Podcasts about Human Fly

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

The week, Desmond and Tom ring in the 925th episode of Dread Media with a look at the films in The Fly franchise: The Fly (1958), Return of the Fly, Curse of the Fly, The Fly (1986), and The Fly II. Songs included: "I Am the Fly" by Wire, "Flyswatter" by Eels, "Return of the Fly" by Farside, "Fly Paper (acoustic)" by Melvins, "FLY" by Ice Nine Kills, "Human Fly" by Nouvelle Vague, and "Change (in the House of Flies)" by Deftones. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

The week, Desmond and Tom ring in the 925th episode of Dread Media with a look at the films in The Fly franchise: The Fly (1958), Return of the Fly, Curse of the Fly, The Fly (1986), and The Fly II. Songs included: "I Am the Fly" by Wire, "Flyswatter" by Eels, "Return of the Fly" by Farside, "Fly Paper (acoustic)" by Melvins, "FLY" by Ice Nine Kills, "Human Fly" by Nouvelle Vague, and "Change (in the House of Flies)" by Deftones. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

The bin will return next week with a brand new episode. In the meantime, check out the second part of the Human Fly saga from the Patreon mini bin

“Wait. What?” ~ Ben's exact words when he was looking at comic book soliciations for last month. But The Human Fly is back! It's a new series! A new continuity! A new creative team! A new publisher! A new millennium! But the same concept: he's the wildest superhero every . …

The Professor Frenzy Show Episode 314 Savage Sword Of Conan Vol 2 #3  from  Titan Comics  |  Writer(s): Frank Tieri   | Artist(s): Patch Zircher  |  $6.99 The Human Fly #0 from IPI Comics  (W) Christopher Sequeira, Tony Babinski (A) J. Scherpenhuizen, Peter Lawson, Dan Lynch, Stephen Kay $4.99 Transformers #10 from Image Comics (W) Daniel Warren Johnson (A) Jorge Corona, Mike Spicer $3.99 Ice Cream Man #40  from  Image  |  Writer(s): W. Maxwell Prince   |  Artist(s):Martín Morazzo Chris O'Halloran  |  $3.99 Monsters Are My Business (And Business Is Bloody) #4  from  Dark Horse  | Writer(s): Cullen Bunn   |  Artist(s): Patrick Piazzalunga  |  $3.99 Aint No Grave #3  from  Image  |  Writer(s): Skottie Young   |  Artist(s): JorgeCorona  |  $3.99 Geiger Vol 2 #4  from  Image  |  Writer(s): Geoff Johns   |  Artist(s): Gary Frank Brad Anderson  |  $3.99 Image Firsts Radiant Black #1  from  Image  |  Writer(s): Kyle Higgins   |  Artist(s):Marcello Costa | $1.00 Deadweights #4  from  Ahoy Comics  |  Writer(s): Tyrone Finch   |  Artist(s):Sebastian Piriz  |  $3.99 Gatchaman Galactor #1 from Mad Cave Studios  (W) Steve Orlando (A) Kath Lobo $4.99  The Domain #1 from Image Comics (W) Chip Zdarsky (A) Rachael Stott $3.99    This Week's Comic Books Witchblade #1 from Image Comics (W) Marguerite Bennett, (A) Giuseppe Cafaro, Arif Prianto $4.99 Paranoid Gardens #1 from Dark Horse  |  Writer(s): Gerard Way Shaun Simon   | Artist(s): Chris Weston  |  $4.99 Rocketeer Breaks Free #1 from IDW Publishing  |  Writer(s): Stephen Mooney   | Artist(s): Staz Johnson  |  $4.99 Fishflies #7 from Image  |  Writer(s): Jeff Lemire   |  Artist(s): Jeff Lemire  |  $5.99 Plastic Death & Dolls #2 from Image  |  Writer(s): Doug Wagner   |  Artist(s):Daniel Hillyard  |  $3.99 Purr Evil #5 from Image  |  Writer(s): Mirka Andolfo   |  Artist(s): Laura Braga  |  $3.99 Redcoat #4 from Image  |  Writer(s): Geoff Johns   |  Artist(s): Brad Anderson Bryan Hitch  |  $3.99 Whats The Furthest Place From Here #19 from Image  |  Writer(s): Matthew Rosenberg Tyler Boss   |  Artist(s): Dylan Burnett  |  $3.99 Chilling Adventures Presents Truth Or Dare #1 (One Shot) from Archie Comics  | Writer(s): Ron Robbins   |  Artist(s): Laura Braga  |  $3.99 Mans Best #5 from BOOM! Studios  |  Writer(s): Pornsak Pichetshote   |  Artist(s):Jesse Lonergan  |  $4.99 My Bad Escape From Peculiar Island #3 from Ahoy Comics  |  Writer(s): MarkRussell   |  Artist(s): Peter Krause  |  $3.99 Super Heroes #1 from Dell Comics, cover dated January 1967 This week's that guy that was in that show is  Bruce Boxleitner  Today our Frenzy Faves is a favorite Twilight Zone episode Two

In questo primo SPECIAL dedicato a un regista andiamo ad esplorare il cinema di David Cronenberg: mostruosità, tecnica, psicologia, trasformazioni del corpo e della mente e tanta, tantissima filosofia. Con il codice DAILYCOGITO7 puoi iniziare un percorso su Serenis per prenderti cura del tuo benessere mentale a un prezzo convenzionato. Scopri di più su https://www.serenis.it/influencer/daily-cogito?utm_source=influencer&utm_medium=affiliate&utm_campaign=DAILYCOGITO7&utm_content=podcast&utm_term=host+read Questo episodio è sponsorizzato da Scalable. Se stai considerando di iniziare a investire, ora è il momento perfetto. Con Scalable, entri nel mondo degli investimenti con un partner affidabile e regolamentato e con costi d'ordine incredibilmente bassi. E sai qual è il bello? Con Scalable puoi iniziare a investire con solo 1 Euro! Apri ora un conto Scalable

This week on Seddy Bimco Part Two The Revenge, We visit Massachusetts and create sequels for the Amazing Transparent Man! Links: https://linktr.ee/seddybimcoFollow Tim on letterboxd! See the Seddy Bimco watchlist!Email us at seddybimcoe@gmail.com Most art by Tim HamiltonMusic by Tim HamiltonCheck out the Seddy website. Links: https://linktr.ee/seddybimcoCheck out George O'Connor's books: https://www.georgeoconnorbooks.com/Check out Tim Hamilton's books: https://timhamiltonrwf.gumroad.com/Hosted on Acast. See acast.com/privacy for more information.In this conversation, Tim and George discuss the movie 'The Amazing Transparent Man' and the controversy surrounding its filming location. They also share facts about Massachusetts and delve into the plot of the film. In this part of the conversation, Tim and George discuss the plot of the movie 'The Invisible Man vs. The Human Fly'. They talk about the characters, the machinery, and the events that unfold. They also share some humorous observations and trivia about the film. In this final part of the conversation, Tim and George discuss the movie 'The Amazing Transparent Man' and share their own revenge stories. They also talk about the possibility of the Beatles starring in 'Lord of the Rings' and discuss their upcoming two-week vacation. The conversation ends with a farewell to their listeners. Hosted on Acast. See acast.com/privacy for more information.

Episode 16 - Murdock and Marvel: 1978 This week Marvel starts to steady the ship, even as the Distinguished Competition is kneecapped by their corporate overlords.  Prices go up!  Prices go down!  Great new companies sprout up!  Established companies die!  And as usual there are predictions about the impending death of comics.  Welcome to 1978, everyone.  Preshow Listener Mail from Zach Duane at Fan Fusion (https://www.phoenixfanfusion.com/) The Year in Comics  Notable and Newsworthy Dr. Strange TV Movie: https://archive.org/details/dr.-strange-1978-movie Industry Trends Eagle Awards The Year in Marvel Chaos continues and a big name leaves...again. Events & Happenings New Titles New Characters Series Ending Who's in the Bullpen Marvel Comics in the 1970s by Eliot Borenstein (https://www.cornellpress.cornell.edu/book/9781501769368/marvel-comics-in-the-1970s/) ROOKIE OF THE YEAR: Frank Miller The Year in Daredevil  Appearances: Daredevil #150-155, Marvel Two-In-One #37-39, Human Fly #9, Thor #271, Marvel Team-Up #73 and Fantastic Four Annual #13  Writing credits: Jim Shooter (150), Roger McKenzie/Shooter/Kane (151), McKenzie (152-155)  Pencilers:  Carmine Infantino (150, 152), Gil Kane (151), Gene Colan (153-154), Frank Robbins (155)  The year begins with Daredevil looking for Killgrave. Meanwhile, another of New York's elite that was manipulated by Killgrave hires the Paladin to hunt down Killgrave as well. Eventually Daredevil and Paladin meet, briefly fight and part ways.   After a bad dream, Murdock decides to come clean to Heather Glenn about his Daredevil secret and tell her that Maxwell Glenn is innocent and he's working to find the person responsible. While waiting for Heather to come home, he answers her phone and learns Maxwell Glenn has committed suicide in prison. When she arrives, he still comes clean and Heather blames Daredevil/Matt for everything including Maxwell Glenn's death. She then disappears.  In the Marvel Two-In-One, Matt Murdock is called on to represent Ben Grimm as he's trial for causing too much damage in New York but leads to Daredevil briefly working for the Mad Thinker whom is out to get Grimm. However, with the Help of Vision and Yellowjacket, they are able to take down the villain.  Knowing he can't fix his relationship with Heather, Daredevil orchestrates an intervention/meet-up between Debbie Harris and Foggy Nelson in Central Park – which leads to them deciding they are going to get married again. While in Central Park, Daredevil has another run-in with the Paladin.  Next Daredevil is lured into a trap with Heather Glenn as the bait by Mister Hyde and Cobra. After a lengthy battle that includes the Billy Club being destroyed (again) and Hyde and Daredevil falling from the 12th floor of Glenn's apartment complex, Daredevil is captured.  That leads to an epic final show-down in which Daredevil must take on the Jester, Gladiator, Hyde, Cobra (and briefly Paladin) who are under the influence of Killgrave. This will be our spotlight story for the week.  The year ends with Daredevil experiencing mysterious headaches which is causing him trouble with his radar sense. We also learn Death-Stalker is working on a plan to get Daredevil.  At the Storefront, Murdock interviews and hires a new assistant. During the walk to dinner, Murdock learns Black Widow is in town with the Avengers so he bails on Becky Blake and Foggy. As Daredevil, he invades Avengers mansion taking down Beast and Captain America and calls out Black Widow saying “She'll pay dearly”  New Powers, Toys or Places New Supporting Characters New Villains This Week's Spotlight: Daredevil #154 September 1978 "Arena" Recap Why We Picked This Story The Takeaway The Strange Case of Jack Kirby Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Man Without Fear: Kuljit Mithra's Daredevil site contains a staggering collection of resources about our hero, including news, interviews and comic details.    The American Comic Book Chronicles: Published by TwoMorrows, these volumes provide an excellent analysis of American comics through the years.  Because these volumes break down comic history by year and decade they are a great place to get a basic orientation on what is happening across the comic industry at a particular point in time.  Joshua and Jamie Do Daredevil: A fantastic podcast that does a deep-dive into Daredevil comics.  This ran from 2018-2020, and covered most of the first volume of Daredevil, and was a fun way to get an in-depth look at each issue of Daredevil from 1-377.  My Marvelous Year: This is a reading-club style podcast where Dave Buesing and friends chose important or interesting books from a particular year to read and discuss.  This helped me remember some fun and crazy stories, and would be a great companion piece to Murdock and Marvel for those who want more comic-story-specific coverage.  BOOKLIST  The following books have been frequently used as reference while preparing summaries of the comic history segments of our show.  Each and every one comes recommended by Dan for fans wanting to read more about it!  Licari, Fabio and Marco Rizzo.  Marvel: The First 80 Years: The True Story of a Pop-Culture Phenomenon.  London: Titan Books, 2020.  This book is sort of a mess, as the print quality is terrible, and Titan doesn't even credit the authors unless you check the fine print.  It's like this was published by Marvel in the early 60s! But the information is good, and it is presented in an entertaining fashion.  So its decent, but I would recommend you see if you can just borrow it from the library instead of purchasing.  Wells, John.  American Comic Book Chronicles: 1960-1964.  Raleigh: Two Morrows, 2015.  Not cheap, but a fantastic series that is informative and fun to read.  Wright, Bradford.  Comic Book Nation: The Transformation of Youth Culture in America.  Baltimore: Johns Hopkins University Press, 2001.  This is the revised edition.  Marvel Year By Year: A Visual History.  New York: DK Publishing, 2022.  The academic in my rails at using information from any work that doesn't have an author credit, but this is a decent (if very surface) look at each year in the history of Timely / Marvel from 1939 to 2021.    Cowsill, Alan et al.  DC Comics Year by Year: A Visual History.  New York: DK Publishing, 2010.  Because its nice to occasionally take a peek at what the Distinguished Competition is up to.  Dauber, Jeremy.  American Comics: A History.  New York, W.W. Norton & Company, 2022.  An excellent, relatively compact history of the domestic comic industry from its 19th century origins through to recent 21st century developments.  An excellent successor to Bradford Wright's Comic Book Nation. 

For the 50th anniversary of Richard and Linda Thompson's first album as a duo, I Want to See the Bright Lights Tonight, we take a detailed look at how it was made. After Richard helped pioneer British folk rock in the late 1960s with Fairport Convention, he was feeling burnt out and decided to leave the band to focus on writing. In 1972, he married Linda Peters, who had been performing in the folk scene during the same time as Fairport. Richard was under contract with Island Records and released his first solo album, Henry the Human Fly in 1972. The album was a commercial disappointment and Richard convinced Linda to start performing with him in the folk club circuit. Eventually they decided to record an album as a duo and booked studio time with their friend John Wood at Sound Techniques without informing their label. By working with musicians they had played with before, they were able to move quickly and fly under the radar of their label while cutting the album over a few days. When Island got word of the album, they held onto it for a year, claiming that the vinyl shortage was preventing them from putting it out. I Want to See the Bright Lights Tonight was eventually released in the spring of 1974. In this episode, Richard Thompson describes his writing process for this album and how he was less focused on guitar than he had been up to this point and how he was more interested in songwriting. Since he was writing different characters, he explains how he found Linda to be a helpful collaborator who could sing in a variety of styles and fully inhabit the characters. Linda Thompson offers her perspective on the songs Richard was presenting and how her background in traditional music and acting helped shape her performances. Due to Linda's vocal condition of dysphonia, her daughter, Kami Thompson, reads her interview responses throughout the episode. From integrating the electric guitar into traditional music, to coming up with the song titles first, to musical diversity and the importance of track sequencing, to taking inspiration from The Band, to a crash course in arranging horns, to a shared love of bleak songs in the folk tradition, we'll hear the stories of how the record came together.

Sheri's G'ma Morons in the News. A Raccoon Walks into McDonald's.   Everyone Needs a Laugh. Lamar Defends Long John Silver's. Things Bob Didn't Know.   Talkback Callers. Can You Believe This S***? Trader Joes.   From the Vault.See omnystudio.com/listener for privacy information.

It's Sci-Fi Ebruary time traveling from last month to this month! We're celebrating by discussing three movies about invisible men. We've also got big news about a scrrening of Spookies we'll be hosting with Outer Cinema in Cincinnati on the 22nd! First, an invisible man is tasked with hunting a tiny killer in the Invisible Man vs The Human Fly from 1957! Next, Chevy Chase and John Carpenter team up for a story about paranoia, loneliness and silly comedy in "Memoirs of an Invisible Man" from 1992. Finally, Kevin Bacon and an all-star cast of scientists invest invisibility ... and sex creepiness in "Hollow Man." All this plus Nerd News, DVDS, invisible voice mailers and so much more! Direct Donloyd Here. Sign up for the Patreon if you have a couple dollars and enjoy Twin Peaks!

Episode 216.  James B and Eddie discuss who is sanding furniture on the rooftop of Peter's building, how bad James B is at Chess and how bad the covers spoil what happens in the books.  All that and more in three books from 1986 from the flagship title.   (01:17) From April of 1986 Stan Lee presents The Amazing Spider-Man 275 “The Choice and the Challenge!” Written by Tom Defalco, penciled by Ron Frenz and finished by Josef Rubinstein     (04:19) From May of 1986 Stan Lee presents ASM 276 “Unmasked” by Defalco, Frenz, and Brett Breeding.      (08:42) From June of 1986 Stan Lee presents ASM 277 “The Rules of the Games!” by Defalco, Frenz, and Rick Parker    (12:50) Public Service Announcement “Spider-Man says don't quit”   Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/    Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts.   Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

Zach and Rashmi continue their journey through Japanese Horror with a closer look at Eiji Tsuburaya and the Tokusatsu genreContinue readingKowai- Chapter 2: The Invisible Man Appears (1949) & The Invisible Man Vs. the Human Fly (1957)

Zach and Rashmi continue their journey through Japanese Horror with a closer look at Eiji Tsuburaya and the Tokusatsu genre at large by dissecting 1949's THE INVISIBLE MAN APPEARS and 1957's THE INVISIBLE MAN VS. THE HUMAN FLY (1957). Stay tuned for loving dive into the world of Visual Effects and how the techniques spread through the country and how the films managed to help spark a flame of spectacle filmmaking that would grow even bigger over time.

Every Halloween, hosts Jim DeRogatis and Greg Kot like to celebrate with music. And this year they focused on monsters. From vampires to werewolves to Jim's favorite, zombies, here are a selection of tunes for your next monster bash.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Roky Erickson, "Two Headed Dog (Red Temple Prayer)," The Evil One, Restless, 1987The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Bobby (Boris) Pickett And The Crypt-Kickers, "Monster Mash," Monster Mash (Single), Garpax, 1962New York Dolls, "Frankenstein," New York Dolls, Mercury, 1973The Cramps, "Human Fly," Human Fly (Single), Vengence, 1978The Fall-Outs, "Zombie," Sleep, Super Electro Sound, 1994The Decemberists, "Shankill Butchers," The Crane Wife, Capitol, 2006Warren Zevon, "Werewolves Of London," "The Color Of Money" - The Original Motion Picture Soundtrack, MCA, 1986Roky Erickson, "I Walked With A Zombie," The Evil One, Restless, 1987TV On The Radio, "Wolf Like Me," Return to Cookie Mountain, Touch and Go, 2006Concrete Blonde, "Bloodletting (The Vampire Song)," Bloodletting, I.R.S., 1990OutKast, "Dracula's Wedding (feat. Kelis)," Speakerboxxx / The Love Below, Arista, 2003American Werewolves, "Teenage Ghouls Out For Blood," We Won't Stay Dead, Self-Released, 2003Oingo Boingo, "Dead Man's Party," Dead Man's Party, MCA, 1985Blue Oyster Cult, "Godzilla," Spectres, Columbia, 1987Donovan, "Season Of The Witch," Sunshine Superman, Epic, 1966Shygirl, "SIREN," Alias, Because, 2020Mastodon, "Creature Lives," The Hunter, Reprise, 2011Florence and the Machine, "Howl," Lungs, Island, 2009Kanye West, "Monster (feat. Jay-Z, Rick Ross, Nicki Minaj and Bon Iver)," My Beautiful Dark Twisted Fantasy, Roc‐A‐Fella, 2010Alice In Chains, "Man In The Box," Facelift, Columbia, 1990Dr. Octagon, "Halfsharkalligatorhalfman," Dr. Octagon, Bulk, 1996Dave Edmunds , "The Creature from the Black Lagoon," Repeat When Necessary, Swan Song, 1979The Misfits, "Die Monster Die," Famous Monsters, Roadrunner, 1999Biz Markie, "Just a Friend," The Biz Never Sleeps, Cold Chillin', 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Abby Mickey joins Dane Cash and Cosmo Catalano to discuss the dramatic final week of the Vuelta a España, the race in general, and the Human Fly, and also to take a closer look at the women's Tour de Romandie.

Abby Mickey joins Dane Cash and Cosmo Catalano to discuss the dramatic final week of the Vuelta a España, the race in general, and the Human Fly, and also to take a closer look at the women's Tour de Romandie. Hosted on Acast. See acast.com/privacy for more information.

Hey there, high-flyers, and strap in for a very special episode of The Death-Defying Human FlyCast! This time around Max interviews the Rocketman himself, stunt engineer Ky Michaelson! Ky designed stunt gear still being used today, has set numerous records, and designed and built the Human Fly's rocket cycle! We're talking about the motorcycle the Human Fly used in his ill-fated bus jump on that cold Montreal night in 1977. Find out how it all started with a phone call, and ended with a crash no one thought the Fly could survive! But ... did he? Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE Follow Fire & Water Podcasts on TWITTER Like our Fire & Water Network FACEBOOK page Support The Fire & Water Podcast Network on Patreon Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Want more Rocketman? Find Ky Michaelson on his YouTube page! Check out the gallery for this interview here! (photos courtesy Ky Michaelson) Opening theme: “Human Fly” by The Cramps Opening clip: From "The First Civilian Rocket to Ever Make it Into Space!" courtesy Ky Michaelson Closing music: "Rocket Fuel" by DJ Shadow feat. De La Soul Listen to the episode on the The Human Fly #11—based on this real-life event!

Hey there, high-flyers, and strap in for a very special episode of The Death-Defying Human FlyCast! This time around Max interviews the Rocketman himself, stunt engineer Ky Michaelson! Ky designed stunt gear still being used today, has set numerous records, and designed and built the Human Fly's rocket cycle! We're talking about the motorcycle the Human Fly used in his ill-fated bus jump on that cold Montreal night in 1977. Find out how it all started with a phone call, and ended with a crash no one thought the Fly could survive! But ... did he? Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE Follow Fire & Water Podcasts on TWITTER Like our Fire & Water Network FACEBOOK page Support The Fire & Water Podcast Network on Patreon Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Want more Rocketman? Find Ky Michaelson on his YouTube page! Check out the gallery for this interview here! (photos courtesy Ky Michaelson) Opening theme: “Human Fly” by The Cramps Opening clip: From "The First Civilian Rocket to Ever Make it Into Space!" courtesy Ky Michaelson Closing music: "Rocket Fuel" by DJ Shadow feat. De La Soul Listen to the episode on the The Human Fly #11—based on this real-life event!

Hey there, high-flyers, and strap in for a very special episode of The Death-Defying Human FlyCast! This time around Max interviews the Rocketman himself, stunt engineer Ky Michaelson! Ky designed stunt gear still being used today, has set numerous records, and designed and built the Human Fly's rocket cycle! We're talking about the motorcycle the Human Fly used in his ill-fated bus jump on that cold Montreal night in 1977. Find out how it all started with a phone call, and ended with a crash no one thought the Fly could survive! But ... did he? Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE Follow Fire & Water Podcasts on TWITTER Like our Fire & Water Network FACEBOOK page Support The Fire & Water Podcast Network on Patreon Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Want more Rocketman? Find Ky Michaelson on his YouTube page! Check out the gallery for this interview here! (photos courtesy Ky Michaelson) Opening theme: “Human Fly” by The Cramps Opening clip: From "The First Civilian Rocket to Ever Make it Into Space!" courtesy Ky Michaelson Closing music: "Rocket Fuel" by DJ Shadow feat. De La Soul Listen to the episode on the The Human Fly #11—based on this real-life event!

Episode 143. James B and Eddie are joined by Kevin Ewing to discuss 3 issues of The Amazing Spider-Man. (02:00) 191 (09:55) 192 (14:08) 193 (18:50) Mental health sponsor makes a repeat appearance Theme Music by Jeff Kenniston,  Sponsor Bassline by Eddie.  Fly's Costume Design by Irving Forbush. This Episode Edited by James B. Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com except for any of the following if used: Squaks, Pouring Water, Wolf Sounds, Door Entering, Cough, Goofy Beeps and Tea Kettle by https://www.zapsplat.com/ Phone and Ambulance by freesoundslibrary, Record Scratch and Jet Take Off by Sound Effects Factory, Sexy Music by BenSound, Goblin Glider by Hollywood Edge, Gameshow music by Misc with permission, and and Eddie's laugh by Eddie. Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts! Find the podcasts on Youtube at https://www.youtube.com/channel/UCoKSfjDVKvj5C5lkjQvUByA/?sub_confirmation=1 and proudly be one of our first subscribers.   Stay Tuned for our next Let's Read Spider-Man episode where Eddie and James B keep Kevin around just so we can do out “it's not Shakespeare, it's Marvel Team Up '' segment.

Some movies are just about the Invisible Man. Other movies are just about a guy who turns into a fly. But as today's Sci-Fi 5 proves, only one movie was bold enough to give audiences both! Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by Ryan Myers Hosted by Earl Green Music by Devin Curry

Some movies are just about the Invisible Man. Other movies are just about a guy who turns into a fly. But as today's Sci-Fi 5 proves, only one movie was bold enough to give audiences both! Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by Ryan Myers Hosted by Earl Green Music by Devin Curry

Some movies are just about the Invisible Man. Other movies are just about a guy who turns into a fly. But as today's Sci-Fi 5 proves, only one movie was bold enough to give audiences both! Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by Ryan Myers Hosted by Earl Green Music by Devin Curry

It's the halfway point in the saga of The Human Fly, and who better to mark this issue of coal minin' calamity than the inestimable Chris Franklin! Chris joins your host Max Romero for The Human Fly #10 and a tale of stuntmen, unions, finger-pickin', and the brutality of a good melee in the great state of Kentucky. And don't forget to catch a ride on the Human Fly Van! That's a big 10-4, good buddy! Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE Follow Fire & Water Podcasts on TWITTER Like our Fire & Water Network FACEBOOK page Support The Fire & Water Podcast Network on Patreon Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Opening theme: “Human Fly” by The Cramps Closing music: "Dark as a Dungeon" by Merle Travis Bonus music: "Look for the Union Label", written by Paula Green and Malcolm Dodds for the International Ladies' Garment Workers Union Check out the gallery for this issue here!

Listen, Meatball will wear the New Balance and high socks, but NO CROCS! Plus Kalamazoo's Human Fly, and you should probably read the terms and conditions before committing a federal crime in Michigan.

In this special episode of The Death-Defying Human FlyCast we'll be heading to the museum, so you know what that means—grab your rocket-powered skateboard and get ready to raft an ancient urn through the tunnels of the Manhattan subway! To help wrestle this two-part story from The Human Fly #8 and #9 into submission is Fire and Water Podcast co-founder and chief inspector of Finding Your Joy The Irredeemable Shag! And your host Max will need all the help he can get with a tale that includes three heroes, one bad guy, a little kung-fu, and a whole lotta water! What the heck has The Human Fly gotten himself into this time?!? Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE Follow Fire & Water Podcasts on TWITTER Like our Fire & Water Network FACEBOOK page Support The Fire & Water Podcast Network on Patreon Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Opening theme: “Human Fly” by The Cramps Closing music: "Kick, Push" by Lupe Fiasco Check out the gallery for this issue here!

"In 1974, Richard Thompson and the former Linda Peters released their first album together, and I Want to See the Bright Lights Tonight was nothing short of a masterpiece, the starkly beautiful refinement of the promise of Thompson's solo debut, Henry the Human Fly. In Linda Thompson, Richard found a superb collaborator and a world-class vocalist; Linda possessed a voice as clear and rich as Sandy Denny's, but with a strength that could easily support Richard's often weighty material, and she proved capable of tackling anything presented to her, from the delicately mournful "Has He Got a Friend for Me" to the gleeful cynicism of "The Little Beggar Girl." And while Richard had already made clear that he was a songwriter to be reckoned with, on I Want to See the Bright Lights Tonight he went from strength to strength. While the album's mood is decidedly darker than anything he'd recorded before, the sorrow of "Withered and Died," "The End of the Rainbow," and "The Great Valerio" spoke not of self-pity but of the contemplation of life's cruelties by a man who, at 25, had already been witness to more than his share. And though Thompson didn't give himself a guitar showcase quite like "Roll Over Vaughn Williams" on Henry the Human Fly, the brilliant solos that punctuated many of the songs were manna from heaven for any guitar enthusiast. While I Want to See the Bright Lights Tonight may be the darkest music of Richard & Linda Thompson's career, in this chronicle of pain and longing they were able to forge music of striking and unmistakable beauty; if the lyrics often ponder the high stakes of our fate in this life, the music offered a glimpse of the joys that make the struggle worthwhile." - Mark Deming, All MusicSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

It's time to hit the slopes — Human Fly-style! Joining your host Max on this rocket-powered ride is special guest Ryan Steans! Ryan is the host of The Signal Watch Podcast, and is ready to talk about The Human Fly #7, his very first time reading a Human Fly comic. Grab you snowmobiles and get ready to jump into a story about a slightly bitter man, his blind son, and a very big, very angry bear. Will the Human Fly be able to save the day? Will he make the jump over Dead Man's Drop?! And where would your favorite hero fall on the Bear Test?!? Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE Follow Fire & Water Podcasts on TWITTER Like our Fire & Water Network FACEBOOK page Support The Fire & Water Podcast Network on Patreon Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net And be sure to follow Ryan Steans and The Signal Watch podcast! Opening theme: “Human Fly” by The Cramps Closing music: "The Fall Guy" theme, performed by Lee Majors Check out the gallery for this issue here!

First he gave our mailbag a name, and now he's the next guest on The Death-Defying Human FlyCast! Max welcomes the always-astute Dr. Anj to the podcast, and in this episode they marvel at the acrobatic athleticism of The Human Fly (and the muscular art of Frank Robbins)  as the heroic stuntman busts up a stolen-car ring hidden in the depths of an active amusement park! Will The Fly manage to bring the chop shop to justice ... and keep the kids safe? Join us as we talk about issue #6 of The Human Fly, as well as our own local amusement parks, The Maltese Falcon, and why Harmony Whyte may be the second-most important character in this series. Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Opening theme: “Human Fly” by The Cramps Closing music: "Land of Confusion" by Genesis Clips from commercials for Western Playland and Rocky Point Amusement Park Check out the gallery for this issue here!

(We have moved our websites to a new server, and as a result we lost this post, meaning I had to re-upload it. Please accept our apologies if you had this show up in your feed twice. Thank you!) Using Star Wars as a guideline,  we're exploring comic books based on …

Using Star Wars as a guideline,  we're exploring comic books based on licensed properties that Marvel Comics published from 1977 to 1986. THE HUMAN FLY . . . ends here! This episode covers the FINAL issue of The Human Fly! Did they even know it was the final episode? Maybe yes, …

(We have moved our websites to a new server, and as a result we lost this post, meaning I had to re-upload it. Please accept our apologies if you had this show up in your feed twice. Thank you!) Using Star Wars as a guideline,  we're exploring comic books based on …

Using Star Wars as a guideline,  we're exploring comic books based on licensed properties that Marvel Comics published from 1977 to 1986. THE HUMAN FLY . . . ends here! This episode covers the FINAL issue of The Human Fly! Did they even know it was the final episode? Maybe yes, …

In this special episode of The Death-Defying Human FlyCast, it's all about you, the listener! Join your host Max Romero as he dives into the Keepin' It Real mailbag, featuring listener comments from the first five episodes of the Human FlyCast! Extra special thanks to Anj, who gave the feedback episodes its name! Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: humanflycast@gmail.com INSTAGRAM: @fwp_max SPOTIFY: The Death-Defying Human FlyList! E-MAIL: firewaterpodcast@comcast.net Opening theme: “Human Fly” by The Cramps Other music: "Send Me a Postcard" by Bob Mould "Dear Hip-Hop" by GNL Zamba "Death Letter Blues" by Son House Closing music: ""Strawberry Letter #23" by The Brothers Johnson Dialogue from: "The Cheap Detective," "Corvette Summer," and "AOL Mail Alert" "The New Adventures of The Human Fly" by Michael Aushenker on Amazon!

Is it getting hot in here, or is it just The Human Fly?!? If you can take the heat, join your host Max Romero and very special guest Siskoid as they scale the towering inferno that is The Human Fly #5! Will The Fly manage to save a group of children (and Harmony!) from the roof of a burning skyscraper? How can a septuagenarian former aerialist be so buff?  And what are the chances The Human Fly and our elderly villain would ... recognize each other?! All this and Siskoid's smoldering disdain for Quebec are explored in this episode! Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: firewaterpodcast@comcast.net E-MAIL: humanflycast@gmail.com Opening theme: “Human Fly” by The Cramps Closing music: "Disco Inferno" by The Trammps Dialogue from: "Kung Pow: Enter the Fist" Check out the gallery for this issue here!

Once again, The Human Fly does not fail to deliver — and neither does our guest! Fire and Water godfather Rob Kelly is back to wrap up the finale of a Human Fly two-parter as he and your host Max talk about this over-the-top story. Not to mention goons from the Lower East Side! Unnecessary masking! Divorce statistics! People with way too much money! And, of course — giant robot condors. Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: firewaterpodcast@comcast.net E-MAIL: humanflycast@gmail.com Opening theme: “Space Ducks” by Daniel Johnston (w/Deer Tick) Closing music: “Human Fly” by The Cramps Check out the gallery for this issue here! As promised, here's the real-life Human Fly's interview on the Canadian talk show, "90 Minutes Live!"

The audio quality can be a little wonky this week. We've identified the issue and resolved it. Sorry about that.We've heard for years that gamers are violent. But what if gamers were more peaceful in game than the people around them in real life? A really interesting new study has identified that gamers behave differently in EVE Online depending on the type of community they live in.The Nirvana Nevermind baby isn't happy about his nudes being plastered all over record stores and the internet. Now he's suing. We're not legal beagles, but we've got opinions.Roblox is bad. It isn't the simple gameplay, the child targeted community, or the memes. Actually, it's bad because it's one of the worst deals for game devs out there. Roblox seem intent to make it hard to make money from developing on their platform. That's a really nice way to treat the people who made your game popular. People are also trying to recreate mass killings in a game for children. It's a mess.The Link Between Videogames And Violence Is Not What You Think- https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0240196#sec012Smells Like A Lawsuit- https://deadline.com/2021/08/baby-nirvana-nevermind-album-cover-sues-band-exploitation-1234821540/Roblox Drama- https://www.gamesindustry.biz/articles/2021-08-20-roblox-business-model-criticized-as-exploiting-children- https://www.gamesindustry.biz/articles/2021-06-03-parent-watchdog-group-warning-about-robloxOther topics discussedMilk crate challenge has doctors warning it's ‘worse than falling from a ladder'- https://www.theguardian.com/technology/2021/aug/25/milk-crate-challenge-tiktok-doctors-warningsWhat is the Milk Crate Challenge, how did it explode out of nowhere and why are people doing it?- https://www.abc.net.au/news/2021-08-25/what-is-milk-crate-challenge-viral-videos-doctors/100404942Ice Bucket Challenge (sometimes called the ALS Ice Bucket Challenge, is an activity involving the pouring of a bucket of ice water over a person's head, either by another person or self-administered, to promote awareness of the disease amyotrophic lateral sclerosis (ALS, also known as motor neuron disease and in the United States as Lou Gehrig's disease) and encourage donations to research.)- https://en.wikipedia.org/wiki/Ice_Bucket_ChallengeJack Thompson (activist) (American activist and disbarred attorney, based in Coral Gables, Florida. He is known for his role as an anti-video-game activist, particularly against violence and sex in video games. During his time as an attorney, Thompson focused his legal efforts against what he perceives as obscenity in modern culture. This included rap music, broadcasts by shock jock Howard Stern, and the content of video games and their alleged effects on children.)- https://en.wikipedia.org/wiki/Jack_Thompson_(activist)Mothers Against Videogame Addiction and Violence (a parody and satire hoax organization created by sophomore Parsons The New School for Design student David Yoo as a final project in December 2002.)- https://gyaanipedia.fandom.com/wiki/Mothers_Against_Videogame_Addiction_and_ViolenceEve Online ((stylised EVE Online) is a space-based, persistent world massively multiplayer online role-playing game (MMORPG) developed and published by CCP Games. Players of Eve Online can participate in a number of in-game professions and activities, including mining, piracy, manufacturing, trading, exploration, and combat (both player versus environment and player versus player). The game contains a total of 7,800 star systems that can be visited by players.)- https://en.wikipedia.org/wiki/Eve_OnlineEve Online's ‘million dollar' battle came up a little short last night- https://www.polygon.com/2018/1/24/16927594/eve-online-million-dollar-battle-resultsFIFA (video game series) ((also known as FIFA Soccer, FIFA Football or EA Sports FIFA) is a series of association football video games developed and released annually by Electronic Arts under the EA Sports label. As of 2011, the FIFA franchise has been localised into 18 languages and available in 51 countries. Listed in Guinness World Records as the best-selling sports video game franchise in the world, the FIFA series has sold over 325 million copies as of 2021. It is also one of the best-selling video game franchises.)- https://en.wikipedia.org/wiki/FIFA_(video_game_series)Australian Classification Board : Adult (18+) ratings for video games (Many games were banned before 2011 on the basis that the R18+ rating did not apply to video games at the time. This was the subject of complaint in the gaming community, who argued that there is no reason why adults should be prevented from seeing content in games that they could see in a film.)- https://en.wikipedia.org/wiki/Australian_Classification_Board#Adult_(18+)_ratings_for_video_gamesVideo game addiction (also known as gaming disorder or internet gaming disorder, is generally defined as the problematic, compulsive use of video games that results in significant impairment to an individual's ability to function in various life domains over a prolonged period of time. The World Health Organization included gaming disorder in the 11th revision of its International Classification of Diseases (ICD).)- https://en.wikipedia.org/wiki/Video_game_addictionSurgeon Simulator : Surgeon Simulator is an over-the-top operation sim, stitching together pitch-black humour with life-saving surgery.- https://store.steampowered.com/app/233720/Surgeon_Simulator/Corrupted Blood incident ((or World of Warcraft pandemic) was a virtual pandemic in the MMORPG World of Warcraft, which began on September 13, 2005, and lasted for one month. The epidemic began with the introduction of the new raid Zul'Gurub and its end boss Hakkar the Soulflayer. When confronted and attacked, Hakkar would cast a hit point-draining and highly contagious debuff spell called "Corrupted Blood" on players.)- https://en.wikipedia.org/wiki/Corrupted_Blood_incidentCorrupted Blood Incident : Comparison to the COVID-19 pandemic (The Corrupted Blood incident has been compared to the COVID-19 pandemic, and epidemiologists who studied the Corrupted Blood outbreak are using the research from the incident to better understand coronavirus's spread - primarily its sociological factors.)- https://en.wikipedia.org/wiki/Corrupted_Blood_incident#Comparison_to_the_COVID-19_pandemicCall Of Duty (a first-person shooter video game franchise published by Activision. Starting out in 2003, it first focused on games set in World War II. Over time, the series has seen games set in the midst of the Cold War, futuristic worlds, and outer space. The games were first developed by Infinity Ward, then also by Treyarch and Sledgehammer Games.)- https://en.wikipedia.org/wiki/Call_of_DutyUS man sues Nirvana for using his naked photo on iconic 'Nevermind' album : Spencer Eldon recreating the photo he took when he was a four-month-old baby in 1991.- https://www.malaymail.com/news/showbiz/2021/08/25/us-man-sues-nirvana-for-using-his-naked-photo-on-iconic-nevermind-album/2000325Viva Frei - Nirvana's "Nevermind" Baby Lawsuit is BOUND TO FAIL! Lawyer Explains - Viva Frei Vlawg- https://www.youtube.com/watch?v=VXY_nlfZ_dI&t=257sGamer Chad - Roblox / Ultimate Slide Box Racing / Into the Toilet! / Gamer Chad Plays- https://www.youtube.com/watch?v=rzqLTCT0vc4Columbine High School massacre : Doom connection and the Harris levels (Eric Harris was an enthusiast of the Doom series, owning some of the Doom novels and having designed Doom levels under the nicknames "REB", "Rebldomakr", and "RebDoomer". In a videotape recorded before the massacre, Harris expressed enthusiasm for the planned shooting, saying it would be like Doom. He also pointed out that the shotgun was "Straight out of Doom".)- https://doom.fandom.com/wiki/Columbine_High_School_massacreSuper Columbine Massacre RPG! (a role-playing video game created by Danny Ledonne and released in April 2005. The game recreates the 1999 Columbine High School shootings near Littleton, Colorado. Players assume the roles of gunmen Eric Harris and Dylan Klebold and act out the massacre, with flashbacks relating parts of Harris and Klebold's past experiences. The game begins on the day of the shootings and follows Harris and Klebold after their suicides to fictional adventures in perdition.)- https://en.wikipedia.org/wiki/Super_Columbine_Massacre_RPG!Robux ((R$) is the currency on Roblox. Robux was introduced on May 14, 2007 (alongside Tix) as a replacement of ROBLOX Points. Robux was one of two currencies on the platform alongside Tix, which was removed on April 14, 2016. Robux is known as Roblox's primary currency by the community and staff; all paid items within the avatar shop are sold for Robux, including user-created content such as microtransactions and game passes. The name 'Robux' is a portmanteau of Roblox and bucks.)- https://roblox.fandom.com/wiki/RobuxAttack on Pearl Harbor (a surprise military strike by the Imperial Japanese Navy Air Service upon the United States (a neutral country at the time) against the naval base at Pearl Harbor in Honolulu, Territory of Hawaii, just before 08:00, on Sunday morning, December 7, 1941. The attack led to the United States' formal entry into World War II the next day. The Japanese military leadership referred to the attack as the Hawaii Operation and Operation AI, and as Operation Z during its planning.)- https://en.wikipedia.org/wiki/Attack_on_Pearl_HarborSix Days in Fallujah (an upcoming first-person shooter video game developed by Highwire Games and published by Victura. Described by Highwire Games as a tactical shooter, it is slated to be the first video game to focus directly on the Iraq War. The game's plot follows a squad of U.S. Marines from 3rd Battalion, 1st Marines (3/1), fighting in the Second Battle of Fallujah over the span of six days in November 2004.)- https://en.wikipedia.org/wiki/Six_Days_in_FallujahBattle of Hastings (fought on 14 October 1066 between the Norman-French army of William, the Duke of Normandy, and an English army under the Anglo-Saxon King Harold Godwinson, beginning the Norman conquest of England. It took place approximately 7 mi (11 km) northwest of Hastings, close to the present-day town of Battle, East Sussex, and was a decisive Norman victory.)- https://en.wikipedia.org/wiki/Battle_of_HastingsHistory (American TV network) ((formerly The History Channel from 1995 to 2008; stylized as HISTORY) is an American pay television network and flagship channel owned by A&E Networks, a joint venture between Hearst Communications and the Disney General Entertainment Content division of the Walt Disney Company.The network was originally focused on history-based documentaries. During the late 2000s, History drifted into reality television programming. In addition to this change in format, the network has been criticized by many scientists, historians, and skeptics for broadcasting pseudo-documentaries and unsubstantiated, sensational investigative programming.)- https://en.wikipedia.org/wiki/History_(American_TV_network)The Curse of Oak Island : What Is the Oak Island Money Pit?- https://www.history.com/shows/the-curse-of-oak-island/articles/what-is-the-money-pitForged in Fire (TV series) (American competition series that airs on the History channel and is produced by Outpost Entertainment, a Leftfield Entertainment company.)- https://en.wikipedia.org/wiki/Forged_in_Fire_(TV_series)The Secret Playboy Mansion Games Room With Hidden Bedrooms, Mirrored Walls, Gambling & Arcades ?‍♀️- https://www.celebritywotnot.com/celebrity-homes/the-playboy-mansion-games-room-secret-cabin-hidden-bedrooms-mirrored-walls-gambling-arcades/Red Hat (an American IBM subsidiary software company that provides open source software products to enterprises. Founded in 1993, Red Hat has its corporate headquarters in Raleigh, North Carolina, with other offices worldwide.)- https://en.wikipedia.org/wiki/Red_Hat- https://www.redhat.com/enHistory of union busting in the United States (The history of union busting in the United States dates back to the Industrial Revolution in the 19th century which produced a rapid expansion in factories and manufacturing capabilities. As workers moved away from farm work to factories, mines and other hard labor, they faced harsh working conditions such as long hours, low pay and health risks.)- https://en.wikipedia.org/wiki/History_of_union_busting_in_the_United_StatesAmazon is using union-busting Pinkerton spies to track warehouse workers and labour movements at the company, according to a new report- https://www.businessinsider.com.au/amazon-pinkerton-spies-worker-labor-unions-2020-11?r=US&IR=TActivision Blizzard ‘suppressed' evidence in sex discrimination lawsuit, California claims- https://www.polygon.com/22641099/activision-blizzard-dfeh-gender-discrimination-lawsuit-amendmentThe Fly (1986 film) (a 1986 science-fiction psychological body horror film directed and co-written by David Cronenberg. Produced by Brooksfilms and distributed by 20th Century Fox, the film stars Jeff Goldblum, Geena Davis and John Getz. Loosely based on George Langelaan's 1957 short story of the same name and the 1958 film of the same name, The Fly tells of an eccentric scientist who, after one of his experiments goes wrong, slowly turns into a fly-hybrid creature.)- https://en.wikipedia.org/wiki/The_Fly_(1986_film)The Fly II (a 1989 American science fiction horror film directed by Chris Walas. The film stars Eric Stoltz and Daphne Zuniga, and is a sequel to the 1986 film The Fly, itself a remake of the 1958 film of the same name.)- https://en.wikipedia.org/wiki/The_Fly_IIThe Fly (1958 film) (a 1958 American horror science-fiction film produced and directed by Kurt Neumann and starring David Hedison, Patricia Owens, Vincent Price, and Herbert Marshall. The film was released in CinemaScope with color by Deluxe by 20th Century Fox. It was followed by two black-and-white sequels, Return of the Fly (1959) and Curse of the Fly (1965). The original film was remade in 1986 by director David Cronenberg.)- https://en.wikipedia.org/wiki/The_Fly_(1958_film)Arrival (film) (a 2016 American science fiction drama film directed by Denis Villeneuve and adapted by Eric Heisserer, who conceived the movie as a spec script based on the 1998 short story "Story of Your Life" by Ted Chiang. It stars Amy Adams, Jeremy Renner, and Forest Whitaker. The film follows a linguist enlisted by the United States Army to discover how to communicate with extraterrestrial aliens who have arrived on Earth, before tensions lead to war.)- https://en.wikipedia.org/wiki/Arrival_(film)Verge Science - We decoded NASA's messages to aliens by hand (In 1977, twin golden records were sent into space on the Voyager 1 and 2 spacecraft. Still sailing through space at nearly 60,000 km per hour, the records contain sound, songs, and images from earth.)- https://www.youtube.com/watch?v=RRuovINxpPcWTF is Happening! The Podcast (TNC Podcast)- https://anchor.fm/wtfihpodShout Outs 21st August 2021 – Nick Davatzes, Cable Pioneer Who Launched A&E Network and History Channel, passes away at 79 - https://variety.com/2021/tv/news/nick-davatzes-dead-79-ceo-ae-networks-1235046271/ Nickolas Davatzes, longtime CEO of A+E Networks who steered the launch of A&E Network and History Channel has passed away. Davatzes joined the company as CEO in 1983 just as A&E Networks was formed through the merger of fledgling cable channels Entertainment Network, owned by RCA and the Rockefeller family, and ARTS Network, owned by Hearst and ABC. A+E Networks today is a 50-50 joint venture of the Walt Disney Co. and Hearst Corp. Davatzes served as CEO emeritus. Davatzes led the company's launch of the signature A&E Network (an amalgam of Arts and Entertainment) in 1984 and History Channel in 1995 (History formally dropped “Channel” from its moniker in 2008). He served as CEO of the parent company through 2005, when he was succeeded by protege Abbe Raven, who started at the company as a secretary. Davatzes was known for promoting educational outreach and the importance of industry R&D during his run at A&E Networks. The company later expanded to include the Lifetime cable channel as well as more recent entries like lifestyle channel FYI and Lifetime Movie Network. Disney executive chairman Bob Iger hailed him as a “towering figure in the early days of cable television (who helped) build some of the most iconic brands in the media landscape.” Iger added that he was “a person of true integrity.” He died in Wilton, Connecticut.24th August 2021 – Rolling Stones drummer Charlie Watts passes away at 80 - https://www.abc.net.au/news/2021-08-25/rolling-stones-drummer-charlie-watts-dies-at-age-80/100404658Charlie Watts, the drummer who provided the backbone of the Rolling Stones' songs for more than half a century, has died. Watts "passed away peacefully in a London hospital earlier today surrounded by his family," his publicist Bernard Doherty said. "Charlie was a cherished husband, father and grandfather and also as a member of The Rolling Stones, as one of the greatest drummers of his generation." The quiet, elegantly dressed Watts was often ranked with Keith Moon, Ginger Baker and a handful of others as a premier rock drummer, respected worldwide for his muscular, swinging style as the band rose from its scruffy beginnings to international superstardom. He joined the Stones early in 1963 and remained over the next 60 years, ranked just behind Jagger and Keith Richards as the group's longest lasting and most essential members. Watts stayed on, and largely held himself apart, through the drug abuse, creative clashes and ego wars that helped kill founding member Brian Jones, drove bassist Bill Wyman and Jones' replacement Mick Taylor to quit and otherwise made being in the Stones the most exhausting of jobs. The Stones began, Watts said, "as white blokes from England playing black American music" but quickly evolved their own distinctive sound. Watts was a jazz drummer in his early years and never lost his affinity for the music he first loved, heading his own jazz band and taking on numerous other side projects. He had his eccentricities — Watts liked to collect cars even though he didn't drive and would simply sit in them in his garage. But he was a steadying influence on stage and off as the Stones defied all expectations by rocking well into their 70s, decades longer than their old rivals The Beatles. He died in London with his family around him.25th August 2021 – Linux turns 30 - https://www.zdnet.com/article/linus-torvalds-on-linuxs-30th-birthday/ In 1991, Unix was an important but secondary x86 operating system. That year, on August 25, a mild-mannered Finnish graduate student named Linus Benedict Torvalds announced on the Usenet group comp.os.minix that he was working on "a (free) operating system (just a hobby, won't be big and professional like gnu) for 386(486) AT clones." No one knew it, not even Torvalds, but the technology was going to change forever. Thirty years later, Linux rules IT. Almost all major websites -- including Google, Facebook, and Wikipedia -- run on Linux. It's the same with the clouds. Even on Microsoft's own Azure, the most popular operating system is Linux. As for supercomputers, all 500 of the world's fastest 500 supercomputers run Linux. Thanks to Android, Linux is also the most popular end-user operating system. Not bad for a hobby operating system! In those very first days, Linux wasn't formally known as Linux. Torvalds explained, "Linux was my working name, but I never wanted to release it as Linux. Linux was a perfectly good working name, but if I actually used it as the official one, people would think that I am an egomaniac and wouldn't take it seriously. So I chose this very bad name, "Freax," for "Free Unix." Fortunately, the first Linux administrator Ari Lemmk, decided Freax was a silly name too. Hence, he actually named it Linux because he thought this internal project name was Torvalds first choice.Remembrances25th August 1822 – William Herschel - https://en.wikipedia.org/wiki/William_HerschelGerman-born British astronomer and composer. He frequently collaborated with his younger sister and fellow astronomer Caroline Lucretia Herschel. Born in the Electorate of Hanover, William Herschel followed his father into the military band of Hanover, before emigrating to Great Britain in 1757 at the age of nineteen. Herschel constructed his first large telescope in 1774, after which he spent nine years carrying out sky surveys to investigate double stars. Herschel published catalogues of nebulae in 1802 (2,500 objects) and in 1820 (5,000 objects). The resolving power of the Herschel telescopes revealed that many objects called nebulae in the Messier catalogue were actually clusters of stars. On 13 March 1781 while making observations he made note of a new object in the constellation of Gemini. This would, after several weeks of verification and consultation with other astronomers, be confirmed to be a new planet, eventually given the name of Uranus. This was the first planet to be discovered since antiquity, and Herschel became famous overnight. As a result of this discovery, George III appointed him Court Astronomer. He was elected as a Fellow of the Royal Society and grants were provided for the construction of new telescopes. Herschel pioneered the use of astronomical spectrophotometry, using prisms and temperature measuring equipment to measure the wavelength distribution of stellar spectra. In the course of these investigations, Herschel discovered infrared radiation. Other work included an improved determination of the rotation period of Mars, the discovery that the Martian polar caps vary seasonally, the discovery of Titania and Oberon (moons of Uranus) and Enceladus and Mimas (moons of Saturn). Herschel was made a Knight of the Royal Guelphic Order in 1816. He was the first President of the Royal Astronomical Society when it was founded in 1820. He died at the age of 83 at Observatory House, Windsor Road, Slough Herschel's epitaph is Coelorum perrupit claustra (He broke through the barriers of the heavens).Famous Birthdays25th August 1819 – Allan Pinkerton - https://en.wikipedia.org/wiki/Allan_PinkertonScottish–American detective and spy, best known for creating the Pinkerton National Detective Agency. Pinkerton first became interested in criminal detective work while wandering through the wooded groves around Dundee, looking for trees to make barrel staves, when he came across a band of counterfeiters, who may have been affiliated with the notorious Banditti of the Prairie. After observing their movements for some time he informed the local sheriff, who arrested them. This later led to Pinkerton being appointed, in 1849, as the first police detective in Chicago, Cook County, Illinois. In 1850, he partnered with Chicago attorney Edward Rucker in forming the North-Western Police Agency, which later became Pinkerton & Co, and finally Pinkerton National Detective Agency, still in existence today as Pinkerton Consulting and Investigations, a subsidiary of Securitas AB. Pinkerton's business insignia was a wide open eye with the caption "We never sleep." As the US expanded in territory, rail transport increased. Pinkerton's agency solved a series of train robberies during the 1850s, first bringing Pinkerton into contact with George McClellan, then Chief Engineer and Vice President of the Illinois Central Railroad, and Abraham Lincoln, the company's lawyer. When the Civil War began, Pinkerton served as head of the Union Intelligence Service during the first two years, heading off an alleged assassination plot in Baltimore, Maryland while guarding Abraham Lincoln on his way to Washington, D.C. as well as identifying troop numbers in military campaigns. His agents often worked undercover as Confederate soldiers and sympathizers to gather military intelligence. Pinkerton himself served on several undercover missions as a Confederate soldier using the alias Major E.J. Allen. He worked across the Deep South in the summer of 1861, focusing on fortifications and Confederate plans. This counterintelligence work done by Pinkerton and his agents is comparable to the work done by today's U.S. Army Counterintelligence Special Agents in which Pinkerton's agency is considered an early predecessor. He was succeeded as Intelligence Service chief by Lafayette Baker; the Intelligence Service was the predecessor of the U.S. Secret Service. His work led to the establishment of the Federal secret service. Despite his agency's later reputation for anti-labor activities, Pinkerton himself was heavily involved in pro-labor politics as a young man. Though Pinkerton considered himself pro-labor, he opposed strikes and distrusted labor unions. He was born in Gorbals, Glasgow.Events of Interest25th August 1957- The Invisible Man Vs. The Human Fly premiered in Japan - https://www.imdb.com/title/tt0204691/ A star is born! On this day in 1957 (in Japan), The Invisible Man Vs. The Human Fly took to the silver screen for a monster of a pairing! Directed by Mitsuo Murayama, the SciFi/Fantasy starred Ryûji Shinagawa and Yoshirô Kitahara; and here's the plot summary: "A ruthless serial killer with a peculiar method of stalking and killing his victims comes face to face with a police officer turned invisible by a scientific experiment. Who will emerge triumphant?" In the late 1950s, in the United States this film was announced, and stills were published, under the English language title "The Murdering Mite." This film shares part of its Japanese title with the Japanese release of the much better-known 1958 U.S. science fiction film The Fly, which was released in Japan as Fear of the Fly Man (ハエ男の恐怖 Hae Otoko no Kyōfu), though with the 'Fly' in "Fly Man" spelled in katakana rather than kanji characters. While both films feature "fly men," The Invisible Man vs. The Human Fly actually predates the latter film by almost an entire year.25th August 1989 – Voyager 2 spacecraft makes its closest approach to Neptune, the last planet in the Solar System at the time, due to Pluto being within Neptune's orbit from 1979 to 1999 - https://www.wired.com/2010/08/0825voyager2-neptune/ Voyager 2 makes its closest encounter with Neptune, passing just 3,000 miles above the cloud tops of the most distant planet in our solar system. The Voyager 2 space probe has been our most productive unmanned space voyage. It visited all four of the outer planets and their systems of moons and rings, including the first visits to previously unexplored Uranus and Neptune. Voyager 2 found four rings and evidence for ring arcs, or incomplete rings, above Neptune. That means all four of the gas giants in our solar system have rings. Neptune's, however, are very meager compared to the magnificent rings around Saturn. In the late 19th century, astronomers thought that an unseen Planet X was influencing the orbits of Uranus and Neptune. The observed positions of the two planets and their calculated positions differed. Among those astronomers convinced of the existence of Planet X was Clyde Tombaugh. In 1930 while scanning areas of the sky for Planet X, he found Pluto. When Voyager 2 flew by Neptune, it took very precise measurements of Neptune's mass and found it to be about 0.5 percent less massive than previous estimates. When the orbits of Uranus and Neptune were recalculated using the more accurate mass figure, it became clear that the imprecise number for Neptune -- and not the gravity of an unseen planet -- had caused the observed orbital discrepancies. After its encounter with Neptune, the spacecraft was rechristened the Voyager Interstellar Mission by NASA to take measurements of the interplanetary magnetic field, plasma and charged-particle environment. But mostly it's searching for the heliopause, the distance at which the solar wind becomes subsumed by the more general interstellar wind.IntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us onFacebook- Page - https://www.facebook.com/NerdsAmalgamated/- Group - https://www.facebook.com/groups/440485136816406/Twitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094Instagram - https://www.instagram.com/nerds_amalgamated/Email - Nerds.Amalgamated@gmail.comSupport via Podhero- https://podhero.com/podcast/449127/nerds-amalgamated See acast.com/privacy for privacy and opt-out information.

Hold onto your hats, folks — in this episode we'll be talking about giant robot condors, man-eating sharks, and a mutual love affair with The Human Fly's baton! Yeah, you heard me! Your host Max and special guest Rob Kelly get into all of this and more as they discuss The Human Fly #3 — the first of a two-part story. (Don't worry, Rob will be back next month for Part Two!) Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast E-MAIL: firewaterpodcast@comcast.net E-MAIL: humanflycast@gmail.com Opening theme: “Human Fly” by The Cramps Closing music: “People-Vultures” by King Gizzard & The Lizard Wizard"

SINISTER INFINITE S02 E04 | Human Fly © 2020 Dead On Pictures Behind the rise & fall of every Super Criminal lies a story: the detectives, government agents, and Super Powered Heroes investigating their identities and how they came to be. In each episode, we give a testimony to the criminals, their allies & enemies, and their eventual downfall. They are the SINISTER INFINITE. EXECUTIVE PRODUCER: Glenn Nelson PRODUCERS: Chris Page Dan Aronovich DIRECTOR / EDITOR: Glenn Nelson DIRECTOR OF PHOTOGRAPHY: Eric Tyler NARRATORS: Annie Wong Carla Smith Joanie "Nails" Eaton Chastity McBryde SPECIAL GUESTS: Daman Veteri Cpt. Kris Keating Randall Jessup STOCK FOOTAGE: New York City Police Dept. S.H.I.E.L.D. Youtube MUSIC BY: MXKY LEFAUX Donald Edwards SPECIAL THANKS TO: New York City Police Dept. Ravencroft Institute Parker Industries S.H.I.E.L.D. CONTACT: Glenn Nelson deadonpictures@me.com deadonpictures@gmail.com © 2020 Dead On Pictures SINISTER INFINITE Website: http://www.deadonpictures.com/ SUBSCRIBE: http://www.youtube.com/deadonpictures TWITTER: https://twitter.com/glennericnelson FACEBOOK: https://www.facebook.com/deadonpictures IMDB: http://www.imdb.com/name/nm3345018/ PATREON: https://www.patreon.com/DeadOnPictures?ty=h Subscribe to Tech-No-Logical: http://www.youtube.com/TechNoLogicalLP Subscribe to Blue Falcons: http://www.youtube.com/user/FrenemiesOriginal Subscribe to Dead On Pictures: http://www.youtube.com/deadonpictures https://www.youtube.com/playlist?list=PLrLoW374SaPb2L9X-w4iF0B_6_WZ4pQDP This Motion Picture, Story, Screenplay, Original Score © 2020 Dead On Pictures, LLC All material is protected by Copyright Laws of the United States and all countries throughout the world. All rights reserved. Country of First Publication: United States of America. Dead On Pictures, LLC is the author of this motion picture for purposes of copyright and other laws. Any unauthorized exhibition, distribution or copying of this film or any part thereof is an infringement of the relevant copyright and will subject the infringer to severe civil and criminal penalties. This valuable programming, content and characters created by Dead On Pictures LLC, its producers, writers and directors is designed for informational, comedic, and entertainment purposes only. This programming is intended for adult viewers, or children when accompanied by adults. Do not make any life-altering decisions based upon the information contained herein. Viewing the programming constitutes your release of liability to Dead On Pictures LLC, its parent company, owners, assigns, producers, directors, affiliates, guests, personnel, companies, or entities associated with, including, but not limited to advertisers, sponsors and licensees. Make good strategic decisions you can live by. If a dispute arises out of or relates to your viewership or association with the entities noted above, or the breach thereof, and if the dispute cannot be settled through negotiation, the parties agree in good faith to settle the dispute by mediation administered by the American Arbitration Association in Anne Arundel County, Baltimore County, or Montgomery County, Maryland, and will not resort to litigation or punitive actions or monetary awards in any way, or utilize some other dispute resolution procedure. The parties further agree to accept as a whole, the single AAA arbitrator's award not to exceed a maximum of $500.00 as final and binding upon them.​ --- Send in a voice message: https://anchor.fm/zombiesquad80/message

In this episode, your host Max is joined by very special guest, Steve Givens! Max and Steve discuss the second issue of The Human Fly, and get into all sorts of twisty canyons and spike-filled deserts! Come along as the Fly tries to survive a death race, Ghost Rider makes an appearance, and a broken man gets his life back! Also on track, Steve and Max will talk about secret identities, inner and outer conflict, and how writer Bill Mantlo made The Human Fly's own Woodward & Bernstein so dang hot! Let's get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast Opening theme: “Human Fly” by The Cramps Closing music: “Motorcycle (Straight to Hell)" by Table Scraps

In this week's episode, we talk with Third Strikes Wing Walker Kelly Garvin . Kelly talks about what inspired her to Wing Walk, the Human Fly, and more. Bonus at the end! --- Send in a voice message: https://podcasters.spotify.com/pod/show/wonderwomenofaviation/message Support this podcast: https://podcasters.spotify.com/pod/show/wonderwomenofaviation/support

What do you get when you mix deviant sex, b-movies, hot rods, surfin', goth, rock and roll, fetishism, horror comics and humour?You get one of the most insane, rock and roll bands of all time: The CRAMPS.   Beginning in 1976 and labelled 'psychobilly' by some, the Cramps' style of terror-and-madness infused southern-surf-garage-noise is a sound all their own and their unabashedly embracing of pretty much everything we love made us want to share the history of this seminal band who's influences rippled far and wide.Join us for our look at the mad daddy monster mayhem that is...THE CRAMPSFeaturing lots of awesome music excerpts:'TV Set' excerpt from the album 'Songs the Lord Taught Us' 'Human Fly' excerpt from the album 'Songs the Lord Taught Us' 'Garbageman' excerpt from the album 'Songs the Lord Taught Us'  'Mystery Plane' excerpt from the album 'Songs the Lord Taught Us'  'Don't Hang Up' excerpt from the album 'Look Mom, No Head'  'Surfin' Dead' excerpt from the album 'Return of the Living Dead Soundtrack'  'Can Your Pussy Do The Dog' excerpt from the album 'A Date With Elvis'  'Let's Get Fucked Up'' excerpt from the album 'Flamejob'P.S.  Become a patron here: https://www.patreon.com/SuspectVideo?fan_landing=trueOpening introduction and closing announcement is by GCOpening and closing music by Trigger Warning.Check them out on Facebook here:https://www.facebook.com/TriggerWarningOfficialBand/Or on Bandcamp here:https://triggerwarningofficialband.bandcamp.com/Support the show (https://www.patreon.com/SuspectVideo)Support the show (https://www.patreon.com/SuspectVideo)

Elwood and Stephen check out two forgotten invisable man movies produced by Daiei film and both brings a unique twist to the invisible man mythos as "The Invisible Man Appears" (1949) sees a group of jewel thieves plotting to use the invisibility formula to steal the priceless necklace "The Tears of Amour.". It's completly unliked follow up "The Invisible Man Vs. The Human Fly" (1957) meanwhile has a police officer turned invisible attempting to track down a serial killer with the abilitiy to shrink himself down to the size of a fly. We also look at the career of Anna May Wong, the Kaiju influences of Starro in "The Suicide Squad and more!!

VINCENT PRICE SEASON continues with 1958's THE FLY and psychobilly/garagepunk The Cramps classic HUMAN FLY. We talk weird science and rank mad scientist labs.

Welcome our guest Patrick Joseph as he joins host Max Romero for the inaugural episode of The Death-Defying Human FlyCast! In the first of this limited-episode series, we discuss secret identities! The Beach Boys! Cyndi Lauper and Gloria Gaynor! Not to mention 26 buses and a menstruating gorilla! And that's before we even start talking about the The Human Fly #1! Grab your rocket cycle and don't forget your magna-gloves — things are going to get wild! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast Opening theme: “Human Fly” by The Cramps Closing music: “Never Can Say Goodbye” by Gloria Gaynor

Coming soon to the Fire and Water Podcast Network — it's The Death-Defying Human Flycast! Join your host Max Romero as he and a rotating roster of guests explore one of the weirder corners of the Marvel Universe in this limited-episode show! We'll cover the 19-issue run of The Human Fly; its writer and creator, Bill Mantlo; and the people behind the real-life Human Fly! What, you thought he was just made up? Come along as we try to answer the age-old mystery: Who was The Human Fly? Was he a stuntman? A hero? Where is he now? All we know for sure is he's the wildest superhero ever — because he's real! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow THE DEATH-DEFYING HUMAN FLYCAST on Twitter: @humanflycast Let's get wild!

In which the beloved entertainer talks about his memoir 'Beeswing: Fairport, Folk and Finding My Voice 1967-1975', a rich and circuitous ramble that features Jimmy Shand, Louis Armstrong, a school band with Hugh Cornwell, sitar lessons with Andy Summers, the word game that invented 'Unhalfbricking', the genius of Sandy Denny, the 'backstabbing' folk community, the perils of the British stiff upper lip, a cardboard cut-out of Nick Drake, the Henry the Human Fly photoshoot, disinfecting sheep, the writing of Meet on the Ledge and the enduring mystery of the best song lyrics.   @RthompsonMusic https://www.richardthompson-music.com/ https://www.amazon.co.uk/Beeswing-Fairport-Finding-Voice-1967-75/dp/0571348165Tickets for Word In The Park on July 17th here: https://www.eventbrite.co.uk/e/a-word-in-the-park-a-summer-afternoon-of-socially-distanced-storytelling-tickets-152091141699 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Links www.youtube.com/mrparka https://www.instagram.com/mrparka/ https://twitter.com/mrparka00 http://www.screamingtoilet.com/dvd--blu-ray https://www.facebook.com/mrparka http://shutupbrandon.podbean.com/ https://www.facebook.com/screamingpotty/ https://itunes.apple.com/us/podcast/shut-up-brandon-podcast/id988229934?mt=2 https://www.stitcher.com/podcast/podbean-70/shut-up-brandon-podcast ​https://letterboxd.com/mrparka/ ​https://www.patreon.com/mrparka   Time Stamps 0:00 Severin Contest- 0:12 “Creepshow Season 2: Episode 1” Review – 0:40 “The Invisible Man Appears/ The Invisible Man vs The Human Fly” Review– 6:00/ 8:20 “Death Has Blue Eyes” Review– 10:22 “Hollywood High/ Teenage Mother” Review – 15:28/ 18:00 “Goodnight, God Bless” Review– 18:53 “Under the Shadow” Review  – 25:51 Patreon Pick “The Pit” Review – 28:38 Blindspot “The Innocents” Review with Jeremy – 33:00 Questions/ Answers/ Question of the Week “What is your favorite canuxploitation film?"– 48:12 Update– 58:09 Jay Woelfel Interview – 59:38 22 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/ Video Version - https://youtu.be/SnvI3QmeZ94 To enter the contest send an email to davidparker1986@live.com    Links of Interest More Info – https://www.screamingtoilet.com/video/mrparkas-video-reviews-for-the-week-of-april-24th-episode-206-blindspot-week-50 Shudder – https://www.shudder.com/member Arrow Video – https://www.arrowvideo.com/maintenance.html “The Invisible Man Appears/ The Invisible Man vs The Human Fly” – https://mvdshop.com/products/the-invisible-man-appears-the-invisible-man-vs-the-human-fly-blu-ray “Death Has Blue Eyes” Blu-Ray – https://mvdshop.com/products/death-has-blue-eyes-blu-ray Dark Force Entertainment – https://darkforcesuperstore.com/shop-all/ “Hollywood High/ Teenage Mother” Blu-Ray – https://mvdshop.com/products/hollywood-high-teenage-mother-drive-in-double-feature-9-blu-ray Culture Shock Films – https://www.cultureshockreleasing.com/ “Goodnight, God Bless” DVD – https://www.cultureshockreleasing.com/product-page/goodnight-god-bless-special-edition-dvd “Under the Shadow” DVD – https://www.amazon