Podcasts about tiny mix tapes

This week on Transmissions, we're sitting down with a genuine legend: Joe Boyd, author of And The Roots of Rhythm Remain: A Journey Through Global Music, out September 24 from ZE Books. On the front cover of the book Brian Eno—a venerated saint in the Aquarium Drunkard canon—declares: “I doubt I'll ever read a better account of the history and sociology of popular music than this one.”  Joe Boyd's career is the stuff of myth. As a producer, he's worked with a murder's row of collaborators, including Pink Floyd, Nick Drake, Fairport Convention, R.E.M., Richard and Linda Thompson, Incredible String Band, Vashti Bunyan, 10,00 Maniacs, and many more. In 2006, Boyd released a memoir, White Bicycles – Making Music in the 1960s, which documented his time in the studio during that decade, but And the Roots of Rhythm Remain casts an even wider net, exploring the overlap of musical cultures and the complicated, human negotiations that undergird creative synthesis.  As you'll hear in the early part of our talk, Joe played a pivotal role Transmissions host Jason P. Woodbury's music writing journey. In 2008, Woodbury reviewed a Nick Drake box set for the sorely missed Tiny Mix Tapes. The piece also included an email interview with Boyd, whose responses were insightful and in-depth—an experience that inspired Woodbury to chase after interviews. So this conversation picks up the thread some decade and a half later, detailing not only Boyd's new book, but also his experiences with Nick Drake, Fairport Convention, Richard Thompson, Sandy Denny, Vashti Bunyan, and many more adventures. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Hello and Welcome to the Vaporwave News Network: a podcast about the contemporary Vaporwave Scene. We feature news, discussion and current trends as well as reporting on releases and events in the Vaporwave, Future Funk and adjacent communities.This is Episode 14, covering January 2024 and recapping what's been happening in the first month of the year. In our main topic, we're reporting on the recent news about Pitchfork while also reflecting on the relationship of another dead media website, Tiny Mix Tapes, to the vaporwave scene. There is also a review, show calendar and news updates plus our history segment about what might be the real first vaporwave album.Content Log:0:00 - Intro3:35 - Host Update & Recommendation8:28 - News/Recap of the Month15:53 - Upcoming Shows & Events (URL & IRL)21:36 - Recent Releases & Review38:17 - Main Topic: The Decay of Music Media, Pitchfork & Vaporwave's History with Tiny Mix Tapes57:17 - This Week In Vaporwave History!1:02:01 - Outro Thanks to you for listening to our show! You can support us with a monthly subscription on our website. Our logo was inspired by V-SPAN and our work is dedicated to past Vaporwave media sites like Sunbleached, Private Suite, Altered Zones, Tiny Mixtapes, and other podcasts that came before us.Email the Show at VaporwaveNewsNetwork@gmail.comMore Info & Submission Forms:⭆ VaporwaveNewsNetwork.com⭆ Submission Forms⭆ About the Show/Social Media Links⭆ Events CalendarFeatured Review:⭆ gardening alone by heaven silhouettes Pitchfork News:⭆ Semafor Article⭆ Intelligencer Article⭆ https://www.tinymixtapes.com/ This Week In Vaporwave History: Heaven Can Wait Mixtape Vol. 1 by Games⭆ https://soundcloud.com/fordandlopatin/heaven-can-wait-mixtape-vol-i-1

Teasing their forthcoming music writing website (TBA), Alec and Nick delve the epistemic guts of music and the written word. The episode traces broad historical discussions of music criticism in relation to current trends in publication and music production. Topics include Substack, The Village Voice, the "critic-as-artist" the Schumann-founded journal Neue Zeitschrift für Musik, genre discourse, Alan Licht, Greg Tate, Tiny Mix Tapes and more.

Co nas dziś krindżuje w amerykańskim indie, jakie jest znaczenie tekstów w piosenkach i co ma wspólnego Bruce Springsteen z Donaldem Trumpem. Gościem szóstego odcinka jest Patryk Mrozek, recenzent muzyczny znany z Porcys i Tiny Mix Tapes.

For "Hot Takes" episode 18, Skelly and Shiro bring on another member of Death's Dynamic Shroud.wmv to the vaporwave talk show experience! Illustrious freelance graphic designer, label head of experimental and vaporwave label Orange Milk Records, experimental electronic artist Giant Claw, and finally 1/3 of acclaimed vaporwave trio Death's Dynamic Shroud.wmv, Keith Rankin is a serious heavyweight in the independent art and music scene. He's had a hand in the album artwork for countless acts in and outside of the vaporwave scene, had his artwork featured in countless high profile publications, was instrumental in the creation of some of DDS' most critically acclaimed albums, and he just got shouted out as one of the best electronic music artists of 2021 in Pitchfork. Don't miss out on Keith's stories about playing Giant Claw in Midwest bro bars and the conversations the three had about the DIY tape explosion and the importance of seeking out new music as a thirty-something. Getting into the nitty gritty on topics like religious iconography and the amorphous sound of some modern pop music made the two hours we spent with Keith just fly right by! Who's better live? Animal Collective or Phish? Will we ever be able to unearth Keith's Tiny Mix Tapes articles that he wrote? Why does Skeleton Lipstick hate Daedelus so much? The answers can only be found by tuning in to the latest episode of vaporwave talk show "Hot Takes"!   "Hot Takes" is a safe space for all opinions! Join the conversation at https://linktr.ee/hottakesvapor

Lorna arranged the strings on several of the tracks on the Possible album including "Undying" which is currently submitted for a Grammy for Best Contemporary Classical Composition.  Please let your Grammy voting friends know! Lorna is the founding keyboardist/synthesist of the “all-star, all-female quintet” (Time Out NY) Victoire with indie-classical darling and longtime collaborator composer Missy Mazzoli. Recent seasons included the Carnegie Hall commission and premiere of Mazzoli's Vespers for a New Dark Age, performed by the ensemble Victoire, percussionist Glenn Kotche (of Wilco) and members of vocal ensemble Roomful of Teeth. Lorna Dune arranged and co-produced the Vespers album, which was released in March 2015 on New Amsterdam Records. The New York Times called it “ravishing and unsettling”, and the album was praised on NPR's First Listen, All Things Considered and Pitchfork. Victoire returned to Carnegie Hall in March of 2015 as part of the “Meredith Monk and Friends” concert. Their past debut album Cathedral City, released on New Amsterdam Records, was named one of 2010ʹs best classical albums by the New York Times, Time Out New York, the New Yorker and NPR. A well-seasoned pianist and synthesist, she has joined the Philip Glass Ensemble for a production of his new work for Shakespeare in the Park, has worked with composer Steve Reich, composer and visual artist Tristan Perich, Meredith Monk, Lukas Ligeti and other talented artists. Her recent keyboard performances include a premiere of a synthesizer concerto by composer William Brittelle and the Seattle Symphony Orchestra. Other highlights from this and past seasons include a premieres with the Baltimore Symphony Orchestra, Saint Paul Chamber Orchestra & Alabama Symphony Orchestra, a Carnegie Hall premiere with Victoire, BAM Next Wave Festival, C3 Festival in Germany, MADE Festival in Umeå, Sweden, Crossing Brooklyn Ferry, Ecstatic Music Festival, X-Avant Festival in Toronto, Shakespeare in the Park with the Philip Glass Ensemble, live film score performance at the Whitney Museum and the French Alliance Institute, Chicago's Millenium Park “Dusk Variation” Chamber Series, Imagine Science Festival at Bell House, NY Eye and Ear Festival, and live performances on WNYC's New Sounds and Soundcheck. Lorna Krier has appeared in features in the New York Times, Washington Post, Time Out New York, NPR, Village Voice, Pitchfork, The Fader, Brooklyn Vegan, Chicago Reader, Baltimore Sun, eMusic, Arthur Magazine, Impose Magazine, Tiny Mix Tapes, Matrixsynth, The Daily Contributor, Paste Magazine, and more.https://www.lornadune.com/Lorna Dune - Bandcamp  ANNOUNCING JOURNEY SPACE -***Check out the new platform JourneySpace.com - a space for online live facilitated journeys.  The inaugural event will be a live stream open to anyone on Dec 4th, 2021.  Visit Journeyspace.com for more information. Also. New Music from East Forest! -"Possible" - the latest studio album  from East Forest - LISTEN NOW:Spotify / AppleOrder the album on vinyl - limited edition + check out the new Possible clothing: http://eastforest.org *** Support this free podcast by joining the East Forest COUNCIL on Patreon.  Monthly Zoom Council, Podcast exclusives, private Patreon live-stream ceremony, and more.  Check it out and a great way to support the podcast and directly support the work of East Forest! - http://patreon.com/eastforest *****Please rate Ten Laws w/East Forest on iTunes.  It helps us get the guests you want to hear.  Tour - Catch East Forest LIVE - Pledge your interest in the upcoming East Forest Ceremony Concert events this Spring/Summer 2021.  More info and join us at eastforest.org/tourCommunity - Join the newsletter and be part of the East Forest Community.Meditation - Listen to East Forest guided meditations on Spotify & AppleRam Dass album - Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple).Socials -Stay in the East Forest flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusicJOIN THE COUNCIL - PATREON: http://patreon.com/eastforest 

First off, yes lieve Dipsausers!!! We did it!!!We hebben de 100% gehaald en zijn iedereen meer dan dankbaar! Maarrrrrrr we hebben nog ruim een week en ook alle extra’s gaan alleen naar de schrijvers!Heard but not seen. The gentrification of Black music and the whitewashing of dance music history have created spaces which are codified as white, that is, spaces in which Blackness is heard, but not seen. The Black roots of dance music genres such as House and Techno have been progressively phased out. Capitalist enterprises have promoted a form of white hedonism which favours instant gratification over community building, preying on partygoers’ inherent desire to experience a sense of belonging. Recent efforts have been made not only to understand neocolonialism within the dance music industry, but also reclaim spaces from institutions which have been othering and commodifying Black bodies for far too long. This special Dipsaus episode will focus on the decolonisation of dance music, and within this context, we will discuss the possibilities for global solidarity and Black togetherness within the context of dance music and its ecosystem.This will be a collaboration between Dipsaus Podcast and Dance With Pride and continuation of Diasporic Self: Black Togetherness as Lingua Franca.SPEAKERS:DeForrest Brown, Jr. is a New York-based writer, media theorist and curator. He has previously worked with publications such as Triple Canopy, NPR, Tiny Mix Tapes, Mixmag, FACT, Zweikommasieben, and Avant.org. In 2017 he was the inaugural Suzanne Fiol Curatorial Fellow at ISSUE Project Room.Amal Alhaag is an Amsterdam based independent curator, cultural programmer and radio host with an interest in counter-culture, oral histories and global social issues. She currently does programming for the RCMC.Dr Mathys Rennela is a postdoctoral researcher working on quantum algorithms at the University of Leiden, music writer and musician, who thrive to connect those different activities and offer a commentary on the current state of the dance music scene.Special s/o to Axmed Maxamed and The Black Archives. And with an amazing performance by LGCA2 and afterparty with DJ ARAKAZA. Perfromance was by lgca²ShownotesRed Light Radio accused of failing to uphold community values.Black Togetherness & Solidarity with Panashe Chigumadzi & Amal AlhaagBlack Togetherness: Fiction & Myths of Black WomxnhoodBlack Togetherness in Framer Framed with Olave Nduwanje in conversation with curators Amal Alhaag en Barby Asante

March 17 would have been Sean Price's 47th birthday had the MC aka Ruck lived past age 43. On February 8, 2019, P's longtime label Duck Down Music Inc. teamed with Coalmine Records and producer Small Professor for the rapper's second posthumous album, 86 Witness. Produced mostly before Price's untimely demise, the album got its title when Small Pro and executive producer Matt Diamond (no relation) realized that references to the year 1986 kept popping up in P's rhymes for the project. Sean Price was 14 in 1986. Hip-hop was about as young. Sean Price's lyrics have always had something of a cafeteria cipher feeling about them. Sometimes his words make little sense together at first ("Dikembe Mutumbo, Feliz Navidad"), perhaps a testament to their being pulled out of thin air, but the rhymes are rarely ever left unresolved, and a perfectly timed punchline can set any verse on fire ("You buy Echo to get us free like Amistad"). Those types of lines also abound 86 Witness, as do features, so the cipher vibes are even more present than usual. In celebration of the album's release, to which Sean's widow Bernadette Price gave her blessing, Tiny Mix Tapes reached out to Small Professor to compile a guest mix featuring only instrumentals from 1986. Included are a number of classic cuts such as "Peter Piper" and "Push It," as well as some more obscure selections like Anquette's "Throw the P" and Faze One's "Layin' Down a Beat." Stream Small Professor's 1986 Instro Flow below and cop 86 Witness on Bandcamp or direct from Duck Down. [00:00] Doug E. Fresh Intro [01:02] Original Concept - Knowledge Me (Instrumental) Prod. by Original Concept [02:40] Beastie Boys - Paul Revere (Instrumental) Prod. by Rick Rubin [04:30] Mantronix - Bassline (Instrumental) Prod. by Mantronix [06:22] Salt-N-Pepa - I'll Take Your Man (Instrumental) Prod. by Hurby Luv Bug [08:17] Kool G Rap - It's A Demo (Instrumental) Prod. by Marley Marl [09:37] Run DMC - Peter Piper (Instrumental) Prod. by Rick Rubin & Russell Simmons [10:58] Anquette - Throw The P (Instrumental) Prod. by David Hobbs [12:43] Faze One - Layin Down A Beat (Instrumental) Prod. by Dave Ogrin [14:44] Janet Jackson - When I Think Of You (Instrumental) Prod. by Jimmy Jam & Terry Lewis [16:40] Beastie Boys - Slow And Low (Instrumental) Prod. by Rick Rubin [18:16] Ultramagnetic MC's - Ego Trippin (Phat Bonus Beat) Prod. by Ced Gee [19:26] Schoolly D - Saturday Night (Instrumental) Prod. by Schoolly D [21:31] Biz Markie - Make The Music With Your Mouth, Biz (Instrumental) Prod. by Marley Marl [23:30] Salt-N-Pepa - Push It (Instrumental) Prod. by Hurby Azor [25:30] Just-Ice - Put That Record Back On (Instrumental) Prod. by Kurtis Mantronik [27:20] Mantronix - Listen To The Bass Of Get Stupid Fresh, Pt. 2 Prod. by Kurtis Mantronik [29:08] Fat Boys - Human Beatbox, Pt. 3

You don’t get to choose your audience. Especially when you’re playing a free to the public show at South by Southwest to promote your first record. It was, quite possibly, the worst showcase for a quiet voiced singer-songwriter.But the bad show gave birth to NPR’s Tiny Mix Tapes. The show’s producers quite rightly believed that Laura Gibson deserved a better showcase for here soft-spoken gifts.This year, Gibson released the haunting Goners, a beautiful and more sonically complex record that meditates on the connection between love and loss. It’s a theme that permeates her best work.

Clifford Allen is a lifelong listener and collector of all musics extreme. With a deep knowledge of jazz, particularly from Ayler on, he has written for publications such as Signal To Noise, Paris Transatlantic, Bagatellen, the New York City Jazz Record, Point of Departure, Burning Ambulance and Tiny Mix Tapes among many others. An enthusiastic historian, he has also written liner notes for several records by artists such as Burton Greene, Ingrid Laubrock and Charles Tyler. Recently he co-produced and assembled liner notes for Michael Cosmic "Peace In The World"/Phill Musra "The Creator Spaces" 2LP/2CD reissue (NowAgain).

In 1959, Max Roach went to the Five Spot jazz club to take in a performance by the Ornette Coleman Quartet and became so incensed by what he heard that he followed Coleman backstage and punched him in the mouth. As if the physical assault weren't a strong enough display of disapproval, Roach later stood outside Coleman's apartment building at 4:00 AM, yelling, "I know you're up there, motherfucker! Come down here and I'll kick your ass!" This is one of my favorite jazz legends, because it demonstrates that even the most innovative players, like Roach or Dizzy Gillespie — who said of Coleman, "I don't know what he's playing, but it's not jazz" — can be caught off guard by the avant-garde. It also speaks to the passion with which great artists are willing to stand up for their traditions and to the idea that these same traditions can be and often are best carried on by those most willing to break from them. Take Slauson Malone for example. It's not hard to imagine one of rap's elder statesmen hearing his 1 tape and remarking, "I don't know what he's making, but it's not hip-hop," which is of course exactly what makes it feel so alive with hip-hop, house, funk, rock, jazz, and all the shattered conventions vital to their existence. It's almost an afterthought, but one worth mentioning, that Malone's real name is Jasper Marsalis, because his music thrives on its own terms, both apart from and as a part of his family's musical tradition. Here then, as perhaps the perfect counterpoint to Tiny Mix Tapes' Favorite 50 Songs of 2016 (and really to all year-end lists in general), is Slauson Malone's casually ambitious Guest Mix titled peace, drugs, jesus, love, hate, and solitude, including blended bits of a whopping 38 tracks, all of which Slauson readily admits "do something that I wish I could." Stream below, and subscribe to our podcast here. [0:00] Alice Coltrane - The Sun (Bonus Track) [0:09] Ornette Coleman - Peace [1:06] Death - Dannis On The Motor City Drums [1:44] Art Ensemble of Chicago - Immm [2:25] The Watts Prophets - Taste [4:31] Death - Freakin Out [4:31] James Brown - King Heroin [8:26] Robert Johnson - Drunk Hearted Man [9:39] Ada Richards - I’m Drunk & I’m Real High (In The Spirit of God) [10:24] Robert Vanderbilt & the Fountain Of Souls - A Message Especially From God [12:36] Flying Eagles Gospel Singers - Can’t Run This Race Alone [15:39] Bad Brains - I Luv I Jah [17:16] Tommy Wright III - caught you slippin [17:26] Isaiah Rashad - Free Lunch [18:37] Snoopzilla & Dam Funk - 1Question [19:35] Kenrick Lamar - u [19:57] Trevor Dandy - Is There Any Love [23:35] Red Dog - Kickin’ Pimpin’ [26:24] The Lost Generation - Sly, Slick And The Wicked [29:22] Son Little - Lay Dow [30:58] Bilal - Holding It Back ft. Kimbra [33:50] Cam’ron - O.T. (Skit) [34:07] Stefan Ringer - Can’t Stop [34:55] Mall Grab - Drive [35:41] The Dream Team - Stamina [36:53] Henry Wu - Don’t Want The Regular [38:42] One Way - Music [41:21] Firebolts - Everybody Party (Kon 12" Re-Edit) [43:25] Stephen Encinas - Disco Illusion [45:41] Monomono - Tire Loma Da Nigbehin [47:37] Universal Togetherness Band - Taken By Love [51:46] Death Grips - You might think he loves you for your money but i know what he really loves you for it’s your brand new leopard pill box hat [52:46] Bad Brains - Suptertouch/Shift [52:47] Arca - Entrañas [53:20] Kanye West - Fade [54:34] Alice Coltrane - Atomic Peace [54:50] Flying Lotus - German Haircut [56:12] Duke Ellington - Solitude

Another classic director that we've been meaning to feature on the show for quite some time is finally covered. I also decided it's been way too long since we got a different perspective, other than one of the male variety.  Kate Blair, holds a Master's in Cinema, writes reviews for Tiny Mix Tapes, has a blog titled Selective Viewing and turns out to be one of the more insightful guests I've had on the show.  We cover a whole lotta Hitchcock in just under three hours, and yet, there is still so much more to see for round two in the not-so-distant future.  Which titles would you like us to review for Part 2?  Send an email and let us know!  For this first outing, we talk about THE 39 STEPS, THE LADY VANISHES, SHADOW OF A DOUBT, NOTORIOUS, STRANGERS ON A TRAIN, REAR WINDOW, THE WRONG MAN, VERTIGO, PSYCHO and THE BIRDS.  But that's the tip of the iceberg.  We briefly mention a couple more we've seen and enjoyed as well as touch upon how Kate fell in love with movies.  Expect return visits from this guest in the future, and hope you enjoy our discussion on the master of suspense! 00:00 - 06:18 - Introduction**06:19 - 17:11 - Introduction With Kate17:12 - 18:32 - Hitchcock Song*18:33 - 1:03:28 - Experiences, 39 STEPS, LADY VANISHES, SHADOW OF A DOUBT01:03:29 - 01:03:59 - Intermission / Spellbound Score Excerpt01:04:00 - 01:35:42 - NOTORIOUS, STRANGERS ON A TRAIN, REAR WINDOW01:35:43 - 02:44:26 - THE WRONG MAN, VERTIGO, PSYCHO, THE BIRDS02:44:27 - 02:55:12 - Top 5 Hitchcock Films / Outro I'm taking a short spring break and have asked two of my favorite cinephiles to talk about a director without my presence!  The next episode will be on Atom Egoyan and will feature the return of Bill Ackerman and Al Kwiatkowski as they deconstruct EXOTICA, THE SWEET HEREAFTER and a whole lot more.  I will return in mid-April for another episode TBD, and eventually in early May, an episode featuring WGN's Nick Digilio and myself talking about Martin Scorsese will finally happen!  Until then, I encourage all of you to leave a review on ITUNES, send me an email at:  directorsclubpodcast@gmail.com, and of course, subscribe to all the great shows over at NowPlayingNetwork.net!  Thank you so much for listening.  Don't forget:  What titles would you like us to review for Hitch Part 2?  Send an email and let us know!  This episode has been brought to you by Freshbooks!  Here's the link to where you can try this terrific software free for 30 days: http://gofreshbooks.com/directorsclub *credit goes to Jen Schmidt for the inspiration **Also I don't know why I said David Blair when referring to Bill Ackerman's first guest on Supporting Characters. CORRECTION: The name of Bill's guest is Daniel Bird.

In this episode of the podcast, I'm talking with Tiny Mix Tapes writers Pat Beane and SCVSCV about their collaborative piece, "2015: Identity Crisis." We'll be discussing the politics and quality of modern music reviews and thinkpieces. A few albums will be coming up in the discussion as well.