Podcasts about Nick Drake

Anthony Phillips, founding Genesis guitarist, joins Jason Barnard to talk about the formation of Genesis, his departure, and his latest album, Gemini – Pieces For Piano. He traces the Genesis story back to Charterhouse and the summer of 1967, when he first heard a 12-string guitar. Peter Gabriel’s theatrical stage persona came about through necessity, filling dead time while Phillips and Mike Rutherford fought with temperamental instruments. The jump from From Genesis To Revelation to Trespass has always looked abrupt; Phillips explains it simply: he and Rutherford spent the eight months between recording and release writing constantly, with ‘Dusk,’ ‘White Mountain’ and ‘Stagnation’ sketched out before the debut had even flopped. Then there’s the stage fright. Not ordinary nerves but sudden mid-performance blanks that came on after glandular fever. He was eighteen and never told anyone. There’s also a brief exchange with Nick Drake, playing the same indifferent university crowds. When Drake learned Phillips had written ‘Let Us Now Make Love,’ he said one word back: “Dangerous.” The conversation also covers his classical studies, the troubled release of The Geese and the Ghost, and writing the title track of Gemini. Further information Anthony Phillips website, Gemini – Pieces For Piano Support The Strange Brew Podcasts also available: Anthony Phillips (2019), Tony Banks (2024),  Tony Banks (2019), Steve Hackett (2022), Steve Hackett (2020), Bill Bruford, Chester Thompson This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Anthony Phillips, Genesis, A Life In Music appeared first on The Strange Brew .

Multi-platinum songwriter and musician Fiona Bevan and pianist Keelan Carew are Jeffrey and Anna's studio guests as they add five more tracks, taking us from Ray Charles letting loose for the first time, to a famous riverboat steamer on the Mississippi via Mozart and Nick Drake.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Mess Around by Ray Charles Kyrie from the Mass in C Minor by Mozart From the Morning by Nick Drake Fields of Gold by Eva Cassidy Proud Mary by Ike & Tina Turner Other music in this episode:Soul Bossa Nova by Quincy Jones Violin Partita No. 2 in D Minor (the Chaconne) by J.S. Bach Over the Rainbow by Eva Cassidy Fields of Gold by Sting Little Things by One Direction

"Of Ghosts And Gods" The New Jersey-born, Harvard educated David Berkeley is one of modern music's true renaissance men. Now, people throw that term out a tad lazily but in the case of Berkeley, it truly fits. Aside from releasing close to ten perfect albums, including The Confluence, Some Kind Of Cure and Oh Quiet World, Berkeley is an author, a label owner, and he's been a river rafting guide, a band manager, a travel writer and a creative writing teacher. A writer of tremendous depth, focus and sensitivity, much like Paul Simon or Nick Drake, Berkeley has the uncanny ability to slow the world down and hold it still. Informed by actual geography as well as the geography of loss and emotional reconstruction, Berkeley's songbook is a wondrous collection of compositions that gaze out at the map of the human heart with effortless poeticism and grace. He's toured with Billy Bragg, Ben Lee and Gary Jules, appeared on This American Life and played South By Southwest and he's one of the most consistently critically-acclaimed musicians around. He's also one half of the aforementioned transatlantic folk duo Sons Of Town Hall. Along with singer/songwriter Ben Parker, Sons Of Town Hall are hard to describe, but I'm going to try. Under the guises of Parker's George Ulysses Brown and Berkeley's Josiah Chester Jones, Sons Of Town Hall are fictitious 19th Century Victorian-era vagabonds who sing about their travels by way of a kind of magical hand-built raft. Falling somewhere between Coleridge, Lord Byron by way of Simon and Garfunkel's Wednesday Morning, 3AM, Sons Of Town Hall's new album Of Ghosts and Gods is a stirring collection of songs about travel, friendship, following your heart and staying afloat while doing it. www.davidberkeley.com (http://www.davidberkeley.com) www.sonsoftownhall.com (http://www.sonsoftownhall.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast: IG + BLUESKY + THREADS: @emberspodcast

Mon invitée dans cet épisode du Volume sur 11, Marie, alias Slow Jane, chanteuse, pianiste et guitariste parisienne. Une conversation douce et précise avec une artiste qui fait de l'indépendance un principe autant qu'une esthétique : six ans après son premier album, elle revient avec Aquarius, entièrement autoproduit, entièrement joué par elle — piano, guitare, basse, synthés, clarinette et même les cymbales.Une conversation où l'on parle de tout : la genèse d'Aquarius, pourquoi elle écrit en anglais, la recherche de l'authenticité comme fil conducteur de ses textes, les influences fondatrices : folk avec Nick Drake qu'elle a découvert un peu par hasard, Neil Young, Joni Mitchell, mais aussi The Cure, Radiohead, Massive Attack ou Garbage. Son album, Aquarius, sort le 12 juin.Crédit photo : Cloé ChaudonDe la musique avant toute chose (Verlaine) Avec le volume sur 11 (Spinal Tap)On n'a jamais autant produit de musique qu'aujourd'hui. Chaque jour, plus de 100 000 nouveaux titres atterrissent sur les plateformes. Pour les artistes, difficile de se faire connaître dans tout ce bruit.Dans Le Volume sur 11, Antoine Dubuquoy va à la rencontre des artistes. Chaque épisode est une conversation. Le Volume sur 11, c'est de la pop, du rock, de l'electro, du metal, du punk, du rap… Ouvrez vos chakras !Instagram : Dubuc | Le Volume sur 11Réalisation : Antoine DubuquoyMusique du générique : NezickDesign logo : Tess RozoHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

As primeiras fases da etapa neozelandesa não causou surpresa.A temporada 2026 da WSL é um Tour de force bananeiro, parecido com Royce Gracie em 1993 e 94- há sempre luta, o Brasil não tem adversários.Quando os estrangeiros colocam a cabeça pra fora d'água, aparece logo outra onda para oferecer um caldo ainda mais longo.A trilha do episodio tem Isolation com os Balu Brigada, Seu Jorge (com Beck!) tocando um Cover do Nick Drake, River Man e Muito, clássico do Caetano Veloso, do disco homônimo de 1978.

Potterhouse - "Hands of Time" - Tickin' https://www.wfmu.org/playlists/shows/163901

In the fifteen years since Emma Louise wowed us with her debut single 'Jungle', she's shown all sides of herself, singing her story with vulnerability and reflection.Last year, Emma released the collaborative album Dumb with producer Flume. But it's been 8 years since her last solo album, the daring and romantic Lilac Everything. This week, she returns with Sunshine for Happiness, an album that was actually recorded in 2019. Emma Louise joined Zan to talk more about the changes in her life between recording and release and to share her song selections in the theme of 'Before and After'.Emma Louise's song choices:Paul Simon – Still Crazy After All These YearsNick Drake – Pink MoonBruno Mars – Versace on the FloorDijon – The DressAlice Coltrane – Govinda Jai Jai00:51 Introduction to Emma Louise05:27 The theme of Before and After10:15 Paul Simon - 'Still Crazy After All These Years'11:30 Mexico holiday and Nick Drake14:35 Nick Drake - 'Pink Moon'15:45 New album and longlining for things21:55 How a pricey ride home led to discovering Bruno Mars25:26 Bruno Mars - 'Versace on the Floor'27:02 Sneak peak of Djion29:33 Djion - 'The Dress'30:45 Suffering, redemption and recognising the good times37:15 Alice Coltrane – 'Govinda Jai Jai'38:20 Wrap-up and next weeks guestShow notes:If you need someone to talk to, call Lifeline on 13 11 14.Edited by Craig Schuftan.

Nick Drake lést langt fyrir aldur fram, hafandi ekki hugmynd um þau áhrif sem stuttur tónlistarferill hans myndi hafa á fjölmargar kynslóðir á eftir honum. Þriðja og síðasta platan hans, Pink Moon frá 1972, er sú besta. Athugið að í þessum þætti er fjallað um sjálfsvíg. Ef ein­stak­ling­ar glíma við sjálfs­vígs­hugs­an­ir er bent á hjálp­arsíma Rauða kross­ins 1717 og netspjall Rauða krossins á 1717.is.

Evan Tanenbaum of Simple Son joined us on the podcast and shared how his background as a cellist and influences like Nick Drake and Joanie Mitchell influence his open tuned finger styled guitar playing.    For more from Simple Son:  https://www.instagram.com/the_simple_son https://thesimpleson.bandcamp.com/album/the-other-side https://open.qobuz.com/simpleson    

On this episode of Songs of Our Lives, it's Chaz Prymek! The main question here is how in the hell did it take me so long to have Chaz on the show? That's all on me. Anyway, this is such a fun episode - we had a blast hanging out, talking about his new duo record with friend-of-the-show, Matthew Sage, and a whole host of great songs from Tupac, Roberta Flack, Ross Gay, Nérija, Eddie Kendricks, Bola Sete, Indigo Sparkle, Nick Drake + more!Listen to all of Chaz's picks HERE“Shelter”Chaz's WebsiteLake Mary BandcampChaz on IGSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListMississippi John Hurt “Short'nin' Bread”Tupac “Thugz Mansion” (Acoustic)Megafaun “Volunteers”Eddie Kendricks “Each Day I Cry A Little”Ravel “Miroirs III”Red Hot Chili Peppers “Sir Psycho Sexy”Incubus “Privilege”Roberta Flack “The First Time Ever I Saw Your Face”D'Angelo “I Found My Smile Again”Justin Bieber at the 2026 GrammysRoss Gay “Catalog of Unabashed Gratitude”Nérija “Riverfest”Indigo Sparkle “Wolf”Bola Sete “Ocean Waves (O Mar)”Nick Drake “Pink Moon”Jordan Knecht “Blue Mountain Beach”

Today's poem is from Perihelion: A History of Touch by Franny Choi. The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “Today's poem is about the snow moon, the first full moon of February. The explanation behind the name “snow moon” is fairly straightforward: February is often the snowiest month. After reading this quiet stunner of a poem, I was inspired to turn on one of my favorite Nick Drake songs, “Pink Moon.” I highly recommend this poem/song pairing.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

When he was 19, New Yorker Brian Cullman covered the London music scene for Crawdaddy, landing at the birth of folk-rock and the singer-songwriter boom and watching its leading lights from unimaginably close quarters - Sandy Denny, Nick Drake, John Martyn among them. He even played on the same bill as Drake at Les Cousins club, all this recorded in his book ‘How To Prepare for the Past: Travels in Music and Time'. He talks to us here about that golden age and the American stars he met later, stopping off at … … Ed Sullivan at the shoe-shine: “in six months the Beatles will be lucky to be playing a bowling alley!” … Nick Drake in the same clothes he wore on the cover of Five Leaves Left … Sandy Denny: “She knew she was extraordinary but didn't know if she was any good” … Jackson Browne, onstage from the age of 12 … being hired by rock encyclopaedist Lillian Roxon, “my fairy godmother” … Tim Hardin making Bird On A Wire, “so wasted they followed him round the room with a microphone” ... and “14 hotdogs”? The cavernous appetite of Big Joe Turner. Order ‘How To Prepare for the Past' here: https://www.amazon.co.uk/How-Prepare-Past-Travels-Music/dp/B0FTS8ZPTW Or here: https://www.zebooks.com/books/how-to-prepare-for-the-pastHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

When he was 19, New Yorker Brian Cullman covered the London music scene for Crawdaddy, landing at the birth of folk-rock and the singer-songwriter boom and watching its leading lights from unimaginably close quarters - Sandy Denny, Nick Drake, John Martyn among them. He even played on the same bill as Drake at Les Cousins club, all this recorded in his book ‘How To Prepare for the Past: Travels in Music and Time'. He talks to us here about that golden age and the American stars he met later, stopping off at … … Ed Sullivan at the shoe-shine: “in six months the Beatles will be lucky to be playing a bowling alley!” … Nick Drake in the same clothes he wore on the cover of Five Leaves Left … Sandy Denny: “She knew she was extraordinary but didn't know if she was any good” … Jackson Browne, onstage from the age of 12 … being hired by rock encyclopaedist Lillian Roxon, “my fairy godmother” … Tim Hardin making Bird On A Wire, “so wasted they followed him round the room with a microphone” ... and “14 hotdogs”? The cavernous appetite of Big Joe Turner. Order ‘How To Prepare for the Past' here: https://www.amazon.co.uk/How-Prepare-Past-Travels-Music/dp/B0FTS8ZPTW Or here: https://www.zebooks.com/books/how-to-prepare-for-the-pastHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

When he was 19, New Yorker Brian Cullman covered the London music scene for Crawdaddy, landing at the birth of folk-rock and the singer-songwriter boom and watching its leading lights from unimaginably close quarters - Sandy Denny, Nick Drake, John Martyn among them. He even played on the same bill as Drake at Les Cousins club, all this recorded in his book ‘How To Prepare for the Past: Travels in Music and Time'. He talks to us here about that golden age and the American stars he met later, stopping off at … … Ed Sullivan at the shoe-shine: “in six months the Beatles will be lucky to be playing a bowling alley!” … Nick Drake in the same clothes he wore on the cover of Five Leaves Left … Sandy Denny: “She knew she was extraordinary but didn't know if she was any good” … Jackson Browne, onstage from the age of 12 … being hired by rock encyclopaedist Lillian Roxon, “my fairy godmother” … Tim Hardin making Bird On A Wire, “so wasted they followed him round the room with a microphone” ... and “14 hotdogs”? The cavernous appetite of Big Joe Turner. Order ‘How To Prepare for the Past' here: https://www.amazon.co.uk/How-Prepare-Past-Travels-Music/dp/B0FTS8ZPTW Or here: https://www.zebooks.com/books/how-to-prepare-for-the-pastHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Recorded in just two midnight sessions with nothing but a guitar, a piano, and a single microphone, Nick Drake's Pink Moon (1972) is a haunting departure from the lush orchestrations of his earlier work. It's a record of absolute solitude—stripped of all artifice and reduced to its barest essentials. This week, the Random Album Generator finds the quietest masterpiece in the folk-rock canon.Inside This Episode:Side A Reaction: This record is famously short, so we're moving quickly. If you're listening with us, pause after track five, "Hazey Jane II." Jeremy and Jon react to the eerie intimacy of Drake's vocals and his incredible, intricate guitar work.5 Fast Facts: We uncover the mystery of how these tapes were delivered to the label, the "one-piano-overdub" rule, and how a car commercial 27 years later turned this forgotten record into a cult phenomenon.Side B & Final Thoughts: we finish the final six tracks and discuss the heavy silence that follows the closing notes. Is this an album of despair, or is there a hidden light in the minimalism?The Verdict & Standout Tracks: We pick our top 3 essential tracks. Does Pink Moon earn a permanent spot on the "Essential Vinyl" shelf?Join the Polyphonic Press Community: Love collecting classic vinyl or have a definitive pressing of Stand! you want to talk about? Reach out and let us know! Website | Join the community on Patreon | Contact

Nick Drake shares a message on how Jesus is a good shepherd to us.

Luca Ragagnin"I dieci passi di Nick Drake"Miraggi Edizioniwww.miraggiedizioni.itLa breve, imperscrutabile esistenza e l'opera musicale di Nick Drake, raccontata da lui stesso.Il cantautore inglese Nick Drake (1948-1974), autore di soli tre dischi ignorati all'epoca e diventati dei capisaldi del folk-rock britannico, racconta la propria vita con una voce-flusso di coscienza che giunge dall'indistinta terra della post-morte. Da laggiù, Drake ripercorre la sua infanzia, la passione per la musica, l'inadeguatezza nei confronti di tutto ciò che sta al di fuori di una canzone, a partire dai sentimenti e dai legami terreni, la difficoltà di integrarsi e accettare le regole commerciali dell'arte.Questo romanzo delicato e feroce puntella la cronaca della vita di Nick Drake con una voce “ altra ”, che non appartiene a nessuno o forse a tutti i consumatori di opere e che irrompe per dire la sua sulla figura dell'artista assoluto, violento e fragile, e sul ruolo primordiale che ancora gli spetta nella società del futuro. Una voce che procede per rivelazioni oniriche, che prende spunto dall'unico, brevissimo filmato che la posterità ha ricevuto di Drake. Una ripresa muta e sbiadita di una piccola folla che raggiunge il luogo di un festival mai identificato dei primi anni Settanta. Dentro quei dodici secondi si allontana di spalle la sagoma inconfondibile di Nick Drake. Sono appena dieci passi prima di uscire dall'inquadratura. Ma dentro quei dieci passi si raccoglie il futuro a corta scadenza del cantautore e quello di tutti noi che lo ascoltiamo e ringraziamo a distanza di mezzo secolo.Luca Ragagnin incomincia a scrivere racconti e poesie nei primi anni Ottanta e a pubblicare su rivista all'inizio dei Novanta. Nel 1992 il testo teatrale Eclisse del corpo viene rappresentato a Torino e a Bologna presso il Teatro di Leo de Berardinis. Dal 1994 collabora come paroliere con musicisti di varia estrazione. Nel 1995 vince il Premio Montale per la poesia con una silloge inedita, letta nello stesso anno da Vittorio Gassman nel ciclo televisivo «Cammin leggendo» e pubblicata l'anno successivo dall'editore Scheiwiller. Nel 1996 viene invitato al Festival Internazionale di Poesia di Bar, in Montenegro, e un'antologia di sue poesie viene tradotta in serbocroato. Collabora con quotidiani e riviste di vario genere e, dal 1998 al 2003, tiene una rubrica fissa su «Duel», mensile di cinema e cultura dell'immagine. Nel 2007, insieme a Enrico Remmert, adatta per ii teatro il libro Elogio della sbronza consapevole. Lo spettacolo viene portato in tournée in Italia e in Francia da Assemblea Teatro. Nel 2009, sempre con Enrico Remmert, scrive 2984, testo teatrale ispirato a 1984 di George Orwell. Lo spettacolo debutta al Festival delle Scienze di Genova con la regia di Emanuele Conte e la produzione del Teatro della Tosse. Nel 2011 collabora alla stesura di Operetta in nero, testo teatrale scritto e musicato da Andrea Liberovici e scrive, con Michele Di Mauro, Alla fine di un nuovo giorno, spettacolo commissionato da Torino Spiritualità e portato in scena dallo stesso Di Mauro e dal compositore messicano Murcof. Nel 2012 scrive per Lella Costa Elsa Shocking, monologo basato sull'autobiografia di Elsa Schiaparelli Shocking Life, che va in scena il 20 ottobre al Teatro Carignano di Torino. Nel 2014 scrive per Angela Baraldi lo spettacolo The Wedding Singers, che debutta al Teatro della Tosse di Genova, con la regia di Emanuele Conte. Le sue poesie sono tradotte in Francia, Svizzera, Portogallo, Polonia, Romania e Montenegro.È autore di romanzi (Marmo rosso, Arcano 21), racconti (tra gli altri, Pulci e Un amore supremo), testi teatrali (Misfatti unici, Cinque sigilli) e poesie (tra le altre, le raccolte Biopsie e La balbuzie degli oracoli) e testi di canzoni (tra gli altri, per Subsonica, Delta V, Serena Abrami e Antonello Venditti). Con Miraggi ha pubblicato il volume di racconti Musica per Orsi e Teiere; il saggio Capitomboli; insieme ai Totò Zingaro, la trilogia musicale Imperdibili perdenti, composta dai dischi «Il fazzoletto di Robert Johnson», «Salgariprivato» e «Fiodor», di cui è autore di tutti i testi; l'excursus musicale-­narrativo Autoritratto in vinile; e ancora i romanzi Agenzia Pertica, Pontescuro, Il bambino intermittente e I dieci passi di Nick Drake. Nel 2024 ripubblica infine tutte le sue le sillogi poetiche con inediti nel volume Un solco senza seme.www.lucaragagnin.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Send a textIntro: Party in the U.S.A. by Miley CyrusAlbum 16: Live at the BBC by The Beatles (1994)Song 1: I'll Be On My WaySong 2: The Honeymoon SongSong 3: I Just Don't UnderstandAlbum 15: Five Leaves Left by Nick Drake (1969)Song 1: River ManSong 2: Day is DoneSong 3: Fruit Tree

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The field recording I chose is of a gentleman named Thomas Penniman performing an early 20th-century work song about weaving from the Gower Peninsula. It's a strange, compelling and mysterious recording, made in the winter of 1974. There's a repeated refrain, "Mrs Tanner has six sons/And they all sang like thrushes as they worked at the loom", which I loved. But then the song becomes quite angry because the sons have only been given half a herring for breakfast. It's not enough! Mr Penniman beats his fist, and it sounds like both a drum and a piece of wooden machinery thumping. The "song" in this version isn't musical as such, it's somewhere between a passionate poetry reading, an a cappella performance, and, as it goes on, almost like mouth music. Mr Penniman starts out in a determined, lucid way, but seems to lose the thread of the song as he goes on. I pulled at the threads of the recording's story and made discoveries. Thomas Penniman was an American anthropologist, and curator at the Pitt Rivers between 1939-63. The museum website says: "Penniman saw the Museum as aiming, 'to show the origin, development, geographical distribution and variation of the principal arts and industries of mankind from the earliest times to the age of mass production". He was responsible for the organisation of the card catalogue system, which, I suppose, is one reason why information about these field recordings, and the recordings themselves, are easily available to us online today. I liked the sense of a history of technology for this artefact. The song references the Tanner family of weavers, the most famous of which was the Welsh traditional singer Phil Tanner (1862-1950), known as the Gower Nightingale. He performed and remembered - and in doing so transmitted into the future - a body of folk songs in English, using the Gower dialect. They survive through him. His life story conjures up a lost world of Welsh weaving, of family "factories" and mills, and of singing and dancing (I sing, badly, a line from the shearing song "Rosebuds in June"). The Welsh wool industry peaked around the time the song was born, and declined after the early 20th century. The song suggests this industry was no idyll; hard, repetitive labour and poverty is suggested through its refrains and rhythms. The Tanner family has six sons, but they also had a daughter, yet she is not included in the song. Why not, and why was she unsung?I was intrigued by Thomas Penniman and Phil Tanner, and how their personal and other histories were entwined by song and work, and in this specific song as it has come to me. What was I responding to, and how, and why? I liked the way the song carries a memory of the lost world of that industry and time, and I was compelled by how Mr Penniman, who must have heard the song directly from Phil Tanner, starts out so confidently, determined to conjure the song, but loses his way - he was an elderly man by the time of the recording - and ends in a kind of confusion, unable to remember how to finish it. There seemed something moving in all this about how singers and songs are woven on the loom of time, and how the means of that remembering, or passing forward, of the song has evolved through the technologies of the century to our time of the lossless WAV format - which is how we're hearing our pieces. But there are also loose threads, tangles, confusions, snags, knots, widows and losses. I'm a poet, not a musician, so my piece is a poem. It's lo-fi in terms of how I was able to edit together the original field recording and my own text. You can probably hear how hand-made it is, despite the tech. But I like that.There's a tiny moment at the end of the recording when Mr Penniman asks for help to stop the recording, which I found haunting - the strange moment after the song has ended, and we just hear the scratchy particles of lost time. So, I have kept it in.Weaving song from the Gower Peninsula reimagined by Nick Drake.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Una nueva entrega dedicada a recordar canciones que abrían icónicos álbumes de la cosecha de 1971.Playlist;CURTIS MAYFIELD “Get down” (Roots)MARVIN GAYE “What’s going on” (What’s going on)SMOKEY ROBINSON and THE MIRACLES “No wonder love’s a wonder” (One dozen roses)JANIS JOPLIN “Move over” (Pearl)JIMI HENDRIX “Freedom” (The cry of love)SLY and THE FAMILY STONE “Luv n’haight” (There’s a riot goin’ on)GIL SCOTT-HERON “The revolution will not be televised” (Pieces of a man)CAROLE KING “I feel the Earth move” (Tapestry)LEON RUSSELL “Stranger in a strange land” (Leon Russell and The Shelter People)DON McLEAN “American pie” (American pie)NICK DRAKE “Introduction and Hazey Jane II” (Bryter Layter)JONI MITCHELL “All I want” (Blue)Escuchar audio

Interview with singer songwriter Robert Deeble. Born in 1966 in Long Beach, California, Robert cut his teeth as a songwriter in the gritty underground of the LBC, which introduced him to longtime collaborators like drummer Stephen Hodges (Mike Watt/Tom Waits) and folk heroine Victoria Williams, who helped launch his early records. His 1998 release, EarthSide Down, earned notice for its orchestral textures and spirit- infused lyrics—reminiscent of Leonard Cohen and Nick Drake. By his third album, Paste had described him as “truly an arresting talent, able to gain entry to places rarely imagined by most songwriters. Following his This Bar Has No One Left EP in 2005, Deeble completed a Master's degree in psychology—a journey that has deeply informed his songwriting and emotional perspective. His 2012 album Heart Like Feathers marked his musical return, with themes of Robert Deeble - Bio depression and struggle but with “a redemptive hope that brought glimmers of light (Performer Magazine).” Robert emerged again in 2018, with one of his more personal works, Beloved. Born from his experience of fostering and then adopting a child with his wife, the album captures the agony and tenderness of temporarily caring for a child, the heartbreak of letting her go, and, finally, becoming her parent. Robert's recordings over the years have featured such industry veterans as Rachel Blumberg (The Decemberists), Jen Wood (The Postal Service), Tomo Nakayama and others. He has shared bills with artists such as Low, IDA, Jason Molina, Sam Phillips, M. Ward, Over the Rhine, Mike Watt, Damien Jurado, David Bazan and Victoria Williams. The Space Between Us shows Deeble to be a craftsman of understated, emotionally resonant songwriting. Or as Bandcamp put it, "Every new record from Seattle musician Robert Deeble is like stumbling across some secret grotto.   Robert's info:  https://robertdeeble.com/ https://en.wikipedia.org/wiki/Robert_Deeble https://robertdeeble.bandcamp.com/music https://www.instagram.com/rdeeble/?hl=en https://www.facebook.com/robert.deeble.music/ https://open.spotify.com/artist/42LPbMxQThbZsibL4OdqMZ  

Unredacted exchanges about the rock and roll underworld this week highlight the following … … real or made-up stars' kids' names: Speck Wildhorse? Blue Ivy? Everly Bear? Motorhead Michelob? … man plays drum solo with his head! … Olivia Dean, Lola Young, FKA Twigs: what do today's ‘professionals' learn at the BRIT School and what happened to the age of the amateurs? … why Joni Mitchell's life was even more extraordinary before she was famous … Three Dog Night, Kiss, Grand Funk Railroad, Linda Ronstadt: American acts that never broke Britain … rude, racy, naughty, delightful: our love of old pulp paperbacks … “Go to your room, young lady, and play a Nick Drake album in its entirety!” … and when Dandelion became Angela. Plus birthday guest Paul Higham and why most stars' stories need a lively biographer.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Unredacted exchanges about the rock and roll underworld this week highlight the following … … real or made-up stars' kids' names: Speck Wildhorse? Blue Ivy? Everly Bear? Motorhead Michelob? … man plays drum solo with his head! … Olivia Dean, Lola Young, FKA Twigs: what do today's ‘professionals' learn at the BRIT School and what happened to the age of the amateurs? … why Joni Mitchell's life was even more extraordinary before she was famous … Three Dog Night, Kiss, Grand Funk Railroad, Linda Ronstadt: American acts that never broke Britain … rude, racy, naughty, delightful: our love of old pulp paperbacks … “Go to your room, young lady, and play a Nick Drake album in its entirety!” … and when Dandelion became Angela. Plus birthday guest Paul Higham and why most stars' stories need a lively biographer.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Esta semana, en nuestras Islas de Noche, reunimos un puñado de canciones de melodías gloriosas, de esas capaces de arreglarnos días imposibles, cuando no de salvarnos directamente la vida... así de claro. Sesión de las insuperables, dedicada de corazón a todas las náufragas y robinsones "al otro lado del espejo" Suenan: NICK GARRIE - "Deeper Tones of Blue" ("THE NIGHTMARE OF J.B. STANISLAS", 1970) / NICK DRAKE - "Fly" ("BRITER LAYTER", 1970) / COLIN BLUNSTONE - "Her Song" ("ONE YEAR", 1971) / BILL FAY - "Be Not So Fearful" ("BILL FAY", 1970) / PETE DELLO & FRIENDS - "Taking the Heart Out of Love" ("INTO YOUR EARS", 1971) / COLIN HARE - "Find Me" ("MARCH HARE", 1971) / KATHY MCCORD - "Jennipher" ("KATHY MCCORD", 1970) / LINDA PERHACS - "Hey, Who Really Cares?" ("PARALLELOGRAMS", 1970 ) / JUSTINE - "Flying" ("JUSTINE", 1970) / JUDEE SILL - "Crayon Angels" ("JUDEE SILL", 1971) / NILSSON - "I'll Never Leave You" ("NILSSON SCHMILSSON", 1971) / TRADER HORNE - "Better Than Today" ("MORNING WAY", 1970) / CAROLE KING - "Eventually" ("WRITER", 1970) / BEACH BOYS - "All I Wanna Do" ("SUNFLOWER", 1970) / Escuchar audio

Amour, famille, maman solo, des rêves abimés, Paris, New York, Armentières, tout le monde descend ! Nos premiers invités sont Marc Nammour et Loïc Lantoine C'est l'histoire de plein d'histoires. Une ronde de personnages d'horizons multiples. Une série d'incarnations poétiques. Des fragments intimes d'hommes et de femmes portés au plateau. Onze portraits crachés à la première personne qui vont tour à tour se succéder. Voici le petit film intérieur de leurs pensées. Voici l'instantané de leurs états d'âme. Onze battements de monde présentés comme autant de miroirs de notre étrange condition. Pour la #SessionLive, Loïc et Marc se penchent sur les cas de Dylan, Bintou et Rebecca. Titres interprétés au grand studio : Rebecca Live RFI Il n'est vraiment pas pratique à attacher ce siège bébé. Par respect du public, tout terme grossier a été retiré. Mais putain, elle en a dit des gros mots Rebecca. Parce que c'est à Rebecca qu'on s'attache maintenant. Elle est une jeune maman, seule, qui s'agrippe à la vie comme à son fils. Elle s'agrippe parce que tout semble fuir autour d'elle, surtout les bonhommes. Son Papa est passé d'Haïti à Tahiti en passant par Paris, un aventurier, un cavaleur, un connard qu'elle n'a pas vraiment connu. Ahhh, ça démarre mal… Elle a cru une fois en l'amour qui ne l'a pas reconnue et depuis, elle élève seule son fils. Ahhh, ça démarre mal… Elle enchaîne les débrouilles, les boulots, une fois elle a signé un contrat en dur, un vrai, un CDI, Centre de Documentation et d'Information je crois… mais très vite, le boss s'est paraît-il barré avec la caisse. Ahhh, ça démarre mal…. Alors il faut bien vivre. Rebecca enchaîne les boulots précaires et s'est montée un petit trafic. Mais elle, elle touche pas à ces machins de drogues dures, c'est une limite. C'est malhonnête et ça fait mal au nez. Elle n'en est certes pas fière mais vous pouvez la juger, rien n'y fera. Rebecca est dure, comme sa vie. Il est vingt heures et trente, elle installe son fils, son sang, sa vie, à l'arrière de la voiture et part pour sa petite tournée. Ahhh… ça démarre pas…. Bintou Live RFI Bintou est complètement lessivée. Il est vingt heures et trente et elle se met péniblement au lit. Elle a mal partout et la nausée ce soir reprend de plus belle. Le doc lui avait bien dit que ça allait être pénible, qu'il allait falloir s'accrocher et que le moral jouait beaucoup dans sa guérison. Elle sait que ça va être long mais Bintou n'a pas l'intention de se laisser faire. Trente-cinq ans c'est beaucoup trop jeune. Après la stupeur et la désolation à l'annonce de la mauvaise nouvelle, elle suit à présent le protocole médical rigoureusement. Avant d'éteindre la lumière, elle regarde comme tous soirs le dessin d'une de ses nièces qu'elle a accroché au mur où il est écrit : « Tata Bintou t'es la plus forte, j'ai hâte de te revoir cet été. Je pense à toi tous les jours. Gros gros bisous. Hawa ». Elle a dû lire ce mot des centaines de fois depuis le début du traitement. Comme un mantra. Et heureusement qu'elle est bien entourée Bintou. Elle a au moins cette chance. Elle en a pris de la force. Elle en reçoit de l'amour. Après cinq mois de baston, elle s'est fait à l'idée de se transformer en amazone… et quitte à en devenir une, elle sera une amazone avec grave de style…  Dylan Live RFI Le problème avec Dylan, c'est que ça s'écrit comme ça se prononce mais pas toujours… Entendons-nous bien ! Ça s'écrit comme ça devrait se prononcer mais parfois ça dérape. Et au vu, enfin à l'écoute, du conditionnel qui vient de passer, vous avez deviné, lui c'est Djylan. Ça se fait beaucoup dans le nord où il a grandi. Ça donne un petit peu de peps au prénom et qui sommes-nous pour juger ! Il est vingt heures et trente et Djylan, il est parti fumer, un peu en cachette, c'est plus chouette. Il y a un étang pas loin. Djylan il est pas très vieux, il a pas fait sa majorité, il a plus trop de boutons et puis ça l'inquiète pas. Ce qui l'inquiète, c'est autre chose, c'est le monde et ce qu'il s'agirait d'en faire. Mais trop souvent, il s'agit de ce qu'on lui dit, hurle, impose qu'il s'agirait d'en faire. Lui, il voudrait avoir dans les mains un avenir malléable et doux (hop, je le mets comme ça, c'est joli) mais les autres ont sorti les moules et ils sont durs. On lui invente des devoirs et des interdictions. On lui réclame de l'ambition. Mais pour Djylan, l'ambition c'est jamais que du rêve abîmé et lui en rêves, il est plutôt pas mal. Alors des fois, sa tête pourrait exploser. Il crie, un peu, non, fort ! Un coup à shooter dans des rats musqués… mais c'est risqué ! Line Up : Marc Nammour (rap) & Loïc Lantoine (rap). Son : Benoît Letirant, Mathias Taylor. ► Album Portraits crachés  Instagram Nammour - Instagram Lantoine.   Puis nous recevons Barbara Forstner pour la sortie de Long Long Gone Franco-américaine, Barbara Forstner a passé douze ans à New York avant de poser ses valises en France. De son parcours transatlantique, elle garde une passion pour la scène folk et country américaine, qu'elle mêle à une écriture sensible et habitée. Après un premier EP avec son groupe October Baby (The End, paru en juin 2024) et un album remarqué, Nowhere at All, sorti en novembre de la même année, la chanteuse revient aujourd'hui avec son premier album solo, Long Long Gone. Ses morceaux, au climat très cinématographique, invitent à pénétrer son univers. Élevée dans un environnement artistique, Barbara a grandi bercée par les disques de ses parents : Bob Dylan, Sixto Rodriguez et Tom Waits du côté de son père ; Barry White, Al Green ou Simple Minds du côté de sa mère. Très tôt, elle forge son propre panthéon musical, allant de Nick Drake à Cat Power, de Feist à Big Thief.  Chaque titre de Long Long Gone a été capté en une seule prise, pour préserver la vérité de l'instant. Elle soigne aussi l'aspect visuel de son univers, créant elle-même ses visuels à partir de dessins, photographies et collages graphiques. Enregistré en juin 2025 à Paris avec son ami ingénieur du son Léo Aubry, Long Long Gone se présente comme un disque acoustique, brut et vulnérable. Barbara y aborde l'amitié, l'amour, la famille, mais aussi la beauté fragile et la mélancolie du monde. Écrit entre New York et Paris, l'album explore l'amour perdu, les amitiés qui s'érodent, la vie à l'étranger et les rencontres éphémères.  Titres interprétés au grand studio : - To see the World (en duo) Live RFI - Building a Home, extrait de l'album - East Coast (en solo) Live RFI. Line Up : Barbara Forstner (chant, guitare) William Peyrieux (guitare). Son : Benoît Letirant. ► Album Long Long Gone (Raws Prod).  Instagram - YouTube.

Unredacted exchanges about the rock and roll underworld this week highlight the following … … real or made-up stars' kids' names: Speck Wildhorse? Blue Ivy? Everly Bear? Motorhead Michelob? … man plays drum solo with his head! … Olivia Dean, Lola Young, FKA Twigs: what do today's ‘professionals' learn at the BRIT School and what happened to the age of the amateurs? … why Joni Mitchell's life was even more extraordinary before she was famous … Three Dog Night, Kiss, Grand Funk Railroad, Linda Ronstadt: American acts that never broke Britain … rude, racy, naughty, delightful: our love of old pulp paperbacks … “Go to your room, young lady, and play a Nick Drake album in its entirety!” … and when Dandelion became Angela. Plus birthday guest Paul Higham and why most stars' stories need a lively biographer.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Students of classical music know that Johann Sebastian Bach was one of the most important and influential composers of all time…his use of instruments, four-part harmonies, and use of innovative structures in his material were all brilliant… When he was alive, he commanded plenty of respect…but after he died in March 1685, he was almost forgotten…the only reason we talk about him today is that there was a Bach revival in the 19th century…he became a retro hero in the world of classical music… No one knew anything about Robert Johnson when he was alive other than some myths and legends among hardcore fans of Delta Blues…but when his records were reissued in 1961, 23 years after he died, did his reputation explode… Charles Mingus was revered by fellow jazz artists…it was only after he passed away in 1979 that his influence on jazz was celebrated… We can also talk about posthumous praise for Nick Drake, Jeff Buckley, and Elliott Smith…and although Tupac and Biggie were big stars when they were shot, they became even bigger stars in death… I'm going to add another name to this list: Ian Curtis and Joy Division…when Ian took his own life in May 1980, he and the band were so skint that he had to give his dog away because he and his wife couldn't afford to feed him… Today, though, Ian and Joy Division are acknowledged as one of the most important and most influential post-punk bands ever…why?...what was the big deal about Joy Division? And why do they continue to be a big deal?...let's examine this. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's Talkhouse Podcast, we've paired up two songwriters who love to wander musically but whose recordings are tough to mistake for anyone else's. It's Luke Temple and Will Westerman. Temple has been making incredible records at a pretty solid clip since around 2005, first making a real splash as part of a trio called Here We Go Magic, whose four-album catalog is legendary in certain circles. But Temple has also recorded fantastic records under his own name, under the alias Art Feynman, and, more recently, with Luke Temple and the Cascading Moms. That name is a little funny, kind of like his music—there's humor but also a little bit of menace hiding underneath sounds that sometimes flirt with ‘70s soft-rock in the best ways. Check out “Echo Park Donut,” which is out this month on the new Cascading Moms record, Hungry Animal. The other half of today's chat, Will Westerman, invited Temple to play on his 2023 album An Inbuilt Fault, and as you'll hear they sound eager to meet and perhaps work together again. Westerman has been releasing music under his last name since 2020, crafting subtly mellow records that reveal something more intense when you listen to his lyrics. The third and latest Westerman album, A Jackal's Wedding, came out last fall, and it's another evolution in his sound—it's been compared to mellow greats like Talk Talk, Tindersticks, and Nick Drake, so if those names mean anything to you—and they should—give it a shot. Check out “Mosquito” from A Jackal's Wedding right here. This conversation between Temple and Westerman may have been the furthest geographically we've ever recorded: Temple was at home in Los Angeles and Westerman at home in Milan, where he recently moved after spending several years in Greece. These two talk about being recently married, about growing as artists and perhaps tricking yourself in the process, and about the very different places they now live. Enjoy. 0:00 – Intro 2:35 – Start of the chat 4:35 – On Los Angeles and gentrification in Echo Park 9:39 – Westerman on Milan, Greece, and learning new languages 13:20 – On Luke Temple's new album, Hungry Animal 19:50 – On tricking yourself to keep the creative process fresh 20:57 – On art and "the capitalist need to innovate" 24:50 – Comparing the musical heritage between the US and UK 28:25 – On the spirit of Jazz and Hip-Hop 30:38 – How technology caused the death of regionalism Thanks for listening to the Talkhouse Podcast, and thanks to Will Westerman and Luke Temple for chatting. If you liked what you heard, please check out both of their great new records, and please follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by The Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

#sessionLive qui voyage de Salvador de Bahia à Lisbonne, en passant par Barcelone ! Tigana Santana, 1er invité de la #SessionLive en trio Chanteur, compositeur, guitariste, né dans la ville afro-brésilienne de Salvador à Bahia, Tiganá Santana excelle de talents tant dans la musique que dans sa carrière de philosophe et chercheur. L'ancestralité et la culture africaine inspirent la musique de cet artiste polyglotte, premier artiste brésilien à chanter et composer en langues africaines comme le kikongo et kimbundu d'Angola et du Congo. Sa plume et sa voix s'exercent aussi, avec le même brio, dans les sonorités de sa langue portugaise natale, en espagnol ou encore en anglais, ou français. S'il est souvent appelé « le Nick Drake brésilien », c'est certainement grâce à son univers très intimiste et à sa voix chaude et rauque. Caçada Noturna, septième album de Tiganá Santana, enregistré à Serpa, dans les terres portugaises, avec les musiciens et amis Leonardo Mendes et Ldson Galter, est basé sur des instruments à cordes, concrétisant ainsi un projet que Tiganá attendait depuis un certain temps.  Titres interprétés au grand studio - Muloloki Live RFI  - Nkongo, extrait de Caçada Noturna (2024) - Flor Destinada (effleurer le destin) Live RFI.   Line Up : Tigana Santana (chant, guitare), Zé Luis Nascimento (percussions) et Leonardo Mendes (guitare). Son : Mathias Taylor, Benoît Letirant ► Album Caçada Noturna (Ajabu ! 2024) Site - YouTube - Instagram.   Puis nous recevons Lina & Marco Mezquida pour la sortie de O Fado. La rencontre entre LINA_, l'une des voix les plus incarnées du fado contemporain, et Marco Mezquida, pianiste catalan virtuose, s'est imposée comme une évidence. Tous deux partagent un amour de la liberté musicale, une exigence artistique sans compromis et une sensibilité à fleur de peau. Dès leur première session en studio, la magie opère : le piano devient le prolongement naturel de la voix, et la voix se déploie dans le souffle du clavier. « Marco a apporté une grande légèreté à ma musique. Avec lui, je me sens libre et profondément écoutée », confie LINA_. De cette alchimie, naît un premier EP, O Fado, sorti en mars 2025, salué pour sa manière de faire dialoguer tradition et modernité. Portés par cet élan, les deux artistes prolongent leur collaboration avec un album du même nom de douze titres où ils explorent un répertoire mêlant compositions originales, réinterprétations et morceaux méconnus. Ils proposent une nouvelle lecture de Fado da Defesa (avec un poème d'António Calém, une musique de José António Sabrosa, rendu célèbre par Maria Teresa de Noronha), ainsi que de Gota d'Água de Flávio Gil. LINA_ signe également des compositions sur des textes de Florbela Espanca, Miguel Torga, Sueli Costa, Álvaro Duarte Simões ou encore Luís de Andrade et explore même la langue castillane avec El Rosario de Mi Madre (Mário Cavagnaro) et No Volveré (Ernesto Cortázar / Manuel Esperón), où elle perçoit des affinités naturelles avec le fado.  Titres interprétés au grand studio - O Fado Live RFI - Lisboa Dos Menjericos, extrait de l'labum - Não é Fácil o Live RFI. Line Up : Lina (chant), Marco Mezquida (piano). Son : Mathias Taylor, Benoît Letirant. ► Album O Fado (Galileo 2025). Viavox - YouTube - Marco Mezquida site. Mezquida Instagram - LINA site.

#sessionLive qui voyage de Salvador de Bahia à Lisbonne, en passant par Barcelone ! Tigana Santana, 1er invité de la #SessionLive en trio Chanteur, compositeur, guitariste, né dans la ville afro-brésilienne de Salvador à Bahia, Tiganá Santana excelle de talents tant dans la musique que dans sa carrière de philosophe et chercheur. L'ancestralité et la culture africaine inspirent la musique de cet artiste polyglotte, premier artiste brésilien à chanter et composer en langues africaines comme le kikongo et kimbundu d'Angola et du Congo. Sa plume et sa voix s'exercent aussi, avec le même brio, dans les sonorités de sa langue portugaise natale, en espagnol ou encore en anglais, ou français. S'il est souvent appelé « le Nick Drake brésilien », c'est certainement grâce à son univers très intimiste et à sa voix chaude et rauque. Caçada Noturna, septième album de Tiganá Santana, enregistré à Serpa, dans les terres portugaises, avec les musiciens et amis Leonardo Mendes et Ldson Galter, est basé sur des instruments à cordes, concrétisant ainsi un projet que Tiganá attendait depuis un certain temps.  Titres interprétés au grand studio - Muloloki Live RFI  - Nkongo, extrait de Caçada Noturna (2024) - Flor Destinada (effleurer le destin) Live RFI.   Line Up : Tigana Santana (chant, guitare), Zé Luis Nascimento (percussions) et Leonardo Mendes (guitare). Son : Mathias Taylor, Benoît Letirant ► Album Caçada Noturna (Ajabu ! 2024) Site - YouTube - Instagram.   Puis nous recevons Lina & Marco Mezquida pour la sortie de O Fado. La rencontre entre LINA_, l'une des voix les plus incarnées du fado contemporain, et Marco Mezquida, pianiste catalan virtuose, s'est imposée comme une évidence. Tous deux partagent un amour de la liberté musicale, une exigence artistique sans compromis et une sensibilité à fleur de peau. Dès leur première session en studio, la magie opère : le piano devient le prolongement naturel de la voix, et la voix se déploie dans le souffle du clavier. « Marco a apporté une grande légèreté à ma musique. Avec lui, je me sens libre et profondément écoutée », confie LINA_. De cette alchimie, naît un premier EP, O Fado, sorti en mars 2025, salué pour sa manière de faire dialoguer tradition et modernité. Portés par cet élan, les deux artistes prolongent leur collaboration avec un album du même nom de douze titres où ils explorent un répertoire mêlant compositions originales, réinterprétations et morceaux méconnus. Ils proposent une nouvelle lecture de Fado da Defesa (avec un poème d'António Calém, une musique de José António Sabrosa, rendu célèbre par Maria Teresa de Noronha), ainsi que de Gota d'Água de Flávio Gil. LINA_ signe également des compositions sur des textes de Florbela Espanca, Miguel Torga, Sueli Costa, Álvaro Duarte Simões ou encore Luís de Andrade et explore même la langue castillane avec El Rosario de Mi Madre (Mário Cavagnaro) et No Volveré (Ernesto Cortázar / Manuel Esperón), où elle perçoit des affinités naturelles avec le fado.  Titres interprétés au grand studio - O Fado Live RFI - Lisboa Dos Menjericos, extrait de l'labum - Não é Fácil o Live RFI. Line Up : Lina (chant), Marco Mezquida (piano). Son : Mathias Taylor, Benoît Letirant. ► Album O Fado (Galileo 2025). Viavox - YouTube - Marco Mezquida site. Mezquida Instagram - LINA site.

Listing Joe Boyd’s most significant accomplishments as a producer, label owner, and music historian is a tall order. A short list of artists he’s worked with includes Nick Drake (heard here), Pink Floyd, Fairport Convention, Sandy Denny, Richard Thompson, The Incredible String Band, R.E.M., Vashti Bunyan, Billy Bragg, and 10,000 Maniacs. Additionally, he was the founder of Hannibal Records, the label responsible for bringing the term “world music” into the lexicon, as well as serving as a music producer for Warner Bros., where he collaborated with Stanley Kubrick on the soundtrack of A Clockwork Orange and 1972’s Deliverance. His most recent work is as the author of White Bicycles: Making Music in the 1960s, as well as And the Roots of Rhythm Remain: A Journey Through Global Music, which came out in 2024. On this episode, hear how songs by Fats Domino, Fairport Convention, and Carlos Gardel shaped his sensibilities. Boyd will be a part of this year’s Big Ears Festival taking place in Knoxville, TN in March of 2026.See omnystudio.com/listener for privacy information.

We caught up with unique indie artist Robert Deeble to talk about his new release “The Space Between Us” coming out February 6th. Roberts story driven lyrics and production have a classic vibe with a modern twist. Robert Deeble's spirit-infused lyrics are paired with a subtle, minimalist style that echoes old folk heroes like Leonard Cohen and Nick Drake. His first album, released with his band, Days Like These, was a critical success and featured a duet with Victoria Williams, "Rock A Bye." Days Like These never performed outside of the L.A. area and disbanded soon after their first release. His second album, a solo effort entitled Earthside Down, was released in 1998 and featured the production work of Anthony Arvizu and Stephen Hodges (best known for his drum work with Tom Waits). They helped augment Deeble's spare sound with cellos, timpani, gongs, and electronic elements, creating a sound that treads a line between folk and ambient music. ~ Stacia Proefrock, Rovi  Robert's links www.hyperfollow.com/RobertDeeble www.Youtube.com/@Robert.deeble  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer    

Musicians recount the strange and unexpected story behind the making of your favorite albums. Nick Drake released 3 relatively unheralded albums in his short lifetime and only decades later became a household name thanks to one savvy music supervisor at an ad agency. The guys get together and discuss retuning your guitar constantly, never changing your strings, and the bridge on the river Kwai.Join us on Patreon to continue the conversation and access 50+ bonus shows!https://www.patreon.com/1001AlbumComplaintsJoin our Mailing List here: https://linktr.ee/1001albumcomplaintsEmail us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/3Ij5WngVhyDkAwWv4aNP3v?si=b496a37fc0734fb0Listen to Pink Moon here:https://open.spotify.com/album/5mwOo1zikswhmfHvtqVSXg?si=u8Fvj0dKQtKOYUL0eSOiaQIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Chic - Risque

Nick Drake shares a message from Romans 12, about how we are transformed from the inside out, by the renewing of our minds.

Ce lundi 5 janvier, Marjorie Hache accompagne le retour de RTL2 Pop-Rock Station après les fêtes avec deux heures pensées pour adoucir le mois de janvier. La programmation mêle valeurs sûres et énergie rock, des Beach Boys à Led Zeppelin en passant par Rage Against The Machine. L'émission s'ouvre avec Kasabian, Jet et The Supremes avec "Stop In The Name Of Love" un titre de 1965, avant un détour par Neil Young et le classique des Breeders avec "Cannonball". La soirée fait une large place aux nouveautés. Komodor présente "Raise Your Hands", extrait de l'album à venir "Time and Space", tandis que Rise Of The Northstar s'impose avec "Neo Paris", extrait de son 4e album. La nouveauté Fresh met en lumière Sun et "Blood". Le moment reprise est consacré à "Nineteenth Nervous Breakdown" des Rolling Stones, revisité par les Flamin' Groovies dans une version sortie en 1979. La suite de l'émission alterne pop et rock avec The Asteroids Galaxy Tour, Great Lake Swimmers, The Charlatans, Nick Drake ou Rage Against The Machine. La soirée se conclut avec Archive et l'annonce de leur prochain album "Glass Minds", attendu fin février. Kasabian - Hippie Sunshine Jet - Are You Gonna Be My Girl The Supremes - Stop ! In The Name Of Love The Beach Boys - California Dreamin Neil Young & The Crazy Horse - Break The Chain Love - Everybody's Gotta Live (Version Uncut) Green Day - Dilemma Komodor - Raise Your Hands Led Zeppelin - Kashmir The Breeders - Cannonball Ramones - Blitzkrieg Bop Rise Of The Northstar - Neo Paris Flamin' Groovies - 19Th Nervous Breakdown The Asteroids Galaxy Tour - Around The Bend Rage Against The Machine - Wake Up Great Lake Swimmers - Caught Light Norman Greenbaum - Spirit In The Sky Larkin Poe - She's A Self Made Man The Charlatans - Deeper And Deeper The Four Seasons - Beggin Dog Eat Dog - Who's The King Sun - Blood Johansson Scarlett & Yorn Pete - Relator Nick Drake - Time Of No Reply Archive - AgainHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Lucinda Williams was a teenage activist singing We Shall Overcome at protest marches and she's taken up the cudgels again on her new album World's Gone Wrong. She talks to us here from her home in Nashville about … … early inspirations - Dylan, Donovan, Joan Baez, Peter Paul & Mary, Buffy Sainte-Marie – and her love of Sandy Denny, Bert Jansch, Nick Drake and ‘60s British folk … playing Delta blues for tips at Andy's in Bourbon Street in 1971 … her sudden favourite Beatle switch – “Paul … then George!” … her Dad's Ray Charles and Hank Williams records … seeing jazz pianist Sweet Emma Barrett in Preservation Hall in the ‘60s and Hendrix at a New Orleans sports arena … the effect of her stroke in 2020 and having to re-learn the guitar – “I tend to write in G now as it's the easiest chord to play” … the allure of medieval murder ballads, “far too dark” for most Americans ... songs she always plays live (one by Neil Young) … finding her tribe in Nashville – “when I arrived people asked, ‘What church do you go to?' not ‘Do you go to church'?” … being “a quarter Welsh” … and the song she wrote about her president in 2018 – 'We have slow-danced with the devil/ We have swallowed the liquid of his lies' - and the new version she's just recorded. 2026 tickets here: https://www.lucindawilliams.com/tour Order World's Gone Wrong here: https://30tgrs.ffm.to/worldsgonewrongHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Lucinda Williams was a teenage activist singing We Shall Overcome at protest marches and she's taken up the cudgels again on her new album World's Gone Wrong. She talks to us here from her home in Nashville about … … early inspirations - Dylan, Donovan, Joan Baez, Peter Paul & Mary, Buffy Sainte-Marie – and her love of Sandy Denny, Bert Jansch, Nick Drake and ‘60s British folk … playing Delta blues for tips at Andy's in Bourbon Street in 1971 … her sudden favourite Beatle switch – “Paul … then George!” … her Dad's Ray Charles and Hank Williams records … seeing jazz pianist Sweet Emma Barrett in Preservation Hall in the ‘60s and Hendrix at a New Orleans sports arena … the effect of her stroke in 2020 and having to re-learn the guitar – “I tend to write in G now as it's the easiest chord to play” … the allure of medieval murder ballads, “far too dark” for most Americans ... songs she always plays live (one by Neil Young) … finding her tribe in Nashville – “when I arrived people asked, ‘What church do you go to?' not ‘Do you go to church'?” … being “a quarter Welsh” … and the song she wrote about her president in 2018 – 'We have slow-danced with the devil/ We have swallowed the liquid of his lies' - and the new version she's just recorded. 2026 tickets here: https://www.lucindawilliams.com/tour Order World's Gone Wrong here: https://30tgrs.ffm.to/worldsgonewrongHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Welcome to another special edition of our Buzz's Book Club week where Buzz shares top recommendations of new books on music, just in time for your holiday shopping. Join Buzz Knight on “Takin’ A Walk” for an extraordinary conversation with legendary music producer and author Joe Boyd, whose new book “And the Roots and Rhythm Remain: A Journey Through Global Music” chronicles decades of discovering and championing world music. From producing Pink Floyd’s first singles and Nick Drake’s timeless albums to founding Hannibal Records and bringing global artists to international audiences, Boyd’s career reads like a roadmap of modern music history. In this episode, Boyd takes us on a sonic journey across continents, sharing stories from his groundbreaking work with artists like Toumani Diabaté, Ali Farka Touré, and the Incredible String Band. The conversation explores how traditional music from Mali, Brazil, Bulgaria, and beyond has influenced contemporary sounds, and why these ancient roots and rhythms continue to resonate in today’s music landscape. Boyd discusses the cultural and political forces shaping world music, the challenges of preserving traditional sounds in a globalized world, and his experiences documenting music from remote villages to major concert halls. From his early days at the UFO Club in 1960s London to recent field recordings in Africa and South America, Boyd offers insights into what makes music transcend borders and generations. Listeners will discover behind-the-scenes stories from Boyd’s legendary production work, his philosophy on authentic music preservation versus commercial adaptation, and why he believes the roots and rhythm of traditional music hold keys to understanding our shared humanity. Whether you’re a world music enthusiast, a student of music history, or simply curious about sounds beyond the mainstream, this episode offers a masterclass in listening deeply and thinking globally.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Welcome to another special edition of our Buzz's Book Club week where Buzz shares top recommendations of new books on music, just in time for your holiday shopping. Join Buzz Knight on “Takin’ A Walk” for an extraordinary conversation with legendary music producer and author Joe Boyd, whose new book “And the Roots and Rhythm Remain: A Journey Through Global Music” chronicles decades of discovering and championing world music. From producing Pink Floyd’s first singles and Nick Drake’s timeless albums to founding Hannibal Records and bringing global artists to international audiences, Boyd’s career reads like a roadmap of modern music history. In this episode, Boyd takes us on a sonic journey across continents, sharing stories from his groundbreaking work with artists like Toumani Diabaté, Ali Farka Touré, and the Incredible String Band. The conversation explores how traditional music from Mali, Brazil, Bulgaria, and beyond has influenced contemporary sounds, and why these ancient roots and rhythms continue to resonate in today’s music landscape. Boyd discusses the cultural and political forces shaping world music, the challenges of preserving traditional sounds in a globalized world, and his experiences documenting music from remote villages to major concert halls. From his early days at the UFO Club in 1960s London to recent field recordings in Africa and South America, Boyd offers insights into what makes music transcend borders and generations. Listeners will discover behind-the-scenes stories from Boyd’s legendary production work, his philosophy on authentic music preservation versus commercial adaptation, and why he believes the roots and rhythm of traditional music hold keys to understanding our shared humanity. Whether you’re a world music enthusiast, a student of music history, or simply curious about sounds beyond the mainstream, this episode offers a masterclass in listening deeply and thinking globally. Takin’ A Walk: In-depth music interviews exploring the stories and music history behind the songs. Check out our other shows Music Saved Me hosted by Lynn Hoffman Comedy Saved Me hosted by Lynn Hoffman Takin A Walk Nashville hosted by Sarah Harralson Part of IHeartpodcastsSupport the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

durée : 01:01:20 - Very Good Trip - par : Michka Assayas - Ce soir, nous avons rendez-vous avec un chef-d'œuvre ancien. Éclairé d'une façon nouvelle et inédite. L'occasion de découvrir sa genèse. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The shorthand reference for a wrestler not being used on TV is that they're "sitting in catering." They're sitting in the back, eating some food, while other wrestlers get the spotlight and the glory. Just in time for Thanksgiving, Andrew is joined by returning guest Sean Flynn to hunker down in catering and chow down on songs about food or have food in the title. Artists played include System of a Down, Adele, Herb Alpert & the Tijuana Brass, Mac Miller, Nick Drake, King Crimson, Harry Styles, and more. Load up your plate and save room for dessert, this episode will have you stuffed to the gills with delicious entertainment.Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, we explore the brief career of Nick Drake and connect to how sometimes our ideas don't always resonate when we want them to do so. Learn more about your ad choices. Visit megaphone.fm/adchoices

The BONUS TRAX are here to start your week off on some kind of foot. Following the latest 'sode of SURFACE NOISE, our panel of physical media maestros discussed if they've ever found a reissue definitively better than an original, what is the best Nick Drake album (cue that beautiful poll footage), and Grooveseeker is helping us wind down the show with his latest dance with VMP and owed compensation sprinkled in with other tidbits of vinyl goodness.  Hear that? No, it's not a "seasoned audiophile" knocking at your door. It's your turntable missing you. When you aren't listening to these BONUS TRAX, might be a good time to play another record.   ⏬⏬⏬⏬   For more on host Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com IG: @concertbuddie   For more on Arnaldo (fidelios_frequency):  https://www.youtube.com/@fidelios_frequency IG: @fidelios_frequency   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on Chris (Groove Seeker): https://www.instagram.com/thegrooveseeker IG: @thegrooveseeker   Special guest this week, Jeff Parris (Vinyl Record Info): https://www.youtube.com/@vinylrecordinfo IG: @vinylrecordinfo       For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com   . . . . . Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: VCP10 https://vinylstoragesolutions.ca    

"Only Hoping" There's real magic in the work of Al Nicol. There's also real magic that guided the work of Al Nicol but we'll get to that in a second. The Canadian-born singer/songwriter writes some of the most affecting compositions around. His lyrics are contemplative and thoughtful, his voice has a bold and breezy command and his pastoral compositions bring to mind everyone from Nick Drake to Ron Sexsmith. The path leading to Nicol's new album Only Hoping was shown to him through a visit with a shaman and once he received that knowledge, Nicol wasted no time in venturing into the unknown to discover the sonic riches that would form the record. I'll let him tell you that story, but let me say this: Only Hoping is a stirring blend of indie folk and spare psychedelia and it was helmed by MC Taylor of Hiss Golden Messenger whose production effortlessly lifts the songs into the cosmos. Featuring members of Bonny Light Horseman, Erin Rae, and Taylor himself, Only Hoping finds Nicol kicking his songwriting into another otherworldly gear. It's a work of pure magic. www.alnicol.com www.stereoembersmagazine.com (www.stereoembersmagazine.com) www.alexgreenbooks.com (www.alexgreenbooks.com) www.bombshellradio.com (www.bombshellradio.com) IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

"Only Hoping" There's real magic in the work of Al Nicol. There's also real magic that guided the work of Al Nicol but we'll get to that in a second. The Canadian-born singer/songwriter writes some of the most affecting compositions around. His lyrics are contemplative and thoughtful, his voice has a bold and breezy command and his pastoral compositions bring to mind everyone from Nick Drake to Ron Sexsmith. The path leading to Nicol's new album Only Hoping was shown to him through a visit with a shaman and once he received that knowledge, Nicol wasted no time in venturing into the unknown to discover the sonic riches that would form the record. I'll let him tell you that story, but let me say this: Only Hoping is a stirring blend of indie folk and spare psychedelia and it was helmed by MC Taylor of Hiss Golden Messenger whose production effortlessly lifts the songs into the cosmos. Featuring members of Bonny Light Horseman, Erin Rae, and Taylor himself, Only Hoping finds Nicol kicking his songwriting into another otherworldly gear. It's a work of pure magic. www.alnicol.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) www.bombshellradio.com (http://www.bombshellradio.com) IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

dopeycon tix:https://buytickets.at/thedopeyfoundation/1765668Patreon:www.patreon.com/dopeypodcastA new kind of Dopey! A kinder, Gentler Dopey? Me and New Yorker Rock Critic, Amanda Petrusich sit down to discuss recovering from grief. Amanda lost her husband suddenly during covid from a random seizure. Hear how Amanda got through it raising their one daughter, Nico alone. Plus some of Amanda's experiences covering Phish, Aerosmith, Nick Drake, Bob Dylan and more!Plus Ben Croxton's shooting story(but not how you think), a horrible kratom death, and me basking in the adulation of being included in Rolling Stone Magazine! Plus a bunch of other stuff - all here!Also More on this Dopeycon Eve's offering of the good old Dopey Show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode is part of Pledge Week 2025. For five days this week, I will be posting old Patreon bonus episodes to the main feed to encourage people to subscribe to my Patreon. If you want more of these, and only if you can afford it, subscribe for $1 a month at patreon.com/andrewhickey . Whether you do or not, I hope you enjoy this one. (more…)