Podcast appearances and mentions of jimmy jam

Pop fans, this month marks 25 years of "Hot" - the Spicy debut solo album by the bold and beautifully brazen Mel B! Not only was Our Scary Spice the first Spice Girl to go solo - hello, No.1 smash 'I Want You Back' feat. Missy Elliott - but she also made so many big moves in television and music in this monumental era in the midst of the Spice Girls' biggest world tour and transition into a new R&B-flavoured sound with "Forever". Strap in because this episode takes you on a rollercoaster ride of pop culture from 1998 to 2001 in the world of Mel B (or Mel G!), through the whirlwind marriage and divorce, changes in Spice World, and motherhood. From Missy Elliott and Timbaland co-signs to "Austin Powers" soundtrack moments; Melanie B's building blocks of solo stardom as a British R&B artiste had a ton of promise. The "Hot" album also features Jimmy Jam & Terry Lewis (Janet Jackson), Dru Hill, Sisqo, Teddy Riley (Michael Jackson) and "Glitter" hunk Max Beesley. We revisit the singles 'I Want You Back', 'Word Up', 'Tell Me', 'Feels So Good' and 'Lullaby', along with the music videos, live performances, promo and shenanigans along the way. This is Pop History 101.If you're wanting more Solo Spice action - check out our episodes celebrating Geri Halliwell's "Schizophonic", Victoria Beckham's debut solo album and Emma's "Free Me" album. Stay tuned for more Spice action on the podcast!Follow Right Back At Ya!https://www.instagram.com/rightbackpod/https://twitter.com/rightbackpodhttps://www.facebook.com/rightbackpodFollow Joelhttps://www.instagram.com/dr_joelb/https://twitter.com/DR_JoelBFollow Davidhttps://www.instagram.com/lovelimmy/https://twitter.com/lovelimmyEmail us rightbackpod@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jared Brewington is back! YAY! This guy wears so many impressive hats. He's the founder, owner and Main Idea Guy for Official Fried Chicken (with locations in Target Field  and US Bank Stadium). He's the community director of an amazing new non-profit, Square Roots. Most recently, he was the MC of Washburn High Schools Centennial celebration, where he awarded Jimmy Jam with his honorary diploma! He always has such great stories and picks the best music. Enjoy!

This week on the Lin. Woods Gospel Entertainment Podcast, two-time GRAMMY® Award-winning recording artist, actress, and songwriter Ann Nesby takes us on an unforgettable journey—from her roots in the church, to Sounds of Blackness, to her powerhouse solo career.Ann opens up about: The hit song she gave to Patti LaBelle  Lessons learned from music legends Jimmy Jam & Terry Lewis  Feeding her kids while chasing her dreams  Executive producing her own movie  And her newest music project, ANNiversary

Legendary producers Jimmy Jam and Terry Lewis joined the show to reflect on their multi-decade careers shaping R&B and pop, teasing projects and sharing studio stories most fans haven’t heard. See omnystudio.com/listener for privacy information.

The Rickey Smiley Morning Show dug deep into four headline-making stories: Kim Kardashian has launched a defamation lawsuit against Ray J over his assertions that she and Kris Jenner are under federal investigation for racketeering—a claim her team strongly denies and calls entirely baseless. Meanwhile, media mogul Cathy Hughes celebrated 45 years of building Urban One from her radio-station roots into a powerhouse reaching over 80% of Black households. In a lighter, yet equally compelling segment, legendary producers Jimmy Jam and Terry Lewis joined the show to reflect on their multi-decade careers shaping R&B and pop, teasing projects and sharing studio stories most fans haven’t heard. And on the national front, President Trump has formally declared a “non-international armed conflict” with drug cartels, justifying recent lethal strikes on alleged narco-vessels in the Caribbean under the law of armed conflict. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

This summer, one singular artist could be heard everywhere from the new Cardi B album to the TikTok charts: Janet Jackson. The incomparable Queen of Pop has had her fingerprints all over pop music for the past few months, and it's never been more apparent than on Doja Cat's “Jealous Type.” The lead single from Doja's new album Vie has all the hallmarks of the Janet Jackson sound, from breathy and percussive vocals to nods to iconic production from Jimmy Jam and Terry Lewis. This episode of Switched on Pop, we go on a journey guided by Janet, and discover the implicit connections to Doja Cat – the so-called “queen of pop-rap” – in the process. Vote for Switched On Pop in this year's Signal Awards! We're nominated for Best Music Podcast and Best Original Score/Music, linked here. Thank you! Songs discussed: Janet Jackson – Someone To Call My Lover Sabrina Carpenter – House Tour Cardi B, Janet Jackson – Principal (feat. Janet Jackson) Doja Cat – Jealous Type Janet Jackson – What Have You Done For Me Lately Janet Jackson – Nasty Janet Jackson – Feedback Janet Jackson – What About Prince – 1999 Janet Jackson – Throb Janet Jackson – Control Janet Jackson – When I Think Of You Janet Jackson – Go Deep Doja Cat – Cyber Sex Doja Cat – Rules Doja Cat – Boss Bitch Doja Cat – Woman Doja Cat – Agora Hills Janet Jackson – Let's Wait Awhile Janet Jackson – Escapade Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of R&B Money, Tank and J Valentine are joined by vocal genius, Sheléa. They will discuss everything from Tank's authentic Quincy Jones impersonation, Sheléa's multiple performances for the president and her graduating cum laude with a degree in music. She will discuss working with all of the greats from Jimmy Jam and Terry Lewis, Harvey Mason Jr. and Damon Thomas of The Underdogs, to Stevie Wonder and David Foster. There is no shortage of awe in this magical conversation with one of culture's finest. Listen and Enjoy! Follow the hosts Tank: @therealtank and J Valentine: @JValentineSee omnystudio.com/listener for privacy information.

After feeling "Out Of Touch" for too long, David catches up with his longtime friend John Oates to discuss John's strong new solo album "Oates," and so much more of his long life in music, both with Daryl Hall and John Oates -- the most successful duo in music history, Rock & Roll Hall of Fame and Songwriters Hall of Fame inductees --  and as a solo artist. Hear great stories about everyone from John's longtime neighbor Hunter S. Thompson and longtime bandmate T-Bone Wolk, and so much more. Plus, a big question from another Rock & Roll Hall of Famer, Jimmy Jam. For more on John, go to https://johnoates.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

In this week's episode of Dem Vinyl Boyz, we crack open one of the most impactful R&B albums of the 2000s — Usher’s Confessions. Released in March 2004, this album wasn't just a commercial smash, it became a defining moment in music history. Driven by personal turmoil and public curiosity, Confessions blurred the lines between Usher’s private life and his public persona. With themes of heartbreak, betrayal, fame, and remorse, the album connected with millions through its emotional depth and unforgettable hooks. Produced by industry giants like Jermaine Dupri, Lil Jon, and Jimmy Jam & Terry Lewis, Confessions delivered a string of iconic hits including: “Yeah!” “Burn” “Confessions Part II” “My Boo” (with Alicia Keys) “Caught Up” The album shattered records, selling over 1.1 million copies in its first week and ultimately earning diamond certification. Its success solidified Usher's place as the reigning king of R&B and set a high bar for vulnerability in mainstream male artistry. We discuss the stories behind the music, the cultural buzz that surrounded the album’s release, and how Confessions still holds weight in today’s musical landscape. Tune in as the Vinyl Boyz give this certified classic a spin and reflect on why it resonated with an entire generation.

Jimmy Jam Harris joins in studio to talk about how he and his father Cornbread reunited after years of estrangement and his joy in watching, and even playing with, Cornbread last night to close out the final night at Palmer's Bar in Minneapolis.

A conversation with Jimmy Jam and Terry Lewis – legendary production duo who have collaborated, and had massive chart hits with Janet Jackson, Alexander O'Neal, The SOS Band, Mariah Carey, Vanessa Williams, Chaka Khan, The Human League, Sounds of Blackness and so many more... we only had ten minutes together backstage before their live show at Summer Sonic 2025 in Tokyo but it was an insightful and inspiring conversation with two all true gentlemen who also selected their own favourite music tracks.

Jimmy Jam Harris joins Chad to share some great stories and emotions about returning to Washburn High School and receiving an honorary diploma.

How is the summer of smoke impacting your enjoyment of the season? Chad opens the show with that discussion before a great conversation with Jimmy Jim Harris about returning to Washburn High School to receive an honorary diploma.

Dan is back giving the sermons, he talks about the Twins being terrible, a big Lynx trade, expectations for JJ McCarthy, and Dan is joined by Jimmy Jam to talk music and more!

Dan is back giving the sermons, he talks about the Twins being terrible, a big Lynx trade, expectations for JJ McCarthy, and Dan is joined by Jimmy Jam to talk music and more!

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Bumper to Bumper with Dan Barreiro!

Bumper to Bumper with Dan Barreiro!See omnystudio.com/listener for privacy information.

Bumper to Bumper with Dan Barreiro!See omnystudio.com/listener for privacy information.

What Happened on June 6 in music history? On the June 6 edition of the Music History Today podcast, the Beatles meet George Martin, an iconic album and song are released, a legendary show signs off, Michael Jackson quits, and the country goes down the slipping slope of censorship. Also, happy birthday to Steve Vai and Jimmy Jam.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helpline

Episode 76: Jerrod "J-Rod" Sullivan. If you're a drummer, chances are you've seen J-Rod pop up in your feed. He's one of the most exciting drummers to watch, and now he's holding down the drum chair for Janet Jackson. From uploading his first drum video to YouTube back in 2006 to building an audience of over 700,000 followers, J-Rod is living proof that consistency and passion pay off. We get into everything from his early days playing in church to building an online community of over 700K+ followers with his drum videos and how he creates them. We talk about staying consistent while on the road, and why authenticity is everything. Plus, we go deep into the Janet Jackson gig, talking about how it came together from a DM and the sacrifice he took dedicating 2 months to turn this Janet Jackson opportunity into a closed deal. I had to find out how in the world he plays the infamous “Control” drum fill, his gear setups, how he makes his social media videos (both the cameras, the audio, and the process), creating drumless tracks with the Moises app, his band The 4 Korners, staying sharp, and why it pays to act as if you already got the gig. J-Rod came through to my hotel room in Las Vegas to link up the next day after his show with Janet Jackson. I went to the show and it was incredible. After the show, we went out with Zedd until 5 a.m., and the next morning he went straight to AMA rehearsals with Janet, then soundcheck at Resorts World with Janet, then to my hotel room to do the interview, and then straight to his show with Janet that night. We were running on fumes for this convo, which made it fun in it's own way. We dive into his story, his viral rise, how he landed the Janet gig, and so much more. Here's my conversation with the incredible, Jerrod "J-Rod" Sullivan! (0:00) INTRO (01:17) THE JANET JACKSON LAS VEGAS SHOW (02:37) ZEDD (03:20) STARTING OUT, JROD'S SOCIAL MEDIA PAGE (06:30) J-ROD'S DRUM TONE (07:20) HOW GETTING NOTICED CHANGED J-ROD (08:27) VIDEO CREATION PROCESS (11:07) DECISIVENESS (13:26) DRUMLESS TRACKS (13:56) HOME RECORDING RIG (15:11) HOW TO MAKE TRACKS DRUMLESS (16:11) PARAMORE'S "AIN'T IT FUN" COVER (17:06) GAINING TRACTION OVER 10 YEARS (18:43) GETTING THE GIG WITH JANET JACKSON (34:19) OFFICIALLY GETTING THE GIG WITH JANET (36:24) REHEARSALS WITH JANET JACKSON (40:42) "CONTROL" DRUM FILL (43:41) MEETING JANET JACKSON AT REHEARSALS (46:40) LIFE RIGHT NOW AND WHAT'S NEXT (50:17) WHO SHOULD BE ON THE PODCAST?  Here's the Jimmy Jam Videos that were referenced in the video: Jimmy Jam Part 1: https://www.youtube.com/watch?v=2VQgpr2WNM0&t=3894s Jimmy Jam Part 2: https://www.youtube.com/watch?v=2R4utgYvHdY&t=2305s Flyte Tyme Studios Tour with Jimmy Jam: https://www.youtube.com/watch?v=updSUi65UvI&t=1266s ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow J-Rod: https://www.instagram.com/jrodsullivan/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://jammcard.komi.io/?fbclid=PAZXh0bgNhZW0CMTEAAacpJtZKkl1AgBAffAQ4GRhL3aVKuKHJ704aJuBkalXXThdDCOiRye8RjcHTKQ_aem_o5GVeQoM7Kb3ykDhqwZbtA

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Jimmy Jam & Terry Lewis. ABOUT JIMMY JAM & TERRY LEWISWith 26 Billboard #1 R&B hits and 16 Billboard #1 pop hits to their credit, Jimmy Jam and Terry Lewis are perhaps the most influential and successful songwriting and production duo in modern music history. With a total of 41 Top 10 hits in the US, Jimmy and Terry were named ASCAP Songwriters of the Year a record-breaking nine times. They are perhaps best known for their work with Janet Jackson, beginning with the Control album, which earned the duo a Grammy for Producer of the Year. Between 1986 and 1994 they scored thirteen #1 songs with Janet on either the R&B or pop chart, including “What Have You Done For Me Lately,” “Nasty,” “When I Think of You,” “Control,” “Let's Wait Awhile,” “Miss You Much,” “Rhythm Nation,” “Escapade” “Love Will Never Do (Without You),” “The Best Things in Life Are Free,” “That's the Way Love Goes,” “Any Time, Any Place,” and “Again,” which earned Jimmy, Terry, and Janet an Academy Award nomination for Best Original Song. Jimmy and Terry got their start as musicians with Morris Day and the Time, the Prince-produced band whose biggest hit was the Jam and Lewis-penned “Jerk Out.” They made the transition to a successful songwriting and production team working with the S.O.S. band, which landed a #2 R&B hit with “Just Be Good to Me.” From there, they made their mark on pop and R&B hits for decades to come. In addition to their work with Jackson, the duo wrote and produced the #1 pop singles “Human” by Human League, “Romantic” by Karyn White, “Thank God I Found You” by Mariah Carey, and the Boyz II Men singles “On Bended Knee” and “4 Seasons of Loneliness.” Additional R&B chart toppers include “Encore” by Cheryl Lynn, “Fake” by Alexander O'Neal, “Everything I Miss at Home” by Cherelle, “Sensitivity” by Ralph Tresvant, and the Johnny Gill singles “Rub You the Right Way” and “Wrap My Body Tight.” Other highlights from their catalog include New Edition's “If It Isn't Love” and “I'm Still in Love With You,” “No More Drama” by Mary J. Blige, Robert Palmer's hit pop cover of their Cherelle single “I Didn't Mean to Turn You On,” and recordings by Gladys Knight & The Pips, Barry White, Michael Jackson, Lionel Richie, Usher, Spice Girls, Aretha Franklin, Charlie Wilson, Ledisi, Sting, Elton John, Beyonce, Rihanna, Rod Stewart, Drake, Kendrick Lamar, Gwen Stefani, Willie Nelson, and many others.Always versatile, the duo has earned Grammy awards for Best R&B Album for Chaka Kahn's Funk This, Best Gospel Song for Yolanda Adams' “Be Blessed,” and Best Dance Recording for Janet Jackson's #1 pop and R&B hit “All For You.” Additional Jackson hits that were written and produced with Jam and Lewis include the Janet and Michael Jackson hit “Scream” and the #1 singles “Together Again,” “I Get Lonely,” “Doesn't Really Matter,” and the Nelly duet “Call On Me.”In total the team has earned over 100 gold, platinum, multi-platinum and diamond album certifications from the RIAA, have received more Producer of the Year Grammy nominations than anyone in history, earned the NAACP Lifetime Achievement Award, and were inducted into the Songwriters Hall of Fame. 

Send us a textEver been so locked into a playoff game that even your soul was sweating? That's exactly what Warriors vs. Rockets Game 4 delivered. Jimmy “Buckets” Butler turned cold-blooded, Draymond danced through foul trouble, and Steve Kerr pulled a Hack-a-Adams move that felt like chess against toddlers. This wasn't just basketball—it was drama, strategy, and survival.But that same passion? I feel it counting down to Marvel's Thunderbolts—dropping this Thursday and already sitting at 91% on Rotten Tomatoes. It's giving Guardians of the Galaxy energy: misfit anti-heroes, layered redemption arcs, and a real shot at reviving the MCU's heart.This episode is about that feeling—the moment you know something lights your fire. Whether it's hoops, superhero flicks, or hitting record on a mic, we all got something that grounds us when life throws dragons, leprechauns, and algorithm updates at our heads. Like Greg Popovich said, you've got to play with “an appropriate amount of fear”—not to hold you back, but to keep you sharp.This podcast? It's mine. What's yours?

In this empowering episode of Dem Vinyl Boyz, we drop the needle on Janet Jackson’s breakthrough album Control—the 1986 release that redefined her career and reshaped the sound of pop and R&B. With this record, Janet stepped out from her famous family’s shadow and into full creative ownership, delivering a bold, confident statement of independence, strength, and style. Control features genre-defining hits like "What Have You Done for Me Lately," "Nasty," "Control," and "When I Think of You", each track bursting with the sharp production of Jimmy Jam and Terry Lewis and Janet’s fearless, fresh vocal delivery. The album blends funk, synth-pop, and R&B with assertive lyrics that speak to self-empowerment, personal growth, and taking the reins of your own life. In this episode, we explore the cultural and musical impact of Control, how it launched Janet Jackson into superstardom, and why it's considered one of the most influential albums of the 1980s. From its fashion to its feminism, this record didn’t just change the game—it set the rules. Join Dem Vinyl Boyz as we celebrate Control, the album that gave Janet her voice, gave pop music a new edge, and gave fans a fierce and fearless icon.

Miss Heard celebrates Season 6, Episode 291 with Lipps Inc's “Funky Town.” You will earn it's connection to Minnesota, Prince, Jimmy Jam, and the clever story about the band's name. There are also two music videos and one with Doris D caused confusion for some like me on who she is and how she is connected with the band. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Don't forget to subscribe/rate/review to help our Podcast in the ratings. Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #Funkytown #LippsInc # StevenGreenberg #CynthiaJohnson #DorisD   https://www.youtube.com/watch?v=uhzy7JaU2Zc https://en.wikipedia.org/wiki/Funkytown https://en.wikipedia.org/wiki/Cynthia_Johnson https://en.wikipedia.org/wiki/Lipps_Inc.

The Human League's "Human" is both irresistible and ridiculous. Despite the reprehensible content, Terry Lewis and Jimmy Jam create an earworm of a melody, and when combined with the not-quite-as-robotic-as-before vocals of Philip Oakey (which we continually mispronounce as "Oakley"), we can't help but return repeatedly to the tune. We discuss the history of the band, the song, and whether we can ever deem this to be a "guilt-free pleasure." Thank you for joining us! Links: The Official Video

Brrr... it's time for everyone's favorite season to have its day in court on the Good Music Show. Today we discuss two albums that make us think of winter.We start with Danny's pick which continues his trend of finding a song that deals with a season, and making the case why the album its on also represents that season. When he heard Song for a Winter's Night by Gordon Lightfoot - a legendary folk singer-songwriter from Canada - he thought it was the perfect non-Christmas song. This album is half new recordings of Gordon's catalog and half compilation of his Warner hits. Though a variety of seasons and weather are represented here, the warmness of both Gord's voice and the production by Lenny Waronker are a perfect sonic stand-in for a crackling fire for those cold, lonely winter months (or in Danny's case, days)Then we talk about an album that to Julius represents the sadness and introspection often brought on by winter. "The Velvet Rope" is a peak in a run of excellent albums by Janet Jackson, who unfortunately doesn't get talked about enough in today's pop ecosystem. We compare this album to current trends in pop, as well as praise the impeccable production by Jimmy Jam and Terry Lewis. Janet's experience at the time of making this album results in many songs dealing with extreme emotions and allows for the listener to experience validation and catharsis through the energetic and crisp production. Now is the time to appreciate what Janet accomplished, despite anything that may have overshadowed her art.Songs featured in this episode:Canadian Railroad Trilogy (from "The Way I Feel" and "Gord's Gold")SundownOld Dan's RecordsGot 'Til It's GoneGot 'TIl It's Gone (Ummah Jay Dee's Revenge Mix)Go DeepMy NeedSend us a text message!You can follow us here: Instagram Twitter Tiktok Send us a message, we'd love to hear from you! Email is thegmspod at gmailLeave us a rating and review if you want to!Thanks for listening!

The 'ROAD 10' is a bonus segment featuring a curated set of 10 questions inspired by the 'Proust Questionnaire.' These consistent, reflective, and often revealing questions are asked to every guest at the end of their appearance on the Road Podcast (Reflections of a DJ). True to its name, the 'ROAD 10' offers a unique glimpse into each guest's personality, values, and preferences, blending humor, introspection, and candid moments. Originally exclusive to Road Podcast Patreon subscribers, these interviews are now available on YouTube after a one-month debut on Patreon. The 'ROAD 10' is designed to offer viewers a memorable and intimate connection with each guest.

While Phil's away, David and Rock & Roll Hall of Fame inductee Jimmy Jam go over the latest group of artists nominated for induction into the Rock Hall and try to figure out who they will vote for this year.  To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. 

Episode 343: JIMMY JAM On this week's episode of the @RoadPodcast, the fellas welcome legendary Grammy Award-winning producer and DJ, Jimmy Jam (@flytetymejam). Jimmy Jam reflects on various milestones in his career, starting with his involvement in the Grammys (01:55), he discusses his favorite new artist (02:40) and the impact of the fires on the awards show (05:34). He breaks down the samples in his production of @JanetJackson's hit songs (18:45), and the crew credits Jimmy with the creation of New Jack Swing (34:60). Jimmy Jam speaks on his early years in Minnesota DJing (42:20), joining Terry Lewis' band (@flytetymelewis) (50:10), and recalls going to junior high with #Prince (@1:05:55). Finally, he talks about getting back into DJing (1:35:10) and which current hip-hop artist he would love to work with (2:20:01).

Host Lee Hawkins investigates how a secret nighttime business deal unlocked the gates of a Minnesota suburb for dozens of Black families seeking better housing, schools, and safer neighborhoods. His own family included.TranscriptIntroLEE HAWKINS: This is the house that I grew up in and you know we're standing here on a sidewalk looking over the house but back when I lived here there was no sidewalk, and the house was white everything was white on white. And I mean white, you know, white in the greenest grass.My parents moved my two sisters and me in 1975, when I was just four years old. Maplewood, a suburb of 25,000 people at the time, was more than 90% white.As I rode my bike through the woods and trails. I had questions: How and why did these Black families manage to settle here, surrounded by restrictions designed to keep them out?The answer, began with the couple who lived in the big house behind ours… James and Frances Hughes.You're listening to Unlocking The Gates, Episode 1.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history — how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our later move to the suburbs shaped us.My producer Kelly and I returned to my childhood neighborhood. When we pulled up to my old house—a colonial-style rambler—we met a middle-aged Black woman. She was visiting her mother who lived in the brick home once owned by our neighbors, Mr. and Mrs. Hutton.LEE HAWKINS: How you doing? It hasn't changed that much. People keep it up pretty well, huh?It feels good to be back because it's been more than 30 years since my parents sold this house and moved. Living here wasn't easy. We had to navigate both the opportunities this neighborhood offered and the ways it tried to make us feel we didn't fully belong.My family moved to Maplewood nearly 30 years after the first Black families arrived. And while we had the N-word and mild incidents for those first families, nearly every step forward was met with resistance. Yet they stayed and thrived. And because of them, so did we.LEE HAWKINS: You know, all up and down this street, there were Black families. Most of them — Mr. Riser, Mr. Davis, Mr. White—all of us can trace our property back to Mr. Hughes at the transaction that Mr. Hughes did.I was friends with all of their kids—or their grandkids. And, at the time, I didn't realize that we, were leading and living, in real-time, one of the biggest paradigm shifts in the American economy and culture. We are the post-civil rights generation—what I call The Integration Generation.Mark Haynes was like a big brother to me, a friend who was Five or six years older. When he was a teenager, he took some bass guitar lessons from my dad and even ended up later playing bass for Janet Jackson when she was produced by Minnesota's own Jimmy Jam and Terry Lewis.Since his family moved to Maplewood several years before mine, I called him to see what he remembered.MARK HAYNES: "It's a pretty tight-knit group of people,"Mark explained how the community came together and socialized, often –MARK HAYNES: "they—every week, I think—they would meet, actually. I was young—maybe five or six.LEE HAWKINS: And what do you remember about it? I asked. What kind of feeling did it give you?MARK HAYNES: It was like family, you know, all of them are like, uh, aunts and uncles to me, cousins. It just felt like they were having a lot of fun. I think there was an investment club too."Herman Lewis was another neighbor, some years older than Mark—an older teenager when I was a kid. But I remember him and his brother, Richard. We all played basketball, and during the off-season, we'd play with my dad and his friends at John Glenn, where I'd eventually attend middle school. Herman talked to me about what it meant to him.HERMAN LEWIS: We had friends of ours and our cousins would come all the way from Saint Paul just to play basketball on a Friday night. It was a way to keep kids off the street, and your dad was very instrumental trying to make sure kids stayed off the street. And on a Friday night, you get in there at five, six o'clock, and you play till 9, 10 o'clock, four hours of basketball. On any kid, all you're going to do is go home, eat whatever was left to eat. And if there's nothing left to eat, you pour yourself a bowl of cereal and you watch TV for about 15 to 25-30, minutes, and you're sleeping there, right in front of the TV, right?LEE HAWKINS: But that was a community within the community,HERMAN LEWIS: Definitely a community within the community. It's so surprising to go from one side of the city to the next, and then all of a sudden there's this abundance of black folks in a predominantly white area.Joe Richburg, another family friend, said he experienced our community within a community as well.LEE HAWKINS: You told me that when you were working for Pillsbury, you worked, you reported to Herman Cain, right? We're already working there, right? Herman Cain, who was once the Republican front runner for President of the United States. He was from who, who was from the south, but lived in Minnesota, right? Because he had been recruited here. I know he was at Pillsbury, and he was at godfathers pizza, mm hmm, before. And he actually sang for a time with the sounds of blackness, which a lot of people would realize, which is a famous group here, known all over the world. But what was interesting is you said that Herman Cain was your boss, yeah, when he came to Minnesota, he asked you a question, yeah. What was that question?Joe Richburg: Well, he asked me again, from the south, he asked me, Joe, where can I live? And I didn't really understand the significance of that question, but clearly he had a sense of belonging in that black people had to be in certain geographic, geographies in the south, and I didn't have that. I didn't realize that was where he was coming from.Before Maplewood, my family lived in St. Paul's Rondo neighborhood—a thriving Black community filled with Black-owned businesses and cultural icons like photojournalist Gordon Parks, playwright August Wilson, and journalist Carl T. Rowan.Like so many other Black communities across the country, Rondo was destroyed to make way for a highway. it was a forced removal.Out of that devastation came Black flight. Unlike white flight, which was driven by fear of integration, Black flight was about seeking better opportunities: better funded schools and neighborhoods, and a chance at higher property values.Everything I've learned about James and Frances Hughes comes from newspaper reports and interviews with members of their family.Mr. Hughes, a chemist and printer at Brown and Bigelow, and Frances, a librarian at Gillette Hospital, decided it was time to leave St. Paul. They doubled down on their intentions when they heard a prominent real estate broker associate Blacks with “the ghetto.” According to Frances Hughes, he told the group;FRANCES HUGHES (ACTOR): “You're living in the ghetto, and you will stay there.”She adds:FRANCES HUGHES (ACTOR): “I've been mad ever since. It was such a bigoted thing to say. We weren't about to stand for that—and in the end, we didn't.”The Hughes began searching for land but quickly realized just how difficult it could be. Most white residents in the Gladstone area, just outside St. Paul, had informal agreements not to sell to Black families. Still, James and Frances kept pushing.They found a white farmer, willing to sell them 10 acres of land for $8,000.And according to an interview with Frances, that purchase wasn't just a milestone for the Hughes family—it set the stage for something remarkable. In 1957, James Hughes began advertising the plots in the Twin Cities Black newspapers and gradually started selling lots from the land to other Black families. The Hughes's never refused to sell to whites—but according to an interview with Frances, economic justice was their goal.FRANCES HUGHES (ACTOR): “Housing for Blacks was extremely limited after the freeway went through and took so many homes. We wanted to sell to Blacks only because they had so few opportunities.”By the 1960s, the neighborhood had grown into a thriving Black suburban community. The residents here were deeply involved in civic life. They attended city council meetings, started Maplewood's first human rights commission, and formed a neighborhood club to support one another.And over time, the area became known for its beautiful homes and meticulously kept lawns, earning both admiration and ridicule—with some calling it “The Golden Ghetto.”Frances said:FRANCES HUGHES (ACTOR): “It was lovely. It was a showplace. Even people who resented our being there in the beginning came over to show off this beautiful area in Maplewood.”And as I pieced the story together, I realized it would be meaningful to connect with some of the elders who would remember those early daysANN-MARIE ROGERS: In the 50s, Mr. Hughes decided he was going to let go of the farming. And it coincided with the with 94 going through the RONDO community and displacing, right, you know, those people. So, at that time, I imagine Mr. Hughes had the surveyors come out and, you know, divided up into, you know, individual living blocks.That is Mrs. Ann-Marie Rogers, the mother of Uzziel and Thomas Rogers, who I spent a lot of time with as a kid. I shared what I'd uncovered in the archives, hoping she could help bring those early experiences to life.ANN-MARIE ROGERS: So, everyone played in our yard, the front yard, the yard light that was where they played softball, baseball, because the yard light was the home plate, and the backyard across the back was where they played football.Throughout this project, we found similar stories of strength, including one from Jeson Johnson, a childhood friend with another Minnesota musical connection. His aunt, Cynthia Johnson, was the lead singer of Lipps Inc., whose hit song “Funkytown” became a defining anthem of its time when many of us were just kids. We were proud of her, but I now know the bigger star was his grandmother.JESON JOHNSON: She was actually one of the first black chemists at 3M. So what she told me is that they had told her that, well, you have to have so much money down by tomorrow for you to get this house. It was really, really fast that she had to have the money. But my grandmother was she was really smart, and her father was really smart, so he had her have savings bonds. So what she told him was, if you have it in writing, then I'll do my best to come up with the money. I don't know if I'll be able to. She was able to show up that day with all her savings bonds and everything, and have the money to get it. And they were so mad, yes, that when she had got the house, they were so mad that, but they nothing that they could do legally because she had it on paper, right, right? And then that kind of started out in generation out there. It was the NAACP that kind of helped further that, just because she was chemist, they got her in the 3M, and all their programs started there.Decades later, as my friends and I played, I had no concept of any of the struggles, sacrifices and steps forward made by the pioneers who came before us. I checked in with my friend, Marcel Duke.LEE HAWKINS: did they tell you that mister Hughes was the guy that started, that started it?MARCEL DUKE: It probably never was conveyed that way, right to us kids, right? I'm sure back then, it was looked as an opportunity, yes, to get out of the city. Mm, hmm, and and where people that look like us live. And obviously that's the backstory of Mister Hughes, yeah, ultimately, we went out there because he made it known in the city, inner city, that we could move out there and be a community out there.Marcel is about four years older, I figured he may have clearer memories of Mr. Hughes than I do.MARCEL DUKE: I used to cut mister Hughes grass. I was like, like the little hustler in the neighborhood. I wanted to cut because I wanted money to go to spend on candy.Mr. Hughes' significance transcends the extra cash he put in the pockets of neighborhood kids. His granddaughter, Carolyn Hughes-Smith, told us more his multigenerational vision for Black American wealth building. But before he became a historical figure, he was just...grandpa.CAROLYN HUGHES-SMITH: the things that I really remember about him. He could whistle like I not whistle, but he could sing like a bird, you know, always just chirping. That's how we know he was around. He was more of a, like a farmer.He didn't talk much with his grandchildren about how he and Frances had unlocked the gates for Blacks. But she was aware of some of the difficulty he faced in completing that transaction that forever changed Maplewood.HUGHES-SMITH: I just heard that they did not, you know, want to sell to the blacks. And they, you know, it was not a place for the blacks to be living. And so, what I heard later, of course, was that my grandpa was able to find someone that actually sold the land to him out there and it, you know, and that's where it all started, reallyThat someone was a white man named Frank Taurek. He and his wife, Marie, owned the farm that Mr. Hughes and Frances had set their sights on. But the purchase was anything but straightforward. They had to make the deal through “night dealing.” Frances explains in a 1970s interview.FRANCES HUGHES (ACTOR): "It was just after the war. There was a tremendous shortage of housing, and a great deal of new development was going on to try to fix that. But, my dear, Negroes couldn't even buy a lot in these developments. They didn't need deed restrictions to turn us away. They just refused to sell."She describes the weekend visit she and her husband made to put in an offer on the land. By Monday morning, a St. Paul real estate company had stepped in, offering the Taurek's $1,000 more to keep Blacks out.FRANCES HUGHES (ACTOR): "But he was a man of his word, which gives you faith in human nature. The average white person has no idea of how precarious life in these United States is for anybody Black at any level. So often it was a matter of happenstance that we got any land here. The farmer could have very easily accepted the $1,000 and told us no, and there would have been nothing we could have done."What led Frank Taurek to defy norms and his neighbors, to sell the land to a Black family?DAVIDA TAUREK: I'm already moved to tears again, just hearing about it, [but and] hearing you talk about the impact of my, you know, my lineage there. It seems so powerful.This perspective comes from his great-granddaughter, Davida Taurek, a California-based psychotherapist. When I tracked her down, she was astonished to hear the long-buried story of how her white great grandparents sold their land to a Black family, unwittingly setting into motion a cascade of economic opportunities for generations to come.DAVIDA TAUREK: When I received your email, it was quite shocking and kind of like my reality did a little kind of sense of, wait, what? Like that somehow I, I could be in this weird way part of this amazing story of making a difference. You know, like you said, that there's generational wealth that's now passed down that just didn't really exist.I've seen plenty of data about what happens to property values in predominantly white neighborhoods when a Black family moves in. The perception of a negative impact has fueled housing discrimination in this country for decades, you may have heard the phrase: “There goes the neighborhood.” It's meant to be a sneer—a condemnation of how one Black family might “open the door” for others to follow. In this case, that's exactly what the Taurek's facilitated.As Carolyn Hughes- Smith sees it, the power of that ripple effect had a direct impact on her life, both as a youngster, but later as well.CAROLYN HUGHES-SMITH: We were just fortunate that my grandfather gave us that land. Otherwise, I don't, I don't know if we would have ever been able to move out thereHer parents faced some tough times –CAROLYN HUGHES-SMITH: making house payments, keeping food in the house, and that type. We were low income then, and my dad struggled, and eventually went back to school, became an electrician. And we, you know, were a little better off, but that happened after we moved out to Maplewood, but we were struggling.But they persevered and made it through –CAROLYN HUGHES-SMITH: after I grow got older and teen and that, I mean, I look back and say, Wow, my grandfather did all of this out hereOn the Taurek side of the transaction, the wow factor is even more striking. As I dug deeper into his story, it wasn't clear that he Frank Taurek was driven by any commitment to civil rights.Davida never met her great grandfather but explains what she knows about him.DAVIDA TAUREK: What I had heard about him was through my aunt that, that they were, you know, pretty sweet, but didn't speak English very well so there wasn't much communication but when they were younger being farmers his son my grandfather Richard ran away I think when he was like 14 years old. his dad was not very a good dad you know on a number of levels. There's a little bit of an interesting thing of like where Frank's dedication to his own integrity or what that kind of path was for him to stay true to this deal and make it happen versus what it meant to be a dad and be present and kind to his boy.Carolyn Hughes-Smith still reflects on the courage of her family—for the ripple effect it had on generational progress.CAROLYN HUGHES-SMITH: Would the struggle be the same? Probably not. But what makes me like I said, What makes me happy is our family was a big part of opening up places to live in the white community.LEE HAWKINS: Next time on Unlocking The GatesCAROLYN HUGHES-SMITH: The one thing that I really, really remember, and it stays in my head, is cross burning. It was a cross burning. And I don't remember exactly was it on my grandfather's property?OUTRO THEME MUSIC/CREDITS.You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

Dilla, eller Jay Dee, läste inte regelboken. Allt och mycket mer fanns redan i hans huvud. Rytmerna som haltade och krängde, och som förändrade hiphop och R&B. Tillsammans med vännerna i Slum Village byggde han bit för bit sin egen värld i det plågade Detroit. Lyssna på alla avsnitt i Sveriges Radio Play. Berömmelsen kom först till Jay Dee och hans beats. Medan T3 och Baatins skurar av säreget fristilflyt ovan rytmer med egen vilja till en början inte uppmärksammades i samma utsträckning. Jay Dees framgångar som producent (Pharcyde, Tribe, Busta etc.) innebar snart spänningar inom Slum Village samtidigt som det inflytelserika mästerverket låg framför gruppen.I del två hör du även intervjuer med bland andra T3, Baatin, Wajeed, James Brown, Illa J, Frank n Dank, Que D, Pete Rock, Busta Rhymes, Jimmy Jam och Q-Tip.

Jimmy Jam BBQ Slam is this weekend! Dane Taylor and Jenny Harvey give us all the tasty details! by 904 Now

The last "Naked Lunch" of 2024 is here -- and the third time's the charm as Phil and David offer Part 3 of their Greatest Hits of 2024. Happy New Year. Please consider buying tickets to see "Naked Lunch" LIVE at the Palace of Fine Arts Theatre on January 25th, 2025 as part of SF Sketchfest in San Francisco here: https://www.eventbrite.com/e/naked-lunch-with-phil-rosenthal-david-wild-tickets-1082461795369.To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Director Alison Tavel discusses her touching new documentary Resynator, which chronicles her journey to restore a synthesizer prototype created by her father, Don Tavel, who passed away when she was just weeks old. The film reveals unexpected family secrets while celebrating Don's legacy and features interviews with Jimmy Jam, Grace Potter, Peter Gabriel, and Fred Armisen to name a few.

Pastor Jeff Gatlin and Spencer Matthiesen talk Jimmy Jam BBQ Slam and it's right around the corner by 904 Now

Hour 3: On the "Radd Report" Jason talks to Kate Raddatz about why cash might be a more acceptable Christmas gift than you think. Then he's joined by Jimmy "Jam" Harris and music writer Andrea Swensson about her new book on Jimmy's dad, "Cornbread" Harris.

Jason talks with legendary music producer Jimmy "Jam" Harris and music writer Andrea Swensson about her new book on Jimmy's dad James "Cornbread" Harris, and how her relationship with Cornbread brought he and Jimmy back together.

Don't leave the cake out in the rain because by The Time You Get To Phoenix or MacArthur Park, you can enjoy this very special musical "Naked Lunch" episode spotlighting one of the greatest songwriters and composers of our times, the legendary Jimmy Webb. Webb discusses writing his classic songs for Glen Campbell (including "Wichita Lineman," "By The Time I Get To Phoenix," "Galveston") as well his lifetime of fascinating experiences with The 5th Dimension, Frank Sinatra, The Highwaymen, Elvis Presley and many more. Brad Paisley joins as a "Phil-In" host and brings in his own frequent songwriting collaborator Chris DuBois.  All this plus special fan questions for Jimmy from past "Naked Lunch" guests Jimmy Jam and E from The Eels.  To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Kevin Seifert continues the Vikings discussion before music legend Jimmy Jam joins to talk about the life and legacy of another music legend Quincy Jones.

Kevin Seifert continues the Vikings discussion before music legend Jimmy Jam joins to talk about the life and legacy of another music legend Quincy Jones.

Kevin Seifert continues the Vikings discussion before music legend Jimmy Jam joins to talk about the life and legacy of another music legend Quincy Jones.

Jimmy Jam goes to HOT 97's Ebro In The Morning on his origin story, tells stories about Prince and Janet Jackson, and tells Ebro, Laura, and Rosenberg about how he Connected with his Father.See omnystudio.com/listener for privacy information.

Phil and David -- the Private Eyes of podcasting and frequent "Lunch" Maneaters -- are totally X-Static to use their Voices to welcome David's early musical hero and longtime friend Daryl Hall to a long distance Zoom "Lunch." Hear as Daryl Hall discuss his remarkable career in music and his show "Live From Daryl's House," uses a surprising amount of Yiddish, shares his thoughts about being a part of "We Are The World" and "Sun City," answers a great guest question from Jimmy Jam, and has a classic response when Phil and David ask for his advice on how to keep their own duo act together. What's better than One On One? How about One On Two?  To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

On this flashback of Take It Personal Radio, we're hitting you with episode 19, our Atmosphere Tribute. Over the past few decades, Atmosphere has been touring the globe, making music, making fans and one member, especially, making babies. Hailing outta Minneapolis, Slug and Ant aren't just a group, they're Minnesota Nice! The slept-on beatmaker and storyteller have accumulated copious amounts of success throughout the years, so it was time Take It Personal took you on a tribute trip down Atmosphere lane. We cover the classics, the obscure, fan favorites and even some collaborations. We promise you, there will never be another Atmosphere tribute quite like this one. To further cement that, we invited Slug on the show to break bread with us.  The 2-part interview plays throughout this 4+ hour tribute show. We delve into a different side of Sean Daley. We talk family, friends, critics touring, Soundset, DJ Premier and some crazy stories like the time Rick Rubin was courting them. When you think Minnesota musicians, you immediately think of Prince, The Time, Jimmy Jam & Terry Lewis, and probably Bob Dylan, but after this show, we have to think Atmosphere will be right there with them. ⁠www.takeitpersonalradio.com ⁠⁠www.patreon.com/TakeItPersonal⁠ Follow us on Instagram @⁠takeitpersonalradio⁠

David & Phil joyfully welcome their friend Jimmy Jam and their new friend Denny Tedesco to "Naked Lunch" for a moving conversation about music, fathers and sons and so much more. Jimmy Jam shares an inspiring update about his ongoing reunion with his long estranged father, who is the subject of a great new book, "Deeper Blues: The Life, Songs & Salvation of Cornbread Harris" by Andrea Swensson, which you can buy here. Denny Tedesco tells how putting a spotlight on his legendary musician father Tommy Tedesco led him to direct two great music documentaries, 2008's "The Wrecking Crew" about the great studio musicians in Los Angeles in The Sixties and now, 2023's "Immediate Family" about a group of musicians who have defined The Seventies and made enduringly iconic recordings with the likes of Carole King, James Taylor, Jackson Browne and Linda Ronstadt, to name just a few. You can see both films on Hulu. To learn more about "Immediate Family," click here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

Join Angela Davis at the Minnesota State Fair for a North Star Journey Live recording to celebrate the music, the man and the mischief of James “Cornbread” Harris. Cornbread is now 97 years old, which means he's been playing his beloved piano at gigs all over the Twin Cities for more than 70 years. Music journalist Andrea Swensson recently released a book chronicling Cornbread's remarkable life. “Deeper Blues: The Life, Songs and Salvation of Cornbread Harris” recounts Minnesota music history — like what happened when Cornbread's band, the Augie Garcia Quintet, opened for Elvis, and how Cornbread's musical stylings helped create the Minneapolis Sound. The 'Deeper Blues' of Cornbread Harris But it also touches on a more personal story: Cornbread's reunification with son and music producer Jimmy Jam after decades years of estrangement, which was largely made possible by Swensson as she researched her book and became a fixture in Cornbread's life. Don't miss the fun, the stories and the music from this North Star Journey Live conversation, recorded Monday, Aug. 26, with Cornbread, Swensson and special guests at the Minnesota State Fair. And if you want more Cornbread, check out the “Anthology“ of essential Cornbread hits that Swensson put together, in both digital and vinyl form. Guests:Cornbread Harris is a legendary musician, whose career spans more than 70 years in the Minnesota music scene. He still plays a weekly gig at Palmer's Bar each Sunday night. Andrea Swensson is a journalist with a passion for music. Formerly a DJ at MPR's The Current, these days Swensson hosts the official Prince podcast, does deep dives into the Minneapolis music scene and writes books. Her latest is “Deeper Blues: The Life, Songs and Salvation of Cornbread Harris.” Jayanthi Rajasa is multidisciplinary artist and archivist songstress in the Twin Cities. North Star Journey Live (formerly known as In Focus) is a live event series and reoccurring topic on MPR News with Angela Davis centered around what Minnesota's diverse communities need to thrive.Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Spotify or RSS.  Use the audio player above to listen to the full conversation

They said it couldn't last, so we had to prove them wrong... by making an episode of Strong Songs all about Janet Jackson, Jimmy Jam, and Terry Lewis.It's time to go back to the late 80s, when New Jack Swing was all the rage and a budding superstar named Janet sat down with a pair of Minneapolis producers named Jimmy and Terry  to produce some of the most groundbreaking pop music of the decade. This episode takes a look at "Love Will Never Do (Without You)," one of the most complex of their collaborations, and a tune with as many stylistic left-turns as it has orchestra hits.Written by: James Harris III and Terry LewisProduced by: Janet Jackson, Jam & LewisAlbum: Janet Jackson's Rhythm Nation 1814, 1989Listen/Buy: Apple Music | Amazon | SpotifyFEATURED/DISCUSSED:“Casey Kasem's American Top 40 intro from the 1980s, via YouTube“Kiss” by Prince from Parade, 1986“Walking on Broken Glass” by Annie Lennox from Diva, 1992“Like a Prayer” by Madonna from Like a Prayer, 1989“Control,” “Nasty,” and “When I Think of You” by Janet Jackson/Jam & Lewis from Control, 1986"Rhythm Nation" and "Miss You Much" from Rhythm Nation 1814, 1989Emu SP-1200 Beatmaking demonstration by Chief Rugged on YouTubeDiscussion of New Jack Swing, which you can learn more about here“Poison” by Bel Biv DeVoe from Poison, 1990“Alice, I Want You Just For Me” by Full Force, produced by Teddy Riley on Full Force, 1985Estelle Caswell's Vox Earworm video about the Orchestra Hit“The Chain” by Fleetwood Mac from Rumors, 1977OUTRO SOLOIST: Dan NervoThis episode's outro soloist is the fantastic Dan Nervo. Dan plays guitar in the San Francisco Bay Area in bands like Neon Velvet, and also teaches private guitar lessons. Hit him up if you want to get good at guitar: https://www.facebook.com/DanNervoGuitarLessons/----LINKS-----RECAST RECOMMENDATION: "Dawn" by Yebba (featured track: "All I Ever Wanted")SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------AUGUST 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoyRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyAUGUST 2024 HALF-NOTE PATRONSirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans And Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizMichael YorkClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyAlan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Time for Sports Graffiti! Mason and D'Marco are joined by legendary music producer Jimmy Jam! Who has the fastest bat speed in baseball? Where does Ohtani fall on the fastest bat speed in MLB? Wassup Foo! Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and David are thrilled to welcome not one but a dynamic duo of iconic friends -- legendary singer-songwriter and Rock & Roll Hall of Famer Michael McDonald and comedian, actor, writer and author Paul Reiser who have co-written Michael's brilliant new book "What a Fool Believes: A Memoir" which is being released May 21, 2024 on Dey Street Books/HarperCollins. Michael and Paul share the story of their surprising collaboration, along with great stories about Michael's life, his extraordinary experiences with Steely Dan, the Doobie Brothers and as a solo artist. Featuring special guest questions from Jimmy Jam and Emm Gryner. Order "What a Fool Believes" here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.