Podcasts about EMusic

Dernier jour de Planète Rap pour TH venu présenter son premier album "E-MUSIC" ! Pour clôturer cette semaine, Diddi Trix, Stavo et Fred Musa sont de la partie pour enflammer le studio

TH invite Ino Casablanca, 63Kluf et Tavares sur Planète Rap pour sa quatrième émission dédiée à son premier album "E-MUSIC" sorti le 3 avril dernier ! Après son EP « E-TRAP » en 2024, porté par « LE TERRAIN » et « ISUZU » avec Alpha Wann, il enchaîne en 2025 avec ses projets « ALGORITHME » et « ALGORITHME 2.0 », incluant un feat avec Zed sur « 42 BIS BOULEVARD MAGELLAN ».

Troisième jour de Planète Rap pour TH qui nous présente son projet "E-MUSIC" en compagnie de La Bourse, Yushimora, NFH, D2L & Fred Musa !

Fred Musa accueille TH et ses invités Diddi Trix, Fonx, Djamso, Dybon et LAPEMBE pour le deuxième jour de la semaine dédiée à l'album « E-MUSIC », sorti le 3 avril dernier ! Après son EP « E-TRAP » en 2024, porté par « LE TERRAIN » et « ISUZU » avec Alpha Wann, il enchaîne en 2025 avec ses projets « ALGORITHME » et « ALGORITHME 2.0 », incluant un feat avec Zed sur « 42 BIS BOULEVARD MAGELLAN ».

Pour ce premier jour dans le studio de Fred Musa, TH invite Oldpee et Farid Bourimech sur Planète Rap ! TH sera présent toute la semaine chez Fred Musa pour mettre en avant son premier album "E-MUSIC" sorti le 3 avril dernier ! Après son EP « E-TRAP » en 2024, porté par « LE TERRAIN » et « ISUZU » avec Alpha Wann, il enchaîne en 2025 avec ses projets « ALGORITHME » et « ALGORITHME 2.0 », incluant un feat avec Zed sur « 42 BIS BOULEVARD MAGELLAN »

☕ Otakissa News está no ar! O seu resumo semanal das principais notícias do mundo otaku e dos games.No episódio de hoje:Saiba tudo sobre o retorno do Great Teacher Onizuka numa nova série em Live ActionA polêmica das redublagens da CrunchyrollOs indicados ao Music Awards JapanQuiz para comprar Cartas de Pokémon E, golpe da multa no Japão…?

EVENT: FLOWERS ARE SPEAKERS — ORGANISED BY GATHERING DAN BON AIRDATE: 05 APRIL 2025LOCATION: IN THE WOODS, MARE LONGUESSET TIME: 02H30 – 04H (WARMUP FOR SMILK)⸻Recorded live in the forest of Mare Longues, this set by BRAINLOVE — part of ë since the very beginning — was a welcoming journey for SMILK at the 10-year celebration of Gathering Dan Bon Air (GDBA).A night voyage where music became more than sound — from soulful grooves into pulsating basslines, echoing the heartbeat of the earth and carrying us toward the first rays of light. Rooted in Mauritian rhythms and expanded through psychedelic textures, this set is music without borders — a gathering of souls in sound.

WICT Wisdom's Stephanie Cobian is joined by guest Melissa Wallace, Co-Founder of Fierce Foundry and Co-Founder & Managing Director of Fivefoottwo Marketing.  Melissa Wallace shares her journey from a legal background to the entertainment industry, including her experience at DirectTV, A&E, and Superfly, as well as her founding of Fierce Foundry. Melissa has the need-to-know insights on current startup trends, particularly as they pertain to women-led startups, and the importance of backing and building female-founded businesses. Melissa shares some of the things she believes are the biggest challenges for startups, the importance of mentorship, and the role of female leaders.  Melissa has over 25 years of marketing expertise. She has held roles with brands such as Superfly, DIRECTV, A&E, and eMusic. In 2018, Melissa cofounded Fivefoottwo, a marketing collective dedicated to nurturing early-stage start-ups. Then, in 2023, she launched Fierce Foundry, the first-ever Femtech Venture Studio, designed to reduce and equalize the funding deficit for female founders. To learn more: Melissa: https://www.linkedin.com/in/melissahudsonwallace/ Fierce Foundry: https://www.thefiercefoundry.com/  The WICT Network's Mission: Empowering Women in Media, Entertainment, and Technology. For more information, visit: https://socalwict.org/

TBSラジオ 滋慶学園COMグループプレゼンツ「あなたの夢はなんですか？」 第647回【2025年7月2日（水）】放送 ＭＣ：ハマカーン・浜谷健司さん ゲスト：仙台スクールオブミュージック＆ダンス専門学校 e-Music&サウンドクリエーター専攻 髙橋優斗さん 仙台スクールオブミュージック＆ダンス専門学校 HP→https://www.sendai-com.ac.jp/ 髙橋さんが楽曲制作に携わった『FLY`T HIGH!!!!』MV→ https://youtu.be/5Zy0AAJnkjw?si=1uQtebQ5Prq-Neww パーソナリティは、はなわさんとハマカーン･浜谷健司さん。 様々な業界で夢を実現させ、第一線で活躍しているプロフェッショナルから、 夢に向けて勉強している現役学生まで。 さまざまな「夢追い人」にインタビューし、 それぞれが抱く 「将来や人生の夢」「職業の夢」を語ってもらいます。 TBSラジオ（⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tbsradio.jp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠）  FM90.5 + AM954 火曜・水曜 『荻上チキ・Session』内 18時33分頃から放送中！ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#tbsラジオ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#anayume954⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#はなわ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#ハマカーン⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #ss954 HP ⇒⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tbsradio.jp/anayume/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter ⇒⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/anayume954⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram ⇒ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/anayume954/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook ⇒⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/anayume954

This week's guest In the Flamingo Lounge, David Cloyd, is an acclaimed singer-songwriter, multi-instrumentalist, and producer, known for his emotive and intricately layered compositions. His upcoming record, Red Sky Warning, due June 6th, is highly anticipated, following the success of singles "Ocean Of Hours" and "Drive With Me," which garnered significant press and Apple Music placements. A self-made artist, Cloyd recorded his 2009 debut, Unhand Me, You Fiend!, in his 9x9-foot Brooklyn apartment. This album reached #1 on eMusic and led to TV placements. His talent further blossomed with reinterpretations of Radiohead and Paul McCartney, expanding his devoted audience. Now based in Buffalo, where he also founded Hook & Ladder Records, Cloyd continues to carve out a unique space in indie music, with his work often drawing comparisons to artists like Radiohead and Peter Gabriel while maintaining his distinct artistic voice. David sat down with Rockabilly Greg on may 28, 2025 to talk about his music, and share a few tracks off his latest record, Red Sky Warning.

Per Magnus Johansson och Jonas Gilbert samtalar om poeten Gunnar Ekelöf (1907-1968). Vilket plats har Ekelöf som poet idag och hur var hans relation till surrealisterna och till psykoanalysen?   Det är på sin höjd ett fåtal svenska poeter från 1900-talet som har en lika eller mer central ställning än Gunnar Ekelöf. Från debuten 1932 med sent på jorden till den sista diktsamlingen Vägvisare till underjorden från 1967 gav han ut 14 diktsamlingar -- utöver samlingsverk och ett stort antal artiklar, essäer, recensioner.   Jonas Gilbert är bibliotekarie och bibliotekschef på Högskolan i Borås. Per Magnus Johansson är psykoanalytiker, docent i idé- och lärdomshistoria och författare. Samtalet är inspelat på Per Magnus Johanssons mottagning 10 maj 2025.   Ljudklipp från: https://www.ekelut.dk/ekeloifiana/eMusic.html Arche Podcast drivs av tidskriften Arche, läs mer här: https://www.arche.se/    

In this episode, a bunch of great voices come together to chat about local events, personal experiences, and insights from their work. It kicks off with some announcements—including the “First Annual Fur Baby Fundraiser” and other happenings from the Central Virginia Business Coalition. Mike and Magen dive into why networking and community support really matter. Then Joshua E. Music shares how he got into ambient music, and Lamona talks about building a strong, supportive community. There's also a segment on the ups and downs of fostering and where to find help. The episode wraps up with some laughs and a reminder to stay involved with local efforts.

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Adam's next pick, The Rural Alberta Advantage's "Hometowns". Their debut album, it was released in 2008. The album exemplifies the indie rock sound of the time while exploring themes of the the lead singer's upbringing in - you guessed it - rural Alberta. The album was originally released independently in early 2008 and following the band being featured by eMusic as artist of the month in November, they were signed to Saddle Creek Records. Critical reviews of the album were positive, with Pitchfork giving the album an 8. But will the boys be as generous about the album, or would they rather "Sleep All Day"? Come along and find out!

Thanks to Cre8ive Tribe for allowing us access to this wonderful talent, Ka$e. The tribe is a forward-thinking global creative company that collaborates with multicultural creative talents. Check out the following diverse tracks, 'Olive', 'Weekend', 'Green Card', and the most recent release, 'Link Up'.

Thanks to Cre8ive Tribe for allowing us access to this wonderful talent, Ka$e. The tribe is a forward-thinking global creative company that collaborates with multicultural creative talents. Check out the following diverse tracks, 'Olive', 'Weekend', 'Green Card', and the most recent release, 'Link Up'.

Decision Space is the podcast about decisions in board games. Join our active and welcoming Discord community, Join the crew today! (Decision Space Patreon), or Leave us a review wherever you find this podcast! Episode 177 - Tikal Tikal, designed by Decision Space favorites Wolfgang Kramer and Michael Kiesling, is back on the menu. Boosted by a great implementation on Board Game Arena, we have gotten enough plays to give this great game the full deep dive experience.  Timestamps Intro - 0:00 Ratings and Review - 1:04 Game Background - 5:31 Rules Overview - 12:37 Tikal Deep Dive - 14:12     Pre-Planners More Design Problems, Azul Summer Pavillion, Stefan Feld Designer Space?!E   Music and Sound Credits Thank you to Hembree for our intro and outro music from their song Reach Out. You can listen to the full song on YouTube here: https://www.youtube.com/watch?v=gQuuRPfOyMw&list=TLGGFNH7VEDPgwgyNTA4MjAyMQ&t=3s You can find more information about Hembree at https://www.hembreemusic.com/.  Thank you to Flash Floods for use of their song Palm of Your Hand as a sting from their album Halfway to Anywhere: https://open.spotify.com/album/2fE6LrqzNDKPYWyS5evh3K?si=CCjdAGmeSnOOEui6aV3_nA Rules Overview Music:  Way Home by Tokyo Music Walker https://soundcloud.com/user-356546060​ Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/tokyo-music-walker-way...​ Music promoted by Audio Library https://youtu.be/pJThZlOuDtI Contact We can be reached individually on Twitter at @jakefryd and @burnsidebh. You can also follow Decision Space on Instagram @DecisionSpacePod and talk to us there! If you prefer email, then hit us up at decisionspa@gmail.com. This information is all available along with episodes at our new website decisionspacepodcast.com. Byeee!

Blackout! Records was formed in 1988 by Bill Wilson and Jim Gibson. In 1989, the label released its album, a New York hardcore compilation album entitled Where the Wild Things Are.[1] The album included tracks from Sheer Terror, Killing Time, and others. After this first release, Gibson amicably parted company to start his own record label, Noiseville Records.  The label ended the 1990s with records from Killing Time, Kill Your Idols, and East Bay/ Berkeley bands Redemption 87 and Powerhouse. The early part of the 2000s brought some new blood, including Crime In Stereo, NJ's The Banner, The Procedure, and The Commercials. The last official Blackout! release was The Fire Still Burns in 2005. Although no longer releasing new music, the label still maintains a blog at its website which is infrequently updated and has the catalog available digitally on Amazon, iTunes, eMusic, Rhapsody, and other major digital outlets through The Orchard. I got Bill on the Skype and this is what we chat about Growing up with a genetic immune condition Designing the artwork for the Where The Wild Things Are Comp How he got albums in record stores Traveling on Lollapalooza The Goops H20 Plow United Kill Your Idols Business partner trying to steal his label Will he start putting out more records And a ton more Lastly I started doing whiteboard animations so if your marketing department has said recently “Hey, we need a whiteboard animation” then email me at mike@drive80.com Feel free to support  the podcast for as little as $1 a month through Patreon

This weeks show starts off with classics from The Mighty Diamonds, The Itals, Don Carlos, Culture, Cornel Campbell, Johnny Osbourne, Al Campbell, John Holt & Alton Ellis, Garth Dennis, Gene Rondo, Augustus Pablo, Judah Eskender Tafari, The Gladiators, Breezy & Prince Phillip, Black Uhuru, Ini Kamoze, and Martin Campbell. New music this week comes from U. Brown & The Ligerians, Jazzy D and Fireverse, Linval Thompson, Teacha Dee, Ras Jem & Jah T Jr., Mortimer, Reemah, Black Roots, Mighty Joshua, Don Campbell, Jesse Royal & The Zion I Kings, Iba Mahr, Mykal Rose & Chyna Nicole, Beres Hammond, Dub Apocalypse, Madipao, Dub Idren, Don Hartley, Robert Dallas & Jah Warrior, Prince Jamo & Cultural Warriors, Kabaka Pyramid & Naomi Cowan, Kemla, Green Lion Crew & Anthony B, Ka'ra, and The Meditations featuring Glen Washington and Screechy Dan . Enjoy! Mighty Diamonds - Gates Of Zion - Reggae Anthology: Pass The Knowledge - VP Records The Itals - Brutal Out Deh - In A Dis Ya Time - VP Records Don Carlos - Praise Jah - Pass Me The Lazer Beam - VP Records Culture - Dog A Go Nyam Dog (12” Mix) - Children Of Zion: The High Note Singles Collection - Doctor Bird The Young Lions - Take Five - The Dubmaster: Dennis Bovell: The Essential Anthology - Trojan Records Cornell Campbell - Natty Dread In A Greenwich Farm - I Shall Not Remove 1975-1980 - Blood & Fire Johnny Osbourne - Truths And Rights - Truths & Rights - Studio One  Al Campbell - Take A Ride - Studio One John Holt & Alton Ellis - Live & Love - Parish 7”  Garth Dennis - Slow Coach - Andy's  Gene Rondo - A Land Far Away - Bunny Lee: Dreads Enter The Gates With Praise - Soul Jazz Records Augustus Pablo - Satta Dub - King Tubbys Meets The Rockers Uptown - Shanachie Judah Eskender Tafari - Rocky Road - Wackies 7” The Gladiators - Big Fish - Strong To Survive - Sonic Sounds Breezy & Prince Phillip - Riding On A High And Windy Day/Windy Dub - Eclipse 7”  Black Uhuru - Puff She Puff - Red - Island Records Ini Kamoze - General - Sly & Robbie Presents: Ini Kamoze - Taxi Records Martin Campbell - Urban Style/Urban Style Dub - Jarring Effects U Brown & The Ligerians - Rootsman Party - Irie Ites Jazzy D feat. Fireverse - Keep It Cool - Love Culture Entertainment Linval Thompson - Po-Lice Man - Ganja Man - Irie Ites Teacha Dee Meets House Of Riddim - City Life - House Of Roots Ras Jem - Cutlass - Royalty - Jah T Jr. Jah T Jr. - Cutlass Dub - Roalty Dub - Jah T Jr. Mortimer - Not A Day Goes By - Overstand Entertainment/Easy Star Records Reemah - As Far As I Can See - Roots & Culture Riddim - Silly Walks Discotheque Black Roots - So Many Things - Roots - Nubian Records Mighty Joshua - Beware - Dreaducation - Mighty Joshua Music Don Campbell - Give Thanks/Give Thanks Dub - Stepwizer Music Jesse Royal & Zion I Kings - Love That Don't Change - Zion I Kings Iba Mahr - Stole My Heart - Mani Kehm Music/Dub Shot Records Mykal Rose & Chyna Nicole - Royal Hearts - Emerald Records Beres Hammond - Let Me Help You Smile - VP Records Junior Byles - The Long Way - Beat Down Babylon: Dreader Sounds 1973-1975 - Doctor Bird Records Dennis Brown - Let Love In - Burning Rockers: The 12' Mixes - Burning Sounds Freddie McKay - Creation Rebel - Creation - VP Records Leroy Smart - No Love - Dread Hot In Africa - Makasound Prince Fatty - No Dub In Their Heart - Prince Fatty Meets The Gorgon In Dub - VP Records Dennis Bovell - Eye Water (Raindrops Dub) - The Dubmaster: Dennis Bovell: The Essential Anthology - Trojan Records Dennis Bovell & The 4th Street Orchestra - The Grunwick Affair - The Dubmaster: Dennis Bovell: The Essential Anthology - Trojan Records Rockers All Stars - Jah Dread - Who Say Jah No Dread: The Classic Augustus Pablo Sessions - Greensleeves Yabby You - Conquering Lion (Groove Corporation Rmx) - Select Cuts From Blood & Fire - Select Cuts Dub Shepherds & Jolly Joseph - Fever/Fever Dub - Strike Out #2 - Bat Records Dub Apocalypse - Burn Out The Plague - Dub Apocalypse  Madipao - Hari Om Tat Sat - Dub Proof Music Dub Idren - Public Enemy - Dubophonic Records Don Hartley & I-Niverse - Orthodox Soldier/Orthodox Soldier Dub - Song Of Creation - Don Hartley Music Robert Dallas & Jah Warrior - Immeasurable/Immeasurable Dub - Jah Warrior Prince Jamo & Cultural Warriors - Slave Driver(King Alpha Remix)/Slave Driver Dub(King Alpha Remix) - Evidence Music Daweh Congo - Jah Is My Shepherd - Human Rights & Justice - Jamwax Jah D - We're  Going To Zion w/Instrumental - Roots 7' Kabaka Pyramid & Naomi Cowan - See You Tonight - Brimstone Riddim - Dutty Rock Productions Kemla & Little Lion Sound - You - Evidence Music Green Lion Crew & Anthony B - Dem A Murderah - Green Liopn Crew Brinsley Forde feat. Delly Ranx & Blufyah - Jamaica - Ajang Music Production The Meditations feat. Glen Washington - Got To Keep Moving On - Oh Jah Vol. 1 - Mediations Music The Mediations feat. Screechy Dan - Oh Jah - Oh Jah Vol. 1 - Meditations Music Ka'ra - True Love/True Love Dub - Black Wadadah/D.O.V.E Music

It's a wild world out there, and animals are constantly surprising us by breaking the species barrier. Take the "iguana mermaids," for example—marine iguanas native to the Galápagos Islands that have evolved to swim underwater, resembling miniature aquatic dragons. Then there's the fascinating case of ligers and tigons, hybrids of lions and tigers, blending the characteristics of both majestic big cats. Don't forget about narlugas, the rare hybrid offspring of narwhals and beluga whales, sporting the narwhal's iconic tusk and the beluga's rounded head. Credit: CC BY 2.0 https://creativecommons.org/licenses/... Jason Hollinger: Hybrid land-marine iguana - https://flic.kr/p/kgtnE2, https://commons.wikimedia.org/wiki/Fi... Hybrid land-marine iguana - https://flic.kr/p/kgtnE2, https://commons.wikimedia.org/wiki/Fi... Tursiops truncatus: James St. John, https://commons.wikimedia.org/wiki/Fi... Sula nebouxii: Ndecam from London, UK - https://flic.kr/p/atbbZa, https://commons.wikimedia.org/wiki/Fi... Galapagos Mockingbird: kuhnmi - https://flic.kr/p/2hZkvQR, https://commons.wikimedia.org/wiki/Fi... Large ground finch: Peter Wilton - https://flic.kr/p/7rGV4d, https://commons.wikimedia.org/wiki/Fi... CC BY-SA 2.0 https://creativecommons.org/licenses/... Marine iguana: Murray Foubister, https://commons.wikimedia.org/wiki/Fi... Espanola Marine Iguana: Gregory "Slobirdr" Smith, https://commons.wikimedia.org/wiki/Fi... Zeedonk: sannse, Colchester Zoo, CC BY-SA 3.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/wiki/Fi... CC BY 4.0 https://creativecommons.org/licenses/... Marine Iguana: Patrick Cox - https://www.inaturalist.org/photos/13..., https://commons.wikimedia.org/wiki/Fi... Narwhal hybridisation: Mikkel Høegh Post. Published by Mikkel Skovrind, Jose Alfredo Samaniego Castruita, James Haile, Eve C. Treadaway, Shyam Gopalakrishnan, Michael V. Westbury, Mads Peter Heide-Jørgensen, Paul Szpak & Eline D. Lorenzen, https://commons.wikimedia.org/wiki/Fi... CC BY-SA 4.0, https://creativecommons.org/licenses/... Galápagos mockingbird: Nicolas Völcker, https://commons.wikimedia.org/wiki/Fi... Galapagos Marine Iguana: RuyCalderon, https://commons.wikimedia.org/wiki/Fi... Hybrid iguana: Gould363, https://commons.wikimedia.org/wiki/Fi... Iguana marina: Diego Delso, https://commons.wikimedia.org/wiki/Fi... Landiguana: Benjamint444, https://commons.wikimedia.org/wiki/Fi... Monodon monoceros: Pcornill, https://commons.wikimedia.org/wiki/Fi... Denisova-Höhle: Demin Aleksei Barnaul, https://commons.wikimedia.org/wiki/Fi... Spaceship: Benjamin D. Esham (bdesham), https://commons.wikimedia.org/wiki/Fi... Homo neanderthalensis: Jakub Hałun, https://commons.wikimedia.org/wiki/Fi... Denisova Cave: Xenochka, https://commons.wikimedia.org/wiki/Fi... Homo sapiens neanderthalensis: Neanderthal-Museum, Mettmann, https://commons.wikimedia.org/wiki/Fi... DALL.E Music by Epidemic Sound https://www.epidemicsound.com/ Music from TheSoul Sound: https://thesoul-sound.com/ Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook: https://www.facebook.com/brightside/ Instagram: https://www.instagram.com/brightside.... Tik Tok: https://www.tiktok.com/@brightside.of... Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Super excited to announce new guest, D-Bo!, to The Story!Originally from Harrisburg Pennsylvania, Delonne “D-Bo!” Wilbourn has been singing, producing, writing, and composing all his music for over 10 years. D-Bo! and his band will captivate any crowd or venue. The band's diversity in musical selection creates a one-of-a-kind experience with award-winning original music and cover songs in the genres of R&B/Soul, Funk, Blues, Neo Soul, Jazz, Alternative, Reggae, Rock, Pop, Metal, and even Country.D-Bo! has been featured on American Idol and The Voice, and has won many awards and accolades including Hard Rock Rising Battle of the Bands Finalist (Hard Rock Café), Touchtunes Breakout Band Winner, Akadamia Award Winner for Best Album, 2021 Central Pennsylvania Music Award (CPMA) Winner for Song of the Year, and 2023 CPMA Winner for Best R&B Artist and Best Dressed. D-Bo! has also earned over 12 Featured Artist Spotlights on ReverbNation Crowd Picks and has ranked #1 in the World on ReverbNation's R&B Artist charts.You can even hear his music featured in the AMC film “An American In Hollywood”. With past performances at the Hard Rock Café Baltimore, Lincoln Financial Field (Philadelphia, PA), Hollywood Casino Penn National, Hollywood Casino York, Live! Casino, Club XL, and venues from Nashville to Cape May, the grand stage is nothing new for D-Bo!. D-Bo! is also a frequent festival headliner including Kipona (Harrisburg, PA), Gettysburg Wine Festival, In The Streets Festival (Frederick, MD), Temple University Homecoming, and the Blues & Brews Festival (Cape May, NJ).His four award-winning albums are available on Apple Music, Amazon, Spotify, Google Play, eMusic, Deezer, Tidal, and other digital platforms.You can find D-Bo! and his projects here:Website: http://d-bomusic.comFind The Story Podcast here: coryrosenproductions.com/podcastsSupport this podcast at — https://redcircle.com/the-story/donations

In questo episodio tratteremo di nuovo un argomento di cultura coreana: il seollal. Il seollal è il capodanno lunare coreano, una festività nazionale con tante curiosità e tanti aspetti affascinanti. Nel secondo segmento ci sarà un argomento molto meno tradizionale, ma comunque molto popolare, i music show. Spiegheremo cosa sono, il loro funzionamento, le loro regole. Nelle news ci sarà un macrosegmento che tratta della MFW e poi altre notizie e voci di corridoio. Infine concludiamo con il segmento comeback, dove indichiamo le novità rispetto alla volta scorsa e discutiamo delle nostre uscite preferite. Per la parte kdrama stavolta vi consigliamo i nostri show preferiti. A condurre questo podcast Jacopo (aka ⁠⁠⁠Alcor3D⁠⁠⁠) e Maya (aka ⁠⁠⁠Gittola⁠⁠⁠) che sono anche i produttori, gli scrittori e i creatori del tutto. Vi chiediamo di essere comprensivi per quanto riguarda le pronunce. Si ringrazia ⁠⁠⁠nomaBeats⁠⁠⁠ per la musica  (00:00) - INTRO (02:41) - SEOLLAL, IL CAPODANNO LUNARE IN COREA (12:09) - MUSIC SHOW, COSA SONO E COME FUNZIONANO? (26:12) - MILAN FASHION WEEK (32:26) - NEWS (47:02) - VOCI DI CORRIDOIO (49:13) - COMEBACK (54:46) - KDRAMA (56:34) - OUTRO

In this chat, we talk about the lack of relationships in more eastern culture. We talk Abraham, and His weirdo nephew Lot whoring out his daughters. What Couples Do together. Track: Tom Wilson - Run For Your Life (ft. M.I.M.E) Music provided by NoCopyrightSounds. Watch: Free Download / Stream: http://ncs.io/RunForYourLife Hangout with the same materials as me. Checkout The Morning Brew: morningbrew.com/daily/r/?kid=21f7544c --- Send in a voice message: https://podcasters.spotify.com/pod/show/heyitsedb/message

Marcus Segal, former COO of eMusic.com, shares his journey of success, failure, and self-discovery. From being part of the booming tech world to facing the challenges posed by Napster, Marcus rode the rollercoaster of the industry. But when the company reached its breaking point, Marcus had to confront his inner critic and find a new path. Join us as we delve into Marcus' transformative experience in the Sahara Desert and how it ignited gratitude and purpose. Get ready to be inspired by Marcus' resilience and determination to give back to the startup community.

TBSラジオ 滋慶学園COMグループプレゼンツ「あなたの夢はなんですか？」 第470回【2023年12月7日（木）】放送 ＭＣ：ハマカーン・浜谷健司さん ゲスト：仙台スクールオブミュージック＆ダンス専門学校　 e-Music&サウンドクリエーター専攻 平山健太さん 仙台スクールオブミュージック＆ダンス専門学校 HP→https://www.sendai-com.ac.jp/ 仙台スクールオブミュージック＆ダンス専門学校Instagram→https://www.instagram.com/ssm_sendai/ パーソナリティは、はなわさんとハマカーン･浜谷健司さん。 様々な業界で夢を実現させ、第一線で活躍しているプロフェッショナルから、 夢に向けて勉強している現役学生まで。 さまざまな「夢追い人」にインタビューし、 それぞれが抱く 「将来や人生の夢」「職業の夢」を語ってもらいます。 TBSラジオ（https://www.tbsradio.jp）  FM90.5 + AM954 火曜〜木曜 『荻上チキ・Session』内 19時30分頃から放送中！ #tbsラジオ ⁠⁠⁠⁠⁠⁠⁠⁠#anayume954⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠#はなわ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠#ハマカーン⁠⁠⁠⁠⁠⁠⁠⁠ #ss954 HP ⇒⁠⁠⁠⁠⁠⁠⁠⁠https://www.tbsradio.jp/anayume/⁠⁠⁠⁠⁠⁠⁠⁠ Twitter ⇒⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/anayume954⁠⁠⁠⁠⁠⁠⁠⁠ Instagram ⇒ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/anayume954/⁠⁠⁠⁠ ⁠⁠⁠⁠ Facebook ⇒⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/anayume954

During Hour #2 of The Cruz Show on 11/27 - Lechero Told us about new music from Eazy E + we all vented for "No Mames Monday"

durée : 00:04:19 - Le coup de coeur FB Orléans - Murielle Couder prépare pour la 13ème fois un rendez-vous annuel dans la salle des fêtes de Fontenay-sur-Loing ce samedi 18 novembre à 21h00 en proposant une grande soirée Music Hall avec 7 artistes qui se succéderont sur scène.

www.tommyponce.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/tommyponceradio/message

The rapper was exposed early on to music professionals and entertainers such as Island Def Jam executive Yvette Davila, and rappers Fat Joe, N.O.R.E., the late Big Pun, and many more. Conan soon teamed up with fellow rapper Young Cor to form the rap group Illest Spitters, and released The Youngest in Charge mixtape, hosted by Kid Capri. Conan's first solo project was the mixtape The New Beginning, which was dubbed “a 3-D experience that will give new and old fans a chance to hear some of the innovative material Conan is creating.” A burgeoning businessman also emerged as Conan worked with and learned from his father's company, YNVS Marketing, Promotion, and Management.While promoting The New Beginning, Conan was featured on Beatport, eMusic, The DJ List, and other top sites. He was also a featured performer on the 15-city, 2013 Coast to Coast Mixtape Tour with N.O.R.E. and the Good Belt Gang, and on a 35-day tour with Lil Wayne, 2 Chainz, and others in promotion of a popular Facebook game that he helped launch, Play Gig-it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/nalasden88/message

Le fasi della produzione di un brano musicale includono la pre-produzione, la composizione, la produzione vera e propria e la post-produzione. La distribuzione musicale digitale è il collegamento tra il tuo disco finito e i tuoi fan. Esistono diverse piattaforme di streaming come Spotify, Apple Music, Amazon Music, Deezer, Tidal, YouTube Music, ecc. e diversi distributori digitali come TuneCore, DistroKid, CD Baby, eMusi, per caricare la propria musica sulle piattaforme di streaming e gestire i diritti d'autore. È importante avere i diritti d'autore sulle proprie canzoni e una strategia di marketing efficace per farsi notare tra la moltitudine di artisti presenti sulle piattaforme di streaming. Ecco i link alle piattaforme di distribuzione musicale menzionate nell'episodio: Spotify: https://www.spotify.com/it/ Apple Music: https://www.apple.com/it/apple-music/ Amazon Music: https://music.amazon.it/ Deezer: https://www.deezer.com/it/ Tidal: https://tidal.com/ YouTube Music: https://music.youtube.com/ Ecco i link ai distributori digitali menzionati nell'episodio: TuneCore: https://www.tunecore.com/it/ DistroKid: https://distrokid.com/ CD Baby: https://it.cdbaby.com/ eMusic: https://www.emusic.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spaziodarte/message

How has your understanding of and relationship with Australia Day changed over time? What goes through your mind when you hear a Welcome to Country or Acknowledgment of Country? And what do you think of when you hear the term Aboriginal prosperity? These are just some of the questions touched on in this extended interview with Griefologist, Rosemary Wanganeen, who takes us on a journey towards healing by embracing grief. As you'll hear, there is important work to be done by Indigenous and Non-Indigenous Australians, and it starts with finding ways to forgive our 1788 ancestors. And in the Musical Pilgrimage, Nataleigh shares a song produced as part of her 13-year-old songwriting competition, eMusic. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page Running Sheet: Loss, Grief, And Forgiveness: Rosemary Wanganeen On How Indigenous And Non-Indigenous Australians Can Thrive 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no featured drink this week. 00:03:04 Rosemary Wanganeen, The Healing Centre for Griefology Three weeks ago, at the end of May 2023, The Healing Centre for Griefology, shared a post that read: Did you know that 25% of Aboriginal people living in the inner city have mental health problems? We can change this - we can educate institutions and organisations about Griefology as a proven method to enact Aboriginal prosperity. It triggered an avalanche of comments like "looking for more handouts", "the solution to Aboriginal prosperity is not different to Whites - get off the grog", "easy fix, pack up the 'dilly bag' and go 'walkabout' and get out of the city, you all get paid by the government no matter where you go, and you will still get everything for nothing no matter where you go, so GET OUT OF THE CITY IF ITS MAKING YOU CRAZY". When the founder and director of the Healing Centre for Griefology, Rosemary Wanganeen, shared how much hurt this caused her team, a flood of compassion arose from many people, including me, who just couldn't process the vitriol the Centre had received. Rosemary Wanganeen Niina Marni (how are you)? Rosemary, you are a Griefologist, a Clinical Loss & Grief Counsellor, today I want to delve into what griefology actually is, what The Seven Phases to Integrating Loss and Grief are, and your upcoming symposium on July 7, along with some discussion of the polarising views about Australia Day, my mixed feelings about Acknowledgement Of Country rituals in some circumstances, some insights about how to approach The Voice, and the buried art of intuition. But first I want to return to those spiteful, racist messages you and your team received. My reaction was almost a carbon copy of everybody else's. We were staggered by the unveiled hatred. One comment from anthropologist, Sue Fraser, summed it up by saying: I am so sorry that you and your team have to deal with these comments. It is sickening and sad that people believe these things, and that they think it's okay to dump these comments on to someone like yourself who is doing such great work for Aboriginal Peoples and for the rest of us as well. Sending love and hugs Sue. However, I think I have a deeper understanding of what was behind those comments, now that I have spent a few weeks listening to you talk. In particular, you shine a light on the psychotic state of the 1788 arrivals, explaining that they became perpetrators of violence having been victims of a broken approach to life that disconnected them from their humanity, in a process that stretches back to Plato and even beyond. Can we please start here because I think your framing of this evolution might help us make sense of the macabre way Romans crucified people, the hideous human waste of The Great War, and even what's happening today in Ukraine. I'd like to dwell a little longer on Australia Day. My own journey over 50 years has been one of a little bit of "rah rah", then many years of indifference (although the public holiday was gratefully received), to a stirred reflection on the "experiment" of South Australia, to growing conflict about how to process my growing understanding of some of the dark, dark stuff my ancestors did, to a point of being rather frozen now. That's why my ears priced up when you mentioned, in a recent interview, the importance of you finding a way to forgive the 1788 arrivals, and the importance of us Anglo people finding a way to forgive them, too. Can you please expand on this? The theme of forgiveness is key, here, but you do differentiate between grief forgiveness vs religious forgiveness. Can you explain this to me? This reflection on words does raise the importance of both language and the process of passing on knowledge. In Sand Talk, Tyson Yunkaporta talks about Europeans named the mountains in the east as The Great Dividing Range, even though it doesn't diving anything (it is, in fact, an song line that connects), and the coral off the east coast as the Great Barrier Reef even though it is not a barrier but in fact another song line that connects. Does this explain why there seems to be such a large gap between indigenous and non-indigenous cultures? Something else Tyson shares in his book is the role of passing on knowledge through stories or yarns and how written words tend to be processed in short term memory but oral stories tend to get stuck into long term memory. As part of discussing this, it also brings up themes of the characters in Aboriginal stories - people, animals, plants, and even rocks and stars. He shared a story about a magpie and a crow that is still triggered every time I see one of those birds (it was part of a story about the importance of taking the learning of knowledge seriously) but I've also heard you tell a story about a meeting with Grandfather Crow. I'd love to understand this dynamic more. We start our episodes with a simple acknowledgement of country and at the netball recently, there was a truly earnest and profound Welcome To Country that had gravitas and meaning. However, I see so many acknowledgement of country rituals that are either blurted out quickly as an inconvenience, or are made overly elaborate and hand-wringing in some theatre settings, that they come across as either hypocritical at one end or virtue signalling on steroids at the other end. What is your thinking about these rituals? One of my clients was warned not to do an acknowledgement of country at an event for fear of offending people but as I learn more about griefology and the seven phases to integrating loss and grief, it seems that fear is because there is stuff bottled up inside many of us and it threatens to blow in harmful ways, or even just uncomfortable ways. Could we walk through these phases? Phase 1 Contemporary Aboriginal DisadvantagePhase 2 Childhood Violations / Losses & Unresolved GriefPhase 3 Australian History; English History; Ancient History; Plato 388 BC.Phase 4& 5 Ancient Traditional CulturePhase 6 Reclamation of Contemporary Loss & Grief ProgramsPhase 7 Develop Training Programs for every sector across society I'm fascinated by your methodology for developing griefology. You talk about intuitive research. What does that mean and how can we be sure the voices we hear inside are not delusions? Can you tell us about the National Symposium on Griefolology at the Adelaide Convention Centre. What it is, who should go, and what you hope it will achieve? Steve references his documentary, Sorry Proof Country, during the interview. It was uploaded to YouTube many years ago when there was a 10-minute limit. So here is part one of the 30-minute film YouTube will guide you to parts two and three as you watch. 01:36:54 Musical Pilgrimage Our featured song this episode is Here in the Woods, by Nataleigh. Nataleigh is a dynamo on the local music scene. She performs all over place but also makes musical magic with her twin sister, Amanda, by hosting an annual music competition called eMusic. The twins invite friends to submit a song that follows three rules; each song has to be original, recorded at home, and meet the 'general' characteristics of the chosen genre. This year the genre is acoustic, but previous years it has been everything from power balads to children's songs. There tend to be about six entries each year and then the 50 or so people who turn up vote on the songs so that a winner can be chosen. The song we're going to listen to is a good accompaniment to this episode. It's called Here in the Woods. It was written by Amanda but both sisters sing it. It's a good choice for this episode because part of what Rosemary Wanganeen was encouraging us to do was to get "into the woods" to reconnect to the stories from the land around us. And this song makes many references to immersing in and observing the woods, the forest, the moon, etc. We wish them all the best for this year's 13th eMusic competition - and thank you to Carol Neller for putting us in touch.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Hard-rock fans UNITE! Mötley Crüe and Def Leppard are coming to Australia! Tommy Lee joins Roo, Ditts & Loz to chat all things Mötley Crüe, and tease what's to come for their three-date tour coming this November.  See omnystudio.com/listener for privacy information.

Gene Hoffman currently serves as the Chief Executive Officer and President of Chia Network. Chia is a technology infrastructure company building a transformative open-source, public blockchain focused on real-world utility that is secure in approach, regulatory compliant, and sustainable by design. From 2017 to 2019, Hoffman was an advisor to the board of Chia Network before joining the Company as COO and President in August 2019.Throughout his career in technology, Hoffman has built and scaled companies in enterprise software and SaaS, subscriptions, cryptography, and software development, served as a chief executive of a publicly traded company, raised over $215,000,000 in public and private markets, acquired four companies, and successfully sold three companies to PGP, Inc., Vivendi-Universal, and Amdocs. His success demonstrates the vital element of his entrepreneurial philosophy - deeply understanding the technology and starting with real utility and industry application creates foundational use cases and unlocks future potential. Prior to joining Chia, Hoffman served as co-founder, Chairman, and CEO of Vindicia, a consumer subscription infrastructure company from 2003 until its sale to Amdocs in 2016. Previously, he co-founded the company that came to be Emusic.com, serving as CEO and President from 1998 to 2002. Hoffman has 23 years of experience in high-compliance security environments, including 12 years of managing PCI and SSAE-16 compliance for the storage of 220,000,000 credit cards. Hoffman identifies as a true cypherpunk. In 1997, he helped end U.S. export controls on cryptography while at PGP, Inc. by personally exporting the PGP Source Code book. Just as Hoffman has spent his career driving the adoption of digital transformation, today he sees decentralized blockchain technology as the next step toward the future of finance. Connect with Behind Company Lines and HireOtter Website Facebook Twitter LinkedIn:Behind Company LinesHireOtter Instagram Buzzsprout

L'autore voleva scrivere una storia su un uomo che cambia strada ma ha invece parlato della creazione di app, citando esempi come Bitmark e Ultimedia Converter. Ha poi parlato dell'idea di creare un'app per aggiungere loot alle foto, che sarà presto rilasciata in una nuova versione.La persona utilizza l'app Beatmark per modificare la musica dei suoi filmati, chiede consigli su siti per acquistare musica a prezzi convenienti e suggerisce di utilizzare un motore di ricerca per trovare brani adatti. Il narratore utilizza selezioni di musica di un cliente e si suggerisce di avere un sistema facile per utilizzare tracce personali. La persona cerca un programma per cercare canzoni attraverso parole chiave e durata.Il testo parla dell'importanza di classificare la musica in modo dettagliato, analizzando gli strumenti e la struttura delle canzoni. Si menziona la tecnologia di scansione dei file e l'utilità della ricerca dei bpm su Spotify. L'autore spera di creare un classificatore di canzoni simile a quello delle immagini. Si consiglia di scegliere pochi generi musicali precisi anziché tanti generi vaghi.[00:00:04] Di cosa si parla oggi?[00:00:40] Sigla iniziale[00:13:23] SpotTechnoPillzFlusso di coscienza digitale.Vieni a chiacchierare sul riot:https://t.me/TechnoPillzRiotSono su Mastodon: @shylock74@mastodon.unoI video di The Morning Rant sul canale YouTube di Runtime:https://www.youtube.com/playlist?list=PLgGSK_Rq9Xdh1ojZ_Qi-rCwwae_n2LmztAscoltaci live tutti i giorni 24/7 su: http://runtimeradio.itScarica l'app per iOS: https://bit.ly/runtAppContribuisci alla Causa andando su:http://runtimeradio.it/ancheio/

In this episode of the Finding God my guest Barbara Swint talks about childhood trauma and how she was able to find God in healing. To find out more about Finding God go to https://keanawmitchell.clubJoin Me on Social Media!!!!Facebook:Finding God | FacebookFacebook Group:Finding God | FacebookInstagram:Keana W. Mitchell (@findinggod2) • Instagram photos and videosListen to Finding God on Spotify:https://open.spotify.com/show/022Zht5DjU1i3k7BAeHaTW?si=8c728b93da5d43c2If you would like to either be a guest on Finding God or submit music to the podcast, please send an email to anaekmusic@outlook.com Listen to more of R.U. S. H. E Music on Spotify!!!!!!https://open.spotify.com/artist/46sQxGbUg1oXMMm9L5VS7l?si=oe-VU532RO2gz2AHMiha0QThank you to Patience for allowing me to use his song Winning featuring Young Noah!!! Click the link below to listen to more music from Patience.https://open.spotify.com/album/2f8MU3MfffVaJPmrLU9lp2?si=ApWrDacmTGeIGNCZidYY5AAlways Remember God Loves You!!!

In today's podcast Tiffany Guarnaccia, Founder and CEO of Kite Hill PR, discusses how public relations should be built into every marketer's communications and marketing strategy and how to make the most of your PR efforts. Topics include: How PR is evolving and how you should be using it. How you (or your PR partners) should be crafting pitches. What you should think about when interviewing potential PR partners. How in-house communication and external PR teams should work together. Considered a “visionary with a finger on the pulse of the industry” by PRWeek, Tiffany Guarnaccia is the Founder and CEO of Kite Hill PR and the Founder of Communications Week. Tiffany is a mother to her daughter, Lily, and resides in New York City. Since founding Kite Hill PR, Tiffany has been recognized as one of PR News' Women to Watch, a DMN Hall of Femme and PRWeek 40 Under 40 award winner. Under her leadership, Kite Hill PR has been recognized as one of the "Top Tech Specialist PR Agencies in NYC”, “Most Powerful PR Firms” and “The Best 50 PR Firms in America” by the Observer, a Best Place to Work by PR News and one of "America's Best PR Agencies" by Forbes. Before starting Kite Hill PR, Tiffany headed communications for The Huffington Post. Earlier in her career, she was at the center of the music industry's most disruptive years as a PR director at LimeWire and eMusic.

Most digital music pioneers encountered lots of resistance from the large music record labels. In fact, many of their companies were sued out of existence. But not eMusic.eMusic's founder, Mark Chasan, was one of the few digital music pioneers who actually managed to successfully navigate the early digital music waters, ultimately building an online music business that couldn't be stopped by the music industry and their endless string of lawsuits.On this episode of Web Masters, we'll hear how Mark did it, as well as the pioneering work he's doing now in a different and, arguably, much more important industry.For a complete transcript of the episode, click here.

Tiffany Guarnaccia is the Founder and CEO of Kite Hill PR and the Founder of Communications Week, recently acquired by Ragan Communications. Before starting Kite Hill PR, Tiffany headed communications for The Huffington Post and PR director at LimeWire and eMusic.  Today Tiffany shares the inside skinny on running a successful PR campaign, plus her own entrepreneurial journey and why work life balance should be core to your company's operational culture. Download the interactive podcast app Podopolo here to keep the conversation going in the Wings comments section and invite your friends to connect around podcasts recommended to you by what interests and inspires you.

On this podcast episode, my take on what has happened over the weekend in Buffalo, NY. A young 18 year old white male shot 13 people, 11 killed & mostly black. All because of some racist idealogy amongst other things. Plus a song I wrote & produced from my STephySTephy The Project Enough Said Digital CD titled "What You Think About That" available online retailers such as Apple Music, Amazon music, Google Music, CDbaby, Emusic, Rhapsody to name a few.

In this conversation, we chat with Gene Hoffman, Chief Operations Officer and President at Chia Network. Formerly CEO & co-founder Vindicia, eMusic, PGP, PrivNet. Recognized by the San Francisco Business Times with the “40 under 40 Emerging Leaders Award” in 2012, Gene has deep experience with building companies that disrupt markets. As head of eMusic, Gene was featured on the cover of Forbes Magazine as a member of the July 1999 E-Gang, and named one of the 100 most influential entrepreneurs in technology in Upside Magazine's November 2000 Elite 100. Gene led the acquisition of eMusic by Vivendi/Universal in June 2001. Before founding eMusic Gene was Director of Business Development and Director of Interactive Marketing of Pretty Good Privacy. More specifically, we touch on the early days of encryption, digital signatures, cryptocurrencies, and copyrights. As well as, the evolution of intellectual property management, the mechanics behind subscription infrastructure, how to build an alternative network to Bitcoin's, and so so much more!

David is a CS major who worked in Apple's music group in the 90s and went on to become CEO of eMusic in the aughts. At Venrock, David invested in early-stage crypto, consumer, and enterprise tech companies. He was early to crypto as a node maintainer on the Bitcoin blockchain and an Ethereum miner, setting up a rig in his basement several years ago.At CoinFund, he focuses on early- and growth-stage crypto and blockchain companies and technologies like Upshot, a platform for crowdsourced NFT appraisals, and Rarible, a digital art NFT platform.ICYMI: Listen to our episode Web3 won't save us.This week's Lifeboat badge goes to user M-M for their answer to Find the area of an n-interesting polygon.

David is a CS major who worked in Apple's music group in the 90s and went on to become CEO of eMusic in the aughts. At Venrock, David invested in early-stage crypto, consumer, and enterprise tech companies. He was early to crypto as a node maintainer on the Bitcoin blockchain and an Ethereum miner, setting up a rig in his basement several years ago.At CoinFund, he focuses on early- and growth-stage crypto and blockchain companies and technologies like Upshot, a platform for crowdsourced NFT appraisals, and Rarible, a digital art NFT platform.ICYMI: Listen to our episode Web3 won't save us.This week's Lifeboat badge goes to user M-M for their answer to Find the area of an n-interesting polygon.

Episode 5 ft. Ma$e Music, Writers Block, Social Dilemma by Tristan Taliano

In today's podcast, we have a conversation between Corson and Rook*e (aka Josh Garrison). Rookie is a music artist who raps, sings, produces, mixes, and masters all of his own music. In today's episode, we talk about his life story from: - Being born in Texas - To travel the world with his family and how that impacted his life views - Playing football at an all-boys academy and what that taught him - How he was inspired to start making music - His journey into learning about the mind and how Corson's teachings about identity and reading have impacted him - His favourite life lessons and mistakes - The journey he is about to embark on to freestyle mastery using the principles of the Hockey Player Identity Course If you want to learn more about Rook*e and follow him: insta: @youraveragejosh twitter: @rookkiiieee twitch: heyitsrookie soundcloud.com/neveramateur To learn more about player Identity and Corsons Teachings visit: www.corsonsearles.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Molly Neuman is the Global Head of Business Development at Songtrust and you may know her from her time ar Kickstarter, A2IM, Rhapsody, or eMusic. Molly is best known as a creator of the riot grrrl movement as Bratmobile's drummer and founding editor of the Girl Germs zine. On this episode, Portia and Molly discuss her career and more. Live from Indie-Con Australia 2018.

Venrock Partner David Pakman is one of the Top 100 VCs, according to CB Insights. Previously, David spent 12 years as an internet entrepreneur focused on music. David was the CEO of eMusic, the world's leading digital retailer of independent music, second only to iTunes in number of downloads sold. He also was the co-creator of Apple's Music Group and worked at Apple for five years.

My guest today is singer/songwriter a l l i e, her debut album Nightshade is out right now and it's fyaah. We talked about what's it like to work on a project for 2 years and finally release it to the world. a l l i e tells us about the divine feminine, her lowest point on this journey and so much more.Each and every Wednesday we'll be uploading a brand new interview with a guest we feel that you should know about. If you love podcasts subscribe at the options below.Subscribe to The Come Up Show Podcast on your favourite platform: http://bit.ly/2k57m7rShow us love and leave us a review: bit.ly/tcuspodcastreviewJoin our newsletter: bit.ly/tcusnewsletterCheck out the new book "Stop Playing By Their Rules: An Artist Guide On How To Market To Fans" bit.ly/2kgGzEVSupport this show http://supporter.acast.com/thecomeupshow. Hosted on Acast. See acast.com/privacy for more information.

David has been a Partner at Venrock since 2008 and focuses on early stage consumer and enterprise internet companies. Before Venrock, he spent 12 years as an internet entrepreneur. David was the CEO of eMusic, the world's leading digital retailer of independent music, second only to iTunes in number of downloads sold. Prior to joining eMusic, David co-founded Myplay in 1999 in Redwood City, CA, which introduced the “digital music locker” and pioneered the locker category. In 2001, Myplay was sold to Bertelsmann's ecommerce Group. Before Myplay, he was Vice President at N2K Entertainment, which created the first digital music download service. He also was the co-creator of Apple's Music Group and worked at Apple for five years. David is a graduate and a former Overseer of University of Pennsylvania's School of Engineering and Applied Science where he received a BSE in Computer Science Engineering. He serves on the Board of Part Of The Solution in The Bronx, loves tennis, and plays drums. In 2017, David was named one of the Top 100 Venture Capitalists by CB Insights.

Yancey Strickler, one of the co-founders of Kickstarter, began his working life in journalism in 2000, and managed to make a living as a freelance writer during one of the most difficult times to ply that trade. A few years later, he joined eMusic, where he rose to editor in chief and started an in-house record label to give bands an easier way to get an album out. He began working on Kickstarter long before its April 2009 debut, and remains as excited about its potential to change artists' and creators' lives today as he was before its launch.

Girl Germs, Bratmobile, Lookout!, Indivision Management, Simple Social Graces, eMusic. Molly Neuman has been involved in just about every facet of the music business at a pretty high level. Like many industry veterans, however, she didn't set out to play the game. So it was nice to hear about her journey from enthusiastic zinester to digital music trailblazer.

In May 2003, Apple invited me to their headquarters to discuss getting CD Baby's catalog into the iTunes Music Store. iTunes had just launched two weeks before, with only some music from the major labels. Many of us in the music biz were not sure this idea was going to work. Especially those who had seen companies like eMusic do this exact same model for years without big success. I flew to Cupertino thinking I'd be meeting with one of their marketing or tech people. When I arrived, I found out that about a hundred people from small record labels and distributors had also been invited. We all went into a little presentation room, not knowing what to expect. Then out comes Steve Jobs. Whoa! Rock star. He was in full persuasive presentation mode. Trying to convince all of us to give Apple our entire catalog of music. Talking about iTunes success so far, and all the reasons we should work with Apple. He made a point of saying, “We want the iTunes Music Store to have every piece of music ever recorded. Even if it's discontinued or not selling much, we want it all.” This was huge, because until 2003, independent musicians were always denied access to the big outlets. For Apple to sell all music, not just music from artists who had signed their rights away to a corporation, this was amazing! Then they showed us the software we'd all have to use to send them each album. The software required us to put the audio CD into a Mac CD-Rom drive, type in all of the album info, song titles and bio, then click [encode] for it to rip, and [upload] when done. I raised my hand and asked if it was required that we use their software. They said yes. I asked again, saying we had over 100,000 albums, already ripped as lossless WAV files, with all of the info carefully entered by the artist themselves, ready to send to their servers with their exact specifications. The Apple guys said, “Sorry, you need to use this software; there is no other way.” Ugh. That means we have to pull each one of those CDs off of the shelf again, stick it in a Mac, then cut-and-paste every song title into that Mac software. But so be it. If that's what Apple needs, OK. They said they'd be ready for us to start uploading in the next couple weeks. I flew home that night, posted my meeting notes on my website, emailed all of my clients to announce the news, and went to sleep. When I woke, I had furious emails and voicemails from my contact at Apple. “What the hell are you doing? That meeting was confidential! Take those notes off your site immediately! Our legal department is furious!” There was no mention of confidentiality at the meeting and no agreement to sign. But I removed my notes from my site immediately, to be nice. All was well, or so I thought. Apple emailed us the iTunes Music Store contract. We immediately signed it and returned it the same day. I started building the system to deliver everyone's music to iTunes. I decided we'd have to charge $40 for this service, to cover our bandwidth and payroll costs of pulling each CD out of the warehouse, entering all the info, digitizing, uploading, and putting it back in the warehouse. 5000 musicians signed up in advance, each paying $40. That $200,000 helped pay for the extra equipment and people needed to make this happen. Within two weeks, we got contacted by Rhapsody, Yahoo Music, Napster, eMusic, and more — each saying they wanted our entire catalog. Yes! Awesome! Maybe you can't appreciate this now, but the summer of 2003 was the biggest turning point that independent music has ever had. Until that point, almost no big business would sell independent music. By iTunes saying they wanted everything, then their competitors needing to keep up, we were in! Since the summer of 2003, all musicians everywhere can sell all their music in almost every outlet online. Do you realize how amazing that is? But there was one problem. iTunes wasn't getting back to us. Yahoo, Rhapsody, Napster and the rest were all up and running. But iTunes wasn't returning our signed contract. Was it because I posted my meeting notes? Had I pissed-off Steve Jobs? Nobody at Apple would say anything. It had been months. My musicians were getting impatient and angry. I gave optimistic apologies, but I was starting to get worried, too. A month later, Steve Jobs did a special worldwide simulcast keynote speech about iTunes. People had been criticizing iTunes for having less music than the competition. They had 400,000 songs while Rhapsody and Napster had over 2 million songs. (Over 500,000 of those were from CD Baby.) Four minutes in, he said something that made my pounding heart sink to my burning stomach: “This number could have easily been much higher, if we wanted to let in every song. But we realize that record companies do a great service. They edit! Did you know that if you and I record a song, for $40 we can pay a few of the services to get it on their site, through some intermediaries? We can be on Rhapsody and all these other guys for $40? Well we don't want to let that stuff on our site! So we've had to edit it. And these are 400,000 quality songs.” Whoa! Wow. Steve Jobs just dissed me hard! I'm the only one charging $40. That was me he's referring to! Shit. OK. That's that. Steve changed his mind. No independents on iTunes. You heard the man. I hated the position this put me in. Ever since I started my company in 1998, I had been offering an excellent service. I could make promises and keep them, because I was in full control. Now, for the first time, I had promised something that was out of my control. So it was time to do the right thing, no matter how much it hurt. I decided to refund everybody's $40, with my deepest apologies. With 5000 musicians signed up, that meant I was refunding $200,000. Ouch. Since we couldn't promise anything, I couldn't charge money in good conscience. I removed all mention of iTunes from my site. I removed the $40 cost. I changed the language to say we can't promise anything. I emailed everyone to let them know what had happened. I decided to make it a free service from that point on. The very next day, we got our signed contract back from Apple, along with upload instructions. Unbelievable. We asked, “Why now?”, but got no answer. Whatever. Fucking Apple. We started encoding and uploading immediately. I quietly added iTunes back to the list of companies on our site. But I never again promised a customer that I could do something beyond my full control.