakian and Mary Skemp), Selected Writings: A Bilingual Edition (University of Chicago Press, 2008) Marguerite de Navarre (trans. Hilda Dale), The Coach and The Triumph of the Lamb (Elm Press, 1999)Marguerite de Navarre (trans. Hilda Dale), The Prisons (Whiteknights, 1989)Marguerite de Navarre (ed. Gisèle Mathieu-Castellani), L'Heptaméron (Libraririe générale française, 1999)Jonathan A. Reid, King's Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (Brill, 2009)Paula Sommers, ‘The Mirror and its Reflections: Marguerite de Navarre's Biblical Feminism' (Tulsa Studies in Women's Literature, 5, 1986)Kathleen Wellman, Queens and Mistresses of Renaissance France (Yale University Press, 2013)

Melvyn Bragg and guests discuss Marguerite, Queen of Navarre (1492 – 1549), author of the Heptaméron, a major literary landmark in the French Renaissance. Published after her death, The Heptaméron features 72 short stories, many of which explore relations between the sexes. However, Marguerite's life was more eventful than that of many writers. Born into the French nobility, she found herself the sister of the French king when her brother Francis I came to the throne in 1515. At a time of growing religious change, Marguerite was a leading exponent of reform in the Catholic Church and translated an early work of Martin Luther into French. As the Reformation progressed, she was not afraid to take risks to protect other reformers.With Sara Barker Associate Professor of Early Modern History and Director of the Centre for the Comparative History of Print at the University of LeedsEmily Butterworth Professor of Early Modern French at King's College LondonAnd Emma Herdman Lecturer in French at the University of St AndrewsProducer: Simon TillotsonReading list: Giovanni Boccaccio (trans. Wayne A. Rebhorn), The Decameron (Norton, 2013)Emily Butterworth, Marguerite de Navarre: A Critical Companion (Boydell &Brewer, 2022)Patricia Cholakian and Rouben Cholakian, Marguerite de Navarre: Mother of the Renaissance (Columbia University Press, 2006)Gary Ferguson, Mirroring Belief: Marguerite de Navarre's Devotional Poetry (Edinburgh University Press, 1992)Gary Ferguson and Mary B. McKinley (eds.), A Companion to Marguerite de Navarre (Brill, 2013)Mark Greengrass, The French Reformation (John Wiley & Sons, 1987)R.J. Knecht, The Rise and Fall of Renaissance France (Fontana Press, 2008)R.J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge University Press, 2008)John D. Lyons and Mary B. McKinley (eds.), Critical Tales: New Studies of the ‘Heptaméron' and Early Modern Culture (University of Pennsylvania Press, 1993)Marguerite de Navarre (trans. Paul Chilton), The Heptameron (Penguin, 2004)Marguerite de Navarre (trans. Rouben Cholakian and Mary Skemp), Selected Writings: A Bilingual Edition (University of Chicago Press, 2008) Marguerite de Navarre (trans. Hilda Dale), The Coach and The Triumph of the Lamb (Elm Press, 1999)Marguerite de Navarre (trans. Hilda Dale), The Prisons (Whiteknights, 1989)Marguerite de Navarre (ed. Gisèle Mathieu-Castellani), L'Heptaméron (Libraririe générale française, 1999)Jonathan A. Reid, King's Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (Brill, 2009)Paula Sommers, ‘The Mirror and its Reflections: Marguerite de Navarre's Biblical Feminism' (Tulsa Studies in Women's Literature, 5, 1986)Kathleen Wellman, Queens and Mistresses of Renaissance France (Yale University Press, 2013)

Melvyn Bragg and guests discuss Marguerite, Queen of Navarre (1492 – 1549), author of the Heptaméron, a major literary landmark in the French Renaissance. Published after her death, The Heptaméron features 72 short stories, many of which explore relations between the sexes. However, Marguerite's life was more eventful than that of many writers. Born into the French nobility, she found herself the sister of the French king when her brother Francis I came to the throne in 1515. At a time of growing religious change, Marguerite was a leading exponent of reform in the Catholic Church and translated an early work of Martin Luther into French. As the Reformation progressed, she was not afraid to take risks to protect other reformers.With Sara Barker Associate Professor of Early Modern History and Director of the Centre for the Comparative History of Print at the University of LeedsEmily Butterworth Professor of Early Modern French at King's College LondonAnd Emma Herdman Lecturer in French at the University of St AndrewsProducer: Simon TillotsonReading list: Giovanni Boccaccio (trans. Wayne A. Rebhorn), The Decameron (Norton, 2013)Emily Butterworth, Marguerite de Navarre: A Critical Companion (Boydell &Brewer, 2022)Patricia Cholakian and Rouben Cholakian, Marguerite de Navarre: Mother of the Renaissance (Columbia University Press, 2006)Gary Ferguson, Mirroring Belief: Marguerite de Navarre's Devotional Poetry (Edinburgh University Press, 1992)Gary Ferguson and Mary B. McKinley (eds.), A Companion to Marguerite de Navarre (Brill, 2013)Mark Greengrass, The French Reformation (John Wiley & Sons, 1987)R.J. Knecht, The Rise and Fall of Renaissance France (Fontana Press, 2008)R.J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge University Press, 2008)John D. Lyons and Mary B. McKinley (eds.), Critical Tales: New Studies of the ‘Heptaméron' and Early Modern Culture (University of Pennsylvania Press, 1993)Marguerite de Navarre (trans. Paul Chilton), The Heptameron (Penguin, 2004)Marguerite de Navarre (trans. Rouben Cholakian and Mary Skemp), Selected Writings: A Bilingual Edition (University of Chicago Press, 2008) Marguerite de Navarre (trans. Hilda Dale), The Coach and The Triumph of the Lamb (Elm Press, 1999)Marguerite de Navarre (trans. Hilda Dale), The Prisons (Whiteknights, 1989)Marguerite de Navarre (ed. Gisèle Mathieu-Castellani), L'Heptaméron (Libraririe générale française, 1999)Jonathan A. Reid, King's Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (Brill, 2009)Paula Sommers, ‘The Mirror and its Reflections: Marguerite de Navarre's Biblical Feminism' (Tulsa Studies in Women's Literature, 5, 1986)Kathleen Wellman, Queens and Mistresses of Renaissance France (Yale University Press, 2013)

Artist, Mandolyn Wilson Rosen, is back with me for another Book Talks episode! In this episode, we are reading Giorgio Vasari's "Lives of the Artists," published 1550/1568 which profiles famous High Renaissance, mostly Florentine artists such as Michelangelo, Raphael, Boticcelli, and a few lesser-knowns. We were so excited about the book that we ran deliciously long and decided to cut it up and make it a two-parter. In Part 1, we cover Vasari's takes on Giotto, Masaccio, Piero Della Francesca, Paolo Uccello, Fra Filippo Lippi, and Madonna Properzia de Rossi (the only woman in the book, and who was even left out of Mandy's earlier English translation!) Part 2 is coming right up - please keep an eye out. Shout out to artist and writer, Elisabeth Nicula, who we quoted in the episode, and to the books that helped form Vasari's masterwork: "The Decameron" by Giovanni Boccaccio and "The Life of Brunelleschi." Also, a tip of the cap to the Virgin's Holy Girdle of Prato, shown to the public only 4 times a year: https://irenebrination.typepad.com/irenebrination_notes_on_a/2017/07/girdle-cintola-prato.html (Really, no one can out-weird the Catholics) The book is available widely, both used and new! We recommend a skim, not a binge. Find Mandolyn Wilson Rosen online at: https://mandolynwilsonrosen.com/ Thank you to artist, Amy McCormac, for your kind Buy Me A Coffee donation this month! ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠⁠⁠https://www.amytalluto.com/⁠⁠⁠⁠⁠ Amy on IG: ⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠ Donations appreciated! --- Send in a voice message: https://podcasters.spotify.com/pod/show/peptalksforartistspod/message Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

It's difficult to describe the tone of this bawdy, outrageously gigglesome medieval romcom: it's played straight, for laughs, while deeply subversive, satirical and quietly hilarious, just like its 14th century source material, The Decameron. The brilliant comic acting and directing maximize the satire, connecting ancient social norms with current religious, sexual and gender politics. The result is quietly magnificent. CW: kink and sex, religious satirehttps://www.confessionsofaclosetromantic.comY'all! I cannot tell you how many times I've reread the Elizabeth Lowell medieval romance trilogy series. "Simon the Loyal has vowed never to love, for love makes a warrior weak..."The Decameron, Vols. I & II (English translation) are available free as downloadable ebooks on Project Gutenberg.Decameron Web, a project maintained by Brown University, is chock-full of interesting facts about the book and its text: its inspiration, the Italian culture surrounding author Giovanni Boccaccio, the motifs and themes of the allegory, and a fascinating look at sex and the clergy during medieval history.This corny Virgin Territory trailer emphasizes the bawdy farce and clergy gone wild of this 2007 romcom, also based on The Decameron. It looks like a soft porno about the Black Death, but seems equally randy if that's your mood.As usual The Little Hours trailer really doesn't capture the complex tone of this movie, so let's take a look at a few scenes.John C Reilly's face throughout this scene makes the whole thing. Well that, and Dave Franco's innocent yet hilarious way of describing 69 and jizz kink to a priest.Parts of this movie could be described as Sisters Behaving Badly and no one behaves worse than Aubrey Plaza in a habit. She's a reluctant, eye-rolling bride of Christ in the most hilariously inappropriate way in this scene, poking fun at cloistered clergy's isolation, sexual repression and fear of the secular world in medieval culture.A fun interview with Seth Meyers and Dave Franco where he describes his wife Alison Brie's reaction to his threesome scene in the movie. Oh yes ladies and gentlemen, it's a hot one. Very little consent, sadly, but very hot.Support the showIf you enjoyed this episode, please click share in your podcast app and tell your friends! Thanks for listening!

The worst question you can ask to any Tuscan is also one of the most popular: "what should I absolutely see next time I come to visit". Talk about a fool's errand. There is hardly a town in this region that would't deserve to be explored. Some of the loveliest places are sometimes overlooked just because they are close to more popular places. Think about one of the main towns in the Valdelsa. It's very pretty and full of interesting stuff to do but it's so close to San Gimignano that most tourists just skip it. As we constantly strive to offer you useful advice to make the most of the time you spend here, we thought it would be a good idea to show you everything that this place has to offer. That's why this week What's Up Tuscany will bring you to Certaldo, one of Tuscany's best kept secrets.If you listen to the entire episode you will learn everything there is to know about the odd palace that dominates the main square, why there is a genuine Japanese tea house in the courtyard, why the museum dedicated to Giovanni Boccaccio, one of Italy's greatest writers has a lot of ancient shoes and many other things. If you spend some time here you must try the many recipes that use one of Certaldo's specialties, a very particular onion, sweet enough to be used as a jam. You'll learn about the quirky little museum dedicated to nails, the best place where to get amazing views and much much more. Next time you come to Tuscany, think about spending some time here. You definitely won't regret it.Email: podcast@larno.itFacebook: https://www.facebook.com/larno.itTwitter: @arno_it / @WhatsupTuscanyLINKS TO SOURCES (ITALIAN ONLY)https://www.italyyoudontexpect.com/certaldo-cosa-vedere/https://www.visittuscany.com/it/attrazioni/la-casa-del-boccaccio-a-certaldo/https://www.comune.certaldo.fi.it/it/page/prodotti-tipici-b5422c10-2ca6-48b0-ba32-1e95a51c3a82https://toscananelcuore.it/museo-del-chiodo/BACKGROUND MUSICPipe Choir - Bom Bom Breakthrough (Instrumental)Pipe Choir - Followers (Instrumental)Pipe Choir - Talk to me (Instrumental)EzaOne - SupernovaProfound Beats - Lo-fiThe Passion Hi-Fi - BuriedWayne John Bradley - Blues Rock Original InstrumentalAll released under Creative Commons Attribution 4.0 International Licensehttps://soundcloud.com/pipe-choir-2/pipe-choir-bom-bom-breakthrough-creative-commons-instrumentalhttps://soundcloud.com/pipe-choir-2/pipechoir-followers-instrumentalhttps://soundcloud.com/pipe-choir-2/pipechoir-talk-to-me-instrumentalwavhttps://soundcloud.com/argofox/ezaone-supernovahttps://soundcloud.com/profoundbeats/profound-beats-lo-fi-free-downloadhttps://soundcloud.com/freehiphopbeatsforyou/free-the-passion-hifi-buriedhttps://soundcloud.com/ayneohnradley/blues-rock-original-instrumentalcreative-commonshttp://www.pipechoir.com/

Translated by Henry Wadsworth Longfellow (1807 - 1882) The Divine Comedy (Italian: Commedia, later christened "Divina" by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, the last great work of literature of the Middle Ages and the first great work of the Renaissance. A culmination of the medieval world-view of the afterlife, it establishes the Tuscan dialect in which it is written as the Italian standard, and is seen as one of the greatest works of world literature. - The Divine Comedy is composed of three canticas (or "cantiche") — Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos (or "canti"). The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. - The poet tells in the first person his travel through the three realms of the dead, lasting during the Easter Triduum in the spring of 1300. (Summary from Wikipedia) --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

The Decameron by Giovanni Boccaccio audiobook. The Decameron (subtitle: Prencipe Galeotto) is a collection of 100 novellas by Italian author Giovanni Boccaccio, probably begun in 1350 and finished in 1353. It is a medieval allegorical work best known for its bawdy tales of love, appearing in all its possibilities from the erotic to the tragic. Many notable writers such as Shakespeare and Chaucer are said to have borrowed from The Decameron. Learn more about your ad choices. Visit megaphone.fm/adchoices

164. Narrador y poeta italiano, se cree que nació en Toscana en 1313, aunque su juventud y formación transcurrieron en Nápoles, donde se dedicó a la vida de escritor y erudito: rl poderoso influjo del ambiente de la corte de esa ciudad queda patente en sus primeras obras. Muchas gracias por escucharme y espero que te guste. Puedes visitar mi web para mantenerte informado de nuevos estrenos https://curiosihistoria.com Un saludo virtual

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Jana Byars talks to her PhD advisor Guido Ruggiero about his latest monograph, Love and Sex in the Time of Plague: A Decameron Renaissance (Harvard University Press, 2021) over the meaning of love in the early Renaissance. As a pandemic swept across fourteenth-century Europe, the Decameron offered the ill and grieving a symphony of life and love. For Florentines, the world seemed to be coming to an end. In 1348 the first wave of the Black Death swept across the Italian city, reducing its population from more than 100,000 to less than 40,000. The disease would eventually kill at least half of the population of Europe. Amid the devastation, Giovanni Boccaccio's Decameron was born. One of the masterpieces of world literature, the Decameron has captivated centuries of readers with its vivid tales of love, loyalty, betrayal, and sex. Despite the death that overwhelmed Florence, Boccaccio's collection of novelle was, in Guido Ruggiero's words, a "symphony of life." Love and Sex in the Time of Plague guides twenty-first-century readers back to Boccaccio's world to recapture how his work sounded to fourteenth-century ears. Through insightful discussions of the Decameron's cherished stories and deep portraits of Florentine culture, Ruggiero explores love and sexual relations in a society undergoing convulsive change. In the century before the plague arrived, Florence had become one of the richest and most powerful cities in Europe. With the medieval nobility in decline, a new polity was emerging, driven by Il Popolo, the people, fractious and enterprising. Boccaccio's stories had a special resonance in this age of upheaval, as Florentines sought new notions of truth and virtue to meet both the despair and the possibility of the moment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Po uliciach mesta sa zakráda choroba a smrť. Ľudia hromadne utekajú z Florencie v strachu, že sa opuchnuté čierne buľvy objavia aj na ich telách. Kto môže, odchádza na vidiek – a tam sú dni dlhé a veselé, smrť sa ich netýka. Dnes budeme hovoriť o ďalšom dôležitom diele talianskej literatúry – o Dekamerone. Autorom tohto diela je Giovanni Boccaccio, ktorý sa narodil vo Florencii v roku 1313. Narodil sa ako nelegitímny syn pomerne bohatého talianskeho obchodníka. Na to, že sa narodil mimo manželstva, sa mu celkom darilo. Ak chceš vedieť viac o autorovi, ale hlavne o tomto diele, vypočuj si náš dnešný podcast. Tento podcast ti prináša online magazín Hashtag.sk Viac info: https://www.schooltag.sk/ https://www.instagram.com/schooltag.sk/

From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio's The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio's The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio's The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices

From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio's The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From roughly 1346 to 1353, Europe was paralyzed by the most fatal pandemic in recorded human history; the bubonic plague. The plague killed more than 60% of the total population in Eurasia. This is the backdrop of Giovanni Boccaccio's The Decameron, a collection of short novellas completed in 1353. Robert Pogue Harrison is a professor of French and Italian Literature at Stanford University. He is author of the books The Dominion of the Dead and Gardens: An Essay on the Human Condition. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Una historia con una arquitectura narrativa perteneciente a "El Decamerón" de Giovanni Boccaccio, una aventura intelectual y erótica que ronda el fin de los tiempos para la Edad Media y la llegada del Renacimiento. Música: "Cancionero de Palacio" "Dolce Amoroso Foco" "Música Renacentista Italiana" Blog del Podcast: https://lanebulosaeclectica.blogspot.com/ Twitter: @jomategu

The Divine Comedy by Dante Alighieri audiobook. The Divine Comedy (Italian: Commedia, later christened "Divina" by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, the last great work of literature of the Middle Ages and the first great work of the Renaissance. A culmination of the medieval world-view of the afterlife, it establishes the Tuscan dialect in which it is written as the Italian standard, and is seen as one of the greatest works of world literature. - The Divine Comedy is composed of three canticas (or "cantiche") — Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) — composed each of 33 cantos (or "canti"). The very first canto serves as an introduction to the poem and is generally not considered to be part of the first cantica, bringing the total number of cantos to 100. - The poet tells in the first person his travel through the three realms of the dead, lasting during the Easter Triduum in the spring of 1300

Oggi parliamo delle "tre corone" della letteratura italiana: Dante Alighieri, Francesco Petrarca e Giovanni Boccaccio. Perché sono importanti nella storia della lingua italiana? Che rapporto hanno con il volgare fiorentino?

In questo articolo parleremo del libro più famoso della letteratura italiana (dopo la Divina Commedia): Il Decameron, di Giovanni Boccaccio! L'opera massima del nostro autore spaventa un po' tutti, italiani e non, per la sua lunghezza considerevole e il linguaggio un po' vetusto... perciò, vi spiegheremo l'opera brevemente, affrontando le novelle più importanti. Leggete l'articolo fino alla fine per scoprire, o riscoprire, una delle opere più importanti della letteratura italiana! Riassunto del Decamerone di Boccaccio: Qual è il libro più famoso della letteratura italiana? La Divina Commedia, senza dubbio, ma di quello abbiamo già parlato. Il secondo libro più famoso della letteratura italiana? Vi aiuto io: Il Decameron di Giovanni Boccaccio. Di certo non è un libro che passa inosservato… Ha delle dimensioni… notevoli! Infatti, la sua lunghezza è, insieme alla lingua usata (cioè un italiano più “vecchio”) una delle ragioni per cui Il Decameron spaventa un po' tutti, italiani e non! Però questo è sicuramente uno dei libri più importanti della letteratura italiana, tanto che se ne parla e si studia ancora oggi nelle scuole. Perciò… Restate con noi perché oggi vi daremo una spiegazione facile, ma completa, de Il Decameron di Giovanni Boccaccio! 10 Ragazzi, 10 Giorni, 100 Novelle Partiamo dall'inizio! Boccaccio ha scritto questo libro tra il 1349 e il 1353. Tieni a mente queste date perché le riprendiamo tra un attimo! Ma prima… ho un'altra domanda per te. Questa è facile: il titolo! Sai perché questo libro si chiama proprio così? Decameron (o Decamerone)? Il nome è di origine greca. Letteralmente, significa “di dieci giorni” e non è un caso. La storia, infatti, si sviluppa in un arco di tempo proprio di 10 giorni. Dieci è anche il numero dei protagonisti del libro, tutti giovani (7 ragazze e 3 ragazzi). Ricordi quando ti ho detto di tenere a mente le date in cui il libro era stato scritto? Bene, devi sapere che nel 1348, un anno prima che Boccaccio iniziasse a scrivere Il Decameron, si era verificata un'epidemia di peste. Così i 10 ragazzi, per sfuggire al contagio, scappano dalla città di Firenze per rifugiarsi in una villa in campagna. Praticamente si impongono un auto-lockdown… Questa scelta stilistica si chiama “cornice”, una situazione di base e di partenza per il resto dell'opera. E come passano il loro tempo questi ragazzi? Si rilassano, fanno giochi, cucinano, ma durante le ore più calde del giorno si devono inventare qualcos'altro e così decidono di raccontare, uno alla volta, ogni giorno, una novella, cioè un racconto breve. Dieci novelle al giorno per dieci giorni danno un totale di cento novelle nell'opera. Ogni giorno viene eletto un re o una regina, e sarà questa persona a scegliere il tema del giorno per le novelle. Quali sono questi temi? Ho preparato una tabella riassuntiva. Eccola qua! Prima giornata: tema libero. Erano appena arrivati alla villa… Un po' di relax, senza pressioni. Seconda giornata: storie con un lieto fine, malgrado le avversità. Terza giornata: il raggiungimento di un obiettivo. Quarta giornata: l'amore infelice Quinta giornata: l'amore felice, nonostante le difficoltà Sesta giornata: le risposte argute (cioè furbe, astute) che riescono a liberare il personaggio da situazioni imbarazzanti o pericolose Settima giornata: mariti beffati (cioè presi in giro) dalle mogli Ottava giornata: beffe ai danni di chiunque Nona giornata: tema libero… si erano stancati un po' Decima giornata: storie d'amore vissute con cortesia e bontà di cuore. Per fortuna, nonostante le novelle siano cento, possiamo dire che i contenuti più importanti e ricorrenti sono 4. Una bella scrematura no? le donne. Le donne sono molto importanti per Boccaccio. Infatti, dedica il libro proprio a loro! Secondo lui, le donne soffrono molto per amore e,

Episode 108 includes the fourth part of a ten-part series in which we embark on a journey through the 100 stories told within Giovanni Boccaccio's book "The Decameron". This series, just as the book, will be divided into the ten days of the frame story. Selected stories from each day will be read by various artists from multiple sources. Series dedicated to Daniele Bolelli after his initial suggestion of the book back in Episode 90 of the show. Tune in to episodes 97, 99, and 108 for parts 1-3 of the project if you haven't heard them already.  Story Timing Index of Day 4:  Day 4 Story 1 - 01:09 (Abby Brenker) Day 4 Story 3 - 25:50 (Collin Arnett) Day 4 Story 4 - 40:50 (Jon Cook) Day 4 Story 5 - 52:50 (Michael Crosa) Day 4 Story 6 - 01:07:15 (Daniele Bolelli) Day 4 Story 9 - 01:25:30 (Owen Swerkstrom) Thank you everyone for listening and thank you for all of the amazing voices and participation from everyone! 

Episode 108 includes the third part of a ten-part series in which we embark on a journey through the 100 stories told within Giovanni Boccaccio's book "The Decameron". This series, just as the book, will be divided into the ten days of the frame story. Selected stories from each day will be read by various artists from multiple sources. Series dedicated to Daniele Bolelli after his initial suggestion of the book back in Episode 90 of the show.  Story Timing Index:  Stories of Day 3: - Story 3 (Read by Michael Crosa) - 02:7 - Story 7 (Read by Jon Cook) - 25:22 - Story 8 (Read by Kay Wise-Denty) - 1:04:05 - Story 9 (Read by Emily Ancinec) - 01:31:14

Episode 99 includes the second part of a ten-part series in which we embark on a journey through the 100 stories told within Giovanni Boccaccio's book "The Decameron". This series, just as the book, will be divided into the ten days of the frame story. Selected stories from each day will be read by various artists from multiple sources. Series dedicated to Daniele Bolelli after his initial suggestion of the book back in Episode 90 of the show.  Story Timing Index:  Stories of Day 2: - Story 4 (Read by Alan Kudan) - 02:20 - Story 5 (Read by Michael Crosa) - 16:29 - Story 8 (Read by Jon Cook) - 45:05 - Story 9 (Read by Abby Brenker) - 01:19:59

Episode 97 includes the first part of a ten-part series in which we embark on a journey through the 100 stories told within Giovanni Boccaccio's book "The Decameron". This series, just as the book, will be divided into the ten days of the frame story. Selected stories from each day will be read by various artists from multiple sources. Series dedicated to Daniele Bolelli after his initial suggestion of the book back in Episode 90 of the show.  Story Timing Index:  Stories of Day 1: - Story 5 (Read by Abby Brenker) - 10:29 - Story 7 (Read by Jon Cook) - 17:45 - Story 8 (Read by Alan Kudan) - 27:11 - Story 10 (Read by Bob Daun) - 33:14 All projects of today's voice actors can be found at the PRPC website: HERE