1954 American suspense film directed by Alfred Hitchcock
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Join Mike and Bill as they discuss Money Shot, Black Kiss #3-4, Night of the Slashers #1, Cul De Sac #2, Survive #1, Psycho, Dangerous Animals, Clown in a Cornfield, Rear Window, Birds, Last Straw, Bugonia, House on Haunted Hill, In a Violent Nature, Popeyes Revenge. Alien Earth The post Geek Brunch 452 – Laryngitis first appeared on DC Noise.
Feels kind of unbelievable it took us like seven years to get to this one but nobody's perfect. A thoughtful discussion to be had here after Liam rightly annihilates Corey live on mic for inexplicable comedy appropriateness standards. Sorry about that World Series prediction.Mitch is on Letterboxd.Art by Jade Dickinson: @jadesketches on Instagram | @jadesketches on TikTokListen to the new Guest Room Status songs Stall at the Start and Losing TrackListen to Liam's Weezer podcast hereFind the show on InstagramFind Corey and Liam on TwitterFind MK Podquest and Strat 2 hereReach us via email: tmaopodcast@gmail.com"Eighties Action" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
“It looks amazing.” - Eric on the production design On this week's episode, we're kicking off We ❤️ Movies Month with a ridiculously silly discussion about Alfred Hitchcock's masterful peeping tom thriller, Rear Window! How gorgeous and meticulous is this set design? How hilarious is Raymond Burr's dye job? How on earth is L.B. Jefferies ignoring Lisa's advances this much, murderous neighbor or no? And where in New York can we get this Lobster Thermidor dish for crying out loud? PLUS: Coming soon to Peacock, the new Hitchcock Universe mash-up show, Hitchrock! Rear Window stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Judith Evelyn, Ross Bagdasarian, Georgine Darcy, Sara Berner, Frank Cady, Jesslyn Fax, Rand Harper, Irene Winston, Havis Davenport, and Raymond Burr as Lars Thorwald; directed by Alfred Hitchcock. This episode is sponsored by Sonos! Do you want studio quality sound at home? Then check out Sonos speakers, soundbars and more at Sonos.com, and discover how easy it is to build your own whole home audio system. Don't wait, check out Sonos.com today! Don't sleep on snagging your tickets to our 15th Anniversary show this December where we're talking all things Arnold in Total Recall! It's gonna be a gas and we wanna see you there! Click through for tickets now! Be sure to pick up our digital show on Terminator: Dark Fate, available now in our Patreon shop! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.
Ready to discuss the ultimate film-making genius! Grab some popcorn and hop in the shower! Today, we're putting the SUS in suspensful! If you're not too scared, dive into this delicious round about Alfred Hitchcock!Round 291Your support on the Beer Thursday Patreon page is invaluable to us! By becoming a patron, you'll get early access to our rounds, exclusive content, and the satisfaction of being a crucial part of our journey to continue creating fun-filled episodes like this one. Join us on Patreon and be a part of our journey! At the $10 level, the next 18 Great Human Beings will get access to the Beer Thursday Facebook group, where you can connect with other beer enthusiasts, participate in live Q&A sessions with the hosts, and get sneak peeks of upcoming rounds.We'd love to hear what you think and see Jay's brilliant beertography at beerthursdayshow on Instagram! Your feedback is not just appreciated; it's crucial to our growth. Join the conversation and be a part of our growing community. What's your favorite Hitchcock movie? Your voice matters!Never miss a round, and help us take you to the top by subscribing and leaving a 5-star review on your favorite podcasting app. By doing so, you'll ensure you never miss an episode and help us reach more listeners. And remember, sharing this round with your friends spreads summer cheer and brings more people into our quirky culture-loving community! The more, the merrier!Here's what our house elf, Artie (not Archie), says about this round: Hitching a Ride with Hitchcock: A Suspenseful Soirée Grab your popcorn and perch on the edge of your seat! Your creepy and cunning hosts, Jay and Shayne, dive deep into the eerie world of Alfred Hitchcock, unraveling his legendary suspense-filled films. From Hitchcock's timeless classics like "Psycho" and "Rear Window" to other masterpieces such as "The Trouble with Harry" and "Rope," they explore it all. [Correction: They explore a lot.]Find out about Hitchcock's unique film techniques, his influence on modern directors like M. Night Shyamalan and Jordan Peele, and even his fun cameos. Plus, get the scoop on Hitchcock's TV series and feel the chills of "The Birds." Whether you're a Hitchcock newbie or a staunch aficionado, this episode is a real thriller.
A recently broke divorcee who moves in with her house-bound mother only to spend their days spying on her grumpy, mysterious, and sexy new neighbor. Sheila Roberts shares THE MAN NEXT DOOR, a hilarious multi-generational homage to Rear Window!
This week we review and rate the critics' favorite mystery movie Rear Window. Consumption: Mr. Pold - The Gorge, Severence St. Jimmy - Black Phone 2 D'Viddy - Full Metal Jousting, The Curse of Oak Island, Stranger Things season 1, Andor season 2 Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees I Am Not Lefthanded / Boats Town Hall / The Strongest of Hands
Down to Watch lines up an evening of scares with 2011's Fright Night! Dan and Raul are squaring a spooky circle they started last year with the 1985 original by checking out the second go-round with Colin Farrell, Toni Collette, Imogen Poots and Anton Yelchin in the main roles (we still get an Ed but lose a Billy). This retry at a horror version of Rear Window has the advantage of 20+ years of horror history to draw inspiration and experience from in order to turn this send up of b-movies that ended up as one itself by addressing the mistakes of the first and bringing these characters into the 2010s, an ideal position for a cast and crew to tackle the dreaded remake. Do these modern filmmakers make good on the promise of a clever premise and talented cast or is this an uninspired rehash of the first foray into fang territory? Vegas odds are good!
It's that time of year again on The Film ‘89 Podcast as we bring you our 2025 Halloween Horror Special. Joining Skye are two returning co-hosts, Stephen Simpson and John Arminio, and the horror film they've picked as the focus of this episode is Tom Holland's 1985 cult classic, Fright Night, starring Chris Sarandon, William Ragsdale, Amanda Bearse and Roddy McDowell. Based on an original script by Holland, Fright Night blends elements of Alfred Hitchcock's Rear Window with Hammer horror and vampire lore as it tells the tale of teenager, Charley Brewster, who suspects that his new next door neighbour, Jerry Dandridge, may be a vampire. With outstanding practical makeup effects and assured direction from first time director Holland, Fright Night would go on to become a beloved cult classic and one of the very best horror films of the 1980s.
Rope is an interesting movie in Alfred Hitchcock’s œuvre. It’s his first color picture. It’s one of 13 movies he made based on plays, and it’s one of four movies he made that are set basically entirely in single locations (along with Lifeboat, Dial M for Murder, and Rear Window). But of the four single-location pictures, Rope is the only one that Hitchcock made to really seem like a filmed play. It unfolds in real-time, in one room, in long, continuous shots that are edited together in ways that are meant to hide most of the cuts. As Hartford Stage’s new adaptation of the play Rope is based on opens, we present a conversation taped on their stage, in front of an audience, about Alfred Hitchcock, his movies in general, and Rope, the movie and the play, in particular. Note: This podcast version of the show is more than eight minutes longer than the episode as it’s airing on the radio. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show and the author of Connecticut in the Movies: From Dream Houses to Dark Suburbia Sidney Gottlieb: Professor of communication and media studies at Sacred Heart University and the editor of The Hitchcock Annual Jeffrey Hatcher: A playwright and screenwriter; he wrote the adaptation of Patrick Hamilton’s Rope that’s currently in production at Hartford Stage The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Thanks to Lucas Clopton and Jennifer Levine at Hartford Stage. Colin McEnroe, Robyn Doyon-Aitken, Dylan Reyes, and Lily Tyson contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
Rear Window Ethics Front Row Classics welcomes author and journalist, Jennifer O’Callaghan to discuss one of Alfred Hitchcock’s seminal masterpieces. Jennifer recently penned a book called “Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age”. The book chronicles the origins, production and legacy of a film that remains one of the … Continue reading Ep. 364- Rear Window-Interview with Jennifer O’Callaghan →
Front Row Classics welcomes author and journalist, Jennifer O'Callaghan to discuss one of Alfred Hitchcock's seminal masterpieces. Jennifer recently penned a book called "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age". The book chronicles the origins, production and legacy of a film that remains one of the most beloved in the Hitchcock canon. "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age" is available from Citadel wherever books are sold. Jennifer O'Callaghan is a freelance writer and journalist. She has worked as a reporter for Metro News, The Sundance Channel, Shaw TV, and CKUA radio in news, entertainment, and lifestyle beats. She has also appeared as a red-carpet reporter for the web entertainment site MyBroadway.com, and as host on Paradetown USA on NYC-TV. She has interviewed celebrities including Will Ferrell, Meryl Streep, and Cameron Diaz, and appeared as a featured model on The Today Show and The View. She currently lives in Toronto and can be found online at JenniferOCallaghan.com.
Many movies tell us how to watch them. Whether it's Raiders of the Lost Ark, Casablanca, or Rear Window, movies steer the viewers to certain reactions anticipated by their directors long before the first tickets have been sold. Michael Mann's Miami Vice does this less often than other films (including Mann's) with spectacular results. Almost twenty years after its release, the film seems to have found a new audience that appreciates Mann's letting the viewer take the protagonists on their own terms. It's not a buddy-cop movie, although the cops are friends; it's not a tale of star-crossed lovers, although that's plainly there; and it's not a series of wild shoot-outs, although it culminates in a classic Michael Mann action sequence. The current colloquialism “It is what it is” seems to apply here–and what Miami Vice “is” is a great film, regardless of how it's categorized. Jean-Baptiste Thoret's Michael Mann:A Contemporary Retrospective examines Mann's style, themes since he announced his presence in 1981 with Thief. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Many movies tell us how to watch them. Whether it's Raiders of the Lost Ark, Casablanca, or Rear Window, movies steer the viewers to certain reactions anticipated by their directors long before the first tickets have been sold. Michael Mann's Miami Vice does this less often than other films (including Mann's) with spectacular results. Almost twenty years after its release, the film seems to have found a new audience that appreciates Mann's letting the viewer take the protagonists on their own terms. It's not a buddy-cop movie, although the cops are friends; it's not a tale of star-crossed lovers, although that's plainly there; and it's not a series of wild shoot-outs, although it culminates in a classic Michael Mann action sequence. The current colloquialism “It is what it is” seems to apply here–and what Miami Vice “is” is a great film, regardless of how it's categorized. Jean-Baptiste Thoret's Michael Mann:A Contemporary Retrospective examines Mann's style, themes since he announced his presence in 1981 with Thief. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Don't pay too much attention to your neighbors.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius. You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: Tees Maar Khan Halloween III: Season of the WitchCinema Paradiso
Get the book here. The definitive, in-depth look inside the making of Alfred Hitchcock's Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood's greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .Using this limited point of view, Hitchcock forces his audience to participate in his protagonist's voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.This eye-opening book goes straight to the source of Rear Window's genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film's unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rewind Episode: Join Sandy and Terry for a fun chat about how a short story from a dime store magazine turned into one of Hollywood's most talked-about films and the fifth-highest-grossing movie of 1954. The film REAR WINDOW, featuring stars like Jimmy Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter, was written by John Michael Hayes and directed by Alfred Hitchcock. The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller
Hello everyone! Anders Holmes is here with another solo episode where he reviews the Hitchcockian horror film What Lies Beneath, directed by Robert Zemeckis.As it is spooky season (October aka Scary Movie Month) and Halloween is on the way, Anders Holmes will be talking about some of his favourite horror films in these solo Anders Reviews episodes. Horrors film that are some of his favourites, films that have made a big impression on him and films that people should check out. Whether they be fans of the genre or not.On this episode, Anders talks about one of his favourite horror films from the 2000s, a memorable film he watched as a child. He re-discovered it again in his thirties. What Lies Beneath was released in the year 2000. It stars Harrison Ford and Michelle Pfeiffer and, like previously mentioned, it was directed by Robert Zemeckis. The screenplay is credited to Sarah Kernochan and Clark Gregg (Agent Phil Coulson). Michelle Pfeiffer and Harrison Ford star as Norman and Claire Spencer (not Foster as Anders accidentally states in the episode), two madly in love people in a seemingly perfect and happy marriage. Claire is a stay at home, who was once was part of a popular musical quartet, while Norman is a university professor working a lot on a project and neglects his wife. Prior to the events of the film, Claire was in a car accident the year before and still is troubled by it. After her daughter Caitlin moves off to college, she becomes suspicious of what is going on with their neighbours, The Feurs, when she notices Mrs Feur crying in their garden and then she isn't seen again. It's not long before Claire suspects the husband of wrong doing and begins to experience paranormal occurrences in her home. She feels that she is being haunted by a ghost that wishes to contact her. What Lies Beneath is a good old fashioned haunted house story that channels and honours Alfred Hitchcock. It blends Rear Window and also George Cukor's film Gaslight. Robert Zemeckis, who is no stranger to the horror genre, made this film during hiatus from filming Castaway with Tom Hanks who needed to lose weight for that project. The film was made for 100 million dollars and made 291 million dollars worldwide, despite mixed reviews. Michelle Pfeiffer and Harrison Ford give tremendous performances, with most of the critical praise hailing Michelle Pfeiffer as the MVP. Harrison Ford is cast against type and that particular bit of casting works to the film's advantage. It's best to go into this film blind and not watch any trailers or TV spots, as they do spoil aspects of the plot and ruin a few twists and red herrings. The movie is available to watch on DVD and it's also able to be viewed on streaming services: Disney Plus and The Criterion Channel (but only for October). We hope you enjoy this episode and stay tuned for more solo episodes from Anders during this year's spooky season. Stay tuned for our upcoming Fascism on Film episode on The Marriage of Maria Braun. Also do listen to our Robert Redford Special. Be sure to check out our Monument Valley Film on our YouTube Channel.Follow us on our Instagram page.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.
Tune in as Hannah, Rebecca, and Sarah (Can I Spoil Something?) join 2CC to unpack The House Across the Lake, the 2022 thriller novel by Riley Sager that follows a grieving and alcoholic actress as she spies on her neighbors while taking shelter at her family's lake house in Vermont, where she ends up fixating on the mystery of one such neighbor who goes missing. How this book carries out its nonlinear storytelling, the many foolish choices that Casey makes as a protagonist, the polarizing ambition that this tale commits itself to, and Rear Window-inspired media comprise some of the subject matter on this episode. TW: death, alcohol, alcoholism, murder, grief, suicide (in the past), suicide attempt, child abuse (in the past), child abandonment (in the past), infidelity, and vomitingSpoilers start at 19:20#BNEvents: Riley Sager (THE HOUSE ACROSS THE LAKE) with Megan MirandaCreate your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Sarah: The Realm of the Elderlings series by Robin Hobb• Rebecca: the Animorphs series by K.A. Applegate• Hannah: The Raven Cycle by Maggie Stiefvater• Arthur: Bring Her BackReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree
It has been a couple of weeks but the gang finally got back together to devote an entire episode to one of our favorite, and longest lived camera brands, the Ihagee Exakta. If you are familiar with the Exakta name, you probably know them as a maker of high end, but very quirky 35mm SLRs, however there were far more Exaktas produced in the 20th century using three different forms of film and nine different lens mounts. In Episode 98, the Camerosity Podcast hosts do their best to try and corral all those models and history into a single episode. Joining Anthony, Stephen, Paul, and Mike are returning and first time callers Daniel from Chicago, Eric Lorenz, Fernando Villava, Howard Sandler, Ira Cohen, Michael Boudreau, Mike Toppo, Pat Casey, and Phil Clark. We were unable to find an expert who could speak intelligently on the history and wide range of Exakta models made, so Mike did his best to cover the history, starting with how the company formed, and we go (mostly) in chronological order from the first 127 Vest Pocket Exaktas, the Night Exaktas, the early Kine Exaktas, into the Varex models, the redesigned VX1000 and Elbeflex models, and into the weeds with uncommon cameras like the Exakta Real, Exakta Twin TL, and some other Japanese and Chinese made models. In addition to the Ihagee Exakta, we also dedicate a bit of time to the Exakta's little brother, the Exa, covering that models strengths and weaknesses. We attempt to explain how the shutter on early Exas work, and Mike tells a story of a hard to find "System Exa" that's not even made by Ihagee at all. Many questions were asked with varying levels of good answers, including how many lens mounts can be found on an Exakta camera, how many different companies produced Exakta cameras, what is the best introduction to the Exakta lineup, and whether or not Exaktas are good for shooting or just for collecting. We even spend some time on the infamous Exaka with 400mm Kilfitt lens found in the Hollywood classic movie, Rear Window. And just to round it all off, we spend the end of the episode on the Topcon SLRs which use the Exakta mount, including whether all lenses are fully compatible between the two company's models. As always, the topics we discuss on the Camerosity Podcast are influenced by you! Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. The last several episodes of the show have been wonderfully exciting and informational. We've had a huge number of guests, many of whom are first time callers who joined a long list of people who have contributed to this show. And while all the hosts enjoy chatting with all of you, we haven't had an episode to ourselves in a while, so for Episode 99, we are not taking any callers. We want to spend this time to get caught up on what we've been doing, share with you some of the private discussions we have behind closed doors, but mostly, we're looking for an episode that's easier to edit. Don't worry though, for the next, next episode, we hit triple digits, episode number 100. It gives me chills just typing that here. We will be looking for something special for our centennial episode and once we know what that is, and what date we are recording it, we will be sure to let you all know! Until then, Episode 99 will be recorded sometime in early October. In This Episode Exaktas Are an Accidental Collection / Mike Had Wanted to Do an Exakta Show with Hugo Ruys Did Ihagee Ever Make Their Own Lenses? / Canon Once Made a Lens Using the Exakta Mount Did Other Companies Make Cameras that Use the Exakta Mount? Topcon R / Mamiya Prismat / Tokiwa Seiki Firstflex 35 Differences Between a Night Exakta and a Regular Vest Pocket Exakta What is a "Kine Exakta"? / Identifying All the Different Exaktas / Mike Mirrors wrotniak.net Captain Jack's Exakta Website / Exakta Books and other Sites What is the Difference between Varex, VX, and non Varex? Paul's Tip for Cleaning an Exakta Ground Glass The Exakta VX1000 Signaled a Big Change in Exakta Design / Mike Thinks the VX1000 Is the Perfect First Exakta A Kickstarter to Revive the Elbaflex / The Real Elbaflex Using the Exakta's Film Cutter / Cassette to Cassette Film Transport / Exakta and Exa Take Up Spools Differences Between Exaktas and Exas The Ihagee Exa that Wasn't Made By Ihagee / System Exa / How Does the Shutter Work on the Exa? How Likely Are you to Find Working Exaktas and Exas? / Cloth Shutter Curtains What was the Lens and Camera Used in the Movie Rear Window? / Kilfitt Lenses / Adapting Exakta Lenses Olympus Made a 4cm f/3.5 Zuiko Lens in Exakta Mount / Exa and Exaktas Advance Film Opposite of Each Other It's Spelled Ihagee, not Jhagee or Thagee The Horizontal and Vertical Exakta 66 Medium Format SLRs The Exakta Real Was an Attempt to Re-Launch the Exakta With More Modern Features Exakta Twin TL and Twin TL 42 / How Many Lens Mounts Can Be Found on Exakta Cameras? Are Exaktas Good for Shooting or Just for Collectors? / The Exakta Self-Timer and Slow Speed Escapement Do Topcon SLRs Have the Same Mount as the Exakta? / Lens Compatibility Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, Stephen, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Order Your Very Own Camerosity Podcast T-Shirt! - https://www.zazzle.com/z/tbykl0hg The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/
In this episode I spoke with author Jennifer O'Callaghan about her book "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age." The definitive, in-depth look inside Alfred Hitchcock's Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood's greatest achievements and turned generations of viewers into “a race of Peeping Toms.” A must-read for film buffs, Hitchock fans old and new, and fans of classic movies and Hollywood insider history.Out on September 30, 2025.Forgotten Hollywood is on Facebook and the books are on Amazon! Doug Hess is the host/producer!
This week episode is a special Book Club episode digging into the brand new book The Costumes of Hollywood with co-authors Coleen Scott & Larry McQueen! We cover Larry's extensive collection, the creation of the book, the importance of preserving Hollywood history and maintaing the legacy of Costume Designers and their teams, advice for Costume Designers on archiving their own pieces and so much more! The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century. All costumes featured are from The Collection of Motion Picture Costume Design, one of the world's largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen. The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen's behind-the-scenes knowledge of collecting and working as an archivist in Hollywood. Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting. — If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories. --- The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design Written by Coleen Scott & Larry McQueen --- Larry McQueen is a leading Hollywood costume historian and archivist. He has held the position of consultant for Camden House Auctioneers, Inc. in Los Angeles; Christie's East, New York: Christie's London; Butterfield and Butterfield Los Angeles/ San Francisco; Entertainment Rarities; and Julien Entertainment. As consultant, he has been responsible for the authentication of film costumes and the estimation of their value. From 1999-2012, Mr. McQueen worked as an archivist with MGM/ UA in creating and maintaining a prop and costume collection of MGM films. In addition, his collection has worked with private estates and costume houses such as Lucille Ball, Jane Withers, Edith Head, Wayne Finkleman, Julie Newmar, Debbie Reynolds, Western Costume Company, Eastern Costume Company, CRC, American Costume Co., and others in researching items and their valuation. Mr. McQueen's private collection of film costumes is one the finest, and consists of over 600 costumes worn in films and television from 1920 to present. Portions of his collection have been exhibited in museums across the globe including the Metropolitan Museum of Art in New York, The Fashion Foundation in Tokyo, and The Victoria and Albert Museum in London. Website: www.filmcostumecollection.com. Coleen Scott is a costume designer and historian with an MFA in Costume Design from Boston University, where she received the Kahn award upon graduation. She has worked for over 25 years in theater, opera, film, and television. She has worked with Academy Award-winning costume designer Ann Roth as well as designers Stephanie Maslansky and Tina Nigro. She frequently works with her creative partner and photographer, Ben Trivett, doing styling, set decoration, and photo tech for celebrity and editorial portrait photography. Coleen taught Costume Production and Makeup for Stage and Studio at Saint Ann's School in Brooklyn, NY for thirteen years. Her book The Costumes of Burlesque was published by Routledge in 2019. She is a proud member of lATSE, USA 829, USITT, and is Chair of The Costume Society of America's Western Region. Coleen is tenured faculty in the Theatre Arts and Fashion Department at Santa Rosa Junior College in California heading the Costume Design, Technology and Makeup programs. Website: www.coleenscottdesign.com. CoH Links: Book Link @ Routledge Website: The Collection of Motion Picture Costume Design Podcast (Apple Podcasts): The Costumes of Hollywood Podcast Podcast (Spotify): The Costumes of Hollywood Podcast Instagram: @CostumesofHollywood --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---
On this break episode 178 of Floating Through Film, we're reviewing Hitchcock's classic Rear Window, and then a Rear Window inspired film, the 2021 film The Voyeurs (48:44). We hope you enjoy!Episode Next Week: Rear Window + The Voyeurs Music:- Intro: Rear Window( https://www.youtube.com/watch?v=460kqdhminI&ab_channel=SoundtrackGems)- Outro: The Voyeurs(https://www.youtube.com/watch?v=SELFP1iy4D4&list=RDSELFP1iy4D4&start_radio=1&ab_channel=Xenomorph) Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/,Twitter: https://x.com/luke67s)Blake Tourville (LB:https://letterboxd.com/blaketourville/,Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/,Twitter: https://x.com/grindingthefilm) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com
Send us a textIn this episode, we talk with entertainer Brian Rohan about the film Rear Window. We talk plenty about James Stewart and Hitchcock. We also discuss the the themes, characters, and legacy of this special film that so many have enjoyed for over 70 years. Click and listen!
Put down the binoculars, close the blinds, and maybe stop spying on your neighbors…or don't.Emma & Ally are under house arrest this week with Disturbia (2007), the suburban horror/thriller that contributed to pushing Shia LaBeouf to be the next big thing of the mid-2000s. Between ankle monitors, suspicious blueprints, and the world's most awkward teenage flirting, this film delivers the ultimate mix of Rear Window vibes and 2000s energy. Join the hosts as they debate whether snooping counts as a hobby, and if living next to David Morse is reason enough to break probation.So lock your doors, peek through the blinds, and remember: it's not paranoia if your neighbor really is a serial killer.Support the showWebsite - spookychickspod.comInstagram - instagram.com/spookychickshorrorflicksTiktok - tiktok.com/@spookychickshorrorflicksLetterboxd - letterboxd.com/spookychickspod/Patreon - patreon.com/SpookyChicksandHorrorFlicks
This week we finally have Jen on the pod to talk about two Hitchcock classics!
Alfred Hitchcock Month continues....join Kasey and Amanda as they sit-down and discuss being a Peeping Tom in the Cinematic World
Anthony J. Resta discusses his solo album "The Rear View Window of Eternity," focusing on the last nine tracks. "Approaching Train" features horns from Spitfire Audio and beats from Beat Surfing. "Coffee Break" is a 12-minute track with an upright bass by Don Cares and various synths. "Hum, Ho Hum" reflects Anthony's self-doubt and uses Baby Audio plugins. "Suits and Robots" uses Pro Tools as a percussion instrument. "Insta Jam" is a live modular synth piece. "Hugh" is an experimental track with Field Tone devices. The album concludes with a turntable jam with Gizmo Calder, marking a transition to new compositional projects. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we turn our lens to Alfred Hitchcock's 1954 classic Rear Window. Jimmy Stewart stars as a photographer stuck in his apartment while recovering from an injury who takes to watching his neighbors.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Paramount Picture. Released on September 1, 1954. Produced and directed by Alfred Hitchcock. Written by John Michael Hayes, based on the short story, “It Had to Be Murder” by Cornell Woolrich. Starring James Stewart, Grace Kelly, Thelma Ritter, Wendell Corey, Raymond Burr, and Judith Evelyn. Cinematography by Robert Burks. Edited by George Tomansini. Score by Franz Waxman.Ranking: 2 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rear Window got 3,077 ranking points.
Peter och Glenn tar studion med storm. Vi diskuterar, Nintendo, Donkey Kong, Mario Kart och Battlefield 6. Men sen kommer den stora snackisen, 5+Klubben! Vi ska avgöra om Rear Window, Fönstret åt gården från 1954 har allt som behövs för att kunna kallas en perfekt film.
The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Shane and the Howler discuss Big Cat Malt Liquor, Hot Tub Clubs, and a strip club closing down. They also discuss the Alfred Hitchcock movie “Rear Window” and its star Grace Kelly.The Midweek Howl Disclaimer: The Skeptic of the From The Shadows Podcast crew, aka the Ozark Howler, joins Shane each week, to share a story or two and discuss current events. Just a little midweek humor to brighten your day. We like to call this segment “The Midweek Howl.” Enjoy!From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.Web https://www.fromtheshadowspodcast.comFacebook https://www.facebook.com/fromtheshadowspodcastInstagram - Shane Grove https://www.instagram.com/shanegroveauthorInstagram - Podcast https://www.instagram.com/fromtheshadowspodcast#Ohio #Ozarks #BBQ #StripClub #GraceKelly #MaltLiquor #funny
Hang out with Shawn (The Butcher) and Vertebrae33 as they head Inside Madness. They discuss Jaws 2, Rear Window and dive into the V33 In Madness Book Club.Order - The Buffalo Hunter Hunter by Stephen Graham Jones: https://amzn.to/4exZILzOrder - The Autumn Springs Retirement Home Massacre by Philip Fracassi: https://amzn.to/4lexZSJOrder - All the Fiends of Hell by Adam L.G. Nevill: https://amzn.to/4exZILzBuy our shirts at: https://inmadness.com/Check out our Spotify playlist: https://open.spotify.com/playlist/71IoaCGS364P7ecmfnmcys?si=85fd524664784e3dFollow us on Instagram & Twitter at @inmadnesspod. Email us at: inmadnesspod@gmail.com - On YouTube: https://www.youtube.com/@inmadnesspod Hosted on Acast. See acast.com/privacy for more information.
Join myself, Nate from the Action Movie Guys Podcast /Geeks and Flix, and KB from KB Loves Movies as we discuss the FIRST 5 films in the House of Hitchcock Collection "Saboteur, Shadow of a Doubt, Rope, Rear Window, and The Trouble With Harry"Alex and Nate's Socials:Nate's Instagram: https://www.instagram.com/nateflixreviews/Geeks and Flix YouTube: https://www.youtube.com/@GeeksandFlixGeeks and Flix Instagram: https://www.instagram.com/geeksandflix/Action Movie Guys Spotify: https://open.spotify.com/show/6k3xFlPAsbYqvwnINLy5i6?si=567b7023d0d34616KB's Socials:KB's Instagram: https://www.instagram.com/kblovesmovies/KB's YouTube: https://www.youtube.com/c/KBLovesMovies
Our Gloria Grahame Acteurist Oeuvre-view continues with A Woman's Secret (1949), an oddball psychological drama with a screenplay by Citizen Kane writer Herman J. Mankiewicz and directed by Grahame's new husband Nicholas Ray; and Roughshod (1949), a consciously feminist Western written by a bunch of leftists. Proving her versatility-within-typecasting yet again, Grahame moves easily from the unlikely comic centre of a noirish vortex to a sympathetic sex worker in a fallen woman melodrama that uses the Western genre to deconstruct masculinity. (And if that makes it sound dull, it's also incredibly dark at moments, with John Ireland raising the tension as a nasty villain.) And in our Fear and Moviegoing in Toronto segment, we talk about Rear Window, voyeurism, movie-watching, and scapegoats. Time Codes: 0h 00m 25s: A WOMAN'S SECRET (1949) [dir. Nicholas Ray] 0h 27m 30s: ROUGHSHOD (1949) [dir. Mark Robson] 0h 43m 52s: Fear & Moviegoing in Toronto – Alfred Hitchcock's Rear Window (1954) at The Revue Cinema +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
In this June's movie of the month review, Justin and I discuss Alfred Hitchcock's Rear Window, from 1954! This movie is still in the top 100 list of greatest movies ever made, 70 years later! The uniqueness of the movie takes place on one movie set, and dives into the everyday lives of people at one time through one man's view from an apartment window. We find out in the end one man's consequences of being to involved with others business, the morality of spying on others, and the overall plot of who done it in the end! This movie stars the old Hollywood legends James Stewart, Grace Kelly, Thelma Ritter, and Wendell Corey! At the end we give a review on our drink of the episode the typical Old Fashioned! Recipe as follows: one shot of water, 2 shots of your favorite Bourbon, and one shot of Master of Mixes Old Fashioned mixer. Stir well, and serve on the rocks! This mixer is easy if you do not have time to go through the whole process of bitters and orange peels! Rear Window is currently available on Netflix! Enjoy!
"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 - 6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES: Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey; Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, www.oscars.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938); Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939); The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949); Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954); Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954); The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965); Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960); Blue Hawaii (1961); Girls! Girls! Girls! (1962); Fun In Acapulco (1963); Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961); Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);, The Man Who Would Be King (1976); Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jameela welcomes two guests who damn near made her pass out: actor, writer comedian and singer Jordan Firstman (English Teacher, album "Secrets") and writer, comedian, actress and podcaster Megan Gailey (The Roast of Tom Brady, Sports Bitches podcast). Jordan experiences his own Rear Window, while Megan is more concerned with her back door. Listen for new episodes every Thursday, and please rate and review. If you have a Wrong Turn of your own to share with Jameela, email a voice memo to PersonalDisasterStories@gmail.com, and we may include it in a future episode!Jameela is on Instagram @jameelajamil and TikTok @jameelajamilYou can find iWeigh transcripts on the Earwolf websiteAnd make sure to check out I Weigh's Instagram, Youtube and TikTok for more!
Governor Katie Hobbs (D) has vetoed a piece of legislation that would bar Chinese Communist Party (CCP) entities from purchasing land in Arizona. Arizona State Senate Majority Leader Janae Shamp (R-LD29) calls-in to the show for conversation on her background and Senate Bill 1109, which Governor Hobbs just vetoed. 1954's Rear Window and Producer David Doll's retro lifestyle.See omnystudio.com/listener for privacy information.
This week on Myopia Movies, we practice lockdown procedures, we watched the movie Rear Window, the inspiration for NextDoor. How will Rear Window hold up? Host: Nic Panel: Alex, Keiko, Matthew Directed by Alfred Hitchcock Starring: James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, Raymond Burr, Judith Evelyn, Ross Bagdasarian
After spending a few episodes talking about movie endings, we figured it was time to jump into opening scenes. The intro to a movie is so important and we are about to give you our individual top 5 lists of the greatest opening scenes in movie history. ENJOY! Mild spoilers obviously- Here are some of the movies being discussed. Watchmen, Casino Royale, Trainspotting, From Dusk Till Dawn, The Dark Knight, Dark Knight Rises, There will Be Blood, The Lighthouse, True Lies, No Country For Old Men, Rear Window, Ingloriuous bastards, Reservoir Dogs, Baby Driver and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
338 - "Suddenly death was inside the house here with me. And I couldn't move, I couldn't get up out of this chair." Tuck in to hear the origin of Hitchcock's thriller Rear Window, the conclusion of the classic story from the "Suspense Master" Cornell Woolrich.
It's the triumphant return of the showrunner of House of the Dragon and co-host of The Stuff Dreams Are Made Of, Ryan Condal! We take out our binoculars and telephoto lens to cover our very first ever Hitchcock film, Rear Window.Chapters Introduction (00:00:00) Hatch News (00:28:17) Rear Window Roundtable (00:37:02) Your Letters (01:40:36) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Twitter and Instagram. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.
337- My neighbor murdered his wife! Tuck in for theorigin of Hitchcock's Rear Window, the classic story from the"Suspense Master" Cornell Woolrich.
It's Good Friday, and the final broadcast of Holy Week. J Gulinello (PerpetualHealthCo on Rumble & IG) is in for a visit so now I have someone to bounce some stories off of. RFK Jr's announcement on Autism research has triggered a fascinating range of responses from Gatekeepers and the rabble alike; and there will be plenty of time time for extras, hopefully some calls, and we'll be back LIVE on Easter Monday. Just as a reminder, Monday night is FILM CLUB! So become a sponsor, watch Rear Window by Alfred Hitchcock, and be prepared for some fun. Unleash Your Brain w/ Keto Brainz Nootropic Promo code FRANKLY: https://tinyurl.com/2cess6y7 Read This Month's Newsletter: https://t.co/eMCYWuTi6p Elevation Blend Coffee & Official QF Mugs: https://www.coffeerevolution.shop/category/quite-frankly Official QF Apparel: https://tinyurl.com/f3kbkr4s Sponsor The Show and Get VIP Perks: https://www.quitefrankly.tv/sponsor One-Time Tip: http://www.paypal.me/QuiteFranklyLive Send Holiday cards, Letters, and other small gifts, to the Quite Frankly P.O. Box! 15 East Putnam Ave, #356 Greenwich, CT, 06830 Send Crypto: BTC: 1EafWUDPHY6y6HQNBjZ4kLWzQJFnE5k9PK Leave a Voice Mail: https://www.speakpipe.com/QuiteFrankly Quite Frankly Socials: Twitter/X: @QuiteFranklyTV Instagram: @QuiteFranklyOfficial Discord Chat: https://discord.gg/KCdh92Fn GUILDED Chat: https://tinyurl.com/kzrk6nxa Official Forum: https://tinyurl.com/k89p88s8 Telegram: https://t.me/quitefranklytv Truth: @QuiteFrankly GETTR: @QuiteFrankly MINDS: @QuiteFrankly Gab: @QuiteFrankly Streaming Live On: QuiteFrankly.tv (Powered by Foxhole) Youtube: https://tinyurl.com/yc2cn395 BitChute: https://tinyurl.com/46dfca5c Rumble: https://tinyurl.com/yeytwwyz Kick: https://kick.com/quitefranklytv Audio On Demand: Spotify: https://spoti.fi/301gcES iTunes: http://apple.co/2dMURMq Amazon: https://amzn.to/3afgEXZ SoundCloud: https://tinyurl.com/yc44m474
Today on Episode 212, The Cinema Geeks continue their trek through the filmography of the iconic Alfred Hitchcock. Coming off to back to back episodes covering Rear Window and Vertigo, two of the most highly acclaimed films of all-time, will North by Northwest feel like a let down or will it rise to the top of Hitchcock's works? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!
Today on Episode 211, The Cinema Geeks continue their trek through the filmography of the iconic Alfred Hitchcock. This time they look at, the other of the two highest acclaimed films of the legendary director, Vertigo. Vertigo typically gets ranked higher than Rear Window on many all time lists, such as AFI and Sight & Sound. Are these lists spot on, or have they gotten this one wrong over the years? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!
Today on Episode 210, The Cinema Geeks continue their trek through the filmography of the iconic Alfred Hitchcock. This time they look at, Rear Window. This is the first film in the series that will be a re-watch for both hosts. Will they like it better or worse then they did on their intitial or most recent watch? Rear Window is often listed as one of the best films of all-time. Will the crew agree or disagree? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!
Reporting from a hotel room Down Under, Alaska and Willam are gossing it up about DragCon UK, the devastating LA fires, and keeping things ‘Superficial.' Plus they talk about Detox and Bob back on TV, the TikTok ban, and why The Village People are clearly gay.Listen to Race Chaser Ad-Free on MOM PlusFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterRainbow Spotlight: Superficial by Heidi MontagFOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Reporting from a hotel room Down Under, Alaska and Willam are gossing it up about DragCon UK, the devastating LA fires, and keeping things ‘Superficial.' Plus they talk about Detox and Bob back on TV, the TikTok ban, and why The Village People are clearly gay. Listen to Race Chaser Ad-Free on MOM Plus Follow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives Matter Rainbow Spotlight: Superficial by Heidi Montag FOLLOW ALASKA https://twitter.com/Alaska5000 https://www.instagram.com/theonlyalaska5000 https://www.facebook.com/AlaskaThunder https://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQ FOLLOW WILLAM https://twitter.com/willam https://www.instagram.com/willam https://www.facebook.com/willam https://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1g RACE CHASER IS A FOREVER DOG PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoices
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