POPULARITY
8 episodes with black archives
3 episodes with black archives
2 episodes with black archives
2 episodes with black archives
2 episodes with black archives
2 episodes with black archives
2 episodes with black archives
2 episodes with black archives
4 episodes with black archives
Journalist en fotograaf Phaedra Haringsma schrijft voor De Correspondent en is betrokken bij The Black Archives. Ze schreef de verhalenbundel Verdronken Vrijheid, waarin ze de verhalen van vrijgevochten slaafgemaakten vertelt. Samen met Benji bespreekt ze hoe voelbaar het koloniale verleden nu nog is. Ook de ecologische gevolgen worden besproken.
(01:29) De Amsterdamse brug 225 was altijd naamloos. Dat gaat veranderen: de brug heet voortaan de Seraphina van Braziliëbrug. Het is een ode aan mensen met Afrikaanse roots die in de zeventiende eeuw in Amsterdam leefden en een gemeenschap vormden, vlakbij de brug. Historicus Mark Ponte is te gast. (07:08) Malcolm X zou op 19 mei 100 zijn geworden. Zijn nalatenschap leeft, zeker onder jongeren. Hoe komt dat? Nawal Mustafa organiseerde deze week een programma in de Black Archives over hem en vertelt over zijn erfenis. (22:36) Grote kans dat je er nog nooit van gehoord hebt: Bellamyanen. Aanhangers van het gedachtegoed van de Amerikaanse schrijver Edward Bellamy. En toch waren er in Nederland vanaf de jaren dertig duizenden Bellamianen in Nederland, met afdelingen in het hele land en landdagen waar ze eigen liederen zongen en naar lange speeches luisterden. Hun ideaal: een samenleving zonder geld, zonder geweld en met gelijkheid voor iedereen. Programmamaker Katinka Baehr maakte een documentaire op basis van twee VPRO-documentaires: de radiodocumentaire 'In de ban van Bellamy's Droom' uit 1987 en de televisiedocumentaire 'Vergeelde Toekomst' van Cherry Duyns uit 1979. Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/18-05-2025.html# (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/18-05-2025.html)
Malcolm X zou op 19 mei 2025 honderd jaar oud zijn geworden. Hij ging de geschiedenis in als de genadeloze tegenhanger van Martin Luther King, maar de twee kopstukken van de Amerikaanse burgerrechtenbeweging worden tegenwoordig steeds vaker met elkaar vergeleken. Hoe kunnen we de nalatenschap van Malcolm X duiden, en waarom grijpen steeds meer jongeren erop terug? Nawal Mustafa vertelt meer. Ze is docent bij de Universiteit van Amsterdam in o.a. Black studies en organiseerde deze week het programma 100 years Malcolm X- his legacy for Black and Muslim communities, in samenwerking met The Black Archives en Het Moslim Archief.
Joanna Black, Senior Archivist at the Sierra Club, shares about their work and the archive at the 2025 Outdoor History Summit. Joanna Black Linkedin: https://www.linkedin.com/in/joanna-m-b-a4880730/ Sierra Club Archives: https://www.sierraclub.org/library Listen to these conversations on the Highlander Podcast. https://opdd.usu.edu/podcast The Highlander Podcast is sponsored by the Outdoor Product Design & Development program at Utah State University, a four-year, undergraduate degree training the next generation of product creators for the sports and outdoor industries. Learn more at opdd.usu.edu or follow the program on LinkedIn or Instagram. https://www.instagram.com/usuoutdoorproduct/ https://www.linkedin.com/company/opdd Discover the Outdoor Recreation Archive on Instagram or on USU's website. https://instagram.com/outdoorrecarchive https://library.usu.edu/archives/ora Subscribe to our ORA newsletter: https://outdoorrecarchive.substack.com/ Outdoor Recreation Archive Instagram https://www.instagram.com/outdoorrecarchive/?hl=en Episodes hosted, edited, and produced by Chase Anderson in beautiful Cache Valley, Utah. https://www.linkedin.com/in/chasewoodruffanderson/
In honor of Black History Month, we welcome Dr. Dorothy Jenkins Fields who is responsible for the establishment of Miami's Black Archives, the designation and restoration of the landmark Lyric Theater and other historic sites, the creation of the Black Heritage Trail, and the designation of the Historic Overtown Folklife Village as a National Trust “Main Street” community. She was awarded the honorary degree of Doctor of Humanities for her unprecedented research and documentation of African American history. We discuss what drove her to create the Black Archives and preserve a vital part of Miami's history, and how the community can learn from this invaluable resource.
On this episode of Banking on KC, Dr. Carmaletta Williams, CEO of the Black Archives of Mid-America, joins host Kelly Scanlon to discuss plans for Martin Luther King Jr. Day, the observance of Black History Month and the Black Archives' role in preserving and celebrating Black history. Tune in to discover:How the Black Archives connects the past to the present through its exhibits, educational programs and outreach and keeps Black History alive and accessible.Events the Black Archives has planned to celebrate Dr. Martin Luther King Jr.'s legacy and to honor the contributions of Black Americans during Black History Month.Opportunities to engage with the Black Archives through donorship and volunteerism as well as visiting the museum.Country Club Bank – Member FDIC
Welcome to an extra long episode of Doctor Who Literature, but one of the deepest and most rewarding ones we've ever produced. The subject is the February 1966 Doctor Who episode The Massacre, a troubled production where the original author tried to disclaim credit, the video is lost and only a few publicity photos survived, and the surviving audio is hard to untangle as William Hartnell only appears in a small handful of scenes. We have three guests this week to help unravel the story: --Repeat DWLit guest Denise Sutton joins Jason for a specially-recorded live introduction in Central London. --Repeat DWLit guest Ian Potter, a Black Archives writer, helps Jason try to unravel the troubled production (and troubled production team!) at the heart of the TV serial. --The Rev. Jerrod Hugenot, an American Baptist minister and Doctor Who fan, whose surname ties into this story, helps us understand the historical and religious context of August 1572. And although he doesn't appear in this episode, we could not have produced this week without James Cooray Smith, who literally wrote the book on The Massacre. We'll be back next week to cover another William Hartnell adventure, with a much shorter episode! If you enjoyed this episode, please follow, subscribe, and rate us! Watch this episode and all previous episodes on YouTube at https://www.youtube.com/@drwhonovels. "Doctor Who – The Massacre" features cover art by Tony Masero. Doctor Who Literature is a member of the Direction Point Doctor Who podcast network. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://podcasters.spotify.com/pod/show/doctorwholit.
In this week's Black World News, Kehinde Andrews makes plain the racism in continental Europe and how it hits differently to the UK; how Jamaica and other Black Caribbean islands (like Haiti) are not our home, they're prison colonies, and the solution: a global Black nation.- In this week's official guest interview, Kehinde Andrews talks with Mitchell Esajas "A Voice of Black Holland," from The Black Archives in Amsterdam. They talk about the great work the archive is doing to put the Black Dutch experience on the map. As well as the situation in Amsterdam, the far right rise, the Dutch king, prime minister, and the mayor of Amsterdam's apologies for enslavement. Not to mention the most popular Dutch tradition, Zwarte Piet (Black Pete) the years of resistance against the racist tradition, and the recent political development. - Mitchell Esajas is co-founder and managing director of The New Urban Collective (NUC), a social enterprise and network for Black and POC, that manages The Black Archives (where Mitchell co-leads day-to-day activities). The Black Archives is an archive with more than 10,000 books and documents, exhibition space, and a cultural center. - BLACK WORLD NEWS LINKS Kick Out Zwarte Piet is calling it quits, it's now up to societyhttps://www.bnnvara.nl/joop/artikelen/kick-out-zwarte-piet-stopt-ermee-het-is-nu-aan-de-samenleving Presence of far-right MP Martin Bosma dishonours 1 July commemoration!https://www.theblackarchives.nl/blog/aanwezigheid-extreem-rechts-kamerlid-martin-bosma-onteert-1-juli-herdenking?lang=en - GUEST LINKS Atlanta Season 2 Episode 4: "Helen""I'm not wearing Black face" clip https://www.youtube.com/watch?v=wr5dz8tgjC4 The Black Archives WebsiteThe Black Archives consists of unique book collections, archives and artifacts that are the legacy of Black Dutch writers and scientists. https://www.theblackarchives.nl/home.html The Black Archives Linktree https://linktr.ee/the_blackarchives The New Urban Collective https://www.nucnet.nl/ Broke-ish (Erika Brown + Amber Sims) In the Broke-ish space, we talk about being broke—broke and Black in America. We talk about all the unbelievable *ish that America has done to Black people to keep us in this broke-ish state. https://brokeish.com/a White Innocence Paradoxes of Colonialism and Race https://www.dukeupress.edu/white-innocence - MIP LINKS Harambee Organisation of Black Unityhttps://www.blackunity.org.uk/ CAP25 - Convention of Afrikan People - Gambia - May 17-19, 2025 On Malcolm X's 100th birthday, the Harambee Organisation of Black Unity is bringing together those in Afrika and the Diaspora who want to fulfill Malcolm's legacy and build a global organization for Black people. This is an open invitation to anyone.https://make-it-plain.org/convention-of-afrikan-people/ BUF - Black United Front Global directory of Black organizations. This will be hosted completely free of charge so if you run a Black organization please email the name, address, website, and contact info to mip@blackunity.org.uk to be listed. - Guest: @mitch_positivity(IG) @the_blackarchives (IG) @theNUC1 Host: @kehindeandrews(IG) @kehindeandrews (T) Podcast team: @makeitplainorg @weylandmck @inhisownterms @farafinmuso Platform: www.make-it-plain.org (Blog) | www.youtube.com/@MakeItPlain1964 (YT) - For any help with your audio visit: https://weylandmck.com/
Much has been said about the 1964 Doctor Who serial The Sensorites. Not all of it positive. We at Doctor Who Literature are here to reverse that trend. The Sensorites is awesome. Except when it isn't, but when it lands, it really lands. This week's guest is Black Archives writer Jon Arnold. Here is one of Jon's many recent appearances on Strangers in Space. Cover artist of The Sensorites novelization, Nick Spender, passed away recently. If you enjoyed this episode, please follow, subscribe, and rate us! Watch this episode and all previous episodes on YouTube at https://www.youtube.com/@drwhonovels "Doctor Who – The Sensorites" features cover art by Nick Spender. Doctor Who Literature is a member of the Direction Point Doctor Who podcast network. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://podcasters.spotify.com/pod/show/doctorwholit.
Join us in welcoming Glenn North to this week's Northeast newscast. North serves as director of inclusive learning and creative impact at Kansas City Museum. With over 20 years of museum experience, he brings his vast knowledge of culture and education to this community. An institution, which opened to the public in 1940 — this museum prepares for its upcoming Juneteenth celebrations. Juneteenth commemorates June 19, 1865 — the day General Gordan Granger, and U.S. Union Army, announced in Galveston, Tx., the freedom of all enslaved African Americans, according to the National Museum of African American History and Culture. Author and founder of Black Archives of mid-America INC —Horace M Peterson — played a pivotal role in Kansas City's earliest African American heritage remembrances, which span decades. North highlights Horace, as well as the museums' screening of the film “Juneteenth: Faith and Freedom,” June 16. RSVP required for screening. For more information on museum-hosted Juneteenth events — or Kansas City Museum inquiries — visit its website: https://kansascitymuseum.org/.
(01:06) Deze week werden in de UK nieuwe bankbiljetten gepresenteerd met daarop koning Charles. Maar waarom worden vorsten eigenlijk afgebeeld op geld en vanaf wanneer is dat het geval? Met historicus Pim Möhring, conservator van de Numismatische collectie van DNB. (12:56) Het laatste boek van socioloog Waldo Heilbron pleit voor andere perspectieven op koloniale geschiedenis. Wat kunnen we, tijdens het herdenkingsjaar slavernijverleden, leren van zijn nalatenschap? Miguel Heilbron, mede-oprichter The Black Archives vertelt. (25:19) Het Spoor Terug: De grootmoeder van Reggie Baay werkte begin twintigste eeuw als contractarbeider in Deli op Sumatra. Wanneer hij haar verhaal uitpluist komt hij erachter dat contractarbeid niet zo vrijwillig is als het klinkt. Deel 1 van de serie ‘Verborgen Verbanden'. Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/09-06-2024.html (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/09-06-2024.html)
Het herdenkingsjaar wordt afgesloten met een komma, niet een punt; zo stelde Mark Rutte nadat hij namens de overheid excuses had aangeboden voor het slavernijverleden. Ook de doorwerking van de koloniale geschiedenis werd erkent. Dat was weleens anders. Toen socioloog Waldo Heilbron het boek De toekomst van het verleden schreef stuitte hij nog op veel weerstand. Waarom is zijn boek nog altijd relevant? En wat leert zijn nalatenschap ons over die zogenaamde komma na het herdenkingsjaar? Miguel Heilbron, mede-oprichter van The Black Archives, het historische archief toegespitst op Zwarte geschiedenis, is te gast over De toekomst van het verleden, het boek van zijn vader.
Vi gästas först av Ellen Hansson Khorsand, en av initiativtagarna till FalastinVision, sångtävlingen utan folkmord, och därefter av Jonelle Twum, bakom Black Archives Sweden, som har fullt program på Moderna Museet 23-25/2. Teaterföreställningen "Andrea och jag" har premiär den 23/2 på Malmö AmatörteaterForum och vi träffade de tre medverkande: Miguel Ángel Fraga, Linda Oliveros och Anneli Nilsson. Musik i programmet: La Fiesta - Pedro Capó Somos Sur - Ana Tijoux ft. Shadia Mansour Buddha's Blues - Don Cherry Helden - David Bowie Starkare - Darin Vi Håller Ut - en svensk version av spanska “Resistiré” (Duo Dinamico), framförd av runt 50 artister och musiker, för att hylla alla som kämpade mot coronaviruset.
In this episode of "Banking on KC," host Kelly Scanlon welcomes Dr. Carmaletta Williams, CEO of the Black Archives of Mid-America in Kansas City, to celebrate the organization's 50th anniversary. Dr. Carma shares the history and evolution of the Black Archives, detailing its vital role in preserving the African American experience in Kansas City and beyond. Tune in to discover: The origins of the Black Archives, including its first “office” in the trunk of a car. 50th anniversary celebrations, featuring keynote speaker Michael Herriot. The educational impact of the Black Archives and its community engagement activities, especially for young visitors. The Black Archives' collaborations with other institutions, including the Smithsonian, and its goals for continued growth and technological advancement in museum experiences. For more information, visit the Black Archives of Mid-America in Kansas City website at www.blackarchives.org.
Happy New Year and welcome to the first episode of 2024 with Kamila Pritchett, the Executive Director of the Black Archives History & Research Foundation of South Florida at the Historic Lyric Theater, where we always record The King-dom podcast. In this episode, we discuss the Lyric Theater's 110 anniversary celebrated in 2023 and its importance to the Overtown community, and Miami at large. If you have never been to the historic theater in Overtown or the Black Archives cultural locations (one of which includes the home of Miami's first black millionaire, Dana A. Dorsey), now is the time to check out their calendar of events.
Dit jaar markeert de 75e verjaardag van de invoering van apartheid in Zuid-Afrika en het tiende sterfjaar van Nelson Mandela. In deze serie onderzoeken journalist Remco Tomesen en sing- en songwriter met roots in Zuid-Afrika Joya Mooi, de rol van Nederland in de geschiedenis van apartheid. Hoe is de apartheid ontstaan, en welke rol heeft Nederland daarin gespeeld? Was Nederland een stuwende kracht, of juist een stille volger in het omverwerpen van het regime? Tijdens een wandeling door de Amsterdamse Transvaalbuurt met historicus Vincent Kuitenbrouwer ontdekken Remco en Joya de oorsprong van deze ‘Afrikaanderwijken'. Ook spreekt Joya met haar vader Kenneth over zijn tijd als vrijheidsstrijder bij het ANC. In Amsterdam praten Remco en Joya bij de Black Archives met Mitchell Esajas en Nancy Jouwe over de diepgewortelde geschiedenis van de Nederlandse betrokkenheid in Zuid-Afrika. Luister naar "Nederland en de Apartheid" op de vernieuwde NPO Luister app en binge alvast de hele serie. Nederland en de apartheid is mede tot stand gekomen met steun van het Fonds Bijzondere Journalistieke Projecten (www.fondsbjp.nl). Deze podcast is gemaakt door Remco Tomesen en Joya Mooi. De muziek is gecomponeerd door Fundile Dlamini uit Johannesburg. Audio mixage en aanvullende muziek door Gijs Friesen. Eindredactie door Nick Preusterink. Begeleiding Jeroen Bos en Robert Doggers.
Podcast #119-S4 - St Joseph Museums - Native American and Black Archives - Apr 3 2023 --- Send in a voice message: https://podcasters.spotify.com/pod/show/loren-alberts/message
"Who got the Body?" is the first chapter of Passed On by Karla FC Holloway and I am reminded of when I began this work. For #NationalArchivesMonth I will present stories from my personal archives. Enjoy this story time with special guests as we talk about HOW my love for the archives, history and the stories beyond the dash came to be. Theme: A Month for Awareness Whats in your archives? Host: Ronnika Williams @ronnika.williams Guest(s): Surprise :-) Technical Engineer: Jake Seaton Productions Music: Wallflowers by Bad Snacks Connect with Ronnika: https://linktr.ee/ronnikawilliams
Miguel en Thiëmo Heilbron zijn broers. Ze werken al jaren nauw samen, zo waren ze onder andere betrokken bij de oprichting van The Black Archives, het Amsterdamse archief rond zwart erfgoed. Inmiddels hebben ze twee nieuwe sociale ondernemingen gestart, die het onderwijs beogen te verrijken: Fawaka Ondernemersschool en Fawaka Wereldburgerschap. Scholen zijn wettelijk verplicht om onderwijs te geven over burgerschap. Ze dienen jonge mensen vertrouwd te maken met de waarden van sociale cohesie en democratie. Miguel en Thiëmo gaan een stap verder. Maak er wereldburgerschap van, zeggen zij. Zo werk je bij de bron aan de radicale verandering die nodig is in de wereld.
Miguel en Thiëmo Heilbron zijn broers. Ze werken al jaren nauw samen, zo waren ze onder andere betrokken bij de oprichting van The Black Archives, het Amsterdamse archief rond zwart erfgoed. Inmiddels hebben ze twee nieuwe sociale ondernemingen gestart, die het onderwijs beogen te verrijken: Fawaka Ondernemersschool en Fawaka Wereldburgerschap. Scholen zijn wettelijk verplicht om onderwijs te geven over burgerschap. Ze dienen jonge mensen vertrouwd te maken met de waarden van sociale cohesie en democratie. Miguel en Thiëmo gaan een stap verder. Maak er wereldburgerschap van, zeggen zij. Zo werk je bij de bron aan de radicale verandering die nodig is in de wereld.
Al and Rodney sit down with Dr. Carmaletta M. Williams, Chief Executive Officer of the Black Archives of Mid-America in Kansas City.https://blackarchives.org/Intro/Outro Music:"Celebration" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Produced and Edited by Lee Strickland
Delighted to welcome to the show this week Ian Potter, who's done remarkably good work with Big Finish, Black Archives volumes on The Myth Makers and Carnival of Monsters, and with RIffTrax Presents. A great conversation, do not miss! And Jim Sangster (@Monster_Maker) has a correspondent's piece for us about the recent Target Books Day in London. Thanks, Jim! If you enjoyed this episode, please follow, subscribe, and rate us! Doctor Who Literature is now a member of the Direction Point Doctor Who podcast network. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://anchor.fm/doctorwholit. --- Send in a voice message: https://podcasters.spotify.com/pod/show/doctorwholit/message
Rejoining me this week is Dale Smith, author of several Doctor Who novels and Black Archives books, including a forthcoming (August 2023) look at The Greatest Show in the Galaxy. The book this week is 1982's Kinda, novelized in 1984. Jason has several other podcast episodes out on other shows, including A Kettle and Some String, and new Trap One episodes repackaging my interviews with Philip Hinchcliffe and Elizabeth Morton. Please enjoy (after you've downloaded this episode first). Friend of the podcast James Cooray Smith also has a terrific Psychic Paper article up about The New Adventures, well worth a read. Jason previously did a documentary about the first four NAs over on Trap One. If you enjoyed this episode, please follow, subscribe, and rate us! Doctor Who Literature is now a member of the Direction Point Doctor Who podcast network. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://anchor.fm/doctorwholit. --- Send in a voice message: https://podcasters.spotify.com/pod/show/doctorwholit/message
This week, it's The Five Doctors, the 20th anniversary special for Doctor Who, aired (at least in the States) exactly on the 20th anniversary, and the novelization, by episode writer Terrance Dicks, came out the same week. We're now at three times the 20th anniversary, but this story still has a powerful hold. We'll be bringing you three straight episodes exploring Five Doctors - in every dimension, in every detail - and this week my guest is James Cooray Smith, author of many Black Archives titles such as The Massacre, and keeper of the great Psychic Paper Substack. James and I have much to discuss; there's probably enough material in here to cover seven episodes, let alone one, as we discuss Five Doctors and beyond -- way beyond. Music heard this week includes a 1980s US cartoon TV theme (sung by John Sebastian!), the theme to the PBS staple This Old House (via Fats Waller), some old school late '80s hip-hop, and a Jim Sangster (@Monster_Maker) homage to Tulips from Amsterdam. Shout-out to the Metebelis 2 Podcast. If you enjoyed this episode, please follow, subscribe, and rate us! "Doctor Who – The Five Doctors" features cover art by Andrew Skilleter. Doctor Who Literature is now a member of the Direction Point Doctor Who podcast network. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://anchor.fm/doctorwholit. --- Send in a voice message: https://podcasters.spotify.com/pod/show/doctorwholit/message
Earthshock was a signal moment in the journey of many Doctor Who fans when it aired in March 1982, from the surprise reveal of a returning monster, to the unexpected departure of a regular cast member. Ian Marter's August 1983 novelization of the story is a bit different from what we saw on television, but is no less impactful. We're very happy to have with us this week Jon Arnold (@The_Arn) as a first-time Doctor Who Literature guest. Jon can be heard on two other excellent podcasts, the Doctor Who-inspired Strangers in Space (@strangerscast), as well as the football (soccer)-themed @BustingBallsPod. Jon has also written several terrific volumes in Jason's favorite Who non-fiction range, The Black Archives from Observe Books, including a look at a TV story previously examined on this very show, Invasion of the Dinosaurs. And don't forget Jon's contributions to the Silver Archive range; Jon and Jason also discuss TV's "Buffy the Vampire Slayer" this week. Also mentioned this week is Jim Sangster (@monster_maker)'s newest DWLit-themed T-shirt. If you enjoyed this episode, please follow, subscribe, and rate us! Doctor Who Literature is now a member of the Direction Point Doctor Who podcast network. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://anchor.fm/doctorwholit. --- Send in a voice message: https://podcasters.spotify.com/pod/show/doctorwholit/message
This week Lizzo shows support to Tennessee's queer community. CNN breaks up with Don Lemon. In "Am I a bad queer?", we discuss how to deal with a PDA in sketchy settings and Is The Ultimatum is giving Tampa Baes? Plus our top 10 lists continue with the top 10 queer women's sports. Shoutouts:Shana: Every Body Movie: Julie Cohen's revelatory investigation of the lives of intersex people. The stories of three intersex individuals who set aside medical advice to keep their bodies a secret and instead came out as their authentic selves. An official selection of the Tribeca Film Festival, only in theaters June 30th - Follow @focusfeatures on Tik Tok to see the full trailer! Kris: Black Archives: A Photographic Celebration of Black Life by Renata Cherlise. A photographic celebration and exploration of Black identity and experience through the twentieth century from the founder and curator of the hit multimedia platform Black Archives. Buy the book at your local bookstore or online. Follow on IG @blackarchives.coEmail us for advice at badqueerspodcast@gmail.com or DM on InstagramFollow us @badqueerspod on Twitter, Facebook, Instagram & Tik TokLove our soundtrack? Check out Siena Liggins: @sienaligginsLike us? Love us? Leave a review The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.
Elke zaterdag- en zondagochtend tussen 6 en 7 uur horen NPO Radio 1-luisteraars de mooiste cultuurtips in Een Uur Cultuur. In deze aflevering ontvangt Eva Koreman zangeres Maaike Ouboter die onlangs een nieuwe single heeft uitgebracht: Dit moet verliefd zijn (https://open.spotify.com/intl-nl/track/64ArZjpQr4pTH9SuMYjm6b?si=9532f4e9d07a44e2&nd=1). Zij deelt haar cultuurtips met Eva en de luisteraar: Gast: Maaike Ouboter (https://maaikeouboter.nl/) De tips van Maaike: Boek: Fredrik Backman - Angstige mensen (https://www.singeluitgeverijen.nl/volt/boek/angstige-mensen/) Podcast: Case 63 (https://open.spotify.com/show/4c9ZKaFtEKweSYOlYvxfvp?si=2eebcbe473014d31&nd=1) Theater: Theater Artemis - Het geheven vingertje (https://artemis.nl/voorstellingen/het-geheven-vingertje-10/) Tentoonstelling: Zwartheid onder ogen komen (Black Archives) (https://www.theblackarchives.nl/facingblackness.html) Openbare kunst: Het dappere duikstertje (Amsterdam) (https://www.parool.nl/nieuws/het-dappere-duikstertje-staat-klaar-om-in-het-entrepotdok-te-springen~b3cc1b39/) Muziek: Merol - Dankspeech (https://open.spotify.com/intl-nl/track/3LLNmAoBHfaJJ8Op4O6Sh2?si=342ac0774ba14017&nd=1) Concert: Daniel Lohues (https://www.lohues.nl/agenda/) Festival: Lowlands (https://lowlands.nl/) Bioscoopfilm: Empire of Light (https://www.vprogids.nl/cinema/films/film~14804070~empire-of-light~.html) Online docu: I Am Greta (https://v2.videoland.com/i-am-greta-p_2152) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl
AmsterDames: Inspiring Women in the Netherlands ... An English Feminist Podcast in Amsterdam
Not getting a house because of the way you look. Being stopped by the police because of the way you look. Being physically attacked because of the way you look. If you never had any of these experiences, then there is a good chance that you are white. The city of Amsterdam prides itself of being a home to more than 170 nationalities, but they clearly do not all have the same every day life realities. Because institutional racism is still a huge problem in the Netherlands. Only centuries after slavery, slave trading and colonialism, the recognition of these events in the Netherlands has finally started – but things are still moving rather slow. Too slow. Too many topics are still not discussed, too many Dutch people are not informed about their countries past, too many Black people in the Dutch history remain unseen and too many issues of today's Black community are not adressed. The Black Archives want to change that. The Black Archives website: https://www.theblackarchives.nl/home.html The Black Archives Instagram: https://www.instagram.com/the_blackarchives/ The Black Archives YouTube: https://www.youtube.com/channel/UCUY-9vHdAvTlQDP2XNWdVVg The Black Archives Podcast on Spotify: https://open.spotify.com/show/1SkWvf6RHa6swY68qTFIAy?si=b5da69c8b6c74eb7 AmsterDames Instagram: https://www.instagram.com/amsterdamespodcast/ AmsterDames Facebook: https://www.facebook.com/AmsterDamesPodcast/
Dorothy Jenkins Fields, founder of the Black Archives, tells us about preserving Miami's Black history and the early experiences that led her to this work, like the time she marched with Martin Luther King Jr. when she was a college student in Atlanta. We also hear from two of Miami's biggest book nerds, Mitchell Kaplan of Books & Books and Connie Ogle of the Miami Herald.
The Therapy for Black Girls Podcast is a weekly conversation with Dr. Joy Harden Bradford, a licensed Psychologist in Atlanta, Georgia, about all things mental health, personal development, and all the small decisions we can make to become the best possible versions of ourselves. We're back with another addition to the TBG Library, Black Archives: A Photographic Celebration of Black Life by Renata Cherlise. Renata is a multidisciplinary, research-based visual artist and founder of the digital archival project Black Archives, where she features visual histories and modern-day stories across the African diaspora. Today she joins me to chat about her debut photo book, her family's long-standing love for archiving their history, and how you can get started archiving and documenting your own experiences. Resources Visit our Amazon Store for all the books mentioned on the podcast. Sisterhood Heals is now available for pre-order! Where to Find Renata Grab a copy of Black Archives Website Twitter Instagram Facebook Stay Connected Is there a topic you'd like covered on the podcast? Submit it at therapyforblackgirls.com/mailbox. If you're looking for a therapist in your area, check out the directory at https://www.therapyforblackgirls.com/directory. Take the info from the podcast to the next level by joining us in the Therapy for Black Girls Sister Circle community.therapyforblackgirls.com Grab your copy of our guided affirmation and other TBG Merch at therapyforblackgirls.com/shop. The hashtag for the podcast is #TBGinSession. Make sure to follow us on social media: Twitter: @therapy4bgirls Instagram: @therapyforblackgirls Facebook: @therapyforblackgirls Our Production Team Executive Producers: Dennison Bradford & Maya Cole Howard Producers: Fredia Lucas, Ellice Ellis & Cindy OkerekeSee omnystudio.com/listener for privacy information.
The founder of the Black Archives at The Historic Lyric Theater, Dorothy Jenkins Fields, talks with WLRN's Carlos Frías on Sundial. They discuss Fields' impact on preserving local Black history and the personal stories that led her to this work, like the time she marched with Martin Luther King Jr. when she was a college student in Atlanta.
Doctor Who Literature is now a member of the Direction Point Doctor Who podcast network. This week we are joined by Dale Smith, a prolific writer of both Doctor Who fiction and non-fiction. Dale talks about two of his Doctor Who novels and his recent Black Archives volume on "The Talons of Weng-Chiang". You can find Dale's masterful website detailing his writing career here, and can purchase his Black Archives volume here. We've talked a lot about "Talons" on Doctor Who Literature lately, but Dale's literally written the book on the subject, and this was a particularly fascinating conversation. "The Hand of Fear" features one of Doctor Who's most emotional companion departures, and another amazing vocal performance by the great Stephen Thorne. We will cover all of that, from the sublime to the sublime. Thanks to Frazer Gregory (@FelixFrazer) for this week's transcendently good guest reading. "Doctor Who and the Hand of Fear" features cover art by Roy Knipe. Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://anchor.fm/doctorwholit.
The Fallow Times of No Doctor Who and Even Less Information continues, but our friends across the pond at least had events with real live Doctor Who people to meet at FCC Birmingham and Whooverville 13, Abominable Snowmen BFI excitement, and most importantly, our thoughts on Lord of the Rings: The Rings of Power, and even more importantly still a pristine copy of William Shatner in his 1978 performance of Elton John's “Rocket Man” in pristine 3/4-inch U-matic quality! All of which is mere lead in to The Timelash, hashing out key (and not so key) dates in Doctor Who history so you don't have to! Links: Support Radio Free Skaro on Patreon The Timelash Abominable Snowmen Blu-Ray trailer Black Archives #60 – The Sun Makers now available Big Finish The Third Doctor Adventures: Kaleidoscope due Oct 2022 Titan Comics Doctor Who: Origins 4, last of the Fugitive Doctor series, now available First-generation copy of William Shatner's “Rocket Man” found
In 2022, it may be mid-August, traditionally a slow season for media, but there's been a lot going on this week. Jason takes a look at the series finale of "Better Call Saul" -- is it the greatest US TV series finale ever? And there's a new trailer out for the Doctor Who Blu-ray Collection -- it's Season 2, and Maureen O'Brien is back on screen as Vicki! We also have listener mail, and a plug for two new Black Archives releases. Back to January 1978, Jason is joined by Lelon Stoldt (@LelonStoldt), creator and co-host of the InDOCtrination podcast -- catch its latest episode, which dropped after we recorded. There's much to discuss about the novelization of "The Face of Evil". How does Terrance handle the TV characters. Is Chris Boucher's script flawless, and, if not, what does Terrance do, or not do, to salvage some of the flaws? How do you introduce your young daughters to "Doctor Who"? We also look at "Better Call Sault", and the current Star Wars spinoffs -- the latest of which has a name very, very familiar to longtime fans of "The Face of Evil". And how will Lelon fare at a game of 20 Questions? Please e-mail the pod at DrWhoLiterature@gmail.com. You can catch all past episodes at https://anchor.fm/doctorwholit.
"Wil je racisme en discriminatie oplossen, dan moet je weten hoe het zich manifesteert," zegt Mitchell Esajas in een interview met de Volkskrant. Volgens hem praten mensen vanuit de onderbuik alsof ze er verstand van hebben, maar het is een complex probleem. Esajas is antropoloog en bedrijfskundige, en mede-oprichter van The Black Archives in Amsterdam, een cultureel centrum dat de geschiedenis van Surinaamse en zwarte mensen in de Nederlandse context plaatst. Daarnaast zet hij zich in voor Kick Out Zwarte Piet en was bestuurder van het Amsterdamse discriminatiemeldpunt. Aan de hand van muziek spreekt hij met Floortje Smit. Brainwash Zomerradio is een speciale zomerse serie van HUMAN, te beluisteren op NPO Radio 1 en hier als podcast.
Wat hebben Gloria Wekker, Mitchell Esajas en Maru Asmellash met elkaar gemeen? Ze zijn stuk voor stuk grote inspiratiebronnen van host Charisa Chotoe geweest de afgelopen paar jaar. Mitchell Esajas met zijn belangrijke werk met The Black Archives, Gloria Wekker met haar boek Witte Onschuld en Maru Asmellash is de drijvende, hyper creatieve kracht achter modemerk The New Originals. Tijdens deze editie van Late Night Talks wijken we af van onze normale stijl en duiken we diep, heel diep – met deze drie community leaders. Altijd al een vraag willen stellen aan Wekker, Esajas en Asmellash? Dit is je kans. Natuurlijk zou Late Night Talks, Late Night Talks niet zijn als er ook een mooi, muzikaal intermezzo zou zijn – deze keer verzorgd door een heel bijzondere artiest, die we in de loop van deze week bekendmaken. Allemaal redenen om je gezicht te laten zien!In gesprek met: Maru Asmellash, Mitchell Esajas, Gloria WekkerArtiest: LVZYEPISODE NOTES01:25 Invited to the Cookout06:07 In gesprek met Maru16:58 In gesprek met Mitchell27:38 SPEL: 5 seconds31: 10 In gesprek met Gloria44:23 Optreden LVZY
Romana Vrede en OTION gaan met Mitchell Esajas (mede-oprichter van The Black Archives) en Raki Ap (campagneleider Free West-Papua Nederland) in gesprek over neo-kolonialisme, het doorvertellen van verhalen, het bestrijden van onrecht, hoe radicaal te breken met het oude systemen en in hoeverre koloniale tijd invloed heeft op het heden.De muzikale soundscape wordt verzorgd door OTION.Mitchell Esajas: https://www.instagram.com/mitch_positivity/Raki Ap: https://www.instagram.com/raki_ap/Romana Vrede: https://www.instagram.com/romanavrede/OTION: https://www.instagram.com/otion11/- The Black Archives: https://www.theblackarchives.nl/index.html- Free West-Papua Nederland: https://freewestpapua.eu/ Meer info over Tijd zal ons leren: https://bit.ly/36c7LP3
As we enter Black History Month and the season 3 finale of Triggered AF, your hosts welcome the executive director of the Black Archives, History & Research Foundation, Timothy A. Barber, to discuss the importance of preserving black culture in spite of the challenges. Focusing specifically on gentrification, tune in as they discuss how to empower a community as well as develop it. From investing in the culture and history that already exists to rehabbing structures in a way that people can remain and thrive in their neighborhood, listen in as they challenge gentrification, and reverse engineer the process to start benefiting the community as a whole. KEY POINTS: - Does gentrification help or hurt? - How to marry gentrification with redevelopment - The history of Overtown and urban removal - Why the preservation of black art and culture is so important - Investing in leaders and gatekeepers we can trust - Are there any positive effects of gentrification? - Preserving The Black Archives Historic Lyric Theater QUOTABLES: “If you don't know your history, you will never know when they're trying to take you back.” “You have to find a way to empower the people that live in the area prior to bringing in those levels of housing and things of that nature. Because the first thing they need is jobs.” “Going back to the gentrification effect, bringing these new people in, the difficult part of it is to get them to invest in the community, other than just paying rent in the community.” GUEST RESOURCES: Learn more about Timothy A. Barber and The Black Archives Historic Lyric Theater at bahlt.org IG | instagram.com/bahltsoflo FB | facebook.com/black.archives.3 PRODUCTS / RESOURCES: For more info, visit their website: triggeredafpodcast.com Like what you're hearing? Follow Triggered AF on their Socials and share the love! IG: instagram.com/triggeredafpc Twitter: twitter.com/triggeredafpc FB: facebook.com/triggeredafpc YouTube: youtube.com/channel/UCNxXUw6_j_pMnfd5ASIGAOQ Stay connected with your hosts! Alechia Reese | instagram.com/alechiareese/ Dani Foster | instagram.com/danifostercoaching/ Triggered AF is edited by Instapodcasts (visit at instapodcasts.com)
Here we are with the second episode of Exploring Black Europe with La Stanza di Kwanza (@LastanzadiKwanza) one of the two section of Blackcoffee_pdc Meets Europe, one of the Culture of Solidarity Fund recipients, an initiative created by the European Cultural Foundation (@europeanculturalfoundation). The intent of this section is to explore the experiences of black people living in other European countries and to exchange thoughts and antiracists practices. In this episode the host, Kwanza Musi Dos Santos bring us to the Netherlands interviewing Jessica de Abreu (@deabreujessy) born and bred specifically in Amsterdam. Jessica de Abreu is an activist but first and foremost an anthropologis and co-founder of the Black Archives.
Kansas City is a city of neighborhoods. In this episode of Mo' Curious, Trevor Harris introduces us to a trio of long-time residents of Beacon Hill. These neighbors explain how the place they call home for decades has been variously impacted by racial covenants, middle-class flight, and gentrification. Using oral histories, this is a recent history of one of Missouri's changing, urban neighborhoods. Sources and organizations in this episode: Reverend Leroy Legrand is a longtime resident of Beacon Hill neighborhood. Here's his Facebook page. Jeanene Dunn and Claudia Woods are longtime Beacon Hill residents and leaders in the Beacon Hill/McFeders Community Council. The Black Archives of Mid-America has a new webpage and a very active Facebook page.
Be anti-anti-CRT; in other words, teach truth. The history of the United States is the history of racism. It’s the history of the constant evolution of a constructed idea of...
Be anti-anti-CRT; in other words, teach truth. The history of the United States is the history of racism. It’s the history of the constant evolution of a constructed idea of...
On this episode of Banking on KC, Dr. Williams, executive director of the Black Archives of Mid-America, joins host Kelly Scanlon to announce the launch of the new Genealogy Lab and why it's important to the Black Archive's mission and to our local history. Plus, get a sneak preview of the new exhibit the Black Archives will be opening soon—the Women's Pro Basketball Hall of Fame. Country Club Bank – Member FDIC
Maak 1 juli een nationale vrije dag! Dat is de petitie die FunX, The Black Archives en Nederland Wordt Beter hebben gestart. In de TopiX Podcast, praat ik daarom met 1 van de voorvechters voor een nationale vrije dag: Nenita La Rose, zij zet zich al jaren in om dit voor elkaar te krijgen. We duiken een klein beetje het pijnlijke slavernij verleden in, we bespreken hoe Keti Koti wordt herdacht en gevierd en we bespreken waarom erkenning en helen niet zonder elkaar kan. Check het hier!
Op zaterdag 19 juni wordt in Amerika het einde van de slavernij herdacht. Op deze datum werden in 1865 in Texas de laatste tot slaaf gemaakten in het land bevrijd. Deze zogeheten Juneteenth moet voortaan een nationale vrije dag worden. Zo besloten afgelopen week de Senaat en het Huis van Afgevaardigden. Hoe lang speelt de kwestie al, en wat heeft de Amerikaanse parlementariërs en senatoren doen omgaan? Is het Amerikaans initiatief wellicht ook een voorbeeld voor Nederland? Mitchell Esajas, een van de oprichters en medewerkers van de Black Archives in Nederland, is te gast.
Shell moet veel sneller dan gepland minder CO2 uitstoten, zo oordeelde de rechter. Dat hadden ze bij Urgenda niet verwacht. Directeur Marjan Minnesma werd totaal verrast door deze uitspraak. Deze week was het precies een jaar geleden dat George Floyd om het leven kwam door politiegeweld. Met Mitchell Esajas oprichter van The Black Archives blikte we terug. Amazon nam een filmstudio. En niet zomaar een, namelijk MGM. NRC tech-redacteur Stijn Bronzwaer vertelde wat de gevolgen zullen zijn. En Benthe Göbel en Sabien Brehler spraken over de dood. Hoe gaan jonge mensen om met het verlies van een dierbare.
Shell moet veel sneller dan gepland minder CO2 uitstoten, zo oordeelde de rechter. Dat hadden ze bij Urgenda niet verwacht. Directeur Marjan Minnesma werd totaal verrast door deze uitspraak. Deze week was het precies een jaar geleden dat George Floyd om het leven kwam door politiegeweld. Met Mitchell Esajas oprichter van The Black Archives blikte we terug. Amazon nam een filmstudio. En niet zomaar een, namelijk MGM. NRC tech-redacteur Stijn Bronzwaer vertelde wat de gevolgen zullen zijn. En Benthe Göbel en Sabien Brehler spraken over de dood. Hoe gaan jonge mensen om met het verlies van een dierbare.
It's A Conspiracy! 320 - The Sad Story of Annie Jones, *Batteries (Still?!) Not Included, and The Black Archives. It's a Conspiracy! is proud to be a part of the Albert Podcast Network: AlbertaPodcastNetwork.com Links: Annie Jones The Story Of Annie Jones, P.T. Barnum’s Bearded Lady The Black Archives What urban legends do the secret archives in the Vatican debunk? Unsealing of Vatican archives will finally reveal truth about ‘Hitler’s pope’ Top 10 Things Possibly Hidden In The Vatican Secret Archives 15 Historic Wonders Housed in the Vatican's Secret Archives Batteries (Still?!) Not Included "Batteries STILL not included" has also vanished? What Are We Drinking? Omen Brewing's Red Harbour - Irish Red. --- Patreon / Instagram / Twitter / Facebook Questions, comments, or feedback? Email the show at itsaconspiracy@protonmail.com
City of Miami Commissioner Jeffrey Watson is joined by Photojournalist Rashaan “DJ Fly Guy” Alexander to discuss his current photo exhibit in partnership with Hampton Art Lovers at the Historic Ward Rooming House titled “To Miami, with Love.” City of Miami Commissioner Jeffrey Watson is also joined by Executive Director Timothy Barber of the Black Archives to discuss the new Overtown youth jobs initiative sponsored by the Southeast Overtown/Park West Community Redevelopment Agency and Commissioner Jeffrey Watson. Timothy Barber also shares insight on the significance of the Black Archives in preserving and collecting the history of Black Miami. Business Spotlight: Overtown Business Resource Center Historic Ward Rooming House: 249 NW 9th St, Miami, FL 33136 To see the full list of upcoming art exhibits and programming visit www.Hamptonartlovers.com To learn more about The Black Archives History & Research Foundation of South Florida, please visit https://www.bahlt.org/
The Grove Museum inside the historic Call/Collins House is one of Tallahassee’s newest museums, and it’s changing how the city interprets its own history. Instead of focusing on the mansion house’s famous owners, including Florida Governor LeRoy Collins, Executive Director John Grandage oriented the museum around civil rights. Cleverly tracing how Collins’s thinking on race relations evolved, the museum uses the house and the land it sits on to tell the story of the forced removal of indigenous people from the area, the enslaved craftspeople who built the house, and the Tallahassee Bus Boycott. Grandage says the museum’s interpretive plan and focus on civil rights wouldn't have been possible without the work of Black Tallahassee institutions like John G. Riley House Museum created by Althemese Barnes or the Southeastern Regional Black Archives built from FAMU Professor James Eaton’s collection. In this episode recorded at the museum, Grandage describes how historic preservation has always been about what the dominant culture finds worth persevering, the museum’s genealogical role, and the white backlash to Collins’s moderate positions on civil rights. Topics and Notes 00:00 Intro 00:15 Ian at the 1992 Springtime Tallahassee Parade 00:55 White Supremacy in Tallahassee (https://en.wikipedia.org/wiki/History_of_Tallahassee,_Florida#Black_history) 01:20 Smokey Hollow (https://www.museumarchipelago.com/85) 01:40 John Grandage 02:35 The Grove Museum (https://thegrovemuseum.com) 03:05 Developing the Interpretive Plan with a Focus on Slavery and Civil Rights 03:30 Governorship of LeRoy Collins (https://en.wikipedia.org/wiki/LeRoy_Collins) 04:36 Tallahassee Bus Boycott (https://en.wikipedia.org/wiki/Tallahassee_bus_boycott) 06:08 Presenting the Narrative through Collins 06:50 White Backlash to Collins’s Moderate Position on Civil Rights 08:15 The Construction of the House by Enslaved Craftspeople (https://thegrovemuseum.com/learn/history/) 09:45 The Genealogical Role of the Museum 10:50 Forced Removal of Indigenous People in Tallahassee 12:25 How Tallahassee Interprets Its History 13:00 The John G. Riley House (https://www.museumarchipelago.com/85) 13:10 The Meek-Eaton Black Archives (https://www.museumarchipelago.com/86) 14:08 Outro | Join Club Archipelago
The mission of the Black Archives of Mid-America in Kansas City, Inc. (https://blackarchives.org) is to collect, preserve and make available to the public materials documenting the social, economic, political and cultural histories of persons of African American descent in the central United States, with particular emphasis in the Kansas City, Missouri region.Please join us in welcoming Dr. Carmaletta Williams to the show as we talk about the special materials held by the Black Archives of Mid-America and the work this organization does in supporting genealogical research and educational programming. Dr. Carmaletta also shares her knowledge about the black history of Kansas City and the state - as well as the border war that erupted between Missouri and Kansas between 1854 and 1859 (yep, that really happened!). Become a member at https://plus.acast.com/s/genealogy-adventures. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Annemieke Bosman spreekt artistiek directeur van het Amsterdam Museum Margriet Schavemaker over Refresh Amsterdam - 25 kunstenaars over hun plek in de stad. Amsterdam is constant in beweging. De stad groeit, en mensen komen en gaan. Vijfentwintig kunstenaars(collectieven) reflecteren op de stad van nu. Zij brengen veranderingen in kaart en vertellen bijzondere verhalen over weinig belichte kanten van de stad. Refresh Amsterdam is een tweejaarlijkse manifestatie rond Amsterdamse stadscultuur. Deze eerste editie wordt georganiseerd samen met Amsterdamse cultuurhuizen: De Appel, CBK Zuidoost, Compagnietheater, OSCAM, Rijksakademie van beeldende kunsten, SEXYLAND en The Black Archives.
Burgemeester Halsema gaat geen uitzondering maken voor cabaretier Youp van 't Hek, die zijn oudejaarsconference in Carré graag voor 250 toeschouwers wil spelen. Dat zegt Halsema in Het Gesprek met de Burgemeester op AT5. 'Het barst van de toneelgezelschappen, cabaretiers, de muziekgezelschappen in de stad die allemaal hetzelfde verlangen hebben', vervolgt Halsema. 'Gelukkig heeft Youp van 't Hek nog het grote voordeel dat hij zijn show ook op televisie kan laten zien en daarmee een groot publiek kan bereiken. Dat heeft hij voor op een heleboel andere cabaretiers, op heel veel andere toneelgezelschappen.' 'Als ik begin een uitzondering te maken, dan staan terecht alle andere instellingen, alle andere cabaretiers, alle andere toneelgezelschappen bij mij voor de deur. En ook Youp van 't Hek zal begrijpen dat dat niet kan.' Naast het plan van Van 't Hek komen ook andere lopende zaken aan bod. Zoals de bekladding van het pand van The Black Archives en de, aanhoudende, drukte in winkelstraten. Kijk voor meer politiek nieuws op AT5.nl/politiek
Afgelopen vrijdag verscheen Winne zijn album So So Lobi 2, het vervolg op het eerste deel uit 2009 waar op liefde en gelijkheid centraal staat. De Rotterdamse rapper heeft een bijzondere positie in het landschap en een sterke discografie die het verdient om uitgelicht te worden. Pim, Dieuwertje en Silvinio bespreken het uitgebreid en ook Solomon Kifle, de A&R manager bij Top Notch die aan dit project heeft gewerkt wordt gebeld over de plaat. Daarnaast gaat het natuurlijk ook kort over de Grammy nominaties en er wordt nieuwe muziek gedeeld voor de Best Of Base playlist: http://bit.ly/BestOfBase Meer informatie en een mogelijkheid om te doneren vind je via: The Black Archives: https://www.theblackarchives.nl/index.html Kick Out Zwarte Piet: https://kozwartepiet.nl/
Carmaletta has been an achiever through her life and career, taking on new and important challenges along the way. An educator to the core, her important work continues to this day with the fantastic archives.
Two women talk to Kim Chakanetsa about their anti-racism campaigns in Lebanon and Netherlands and the emotional toll of speaking out. Jessica de Abreu is an activist and co-founder of The Black Archives in Amsterdam. As part of the Kick Out Zwarte Piet group she protests against the annual tradition in the Netherlands where children and adults alike dress up with black face to celebrate Santa's helper ‘Black Pete'. In the past protesters have been attacked and ignored by a country that has long seen this as harmless fun. Massive turnouts at recent BLM inspired protests could suggest a turning of the tide. Ubah Ali is from Somaliland and currently studying at the American University of Beirut. She talks about Lebanon's ‘kafala' system, which excludes the predominantly Black migrant workforce from labour laws. She says she's regularly mistaken for a domestic worker and fights to challenge preconceptions about Black women. IMAGE DETAILS L: Ubah Ali (credit - Ubah Ali) R: Jessica de Abreu (credit - Marcel Wogram)
History professor Dr. James Eaton taught his students with the mantra: “African American History is the History of America.” As chair of the history department at FAMU, a historically Black University in Tallahassee, Florida, he was used to teaching students how to use interlibrary loan systems and how to access rare book collections for their research. But in the early 1970s, as his students' research questions got more in depth and dove deeper into Black history, he realized that there simply weren't enough documents. So he started collecting himself, driving a bus around South Georgia, South Alabama, and North Florida to gather artifacts. That collection grew to become the Meek-Eaton Southeastern Regional Black Archives Research Center and Museum on FAMU’s campus. Today, museum director Dr. Nashid Madyun presides over one of the largest repositories of African American history and culture in the Southeast. In this episode, Madyun describes how the structure of the gallery flights the compression of Black history, how the archive handles dehumanizing records and artifacts, and how a smaller museum can tell a major story. Topics and Links 00:00 Intro 00:15 Dr. James Eaton (http://www.famu.edu/index.cfm?MEBA&THEFOUNDERS) 00:50 Starting The Collection 01:35 Dr. Nashid Madyun (http://www.famunews.com/2015/10/famu-names-nashid-madyun-director-of-the-meek-eaton-black-archives-and-research-center/) 02:44 Carnegie Library 03:20 13 Galleries at the Meek-Eaton Black Archives 04:56 The Compression of African American History 05:20 Jim Crow and the KKK Exhibit 06:02 Presenting Derogatory Material at the Museum 07:00 How a Smaller Museum Can Tell a Major Story 08:20 Manumission Exhibit and Reading Cursive Handwriting 09:24 No Visitors During the Pandemic 10:40 Museum Archipelago Episode 85 (https://www.museumarchipelago.com/85) 11:00 The First Steps to Telling Hidden Stories 11:50 SPONSOR: SuperHelpful (http://superhelpful.com/arc) 12:45 Outro | Join Club Archipelago (https://www.patreon.com/museumarchipelago) Museum Archipelago is a tiny show guiding you through the rocky landscape of museums. Subscribe to the podcast via Apple Podcasts (https://itunes.apple.com/us/podcast/museum-archipelago/id1182755184), Google Podcasts (https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cubXVzZXVtYXJjaGlwZWxhZ28uY29tL3Jzcw==), Overcast (https://overcast.fm/itunes1182755184/museum-archipelago), Spotify (https://open.spotify.com/show/5ImpDQJqEypxGNslnImXZE), or even email (https://museum.substack.com/) to never miss an episode. Sponsor: SuperHelpful This episode of Museum Archipelago is brought to you by SuperHelpful, an audience research and development firm dedicated to helping museum leaders create more equitable and innovative organizations through problem-space research. Kyle Bowen, the founder of SuperHelpful, has brought together a team of designers and researchers to build a new community for museum folks who want to support one another as they reimagine what museums will be in the future. To join—and bypass the current waiting list—use this special link just for Museum Archipelago listeners! Transcript Below is a transcript of Museum Archipelago episode 86. Museum Archipelago is produced for the ear and the only the audio of the episode is canonical. For more information on the people and ideas in the episode, refer to the links above. View Transcript [Intro] History professor Dr. James Eton taught his students with the mantra: “African American History is the History of America.” As chair of the history department at FAMU, a historically Black university in Tallahassee, Florida, he was used to teaching students how to use interlibrary loan systems and how to access rare book collections for their research. But in the early 1970s, as his students' research questions got more in depth and dove deeper into Black history, he realized that there simply weren't enough documents. Nashid Madyun: And that helped him to realize that the understanding of Abraham Lincoln, the KKK , the rise of the Black middle class, Jim Crow, all of the stories where will forever untapped properly if there is no repository. And he found that as people die, they had material in their attics. But in this region: South Georgia, South Alabama, Northern Florida, there was no place to present these wares. So he started to try to enhance his classroom with these artifacts. He took advantage of an available bus and went around the region, asking people for material and they were happy to share and donate. Nashid Madyun: And there was no formal museum practice or archive at the time. It was a professor of history trying to find a way to help the students see that there are two sides to a story. That collection grew to become the Meek-Eaton Southeastern Regional Black Archives Research Center and Museum on FAMU’s campus, one of the largest repositories of African-American history and culture in the Southeast. This is Nashid Madyun, director of the museum. Nashid Madyun: Hello, my name is Nashid Madyun. I'm director of the Southeastern, regional Black archives research center and museum at FAMU, that’s Florida A&M University. Nashid Madyun: So this institution was founded in 1971. It opened its doors officially to the public in 1976. Professor James Eaton was able to collect artifacts to enhance the classes he was teaching in history, in African American history. And he was able to utilize this building in the mid seventies to present the rare memorabilia and artifacts that he found to interpret African American history as he saw it and present public programs. The collection and museum are housed in the Carnegie Library on FAMU's campus. Dr. James Eton died in 2004, during the construction of a four story expansion building that was erected right behind the library to keep up with the growing size of the collections. Because the archive was started from artifacts and documents gathered by bus, there is some geographic focus on the North Florida region. But today the Museums interprets Black history in general -- with objects from all across the country. Nashid Madyun: The research we pulled together takes us to the entire Florida panhandle and South Alabama, South Georgia. So now we have what we consider amongst these four floors, 13 galleries. The highlight, the number one highlight would be our Jim Crow and KKK collection, an authentic uniform, the constitutions from the 1920s, the memorabilia that highlight the derogatory advertisements and propaganda of the Jim Crow era. We also have an authentic-style church highlighting the plantation churches of the TriCounty area, as early as 1830s and replicas of those churches. 64 churches were utilized for this exhibit. Nashid Madyun: We also have a changing gallery upstairs that we highlight items or issues that address some point or some aspect of popular culture. Public culture now would be Black Lives Matter. And that movement has been going on for the past couple of years, so what we have up now is an exhibit objectively presenting the subject of newsprint from the 1700s to the present, how the violence and Black Codes and legislation and perspectives have been portrayed in print media. And so people have been very interested in that exhibit, so that's very compelling. The galleries also include African Americans in the Military -- which features artifacts from the Civil War and the Spanish American War, and African American pioneers in medicine and science, which highlights FAMU’s role as a research institution. With the way the gallery is setup, Madyun fights against the compression of African American history -- when I was studying Black history in Tallahassee, Florida as a high school student, we moved quickly from the Emancipation to the Civil Rights movement of the 1960s, skipping the time between. Nashid Madyun: I like to integrate new possibilities and ways to tell stories that are hidden or not properly told. We call this particular exhibit Jim Crow and KKK, aside from Slavery to Freedom. So the exhibit previously had all of these words together. And I wanted to separate those two so that we could see that there was a split and time: there was bondage and then there was amancipationand freedom, and there was a gap from the 1880s to the 1930s, when cotton was king, tobacco was strong. You had the rise of the Black middle class and the rise of the Black middle class, the mobility of the Black middle class specifically coincides with the three waves of the KKK. Nashid Madyun: So we present the derogatory material in the face of the public and say, this is how it was, and this is why it was, you had people who feared this rise. Nashid Madyun: And so. You can interpret it how you want to, but we presented based on the information we have. We could talk about the rise of Historically Black Colleges and Universities, the introduction of dentists and lawyers, the Harlem Renaissance, the Chicago Renaissance, all of these movements just so happened to coincide with the exact time frames of these waves of the KKK. And that's what's going on. And so I don't believe that any part of our history, whether slave chains or breathing beds or KKK robes should be hidden. The depth and breadth of the collection enables The Museum to tell a much broader story than just a historical house -- or a museum that is tied to a single event. For museums that interpret Black history, that’s still somewhat rare, but Madyun sees it as the beginning of a trend. Nashid Madyun: I've been in museums for 20 years and when I came into museums all the museums, the majority were mainstream, there were only a few African American museums. If there was an African American museum, it was an African American historic house, right? And so the idea that a major story can be told by a small museum in our new virtual world is possible. Nashid Madyun: It was not possible 10 years ago. Definitely not possible 20 years ago. So we have the opportunity. Unfortunately, we still need to catch up to the digitization that’s needed so that we can compete. Major museums, some city museums, you know, especially art museums, they receive city funding, even if they're attached to universities. And now we're starting to see that happen with the Black museums. And my role is to take advantage of these resources and bridge the gap. Madyun says that part of the gap is technological -- that museums are always trying to catch up to where visitors are. An example that he cites is seeing his student visitors not being able to read cursive handwriting. Nashid Madyun: We had an exhibit last year that we thought was wonderful and opened it up. And the students are coming in and looking at manumission, actual bills of sales from slaves, you know, former slaves buying their sisters and brothers and wives, buying their freedom. And so we're waiting for that jaw dropping expression, and they're looking at it like it's art. Nashid Madyun: I'm like, “oh, they don't know how to read cursive writing!” Here's a letter from Zora Neale Hurston talking about her ex and going through that divorce, you know, she's from Florida, understanding that the cost of a slave was $800 and pulling these details that you would normally get. And there's a generation gap. I'm in my forties and beyond, but the new generation that are not learning to write long form or manuscript or cursive writing. So now we're able to go back and look at some of these exhibits and enhance them and align them properly. It turns out, the museum has time to go back and enhance some of the exhibits because of the pandemic. Nashid Madyun: Because of the time we live in with the pandemic the idea of digitization has, really been propelled into a stage that is front and center. People were at home doing summer wondering what they could do. They wish they could go visit the museum. You've had three or four years to get to the museum in your hometown. Now we wouldn't really want to get out and get to the museum. We began to walk through the museums and pull out artifacts and have virtual tours. It's been a very good, very productive summer. Partly because we've had no guests so we've been able to focus on all of these very practical logistical projects. And we're going to come out a nice polished, shiny diamond able to look at K through 20. So the students on campus and the counties that surround us, the exhibits will be aligned to support curriculums. Students and teachers will be able to go to our website and pull down scavenger hunt and coloring pages or discussion questions and see artifacts to help illuminate that. The Meek-Eaton Southeastern Regional Black Archives Research Center and Museum is part of the Florida African American Heritage Network, which we discussed in episode 85 of this show. For Madyun, the increased focus on Black museums in the state and the slow progress towards more historic markers on Black history are stepping stones. Nashid Madyun: It's a stepping stone. These are the first step into establishing and acknowledging stores sometimes. And hopefully stories are our objective, but at the least you are able to identify the initial point of interest and organizations, nonprofits, grassroots communities can come together and expound on that. Whether they erect a structure, a walking park, an activity, but across the South specifically, and I'm from Arkansas, across the South, it's been wonderful to see places that have monuments, or a historic house, or parks or demonstrations where there was once just a marker. [Outro]
Deze maand spreken we met Mitchell Esajas over de nieuwe locatie van Black Archives, spelen we song association met Yung Dada en staan we stil bij de veelbesproken abusers nl pagina. De discussie rondom seksueel misbruik is de laatste weken enorm toegenomen mede door anonieme slachtoffers die hun stemmen lieten horen via instagramaccounts. Deze nieuwe aandacht bevestigd de noodzaak om de machtsstructuren die seksueel misbruik normaliseren in kaart te brengen en te bevragen. Het exposen van de namen en rugnummers lijkt een hedendaagse schandpaal te zijn die voor vele slachtoffers bevrijdend voelt. Daarom gaat Late Night Talks met verschillende tafelgasten een gesprek voeren over dit onderwerp.
Deze maand spreken we met Mitchell Esajas over de nieuwe locatie van Black Archives, spelen we song association met Yung Dada en staan we stil bij de veelbesproken abusers nl pagina. De discussie rondom seksueel misbruik is de laatste weken enorm toegenomen mede door anonieme slachtoffers die hun stemmen lieten horen via instagramaccounts. Deze nieuwe aandacht bevestigd de noodzaak om de machtsstructuren die seksueel misbruik normaliseren in kaart te brengen en te bevragen. Het exposen van de namen en rugnummers lijkt een hedendaagse schandpaal te zijn die voor vele slachtoffers bevrijdend voelt. Daarom gaat Late Night Talks met verschillende tafelgasten een gesprek voeren over dit onderwerp.
Deze maand spreken we met Mitchell Esajas over de nieuwe locatie van Black Archives, spelen we song association met Yung Dada en staan we stil bij de veelbesproken abusers nl pagina. De discussie rondom seksueel misbruik is de laatste weken enorm toegenomen mede door anonieme slachtoffers die hun stemmen lieten horen via instagramaccounts. Deze nieuwe aandacht bevestigd de noodzaak om de machtsstructuren die seksueel misbruik normaliseren in kaart te brengen en te bevragen. Het exposen van de namen en rugnummers lijkt een hedendaagse schandpaal te zijn die voor vele slachtoffers bevrijdend voelt. Daarom gaat Late Night Talks met verschillende tafelgasten een gesprek voeren over dit onderwerp.
Today we have a very special guest Doctor Vanley Burke. Dubbed the godfather of Black British Photography, he started documenting the lives of Handsworth residents since the 60s and his archive, which contains not only photos but also objects giving context to the Black experience, became so substantial that it is largely housed in Birmingham's Central Library. An exhibition in 2015 at Birmingham's Ikon Gallery transported his entire home into the gallery and became one of the most successful exhibition in the galleries history. http://www.vanley.co.uk/ Desert Island Disks: https://www.bbc.co.uk/programmes/m00010pq Intersectional GLAM conference tickets available: https://lglam2020.eventbrite.com Online Courses: https://intersectionalglam.org/online-courses/ Tip Jar: https://intersectionalglam.org/podcast-well-spoken-tokens/
On this episode of Banking on KC, Dr. Carmaletta Williams, president of the Black Archives of Mid-America, joins host Kelly Scanlon to take us on a tour of some of the historical artifacts and exhibits in the Black Archives’ collection. The museum preserves the lives, history, and culture of people of African descent in the Kansas City area. The museum is open to the public and is also an educational facility that welcomes researchers and offers a space for hosting community events. Listen in as Dr. Williams describes how the museum captures Kansas City’s past, influences our present and shapes our future. Country Club Bank – Member FDIC
This program is presented by the Bruce R. Watkins Cultural Heritage Center in collaboration with the Restore KC initiative.The Community Remembrance Project of Missouri (CRP-MO) is a community coalition that partners with the Equal Justice Initiative (EJI) to memorialize victims of racial terror lynchings throughout history and foster meaningful dialogue about race and justice today. This Restore KC program will provide an opportunity to learn about the CRP-MO including its 2018 origins with the collection of soil at the location of the lynching of Levi Harrington, installation of the Levi Harrington memorial marker, and its vision to challenge racial injustice while advocating for equal treatment in the criminal justice system. The program will be led by CRP Co-Liaisons Glenn North and Staci Pratt.Since spring 2019, the Kansas City Museum has been working with an education team on developing programs and experiences using a restorative practices methodology. The Kansas City Museum education team includes museum staff members Paul Gutierrez and Anna Marie Tutera; Damron Armstrong, Founder and Artistic Director of The Black Repertory Theatre of Kansas City; Deb Campbell, Founder and Executive Director of Arts & AGEing KC; Dr. Gene Chávez, Historian and Curator; Anita Dixon, Director of UNESCO Creative Cities-Kansas City; Oralee McKinzy, Founder and Executive Director of Life 360; Dina Newman, Director UMKC's Center for Neighborhoods and Dr. Jacob Wagner, Co-Founder of UMKC's Center for Neighborhoods and Associate Professor in Architecture, Urban Planning + Design at UMKC; Glenn North, Executive Director of Bruce R. Watkins Cultural Heritage Center; Blanca Anchondo-Polite, Owner/Principal of Engage and Connect, LLC and Lisa Middlebrook, Collaborator and Catalyst; and Dr. Carmaletta Williams, Executive Director of Black Archives of Mid-America.
EDUCATION. In deze aflevering gaan we nog meer leren. Onze gasten zijn Arantxa Catriona Oosterwolde (model/influencer) en Zawdie Sandvliet (docent/initiator Afro-Nederlandse Studies) met wie ik praat over o.a. de lessen die er te volgen zijn over hoe ook ons reclamelandschap gevormd is door slechte gewoonten uit ons koloniaal verleden. Er worden veel referenties gegeven die er toe doen, ook al ben je nog bleu. Het gaat ook over de toegang die er is naar deze informatie en de noodzaak dat we snappen hoe we het ontsluiten. Aan de hand van voorbeelden nemen onze twee gasten ons mee door onze eigen aannames, privileges, arrogantie en soms domme ideeën (en dan doel ik met name op die van mijzelf). Kom zelf luisteren hoe ik meer leer, en voorkom dat je straks achterloopt en dus nog irrelevanter wordt.
The first Restore KC program will create a virtual community circle to learn about restorative practices and why the Kansas City Museum is embracing its core framework and strategies to advance a civic unity vision. The program will be led by Blanca Anchondo-Polite and Lisa Middlebrook of Engage and Connect, LLC.The Kansas City Museum education team includes museum staff members Paul Gutierrez and Anna Marie Tutera; Damron Armstrong, Founder and Artistic Director of The Black Repertory Theatre of Kansas City; Deb Campbell, Founder and Executive Director of Arts & AGEing KC; Dr. Gene Chávez, Historian and Curator; Anita Dixon, Director of UNESCO Creative Cities-Kansas City; Oralee McKinzy, Founder and Executive Director of Life 360; Dina Newman, Director UMKC's Center for Neighborhoods and Dr. Jacob Wagner, Co-Founder of UMKC's Center for Neighborhoods and Associate Professor in Architecture, Urban Planning + Design at UMKC; Glenn North, Executive Director of Bruce R. Watkins Cultural Heritage Center; Blanca Anchondo-Polite, Owner/Principal of Engage and Connect, LLC and Lisa Middlebrook, Collaborator and Catalyst; and Dr. Carmaletta Williams, Executive Director of Black Archives of Mid-America.
Non-Fictie Boek van de Maand Juni | Mijn ontelbare identiteiten van Sinan Çankaya In deze aflevering van Radio Savannah bespreken wij het boek Mijn ontelbare identiteiten van Sinan Çankaya. De usual suspects Lola en Suzanne worden dit keer bijgestaan door super special guest Ferhaan Kajee. We praten over het opgroeien als kind van migranten, racisme in Nederland én racisme in boekhandels. Wat is de rol van de boekhandel in de context van de Black Lives Matter beweging? Hoe kunnen we ervoor zorgen dat een boekhandel bijdraagt aan een meer inclusief en divers Nederland? We horen heel graag je mening en ideeën via onze socials! #RadioSavannah Sinan Çankaya is cultureel antropoloog en universitair docent aan de Vrije Universiteit in Amsterdam. Hij doet onderzoek naar diversiteit en etnisch profileren binnen de politie. Mijn ontelbare identiteiten is zijn debuut. In dit boek bespreekt Çankaya hoe het is om op te groeien in Nederland als kind van migranten. Hij vermengt hierbij zijn persoonlijke ervaringen en zijn academische achtergrond als antropoloog en geeft ons zo een helder beeld over de manier waarop Nederlanders omgaan met 'de Ander'. Bestel het boek hier in onze webshop. Sinan Çankaya in gesprek over racisme in Nederland Een centraal thema in dit boek is racisme in Nederland. De publicatie van dit boek valt daarmee mooi samen met de opkomst van de Black Lives Matter beweging in Nederland en de vele maatschappelijke debatten die we momenteel voeren rond dit thema. Sinan Çankaya neemt actief deel in veel van deze publieke gesprekken. Hieronder een greep uit zijn media-optredens over racisme in Nederland. Op 15 juni was Sinan een spreker in het programme "Bijspijkeren: Racisme in Nederland", gepresenteerd door Nancy Jouwe en georganiseerd door TivoliVredenburg. Bekijk het programma hier. Op 12 juli organiseerden VPRO en Pakhuis De Zwijger samen met Lilith Mag het 'grote racismedebat' onder leiding van Clarice Gargard, waarin Sinan optreedt als spreker. Bekijk het gesprek hier. Tijdens de online boekpresentatie van het boek via Pakhuis de Zwijger vertelt Sinan mooi over de hoofdthema's van zijn boek. Bekijk de boekpresentatie hier. Organisaties die je steun kunnen gebruiken Het kan lastig zijn om de stap te maken tussen meedenken en meedoen. Om het je gemakkelijker te maken hieronder een lijstje van organisaties die je (financiële) steun kunnen gebruiken in de strijd tegen racisme in Nederland. Control Alt Delete (CAD) zet zich in tegen etnisch profileren en politiegeweld in Nederland. Bekijk hun website hier. Stichting Nederland Wordt Beter zet zich in voor een toekomst zonder uitsluiting en racisme, door de invloed te erkennen van het koloniale en slavernijverleden van Nederland. Bekijk hun projecten hier. The Black Archives cureert een archief met teksten van zwarte schrijvers en wetenschappers die weinig besproken worden in scholen en universiteiten. Bekijk hun website hier. Black Queer & Trans Resistance Netherlands zet zich in voor de strijd tegen racisme, transfobie, en homofobie door middel van intergenerationeel activisme. Bekijk hun Facebookpagina hier. Uitgeverij Chaos is een jonge intersectionele feministische uitgeverij die 'vooruitstrevend, intersectioneel, uitdagend en inspirerend' werk publiceert. Bekijk de website hier.
Mitchell Esajas bekend van onder andere Kick Out Zwarte Piet en 'The Black Archives' is een geboren en getogen Amsterdammer. Binnenkort kan hij in gesprek met Premier Rutte en de Tweede Kamer! Al jaren vecht hij tegen racisme in Nederland. Op de middelbare school kwam Mitchell erachter dat er weinig aandacht was voor ons koloniale verleden en de slavernij. Dit moest anders vond hij en daarom startte hij jaren later samen met anderen ‘The Black Archives'. Een historisch archief dat bestaat uit verschillende boeken, collecties en archieven van onder andere zwarte schrijvers en wetenschappers. In deze podcast gaan we dieper in op de gesprekken met de tweede kamer en concrete oplossingen tegen racisme. Check het hier!
Deze week was Keti Koti, de herdenking van de afschaffing van de slavernij. Theatermakers Sue-Ann Bel en Ayrton Fraenk hebben allebei Surinaamse roots en maakten een voorstelling over dit onderwerp. Toen ze research deden, vonden ze in de Black Archives gegevens over hun eigen families, vertelden ze Wilfried de Jong. Verder in deze podcast aandacht voor de mysterieuze olifantensterfte in Botswana. Honderden olifanten zijn in korte tijd dood aangetroffen in de Okavango Delta. De regering en natuurorganisaties tasten in het duister over de toedracht. Bioloog en olifantenkenner Christiaan van der Hoeven van het Wereld Natuur Fonds vertelt over de olifantensterfte. En sekswerkers mogen sinds woensdag weer aan het werk. Miriam van de belangenvereniging voor sekswerkers, Proud, en escort Lisa vertellen over hun afgelopen corona-maanden. Tot slot de Nederlandse stuntman Willem de Beukelaer, die deze week werd verrast: hij mag als één van de 800 nieuwe leden van de prestigieuze Academy meebepalen wie dit jaar een Oscar krijgen voor hun films. Hij was "volledig overvallen" door het nieuws, dat zijn zoon en een vriendin toevallig online hadden gelezen.
Deze week was Keti Koti, de herdenking van de afschaffing van de slavernij. Theatermakers Sue-Ann Bel en Ayrton Fraenk hebben allebei Surinaamse roots en maakten een voorstelling over dit onderwerp. Toen ze research deden, vonden ze in de Black Archives gegevens over hun eigen families, vertelden ze Wilfried de Jong. Verder in deze podcast aandacht voor de mysterieuze olifantensterfte in Botswana. Honderden olifanten zijn in korte tijd dood aangetroffen in de Okavango Delta. De regering en natuurorganisaties tasten in het duister over de toedracht. Bioloog en olifantenkenner Christiaan van der Hoeven van het Wereld Natuur Fonds vertelt over de olifantensterfte. En sekswerkers mogen sinds woensdag weer aan het werk. Miriam van de belangenvereniging voor sekswerkers, Proud, en escort Lisa vertellen over hun afgelopen corona-maanden. Tot slot de Nederlandse stuntman Willem de Beukelaer, die deze week werd verrast: hij mag als één van de 800 nieuwe leden van de prestigieuze Academy meebepalen wie dit jaar een Oscar krijgen voor hun films. Hij was "volledig overvallen" door het nieuws, dat zijn zoon en een vriendin toevallig online hadden gelezen.
First off, yes lieve Dipsausers!!! We did it!!!We hebben de 100% gehaald en zijn iedereen meer dan dankbaar! Maarrrrrrr we hebben nog ruim een week en ook alle extra’s gaan alleen naar de schrijvers!Heard but not seen. The gentrification of Black music and the whitewashing of dance music history have created spaces which are codified as white, that is, spaces in which Blackness is heard, but not seen. The Black roots of dance music genres such as House and Techno have been progressively phased out. Capitalist enterprises have promoted a form of white hedonism which favours instant gratification over community building, preying on partygoers’ inherent desire to experience a sense of belonging. Recent efforts have been made not only to understand neocolonialism within the dance music industry, but also reclaim spaces from institutions which have been othering and commodifying Black bodies for far too long. This special Dipsaus episode will focus on the decolonisation of dance music, and within this context, we will discuss the possibilities for global solidarity and Black togetherness within the context of dance music and its ecosystem.This will be a collaboration between Dipsaus Podcast and Dance With Pride and continuation of Diasporic Self: Black Togetherness as Lingua Franca.SPEAKERS:DeForrest Brown, Jr. is a New York-based writer, media theorist and curator. He has previously worked with publications such as Triple Canopy, NPR, Tiny Mix Tapes, Mixmag, FACT, Zweikommasieben, and Avant.org. In 2017 he was the inaugural Suzanne Fiol Curatorial Fellow at ISSUE Project Room.Amal Alhaag is an Amsterdam based independent curator, cultural programmer and radio host with an interest in counter-culture, oral histories and global social issues. She currently does programming for the RCMC.Dr Mathys Rennela is a postdoctoral researcher working on quantum algorithms at the University of Leiden, music writer and musician, who thrive to connect those different activities and offer a commentary on the current state of the dance music scene.Special s/o to Axmed Maxamed and The Black Archives. And with an amazing performance by LGCA2 and afterparty with DJ ARAKAZA. Perfromance was by lgca²ShownotesRed Light Radio accused of failing to uphold community values.Black Togetherness & Solidarity with Panashe Chigumadzi & Amal AlhaagBlack Togetherness: Fiction & Myths of Black WomxnhoodBlack Togetherness in Framer Framed with Olave Nduwanje in conversation with curators Amal Alhaag en Barby Asante
The Black Archives of Mid America in Kansas City preserve and share documents and artifacts related to black history and culture in Kansas City. This episode covers the history and contents of the archives, along with exhibits and other projects at the archives. Make sure to visit their website: http://www.blackarchives.org/. Support this podcast at — https://redcircle.com/homegrownkc/exclusive-content
Kansas City’s Nonprofit Voice! Sharing the stories of local nonprofits and connecting them with the community! We talk with philanthropists, volunteers, community activists, executive directors, and non-profit lovers from the Kansas City nonprofit community. Be seen, be heard with KC Cares! Kansas City’s Nonprofit Voice! On episode 372 of KC Cares, we talk with Dr. Carmeletta Williams, Executive Director with Black Archives of Mid-America! Great discussion about African American Archives! Listen now! ••••••••••••••••••••••••••••••• Black Archives of Mid-America | Sat Feb 08 2020 Dr. Carmeletta Williams, Executive Director The mission of the Black Archives of Mid-America in Kansas City, Inc. is to collect, preserve and make available to the public materials documenting the social, economic, political and cultural histories of persons of African American descent in the central United States, with particular emphasis in the Kansas City, Missouri region. Black Archives of Mid-America is an educational resource and provides access to its collections for research, exhibition and publication to honor our community heritage and to catalyze public awareness. blackarchives.org ••••••••••••••••••••••••••••••• Find us on Facebook:@ Kccaresradio Twitter: @kccaresradio Instagram: @Kccaresonline ••••••••••••••••••••••••••••••• Also available on Itunes || Spotify || Stitcher || Soundcloud || Youtube ••••••••••••••••••••••••••••••• KC Cares, Kansas City’s nonprofit voice, tells the stories of Kansas City nonprofits and connects them with the community. Produced by Charitable Communications ••••••••••••••••••••••••••••••• In partnership with: Ewing Kauffman Foundation Take risks. Own success. Be Uncommon. TW: @kauffmanfdn FB: @kauffmanfdn IG: @kauffmanfdn
In this episode, we sit down with author & founder of the original Women's Basketball Association to talk about what he contributed to the game! We also celebrate the induction of the W.B.A. into The Black Archives of Mid-America KC!
Explore the richness and depth of Kansas City’s black history from sports and jazz to food and social advancement on World Footprints with Ian and Tonya Fitzpatrick. First, we’ll talk to Bob Kendrick, President of the Negro Leagues Baseball Museum in Kansas City. Bob says that the Negro Leagues is more than a story about baseball. It is the story of the beginning of the civil rights movement. It is the story about all of the players who broke the color barrier and signed with major league teams during the Jim Crow era. Bob also tells us that the leadership that emerged as a result of the Leagues and the backstory of the Negro League players deserve more than a footnote to the story of baseball and our country. The Negro Leagues Baseball Museum hold a number of special events each year and you’ll hear about these events and a very special event coming up soon. Then, we’ll explore the history and lives of people of African descent in the central United States at the Black Archives of Mid-America in Kansas City’s cultural district.. As the Archives Executive Director, Dr. Carmaletta Williams tells us, (who prefers to be called Dr. Carma), the Black Archives is the linchpin for nearly every experience that happened to people of African descent in the area. The Archives hold a treasure trove of resources in its extensive collection of artifacts from the past and, of equal value, the museum continues to share the stories of today.
Join me as I converse with Jessica Danzey (@jessicadanzey) from changeournarrative.com and Dr. Nashid Madyun from Florida A&M University's Black Archives on topics concerning Black American legacy, reparations, and aboriginal status.
We start off SZN 2 of NHS in our new stuud, The Black Archives of Mid-America in Kansas City! We discuss with Dr. Carma Williams and James Watts, the Black Historical events that have happened in our home town as well as the importance to know your history!
In this episode of Between Ourselves Amandla Awetu, Jessy de Abreau, Simone Zeefuik (via Skype) and Inez van der Scheer join me at the Black Archives in Amsterdam in early 2018. We discuss what it is to be a Black woman activist in the Netherlands, what are the challenges they face? What are the particularities of the Black Dutch experience, how has Black Feminism shaped their activist experiences and what are their hopes for the future?
Season 3 Episode 5|6 "Black Archives @The Historic Lyric Theatre" Kamila Pritchett by La Culture
Wassup everyone, for this episode we about to get in things! In this episode we talk about meeting Kimerblie Krenshaw (our Ohio QUEEN) in the Black Archives in Amsterdam. Then we jump into an intersectional research of the infamous Gaslighting. Gaslighting is a form of mental domination where someone makes you distrust your own thoughts or experiences, and tries to make you concede to their perceptions. "You haven't been well lately" "you're paranoid" "you're overreacting" become common weapons gaslighters use to make you question yourself. We ask how can gaslighting be used collectively, both in a raced and gendered way to erase the real experiences of marginalized identities. Google scholar could not hold a flame to this episode y'all!
1-54 Forum Marrakech 22 - 24 February 2019 Comic Sounds [FR/EN] How can sound and orality reflect and document our (sur)realities and processes of imagination? Panellists will address the Netherlands' jazz history and archives, and discuss immersive listening practices and audio recordings in the context of Morocco. A panel discussion with Jessica de Abreu(Anthropologist and Co-founder of The Black Archives, Amsterdam), Abdellah Hassak (Sound Artist, Casablanca) and Hassan Jouad (Linguist and Anthropologist, Paris) moderated by Karima Boudou. Sons Comiques [FR/EN] Dans quelle mesure le son et l'oralité peuvent-ils refléter et documenter nos (sur)réalités et autres processus de l'imagination ? Les intervenants traiteront de l'histoire et des archives du jazz aux Pays-Bas, ainsi que de l'écoute immersive, d'enregistrements et d'observations dans un contexte marocain. Une table ronde réunissant Jessica De Abreu (anthropologue et cofondatrice de The Black Archives, Amsterdam), Abdellah Hassak (artiste sonore, Casablanca) et Hassan Jouad (linguiste et anthropologue, Paris). Modéré par Karima Boudou. Image: © Katrina Sorrentino www.1-54.com
Back in March, we were proud to participate in the Who Against Guns movement. We helped other Doctor Who podcasters raise over $20,000 to support gun control. In the course of that effort, several donors won rewards from the participating podcasts. Our winner, Dr. Thomas Rodebaugh, asked us to talk about one of his favorite DW stories, "Warriors' Gate". Join Deb, Erika, Lynne, and Tansy as we dig into this incredibly juicy story. Also covered: Deb is thrilled to see new Doctor Who content in the form of the new promo that aired during the World Cup final! Tansy has a sweet new bag and a lovely new pin! Lynne flipped over the Doctor meeting the Muppets for a Pigs in Space sketch! Erika is thrilled The Memory Cheats is back for season 3! shouts out the new book by Michael, the host of the Tin Dog Podcast! enjoys the first ep of the new DW podcast, The Moment! Bonus link: Tom's book on "The Face of Evil" is coming from The Black Archives in January 2019
Lost in the Stacks: the Research Library Rock'n'Roll Radio Show
Guests: Traci Drummond (Georgia State University), Holly Smith (Spelman College), and Tiffany Atwater Lee (Atlanta University Center). First broadcast April 20 2018. Playlist at https://www.wrek.org/2018/04/playlist-for-lost-in-the-stacks-from-friday-april-20th-the-atlanta-black-archives-episode-381/ "I'm completely surrounded by archivists."
Er wordt wel eens gesuggereerd dat anti racistische strijd een nieuwe ontwikkeling is in Nederland. Alsof de discussies rondom Zwarte Piet, het protest tegen verering van kolonialisme in het straatbeeld en tegen het etnisch profileren of racistisch politiegeweld iets nieuws is. Maar Nederland kent een veel langere geschiedenis van anti racisme. Hierover praat Mathijs van de Sande met Mitchell Esajas, mede oprichter van New Urban Collective en the Black Archives en met Andre Reeder. Van 1972 tot 1992 was Reeder een activist in de politieke/culturele/sociale organisatie LOSON van de Surinaamse gemeenschap (later genoemd Sawo) in Nederland. We nemen een kijkje in de geschiedenis en kijken wat de verschillen en overeenkomsten zijn tussen de beweging toen en nu.… Lees meer
Deze week: eindelijk bij ons in de studio: powercouple, helden en oprichters van New Urban Collective Jessy de Abreu en Mitchell Esajas!Met hen praten we over hun drijfveren, activisme, #TerugNaarDokkum en de backlash daarop vanuit allerlei hoeken en lagen van de samenleving, inclusief de politiek, media en de staat. Dick Schoof, nationaal coördinator terrorismebestrijding en veiligheid verklaarde dat actiegroep Kick Out Zwarte Piet is opgenomen in het rapport ‘Dreigingsbeeld Terrorisme’ als mogelijk #terreur risico. Ja het is ongelofelijk maar waar…We praten ook uitgebreid over hun succesvolle The Black Archives en hun eerste expo ‘Zwart en Revolutionair’ over de burgerrechtenactivisten Hermina en Otto Huiswoud.De Shoutout van Mariam gaat naar de nieuwe documentaire Paradises of the Earth en haar burn naar de gevolgen van neokolonialisme op het kilmaat in de Global South.De shoutout & burn van Ebissé gaat naar de remake van Spike Lee’s legendarische She’s Gotta Have It. Overigens heeft Melissa Rodrigues in een #DipsausExclusive een prachtige recensie geschreven!Anousha heeft alleen een burn deze week en die gaat naar Arnon Grunberg voor z’n misplaatste voetnoot waarin hij antiracisme zo ongeveer gelijkstelt aan fascisme. #wtfVerder introduceren we een nieuw segment waarbij we een klote of favo book/artikel bespreken, de beste of irritantste Bingewatch of de mooiste of meest ergerlijke Broadcastquote.Luister naar aflevering #19Show notes"Awards Chatter" The Sinner op NetflixIntellectual Wasteland GrunbergExpo: Zwart & RevolutionairShe's Gotta Wablief?! Mitchell's Spotify PlaylistMauritanian Divorce Parties zijn...
After Discovering the terrifying enemy that lies in wait in the S.S. Jones. The Doctor and her companions must run to save Randall, and then the other 250,000 people aboard.During the midst of all of this, we find Tilda. A UNIT Soldier active in the Black Archives, on the morning of the testing of new technology, how will she find her new life?
After Discovering the terrifying enemy that lies in wait in the S.S. Jones. The Doctor and her companions must run to save Randall, and then the other 250,000 people aboard.During the midst of all of this, we find Tilda. A UNIT Soldier active in the Black Archives, on the morning of the testing of new technology, how will she find her new life?
From Wikipedia, the free encyclopedia 240 – "The Day of the Doctor" episode Official poster Cast () () () () Others – /The Moment – – Osgood – Androgar – The General Philip Buck – Arcadia Father – – McGilliop Aidan Cook, – – Voice of the/Zygons , – Daleks – The Curator/ John Guilor – Voice of the – (uncredited) Production Director Script editor Richard Cookson Producer Marcus Wilson Executive producer(s) Steven Moffat Faith Penhale Incidental music composer Series Length 76 minutes Originally broadcast 23 November 2013 (GMT, simulcast internationally) Chronology ← Preceded by Followed by → """" (mini-episode) "" "The Day of the Doctor" is the 799th episode of the British programme , and marks the programme's fiftieth anniversary. It is written by , an executive producer alongside Faith Penhale. It has been described by series producer Marcus Wilson as a "love letter to the fans" and by the controller of , , as an "event drama". It was shown on on 23 November 2013, in both 2D and 3D. The special was broadcast simultaneously in 94 countries, and was shown concurrently in 3D in some cinemas. It achieved the for the largest ever simulcast of a TV drama. The episode shows the last day of the , in which a of faces his choice to kill both and his own race of in an act of mass destruction, paralleling this with a present-day choice by paramilitary organisation to destroy rather than allow an alien invasion. It reveals how, contrary to previous plotline understanding, the Doctor followed plea to change his mind at the last instant of the Time War, and hid the war-racked planet Gallifrey in time, rather than destroy it, but due to the distortions of time incurred, had retained no memory of his changed decision. The episode starred as the and as his companion, . Previous lead actors and returned for the episode, Tennant reprising his role as the , while Piper portrayed a sentient doomsday weapon called the Moment, projecting an image based on her character , invisible and inaudible to everyone but the , played by, introduced for the first time in the as an unknown past incarnation of the Doctor. Other appearances included a very brief view of the upcoming, expected to succeed Matt Smith in , and a significant by actor , now in his late 70s and the earliest surviving actor to have played the title role. Rounding out the guest cast, starred as , while returned to portray the in-series daughter of 1970s central figure .The special also featured the return of the , and the , shape-shifting aliens who had previously only appeared in the 1975 serial . Contents [] Mini-episodes See also: and Two mini-episodes written by Steven Moffat, "" and "", were released shortly prior to "The Day of the Doctor". They depict events occurring during the between the Doctor's own race of and his , the . In "The Night of the Doctor", reprised his role as the from the and subsequent audio plays. He is a to the ongoing Time War and intends to rescue a crew member from a crashing spaceship via the . Realising that he is a , she refuses to comply, preferring to die rather than go with him. She and the Doctor die as the ship crashes on Karn. The Doctor is resurrected temporarily by the Sisterhood of Karn. They persuade the Doctor to take action to end the Time War, offering him a selection of potions to control his regeneration. He chooses a potion designed to initiate his regeneration into a hitherto unknown of the Doctor as a "warrior" (described in credits as the "" and played by ). "The Last Day" is filmed from the first-person perspective of a Gallifreyan soldier who has had a camera implanted in his head. The soldiers scan for Daleks at Arcadia, Gallifrey's second city and believed due to its impregnable defences to be the safest place on the Time Lords' home planet. During training exercises, a blurred object in the sky is identified surprisingly as the first of a fleet of successfully invading Daleks, which kill the soldiers. The "Fall of Arcadia" becomes the central battle of the Time War around which "The Day of the Doctor" is centred. Plot At , teacher receives a message from the and returns to the , which is unexpectedly to . Kate Stewart of the paramilitary organisation shows the Doctor preserved instructions from previous wife , along with the Under-Gallery, a secret vault of forbidden art housed at the . The vault includes several works of art: moments of time preserved in stasis that take the form of "3-D pictures". One such work, called either No More or Gallifrey Falls, shows the fall of Arcadia on the last day of the Time War, an event believed to have obliterated both the Time Lords and the from the universe. The glass of several of these pictures has been broken from within and figures in the paintings have disappeared. It transpires that the , preserved in stasis in the pictures, are invading, taking the forms of UNIT members. To defeat them, Kate plans to detonate a nuclear warhead in London from within UNIT's "TARDIS-proof" Black Archive of Time Lord and other alien artefacts. The detonation would will wipe out London but save the rest of humanity. In the midst of the Time War, the —a hitherto-unknown "hidden" incarnation of the —watches Gallifrey falling to the Dalek invasion. He decides to trigger an ancient called "the ", a "galaxy eater" which will destroy both races completely. The Moment, however, is sentient and possesses a conscience. Its interface manifests with the form of his future assistant to challenge whether mass killing is his best option and to show him the future personal consequences of his actions. The Moment opens fissures in space and time between these two points in the timeline and Elizabethan England, depositing the Eleventh Doctor and the War Doctor near the and a young Elizabeth I under threat from Zygons, who are using the time period to secret themselves into the stasis of the Time Lord paintings as to invade in the contemporary future. All three Doctors are captured and imprisoned in the , where the Moment encourages the War Doctor to form an escape plan involving calculations which would take "centuries", but which, being begun on the War Doctor's , are therefore now completed on the Eleventh's screwdriver, four hundred years in its future. The Eleventh Doctor, meanwhile, inscribes in stone the code necessary to activate a stored in UNIT's Black Archive. Found by his allies in the present day, it allows Clara to both escape the Zygons and free the Doctors, by travelling into the past. Using the same technique to "travel" to the present via the Time Lord paintings as the Zygons, they gain entry to the Black Archives despite its TARDIS-proof defences. They use the Black Archives' mind-wiping facilities to erase the memories of the humans and Zygons present, causing them to forget who is human and who is Zygon in human form, and forcing them to cancel the detonation and discuss peace. The War Doctor, now convinced that detonating the Moment will allow his future selves to save many more lives, is returned to his time by the Moment. His other two present incarnations appear with the intention of detonating the device alongside him so as to share his burden. Clara, reminding them that he chose the name "Doctor", implores that he seek a different solution. The three Doctors finally think of an alternative solution, to put the planet Gallifrey in stasis in a moment of time, leaving the Daleks surrounding the planet to be obliterated by their own firepower; to the rest of the universe it would still appear that both sides wiped each other out. The three work with the consent of the desperate Time Lords and summon all of the Doctor's other past incarnations – as well as – to successfully execute this plan. The three Doctors and Clara return to the Gallery, unsure whether it is possible to return Gallifrey from stasis. The War Doctor is content to think that he failed in doing the right thing, rather than succeeding in doing the wrong thing. He realises that neither he nor the Tenth Doctor will remember what happened, and will continue shouldering the guilt for centuries. After departing, the aged War Doctor finds himself beginning to within his TARDIS. The Tenth Doctor also leaves, having persuaded his successor to tell him about his impending death on the planet . The Eleventh Doctor, now alone in the Gallery, is joined by its mysterious curator, who appears to resemble an aged version of the. The Curator enigmatically suggests that he might be a future incarnation of the Doctor, as well as commenting that the painting's actual name is neither No More nor Gallifrey Falls, but Gallifrey Falls No More. The Doctor surmises that his plan to save Gallifrey was successful. In closing, the Doctor describes a recurring dream, in which he and his eleven previous incarnations are looking together upon Gallifrey. The Doctor vows to find and restore Gallifrey. Continuity As the show's 50th anniversary special, the episode contains multiple references to previous episodes. It opens with the title sequence and theme arrangement used at the series' debut in 1963. Echoing the opening of the very first story, , a policeman is shown walking past the sign for I.M. Foreman, the scrap merchant in whose yard the TARDIS was located, and its first few seconds are in monochrome (as had been the case in , the last time more than one Doctor had featured in an official story)., where the Doctor's granddaughter went when they were on Earth in 1963, also featured in both the original story and the 1988 serial . According to the school sign, the chairman of the school governors is now , formerly one of the First Doctor's original three companions and a science teacher at the school, and the headmaster is W. Coburn, a reference to and ,[] who respectively directed and wrote An Unearthly Child. Clara rides out of Coal Hill School on the Eleventh Doctor's anti-gravity motorcycle from "" at 5:16, the time An Unearthly Child originally aired on television (the first broadcast began 1 minute 20 seconds after its scheduled time of 5:15 on 23 November 1963.). The same date and time were also reflected in the activation code of the vortex manipulator, 1716231163 (signifying 17:16 23/11/1963). When the TARDIS is picked up by , the call sign used by the helicopter to refer to UNIT is 'Greyhound leader', reflecting that of,[] whose daughter Kate is now portrayed as having his role as commander of UNIT. Lethbridge-Stewart was a central character in the 's era and also several of his successors', originally appearing in the serial and making his last appearance in Doctor Who in serial , which is also referenced. An image of the Brigadier is seen alongside images of various companions of the Doctor. Kate's assistant, Osgood, is also a name from that era (UNIT technician Osgood from ) and her scarf is very similar to that worn by the Fourth Doctor; the Eleventh Doctor remarks that it is a "nice scarf". Osgood also uses it to trip up her Zygon duplicate who was standing on it, a nod to the Fourth Doctor's actions against a thug in his first story Robot. Kate Stewart twice mentions her subordinate, Malcolm, presumably the same UNIT scientist named Malcolm played by in "".[] The controversy, regarding whether the era stories took place in the 1970s or 1980s, is referenced in dialogue by Kate Stewart, when she mentions that events occurred in "the '70s or '80s depending on the dating protocol used". The Tenth Doctor's era is also heavily referenced, elaborating on his marriage to Queen Elizabeth I originally mentioned in his final story, and first referred to in "". It is implied that he deserted her shortly after the wedding as part of his (fruitless) attempt to flee his impending death, hence her fury at him when she finds him at the Globe Theatre;[]at that time he had no idea why she was so angry, since the events of "The Shakespeare Code" occur much earlier than those of "The Day of the Doctor". The Tenth Doctor's speech to a rabbit whom he believes to be a Zygon is partially taken from the Christmas special, "". The Tenth Doctor mentioned the Fall of Arcadia in "". When he leaves after learning of Trenzalore, the Tenth Doctor remarks, "I don't want to go...", his incarnation's final words from The End of Time; the Eleventh Doctor tells Clara that "he always says that" after his TARDIS leaves. The Eleventh Doctor's fixation with – a linking item in this story – begins in "" and reappears in "", "", and "". The Moment device was originally mentioned in The End of Time, but had not been explored in depth. Here, it takes the form of "", a seemingly omnipotent being and personalisation of the itself, which manifested in when she absorbed the Time Vortex in the finale, "". Other references come heavily from the previous multi-Doctor anniversary stories, The Three Doctors and The Five Doctors. The Eleventh Doctor's dismissal of the Tenth Doctor and War Doctor as "the sandshoes and grandad" to mock their respective trainers and age echo the First Doctor's description of his two successors in The Three Doctors as "a dandy and a clown"[]. Likewise, a Time Lord says, "I didn't know when I was well-off! All twelve of them!" which recalls the Brigadier's line from The Three Doctors: "Three of them, eh? I didn't know when I was well off." More of the Brigadier's dialogue from the latter serial is referenced when Kate asks for an incident report code-named "Cromer"; in the earlier story, upon being transported to another universe, the Brigadier initially believes himself to be near the coastal Norfolk town. A line from the First Doctor, this time from The Five Doctors, is also referenced near the end as the Tenth Doctor tells the Eleventh, "It's good to know my future is in safe hands" (which the First told the Fifth in the earlier story, appended by "after all"). In trying to compensate for the presence of three Doctors who utilise different console rooms, the Tenth Doctor's TARDIS console briefly changes to the War Doctor's console room, seen again later in the episode, before settling on the Eleventh's; according to the script, the fact that all three are together has knocked their time streams out of sync and the TARDIS is reacting to that.[] The Tenth Doctor comments upon the Eleventh Doctor's TARDIS console, "Oh you've redecorated! I don't like it", a line originally used by the speaking to the Third in and later reused by the Second and Eleventh Doctors respectively in and "". There were plenty of other script references to both the recent and classic history of the programme. When the Tenth and Eleventh Doctors aim their at troops in 1560, the War Doctor asks if they plan to "...assemble a cabinet at them?", a line used by when the Eleventh Doctor points his screwdriver at in a fight scene of "". The white roundels in the wall of the War Doctor's TARDIS were featured in the classic series' original TARDIS console rooms from 1963 to 1989 before being removed for the more elaborate TARDIS console used by the Seventh and Eighth Doctors in the TV movie. Seeing the white roundels, both the Tenth and Eleventh Doctor are pleased, but are uncertain as to what they are for. The final scene in the Gallery, containing 's as the curator, somewhat, as he enigmatically talks to the watching audience and Eleventh Doctor in a short upon the Doctor's past and future activities, ultimately (in the context of the episode) deterring questions about his apparent knowledge with the comment, '"Who" Knows?'. Cast as the . as the . Excluding flashbacks and archived footage, Tennant had not appeared in Doctor Who since his final regular appearance as the Doctor in the concluding scenes of , broadcast on 1 January 2010. as companion . The special was the first time the actress was credited on the show simply as Jenna Coleman, dropping the Louise part of her name seen in previous episodes. as the Moment Interface, a Gallifreyan super weapon. While credited as , Billie Piper was instead portraying the projection of the Moment's user interface which had taken the form of the Doctor's then-future companion.[] Piper has not portrayed Rose as a series regular since "", although she reprised her role in various episodes of the fourth series and appeared briefly in The End of Time. as the , the Doctor's warrior-like forgotten incarnation. The War Doctor came between the and Doctors, and renounced the title of Doctor. as 's daughter Kate Stewart, who previously appeared in "", having been originated by actress Beverley Cressman in the direct-to-video spin-offs, and . as . Page is the third actress to portray Elizabeth I on Doctor Who, following Vivienne Bennet () and (""). as Osgood. Throughout the special, Osgood is seen wearing a copy of the 's iconic scarf. as Androgar, a . as the General of Gallifrey. Jonjo O'Neill as McGilliop. Aidan Cook and as the . as the voice of the and the Zygons. and as Daleks.[] as the Curator, a mysterious character who informs the Eleventh Doctor of Gallifrey's survival at the end of the episode. His resemblance to the is alluded to, but left unexplained. , , , Tom Baker, , , , and all appear in the special as their respective Doctors, through the use of archive footage and voice doubles. All are credited as "the Doctor" alongside Smith, Tennant and Hurt in the episode's closing credits. John Guilor provided voice acting for the First Doctor, though he was credited as "Voice Over Artist". makes an uncredited cameo appearance as the , prior to taking over the lead role from Smith in the 2013 Christmas Special, titled "". Casting Both David Tennant and Billie Piper returned to appear in the 50th anniversary special On 30 March 2013, a distribution error occurred, and many subscribers to received the issue five days before the official release date. The issue of the magazine included the official announcement that and , who previously played the and in Doctor Who respectively, were lined up to appear in the special, along with actor . Moffat did not want to bring Rose the character back because he felt her story was wrapped up and did not feel comfortable adding to Davies' arc. However, he liked the concept of bringing back her Bad Wolf persona and felt that Piper needed to be in the special as she symbolised the rebirth of Doctor Who. John Hurt did not actually audition for the part, but had been asked by the production team and "said yes with remarkable speed".His costume was meant to signify that he was "rougher, tougher", and had been around for a while; the audience had missed a lot. Hurt's request to keep his beard adds to this effect, and makes him the first bearded Doctor. discussed plans for the anniversary episode with Moffat, but eventually declined to return as the ., who played the , claimed that none of the surviving actors who portrayed the Doctor prior to Eccleston were contacted regarding the special. confirmed this while being interviewed on Australian television alongside McCoy and . However, McGann went on to say that he could still be in the 50th but at the last moment. reported rumours that a Doctor from the classic era would feature in the special, citing unknown sources. and, who played Tenth Doctor companions and , respectively, both stated they would not be in the 50th, but may return to the show at some point. Barrowman stated that he would have liked to be in it, but speculated that the producers wanted to try some different things. Production Publicity Steven Moffat previously stated, "Most things that have been said about the 50th are not true... Normally I am responsible for the disinformation and the rubbish rumors—I usually put them out myself, but I haven't needed to for this one." On the importance of the episode, Moffat has stated that it will "change the narrative" of Doctor Who. "", an additional 7-minute special, was released on 14 November 2013, and featured the ()'s regeneration into the (). Another 4 minute special, entitled "", was released on 20 November 2013 and saw the start of the Fall of Arcadia. On 4 November 2013, the BBC released the official synopsis: "The Doctors embark on their greatest adventure in this 50th anniversary special. In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor's own dangerous past comes back to haunt him." On 22 November 2013, stated on "I can say something about my character; it's not Rose as we know her" to about the episode.[] Writing "The Day of the Doctor" was written by , current head writer of Doctor Who, and produced by Faith Penhale in , with directing. Moffat began writing the script for "The Day of the Doctor" in late 2012, announcing that, as a security precaution, he had not produced any copies, instead keeping it on his computer "under lock and key" until it was needed. Moffat had often thought about featuring a "mayfly Doctor" who appears for a single episode, asking, "Would it be weird in the run of the series to have the 45th Doctor turn up and be played by or someone? Would that be a cool thing to do?" He also indicated that the "classic Doctor" he would most like to feature in a new story was 's , stating, "You'd want him to come and say 'What in the name of God have I turned into?' That's the confrontation that you most want to see, to celebrate 50 years. Going round and round in circles on it I just thought, 'What about a Doctor that he never talks about?' And what if it is a Doctor who's done something terrible, who's much deadlier and more serious, who represents that thing that is the undertow in both David and Matt. You know there's a terrible old man inside them. Well, here he is, facing the children he becomes, as it were." Knowing that Matt Smith was planning to leave, Moffat wrote the special specifically with the brief appearance of the during the sequence of all of the Doctors uniting to save Gallifrey, prior to casting anyone in the role. Moffat later stated of the 50th episode, that it was his "plan from the start" that all the Doctors would fly in to save Gallifrey, and he knew there would be a new one at that time. He wrote it before knowing who would be cast. Typically, Doctor Who's anniversary stories are named after the number of returning Doctors, as with and . Moffat explained his choice of title to SFX magazine, commenting that "... it's very rare in Doctor Who that the story happens to the Doctor. It happens to people around him, and he helps out – he's the hero figure who rides in and saves everybody from the story of the week. He is not the story of the week. In this, he is the story of the week. This is the day of the Doctor. This is his most important day. His most important moment. This is the one he'll remember, whereas I often think the Doctor wanders back to his TARDIS and forgets all about it." Filming Because "The Day of the Doctor" was filmed in 3D, the episode took longer than usual to shoot, especially as every shot had to be done twice. Filming began on 2 April 2013 in , . On 9 April 2013 scenes were filmed for the special in , . On 17 April 2013 , , and filmed scenes in ,, , and some scenes were shot in . On 2 May 2013, scenes in were being filmed for scenes that take place at Totter's Lane and Coal Hill school, locations which had previously featured in the first 1963 serial , the 1985 serial , and the 1988 serial . Filming for the special was completed on Sunday 5 May 2013. From 4–5 May 2013, Paul McGann returned to Doctor Who alongside John Hurt's War Doctor, to record "The Night of the Doctor". Marketing Trailers The first trailer for the special was shown to attendees of in July 2013. The BBC's decision not to release the trailer online to international fans was met with controversy. On 26 July, the BBC responded to criticisms by saying the trailer was intended to be exclusive to Comic-Con attendees and that content for all other audiences would be forthcoming at a later date.The trailer was also screened at The Edinburgh International Television Festival, at the end of Charlotte Moore's "Meet The Controller" session.[] On 28 September, the BBC revealed that the trailer for the special had been specifically shot and was currently in post-production. On 19 October 2013, a specially-made teaser trailer, directed by Matt Losasso, was shown on BBC One, and was then subsequently posted online. It contained icons from the history of the show and had a monologue by Matt Smith, as well as body doubles and to create shots of previous Doctors. A clip from "The Day of the Doctor" was shown at the BBC's show on Friday 15 November. The official trailer for the episode aired in the United Kingdom at 8 pm GMT on 9 November. Due to the leak of a trailer earlier on 9 November on BBC Latin America's Facebook page, the BBC officially released it ahead of schedule. A second official trailer was shortly released later. Furthermore, before the release of the main trailers, a short clip previewed the Eleventh Doctor and Clara examining a seemingly impossible painting. On 10 November 2013, a short clip of the Eleventh Doctor announcing "The clock is ticking" interrupted a BBC One ident. This was followed on Monday 11 November by another ident interruption, with the Eleventh Doctor stating "It's all been leading to this..." Viral marketing On 28 September, the BBC unveiled a (#SaveTheDay) and an that was used to promote the special.Respectively, the hashtag and the ident were shown before and after the premiere of on BBC One. The hashtag was used to reveal all subsequent promotional material. On 7 November 2013, a video starring Smith in character as the Doctor was released promoting the hashtag, promising exclusive content. A website was launched to reveal the content. Broadcast Countries that screened "The Day of the Doctor" simultaneously. Countries that screened on TV. Countries that screened in cinemas. Countries that screened both on TV and in cinemas. The BBC broadcast the episode in 94 countries simultaneously, in order to avoid plot leaks. It earned a for the world's largest ever simulcast of a TV drama. The rated the episode PG for mild violence and threat. The also rated the episode PG for "mild science fiction themes and violence", noting there was "very mild impact" with regards to sexual themes. The episode broadcast at 7:50pm in the UK, and was preceded and followed by other Doctor Who related programmes and broadcasts, including broadcast of an after-party. Canadian rated "The Day of the Doctor" PG in , G in and G in. Broadcasters The following is a list of some broadcasters that aired "The Day of the Doctor" on 23 or 24 November 2013, depending on time zones. CountryChannel and (television) and Hoyts (cinema) (television), and (cinema) Haydn and (cinema) BBC Entertainment and BBC HD BBC Entertainment and BBC HD (television)Movie Center (cinema) BBC Entertainment BBC Entertainment and BBC HD (television)Cinemark (cinema) (television) (television) (cinema) Cinemaxx (cinema) ( and Yle HD) (television)Cinemaxx, Cine Star and UCI (cinema) (television) (cinema) Bíóparadís (cinema) (not simultaneous, 20 minute delay and commercial breaks) Kinopark and Chaplin Cinema (cinema) BBC One (not simultaneous, 10 minute delay) (cinema) Fredrikstad Kino, Kristiansand Kino, Trondheim Kino,Volda Filmteater, Ringen Oslo Kino and Bergen Kino (cinema) and NST (television)CoolConnections (cinema) BBC Entertainment Asia Cinesa (cinema) Bio Roy and Tumbascenen Bio (cinema) BBC One Kronverk Cinema (cinema) BBC One, and BBC 3D (television), and (cinemas), as well as independent cinemas around the UK. (television), , Cinemark and (cinema) Home media "The Day of the Doctor" is planned to be released on DVD and 3D Blu-ray on 2 December 2013 in the UK. It will be released on 4 December 2013 in Australia and 10 December 2013 in North America. Reception "The Day of the Doctor" received instant positive reactions. Ben Lawrence of gave the special five stars, calling it "charming, eccentric and very, very British." 's Simon Brew praised the special, calling it "terrific", and stating that it was "pulsating with comedy, ambition, and top to bottom entertainment." Jon Cooper of gave the episode five stars, stating that it "not only gives hardcore fans a beautiful reinvention of their favourite show but also gives casual viewers a stonking story and a reminder why we all love this show so much." Jim Shelley of called the episode "a clever, chaotic, infuriating combination of nifty, knowing tiny detail and big, hollow, pompous bluster." However, he disliked the effects, accusing the BBC on pandering to the American audience, as well as disliking the Zygons, deeming them not "scary enough," and naming Matt Smith and David Tennant "irritating." 's Chris Taylor stated that the episode is "one designed to please fans and newcomers alike," and that it "shows why the Doctor is finding his way into ever more homes and hearts." 's Viv Grospok criticised various elements of the episode, though concluded that "it was all worth it." Social analytics website SecondSync revealed that Doctor Who generated almost 500,000 "tweets" on during its broadcast, with the peak number of tweets occurring at the beginning of the broadcast, at 12,939 tweets per minute. Overnight figures revealed that the episode had a total of 10.18 million viewers for the live broadcast in the United Kingdom, while the box office takings for its cinema screenings totalled £1.7m (US$2.2m), which placed it at number three in the UK film chart for the week, behind and . The live simulcast on , at 2.50pm /11.50am , had a total audience of 2.4m viewers, with a further 1.2m watching the later repeat, the largest audience in the channel's history. The cinema screenings, on a total of 660 screens nationwide, took a total of US$4.8m (approx £3m) at the box office, placing it at number 2 in the US chart. The special had a total of 1.95m viewers for its two broadcasts in Australia, with 590,000 watching the live broadcast on at 6.50am /3.50am AWST, and another 1.36m watching the repeat at 7.30pm, while the cinema box office takings totalled AU$1.54m, putting it at number three in the Australian film chart. A total of 1.7m viewers watched the two broadcasts on Canadian channel , making it the most watched entertainment programme in Canada on the day, with the 1.1m watching the live broadcast at 2.50pm being the channel's largest ever audience. Worldwide, cinema screenings brought $10.2 million at the box office. See also , a parody tie-in to this episode. Notes References ^ Sources that refer to John Guilor's role as the voice of the in the special include: Southall, J. R. (25 November 2013). . . Retrieved 28 November 2013. Kistler, Alan (26 November 2013). . . Retrieved 28 November 2013. ^ . Bbfc.co.uk. 2013-10-25. Retrieved 2013-10-30. Radio Times Staff (10 September 2013). . RadioTimes. Retrieved 10 September 2013. (10 September 2013). . . Archived from on 10 September 2013. Retrieved 10 September 2013. Mellor, Louisa (10 September 2013). . . Retrieved 10 September 2013. ^ . BBC News Entertainment & arts (: BBC). 11 February 2013. ^ . Media Centre. BBC. 13 March 2013. Retrieved 14 March 2013. . Radio Times. 30 November 2012. .BBC News. 30 March 2013. Retrieved 30 March 2013. ^ . Digital Spy. 26 July 2013. Retrieved 26 July 2013. ^ . website. 24 November 2013. Retrieved 24 November 2013. . This Week. 12 February 2013. Retrieved 2 April 2013. .. . 2 August 2013. Retrieved 2 August 2013. ^ . BBC. 30 March 2013. Retrieved 30 March 2013. ^ . . 8 April 2013. Retrieved 9 April 2013. (22 July 2013). . . Retrieved 22 July 2013. . BBC. 2 April 2013. Retrieved 2 April 2013. Howe, Stammers, Walker (1994), p. 54 . BBC. 16 August 2012. Jones, Paul (20 June 2013). . Radio Times. Retrieved 20 June 2013. Tobin, Christian (1 April 2013). . Digital Spy. Retrieved 2 April 2013. ^ Leigh, Rob (3 April 2013). . Retrieved 3 April 2013. . RTÃ. 16 April 2013. Retrieved 20 April 2013. .DoctorWhoTV.com. 30 September 2013. Retrieved 30 September 2013. Jeffery, Morgan (9 April 2013). . Retrieved 9 April 2013. . BBC.co.uk. 16 November 2013. Retrieved 16 November 2013. . Doctor Who TV. 28 March 2013. Retrieved 5 April 2013. ^ .bbc.co.uk/news. BBC News. 23 November 2013. Retrieved 23 November 2013. ^ . radiotimes.com. . 23 November 2013. Retrieved 23 November 2013. Wicks, Kevin (24 November 2013). . . Retrieved 25 November 2013. ^ Setchfield, Nick (7 November 2013). . . Retrieved 10 November 2013. Jeffery, Morgan (5 April 2013). . Digital Spy. Retrieved 5 April 2013. Jeffery, Morgan (4 April 2013). . Digital Spy. Retrieved 22 April 2013. Cole, Tom (10 April 2013). . Radio Times. Retrieved 22 April 2013. Harp, Justin (12 April 2013). . Digital Spy. Retrieved 23 April 2013. Dowell, Ben (22 July 2013). . Radio Times. Retrieved 24 September 2013. Harp, Justin (4 March 2013). . Digital Spy. Retrieved 23 April 2013. ^ Curtis, Beth (22 April 2013). . Digital Spy. Retrieved 23 April 2013. (13 May 2013). . . Retrieved 13 May 2013. . The Mirror. The Mirror. 31 October 2013. Retrieved 3 November 2013. . BBFC. Retrieved 3 November 2013. . BBFC. Retrieved 2 November 2013. . BBFC. Retrieved 4 November 2013. Tarley, Rachel (7 December 2013). . Metro.co.uk. Retrieved 5 April 2013. Brown, David (18 March 2013). . . Retrieved 19 October 2013. Setchfield, Nick (14 October 2013). . . Retrieved 19 October 2013. Jeffrey, Morgan (25 November 2013). . . Retrieved 25 November 2013. SFX magazine, issue 241 (October 2013). Jeffery, Morgan (21 February 2013). .. Retrieved 19 October 2013. Dex, Robert (9 April 2013). . The Independent. Retrieved 22 April 2013. Fitzmaurice, Sarah (18 April 2013). . Daily Mail. Retrieved 22 April 2013. Kelly, Stephen (3 May 2013). . RadioTimes. Retrieved 6 May 2013. . Cultbox. Retrieved 6 May 2013. Anders, Charlie Jane (21 July 2013). . io9. Retrieved 26 July 2013. Kelly, Stephen (22 July 2013). . RadioTimes. Retrieved 26 July 2013. Jefferies, Mark (23 July 2013). . RadioTimes. Retrieved 26 July 2013. Fletcher, Alex (22 July 2013). . DigitalSpy. Retrieved 26 July 2013. . BBC. 26 July 2013. .. 28 September 2013. Retrieved 29 September 2013. Dowell, Ben (19 October 2013). . . Retrieved 19 October 2013. . . Doctor Who TV. Retrieved 2013-11-02. digitaljournal.com. Retrieved 28 November 2013. . BBC on . 10 November 2013. Retrieved 10 November 2013. . BBC on . 11 November 2013. Retrieved 11 November 2013. Brew, Simon (28 September 2013). . Dennis Publishing Limited. Retrieved 29 September 2013. . BBC. 7 November 2013. Retrieved 8 November 2013. . BBC News. 24 November 2013. Retrieved 24 November 2013. . . Retrieved 2 October 2013. (1 November 2013). . . Retrieved 22 November 2013. . Official Doctor Who Twitter. 8 November 2013. Retrieved 10 November 2013. . . Retrieved 2013-11-22. . . Retrieved 2013-11-22. .. Retrieved 2013-11-22. . . Retrieved 2013-11-02. . The Register. 2013-10-24. Retrieved 2013-10-26. . Omniplex Cinemas. Retrieved 26 November 2013. Delgado, Jesús. . hobbyconsolas (in Spanish). Retrieved 31 October 2013. on site of Kronverk Cinema (ukr.) . BBC Shop. Retrieved 19 October 2013. . BBC Shop. Retrieved 19 October 2013. . TVShowsOnDVD.com. Retrieved 24 September 2013. Lawrence, Ben (23 November 2013). . . Retrieved 24 November 2013. Brew, Simon (23 November 2013). . . Retrieved 24 November 2013. Cooper, Jon (23 November 2013). . Retrieved 24 November 2013. Shelley, Jim (23 November 2013). . . Retrieved 24 November 2013. Taylor, Chris (23 November 2013). . . Retrieved 24 November 2013. Grospok, Viv (23 November 2013). . . Retrieved 24 November 2013. SecondSync (23 November 2013). . . Retrieved 24 November 2013. Marcus (24 November 2013). . Doctor Who News. Retrieved 24 November 2013. Golder, Dave (24 November 2013). . . Retrieved 25 November 2013. Weight, Anthony (26 November 2013). . Doctor Who News. Retrieved 26 November 2013. . Doctor Who News. 26 November 2013. Retrieved 28 November 2013. .Doctor Who News. 27 November 2013. Retrieved 28 November 2013. . Doctor Who News. 25 November 2013. Retrieved 26 November 2013. Foster, Chuck (26 November 2013). . Doctor Who News. Retrieved 26 November 2013. .. Retrieved 27 November 2013. . Doctor Who News. 25 November 2013. Retrieved 26 November 2013. Cunningham, Todd (27 November 2013). . . Retrieved 28 November 2013. External links Wikiquote has a collection of quotations related to: at the at at the
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