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2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
2 episodes with Strangers on a Train
Presenting the Lux Radio Theater production of "Strangers On A Train" aired on Dec03, 1951. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations
Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]
Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]
Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]
Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock's 1951 classic Strangers on a Train. Adapted from Patricia Highsmith's debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he'll kill Guy's wife, and Guy will kill Bruno's father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock's most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]
EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir! SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on Episode 208, The Cinema Geeks continue their trek through the filmography of the iconic Alfred Hitchcock. This time they look at, Strangers on a Train. One host discovers that the entire movie does not take place on a train while the other has a re-watch thirteen years removed. How will this one stack up to the previous films they covered? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!!
Welcome to another episode of the Bowie Book Club, where wild speculation and grasping for straws about Bowie's favorite books has reigned supreme since 2016. This time we read Strangers on a Train by Patricia Highsmith, which is about how awful it was to travel before you could use noise-canceling headphones to eliminate any possibility of getting into a conversation with someone about murder.
Original airdate: April 12, 1954 Hosted on Acast. See acast.com/privacy for more information.
Presenting The Lux Radio Theater production of "Strangers On A Train" aired on Dec 03, 1951. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations
Join us as we discuss two vastly different films and breakdown what makes them classics or what can be left in history,
Original airdate: December 3, 1951 Hosted on Acast. See acast.com/privacy for more information.
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Nick and Roger look at some earlier Hitchcock, with 1951's Strangers on a Train and 1948's Rope. Your browser isn't showing you an HTML5 audio player. Download
It's time to get to know these strangers... and find that coin before it's too late! Links Link to the Not a Scratch YouTube https://www.youtube.com/@notascratch Character Submission Form: https://forms.gle/1PNNXrNRMfbjHVSA6 Maps Folder: https://drive.google.com/drive/folders/1GbSB27GXliXbBKbKFeRjx1rjKEM3TWw0?usp=sharing Patreon: https://www.patreon.com/notascratch Website: www.notascratchcast.com AhdurinRegion Twitch: https://www.twitch.tv/theahdurinregion Podcast Twitter Link: https://twitter.com/NotAScratchCast DM's Twitter Link: https://twitter.com/AhdurinRegion Discord link: https://discord.gg/kfhBdkTDnX AhdurinRegion YouTube: https://www.youtube.com/channel/UClRPG86yjATufmxvrgcfAVA Muhammad/LumiShen YouTube: https://www.youtube.com/channel/UC4QJYoKfnhEIr61eYflfkWg Other Show: Ahdurin Region Sports: https://anchor.fm/ahdurin-region-sports Other Show: Ahdurin Talks Sports: https://anchor.fm/anirudh45 The AhdurinCast Feed - https://theahdurincast.podbean.com/ Music by GlitchxCity: https://www.youtube.com/user/GlitchxCity/ Music by TableTop Audio: https://tabletopaudio.com/ DM: Anirudh Kyle: Muhammad Rose: Daisy
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October 21, 2024 ~The stars of Meadow Brook Theater's "Strangers on a Train" check in with Paul W Smith. Find more information at https://www.mbtheatre.com/
It's the last episode of Hitchcock-a-palooza and we're going out with a classic, Stranger On A Train. We're being joined by no stranger to the podcast as frequent guest Kelly is here to talk about it with us as well.Before we get to the final movie of the month we derail to talk a few trailers that have caught our attention. First up is a brand new "Chuck Norris" film that doesn't look like Norris ever had to stand up for, Agent Recon. Then some trailers can say a lot with a little, Azrael. The last trailer is a nostalgia flashback with Y2K.Then it's onto the main feature as where we will let you know whether or not Stranger on a Train is... A BLOODY GOOD FILM!We encourage everyone to watch along while you listen and make sure to comment and let us know what you think. If you haven't already please follow us on Facebook, TikTok, "X" and Instagram @bloodygoodfilmpodcast and remember...Keep it bloody buddies!!!https://linktr.ee/BloodyGoodFilmPodcast...#nothichcock #alfredhitchcock #jamesstewart #carygrant #backupepisode #hitchcockpodcast #jessesfault #newepisode #newpodcast #action #Horror #ActionFilm #ActionMovie #ActionMovies #HorrorFilm #HorrorFilms #HorrorMovie
You do my murder, and I do yours... We might best know Patricia Highsmith from The Talented Mr. Ripley, but Strangers on a Train was her shocking debut novel, and folks: it slaps even as a movie, and ESPECIALLY in the hands of an Alfred Hitchcock who really feels like he's learned a thing or two about telling suspenseful stories. This one is a TRIP. Buckle up!
Hitchcock talk!Patreon Trustees at the Baby Genomorph levels can LIVE SCREAM the episode HERE.With Gourley And Rust bonus content on PATREON and merchandise on REDBUBBLE.With Gourley and Rust theme song by Matt's band, TOWNLAND.And also check out Paul's band, DON'T STOP OR WE'LL DIE. Hosted on Acast. See acast.com/privacy for more information.
Here we go…it's our first episode! Sure, Jeremy's seen the big Hitchcock movies like REAR WINDOW and VERTIGO, and he even has a couple of black and white favorites (SHADOW OF A DOUBT and STRANGERS ON A TRAIN). But what will he make of a lesser Hitchcock film? This month we take on Dave's pick, the underappreciated and now relatively forgotten 1953 film I CONFESS, starring Montgomery Clift. Clift stars as Father Michael Logan, a Quebec City priest whose vows prevent him from revealing the identity of a murderer, even when he himself becomes the prime suspect of the investigation. What is this movie? Canadian cozy mystery? Location-heavy quasi-noir? Hitchcock's love letter to Catholicism in the form of a risqué morality play? Dave and Jeremy talk about mood and style, the ethical dilemma at the heart of the movie, and weigh in on that burning question: was Montgomery Clift the original “hot priest?” Thank you for listening! Please subscribe, leave a rating or review, and share this show with your friends. We'll be back next month with Jeremy's reply. Music by Jeremy Donald. Find Dave here: https://linktr.ee/davedwelling
"Parenthood", "Strangers On A Train", "Four Weddings and a Funeral", "Family Guy", and "The Saint". No it's not the films leaving Netflix this month, rather it's the topics of discussion on this week's brief, disjointed, somewhat chaotic, trans European pod. With Dan dialling in from a substandard German hotel room with tales of darts players and sharing Paul Cook anecdotes on a train, we remember Tommie Gorman and Joe Heron, analyse the European draws, and listen to Johnny mull over the League of Ireland journeys that fatherhood will bring him on . Our "Usual Suspects" of Collar & Cuff, Future Ticketing, Rascals Brewery and Lilly's Childcare continue to support a show with hotter takes than Padraig Amond's face after an afternoon on the sunbeds. So buckle up for a quickfire blast of stream of consciousness podcasting, yes, it's episode 20 and it's pure Hollywood!
Strangers On A Train (1951) by Bob Sham & Friends
EPISODE 38 - “Ruth Roman: Star of the Month (June)” - 06/03/2024 RUTH ROMAN was more than a pretty face; she was a survivor! She survived childhood poverty, the fickle nature of Hollywood, the wrath of Alfred Hitchcock, several marriages, and the sinking of the luxury liner Andrea Doria in 1956. Yes, Roman was a warrior. This week, Roman is our Star of the Month for June. Join us as we take a look at her life and her long and fruitful career, where her versatility kept her working for five decades in great films such as “Good Sam” (1948), “The Window” (1949), “Strangers On A Train” (1951), and “The Far Country” (1954). SHOW NOTES: Sources: Femme Noir: Bad Girls of Film (1998), by Karen Burroughs Hannsberry; Ruth Roman: A Career Portrait (2022), by Derek Sculthorpe; “Stardom Seen for Ruth Roman,” December 11, 1949, by Hedda Hopper, The Los Angeles Times; “The Progress of a Rising Star: Ruth Roman,” May 1, 1950, Life Magazine; “Hollywood Hasn't Changed Her,” May 17, 1950, by Lloyd L. Sloan, The Hollywood Citizen News; “Roman Holiday,” August 12, 1950, Look Magazine; Bachelor Girl Life Liked by Ruth Roman,” August 29, 1950, by Ruth Roman, The Los Angeles Evening Herald; “The Role I Liked Best,” November 4, 1950, by Ruth Roman, The Saturday Evening Post; “Ruth Roman Aiming at Film Personality,” November 26, 1950, by John L. Scott, The Los Angeles Times; “Film Star and Radio Executive Plan No Honeymoon,” December 18, 1950, by Louella Parsons, The LA Examiner; “Hollywood's ROMAN Candle,” March 17, 1951, by Gladden Hill, Colliers Magazine; “6-Pound Boy Born To Ruth Roman,” November 13, 1952, The Hollywood Citizen News; “Matrimony, Motherhood Revive's Ruth's Career,” February 1, 1953, by Edwin Schallert, The Los Angeles Times; “Ruth Roman Saves Her Son,3, and Loses Dress,” July 27, 1956, by Ruth Roman, The Hollywood Citizen News; “Weeping Ruth Roman Reunited With Her Son,” July 28, 1956, The LA Examiner; “Hall To Leave Ruth Roman for Diana Lynn,” October 9, 1956, by Louella Parsons, The LA Examiner; “Ruth Roman says ‘I Do' in Panama,” November 9, 1956, The Los Angeles Times; “SeeSaw Star Isn't Tumbling,” May 13, 1959, by Margaret Harford, The Mirror News; “Annulment of Marriage Won by Ruth Roman,” August 11, 1961, The Los Angeles Times; “Ruth Roman Just Unsinkable Star,” October 30, 1963, by Hal Humphrey, The Los Angeles Times; “Passing Time Has Left Ruth Roman Untouched,” January 10, 1971, by Jim Meyer, The Miami Herald ; “Ruth Roman,” April 1973, by Don Stance, Film Fan Monthly Magazine; “Ruth Roman: The Ride of a New Roman Empire,” January 1986, Los Angeles Magazine; “Ruth Roman, 75, Glamorous and Wholesome Star, Dies,” September 11, 1999, by William Honan, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned: Stage Door Canteen (1943); Ladies Courageous (1944); Since You Went Away (1944); Song of Nevada (1944); Jungle Queen (1945); You Came Along (1945); Incendiary Blonde (1945); Gilda (1946); The Big Clock (1948); Good Sam (1948); Belle Starr's Daughter (1948); The Window (1949); Champion (1949); Beyond The Forest (1949); Always Leave Them Laughing (1949); Barricade (1950); Colt .45 (1950); Three Secrets (1950); Dallas (1950); Lightning Strikes Twice (1951); Strangers On A Train (1951); Tomorrow Is Another Day (1951); Invitation (1952); Mara Mara (1952); Young Man With Ideas (1952); Blowing Wild (1953); The Far Country (1954); Down Three Dark Streets (1954); Great Day In The Morning (1956); Rebel In Town (1956); 5 Steps To Danger (1956); Bitter Victory (1957); Desert Desperados (1959); Love Has Many Faces (1965); Go Ask Alice (1973); The Baby (1973); The Killing Kind (1973); Impulse (1974); Day Of The Animals (1977); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 30 - “Robert Walker: Old Hollywood's Tragic Boy Next Door” - 04/08/2024 No one played sensitive, lost souls quite like ROBERT WALKER. However, he is best known for playing one of the most complicated, psychopaths in film history, Bruno Antony in ALFRED HITCHCOCK's masterpiece “Strangers On A Train” (1951). His journey from playing sensitive innocents to playing Bruno is reflective of his troubled, turbulent life, and the heartbreak from which he never recovered. This week, we'll discuss the artistry and the tragedy of this incredible actor. SHOW NOTES: Sources: Star-Crossed: The Story of Robert Walker and Jennifer Jones (1986), by Beverly Linet; Portrait of Jennifer (1995), by Edward Z. Epstein; Showman: The Life of David O. Selznick (1992), by David Thomson; Hollywood On The Couch: A Candid Look at the Overheated Love Affair Between Psychiatrists and Moviemakers (1993), by Marc Green and Stephen Farber; “Biography of Robert Walker,” April 1951, Paramount Pictures; “I Know Myself Now”, by Marva Anderson, July 1950, Movieland Magazine; “Actor Walker Dies After Drug Dosage,” August 3, 1951, by Gladwin Hill, New York Times; “Robert Walker: A Great Star Lost,” August 15, 1999, by David Thomson, The Independent On Sunday (London); “An Affair to Forget?” March 1998, by Nick Clooney, American Movie Classics Magazine; “Utahn's Rising Career in Films Came to a Sudden Tragic End,” July 23, 1999, by E. Hunter Hale, Deseret News; “Robert Walker, Jr. ‘Star Trek' Actor and Son of Superstars, Dies at 79,” December 6, 2019, The Hollywood Reporter; IMDBPro.com; Wikipedia.com; Movies Mentioned: Strangers On A Train (1951), starring Robert Walker, Farley Granger, Ruth Roman, Leo G. Carroll, Pat Hitchcock, and Kasey Rogers; New Frontier (1939), starring John Wayne and Phylis Isley (Jennifer Jones); Dick Tracy's G-Men (1939), starring Ralph Byrd and Phylis Isley (Jennifer Jones); Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, and Helen Parrish; These Glamour Girls (1939), starring Lana Turner, Lew Ayres, Marsha Hunt, Ann Rutherford, Mary Beth Hughes, Richard Carlson, and Jane Bryan; Dancing Co-Eds (1939) staring Lana Turner, Richard Carlson, Ann Rutherford, Lee Bowman, and Artie Shaw; The Song of Bernadette (1943), starring Jennifer Jones, Charles Bickford, Vincent Price, Anne Revere, William Eythe, Lee J. Cobb, and Gladys Cooper; Bataan (1943), Staring Robert Taylor, George Murphy, Thomas Mitchell, Desi Arnaz, and Robert Walker; Madame Curie (1943), starring Greer Garson, Walter Pidgeon, Henry Travers, and Robert Walker; See Here Private Hargrove (1944), staring Robert Walker and Donna Reed; Since You Went Away (1945), starring Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotten, and Robert Walker; Thirty Seconds Over Tokyo (1944), starring Spencer Tracy, Van Johnson, and Robert Walker; The Clock (1945), starring Judy Garland and Robert Walker; Her Highness and the Bell Boy (1945), starring June Allyson, Hedy Lamarr, and Robert Walker; The Sailor Takes A Wife (1945), starring June Allyson and Robert Walker; Til The Clouds Roll By (1946); Robert Walker, June Allyson, Judy Garland, Kathryn Grayson, Van Heflin, Van Johnson, Lucille Bremer, Cyd Charisse, and Angela Lansbury; One Touch of Venus (1948), starring Robert Walker, Ava Gardner, Tom Conway, and Eve Arden; Please Believe Me (1950), starring Deborah Kerr, Robert Walker, Peter Lawford, and Mark Stevens; The Skipper Surprises His Wife (1950), starring Robert Walker and Joan Leslie; Vengeance Valley (1951), starring Burt Lancaster, Joanne Dru, and Robert Walker; My Son John (1952), staring Helen Hayes, Robert Walker, and Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Paul and Erin review two films about identical plans to commit the perfect murder: Alfred Hitchcock's 1951 suspense classic STRANGERS ON A TRAIN, and Danny de Vito's 1987 directorial debut THROW MOMMA FROM THE TRAIN.
We're coming your way with another double episode this week, in which we discuss Episode 4 Strangers on a Train & Episode 5 There's the Rub Get in touch with any thoughts, comments, or questions. Come talk to us on Twitter and Tumblr, or email us, and please Subscribe and Review wherever you get your podcasts.
Boy do I love a good pun and this script is basically just a series of lovely train puns. I added one of my own to the script along with me making train noises to climax. Hope you enjoy.The Scene opens on the train. You are listening to audio porn when a handsome interloper invites himself into your cabin...Hilarious and wonderful SCRIPT by u/Myrythwyn I guess, the script is 3 years old, but thats quite alright because train jokes are timeless.Come chat with me!X: @dolphsparlorReddit: u/Podcastingworld
Boy do I love a good pun and this script is basically just a series of lovely train puns. I added one of my own to the script along with me making train noises to climax. Hope you enjoy.The Scene opens on the train. You are listening to audio porn when a handsome interloper invites himself into your cabin...Hilarious and wonderful script by u/Myrythwyn I guess, the script is 3 years old, but thats quite alright because train jokes are timeless.Come chat with me!X: @dolphsparlorReddit: u/Podcastingworld
On this week's episode of he @ohbrotherpodcast Dan and Mike discuss the Alfred Hitchcock classic "strangers on a Train". They discuss the film's themes of doubles, some of the behind the scenes on the stars, and how it would pave the way in the future for Hitchcock.Cinematographer and Producer Johnny Derango Actress Karissa Lee StaplesSupport the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on TikTok & Instagram Leave a 5-star rating/review on Apple Podcasts
Join Matt, Ryan & I as “Hitchcock Abridged ” continues! We discuss the 1951 Hitchcock film, ”Strangers on a Train”. Bruno and Guy meet on a train, and very shortly after, Bruno starts talking about murder. If this ever happens to you, say as little as possible, and get off at the next stop. Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith and follow Ryan on Letterboxd here: Letterboxd.com/ryanthedean/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message
We're back in Hitchcock territory talking about queer villains again with 1951's Strangers on a Train. In addition to queer author Patricia Highsmith's source material, we've got lead actor Farley Granger (Rope), obsessive stalking, "I like you" and shirt buttoning, plus climactic fucking on the carousel. Plus: a tense tennis match, a reflective murder, slutty Miriam, frequent subversions, surprising comedy, and MVP Pat Hitchcock as Babs! References: > Danny Savage. “Homosexuality in Hitchcock's Strangers on a Train (Updated).” Savage Film > Noah Gittell. "Murder and Queer Commentary Brew in Strangers on a Train." Washington City Paper > Mervyn Nicholson. "Stranger and Stranger: Hitchcock and Male Envy." Bright Lights Film Journal Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon! Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices
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Join us for a deep dive into the Hitchcock classic film “Strangers on a Train”, based on the debut novel of Patricia Highsmith. Patrick has never seen this film before, but assumes it's just ‘Horrible Bosses” meets “Murder on the Orient Express”. He's not that far off. Listen now to hear his reaction to seeing this film for the first time, and hear fun behind-the-scenes trivia about it's making and the year it was released from Lolo! Things mentioned in this episode: Watch our feature film “William Shakespeare's A Midsummer Night's Dream”, available for free on streaming!Watch on Local Now: https://localnow.com/movies/william-shakespeares-a-midsummer-nights-dream Watch on Plex: https://watch.plex.tv/movie/william-shakespeares-a-midsummer-nights-dreamoming soon to Tubi. Watch our award winning feature comedy “Almost Sorta Maybe” by searching the title on any of these platforms: Tubi, Watchfreeflix, Amazon, Google Play, YouTube Rentals, Local Now, Plex, Spectrum, Xfinity On Demand. SUBSCRIBE to us on YouTube for sketch comedy: www.youtube.com/ixfp Join us at the next Bird Watching Film Festival to see the premiere of Samuel Tady's INDUSTRIAL EVOLUTION! Bird Watching is always free to attend, but donations are appreciated! Eventbrite: https://www.eventbrite.com/e/bird-watching-film-festival-special-premiere-event-industrial-evolution-tickets-789833221427?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurlFacebook: https://www.facebook.com/events/3677448729168147/Become a Patron of Patrick and Lolo today for access to exclusive podcast episodes and videos:https://www.patreon.com/ixfilmproductions Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfpSubscribe to our newsletter for monthly updates on our website: www.ixfilmproductions.com"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/
Patricia Highsmith, crime writer, snail friend, and lovable weirdo known for her shabby trenchcoat, eccentric habits, and possibly imaginary wife, investigates a bizarre double murder. Two people who don't know each other, or if you will, "strangers", meet on a rail vehicle, or as it were, "train", and plan the perfect crime. What really happened with Mary Shelley and her polycule at Lake Geneva last summer?Content notes: swearing, violence, murder, death including by train and drowning.CAST: Mary Shelley — REBECCA D'SOUZA Edgar Allan Poe — RODRIGO BORGES Clive Barker — SISTER INDICA HP Lovecraft/Arthur Conan Doyle — ROBIN JOHNSON Dean Koontz — WREN MONTGOMERY Stephen King — JASON ROBINSON with Patricia Highsmith — KATE DAVOLI Jane Williams — HANNAH BROWN Percy Shelley — LOU SUTCLIFFE Mrs Cleveland — JULIA DRAKE Edward Ellerker Williams — DAVID COURT Train engineer — CANAVAN CONNOLLY Human Guy — DEXTER HOWARD Human Bruno — BRAD BARNES plus special guest stars HELEN ARNEY as Mary Wollstonecraft's ghost MIKE McSHANE as William Huskisson MP Helen Arney is a science presenter and musical comedienne who has appeared in TV, radio and theatre across the world with her unique mix of stand-up, songs and science. For more information, see helenarney.com.Mike McShane, veteran of Whose Line is it Anyway?, kindly agreed to record a cameo scream in support of Waverley Care, who provide help to people living with HIV and hepatitis in Scotland. Donations can be made at https://waverleycare.orgScript by Robin Johnson, edited by Bitter Karella, inspired by Patricia Highsmith's novel Strangers on a Train and its film adaptation by Alfred Hitchcock. Elements from copyrighted works are used for purposes of parody and comment. A transcript of this episode can be found at https://midnight-pals.simplecast.com/episodes/s01e05-the-tale-of-the-strangers-on-a-train/transcriptThe Midnight Pals is the creation of Bitter Karella ©Subscribe to Submitted for the Approval of the Midnight Pals on Apple Podcasts, Spotify, Pocket Cast, or wherever you find podcasts. If you enjoy the show, please consider leaving us a rating or review. For more information, see https://midnightpals.com
The boys are ready to swap murders with Tyler MacIntyre (director of Tragedy Girls) as we discuss Hitchcock's stalker thriller Strangers on a Train. We're talking the consequences of societal norms, Robert Walker's chilling performance as Bruno, and a little bit about Tyler's latest film It's a Wonderful Knife! Take a hit and pass that spooky shitNew episodes drop every Tuesday; subscribe so you don't miss out. Rate us 5 stars and share with a friend while you're at it! Next week, we're hosting a grim dinner party while we discuss RopeHaunt Tyler on social media:TwitterHaunt Garrett on social media:TikTokTwitterInstagramLetterboxdYouTubeHaunt DeVaughn on social media:TwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard
In this episode we discuss two more movies from Alfred Hitchcock, Strangers on a Train/Shadow of a Doubt Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast or Twitter @SilverVideo --- Send in a voice message: https://podcasters.spotify.com/pod/show/silverscreenvideo/message Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support
"Is 'Do Revenge' even, like, correct grammar?"You asked and The Wives Colangelo delivered, it's time to watch STRANGERS ON A TRAIN for teen girls and DO REVENGE. This week's episode is filled with lots of personal anecdotes from your hosts, a defense of Diablo Cody's teenspeak, and another round of supporting women's wrongs. And don't even think of asking -- WE DON'T DO COCAAAAAAINE! WE DON'T EVEN KNOW WHAT IT LOOKS LIKE!!!-------Become a Patron! www.patreon.com/thisendsatprom-------Articles ReferencedEntertainment Weekly Interview with Jennifer Kaytin Robinson: https://ew.com/movies/jennifer-kaytin-robinson-do-revenge/Maya Hawke's Gay Chaos Makes “Do Revenge” a Twisted Romp: https://www.autostraddle.com/do-revenge-review/-------Find the Show on Twitter & Instagram: @ThisEndsAtPromBJ Colangelo —Twitter & Instagram: @BJColangeloHarmony Colangelo — Twitter & Instagram: @Veloci_trap_tor----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/
Patricia Highsmith, Raymond Chandler, Robert Walker and Robert Burks: these are only several of the extremely talented people who contributed to Hitchcock's "Strangers on a Train," a film which officially opens the master's most glorious and successful decade. At once taut and dreamlike, cruel and perversely sensual, the movie begins with a chance encounter that leads to nightmarish consequences. Join us as we explore one of the most famous and cherished of Hitchcock's films: a genuine cult classic, and a queer one at that.
“Criss cross.”In 1951, Alfred Hitchcock was at a low point in his career after the disappointing critical reception of his previous two films, Under Capricorn and Stage Fright. Desperate for a hit, he wanted to adapt the 1950 Patricia Highsmith novel Strangers on a Train about a chance encounter that leads to a murder pact between two very different men. He bought the rights and enlisted screenwriter Raymond Chandler to adapt the book for the screen. Though Chandler delivered a script, Hitchcock ultimately rejected it in favor of a rewrite by Czenzi Ormonde and an uncredited Barbara Keon. With his leads locked in – Farley Granger as tennis pro Guy Haines and Robert Walker as the villainous Bruno Antony – Hitchcock began production on what would become another tension-filled thriller. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Strangers on a Train.Here's a hint at what we talk about:In this episode, we dive deep into the fantastic performances by Robert Walker as the creepy and charismatic Bruno and Farley Granger as the morally conflicted Guy. We also discuss the homoerotic undertones in the film and how Hitchcock used them to toy with ideas about sexuality and identity. Though we find a few plot holes, overall we both agree this is one of our favorite Hitchcock films thanks to its psychological tension, unique visual style, and fun fairground climax.One of the standout elements of Strangers on a Train is the striking black-and-white cinematography by Robert Burks. In his first collaboration with Hitchcock, Burks brought an experimental flair that heightens the psychological tension. The use of shadows, unique camera angles, stylized lighting, and innovative techniques like the curved lens shot of Miriam's murder create an atmosphere of dread and danger. Burks' innovative work garnered him an Oscar nomination and built the foundation for a longtime partnership with Hitchcock.Strangers on a Train is a taut, psychologically complex thriller brought to life by Hitchcock's masterful direction. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE. Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd
“Criss cross.”In 1951, Alfred Hitchcock was at a low point in his career after the disappointing critical reception of his previous two films, Under Capricorn and Stage Fright. Desperate for a hit, he wanted to adapt the 1950 Patricia Highsmith novel Strangers on a Train about a chance encounter that leads to a murder pact between two very different men. He bought the rights and enlisted screenwriter Raymond Chandler to adapt the book for the screen. Though Chandler delivered a script, Hitchcock ultimately rejected it in favor of a rewrite by Czenzi Ormonde and an uncredited Barbara Keon. With his leads locked in – Farley Granger as tennis pro Guy Haines and Robert Walker as the villainous Bruno Antony – Hitchcock began production on what would become another tension-filled thriller. Join us – Pete Wright and Andy Nelson – as we continue the 1952 Academy Awards Best Cinematography • Black-and-White Nominees series with a conversation about Strangers on a Train.Here's a hint at what we talk about:In this episode, we dive deep into the fantastic performances by Robert Walker as the creepy and charismatic Bruno and Farley Granger as the morally conflicted Guy. We also discuss the homoerotic undertones in the film and how Hitchcock used them to toy with ideas about sexuality and identity. Though we find a few plot holes, overall we both agree this is one of our favorite Hitchcock films thanks to its psychological tension, unique visual style, and fun fairground climax.One of the standout elements of Strangers on a Train is the striking black-and-white cinematography by Robert Burks. In his first collaboration with Hitchcock, Burks brought an experimental flair that heightens the psychological tension. The use of shadows, unique camera angles, stylized lighting, and innovative techniques like the curved lens shot of Miriam's murder create an atmosphere of dread and danger. Burks' innovative work garnered him an Oscar nomination and built the foundation for a longtime partnership with Hitchcock.Strangers on a Train is a taut, psychologically complex thriller brought to life by Hitchcock's masterful direction. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you!Read more about the results of the WGA strike here.Learn more about the SAG-AFTRA strike here.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE. Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd
RMR 0231: Special Guest, Tyler Harlow from the After the Credits YouTube Channel joins your hosts Bryan Frye and Russell Guest for the Retro Movie Roundtable as they revisit Strangers on a Train (1951) [PG] Genre: Crime, Drama, Film-Noir Starring: Farley Granger, Ruth Roman, Robert Walker, Leo G. Carroll, Patricia Hitchcock, Kasey Rogers, Marion Lorne, Jonathan Hale, Howard St. John, John Brown, Norma Varden, Robert Gist Director: Alfred Hitchcock Recorded on 2023-09-01
We're taking a look at one of Alfred Hitchcock's most popular thrillers, Strangers on a Train. Brandon is joined by Emmett Stanton to discuss this heart-pounding and fun movie based on the novel by Patricia Highsmith. This 1951 film has a wonderful cast including a powerhouse performance from Robert Walker as Bruno Anthony, one of Hitchcock's greatest villains. The host also discuss many of the great set pieces and shots that make this one of the standouts the Master of Suspense's canon.
Criss Cross. We’re taking a look at one of Alfred Hitchcock’s most popular thrillers, Strangers on a Train. Brandon is joined by Emmett Stanton to discuss this heart-pounding and fun movie based on the novel by Patricia Highsmith. This 1951 film has a wonderful cast including a powerhouse performance from Robert Walker as Bruno Anthony, … Continue reading Ep. 175-Strangers on a Train →
At the Municipal Archives in New York City is a black and white negative containing an image of a deadly weapon used in a sinister plot of revenge. Just uptown in New York's Times Square sits the world famous Madame Tussaud's Wax Museum, where the likeness of one revolutionary woman is on display, telling an inspiring and artful tale that spans one of history's most tumultuous eras. And on the grounds of the San Diego Air & Space Museum in California is a large missile that led to the creation of a product that's found in nearly every household in America. Hosted on Acast. See acast.com/privacy for more information.
Living and dead horror authors tell scary stories round the campfire in "Submitted for the Approval of the Midnight Pals", an upcoming audio adaptation of Bitter Karella's Hugo-nominated comedy-horror microfiction. Full episodes start releasing on October 31, 2023, with an early premier and cast chat streaming on Twitch on Sunday October 29th. For more information, see https://midnightpals.comCAST, in order of appearance: EDGAR ALLAN POE – Rodrigo BorgesROBERT LOUIS STEVENSON – Dexter HowardHP LOVECRAFT – Robin JohnsonBRAM STOKER – Joel A.S. ButlerJONATHAN HARKER – Thaddeus StrangeDRACULA – Rodrigo BorgesPATRICIA HIGHSMITH – Kate DavoliSTEPHEN KING – Jason RobisonMARY SHELLEY – Rebecca D'SouzaVICTOR FRANKENSTEIN – Dominic RyeDEAN KOONTZ – Wren MontgomeryCLIVE BARKER – Sister IndicaSHE WHO MUST NOT BE NAMED – Hailey PiperTrailer edited by Robin Johnson using material from episodes written by Bitter Karella and Robin Johnson. Find the Midnight Pals at midnightpals.com or on twitter at @midnight_pals. Subscribe to the podcast at https://midnight-pals.simplecast.com or via Apple Podcasts, Spotify, or your podcast site/app of choice. A transcript of this trailer is available at https://midnight-pals.simplecast.com/episodes/season-1-trailer/transcript
Please SHARE this episode with someone who loves old time radio shows like you do! And get FREE full-length pulp audiobooks, pulp eBooks, and old-time radio shows by emailing WeirdDarkness@RadioArchives.com!IN THIS EPISODE:00:00:00 = The Haunting Hour (1944), “Breakdown”00:27:03 = The Hermit's Cave (1947), “Notebook On Murder”00:51:32 = The Hall of Fantasy (1950), “He Who Follows Me”01:16:00 = Dark Fantasy (1944), “The Demon Tree”01:40:53 = Beyond Midnight, “40th Birthday”02:11:18 = Black mass (1963), “All Hallows”02:50:33 = CBS Radio Mystery Theater (1974), “The Old Ones Are Hard To Kill”03:37:05 = Creeps By Night (1944), “The Strange Burial of Alexander Jordan”04:06:36 = Dimension X (1950), “Outer Limit”04:36:37 = Inner Sanctum Mysteries (1943), “The Black Seagull”05:06:39 = Lights Out (1938), “Cat Wife”05:36:10 = Lux Radio Theater (1951), “Strangers On A Train”06:32:06 = Molle Mystery Theater (1943), “Homicide For Hannah”07:00:40 = Mystery House (1946), “Laugh? I Thought I'd Die!”07:26:43 = Nightfall (1980), “Late Special”07:53:02 = Quiet Please (1947), “Inquest”08:22:44 = The Sealed Book (1945), “Hands of Death”08:51:48 = The Shadow (1937),m “The Temple Bells of Neban”SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.com Weird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness WeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2023.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =https://weirddarkness.com/archives/16728This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3655291/advertisement
Christian is once again with both Agent Starling and Captain EO, discussing their own travels throughout Europe. Plus, interesting tattoos and they set up next episode's examination of a musical disaster.
Book Vs. Movie: Strangers on a TrainThe 1950 Novel Vs. the 1951 Classic FilmThe Margos return to Alfred Hitchcock with his classic thriller Strangers on a Train, based on Patricia Highsmith's debut novel. The story of two men meeting up and deciding to commit double murder in just a few hours may strain credulity--but it is a fun story ride!In the novel, budding architect Guy Haines meets wealthy gadabout Charles Anthony Bruno (called Bruno throughout the book) on a train ride to Texas. Guy wants to divorce his cheating (and pregnant) wife, Miriam, to marry his true love, Anne Faulkner. Bruno has a father who wants him to grow up and be more responsible, while he would rather travel, drink, and spend his family's money. Bruno proposes they kill the person in their lives holding back their happiness. Guy agrees to escape the conversation and is shocked when Bruno strangles Miriam to death. Bruno now wants a favor in return. Highsmith was a master of thrills and suspense with several books, including “The Talented Mr. Ripley” series. Her private life consisted of several relationships with both men and women, including a married psychologist who helped her with theories about sociopaths and psychopaths. She was surprised to find her book sold to Alfred Hitchcock for $7500 and angry her agent did not ask for more. (Hitch was known for his secrecy.) The movie adaptation changed her setting from the South and Southwest to NYC and Washington, DC, and included a gay subtext about the relationship between the lead characters. In an adapted script by Raymond Chandler and Czenzi Ormonde, Guy becomes a tennis pro who ultimately cannot go through with the killing of Bruno's father. (Spoilers in this episode!) What are the other differences between the book and the film? And which version did the Margos like better? Have a listen!In this ep the Margos discuss:Author Patricia HighsmithThe clever plot and how it has been used over the years.Hitchcock's work ethic and how it influenced the film.The cast of the 1951 film: Farley Granger (Guy,) Robert Walker (Bruno,) Ruth Roman (Anne Morton,) Leo G. Carroll (Senator Morton,) Patricia Hitchcock (Barbara Morton,) Kasey Rogers (Miriam,) Marion Lorne (Mrs. Anthony,) Jonathan Hale (Mr. Anthony,) Howard St. John (Capt. Turley,) John Brown (Professor Collins,) Norma Varden (Mrs. Cunningham) and Robert Gist as Detective Hennessey.Clips used:Pitch for “the perfect murder”Strangers on a Train (1951 trailer)Bruno and Guy meetBruno at home with his motherMiriam goes bye-byeGuy's alibiBruno touches a guestMusic: Dimitri Tiomkin Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement
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