Podcasts about EMusic

Per Magnus Johansson och Jonas Gilbert samtalar om poeten Gunnar Ekelöf (1907-1968). Vilket plats har Ekelöf som poet idag och hur var hans relation till surrealisterna och till psykoanalysen?   Det är på sin höjd ett fåtal svenska poeter från 1900-talet som har en lika eller mer central ställning än Gunnar Ekelöf. Från debuten 1932 med sent på jorden till den sista diktsamlingen Vägvisare till underjorden från 1967 gav han ut 14 diktsamlingar -- utöver samlingsverk och ett stort antal artiklar, essäer, recensioner.   Jonas Gilbert är bibliotekarie och bibliotekschef på Högskolan i Borås. Per Magnus Johansson är psykoanalytiker, docent i idé- och lärdomshistoria och författare. Samtalet är inspelat på Per Magnus Johanssons mottagning 10 maj 2025.   Ljudklipp från: https://www.ekelut.dk/ekeloifiana/eMusic.html Arche Podcast drivs av tidskriften Arche, läs mer här: https://www.arche.se/    

In this episode, a bunch of great voices come together to chat about local events, personal experiences, and insights from their work. It kicks off with some announcements—including the “First Annual Fur Baby Fundraiser” and other happenings from the Central Virginia Business Coalition. Mike and Magen dive into why networking and community support really matter. Then Joshua E. Music shares how he got into ambient music, and Lamona talks about building a strong, supportive community. There's also a segment on the ups and downs of fostering and where to find help. The episode wraps up with some laughs and a reminder to stay involved with local efforts.

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Adam's next pick, The Rural Alberta Advantage's "Hometowns". Their debut album, it was released in 2008. The album exemplifies the indie rock sound of the time while exploring themes of the the lead singer's upbringing in - you guessed it - rural Alberta. The album was originally released independently in early 2008 and following the band being featured by eMusic as artist of the month in November, they were signed to Saddle Creek Records. Critical reviews of the album were positive, with Pitchfork giving the album an 8. But will the boys be as generous about the album, or would they rather "Sleep All Day"? Come along and find out!

Thanks to Cre8ive Tribe for allowing us access to this wonderful talent, Ka$e. The tribe is a forward-thinking global creative company that collaborates with multicultural creative talents. Check out the following diverse tracks, 'Olive', 'Weekend', 'Green Card', and the most recent release, 'Link Up'.

Thanks to Cre8ive Tribe for allowing us access to this wonderful talent, Ka$e. The tribe is a forward-thinking global creative company that collaborates with multicultural creative talents. Check out the following diverse tracks, 'Olive', 'Weekend', 'Green Card', and the most recent release, 'Link Up'.

Decision Space is the podcast about decisions in board games. Join our active and welcoming Discord community, Join the crew today! (Decision Space Patreon), or Leave us a review wherever you find this podcast! Episode 177 - Tikal Tikal, designed by Decision Space favorites Wolfgang Kramer and Michael Kiesling, is back on the menu. Boosted by a great implementation on Board Game Arena, we have gotten enough plays to give this great game the full deep dive experience.  Timestamps Intro - 0:00 Ratings and Review - 1:04 Game Background - 5:31 Rules Overview - 12:37 Tikal Deep Dive - 14:12     Pre-Planners More Design Problems, Azul Summer Pavillion, Stefan Feld Designer Space?!E   Music and Sound Credits Thank you to Hembree for our intro and outro music from their song Reach Out. You can listen to the full song on YouTube here: https://www.youtube.com/watch?v=gQuuRPfOyMw&list=TLGGFNH7VEDPgwgyNTA4MjAyMQ&t=3s You can find more information about Hembree at https://www.hembreemusic.com/.  Thank you to Flash Floods for use of their song Palm of Your Hand as a sting from their album Halfway to Anywhere: https://open.spotify.com/album/2fE6LrqzNDKPYWyS5evh3K?si=CCjdAGmeSnOOEui6aV3_nA Rules Overview Music:  Way Home by Tokyo Music Walker https://soundcloud.com/user-356546060​ Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/tokyo-music-walker-way...​ Music promoted by Audio Library https://youtu.be/pJThZlOuDtI Contact We can be reached individually on Twitter at @jakefryd and @burnsidebh. You can also follow Decision Space on Instagram @DecisionSpacePod and talk to us there! If you prefer email, then hit us up at decisionspa@gmail.com. This information is all available along with episodes at our new website decisionspacepodcast.com. Byeee!

Blackout! Records was formed in 1988 by Bill Wilson and Jim Gibson. In 1989, the label released its album, a New York hardcore compilation album entitled Where the Wild Things Are.[1] The album included tracks from Sheer Terror, Killing Time, and others. After this first release, Gibson amicably parted company to start his own record label, Noiseville Records.  The label ended the 1990s with records from Killing Time, Kill Your Idols, and East Bay/ Berkeley bands Redemption 87 and Powerhouse. The early part of the 2000s brought some new blood, including Crime In Stereo, NJ's The Banner, The Procedure, and The Commercials. The last official Blackout! release was The Fire Still Burns in 2005. Although no longer releasing new music, the label still maintains a blog at its website which is infrequently updated and has the catalog available digitally on Amazon, iTunes, eMusic, Rhapsody, and other major digital outlets through The Orchard. I got Bill on the Skype and this is what we chat about Growing up with a genetic immune condition Designing the artwork for the Where The Wild Things Are Comp How he got albums in record stores Traveling on Lollapalooza The Goops H20 Plow United Kill Your Idols Business partner trying to steal his label Will he start putting out more records And a ton more Lastly I started doing whiteboard animations so if your marketing department has said recently “Hey, we need a whiteboard animation” then email me at mike@drive80.com Feel free to support  the podcast for as little as $1 a month through Patreon

This weeks show starts off with classics from The Mighty Diamonds, The Itals, Don Carlos, Culture, Cornel Campbell, Johnny Osbourne, Al Campbell, John Holt & Alton Ellis, Garth Dennis, Gene Rondo, Augustus Pablo, Judah Eskender Tafari, The Gladiators, Breezy & Prince Phillip, Black Uhuru, Ini Kamoze, and Martin Campbell. New music this week comes from U. Brown & The Ligerians, Jazzy D and Fireverse, Linval Thompson, Teacha Dee, Ras Jem & Jah T Jr., Mortimer, Reemah, Black Roots, Mighty Joshua, Don Campbell, Jesse Royal & The Zion I Kings, Iba Mahr, Mykal Rose & Chyna Nicole, Beres Hammond, Dub Apocalypse, Madipao, Dub Idren, Don Hartley, Robert Dallas & Jah Warrior, Prince Jamo & Cultural Warriors, Kabaka Pyramid & Naomi Cowan, Kemla, Green Lion Crew & Anthony B, Ka'ra, and The Meditations featuring Glen Washington and Screechy Dan . Enjoy! Mighty Diamonds - Gates Of Zion - Reggae Anthology: Pass The Knowledge - VP Records The Itals - Brutal Out Deh - In A Dis Ya Time - VP Records Don Carlos - Praise Jah - Pass Me The Lazer Beam - VP Records Culture - Dog A Go Nyam Dog (12” Mix) - Children Of Zion: The High Note Singles Collection - Doctor Bird The Young Lions - Take Five - The Dubmaster: Dennis Bovell: The Essential Anthology - Trojan Records Cornell Campbell - Natty Dread In A Greenwich Farm - I Shall Not Remove 1975-1980 - Blood & Fire Johnny Osbourne - Truths And Rights - Truths & Rights - Studio One  Al Campbell - Take A Ride - Studio One John Holt & Alton Ellis - Live & Love - Parish 7”  Garth Dennis - Slow Coach - Andy's  Gene Rondo - A Land Far Away - Bunny Lee: Dreads Enter The Gates With Praise - Soul Jazz Records Augustus Pablo - Satta Dub - King Tubbys Meets The Rockers Uptown - Shanachie Judah Eskender Tafari - Rocky Road - Wackies 7” The Gladiators - Big Fish - Strong To Survive - Sonic Sounds Breezy & Prince Phillip - Riding On A High And Windy Day/Windy Dub - Eclipse 7”  Black Uhuru - Puff She Puff - Red - Island Records Ini Kamoze - General - Sly & Robbie Presents: Ini Kamoze - Taxi Records Martin Campbell - Urban Style/Urban Style Dub - Jarring Effects U Brown & The Ligerians - Rootsman Party - Irie Ites Jazzy D feat. Fireverse - Keep It Cool - Love Culture Entertainment Linval Thompson - Po-Lice Man - Ganja Man - Irie Ites Teacha Dee Meets House Of Riddim - City Life - House Of Roots Ras Jem - Cutlass - Royalty - Jah T Jr. Jah T Jr. - Cutlass Dub - Roalty Dub - Jah T Jr. Mortimer - Not A Day Goes By - Overstand Entertainment/Easy Star Records Reemah - As Far As I Can See - Roots & Culture Riddim - Silly Walks Discotheque Black Roots - So Many Things - Roots - Nubian Records Mighty Joshua - Beware - Dreaducation - Mighty Joshua Music Don Campbell - Give Thanks/Give Thanks Dub - Stepwizer Music Jesse Royal & Zion I Kings - Love That Don't Change - Zion I Kings Iba Mahr - Stole My Heart - Mani Kehm Music/Dub Shot Records Mykal Rose & Chyna Nicole - Royal Hearts - Emerald Records Beres Hammond - Let Me Help You Smile - VP Records Junior Byles - The Long Way - Beat Down Babylon: Dreader Sounds 1973-1975 - Doctor Bird Records Dennis Brown - Let Love In - Burning Rockers: The 12' Mixes - Burning Sounds Freddie McKay - Creation Rebel - Creation - VP Records Leroy Smart - No Love - Dread Hot In Africa - Makasound Prince Fatty - No Dub In Their Heart - Prince Fatty Meets The Gorgon In Dub - VP Records Dennis Bovell - Eye Water (Raindrops Dub) - The Dubmaster: Dennis Bovell: The Essential Anthology - Trojan Records Dennis Bovell & The 4th Street Orchestra - The Grunwick Affair - The Dubmaster: Dennis Bovell: The Essential Anthology - Trojan Records Rockers All Stars - Jah Dread - Who Say Jah No Dread: The Classic Augustus Pablo Sessions - Greensleeves Yabby You - Conquering Lion (Groove Corporation Rmx) - Select Cuts From Blood & Fire - Select Cuts Dub Shepherds & Jolly Joseph - Fever/Fever Dub - Strike Out #2 - Bat Records Dub Apocalypse - Burn Out The Plague - Dub Apocalypse  Madipao - Hari Om Tat Sat - Dub Proof Music Dub Idren - Public Enemy - Dubophonic Records Don Hartley & I-Niverse - Orthodox Soldier/Orthodox Soldier Dub - Song Of Creation - Don Hartley Music Robert Dallas & Jah Warrior - Immeasurable/Immeasurable Dub - Jah Warrior Prince Jamo & Cultural Warriors - Slave Driver(King Alpha Remix)/Slave Driver Dub(King Alpha Remix) - Evidence Music Daweh Congo - Jah Is My Shepherd - Human Rights & Justice - Jamwax Jah D - We're  Going To Zion w/Instrumental - Roots 7' Kabaka Pyramid & Naomi Cowan - See You Tonight - Brimstone Riddim - Dutty Rock Productions Kemla & Little Lion Sound - You - Evidence Music Green Lion Crew & Anthony B - Dem A Murderah - Green Liopn Crew Brinsley Forde feat. Delly Ranx & Blufyah - Jamaica - Ajang Music Production The Meditations feat. Glen Washington - Got To Keep Moving On - Oh Jah Vol. 1 - Mediations Music The Mediations feat. Screechy Dan - Oh Jah - Oh Jah Vol. 1 - Meditations Music Ka'ra - True Love/True Love Dub - Black Wadadah/D.O.V.E Music

It's a wild world out there, and animals are constantly surprising us by breaking the species barrier. Take the "iguana mermaids," for example—marine iguanas native to the Galápagos Islands that have evolved to swim underwater, resembling miniature aquatic dragons. Then there's the fascinating case of ligers and tigons, hybrids of lions and tigers, blending the characteristics of both majestic big cats. Don't forget about narlugas, the rare hybrid offspring of narwhals and beluga whales, sporting the narwhal's iconic tusk and the beluga's rounded head. Credit: CC BY 2.0 https://creativecommons.org/licenses/... Jason Hollinger: Hybrid land-marine iguana - https://flic.kr/p/kgtnE2, https://commons.wikimedia.org/wiki/Fi... Hybrid land-marine iguana - https://flic.kr/p/kgtnE2, https://commons.wikimedia.org/wiki/Fi... Tursiops truncatus: James St. John, https://commons.wikimedia.org/wiki/Fi... Sula nebouxii: Ndecam from London, UK - https://flic.kr/p/atbbZa, https://commons.wikimedia.org/wiki/Fi... Galapagos Mockingbird: kuhnmi - https://flic.kr/p/2hZkvQR, https://commons.wikimedia.org/wiki/Fi... Large ground finch: Peter Wilton - https://flic.kr/p/7rGV4d, https://commons.wikimedia.org/wiki/Fi... CC BY-SA 2.0 https://creativecommons.org/licenses/... Marine iguana: Murray Foubister, https://commons.wikimedia.org/wiki/Fi... Espanola Marine Iguana: Gregory "Slobirdr" Smith, https://commons.wikimedia.org/wiki/Fi... Zeedonk: sannse, Colchester Zoo, CC BY-SA 3.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/wiki/Fi... CC BY 4.0 https://creativecommons.org/licenses/... Marine Iguana: Patrick Cox - https://www.inaturalist.org/photos/13..., https://commons.wikimedia.org/wiki/Fi... Narwhal hybridisation: Mikkel Høegh Post. Published by Mikkel Skovrind, Jose Alfredo Samaniego Castruita, James Haile, Eve C. Treadaway, Shyam Gopalakrishnan, Michael V. Westbury, Mads Peter Heide-Jørgensen, Paul Szpak & Eline D. Lorenzen, https://commons.wikimedia.org/wiki/Fi... CC BY-SA 4.0, https://creativecommons.org/licenses/... Galápagos mockingbird: Nicolas Völcker, https://commons.wikimedia.org/wiki/Fi... Galapagos Marine Iguana: RuyCalderon, https://commons.wikimedia.org/wiki/Fi... Hybrid iguana: Gould363, https://commons.wikimedia.org/wiki/Fi... Iguana marina: Diego Delso, https://commons.wikimedia.org/wiki/Fi... Landiguana: Benjamint444, https://commons.wikimedia.org/wiki/Fi... Monodon monoceros: Pcornill, https://commons.wikimedia.org/wiki/Fi... Denisova-Höhle: Demin Aleksei Barnaul, https://commons.wikimedia.org/wiki/Fi... Spaceship: Benjamin D. Esham (bdesham), https://commons.wikimedia.org/wiki/Fi... Homo neanderthalensis: Jakub Hałun, https://commons.wikimedia.org/wiki/Fi... Denisova Cave: Xenochka, https://commons.wikimedia.org/wiki/Fi... Homo sapiens neanderthalensis: Neanderthal-Museum, Mettmann, https://commons.wikimedia.org/wiki/Fi... DALL.E Music by Epidemic Sound https://www.epidemicsound.com/ Music from TheSoul Sound: https://thesoul-sound.com/ Subscribe to Bright Side : https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook: https://www.facebook.com/brightside/ Instagram: https://www.instagram.com/brightside.... Tik Tok: https://www.tiktok.com/@brightside.of... Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Super excited to announce new guest, D-Bo!, to The Story!Originally from Harrisburg Pennsylvania, Delonne “D-Bo!” Wilbourn has been singing, producing, writing, and composing all his music for over 10 years. D-Bo! and his band will captivate any crowd or venue. The band's diversity in musical selection creates a one-of-a-kind experience with award-winning original music and cover songs in the genres of R&B/Soul, Funk, Blues, Neo Soul, Jazz, Alternative, Reggae, Rock, Pop, Metal, and even Country.D-Bo! has been featured on American Idol and The Voice, and has won many awards and accolades including Hard Rock Rising Battle of the Bands Finalist (Hard Rock Café), Touchtunes Breakout Band Winner, Akadamia Award Winner for Best Album, 2021 Central Pennsylvania Music Award (CPMA) Winner for Song of the Year, and 2023 CPMA Winner for Best R&B Artist and Best Dressed. D-Bo! has also earned over 12 Featured Artist Spotlights on ReverbNation Crowd Picks and has ranked #1 in the World on ReverbNation's R&B Artist charts.You can even hear his music featured in the AMC film “An American In Hollywood”. With past performances at the Hard Rock Café Baltimore, Lincoln Financial Field (Philadelphia, PA), Hollywood Casino Penn National, Hollywood Casino York, Live! Casino, Club XL, and venues from Nashville to Cape May, the grand stage is nothing new for D-Bo!. D-Bo! is also a frequent festival headliner including Kipona (Harrisburg, PA), Gettysburg Wine Festival, In The Streets Festival (Frederick, MD), Temple University Homecoming, and the Blues & Brews Festival (Cape May, NJ).His four award-winning albums are available on Apple Music, Amazon, Spotify, Google Play, eMusic, Deezer, Tidal, and other digital platforms.You can find D-Bo! and his projects here:Website: http://d-bomusic.comFind The Story Podcast here: coryrosenproductions.com/podcastsSupport this podcast at — https://redcircle.com/the-story/donations

In questo episodio tratteremo di nuovo un argomento di cultura coreana: il seollal. Il seollal è il capodanno lunare coreano, una festività nazionale con tante curiosità e tanti aspetti affascinanti. Nel secondo segmento ci sarà un argomento molto meno tradizionale, ma comunque molto popolare, i music show. Spiegheremo cosa sono, il loro funzionamento, le loro regole. Nelle news ci sarà un macrosegmento che tratta della MFW e poi altre notizie e voci di corridoio. Infine concludiamo con il segmento comeback, dove indichiamo le novità rispetto alla volta scorsa e discutiamo delle nostre uscite preferite. Per la parte kdrama stavolta vi consigliamo i nostri show preferiti. A condurre questo podcast Jacopo (aka ⁠⁠⁠Alcor3D⁠⁠⁠) e Maya (aka ⁠⁠⁠Gittola⁠⁠⁠) che sono anche i produttori, gli scrittori e i creatori del tutto. Vi chiediamo di essere comprensivi per quanto riguarda le pronunce. Si ringrazia ⁠⁠⁠nomaBeats⁠⁠⁠ per la musica  (00:00) - INTRO (02:41) - SEOLLAL, IL CAPODANNO LUNARE IN COREA (12:09) - MUSIC SHOW, COSA SONO E COME FUNZIONANO? (26:12) - MILAN FASHION WEEK (32:26) - NEWS (47:02) - VOCI DI CORRIDOIO (49:13) - COMEBACK (54:46) - KDRAMA (56:34) - OUTRO

In this chat, we talk about the lack of relationships in more eastern culture. We talk Abraham, and His weirdo nephew Lot whoring out his daughters. What Couples Do together. Track: Tom Wilson - Run For Your Life (ft. M.I.M.E) Music provided by NoCopyrightSounds. Watch: Free Download / Stream: http://ncs.io/RunForYourLife Hangout with the same materials as me. Checkout The Morning Brew: morningbrew.com/daily/r/?kid=21f7544c --- Send in a voice message: https://podcasters.spotify.com/pod/show/heyitsedb/message

Marcus Segal, former COO of eMusic.com, shares his journey of success, failure, and self-discovery. From being part of the booming tech world to facing the challenges posed by Napster, Marcus rode the rollercoaster of the industry. But when the company reached its breaking point, Marcus had to confront his inner critic and find a new path. Join us as we delve into Marcus' transformative experience in the Sahara Desert and how it ignited gratitude and purpose. Get ready to be inspired by Marcus' resilience and determination to give back to the startup community.

TBSラジオ 滋慶学園COMグループプレゼンツ「あなたの夢はなんですか？」 第470回【2023年12月7日（木）】放送 ＭＣ：ハマカーン・浜谷健司さん ゲスト：仙台スクールオブミュージック＆ダンス専門学校　 e-Music&サウンドクリエーター専攻 平山健太さん 仙台スクールオブミュージック＆ダンス専門学校 HP→https://www.sendai-com.ac.jp/ 仙台スクールオブミュージック＆ダンス専門学校Instagram→https://www.instagram.com/ssm_sendai/ パーソナリティは、はなわさんとハマカーン･浜谷健司さん。 様々な業界で夢を実現させ、第一線で活躍しているプロフェッショナルから、 夢に向けて勉強している現役学生まで。 さまざまな「夢追い人」にインタビューし、 それぞれが抱く 「将来や人生の夢」「職業の夢」を語ってもらいます。 TBSラジオ（https://www.tbsradio.jp）  FM90.5 + AM954 火曜〜木曜 『荻上チキ・Session』内 19時30分頃から放送中！ #tbsラジオ ⁠⁠⁠⁠⁠⁠⁠⁠#anayume954⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠#はなわ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠#ハマカーン⁠⁠⁠⁠⁠⁠⁠⁠ #ss954 HP ⇒⁠⁠⁠⁠⁠⁠⁠⁠https://www.tbsradio.jp/anayume/⁠⁠⁠⁠⁠⁠⁠⁠ Twitter ⇒⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/anayume954⁠⁠⁠⁠⁠⁠⁠⁠ Instagram ⇒ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/anayume954/⁠⁠⁠⁠ ⁠⁠⁠⁠ Facebook ⇒⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/anayume954

During Hour #2 of The Cruz Show on 11/27 - Lechero Told us about new music from Eazy E + we all vented for "No Mames Monday"

durée : 00:04:19 - Le coup de coeur FB Orléans - Murielle Couder prépare pour la 13ème fois un rendez-vous annuel dans la salle des fêtes de Fontenay-sur-Loing ce samedi 18 novembre à 21h00 en proposant une grande soirée Music Hall avec 7 artistes qui se succéderont sur scène.

www.tommyponce.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/tommyponceradio/message

The rapper was exposed early on to music professionals and entertainers such as Island Def Jam executive Yvette Davila, and rappers Fat Joe, N.O.R.E., the late Big Pun, and many more. Conan soon teamed up with fellow rapper Young Cor to form the rap group Illest Spitters, and released The Youngest in Charge mixtape, hosted by Kid Capri. Conan's first solo project was the mixtape The New Beginning, which was dubbed “a 3-D experience that will give new and old fans a chance to hear some of the innovative material Conan is creating.” A burgeoning businessman also emerged as Conan worked with and learned from his father's company, YNVS Marketing, Promotion, and Management.While promoting The New Beginning, Conan was featured on Beatport, eMusic, The DJ List, and other top sites. He was also a featured performer on the 15-city, 2013 Coast to Coast Mixtape Tour with N.O.R.E. and the Good Belt Gang, and on a 35-day tour with Lil Wayne, 2 Chainz, and others in promotion of a popular Facebook game that he helped launch, Play Gig-it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/nalasden88/message

Le fasi della produzione di un brano musicale includono la pre-produzione, la composizione, la produzione vera e propria e la post-produzione. La distribuzione musicale digitale è il collegamento tra il tuo disco finito e i tuoi fan. Esistono diverse piattaforme di streaming come Spotify, Apple Music, Amazon Music, Deezer, Tidal, YouTube Music, ecc. e diversi distributori digitali come TuneCore, DistroKid, CD Baby, eMusi, per caricare la propria musica sulle piattaforme di streaming e gestire i diritti d'autore. È importante avere i diritti d'autore sulle proprie canzoni e una strategia di marketing efficace per farsi notare tra la moltitudine di artisti presenti sulle piattaforme di streaming. Ecco i link alle piattaforme di distribuzione musicale menzionate nell'episodio: Spotify: https://www.spotify.com/it/ Apple Music: https://www.apple.com/it/apple-music/ Amazon Music: https://music.amazon.it/ Deezer: https://www.deezer.com/it/ Tidal: https://tidal.com/ YouTube Music: https://music.youtube.com/ Ecco i link ai distributori digitali menzionati nell'episodio: TuneCore: https://www.tunecore.com/it/ DistroKid: https://distrokid.com/ CD Baby: https://it.cdbaby.com/ eMusic: https://www.emusic.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spaziodarte/message

How has your understanding of and relationship with Australia Day changed over time? What goes through your mind when you hear a Welcome to Country or Acknowledgment of Country? And what do you think of when you hear the term Aboriginal prosperity? These are just some of the questions touched on in this extended interview with Griefologist, Rosemary Wanganeen, who takes us on a journey towards healing by embracing grief. As you'll hear, there is important work to be done by Indigenous and Non-Indigenous Australians, and it starts with finding ways to forgive our 1788 ancestors. And in the Musical Pilgrimage, Nataleigh shares a song produced as part of her 13-year-old songwriting competition, eMusic. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concise page Running Sheet: Loss, Grief, And Forgiveness: Rosemary Wanganeen On How Indigenous And Non-Indigenous Australians Can Thrive 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no featured drink this week. 00:03:04 Rosemary Wanganeen, The Healing Centre for Griefology Three weeks ago, at the end of May 2023, The Healing Centre for Griefology, shared a post that read: Did you know that 25% of Aboriginal people living in the inner city have mental health problems? We can change this - we can educate institutions and organisations about Griefology as a proven method to enact Aboriginal prosperity. It triggered an avalanche of comments like "looking for more handouts", "the solution to Aboriginal prosperity is not different to Whites - get off the grog", "easy fix, pack up the 'dilly bag' and go 'walkabout' and get out of the city, you all get paid by the government no matter where you go, and you will still get everything for nothing no matter where you go, so GET OUT OF THE CITY IF ITS MAKING YOU CRAZY". When the founder and director of the Healing Centre for Griefology, Rosemary Wanganeen, shared how much hurt this caused her team, a flood of compassion arose from many people, including me, who just couldn't process the vitriol the Centre had received. Rosemary Wanganeen Niina Marni (how are you)? Rosemary, you are a Griefologist, a Clinical Loss & Grief Counsellor, today I want to delve into what griefology actually is, what The Seven Phases to Integrating Loss and Grief are, and your upcoming symposium on July 7, along with some discussion of the polarising views about Australia Day, my mixed feelings about Acknowledgement Of Country rituals in some circumstances, some insights about how to approach The Voice, and the buried art of intuition. But first I want to return to those spiteful, racist messages you and your team received. My reaction was almost a carbon copy of everybody else's. We were staggered by the unveiled hatred. One comment from anthropologist, Sue Fraser, summed it up by saying: I am so sorry that you and your team have to deal with these comments. It is sickening and sad that people believe these things, and that they think it's okay to dump these comments on to someone like yourself who is doing such great work for Aboriginal Peoples and for the rest of us as well. Sending love and hugs Sue. However, I think I have a deeper understanding of what was behind those comments, now that I have spent a few weeks listening to you talk. In particular, you shine a light on the psychotic state of the 1788 arrivals, explaining that they became perpetrators of violence having been victims of a broken approach to life that disconnected them from their humanity, in a process that stretches back to Plato and even beyond. Can we please start here because I think your framing of this evolution might help us make sense of the macabre way Romans crucified people, the hideous human waste of The Great War, and even what's happening today in Ukraine. I'd like to dwell a little longer on Australia Day. My own journey over 50 years has been one of a little bit of "rah rah", then many years of indifference (although the public holiday was gratefully received), to a stirred reflection on the "experiment" of South Australia, to growing conflict about how to process my growing understanding of some of the dark, dark stuff my ancestors did, to a point of being rather frozen now. That's why my ears priced up when you mentioned, in a recent interview, the importance of you finding a way to forgive the 1788 arrivals, and the importance of us Anglo people finding a way to forgive them, too. Can you please expand on this? The theme of forgiveness is key, here, but you do differentiate between grief forgiveness vs religious forgiveness. Can you explain this to me? This reflection on words does raise the importance of both language and the process of passing on knowledge. In Sand Talk, Tyson Yunkaporta talks about Europeans named the mountains in the east as The Great Dividing Range, even though it doesn't diving anything (it is, in fact, an song line that connects), and the coral off the east coast as the Great Barrier Reef even though it is not a barrier but in fact another song line that connects. Does this explain why there seems to be such a large gap between indigenous and non-indigenous cultures? Something else Tyson shares in his book is the role of passing on knowledge through stories or yarns and how written words tend to be processed in short term memory but oral stories tend to get stuck into long term memory. As part of discussing this, it also brings up themes of the characters in Aboriginal stories - people, animals, plants, and even rocks and stars. He shared a story about a magpie and a crow that is still triggered every time I see one of those birds (it was part of a story about the importance of taking the learning of knowledge seriously) but I've also heard you tell a story about a meeting with Grandfather Crow. I'd love to understand this dynamic more. We start our episodes with a simple acknowledgement of country and at the netball recently, there was a truly earnest and profound Welcome To Country that had gravitas and meaning. However, I see so many acknowledgement of country rituals that are either blurted out quickly as an inconvenience, or are made overly elaborate and hand-wringing in some theatre settings, that they come across as either hypocritical at one end or virtue signalling on steroids at the other end. What is your thinking about these rituals? One of my clients was warned not to do an acknowledgement of country at an event for fear of offending people but as I learn more about griefology and the seven phases to integrating loss and grief, it seems that fear is because there is stuff bottled up inside many of us and it threatens to blow in harmful ways, or even just uncomfortable ways. Could we walk through these phases? Phase 1 Contemporary Aboriginal DisadvantagePhase 2 Childhood Violations / Losses & Unresolved GriefPhase 3 Australian History; English History; Ancient History; Plato 388 BC.Phase 4& 5 Ancient Traditional CulturePhase 6 Reclamation of Contemporary Loss & Grief ProgramsPhase 7 Develop Training Programs for every sector across society I'm fascinated by your methodology for developing griefology. You talk about intuitive research. What does that mean and how can we be sure the voices we hear inside are not delusions? Can you tell us about the National Symposium on Griefolology at the Adelaide Convention Centre. What it is, who should go, and what you hope it will achieve? Steve references his documentary, Sorry Proof Country, during the interview. It was uploaded to YouTube many years ago when there was a 10-minute limit. So here is part one of the 30-minute film YouTube will guide you to parts two and three as you watch. 01:36:54 Musical Pilgrimage Our featured song this episode is Here in the Woods, by Nataleigh. Nataleigh is a dynamo on the local music scene. She performs all over place but also makes musical magic with her twin sister, Amanda, by hosting an annual music competition called eMusic. The twins invite friends to submit a song that follows three rules; each song has to be original, recorded at home, and meet the 'general' characteristics of the chosen genre. This year the genre is acoustic, but previous years it has been everything from power balads to children's songs. There tend to be about six entries each year and then the 50 or so people who turn up vote on the songs so that a winner can be chosen. The song we're going to listen to is a good accompaniment to this episode. It's called Here in the Woods. It was written by Amanda but both sisters sing it. It's a good choice for this episode because part of what Rosemary Wanganeen was encouraging us to do was to get "into the woods" to reconnect to the stories from the land around us. And this song makes many references to immersing in and observing the woods, the forest, the moon, etc. We wish them all the best for this year's 13th eMusic competition - and thank you to Carol Neller for putting us in touch.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Hard-rock fans UNITE! Mötley Crüe and Def Leppard are coming to Australia! Tommy Lee joins Roo, Ditts & Loz to chat all things Mötley Crüe, and tease what's to come for their three-date tour coming this November.  See omnystudio.com/listener for privacy information.

Gene Hoffman currently serves as the Chief Executive Officer and President of Chia Network. Chia is a technology infrastructure company building a transformative open-source, public blockchain focused on real-world utility that is secure in approach, regulatory compliant, and sustainable by design. From 2017 to 2019, Hoffman was an advisor to the board of Chia Network before joining the Company as COO and President in August 2019.Throughout his career in technology, Hoffman has built and scaled companies in enterprise software and SaaS, subscriptions, cryptography, and software development, served as a chief executive of a publicly traded company, raised over $215,000,000 in public and private markets, acquired four companies, and successfully sold three companies to PGP, Inc., Vivendi-Universal, and Amdocs. His success demonstrates the vital element of his entrepreneurial philosophy - deeply understanding the technology and starting with real utility and industry application creates foundational use cases and unlocks future potential. Prior to joining Chia, Hoffman served as co-founder, Chairman, and CEO of Vindicia, a consumer subscription infrastructure company from 2003 until its sale to Amdocs in 2016. Previously, he co-founded the company that came to be Emusic.com, serving as CEO and President from 1998 to 2002. Hoffman has 23 years of experience in high-compliance security environments, including 12 years of managing PCI and SSAE-16 compliance for the storage of 220,000,000 credit cards. Hoffman identifies as a true cypherpunk. In 1997, he helped end U.S. export controls on cryptography while at PGP, Inc. by personally exporting the PGP Source Code book. Just as Hoffman has spent his career driving the adoption of digital transformation, today he sees decentralized blockchain technology as the next step toward the future of finance. Connect with Behind Company Lines and HireOtter Website Facebook Twitter LinkedIn:Behind Company LinesHireOtter Instagram Buzzsprout

L'autore voleva scrivere una storia su un uomo che cambia strada ma ha invece parlato della creazione di app, citando esempi come Bitmark e Ultimedia Converter. Ha poi parlato dell'idea di creare un'app per aggiungere loot alle foto, che sarà presto rilasciata in una nuova versione.La persona utilizza l'app Beatmark per modificare la musica dei suoi filmati, chiede consigli su siti per acquistare musica a prezzi convenienti e suggerisce di utilizzare un motore di ricerca per trovare brani adatti. Il narratore utilizza selezioni di musica di un cliente e si suggerisce di avere un sistema facile per utilizzare tracce personali. La persona cerca un programma per cercare canzoni attraverso parole chiave e durata.Il testo parla dell'importanza di classificare la musica in modo dettagliato, analizzando gli strumenti e la struttura delle canzoni. Si menziona la tecnologia di scansione dei file e l'utilità della ricerca dei bpm su Spotify. L'autore spera di creare un classificatore di canzoni simile a quello delle immagini. Si consiglia di scegliere pochi generi musicali precisi anziché tanti generi vaghi.[00:00:04] Di cosa si parla oggi?[00:00:40] Sigla iniziale[00:13:23] SpotTechnoPillzFlusso di coscienza digitale.Vieni a chiacchierare sul riot:https://t.me/TechnoPillzRiotSono su Mastodon: @shylock74@mastodon.unoI video di The Morning Rant sul canale YouTube di Runtime:https://www.youtube.com/playlist?list=PLgGSK_Rq9Xdh1ojZ_Qi-rCwwae_n2LmztAscoltaci live tutti i giorni 24/7 su: http://runtimeradio.itScarica l'app per iOS: https://bit.ly/runtAppContribuisci alla Causa andando su:http://runtimeradio.it/ancheio/

In this episode of the Finding God my guest Barbara Swint talks about childhood trauma and how she was able to find God in healing. To find out more about Finding God go to https://keanawmitchell.clubJoin Me on Social Media!!!!Facebook:Finding God | FacebookFacebook Group:Finding God | FacebookInstagram:Keana W. Mitchell (@findinggod2) • Instagram photos and videosListen to Finding God on Spotify:https://open.spotify.com/show/022Zht5DjU1i3k7BAeHaTW?si=8c728b93da5d43c2If you would like to either be a guest on Finding God or submit music to the podcast, please send an email to anaekmusic@outlook.com Listen to more of R.U. S. H. E Music on Spotify!!!!!!https://open.spotify.com/artist/46sQxGbUg1oXMMm9L5VS7l?si=oe-VU532RO2gz2AHMiha0QThank you to Patience for allowing me to use his song Winning featuring Young Noah!!! Click the link below to listen to more music from Patience.https://open.spotify.com/album/2f8MU3MfffVaJPmrLU9lp2?si=ApWrDacmTGeIGNCZidYY5AAlways Remember God Loves You!!!

In today's podcast Tiffany Guarnaccia, Founder and CEO of Kite Hill PR, discusses how public relations should be built into every marketer's communications and marketing strategy and how to make the most of your PR efforts. Topics include: How PR is evolving and how you should be using it. How you (or your PR partners) should be crafting pitches. What you should think about when interviewing potential PR partners. How in-house communication and external PR teams should work together. Considered a “visionary with a finger on the pulse of the industry” by PRWeek, Tiffany Guarnaccia is the Founder and CEO of Kite Hill PR and the Founder of Communications Week. Tiffany is a mother to her daughter, Lily, and resides in New York City. Since founding Kite Hill PR, Tiffany has been recognized as one of PR News' Women to Watch, a DMN Hall of Femme and PRWeek 40 Under 40 award winner. Under her leadership, Kite Hill PR has been recognized as one of the "Top Tech Specialist PR Agencies in NYC”, “Most Powerful PR Firms” and “The Best 50 PR Firms in America” by the Observer, a Best Place to Work by PR News and one of "America's Best PR Agencies" by Forbes. Before starting Kite Hill PR, Tiffany headed communications for The Huffington Post. Earlier in her career, she was at the center of the music industry's most disruptive years as a PR director at LimeWire and eMusic.

Most digital music pioneers encountered lots of resistance from the large music record labels. In fact, many of their companies were sued out of existence. But not eMusic.eMusic's founder, Mark Chasan, was one of the few digital music pioneers who actually managed to successfully navigate the early digital music waters, ultimately building an online music business that couldn't be stopped by the music industry and their endless string of lawsuits.On this episode of Web Masters, we'll hear how Mark did it, as well as the pioneering work he's doing now in a different and, arguably, much more important industry.For a complete transcript of the episode, click here.

Tiffany Guarnaccia is the Founder and CEO of Kite Hill PR and the Founder of Communications Week, recently acquired by Ragan Communications. Before starting Kite Hill PR, Tiffany headed communications for The Huffington Post and PR director at LimeWire and eMusic.  Today Tiffany shares the inside skinny on running a successful PR campaign, plus her own entrepreneurial journey and why work life balance should be core to your company's operational culture. Download the interactive podcast app Podopolo here to keep the conversation going in the Wings comments section and invite your friends to connect around podcasts recommended to you by what interests and inspires you.

On this podcast episode, my take on what has happened over the weekend in Buffalo, NY. A young 18 year old white male shot 13 people, 11 killed & mostly black. All because of some racist idealogy amongst other things. Plus a song I wrote & produced from my STephySTephy The Project Enough Said Digital CD titled "What You Think About That" available online retailers such as Apple Music, Amazon music, Google Music, CDbaby, Emusic, Rhapsody to name a few.

In this conversation, we chat with Gene Hoffman, Chief Operations Officer and President at Chia Network. Formerly CEO & co-founder Vindicia, eMusic, PGP, PrivNet. Recognized by the San Francisco Business Times with the “40 under 40 Emerging Leaders Award” in 2012, Gene has deep experience with building companies that disrupt markets. As head of eMusic, Gene was featured on the cover of Forbes Magazine as a member of the July 1999 E-Gang, and named one of the 100 most influential entrepreneurs in technology in Upside Magazine's November 2000 Elite 100. Gene led the acquisition of eMusic by Vivendi/Universal in June 2001. Before founding eMusic Gene was Director of Business Development and Director of Interactive Marketing of Pretty Good Privacy. More specifically, we touch on the early days of encryption, digital signatures, cryptocurrencies, and copyrights. As well as, the evolution of intellectual property management, the mechanics behind subscription infrastructure, how to build an alternative network to Bitcoin's, and so so much more!

David is a CS major who worked in Apple's music group in the 90s and went on to become CEO of eMusic in the aughts. At Venrock, David invested in early-stage crypto, consumer, and enterprise tech companies. He was early to crypto as a node maintainer on the Bitcoin blockchain and an Ethereum miner, setting up a rig in his basement several years ago.At CoinFund, he focuses on early- and growth-stage crypto and blockchain companies and technologies like Upshot, a platform for crowdsourced NFT appraisals, and Rarible, a digital art NFT platform.ICYMI: Listen to our episode Web3 won't save us.This week's Lifeboat badge goes to user M-M for their answer to Find the area of an n-interesting polygon.

David is a CS major who worked in Apple's music group in the 90s and went on to become CEO of eMusic in the aughts. At Venrock, David invested in early-stage crypto, consumer, and enterprise tech companies. He was early to crypto as a node maintainer on the Bitcoin blockchain and an Ethereum miner, setting up a rig in his basement several years ago.At CoinFund, he focuses on early- and growth-stage crypto and blockchain companies and technologies like Upshot, a platform for crowdsourced NFT appraisals, and Rarible, a digital art NFT platform.ICYMI: Listen to our episode Web3 won't save us.This week's Lifeboat badge goes to user M-M for their answer to Find the area of an n-interesting polygon.

This is time for a new episode of our podcast ! Sense Of Sound Podcast - S03E05 - GROOVIEJAXX - Guest Mix @ B-Zynum (BR) @grooviejaxx (PL) - Hi! My name is Kamil Gwis, I was born in 1997 and I come from Łask in Poland. Every musical genre is familiar to me, but most often I play in Tech House, G-House & Bass House. The only thing you can be sure of this season is the guaranteed good music vibes so stay tuned and listen to Sense Of Sound in 2022! @b-zynum (BR) - At the age of 16, Charles Muniz had his first contact with electronic music and his passion was immediate. In 2015 it was at his first E-Music festival, where the dream of becoming a DJ was born. In 2016 he started the project B-ZynuM (Low Bpm), with a danceable sound, strong drops and a striking mixing style comes in each performance conquering its space in the scene. Member of the Consonance Squad nucleus, a crew that has been growing with each edition of its parties and conquering its space in the interior of Rio de Janeiro. --- Follow us: Sense Of Sound Podcast - www.instagram.com/senseofsound.podcast/ GROOVIEJAXX - www.instagram.com/grooviejaxxofficial/ B-Zynum - www.instagram.com/bzynum/ www.lnkfi.re/SenseOfSoundPodcast www.lnkfi.re/SenseOfSoundPodcast-S03E05

Hello folks, something completely different today. We have other holiday as well. The show is shorter today than usual, but i hope you enjoy it. Welcome to broadcast 198 of the Independent artist spotlight. Continuing a holiday theme, we're going to feature a full-length album which is a chill out Christmas album. But we'll also play some other stuff too. Set 1: Marty Goetz Christmas Star 02:24 Marty Goetz Prince Of Peace 05:14 Marty Goetz Mi Y'malel (Who Can Retell) 00:52 Marty Goetz Maoz Tzur (Rock Of Ages) Hark The Herald Angels Sing 05:36 Marty Goetz Christmas Medley (Instrumental) 04:56 Set 2: Christmas Christmas Music In the Air 02:05 Christmas Emmanuel Guitar Solo 01:17 Christmas More and Less To Christmas 02:12 Christmas Irish Guitar Traditional 02:04 Set 3: Canadian Brass A Visit From St Nicholas 03:35 Canadian Brass D' où viens-tu bergère (French), carol 02:28 Canadian Brass The Twelve Days of Christmas 07:10 Canadian Brass I Wonder As I Wander (American) 01:15 Canadian Brass Noël nouvelet, carol (French) 02:52 Set 4: This is our CD of the day. Christmas chillout vol. 2. It originally came from Emusic. Not sure if its there, so go search it out. Hardage feat. Mark King The Sweetest Pain (feat. Mark King) 05:15 Aqualise Until the Dawn (feat. Tony Remy) 06:29 VibraPHile Home 04:58 Cassavetz Pigmy Sci-Fi 04:44 Armando Trovajoli Sensual Jazz (From 'Casanova 70') 06:34 Soundit Who am I 03:07 Tides Guitar floyd 03:42 Little People It's Time but are you Ready 02:22 Vezio Bacci & Federico Portelli Sambu de Estrela 05:01 Very Simple Thing The Mood is Good 05:15 Luna Lounge Pyramids and Shadows 04:09 The Professionist Sangre azul 08:00 Nikon Red Sea 03:48 Maurizio Metalli The old times 04:34 Underlounge Experience Erika's Skin 03:45 2Play Heaven 03:11 End of program

Broadcast 197 is going to have Holiday hits that may not have been heard, as well as the Maccabeats from Emusic and six13 as well. We featured them once before, but its been awhile. Set 1: Ariel Rose Dear Santa 02:36 Home Free O Holy Night 04:38 Home Free The Christmas Song 03:18 Home Free Rockin' On Top of the World 02:39 Set 2: Ariel Rose Hanukkah's Child 02:50 Shir Soul Hanukkah - Africa 03:33 Shir Soul Timeless As The Stars 04:19 Shir Soul Adon Olam (Live) 04:41 Set 3: Rockapella Angels We Have Heard On High 04:06 Rockapella Matunda Ya Kwanzaa 03:01 Rockapella Ukranian Carol 02:21 Rockapella Happy Christma-Hanu-Kwanzaa Holiday 03:54 Set 4: Cari Live Cari's Carol 06:48 Cari Live Holiday Frost 03:23 Cari Live Icicles 02:48 Cari Live Sleepy Guardian Angel 08:21 Cari Live snowflakes 02:46 Set 5: Maccabeats Light One Candle 03:37 Maccabeats Hanerot Hallalu 04:01 Maccabeats Light Up the Nights 03:06 Maccabeats Dayenu 03:56 Maccabeats Miracle 02:58 Maccabeats Ma Rabu 03:54 Maccabeats Go the Distance 04:04 Maccabeats Bad Day 03:32 Maccabeats One Day 03:13 Set 6: Disney Go The Distance 03:14 Heavy Mellow Riding The Wake 03:17 House of Waters Sense 02:37 Idlemine Circus 02:48 Ion All the Small Things 04:51 Six13 Nice Jewish Boy Band Chanukah Medley 03:08 Six13 Kol Mekadesh 03:36 Six13 Mimkomcha 03:48 Six13 Gadlu 04:24 Six13 Carlebach: Cracow Nigun / Adir Hu 05:15 Six13 Mi Chamocha 04:08 Six13 L'dor Vador 04:08 Six13 Haneirot Halalu 04:15 Six13 Pesach Shop 05:13 Six13 Chanukah Rights! 04:45 Six13 One Mitzvah (The Bar Mitzvah Song) 04:07 Six13 Shema 05:16 Six13 Chanukah (Shake It Off) 03:34 Six13 Shana Tova 03:50 Six13 Chozen 02:59 Six13 A Hamilton Chanukah 04:23 Six13 That Shabbos Feeling! 03:52 Six13 Kedushah 04:43 End of program

Mark Chasan is a whole-systems visionary integrator and regenerative practitioner with a track record as 1) a lawyer with over 30-years of experience in corporate, finance, business, media, technology and renewable energy (Managing Director of Exemplar Law), 2) an Internet entrepreneur & innovator with a public exit (Founder & CEO of Emusic); 3) a Fortune 25 executive (Leader of IBM's Digital Media Consulting Practice); 4) a renewable energy structured finance executive (VP of Business Development and General Counsel for Clean Fund); and 5) a financial advisor who has participated in over $400 million of financial transactions. Through his current work as Managing Director of Exemplar, CEO of AWE Global, Inc. (“AWE”) and CEO of Transformative, Inc., Mark is devoted to his mission to advance the “Regenerative Economy” – an economy devoted ecosystemic thriving for people and planet . Exemplar is a professional knowledge firm that holistically integrates the practices of Law, Tax/CPA, Investment Banking (FINRA-Member Broker-Dealer), Business Strategy and International Structure. As a Public Benefit Corporation and the first fixed price (non- hourly) firm, Exemplar serves revolutionaries, game-changers and eco-social entrepreneurs to help them accelerate and exponentiate their success. AWE's mission is to create an Abundant, Well & Empowered world that fosters ecosystemic thriving through the development of regenerative communities and robust local living economies, as well as immersive programs that promote optimal wellness, individual and organizational empowerment, and evolved consciousness. Transformative helps socially & ecologically conscious entrepreneurs and businesses get the resources they need to succeed, including financing, team-building, marketing, sales, technology and capital assets.

Purchase our album picks on Bandcamp https://pitchblackmanor.bandcamp.com/album/monster-classics & eMusic https://www.emusic.com/album/4953371/The-Spits/Scion-AV-Garage-Presents-The-Spits---Haunted-Fang-Castle    Structure:  Introducing Loveheart & her experience raising a kid in the 21st century w/ music (0:00-8:55); Basic specs for “Monster Classics” & Loveheart introduces PBM & favoring bands w/ personal connections is considered (8:55-13:40) The dangers of musical nepotism, successful promotion of self-released music, after age 30 how loud is “too loud”?, genres, impressive production, other bands, vocals & lyrics, a passion for horror movies, horror soundtracks atmosphere vs. pop singles (13:40-28:49) Individual songs on “Monster Classics”, Loveheart's personal music experiences, what songs we skip on an album,  (28:49-39:08) RIYLs, closing tracks, the music videos, festive family time (39:08-45:45) Ratings & PBM's discography (45:45-48:05) Transition between album picks w/ “holiday” music & the need for a 21st-century Halloween music canon, spooky architecture, Midwestern rock, a novelty band Vs. a novelty album (48:05-55:09) Basic specs for “Haunted Fang Castle” & the storytelling media of the 1980s to early 1990s before CDs & the internet, the advent of on-demand entertainment & youth's veneration of physical media in a remote/digital environment, classroom tech, & circling back to “Haunted Fang Castle” (55:09-1:05:20) characters in the story, individual songs (1:05:20-1:12:15) The Spits in general & our shared John Waters thoughts, Loveheart's evolving punk assessments, discography & RIYLs (1:12:15-1:19:11) ratings (1:19:11-end)   Pitch Black Manor is RIYL:  Mike Patton, Rocky Horror Picture Show, White Zombie?, Voltaire, Bowie, Iggy Pop, Ministry, Devo, Voot Warnings, Goblin Cock, Marilyn Manson, My Life w/ the Thrill Kill Kult, Melancholic Bitch    The Spits are RIYL:  The Ramones, The Kills, dirty/old-school garage & punk rock, catchy little ditties    “Monster Classics” album review https://regenmag.com/reviews/review-pitch-black-manor-monster-classics/    & a news release https://www.quadcities.com/articles/pitch-black-manor-returns-with-new-record-after-25-years/  PBM's many music videos set to classic horror films on their YouTube channel https://www.youtube.com/c/PitchBlackManor    The producer, Erik Peabody, may be responsible for this very spooky channel, Chilling Tales for Dark Nights.   David Bowie narrates “Peter & the Wolf” https://www.youtube.com/playlist?list=PLonWRv9u8k-p-hpprl3rr-PmDOhlAzm1a    The Spits have a YouTube channel, https://www.youtube.com/channel/UCF6qXluX-R7QqxEPi0LvS4g  , but most of their live concert footage is on other channels.  John Waters gives The Spits live set a fine introduction here:  https://www.youtube.com/watch?v=y3zw4b4yldg    Bands mentioned for playing in black, hooded robes include The Spits , Secret Chiefs 3, & Goblin Cock.  Might there be more?   Loveheart mentions the vocals on “Blasphemy” as akin to Cradle of Filth. Furious George as a “goofy” punk rock band https://www.allmusic.com/artist/furious-george-mn0000801584 .     Once again, the vampire rock band comedy “Suck” (2009) is recommended:  https://www.imdb.com/title/tt1323605/?ref_=nv_sr_srsg_5    Three other fine, often very scary movies mentioned in the episode:  Gods & Monsters , It Follows , & Green Room.     Loveheart mentions FZ's “Baby Snakes”.   DJ Poseur's Halloween mixes:  "Dark Chills" https://www.youtube.com/playlist?list=PLCBeakfAKFQbVbJzD-leE83ysJYCbmY_3 & "Halloween Hits" https://www.youtube.com/playlist?list=PLCBeakfAKFQavg1LNLkY_16focO89wXG9 

Lorna arranged the strings on several of the tracks on the Possible album including "Undying" which is currently submitted for a Grammy for Best Contemporary Classical Composition.  Please let your Grammy voting friends know! Lorna is the founding keyboardist/synthesist of the “all-star, all-female quintet” (Time Out NY) Victoire with indie-classical darling and longtime collaborator composer Missy Mazzoli. Recent seasons included the Carnegie Hall commission and premiere of Mazzoli's Vespers for a New Dark Age, performed by the ensemble Victoire, percussionist Glenn Kotche (of Wilco) and members of vocal ensemble Roomful of Teeth. Lorna Dune arranged and co-produced the Vespers album, which was released in March 2015 on New Amsterdam Records. The New York Times called it “ravishing and unsettling”, and the album was praised on NPR's First Listen, All Things Considered and Pitchfork. Victoire returned to Carnegie Hall in March of 2015 as part of the “Meredith Monk and Friends” concert. Their past debut album Cathedral City, released on New Amsterdam Records, was named one of 2010ʹs best classical albums by the New York Times, Time Out New York, the New Yorker and NPR. A well-seasoned pianist and synthesist, she has joined the Philip Glass Ensemble for a production of his new work for Shakespeare in the Park, has worked with composer Steve Reich, composer and visual artist Tristan Perich, Meredith Monk, Lukas Ligeti and other talented artists. Her recent keyboard performances include a premiere of a synthesizer concerto by composer William Brittelle and the Seattle Symphony Orchestra. Other highlights from this and past seasons include a premieres with the Baltimore Symphony Orchestra, Saint Paul Chamber Orchestra & Alabama Symphony Orchestra, a Carnegie Hall premiere with Victoire, BAM Next Wave Festival, C3 Festival in Germany, MADE Festival in Umeå, Sweden, Crossing Brooklyn Ferry, Ecstatic Music Festival, X-Avant Festival in Toronto, Shakespeare in the Park with the Philip Glass Ensemble, live film score performance at the Whitney Museum and the French Alliance Institute, Chicago's Millenium Park “Dusk Variation” Chamber Series, Imagine Science Festival at Bell House, NY Eye and Ear Festival, and live performances on WNYC's New Sounds and Soundcheck. Lorna Krier has appeared in features in the New York Times, Washington Post, Time Out New York, NPR, Village Voice, Pitchfork, The Fader, Brooklyn Vegan, Chicago Reader, Baltimore Sun, eMusic, Arthur Magazine, Impose Magazine, Tiny Mix Tapes, Matrixsynth, The Daily Contributor, Paste Magazine, and more.https://www.lornadune.com/Lorna Dune - Bandcamp  ANNOUNCING JOURNEY SPACE -***Check out the new platform JourneySpace.com - a space for online live facilitated journeys.  The inaugural event will be a live stream open to anyone on Dec 4th, 2021.  Visit Journeyspace.com for more information. Also. New Music from East Forest! -"Possible" - the latest studio album  from East Forest - LISTEN NOW:Spotify / AppleOrder the album on vinyl - limited edition + check out the new Possible clothing: http://eastforest.org *** Support this free podcast by joining the East Forest COUNCIL on Patreon.  Monthly Zoom Council, Podcast exclusives, private Patreon live-stream ceremony, and more.  Check it out and a great way to support the podcast and directly support the work of East Forest! - http://patreon.com/eastforest *****Please rate Ten Laws w/East Forest on iTunes.  It helps us get the guests you want to hear.  Tour - Catch East Forest LIVE - Pledge your interest in the upcoming East Forest Ceremony Concert events this Spring/Summer 2021.  More info and join us at eastforest.org/tourCommunity - Join the newsletter and be part of the East Forest Community.Meditation - Listen to East Forest guided meditations on Spotify & AppleRam Dass album - Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple).Socials -Stay in the East Forest flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusicJOIN THE COUNCIL - PATREON: http://patreon.com/eastforest 

MÖTLEY CRÜE bassist, Nikki Sixx, recently was interviewed by Yahoo Entertainment, and when asked if the band is planning on recording a new album said: "Yes, the new music I am writing sounds like the first Motley Crue album." Listen to the interview via the latest episode of Rock And Roll Death Brigade podcast, hosted by rock journalist and THE METAL DEN's creator, Randy "Rocket" Cody. --- Support this podcast: https://anchor.fm/rockandrolldeathbrigade/support

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Lucie is the General Manager and Chief Policy Officer of the Music Publishers Association (MPA). The MPA represents over 95% of the UK's song rights, through its membership of over 200 music publishers, ranging from iconic Independents to the international Major Publishers. Prior to the MPA, Lucie was the CEO of performing artists' collective, the Featured Artists Coalition (FAC). Lucie has over 17 years' experience in the music business, including time at PRS for Music in digital licencing and within Indie music publishing companies. She also ran her own rights-management company, operating on both sides of the negotiating table for clients including Deezer, eMusic, Sony/SYCO and The BRIT Awards, amongst others. She is a lead copyright negotiator, specialising in multi-territory, digital rights. Lucie is a staunch advocate of equal opportunities, human rights and inclusivity, believing in music and arts as catalysts for change and emancipation. Lucie is also on the management team of the Palestine Music Expo, the first international music conference and showcase event, held in the Occupied Territories. I am really grateful that Lucie found time in her very busy schedule to talk to me for the podcast. It was a very insightful and informative conversation. I hope you enjoy it. Get in touch with the MPA via: https://mpaonline.org.uk/ https://www.instagram.com/thempaonline/ https://twitter.com/the_MPA https://www.facebook.com/MusicPublishersAssociation/?ref=bookmarks MPA on Spotify Get in touch with me via: Website - www.dannychampion.co.uk DC Music Publishing - www.dcmusicpublishing.co.uk DC Music Instagram - https://www.instagram.com/dcmusicpublishing/ Email - behindthebusinesspod@gmail.com Twitter - https://twitter.com/dannychampion Instagram - https://www.instagram.com/danmchampion/

This episode features two “unpopular pop” albums.  One from a group who apparently survive on viral word of mouth in Eastern Europe, and the 2nd a 2019 album translated as “The Plague” that in a just world would have spread more than Covid-19 or at least should be one of those globally prescient coincidences for future music historians to unearth someday.   Purchase our album picks on Bandcamp https://mireiavilar.bandcamp.com/ or eMusic https://www.emusic.com/album/150248559/ONUKA/MOZAKA https://www.emusic.com/album/201770325/Mireia-Vilar/La-Plaga   Official sites:  http://www.onuka.ua/en/ http://www.mireiavilar.com/music/    YouTube channels (please use them only for the music videos and buy the albums):  https://www.youtube.com/user/onukaofficial   https://www.youtube.com/channel/UCdLwWPkbw7jpwwGPNMvkGgw   Structure:  Basic specs for “Mozäika” & Robert explains Eurovision (up to 9:08) Live and studio versions, Onuka's views on Russia as a Ukrainian, the insular American pop music market & its imperviousness to Eurovision, contrast w/ U.S. music/singing pageantry, Robert on the “love fest” of Eurovision (9:08-15:50) Is competition good for music?  Does it make the music better or just more conformative? Robert on pop voices and yet more Eurovision details, “winning” versus “losing” the contests, telegenic appearances, must a pop diva be able to belt out and hold a single note? (15:50-24:20) The joys of liner notes & other merits of “Mozaïka”, variety and popularity of the album (24:20-27:28) Onuka's “Strum” music video & a detailed description of a very short song/interlude via Chernobyl architecture, pop music & militarism, “Golos” & “Guns Don't Shoot”, human sincerity with electronics, Ukraine's geopolitics (27:28-34:08) Robert praises individual songs & gives RIYLs (34:08-38:56) Reviews on eMusic, DJ Poseur's album summary, Onuka's music videos, lack of professional reviews, comparison to the self-entitled album (38:56-43:31) Ratings (43:31-45:48) Transition between album picks, YouTube views disparity, Synth/dream/space pop?,  (45:48-49:30) Pop music, popular music, chart music, yacht rock, production convergence & conformity, nostalgia for certain time periods (49:30-56:01) Robert starts to opine on MV & gets steered back to obscure, “unpopular pop” & regional versus global popularity & whether there's a single global (Western) style of pop music today.  How globally popular must a song be to pierce the USA?  Other media introduce new music and popularize it.  Being a fan w/out hope of seeing someone perform.  Foreign languages, time versus place influences in pop styles. (56:01-1:05:44) Mireia Vilar's “La Plaga” & very literary lyrics in “Estado de Flow”  & other lyrical interpretations of individual songs on the album (1:05:44-1:11:56) Robert's favorite song of the year & his RIYLS for MV.  Lyrical poetry listening versus general pop listening.  One person can make a difference w/ a review if no one else has? Music videos and performance videos, simplicity of composition.  Demographics & music markets. (1:11:56-1:21:10) Other songs on the album.  MV's evolution from previous album and her future, would this work w/ a live audience? (1:21:11-1:26:33) RIYLs, mostly other obscure artists for fans of MV (1:26:33-1:27:52) Ratings (1:27:52)   Onuka is RIYL… Shuma, Bjork, Boomclap Bachelors, Jorane, La Roux, Линда (Linda from Kazakhstan)   Mireia Vilar is RIYL… SingerSen, Orbital, Goldfrapp, Beach House, other Spanish synth-pop?, Mow, Jeanette, Suzanne Vega, Enya The RIYL Spanish band Mow is impossible to find w/out more of a lead, so try their music video for “Grasiah” here:  https://www.youtube.com/watch?v=92YtTynOyAM    Onuka interview 2016 https://www.youtube.com/watch?v=rsrjjQmC364    George Gittoes' “Soundtrack to War” https://www.imdb.com/title/tt0470161/?ref_=nv_sr_srsg_0    MV has a special treat for psychologists…   Flow: The Psychology of Optimal Experience (Harper Perennial Modern Classics) by Mihaly Csikszentmihalyi.    Robert thinks Onuka sounds like Linda, Kazakh pop star from the 1990s https://www.bitlanders.com/blogs/mystical-trip-hop-from-russia-linda-russian-singer/60867 https://en.wikipedia.org/wiki/Linda_(singer), as well as Shuma, the Belarussian band https://youtu.be/K7VBU1TZwCo Skryabin https://en.wikipedia.org/wiki/Skryabin_(band)  1997 album https://www.youtube.com/watch?v=idGFNH0T6OA  , Lyube https://en.wikipedia.org/wiki/Lyube   https://www.emusic.com/album/123498320  ,  and MV sounds like Jeanette https://www.youtube.com/watch?v=PAe0gyrDSyg    Laibach's “Volk” album of national anthems https://www.youtube.com/playlist?list=OLAK5uy_kxo4FIzLWoQPV-V-gUEycoRKKpWUWVI9E    Eurovision:  Eurovision likes to laugh at itself, so they made this great music video to explain Eurovision to newbies https://www.youtube.com/watch?v=Cv6tgnx6jTQ&list=PLUczN3tkUHz7fi-jV2ab0oA8mQQXmqWUk&index=2 (the people who participate in the performance are all previous winners -- including the MC's!) epic sax guy from Eurovision https://youtu.be/pHXDMe6QV-U Moldava scored next to last place, and then 5 years later they made a meme out of him and literally epic sax guy was the most anticipated act in 2019! Eurovision vigorously geo-blocks youtube content from USA. idiotprogrammer's blog:  http://www.imaginaryplanet.net/weblogs/idiotprogrammer/ 

- Teatro che passione Rubrica di teatro curata e condotta da Katiuscia Torquati.In questa puntata parleremo di due opere di Shakespeare-Antonio e Cleopatra - Giulio CesareMUSIC TIMERubrica di approfondimento MusicaleCondotto da DIego MarianiIn questa puntata andremo alla scoperta di Vasco RossiGli spot sono realizzati dalla voce di Maria Luisa CapuanoRegia, Montaggio e messa in onda a cura di Sonia Gioia

Episode 5 ft. Ma$e Music, Writers Block, Social Dilemma by Tristan Taliano

In today's podcast, we have a conversation between Corson and Rook*e (aka Josh Garrison). Rookie is a music artist who raps, sings, produces, mixes, and masters all of his own music. In today's episode, we talk about his life story from: - Being born in Texas - To travel the world with his family and how that impacted his life views - Playing football at an all-boys academy and what that taught him - How he was inspired to start making music - His journey into learning about the mind and how Corson's teachings about identity and reading have impacted him - His favourite life lessons and mistakes - The journey he is about to embark on to freestyle mastery using the principles of the Hockey Player Identity Course If you want to learn more about Rook*e and follow him: insta: @youraveragejosh twitter: @rookkiiieee twitch: heyitsrookie soundcloud.com/neveramateur To learn more about player Identity and Corsons Teachings visit: www.corsonsearles.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Molly Neuman is the Global Head of Business Development at Songtrust and you may know her from her time ar Kickstarter, A2IM, Rhapsody, or eMusic. Molly is best known as a creator of the riot grrrl movement as Bratmobile's drummer and founding editor of the Girl Germs zine. On this episode, Portia and Molly discuss her career and more. Live from Indie-Con Australia 2018.

Venrock Partner David Pakman is one of the Top 100 VCs, according to CB Insights. Previously, David spent 12 years as an internet entrepreneur focused on music. David was the CEO of eMusic, the world's leading digital retailer of independent music, second only to iTunes in number of downloads sold. He also was the co-creator of Apple's Music Group and worked at Apple for five years.

My guest today is singer/songwriter a l l i e, her debut album Nightshade is out right now and it's fyaah. We talked about what's it like to work on a project for 2 years and finally release it to the world. a l l i e tells us about the divine feminine, her lowest point on this journey and so much more.Each and every Wednesday we'll be uploading a brand new interview with a guest we feel that you should know about. If you love podcasts subscribe at the options below.Subscribe to The Come Up Show Podcast on your favourite platform: http://bit.ly/2k57m7rShow us love and leave us a review: bit.ly/tcuspodcastreviewJoin our newsletter: bit.ly/tcusnewsletterCheck out the new book "Stop Playing By Their Rules: An Artist Guide On How To Market To Fans" bit.ly/2kgGzEVSupport this show http://supporter.acast.com/thecomeupshow. Hosted on Acast. See acast.com/privacy for more information.

David has been a Partner at Venrock since 2008 and focuses on early stage consumer and enterprise internet companies. Before Venrock, he spent 12 years as an internet entrepreneur. David was the CEO of eMusic, the world's leading digital retailer of independent music, second only to iTunes in number of downloads sold. Prior to joining eMusic, David co-founded Myplay in 1999 in Redwood City, CA, which introduced the “digital music locker” and pioneered the locker category. In 2001, Myplay was sold to Bertelsmann's ecommerce Group. Before Myplay, he was Vice President at N2K Entertainment, which created the first digital music download service. He also was the co-creator of Apple's Music Group and worked at Apple for five years. David is a graduate and a former Overseer of University of Pennsylvania's School of Engineering and Applied Science where he received a BSE in Computer Science Engineering. He serves on the Board of Part Of The Solution in The Bronx, loves tennis, and plays drums. In 2017, David was named one of the Top 100 Venture Capitalists by CB Insights.

Yancey Strickler, one of the co-founders of Kickstarter, began his working life in journalism in 2000, and managed to make a living as a freelance writer during one of the most difficult times to ply that trade. A few years later, he joined eMusic, where he rose to editor in chief and started an in-house record label to give bands an easier way to get an album out. He began working on Kickstarter long before its April 2009 debut, and remains as excited about its potential to change artists' and creators' lives today as he was before its launch.

Girl Germs, Bratmobile, Lookout!, Indivision Management, Simple Social Graces, eMusic. Molly Neuman has been involved in just about every facet of the music business at a pretty high level. Like many industry veterans, however, she didn't set out to play the game. So it was nice to hear about her journey from enthusiastic zinester to digital music trailblazer.