Martini Shot

Keith McNally isn't in showbiz, but he might as well be. Whether you're dining at Balthazar or, like Rob, a frequenter of Minetta Tavern, it's all lights, noise and timing. The food matters, but it's the vibe that keeps people coming back — and the same goes for Hollywood. It's not just plot and characters; it's atmosphere, tone and letting the audience feel at home. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

If a joke falls flat, you've got two options: fiddle with the set-up or adjust the punchline. That's comedy writing 101 — unless you had George Wendt. As Norm on Cheers, George's timing, presence and even just how he walked into the bar got a laugh. But Norm was a lovable loser, while George was just plain lovable. And for writers like Rob, lucky enough to work with him, George was the secret third trick to make any joke land. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

The best TV shows are like the best restaurants, says Rob Long: familiar, comforting, and just stylish enough. Not everything needs to be a tasting menu or guilty junk — sometimes you just want a steak, buttered broccoli, baked potato and a laugh. So in this era where prestige and junk reign in both food and TV, Rob asks, where are all the Hillstones and Houston's? Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Rob wakes up spinning — literally — and ends up in the ER being evaluated by what appears to be the cast of Grey's Anatomy: Gen Z. It wasn't a stroke (spoiler), just vertigo, but that doesn't stop Rob from noticing these physicians seemed to behave a little too much like TV doctors from ER, House or Chicago Hope — all of which gave Rob his own hope: TV really does still matter. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

As President Trump involves himself in showbiz finances, Rob Long raises the problem of what happens when government gets involved in Hollywood spreadsheets: Everyone above the line gets a raise because A. money is fungible; and B. greed. And below the line? Taxpayers in whatever state is offering cash-back goodies end up paying for second season salary bumps for the cast and the producers.  Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Time was when networks would land a major star, with the next step finding a writer with “auspices” — an industry term for somebody proven, with a hit show already on air. The only issue? Those successful writers often couldn't write. In spite of that, those series sometimes became massive hits. Which is why Rob Long wants to keep optimism alive. After all, as he says, “Hey, could work.” Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Like Rob Long's old Subaru, show business is leaky and can emit a toxic cloud — but it works. That is, until Silicon Valley strides in and tries to plug up the holes with things like “ad-free offerings” and an “all-inclusive monthly price”. What the tech overlords don't get, though: it's all those wires and oil and grime that keep the engine running. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

No matter how successful you are, the pitching never ends. Even the most seasoned TV creator has been known to melt down in front of their G-Wagon when they can't land a greenlight: “Why don't they just say yes?” Silicon Valley tech giants thought they could disrupt the “terrible business” of entertainment — less buying and selling, more ownership and verticality — which led to the streaming wars, and now a contracting industry where “the yeses just aren't coming.” Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are two keys to making money in showbiz: make a hit, and make it easy to watch and find. In other words, make the experience more like shopping on Amazon. Easy is why kids are on YouTube, Rob Long is watching The Gilded Age in TikTok snippets and why Amazon makes being online a seamless experience — except on Prime Video. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Long recently sold all the old junk from his house: airplane bottles of Dutch gin, a Yemeni incense burner, asparagus tongs and two boxes of computer cables, naturally. Refreshed and ready to begin a new chapter, Rob thinks studios need a similar garage sale with each other's libraries. Offer up titles, make some swap deals — and reset the whole system, from the IP up. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Languages other than English have special words for special situations (looking at you Germany and your fingerspitzenfühl). Now, Rob Long proposes a new local lexicon to help capture this particular moment now in the industry, a place where schadenfreude is giving way to another, strange new feeling: Hope for even someone else's show, any show, to get made. Even if it's about linemen in buckets. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mid-life, Rob Long has gone back to school. Princeton Theological Seminary has been a nice timeout from Hollywood — no profanity, shouting or the pressure to wrap up every meeting with a joke. But Rob is not ditching Hollywood. Instead he ponders bridging the secular and ecclesiastical divide by showing up to his next meeting in a priest's collar to watch what happens. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brand extensions? Prequel? Janet Bond?? Rob Long bets meetings at Amazon are underway with those bullet points in a PowerPoint now that the franchise has been wrested away from its legendarily impossible owners, the Broccolis. Corporate-controlled and obligated by fiduciary responsibility, 007 has secured the plot of his next adventure: shaking every last dime out of his Savile Row suit. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the problems facing showbiz right now: Too many production companies, private equity investors, and celebrity shingles — but not enough set-up projects. That's why it's worth remembering the actor-producer-garbageman Rob Long once hired, whose business card was a reminder of simpler times: the producer's vanity card. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

New streamers all want to be the place that gets it. They'll say, “Come here and be creative! Give us your quirky, oddball stuff!” But before you know it, Rob Long finds they're giving notes on the act break and telling writers to raise the stakes. But anybody that's been in this business awhile, or had any degree of success, can relate — it's easy to forget that you don't know all the answers. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

When the streets of L.A. and New York hummed with production, Rob Long would pass so many shoots that he'd zip through and stealthily swipe a coffee and pastry. Now, though, as production shrinks, artisanal donuts and Nespresso pods have given way to Dunkin' and off-brand coffee. And you know the industry's in really bad shape when rumors about having to pay for valet parking at your own agency pop up — and everyone believes them. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

When tourists come to Manhattan, some check out “historical landmarks,” like the Sex and the City cupcake shop, where a bite of buttercream frosting can spark the fantasy of a romantic adventure in the Big Apple with best friends. Indeed, Rob Long believes showbiz is at its greatest when, in hard times, it lets the audience daydream. Especially today, amid so much ash and smoke, when the people who make movies and TV need their own escape. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Gelson's is gone.” That's what Rob Long heard the TV newscaster say solemnly as he watched flames engulf the grocery store. Rob loved that now burned-down market off Sunset in the Palisades, now in the midst of catastrophic loss. All kinds of industry folk — executives, crews, a couple of famous faces — also did. Now with an industry-wide contraction, he understands you might be asking yourself: “Is it time to go?” But the industry's best trait has always been to ignore and adjust. And start again. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a 24-year-old aspiring screenwriter in L.A., Rob Long didn't have the money or job prospects to purchase a $400 leather jacket. So, naturally, he did. As luck had it, Rob got his first job as a TV writer a few weeks later. And now, decades later — and oft-bemoaning how things used to be better — he reflects on his good fortune, and why he shares it with a charity helping homeless youth right here on Hollywood Blvd. All while asking you to keep going long enough to appreciate your lucky selves to be in this business.  Head to My Friend's Place, Rob's charity of choice, to help support youth experiencing homelessness. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the moment the fatal shooting of UnitedHealthcare's CEO hit the news until the arrest of suspect Luigi Mangione in a McDonald's, every loudmouth had a theory about the killer and his motive. You see, whether it's a murder case, the Middle East or Hollywood's upheaval, the know-it-alls all pretend they have all the answers. But society needs them, argues Rob Long. After all, who else would greenlight anything?  Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Look deeply into the eyes of many of the team surrounding Donald Trump and you might find the same hollow and exhausted looks ubiquitous on the faces of talent managers, agents and executives. You see, that's because the past and future president is a lot like an insane director or temperamental movie star. And it's why this industry is the one best equipped to advise that one. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

A TV writers room can be a cranky, hostile place. Rob Long and his colleagues spend their days arguing over which story beats to keep, whose joke is funnier, and what to order for lunch. But is it better when that chaos happens with people you've worked with before or strangers? An academic study gave Rob the answer. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

The next few weeks are going to be tough, a little bit like being force-fed goat cheese if you are Rob Long. So in this current toxic political environment, or really in any uncomfortable situation forced upon you, Rob has some simple advice. Use the word ‘huh' — the one magic word that saves you from further confrontation. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ankler recently launched The Ladder, a hub for early career entertainment professionals, which has Rob Long wondering one thing: What are these people thinking? Gone are the days where a 24-year-old like Rob could come to L.A. and months later be staffed on a show like Cheers, or make a lot of money specializing in just story beats or jokes. Today, you have to be a “multi-hyphenate,” or, to put it in Rob's old Hollywood lingo, a “sweat act” — able to do a little bit of everything. Transcript here. For more entertainment news, subscribe to The Ankler or apply to The Ladder, a new members-only hub for early career entertainment professionals. Learn more about your ad choices. Visit megaphone.fm/adchoices

A normal person, when a friend tells them about their broke dad with cancer, think this is a sad story; this poor guy; how can I help? Not Rob Long. He latches on to the part of the story about the dad having to move in with his New-Age vegan daughter to be closer to the hospital, and begins to wonder could this be a pitch? Learn more about your ad choices. Visit megaphone.fm/adchoices

We perform plastic surgery on a lot of things in Hollywood — even history. Say you've got an amazing true story about the highest-ranking woman in the mafia, as Rob Long once did, but you don't know how many people she killed. Why not make it lots of them? Now it's not quite true, it's “based on true events,” but good enough. As Rob can attest, there's not a story in the world — true or not — that couldn't use a little Botox.  Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Like many writers, Rob Long enjoys opining on writing more than actual writing. There's no greater procrastination than, say, teaching a class on “maintaining focus.” Meanwhile, there are other writers at their computers, getting ideas out the door that are getting pitched first. Which may be when it's time for procrastinators to turn to the best TV writing hack of all time: Sell the house. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Indiana Smith didn't sound quite right to Spielberg and Lucas, so they changed it to Indiana Jones — and the rest is history. You never know what's going to work and what's going to fail. Or why. That's part of what makes notes, a pillar of Rob Long's existence, so tricky. Because sometimes you should play ball with what a network wants. But other times you might need to pull a Sinatra: “My Way.” Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's not easy being blunt in Hollywood, with a lot of time spent dancing around the truth. Is a network or studio actually interested in the pitch? How much money are they willing to pay? That's why it's worth remembering the fan letter an actress friend of Rob Long's received, where the sender was less invested in her career than making sure she answered his more prurient podiatry queries. After all, someone has to ask for what you want, get to the point and keep everyone focused on the important things, which is how Rob finds himself praising, yes, his agent. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When a fading comedian says they want new material, that's not what they want. What they want is “new old material,” meaning fresh jokes that sound like the ones they've already told. Hollywood today finds itself in the same predicament: needing new shows that feel like the old ones. Because, as Rob Long points out, the comforting and the familiar are what audiences crave — like Italian food — and can fix an industry today broken right down the middle. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Long has tried everything: Meditation, free writing, morning pages — all in an effort to be more present, to get out of reading trade headlines and reflexively wondering, But how does this benefit me? In an industry pathologically insular and insecure, it's hard to imagine the world outside. Now with Hollywood in desperate need of a shakeup, Rob's going first: He reveals the surprise masters degree he's now pursuing and you won't believe it. Just don't say he left showbiz. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writing is a tough, lonely profession. One of its worse qualities: the payment structure, broken up into a zillion little pieces, withheld in full until the bitter end and altogether utterly unpredictable. The whole charade can make someone like Rob Long, understandably, crazy. That's why, when a production company asks for a tax ID number, or a residual check comes in at $12, not $11, it's hard not to get a little emotional. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When tourists trek to Hollywood for their summer vacations, they want a look at the glamour they see onscreen. Instead they get Hollywood Boulevard, and filthy Mickey Mouse and Donald Duck in a fist-fight. Yet when the tourists disappear and the season turns, so do Rob Long's emotions: Into fears about age, the business passing him by, why he never had another career. But then, as reliable as Labor Day on the calendar, he puts the costume back on again. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever tell the stranger sitting next to you on a flight what you do for a living? If you work in entertainment, your seatmate likely will first say, “Have I seen anything you worked on?” and then, “You know what you should do a show about?” And forget about answering the question about how your job exactly works. Because the rules of TV writing and the business have all the inconclusiveness and ambiguity of an annoying French sitcom. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it that the sweaty, doughy production assistants of decades past become the power brokers and “maximized” types of today? It's the same reason the prolific, focused writers — regardless of quality — are able to get things made: They're the ones actually sweating.  Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When he heard news of Bob Newhart's death, Rob Long reached into an old shoebox to find a picture of himself with the comedy legend. Like many who had such a memento, his first thought was, “Get that image on Instagram pronto.” But he held off. Why? Because if he learned one thing from the man known for comedic timing, it's that sometimes less is more. Sometimes it's better to take a pause, clear your throat and just say . . . Bob Newhart was the best. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

During Rob Long's first job at Paramount, he would see a dusty, silver DeLorean on level two every day in the parking structure as he rolled in late for his gig on a hit show. Despite all the 1986 flash it signaled, its license plate gave the game away: That person had been on a popular show and now wasn't. Everyone in Hollywood thinks they'll always be parking on five, a place where you set your own hours and are flush with cash, but could end up, say, like Candle Media, back on two. So, Rob advises, maybe hang on to that Subaru. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Grudges and feuds make Hollywood go ‘round. But sometimes, they are so longstanding that, as Rob Long learned, the aggrieved sometimes forget why they're even mad. Which is why Rob is an advocate for, if not forgiveness, at least forgetfulness. Because without it, we wouldn't be repeating the constant storytelling themes of friendship, money and family. And people would know that Succession was really just Dynasty. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this age of contraction, Hollywood is full of unemployed showrunners grinding out half fleshed-out pilot ideas. But a great sense of story isn't the only attribute needed to be a showrunner. It also requires decisiveness, self-awareness and preparedness. And that last trait applies to more than just running a show. Just ask the medical professionals that put together Rob Long's “home collection kit.” Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a child, Rob watched old sitcoms like Gilligan's Island and Bewitched while pretending to do homework. He likes to say that his slacking off prepared him for the writing career he has now. Sure, he learned sitcom structure, but more important, by neglecting his schoolwork, he became less of a thinker. And in show business, thinkers just mess things up. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Rob Long sold his house in Venice Beach for his move to New York, the question from neighbors was universal: “When did you buy your house?” In other words, it wasn't about where he was going, but how much money he was making. Selling high, of course, requires also believing things will get worse. Not hard in showbiz these days. Which explains why Rob recently found himself on the subway into the city from JFK. Transcript here. Subscribe to The Ankler for more entertainment news. Learn more about your ad choices. Visit megaphone.fm/adchoices

Show business largely operates on what Rob Long calls the “Monkey-Clown Relationship.” Sometimes you're the monkey who loses it and attacks the clown. Sometimes you're the clown, waiting in fear of the monkey ripping your face off. Increasingly, though, as the industry gets tougher, Rob's friends aren't waiting for the monkey to snap, they're wondering if they should call it a day. But some may end up the tough clown that stays in there, fighting. Supreme logo and all.  Transcript here. Subscribe to The Ankler for more entertainment news. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Long worked on the Paramount lot 15 years, and the pilot of Lenny & Squiggy — a spinoff of Laverne & Shirley — was a ghost that haunted the grounds, so mercilessly rejected by a focus group that the tape disappeared. Forever. Which makes Rob wonder: How can one hack a hackneyed system where random people are selected to give an opinion on your show — and the studio listens? There are ways. Ethics aside, of course. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everybody knows that one William Goldman quote: “Nobody knows anything.” But, Rob Long asserts, sometimes, people know something you don't. And that's where the mystery of the industry lies. Because as much shakra and selenite crystal as you can harness, your fate lies in the hands of others, and that can require going to desperate measures to maintain your sanity. Transcript here. Subscribe for more entertainment news to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie stars and aristocrats are just like you and me: They put their trousers on one leg at a time. We don't really have a proper aristocracy anymore, so there goes half that saying. But do we even have stars? Rob Long considers what a star was, what a star is, and what it means for the industry. Also, if you should wear a t-shirt with your name on it.  Transcript here. For more entertainment news subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob knows a quote . . . from which Chinese philosopher, he's not sure. It goes, “If you sit by the river long enough, you will see the body of your enemy float by.” Showbiz translation: If you stay in Hollywood long enough, you'll see Paramount bought and sold many times over. Transcript here. Subscribe here for more showbiz news from The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

No doubt, the internet and technology vastly improved the tedious labor of writing scripts and making revisions. But Rob Long believes something was lost in the disappearance of an actual paper trail: Archaeological artifacts that reveal the process of jokes moving, characters losing lines, and test audiences wanting (and getting) a happy ending. And it turns out, like his friend, you didn't even need to read Save the Cat! to learn how to write TV. All you needed was to roll up your sleeves and sift through the studio garbage.  Transcript here. For more entertainment news, subscribe to The Ankler here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Remember the Burger King Kids Club, the chain's ad campaign targeted to “the kids?” There was Kid Vid, the white, video game-playing leader; Jaws, the Black kid who loved to eat; and a boy in a wheelchair named (seriously) Wheels. The idea, Rob Long speculates, must have been devised at one of those offsite retreats, the kind TV execs love to do in Laguna. But hits rarely are born from suits tossing around banal concepts. Instead they begin with a writers' novel idea, the equivalent of a delicious-looking hamburger. Also, we've been nominated for a Webby Award, vote for us here by April 18th! Transcript here. For more entertainment news, subscribe to The Ankler here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Legendary fashion designer Karl Lagerfeld once complained about the way a room was decorated: “It was a lot of Louis Quinze mixed with Louis Seize,” he said. And then added: “Ugh!” The entertainment business runs on this sort of Lagerfeldian Ugh, a sort of lingua franca of Hollywood. But what if we tried, just for a while, to not slag others as conversational filler? Rob Long says then, very likely, you could expect a whole lot of deafening silence.  Also, we've been nominated for a Webby Award, vote for us here by April 18th! Transcript here. For more entertainment news, subscribe to The Ankler here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard the Duck might not have won Best Picture, but if you're a sandwich shop worker, or a young Rob Long at lunch with high-up producers, it's probably best not to espouse how big a flop you thought it was. See, failure in Hollywood is a relative term. Movies fail, pilots fail, but after a failure of your own, it's tough to see anything that makes it to the screen as defeat — especially if it came with a check. After all, getting paid in show business is getting paid to try. The later checks — the bigger ones — are about getting paid to succeed. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Orson Welles found an investor for a cheap little noir thriller, legend has it he devised a scheme. His opening sequence took up almost 10 pages of script, with descriptions and action all spread out. Except when he actually filmed it, he used only a high-tension, 12-minute “virtuoso” single tracking shot that became signature to Touch of Evil — but also fooled execs into thinking he'd be under budget and on time every day. As genius as Welles' move was, Rob Long says he was also a practitioner of Haraka Baraka. And you should be too. Transcript here. For more entertainment news, subscribe to The Ankler. Learn more about your ad choices. Visit megaphone.fm/adchoices