Podcasts about Herm

If you think you have to move to New York or LA to make it in fashion, this episode says otherwise.Jack Savoie joins us from Denver to talk about building a fashion career — and a viral following — without uprooting your life. We get into how a fake Manolo Blahnik callout on TikTok caught Bethenny Frankel's attention and took him from 20K to 67K followers overnight, why he still works full-time as a buyer at A.Line while creating content on the side, and how he broke the news that Sabrina Carpenter was wearing Dior at Coachella before Vogue's own exclusive dropped. We also talk about his path from Nordstrom shoe sales to designer buying, the "Shoes of the Past" series that turned fashion nostalgia into a cultural moment, and his advice for anyone trying to break into the industry without an internship or a big city zip code.In this episode, we get into:How Jack built a career in fashion while staying based in Denver, and why he doesn't think you need to live in New York or LA to make it in the industryThe story behind his viral Manolo Blahnik video — how he spotted a fake shoe in a Bethenny Frankel TikTok and grew from 20K to 67K followers in under 24 hoursHis path from selling shoes at Nordstrom to becoming a buyer at boutique retailer A.LineHow "Shoes of the Past," his series on discontinued cult shoes like the YSL Eiffel Tower cage boot and the Isabel Marant Beckett wedge, became his biggest content waveWhat it's actually like balancing a full-time buying job with a content career, and how he manages burnoutHow he broke the news that Sabrina Carpenter wore Dior at Coachella before Vogue's own exclusive was publishedHis biggest recent splurge — a surprise Birkin 30 in Rouge H from his longtime Hermès sales associate — and why he waits months before wearing new purchasesThe brands and designers he thinks are doing the best work right now, including Chanel, Dior, and KallmeyerHis current red carpet favorites, from Teyana Taylor and Margot Robbie to Sombr's fashion-forward run this yearHis advice for anyone trying to break into fashion without a traditional industry job or big-city moveJack SavoieInstagram: https://www.instagram.com/thesavoiedailyTikTok https://www.tiktok.com/@jack.savoieLet's Get DressedYouTube: www.youtube.com/@livvperezInstagram: www.instagram.com/letsgetdressedpodNewsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperezLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

Il est arrivé sur X en mai 2020, en plein chaos Covid. 5 ans plus tard, 18 000 personnes lisent ses analyses chaque semaine et sa bio tient en une ligne : « Aucun conseil, juste des partages ».Marc Bond est investisseur particulier. Il travaille par sectorisation, il traque les flux, et il assume de ne pas changer ses graphiques d'une semaine à l'autre parce que les niveaux, eux, ne bougent pas.Dans cet épisode du Morning Mood, on ouvre la boîte noire.

In 1985, one the world's most recognisable fashion accessories was first launched – the Birkin handbag.Its origins have since become legend. The actress and model Jane Birkin said she was on a flight to London when her bag and contents spilt over the floor.The passenger sitting next to her remarked that she needed a bigger bag, and offered to make it for her. His name was Jean-Louis Dumas, then chief executive of the leather goods company, Hermès.The design was sketched on the plane's sickbag, and the resulting leather holdall was christened the Birkin, after its inspiration.Today, the price tag ranges from a few thousand dollars to more than $200,000 for limited design versions, and it's often seen on the arms of celebrities and socialites.Jane Wilkinson looks back at its history, using BBC archive.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: The original Birkin bag made from black leather, has two short handles and a long handle and a leather flap across the top, with a leather strap detail and a gold clasp. Credit: Edward Berthelot/Getty Images)

In der heutigen Folge sprechen die Finanzjournalisten Nando Sommerfeldt und Holger Zschäpitz über neue Paypal-Fantasie, die unterschätzte Apple-Rallye und die Antwort auf die Frage: Kann ein Atommüll-Staatsfonds auch Rente? Außerdem geht es um Samsung Electronics, Micron Technology, IBM, SK Hynix, Alphabet, Meta Platforms, Amazon, Microsoft, Apple, PayPal Holdings, Block, Morgan Stanley, BlackRock, BASF, Volkswagen, BMW, Mercedes-Benz Group, Richemont, Kering, LVMH, Hermès, Burberry, TSMC, Netflix, ABB, Abbott Laboratories, GE Aerospace, Intuitive Surgical, UnitedHealth Group, Alcoa, United Airlines Holdings, BHP, ING Group, Smartbroker Holding, AMD, Broadcom, Nvidia, Viasat, AST SpaceMobile, Rocket Lab, Planet Labs, EchoStar, SpaceX, Amundi Global Luxury UCITS ETF (WKN: A2H564), Boreas S&P Absolute Luxury UCITS ETF (WKN: A412DN), iShares Core MSCI World UCITS ETF (WKN: A0RPWH), Xtrackers MSCI World UCITS ETF 1C (WKN: A1XB5U), SPDR MSCI ACWI ETF (WKN: A1JJTC), iShares Core MSCI EM IMI UCITS ETF (WKN: A111X9), VanEck Semiconductor UCITS ETF (WKN: A2QC5J), Amundi MSCI Semiconductors UCITS ETF (WKN: LYX018), VanEck Space Innovators UCITS ETF (WKN: A3DP9J), Global X Copper Miners UCITS ETF (WKN: A3C7FZ), Global X Silver Miners UCITS ETF (WKN: A3DC8R), VanEck Uranium and Nuclear Technologies ETF (WKN: A3D47K), iShares Global Clean Energy ETF (WKN: A0MW0M). Wir freuen uns an Feedback über aaa@welt.de. Noch mehr "Alles auf Aktien" findet Ihr bei WELTplus und Apple Podcasts – inklusive aller Artikel der Hosts. Hier bei WELT: https://www.welt.de/podcasts/alles-auf-aktien/plus247399208/Boersen-Podcast-AAA-Bonus-Folgen-Jede-Woche-noch-mehr-Antworten-auf-Eure-Boersen-Fragen.html. Hier könnt ihr den AAA-Newsletter abonnieren: https://www.welt.de/newsletter/article232797673/Alles-auf-Aktien-Der-taegliche-Boersen-Newsletter-fuer-WELTplus-Abonnenten.html Und – ganz neu: AAA gibt es jetzt auch auf Instagram: https://www.instagram.com/alles_auf_aktien/ Disclaimer: Die im Podcast besprochenen Aktien und Fonds stellen keine spezifischen Kauf- oder Anlage-Empfehlungen dar. Die Moderatoren und der Verlag haften nicht für etwaige Verluste, die aufgrund der Umsetzung der Gedanken oder Ideen entstehen. Hörtipps: Für alle, die noch mehr wissen wollen: Holger Zschäpitz können Sie jede Woche im Finanz- und Wirtschaftspodcast "Deffner&Zschäpitz" hören. +++ Werbung +++ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte! https://linktr.ee/alles_auf_aktien *Anzeige: Eight Sleep: Der Pod 5 reguliert die Temperatur im Bett automatisch, trackt Schlaf- und Gesundheitswerte ohne Wearable und kann so zu besserem Schlaf beitragen. Mit dem Code ALLESAUFAKTIEN erhaltet ihr auf https://www.eightsleep.com/allesaufaktien bis zu 350 Euro Rabatt.* Impressum: https://www.welt.de/services/article7893735/Impressum.html Datenschutz: https://www.welt.de/services/article157550705/Datenschutzerklaerung-WELT-DIGITAL.html

La bourse de Paris a évolué en légère hausse, sans réel catalyseur.La faute au conflit dans le détroit d'Ormuz, qui limite les prises de risques : le blocus visant les navires iraniens se poursuit et est accompagné de nouvelles frappes américaines le long des côtes iraniennes. Donald Trump a même prévenu que les frappes pourraient s'intensifier, si Téhéran ne revenait pas à la table des négociations.En conséquence, le Brent progresse autour de 85 dollars le baril, après sa hausse de 11 % sur les deux séances précédentes. Et sur le front des entreprises, quelles sont les principales informations du jour ?Cette situation géopolitique a freiné le CAC 40 malgré un secteur du luxe très bien orienté.Kering, LVMH et Hermès ont pleinement profité des résultats trimestriels convaincants du groupe Suisse Richemont, qui profite de ventes bien meilleures que prévues, soutenues par la demande venue des Etats-Unis.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Cette semaine, je reçois dans Demain N'attend Pas Wale Gbadamosi-Oyekanmi, un entrepreuneur brillant, entre la France et le Nigeria, infatigable pourfendeur des stéréotypes.Pendant des années, Wale a développé Dare Win, son agence de marketing digital et d'influence pour les plus grandes marques : Spotify, Nike, Hermès... Arrive 2020 et la pandémie, la mort de George Floyd et le mouvement Black Life Matters. Un séisme. Wale sent qu'il ne peut plus se contenter de réussir « pour lui » ou de se rassurer dans des bulles confortables. Il décide de mettre son expertise, son réseau, son expérience au service de la société .Il soutient des médias indépendants engagés dans la diffusion d'autres récits, il s'engage contre la montée de l'extrême droite, il sensibilise la jeunesse aux problèmes de santé mentale, il soutient des films qui nous aider à porter un autre regard sur le handicap... Toujours en utilisant l'influence et les médias au service d'une cause. Dans cet extrait, Wale nous raconte comment il a été amené à créer le collectif citoyen “Mouiller le maillot”, avec une poignée de créatifs engagés.Leur idée ? Lutter contre l'abstention des jeunes en reprenant les codes du sport et en utilisant la force du maillot comme symbole, pour rappeler aux jeunes qu'ils peuvent peser sur le jeu.Résultat : en deux semaines, une campagne virale relayée par les influenceurs, les stars du foot et les acteurs de terrain, qui a contribué à faire remonter la participation des jeunes.Ce qui m'a frappée dans l'échange avec Wale, c'est sa façon très directe de refuser la résignation, d'utiliser sa réussite pour bouger les lignes sur des causes importantes et d'embarquer tout un collectif derrière lui avec une incroyable énergie.Dès demain, retrouvez l'épisode entier. On y parle de notre pouvoir d'action.Quand tout paraît déjà joué, c'est le moment pour chacun d'entre nous de reprendre la main !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

From a University Dorm Room to RSS.com: The Alberto Betella Story - Marv sits down with Alberto Betella, co-founder of RSS.com, following a chance meeting at the Podcast Show in London. Alberto traces an origin story that stretches back two decades — from building the open-source Podcast Generator as a university literature student in Italy in 2005, to a serendipitous 2017 email from RSS.com co-founder Ben that led to the launch of RSS.com's podcast hosting platform in 2018.The conversation ranges widely: the technical and philosophical roots of the RSS feed, why the podcasting industry is unusually collaborative rather than cutthroat, the psychology (and neuroscience) of why listeners trust podcast hosts, the promise and risk of AI in podcast production, why niche shows may outlast viral hits, the future of podcast discovery, and the thorny problem of music licensing in podcasts. The episode closes with a run of listener-submitted questions and Alberto's own podcast recommendations.Key Discussion Points:The origin story: Podcast Generator (2005–2018)How RSS.com came to beWhy podcasting's competitors collaborateThe psychology of the podcast listener relationshipAI in podcastingListener Q&A: Cam (Jacked Up Review Show): How does podcasting's technology compare to other engineering fields? → Discussion of Podcasting 2.0 tags, the location tag, and Alberto's own project, Atlas (atlas.rss.io), a visual network map of cross-podcast recommendations built on Podcast Index "PodRoll" data.Gill (The Mindbuzz Podcast): What separates shows that last 10 years from those that vanish? → Alberto's "niche over virality" thesis, and RSS.com's free-forever plan for local/niche shows.Phil Better (The Podcast Mogul's Playbook): How will podcast marketing change? → Preference for human-to-human cross-promotion and guesting over automated "feed drops," plus a nod to Apple Podcasts auto-linking recommended shows found in transcripts.Stephen Nicholson (Sheer Pod Attack): What's next in podcast discovery, especially for niche music podcasts? → Human recommendation networks (again, Atlas/PodRoll) and the unresolved global licensing problem for music-in-podcasts, including a tangent comparing it to how international postal services reconcile costs.Alberto's own listening habitsRegulars: Podnews Weekly Review, Podcasting 2.0, The New Media Show, Podbiz (by Norma Jean).Personal favorite outside the industry: Acquired, especially its long-form deep dives (F1, Hermès, etc.).

Audiodumm ist zurück und maked die Automobilindustrie Great Again – mit Rückleuchten mit echtem Schwarz, Zeekr ohne „e“, Mercedes GLC und Audio Q6. Außerdem gibt's volle Kanne erste Erfahrungen mit Agents wie OpenClaw, Hermès (noch mehr) und Apple Intelligence auf dem neuen iOS 27. Wir wedeln mit Mikrofonarmen, AI-Dubbing, EMSA-Becher-Updates und schnellerem Internet … bald.

Weitere Infos zu unseren Werbepartnern finden Sie hier: https://linktr.ee/aktienfuers_leben Keine Marke steht so sehr für Stil, Exklusivität und Luxus wie die französische Edelmarke Hermès. Tobias Kramer und Timo Pache gehen zurück bis zu den Wurzeln des Gründers Thierry Hermes im damals französischen Krefeld, ziehen mit ihm und seinen Kindern und Enkelkindern durch Paris und rekapitulieren noch mal die Erfindung der berühmten Birkin-Bag. Natürlich gibt es abschließend einen ausführlichen Blick auf die Aktie, die ja lange absurd teuer war, seit einigen Monaten aber deutlich an Wert verloren hat – was sie ja vielleicht wieder langsam interessant macht. Um diese Aktien geht es: Hermès (886670), LVMH (853292) +++ Keine Anlageberatung oder -empfehlung. Alle Angaben ohne Gewähr, diese stellen keinen Ersatz für eine professionelle und individuelle Beratung dar. Wertentwicklungen der Vergangenheit sind kein Indikator für zukünftige Wertentwicklung. +++ Vermögen aufbauen und Wirtschaft verstehen mit Capital+: https://angebot.capital.de/#digitale-angebote +++ Dieser Podcast wird vermarktet von Julep Media: sales@julep.de Wir verarbeiten im Zusammenhang mit dem Angebot unserer Podcasts Daten. Wenn Sie der automatischen Übermittlung der Daten widersprechen wollen, melden Sie sich hier: datenschutz@julep.de

Welche Aktien hat Sebi in seiner 18-monatigen Podcast-Pause eigentlich gekauft – und wie haben sie sich entwickelt? In dieser Folge gibt er einen persönlichen und ungeschönten Einblick in sein Depot. Mit konkreten Kaufthesen, ehrlichem Performance-Update und einem deutschen Hidden Champion, der bisher richtig abgeliefert hat.Inhalte dieser Folge:✅ Portfolio-Offenbarung: Sebis Käufe der letzten 18 Monate im Überblick✅ Kaufthesen zu Blue Chips wie Hermès, Ferrari, LVMH und UnitedHealth✅ Etwas unbekanntere Titel mit spannenden Investmentthesen✅ Ein Hidden Champion aus Deutschland mit bereits starker Rendite✅ Performance-Check: Welche Positionen laufen gut, welche weniger?Disclaimer gemäß WpHG: Alle Inhalte dienen ausschließlich der Information und stellen keine Anlageberatung oder Kaufempfehlung dar. Sebi hält zum Zeitpunkt der Veröffentlichung Positionen in den genannten Unternehmen. Investitionen in Wertpapiere sind mit Risiken verbunden, bis hin zum Totalverlust des eingesetzten Kapitals. Bitte informiere dich eigenständig und ziehe bei Bedarf einen unabhängigen Finanzberater hinzu.

Kas ir zaļš, krakšķ un peld etiķī? Kā šo Hermīnes Sīles mīklu un citas mīklas, kuras sagudrojušas ģimenes, kas viesojušās 2026. gadā raidījumā Greizie rati, min Carnikavas novadpētniecības centra saime: Olga Rinkus, Laura Lazdāne, zvejnieks Arturs Jakobsons ar sešgadīgo dēlu Kristoferu. Ģimeņu mīklu kategorijā izvirzītas mīklas, kuras sacerējuši: Morics Markauss, Luīze Lindermane, Elza Amēlija Vītiņa, Edvards Bērziņš, Patriks Sondors, Lilija Sirvide, Herberts Kalniņš, Hermīne Sīle, Linda Vīksne, Zane Raičenoka-Raišonoka, Ulla Bērziņa, Luīze Rundele, Laura Kārkliņa, Rūta Freimane un Luīze Rundele.  

Once upon a time, if you wanted to buy a luxury brand item secondhand (say, a Chanel handbag) you had to have an in. There was no easy way to find one. But over the past decade, the market for secondhand luxury goods has exploded. There are now many online resellers where you can shop for used and discounted luxury items. One big problem — how can you be sure if it's real and authentic?Some online resellers claim to have solved this problem. They say they've developed a process of authentication, and so buyers can trust that the bag is really Gucci or Cartier or Hermès or whatever. But according to some luxury brands, authenticity is something that is often imitated but never replicated.In today's episode of Planet Money, the fight between Chanel and The RealReal. And how luxury brands are reacting to the enormous and growing secondhand market for luxury goods.Support:Planet Money+Read: Our book: Planet Money: A Guide to the Economic Forces That Shape Your LifeOur weekly longform Planet Money newsletterOur weekly Indicator round-up newsletterFollow: InstagramTikTokYouTubeFacebookThis episode of Planet Money was hosted by Amanda Aronczyk and Jeff Guo. It was produced by James Sneed with help from Charlotte Isidore, who also fact checked this episode. Jess Jiang edited the show and it was engineered by Cena Loffredo. Alex Goldmark is Planet Money's executive producer.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Hermès Trismégiste est en réalité une transposition d'une manière d'appeler le dieu de la sagesse, de l'écriture, des calculs, du temps, des rites et de la magie égyptienne, qui s'appelait Thot. Les Grecs eux même avaient assimilé Thot au dieu Hermès quand ils sont arrivés en Egypte. Donc ce n'était pas quelque chose d'étrange. Mais cette forme n'est pas Hermès, des Grecs, c'est un Hermès gréco égyptien.Conférence de Fernand Schwarz, philosophe, anthropologue, fondateur de Nouvelle Acropole en France. Enregistré à Lyon, Espace Vollon, le 2 juin 2026.Abonnez-vous gratuitement à notre newsletter philosophique :www.revue-acropolis.comSaviez-vous que Nouvelle Acropole est réalisée à 100% par des bénévoles ? Nous dépendons donc beaucoup de nos étudiants et amis pour la divulgation !   N'oubliez pas de vous abonner à la chaîne et si possible de la partager sur vos réseaux sociaux.   Ce sera d'une grande aide !

O programa “Transmission Impossible” volta pelo terceiro ano consecutivo ao Festival de Avignon. Depois de Mathilde Monnier, desta vez é a coreógrafa brasileira Lia Rodrigues a dirigir o projecto de encontros entre artistas programados e meia centena de jovens de diferentes países, em cumplicidade com os artistas brasileiros Calixto Neto, Silvia Soter da Silveira, Cristina Moura e Daniella Lima. O projecto é um laboratório de experimentação e transmissão que consiste em fazer descobrir, durante 12 dias, o Festival de Avignon. “A ideia é a gente estar num momento juntos” e “a grande coisa está no nosso encontro”, resume Lia Rodrigues. Lia Rodrigues é uma figura de vulto da dança brasileira contemporânea, que, em 2026, completa 70 anos, 50 dos quais dedicados à sua arte. Nesta 80.ª edição do Festival de Avignon, a artista sucede à coreógrafa Mathilde Monnier na direcção artística do projecto "Transmission Impossible". Trata-se de uma imersão no festival de  meia centena de estudantes de artes cénicas ou recém-diplomados, através de um percurso de encontros com artistas programados, espectáculos, debates e masterclasses. Lia Rodrigues descreve-nos este projecto como “um presente para os 70 anos” porque vê como “muito belo” conseguir reunir jovens do mundo inteiro com línguas diferentes. A criadora conta, ainda, que esta “Transmissão Impossível” acontece no “lugar precioso do possível”, ou seja, “o possível de a gente estar juntos, tanta gente de tanto lugar, falando tantas línguas num mesmo lugar, partilhando, falando, celebrando.” Ao longo de vários dias, o grupo trabalha, vê, debate, estuda em conjunto. Afinal, “a ideia é a gente estar num momento juntos” e “a grande coisa está no nosso encontro”, sublinha.  A transmissão está-lhe no ADN, enquanto artista e cidadã. Lia Rodrigues transforma o que faz, em palco e fora dele, num espaço de intervenção social e política, numa ferramenta de reflexão crítica e transformação social. Lembramos, por exemplo, que a coreógrafa fundou a Companhia de Danças Lia Rodrigues, com a qual desenvolve, desde os anos 1990, um trabalho marcado pela aproximação entre arte e comunidade, pela crítica às desigualdades sociais e pela experimentação corporal. Desde 2004, Lia Rodrigues também desenvolve actividades artísticas e educacionais na Favela da Maré, no Rio, em parceria com a ONG Redes da Maré. Dessa colaboração nasceu o Centro de Artes da Maré, aberto ao público em 2009 e a Escola Livre de Danças da Maré, inaugurada em 2011. Doze dos estudantes dessa escola estão, por estes dias, no projecto “Transmission Impossible”, em Avignon, num total de cerca de meia centena de participantes. Fomos falar com a artista na Villa Créative, em Avignon, na primeira semana de trabalho. "Transmission Impossible": 54 artistas e a possibilidade de "mil trampolins" RFI: Como é que nos poderia descrever este projecto “Transmission Impossible”? Lia Rodrigues, Artista: “Esse projecto chega num momento muito especial para mim, como um presente para os meus 70 anos. Esse projecto primeiro foi criado por uma artista, a Mathilde Monnier, junto com o Festival de Avignon e a Fondation Hermès. Isso é muito importante, essa junção de duas instituições com um artista e criar um projeto pedagógico, como você falou, de vulto, porque reunir 54 jovens do mundo inteiro com línguas diferentes é muito belo, sabe? A gente está aqui durante duas semanas trabalhando intensamente.” Como é que imaginou essa transmissão com estes 54 jovens de tantos países? “Sabe que eu estou achando que o nome da Transmissão já diz em si: “Transmissão Impossível”. É impossível.” Porquê? “Porque a gente vê muita coisa. A gente trabalha o dia inteiro, mas tem um lugar precioso do possível: o possível de a gente estar juntos, tanta gente de tanto lugar, falando tantas línguas num mesmo lugar, partilhando, falando, celebrando, às vezes se irritando - porque o calor aqui está terrível - e vendo tantos artistas diferentes com visões do mundo diferentes.” Estar em contacto com estes jovens de todo o mundo é uma forma de aproximação num mundo cada vez mais polarizado? A dança acaba por ter esse papel transmissor? “Eu não acho que a dança tenha esse papel porque a dança não tem papel nenhum a não ser ser dança mesmo. Os alunos, os jovens que se formaram, são de diferentes áreas: de teatro, dança, iluminação, cenografia. E essa diversidade é muito linda porque eu aprendo com eles, eles aprendem com a gente. Então, não é só a dança, é o corpo na sua totalidade que se encontra e que partilha esse momento precioso juntos." O que é que uma artista com 50 anos de carreira ainda aprende com estes jovens? “Se a gente não aprende, a gente morre e eu não quero morrer agora porque eu ainda quero ver meus netos crescerem, eu quero ainda poder fazer coisas, criações. As pessoas mais velhas têm sonhos, elas ainda têm muito a dizer, a gente ainda tem desejo e eu acho isso muito legal de falar porque a gente fala de diversidade, mas a gente fala muito pouco sobre idade.” Essa é uma questão que a marca? “Mas sem dúvida! É impossível não marcar. Eu sempre falo: quando você tiver 70 anos me telefona para ver se você me encontra nesse lugar.” A juventude também contribui para a transmissão? “Tudo, a juventude, a idade, o encontro das gerações é muito lindo, sabe? É ver o passado, o futuro e o presente se misturarem. Quando você tem essa idade, você consegue ter mais acesso ao passado, presente e imaginar um outro futuro.” Gostaria que falássemos também do trabalho na Escola Livre de Dança da Maré, porque também há artistas que estão aqui em Avignon. Como é que o trabalho que faz lá ecoa em Avignon? O que representa para os bailarinos da Escola da Maré estarem cá? "Antes de eu ter esse encontro, que foi uma marca na minha vida como cidadã e como artista, eu já tinha a minha carreira como artista, mas eu tive um encontro muito forte, mediado pela Silvia Soter, que é a minha dramaturga, que foi o encontro com a Rede da Maré, que é uma organização que tem diversos projectos em várias áreas dentro da Favela da Maré. A Favela da Maré tem 140.000 habitantes e eles fazem projectos de educação, cultura, diversidade, questões da mulher, questões do racismo, questões do meio ambiente, questões de moradores de rua e usuários de crack, é muito amplo. Nós, Redes e eu, somos parceiros em dois projectos desde 2004. Nós criámos juntos o Centro de Artes da Maré, que é um lugar para todas as artes dentro da favela e, em 2011, a Escola de Dança da Maré. Desde o seu início, ela é patrocinada, sustentada e só pode existir porque a Fundação Hermès de França nos apoia há mais de 15 anos. Essa escola tem 300 alunos de 8 a 80 anos e um grupo de jovens que são 20, que são jovens artistas que querem talvez seguir a carreira. Dozes deles estão aqui. Nem todos são da Maré porque a gente também cria diversidade dentro da nossa escola. Eu acredito que essa experiência, como para qualquer um de nós e para mim também, é inesquecível.” Pode ser um trampolim para eles? “Os trampolins são muito pequenos. Eu adoro pensar na ideia de mil trampolins porque eles vão pulando de um lugar para o outro e vão conhecendo gente, conhecendo o trabalho, conhecendo gente da idade deles. Isso é lindo essa ideia de trampolim. Depois eles têm que cair na piscina, solitários, para poderem digerir toda essa experiência.” Como tem decorrido o projecto? Encontram os artistas, fazem ateliers de dança, por exemplo? “Primeiro, eu queria deixar claro que eu não faço divisão entre dança, teatro, artes visuais. Nós temos jovens que se formaram em escolas de cenografia, iluminação, teatro, dança, não são só de dança. Isso é muito legal também, o encontro dessas linguagens porque eu acho que elas não se separam finalmente. A gente tem um horário bem intenso, a partir das dez horas, e depois vê vários espectáculos, até à noite. A gente trabalha, tem entrevistas com os artistas que vêm aqui, é demais! Eles vêm-nos visitar, a gente conversa, vai ver espectáculos. Cada mentor, cada um desses mentores que me acompanham, têm formas diferentes de trabalhar, de partilhar, de transmitir. É uma loucura.” O público vai poder depois assistir ou debater com os jovens e consigo sobre este projecto? “A Fundação Hermès e o Festival de Avignon me abraçaram para eu poder realizar a ideia de que a gente não vai mostrar nada, mas a gente vai partilhar alguma coisa muito simples, muito preciosa. Essa é a ideia de a gente estar num momento juntos. É só isso. Não tem grandes coisas. A grande coisa está no nosso encontro.” A Lia Rodrigues está rodeada por artistas cúmplices neste projecto. São artistas com quem já trabalha há algum tempo. Quer-nos falar porque é que escolheu estes cúmplices para a acompanharem neste projecto de transmissão afinal possível? “Olha, é claro que eu não escolhi sozinha porque a gente trabalha com a Fundação Hermès, com o Festival de Avignon. Nós chegamos a um acordo, mas eu achei lindo eu poder escolher brasileiros só porque são pessoas que eu conheço há muito tempo, com as quais eu trabalho de formas diferentes e que eu me sinto a vontade, sabe? Eu tenho que ter pessoas em quem eu confio, que eu posso ficar assim, tranquila, porque eles vão ser generosos com os alunos. Eles têm as suas próprias ideias. Eu acho isso lindo. Então, eu me rodeei de pessoas com as quais eu me sinto confortável.” Nesta geografia dos apoios, incluindo financeiros, às artes performativas, ainda há muitas desigualdades entre o Norte e o Sul… “Claro! É tão óbvio. É só ler o jornal. É só ler os livros!” O que é seria preciso fazer para isso mudar? Avignon é um passo? “Precisa mudar o mundo, as relações internacionais, de força. É isso que precisa. O facto de nós estarmos em Avignon é maravilhoso, é lindo, mas quando você me pergunta isso, eu digo que tudo é conectado. É mudar uma área, mudar outra. E a educação e a guerra? Tudo faz parte do mundo em que a arte está incluída. Então, sem mudar o mundo, as relações de poder, a maneira muito colonial de ver o mundo que ainda existe ou as relações de poder e de força, isso não vai mudar.” A dança tem um papel nessa decolonizaçao? As artes performativas de uma forma geral podem conseguir mexer alguma coisa nas placas tectónicas políticas deste mundo? “Sim e não. Sim e não porque quem vê essas peças? Quantas pessoas podem ver essas peças? Em que lugar do mundo estas peças são vistas? Quem tem acesso a isso? Isso é uma questão que a gente precisa pensar bastante. Por exemplo, essa história de ecologia: ‘Ai, não vou pegar avião, não pode mais pegar avião', isso é uma das coisas mais coloniais que eu já vi na minha vida porque é um luxo poder não pegar avião e não estar no avião. Tem uma pessoa que eu admiro, e que foi muito importante no Brasil, que é o Chico Mendes, lá da Amazónia, que falou que fazer ecologia e pensar ecologia sem justiça social é só fazer jardinagem. E é isso que eu penso.” E pensar a dança sem justiça social? “Não é a dança, é a vida. Eu esqueço que eu faço dança. Para mim, eu sou uma cidadã, é isso que é mais importante na minha vida. Que mundo a gente quer para o futuro, sabe? Tanto faz se for com a dança, como jornalista, com qualquer profissão.” Este ano, o Brasil está no Festival de Avignon representado pela Lia Rodrigues, Carolina Bianchi, Christiane Jatahy, Wagner Moura. Este é um epicentro das artes cénicas do mundo. É importante para si estar em Avignon? “É tão importante quanto estar no Brasil. Cada lugar tem uma importância diferente. É maravilhoso que esses artistas que trazem as ideias deles tão lindamente aqui em Avignon, mas é muito bom que eles pudessem também ir para o Brasil, o que não acontece por questões de investimento, Então, se todos pudessem mostrar os seus trabalhos também no Brasil, seria maravilhoso. Eu acho que é o epicentro de alguma coisa, mas a gente tem vários epicentros no mundo da arte, da produção, só que existe a diferença de recursos para isso.” É um epicentro eurocêntrico? “Com certeza, mas é muito bom que ele exista. A gente tem que lutar para que ele exista e que para outros epicentros possam também existir. Eu acho maravilhoso ver esses artistas aqui, brasileiros, me emociona muito, me comove e me faz feliz. Queria que todo mundo pudesse vê-los.” Vamos ter uma peça sua em breve em Avignon? “Não tenho a menor ideia. Zero ideia e também é assim a vida. Eu estou aqui, eu já estou tão feliz de estar aqui, vendo e me relacionando com esse mundo aqui de Avignon. Isso é o maior presente para mim.”

Wiebking, Jennifer www.deutschlandfunkkultur.de, Fazit

Je vous propose une nouvelle émission de “Mise à Jour” pour explorer l'évolution des sciences occultes et de l'ésotérisme.  Nous aborderons les courants New Age et Traditionnels, ainsi que les intersections entre science et croyance, religion et spiritualité, afin de décrypter les transformations de l'ésotérisme contemporain.  Dans un monde en quête de sens, la pertinence des traditions ancestrales est-elle encore d'actualité ?  Kabbale, Soufisme, Hermétisme, Alchimie…  Ces voies spirituelles offrent-elles encore des réponses aux chercheurs d'aujourd'hui, ou risquent-elles de se fossiliser en vestiges du passé ?⛎ Soutenir l'émission sur Tipeee : https://www.tipeee.com/arcana-mysteres-du-monde

Avec : Jean-Philippe Doux, journaliste et libraire. Pierre Rondeau, économiste. Et Emmanuelle Dancourt, journaliste indépendante de Dijon. - Accompagnée de Charles Magnien et sa bande, Estelle Denis s'invite à la table des Français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.

Markets reacted cautiously after the US granted Iran a temporary 60‑day licence to sell oil in USD. Euro area consumer confidence remained weak in June, and pressure on Hermès weighed on luxury stocks. In the UK, Sir Keir Starmer's resignation adds to a decade of political instability, but markets stayed calm. ECB president Christine Lagarde said that the central bank doesn't need to react more forcefully to the fallout from the Middle East conflict. In US equities, investors rotated out of large tech stocks into small caps. In Asia, speculation about USD/JPY intervention grew after talks between Japanese and US officials. Regional equities declined. Damien Ng, Next Generation Research, joins the podcast to talk about what strong dealmaking says about the healthcare sector.(00:00) - Introduction: Bernadette Anderko, Product & Investment Content (00:48) - Markets wrap-up: Mike Rauber, Product & Investment Content (06:50) - Dealmaking in the healthcare sector: Damien Ng, Next Generation Research (11:28) - Closing remarks: Bernadette Anderko, Product & Investment Content Would you like to support this show? Please leave us a review and star rating on Apple Podcasts, Spotify or wherever you get your podcasts.

Araceli de Frutos, asesora del fondo Alhaja Inversiones, analiza con detalle los escenarios de Hochtief, Infineon, EasyJet, Danone y Hermés.

Het verhaal van Hermès biedt een inspirerend portret van het iconische Franse modehuis, van zijn oorsprong als zadelmakerij tot wereldmerk in luxe. Geschreven door Karen Homer. Uitgegeven door Kosmos Uitgevers Spreker: Miryanna van Reeden

Designer Simone Rocha makes her menswear runway debut today as guest designer at Pitti Uomo in Florence. Nicole Phelps sat down with Rocha just a few days ahead of the debut and to discuss why now felt like the right time to give her menswear line its own runway spotlight, how independence has shaped her career, and the family legacy behind her approach to design. Reflecting on everything from her days at Central Saint Martins to dressing figures like Paul Mescal and Josh O'Connor, Rocha shares her vision of a “tender, intimate masculinity”—and explains why she still loves surprising her audience.For headlines, Phelps and Chloe Malle are joined by Vogue Runway senior fashion news editor Max Berlinger for a globetrotting edition of The Run-Through that begins at the World Cup and ends on the menswear runways of Milan, Paris, and Florence. Fresh from France's opening match against Senegal at MetLife Stadium, Chloe reports on the tournament's unexpectedly chic sidelines—from sold-out Nike x Jacquemus training jerseys to French players arriving with covetable Chanel and Hermès bags. The trio also discusses New York's euphoric Knicks celebrations and why sports fandom is becoming one of fashion's most compelling new front rows.Then, attention turns to the upcoming men's shows. The hosts break down what to expect from Milan, where Ralph Lauren's return continues what Max dubs a “Ralph-aissance,” alongside runway outings from Prada and Armani. In Paris, anticipation is building around Michael Rider's first standalone menswear show for Celine, Jonathan Anderson's evolving vision for Dior Men, Sarah Burton's menswear debut at Givenchy, and Simon Porte Jacquemus's grand finale in Corsica. Along the way, the conversation touches on the return of slimmer silhouettes, the rise of low-profile footwear, and the designers poised to define the next chapter of menswear.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Poy T. Granati of Summer Space Studio returns to Paper Talk Podcast for her third appearance, joining co-hosts Quynh Nguyen, Jessie Chui, and Sara Kim. If you have followed Paper Talk for a while, you will recognize Poy from Episode 8, where we first introduced her, and Episode 135, our Pinterest deep dive that is still one of our most referenced episodes for paper flower artists building organic traffic. This time she joins us from her new home in the Hudson Valley as a new mother. This conversation is the most honest one we have had about what it actually looks like to rebuild a creative business after motherhood. Poy walks us through the structural changes she made to Summer Space Studio: training two instructors to teach her workshops, narrowing her offerings to corporate workshops and brand partnerships, and using Pinterest batch-scheduling to keep her business visible during her hardest months. If you have ever wondered how to pitch corporate workshops as a paper flower artist, this episode is a masterclass. Poy shares the exact three-year follow-up email sequence that landed her a brand partnership with Hermès, breaks down the seven-follow-up rule, and explains how to tie your seasonal offerings to a brand calendar so your cold pitches feel relevant instead of random. She also gets into the corporate workshop markets most paper artists overlook: real estate buildings, breweries, residential properties, tech companies on LinkedIn, and team-building events at companies that have nothing to do with flowers. “I've been emailing Hermès for three years. Following up is the biggest part of not just getting clients, but getting comfortable talking about your offer.” - Poy The second half of the conversation moves to Substack for creative small business owners. Poy launched a new channel called Take Scenic Route, separate from Summer Space Studio, as a digital journal and creative outlet. She gets vulnerable about postpartum anxiety, the question she journaled at three in the morning that changed everything, and her dream of using Substack to build toward a tropical paper flowers book. Quynh shares her own Substack journey with Back to the Basic, and Jessie and Sara weigh in on how to add Substack to an existing creative business without doubling your workload. This is an episode for anyone in a season of figuring it out: new mothers returning to creative work, paper artists pitching corporate clients for the first time, and creative entrepreneurs wondering if their messy, unfiltered self is actually the version that connects. What You Will Hear in this Episode: Why time scarcity after motherhood can actually sharpen productivity and creative decision-making How Poy restructured her business to focus only on corporate workshops and brand partnerships The exact three-year follow-up cadence Poy used to land Hermès How to tie your seasonal offerings to a brand's calendar when cold pitching Why Pinterest batch-scheduling saved her business during early motherhood The two types of workshop clients and how to serve both How to use LinkedIn to find HR managers and book team-building gigs at tech companies Hidden corporate workshop markets: real estate, breweries, residential buildings, nursing homes Why Substack is a low-barrier alternative to Kajabi, Teachable, and Thinkific for creative entrepreneurs How to use Substack as a digital journal, blog, and newsletter without creating more work Why showing up imperfectly is the actual brand strategy Learn more about Poy In 2018, Poy T Granati founded Summer Space (translated as "a happy place") after completing her inspiring "100-days of making" project, where she crafted one flower per day for 100 days and discovered her passion for paper flower artistry. Since then, she has been dedicated to spreading joy through her exquisite and meticulously crafted paper flowers. The artistry of Summer Space has been recognized and featured on the Today Show and Adobe, and the studio has collaborated with prestigious brands such as Papersource, Helix Sleep, IBM, and Maman NYC. Summer Space is currently based out of Hudson Valley, NY. Listen to Poy in Episode 81 for her introduction, and Episode 135 for our Pinterest Website: Summer Space Studio Instagram: @summerspacestudio. The Best Thing We Bought that Bring Us Joy Quynh: Squeakers for dog toys Jessie: The School Memories Book by MaVie Sara: Rifle Paper Journal Paper Talk is supported by our community of readers and listeners. When you click on our affiliate links, we may earn a commission for qualifying purchases made through Amazon.com, Shareasale, or similar affiliate marketing programs. This commission goes directly into the maintenance of this website and our podcast. ----------------------------------------------------- JOIN OUR PAPER TALK MASTERMIND! If you've been running your paper business solo and you're tired of figuring out pricing, marketing, and selling alone, then this is for you. The Mastermind is returning in the Fall 2026 and we saved you a seat! Starting September 8, we are leading a 6-month Mastermind for paper artists ready to build something sustainable. You'll meet twice a month with us and a small group of paper artists tackling the real stuff: pricing, social media, selling your work, newsletters, and building confidence in your business. We'll have honest conversations, dive into practical strategies, and be with people who actually understand what you're building. Registration begins soon. -----------------------------------------------------

What if you could make music with anything around you? Fruit, water, human skin, or even the weight of objects on a kitchen scale? That's the question Playtronica has been answering for over a decade   This week on the podcast, Adam McHeffey sits down with co-founders Sasha Pas and Aglaya Nosova to explore how they built one of the most creative and community-driven companies in music technology today.   Playtronica makes accessible music instruments that turn everyday objects into musical interfaces, no music theory required. Their products, including Touchme, Biotron, Orbita, and their newest release Scales, have gone viral across social media for their playful, tactile approach to music making. But behind the viral moments is a deeply intentional philosophy: remove the barrier of "are you a musician?" and let curiosity do the rest.   In this conversation, we get into how Playtronica grew a loyal global community through creator partnerships and influencer strategy, what their installations with luxury brands like Hermès taught them about creativity and access, and why the form factor of an instrument matters far less than the feeling it creates. Sasha and Aglaya also share practical advice for music tech entrepreneurs looking to break through on social media and build communities that last.   The news Merck Mercuariadis on Hipgnosis, vindication, and his next move. The Average On-Demand Streaming User Spends $434 Per Year on Recorded Music in the U.S., Up 27% from 2020, DIMA Report Finds Warner Music Group Acquires AI Attribution Tool Sureel AI SingFit Merges Music with Technology to Improve the Lives of People Facing Cognitive Challenges Despite dying 30 years ago, Tupac Shakur is acting in a new game   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

For this episode, Ashley sits down with Malinda Sanna to discuss luxury research, the psychology of high-spending women, the shift from status to agency, and why the next frontier of luxury might be less about advertising and more about listening.Luxury consumers are full of contradictions. A woman might put Hermès or Byredo in the guest bathroom, use Dove herself, and still have the means to buy almost anything. The why behind that behaviour is where the insight lives.The new luxury buyer wants agency. She is less defined by the male gaze or visible logos, and more focused on what makes her feel good, cared for, informed and in control.Transparency is becoming part of desire. Today's luxury client wants to know what sits behind the velvet curtain: leadership, values, sustainability, culture and how the business actually behaves.VICs do not just want dinners anymore. These women work, lead, host, donate, travel and buy. To impress them, luxury brands need more creativity, more access and more meaningful forms of engagement.The real value of research is not confirmation. Malinda does not want a client to say, “That confirms what we already knew.” She wants them to say, “We never thought of it that way.”

Hyrox just became the fastest-growing sport on earth… with $0 marketing budget.Roku got acquired by Fox Corp for $22B… it's a Financial Facelift to get young fast.We've officially hit Peak Handbag… Hermes sales have fallen because of 1 Shaboozy song.Plus, the European mind cannot comprehend… French fry milkshake gas stations at the World Cup.$ROKU $FOX $LVMUY $HESAY $PPRUYGrab your Tickets to the IPO Tour: Our In-Person OfferingSan Francisco 9/23: https://www.ticketmaster.com/event/1C0064AFB5F688BDBoston 10/14: https://tickets.citywinery.com/event/tboy-the-ipo-tour-in-person-offering-8cdhupSeattle 11/4 (21+): https://www.axs.com/events/1446394/the-best-one-yet-ticketsNEWSLETTER:https://tboypod.com/newsletter OUR 2ND SHOW:Want more business storytelling from us? Check our weekly deepdive show, The Best Idea Yet: The untold origin story of the products you're obsessed with. Listen for free to The Best Idea Yet: https://wondery.com/links/the-best-idea-yet/NEW LISTENERSFill out our 2 minute survey: https://qualtricsxm88y5r986q.qualtrics.com/jfe/form/SV_dp1FDYiJgt6lHy6GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Linkedin (Nick): https://www.linkedin.com/in/nicolas-martell/Linkedin (Jack): https://www.linkedin.com/in/jack-crivici-kramer/Anything else: https://tboypod.com/ About Us: The daily pop-biz news show making today's top stories your business. Formerly known as Robinhood Snacks, The Best One Yet is hosted by Jack Crivici-Kramer & Nick Martell. Hosted on Acast. See acast.com/privacy for more information.

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Herm und Nilz sind wieder bei Rock am Ring und nehmen euch live mit. Einige von euch waren sogar vor Ort und haben im mobilen Podcaststudio/Strassenrand mit den beiden Eierlikör getrunken. Wer war nicht wegen Linkin Park da?Für Bonusfolgen, Videofolgen, Early Access und viele weitere tolle Dinge, supportet uns gern auf Patreon: https://www.patreon.com/c/gaestelistegeisterbahn Hosted on Acast. See acast.com/privacy for more information.

Thomas Ramos est le meilleur buteur de l'histoire de l'équipe de France de rugby et du Stade Toulousain et prendra peut-être un jour ce statut à l'échelle du Top 14.Né à Mazamet dans le Tarn, fils et petit-fils de rugbymen, Thomas tombe amoureux du ballon ovale dès ses 5 ans.Il est très vite repéré par les plus grands clubs et rejoint le Stade Toulousain à 16 ans.Pourtant son éclosion tarde : il s'éternise chez les espoirs et doute de jamais passer pro.À 21 ans, prêté à Colomiers en Pro D2, il s'entoure d'un préparateur mental qui change sa carrière et l'aide à se hisser parmi les meilleurs joueurs au pied du monde.“J'ai appris à faire abstraction de tous les éléments externes pour être dans une bulle au moment de taper. Je fais le vide et ensuite je ne fais que répéter une routine."Chaque saison, Thomas affiche un taux de réussite aux alentours des 85% face aux perches. Une régularité de métronome, le rendant indispensable en club comme en sélection.5 fois champion de France, 2 fois champion d'Europe, 3 fois vainqueur du Tournoi des Six Nations et accessoirement jeune papa, Thomas se livre avec beaucoup de sincérité dans cette discussion :Sa routine millimétrée au moment de buter, et comment isoler le cerveau pour ne pas céder à la pressionLa défaite en quart de finale de la Coupe du monde 2023, qui l'a longtemps hantéPourquoi le Stade Toulousain domine tout : la culture d'un club qui déteste perdreDonnées, vidéo, sommeil : la science derrière la performance moderneGérer l'arrivée d'un enfant quand on est sportif de très haut niveauUn échange rare avec un compétiteur lucide et bien plus attachant qu'on ne le pense, pour comprendre comment on devient, et on reste, décisif dans les moments qui comptent.Vous pouvez suivre Thomas sur Instagram.Un merci tout particulier à Pauline du Stade Toulousain qui a rendu cet épisode possible.TIMELINE:00:00:00 : Le secret pour flirter avec les 90% de taux de transformation00:12:10 : Tomber amoureux du ballon ovale à 5 ans00:17:02 : Comment revenir en forme après la coupure estivale00:21:19 : Jongler entre championnat, coupe d'Europe et périodes internationales00:27:14 : "Un second choix est toujours moins bon qu'un mauvais premier choix"00:33:36 : Enchaîner les saisons, jusqu'à ce que le corps lâche00:39:45 : L'importance de la vidéo dans le rugby moderne00:44:42 : Tout scruter pour optimiser la performance00:52:56 : Gérer l'arrivée d'un nouveau-né quand on est sportif de haut niveau00:58:47 : Son engagement dans la lutte contre l'endométriose01:04:09 : Les nombreux sujets tabous dans le rugby01:07:45 : Pourquoi il est passé de 100 jeux au pied par semaine en espoirs à 8 aujourd'hui01:15:03 : L'importance de la routine01:24:38 : "En 2023, on s'est trop dit qu'on allait gagner"01:31:46 : Comment la presse peut anéantir la carrière d'un joueur en un claquement de doigts01:40:29 : Sa plus grande inspiration rugbystique01:43:49 : "Pour être meilleur il faut que je m'énerve plus souvent"01:49:30 : La place centrale de la préparation mentale dans une carrière01:56:54 : Immobilier, voyages, famille : l'après-carrière rêvée de Thomas02:03:30 : "Ma plus belle victoire c'est la naissance de ma fille"Les anciens épisodes de GDIY mentionnés : #524 - Vincent Clerc - XV de France, McDonald's - L'incroyable destin d'un Grenoblois besogneux#479 - Nikola Karabatic - Champion de Handball - 22 titres sur 23 : la légende du sport français#52 - Stéphanie Gicquel - Traileuse - Visualiser pour ne jamais abandonnerNous avons parlé de :L'article de Midi Olympique qui affirme que les ****joueurs du Top 14 élisent Thomas Ramos comme le plus gros chambreur du championnatWhoop, le bracelet qui recueille des données de santéEndoFrance, l'association de lutte contre l'endométriose que soutient ThomasLa série Heated RivalryLe contre de Kolbe en quart de finale de la coupe du monde 2023Frédéric Michalak, l'inspiration de ThomasOlivier Lepretre, le préparateur mental de ThomasLes recommandations de lecture :L'art de la victoire, autobiographie du fondateur de Nike - Phil KnightUn grand MERCI à nos sponsors : Squarespace : https://squarespace.com/doitQonto: https://qonto.com/r/2i7tk9 Brevo: brevo.com/doit eToro: https://bit.ly/3GTSh0k Payfit: payfit.com Club Med : clubmed.frCuure : https://cuure.com/product-onely (code DOIT)Vous pouvez retrouver la liste de tout le matériel utilisé pour enregistrer nos épisodes sur cette page.Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ?Contactez mon label Orso Media via ce formulaire.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 530 / Raul De Lara(Born in Culiacán, Sinaloa, México – 1991) Raul De Lara is a sculptor who explores the emotive and storytelling qualities of materials. He is interested in how social, cultural and spiritual qualities can be imbued into wood through the act of carving. He practices traditional hand carving and power carving techniques through the visual language of nature, humor, and magical realism. His research preserves, honors and propels forward traditional uses of wood while combining them with new developments in the global industry of woodworking.  Raul  immigrated from Mexico to the United States at the age of 12, and has been a DACA recipient since 2012. His work reflects on themes of belonging, queer identity, and his im migrant experience. He is currently living and working in Queens, NY.  Raul  received his MFA in Sculpture + Extended Media from Virginia Commonwealth University in 2019, and a BFA in Studio Art from the University of Texas at Austin in 2015. Recent solo exhibition sites include The Contemporary Austin, SCAD Museum of Art and Gaa Gallery. His work has been included in exhibitions nationally and internationally at the Tucson Museum of Art, Wharton Esherick Museum, The Cheech Marin Center for Chicano Art & Culture, The Armory Show, Hermès Paris, Alexander Berggruen Gallery, The Hole, Honor Fraser Gallery, and Reynolds Gallery, among others. Raul 's selected awards include the Maxwell/Hanrahan Award in Craft, the NYSCA/NYFA Artist Fellowship in Craft/Sculpture, and Art in America Magazine's Top 20 Global New Talent, as well as residencies at Wendell Castle Workshop, Silver Art Projects, LMCC Governor's Island, the Fine Arts Work Center in Provincetown, Haystack Mountain School of Craft, Ox-Bow School of Art, Penland School of Craft, and Chicago Artists Coalition, among others.

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Why can a Rolex cost exponentially more than a $50 watch when both tell time?Why can Ferrari, Hermès, Apple, and Ryan Serhant create such strong demand, trust, and pricing power?And what can tax and accounting firms learn from them?In this episode of The Growth Minded Accountant, Lee Reams II and Rebekah Barton unpack what premium brands understand about value that most accounting firms often overlook.The big idea: clients don't buy expertise the way accountants think they do.Most prospects cannot evaluate technical ability before they hire a firm. Instead, they look for signals. Your positioning. Your reviews. Your website. Your content. Your visibility. Your client experience. The confidence you create before the first meeting ever happens.In an AI-driven world where basic information is becoming abundant, trust is becoming more valuable. The firms that win will not necessarily be the cheapest firms or even the most technically credentialed firms. They will be the firms that become the obvious choice.Lee and Rebekah break down how premium brands create value through trust, positioning, scarcity, visibility, simplicity, and experience — and why those same principles now matter more than ever for tax and accounting firms.If you're looking to position your firm more clearly, tell a stronger story, attract better-fit clients, and build a more premium brand, CountingWorks PRO can help.Take our free firm assessment and discover where your firm stands across positioning, visibility, client experience, and AI readiness.Start your free assessment today:https://www.countingworkspro.com/free-firm-growth-breakdown

Why does a $5,000 Gucci bag and a $500 bag hold your stuff the same way — but one feels like an extension of your identity and the other doesn't? That's brand love. And in this full-circle episode of The MetaBusiness Millennial, I'm sitting down with the woman who literally wrote the international bestselling book on it — Lydia Michael — who also happened to be the marketing strategist behind my very first clean beauty brand, DAO Detroit (DAO = Defy All Odds), back in 2017. Years later, she's a #1 international bestseller, owner of Detroit-based Blended Collective, an adjunct professor across three continents, and a Board of Trustees member at the Detroit Symphony Orchestra. I'm building Ra Beauty, my second clean beauty brand — this time from a completely different place. So when she reached out a few weeks ago for a testimonial, I told her — let's do better than a testimonial. Come on the show. What unfolded is part reunion, part masterclass, part love letter to the brands that built us. We unpack The Eight Brand Love Stages — Lydia's framework featured in university programs worldwide and translated into Turkish and Vietnamese. We talk about why 90% of customers make decisions based on gut feeling (and then justify with logic), why Coca-Cola doesn't sell beverages (they sell joy and happiness), and why I'm a Gucci goddess in the era of Tom Ford sensuality. Lydia walks us through how brands like L'Oréal, Garnier Fructis, Louis Vuitton, Hermès, Chanel, and Versace build emotional resonance — and where most small businesses leak love. Then we cross the bridge into my world: the mirror principle. A brand can't receive love it isn't broadcasting. I share why I'm praying over every Ra Beauty box and signing every insert card by hand — and why building from the inside out is the new luxury. This is the conversation for every founder, marketer, and high-achieving woman who wants to build something people don't just buy — but actually love. — — — — — — — — — — — —

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Carole Annett chats to Philipp Nagel of Neatsmith and Charlotte-Elizabeth Evans, founder of Charlotte Elizabeth Interiors about the beauty, practicality, and lasting value of bespoke wardrobes. Together, they discuss how well-designed wardrobes and dressing rooms combine elegant aesthetics with storage tailored to individual lifestyles. Philipp shares insights into some of the projects he has worked on - including creating a display for a collection of Hermès Birkin bags, while Charlotte-Elizabeth offers design solutions on how to make storage as beautiful as it is functional, whatever your budget.

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:04) The Intuitive Knowledge of Living Art(4:24) The Medina and the Geometry of Childhood(8:18) The Social Spaces of Rooftops(13:46) The Intuitive Knowledge of Living Art(15:31) Contextual Echoes & Traces of the Site(19:18) The Twin Dynamic and Confrontation with 'l'autre'(26:42) The Temples of Water(33:24) The Mosque as Pure Spatiality(38:01) The Crisis Period and Structural Systems(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building(57:02) Preserving the Human Core of Expression(1:04:29) Urban Acupuncture in the Modern City(1:08:46) The Smells and Sounds of Home(1:10:02) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.After honing their craft under two of the world's most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it's about shaping relationships: between people, between past and future, between technology and craft.(0:03) Architecture as a Living Transformation(1:42) The Intuitive Knowledge of Living Art(2:20) Preserving the Human Core of Expression(3:14) The Medina and the Geometry of Childhood(6:35) The Social Spaces of Rooftops(8:27) The Twin Dynamic and Confrontation with 'l'autre'(10:21) Contextual Echoes & Traces of the Site(12:12) The Temples of Water(13:15) The Mosque as Pure Spatiality(15:49) Building Culture with Yves Saint Laurent & Pierre Bergé(16:57) The Wast ed-dar (وسط الدار) and the Heart of a Building(18:31) The Smells and Sounds of Home(19:44) Balance, Nature, and SisterhoodEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

ESPN's Herm Edwards joins the show to discuss the latest around AJ Brown and the Philadelphia Eagles. Plus, Herm shares his thoughts on Jaxson Dart, Lamar Jackson, and much more!

Recorded after a whirlwind scent tour at Neiman Marcus and Maison Martin Margiela, we discuss the many perfumes we sampled and spritzed throughout that day before we highlight a few favorites from our cabinet and the fragrances we've worn most from the past week. All that and The Game, and oh, a special cocktail recipe that really needs a proper name.**CORRECTION NOTES: Jeff mentioned that Quentin Bisch had become the lead perfumer at Hermes during this episode based on a rumor from 2025 that has proven to be incorrect. He apologizes to everyone involved for this misinformation**Scents Mentioned In This Episode:Imperial Peacock Perfume Extract by Alexandre J / Signature by Aedes de Venustas / Le Panthere Parfum and Must de Cartier by Cartier / Meant To Be Seen by Nishane / Violette Volynka and Cuir d'Ange by Hermès / Anguish & Awe, Blaze of Stillness, Silent Fury, Fit of Folly, and Delight in Despair by Maison Martin Margiela / Dans Paris and Black Tie by Celine / Neroli Oranger, Radical Rose, Vanilla Powder, and Metal Lavender by Matiere Premiere / L'Art de la Guerre by Jovoy / Burning Barbershop by DS & Durga / Oud Satin Mood by Maison Francis Kurkdjian / Rimbaud by Celine / Silphium by Stora Skuggan / En Plein Air, La Bague D'o, and Les Cahiers Secrets by Jouissance / Sex and Jasmine and Fruit Thieves by Paraphrase / Jasmin Kama by Rania J / Ella by Arquiste / Grand Larceny and L'Ete 67 by St Rose / Petit Matin by Maison Francis Kurkdjian / Wonderwood by Comme des Garçons / Sketch by Maison VioletThe Game:Flower Tuxedo by St Rose / The Architect's Club by Arquiste / Terre d'Hermes Parfum by Hermes / Cloud 9 by Roads / Lumière Noire pour Homme by Maison Francis Kurkdjian / Abîme by Maison Violet(00:00) - - Sampling Around The City (15:37) - - Scentsorium by Margiela (30:21) - - Shopping Our Closet (The Archives) (38:34) - - What We've Been Wearing (48:48) - - Jane's New Cocktail (51:09) - - The Game Please feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia

He made history as the first assistant athletic trainer in MLB, rehabbed Bo Jackson's hip, got Michael Jordan ready for the diamond, and was on the field when the White Sox won the 2005 World Series. In this episode, Herm Schneider — one of the longest-tenured and most pioneering athletic trainers in MLB history — reflects on 40+ years with the White Sox, the evolution of sports medicine, his brotherhood with PBATS, and life after the game.For more information about PBATS and athletic training, visit pbats.com. 

The following program, Dirty Mo Live, was recorded on Thursday morning, May 21st, at JR Motorsports Fan Day.  Mike Davis and Kenny Wallace take over the Arby's Stage at JR Motorsports Fan Day for a live episode packed with crowd interaction, nonstop laughs, and iconic Herm energy we all know and love. The guys joke about Kenny's famous drink order, the routines he refuses to change, and the random everyday habits that somehow spiral into full-on debates in front of the fans. Between stories from the road and reactions to the packed crowd, several fans asked questions to spice things up.  Later, Jerome and Tiffany Davis make their first appearance as the hosts of Dirty Mo Media's newest podcast, This Cowboy Life. The couple talks about life in the rodeo world, running a ranch, raising a family around Western sports, and what inspired them to bring those experiences to Dirty Mo Media. They also share what listeners can expect from the new show and why they're excited to introduce a whole new side of sports and lifestyle content to the audience.  From live-show chaos and racing stories to rodeo life and big announcements, this Fan Day episode brings a little bit of everything to the stage at JR Motorsports.    Check out Dirty Mo Media on YouTube: https://www.youtube.com/@DirtyMoMedia Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today we're chatting with Rachel Koffsky Parker, Senior Vice President and International Head of Department for Handbags and Accessories at Christie's auction house — one of the most recognized voices in the global luxury handbag market and, an auctioneer herself, having taken handbag sales in New York, London, Geneva, and Hong Kong. After internships at the Met and the Walters Art Museum in Baltimore, Rachel found her way to Christie's in 2014, just as handbags were becoming a formalized auctionhouse category. Since, she has helped build the handbag category from the ground up, growing into what is now one of the most strategically important departments in the house — responsible for bringing in 12% of all new Christie's clients and selling in excess of forty million dollars in handbags worldwide last year alone. Over the last decade plus, she's brought the first single-owner handbag collections to market in both Milan and Paris, set world auction records for Hermès, Chanel, Louis Vuitton, and Gucci, and helped transform the way an entire generation of collectors thinks about handbags — not just as accessories, but as objects with history, rarity, provenance, and serious investment value. On today's episode, we get into all of it: how she built her expertise by cataloging up to a hundred bags a week, what actually drives value at auction, the record-breaking lots that still give her chills, and why a little wear and patina has gone from a liability to a badge of honor in the eyes of today's collectors. All that and more! Let's dive right in! DISCUSSED IN THE EPISODE: [4:00] Rachel grew up obsessed with Lucky Magazine, loving all things fashion and handbags.  [6:35] How her love of luxury handbags led to a career in the auction house.  [9:16] The first Christie's auction to include handbags was in 1978, but it wasn't until 2014 that handbags became a formalized category at the house.  [10:25] Handbags now bring in 12% of all new Christie's clients, making it one of the most strategically important departments in the house.  [12:20] Christie's customers began to understand handbags as an asset class.  [18:06] What drives pre-sale estimates, and what provenance means in the auction world   [23:55] Christie's world-record handbag auctions [31:43] Current trends on the secondary luxury market  [36:17] The upcoming Christie's luxury week sale with over 250 lots  [38:10] What goes into producing an auction  [40:32] Rachel's Holy Grail lot  [42:22] The personal pieces Rachel will never part with  EPISODE MENTIONS:  Christie's @christiesinc @christieshandbags Yayoi Kusama x Louis Vuitton pumpkin bag  Hermès Kelly Doll  Upcoming Handbag auction: 28 May to 11 June.  LET'S CONNECT: 

The always wound-up Kenny Wallace is in studio today with a laugh that can be heard from zip codes away. That's right, DBC is back in studio on Monday after one of the most unique ‘All-Star' races NASCAR has ever seen – and Chase Elliott did not. Kenny gives his honest thoughts on the state of NASCAR, the problems they face, and how COVID changed a lot for the sport. The gang dives into Natalie Decker's viral radio clip, Kyle Busch's very suggestive 69th win, and how Rajah Caruth can make it up to Jesse Love after some hard racing in Dover. Plus, the great NASCAR Hall of Fame debate takes up a good chunk of the show, as the gang debates who belongs in The Hall. Want more DBC? Check out and subscribe to the new DBC YouTube channel! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tim Conway Jr Show Hour 3 (5.14) This episode has everything — award-winning teachers, fake luxury bags, sleep science, Vegas donuts, celebrity politics, and the great Funyons debate. We kick things off with Katherine Green of Golden West College, one of Orange County’s Teachers of the Year, who’s changing the way chemistry is taught with her hands-on “10-10” learning method. Her innovative teaching style earned her a $25,000 award and a shot at California Teacher of the Year honors. Then we head to Las Vegas where Randy’s Donuts officially lands inside Red Rock Casino, and later we break down the science behind the perfect amount of sleep — why both too much and too little can actually hurt you. We also dive into the $10 million counterfeit luxury goods bust in Downtown L.A., celebrity support surrounding mayoral candidate Nithya Raman, and the obsession with high-end brands like Louis Vuitton, Chanel, Hermès, Prada, and Dior. Plus, Neil Saavedra gears up for a live broadcast from Wild Fork Foods in Thousand Oaks to launch grilling season ahead of Memorial Day weekend. And finally… we tackle the question dividing snack lovers everywhere: is it “Funyons” or “Fun-EE-ons”? The Fork Report ad-libs get appropriately ridiculous.See omnystudio.com/listener for privacy information.

Herm Feissner is a lifer climber based in Fort Collins, CO. We talked about doing the FA of The Practitioner V11 in Leavenworth, WA, in the early 2000s, his training philosophy at 53 years old, how his relationship with climbing has improved, balancing an engineering career with traveling and climbing, discovering and understanding moves, the boulder he is most psyched to complete, and much more. Free Masterclass (Unlock Your Full Potential in Climbing)

You've probably seen the headlines about luxury investments outperforming the stock market… but is that actually true? And more importantly, is this a game only for millionaires, or is there a way for the rest of us to get in on it too? Today, Nicole is joined by Dana Auslander, former Blackstone executive and founder of Luxus, a luxury alternative asset manager with the first dedicated Hermès Birkin fund. In this conversation, Dana unpacks the viral headlines, why her investment thesis puts Hermès bags ahead of other luxury brands like Chanel and Louis Vuitton, and how to invest in a Birkin without buying a Birkin. Then, Nicole and Dana zoom out and explain what the luxury investment trends mean for retail investors, how the macroeconomy impacts luxury investments, and what the counterfeiting problem could mean for the whole market. Then, Dana goes beyond bags and rates watches, art, wine, and jewelry as alternative investments. Check out Nicole's financial literacy course The Money School Find a Financial Advisor or Financial Coach from Nicole's company Private Wealth Collective Watch video clips from the pod on Money Rehab's Instagram and Nicole Lapin's Instagram Follow Luxus and learn more about the Birkin Fund Here's what Nicole covers with Dana: 00:00 Are You Ready for Some Money Rehab?  01:27 Are Birkins Actually Better Than the S&P 500?  02:00 What Is a Veblen Good — and Why It Matters  04:06 How Much Is a Birkin, Really?  04:29 The Secret to Getting One From Hermès  05:21 Manufactured Scarcity: How Hermès Controls Demand  06:12 The Rise of the Secondary Market  07:35 Gross vs. Net Returns: What the Charts Don't Show You  09:24 Jane Birkin's Bag Sold for $10.8 Million — Dana Was There  13:00 Is Chanel Actually Investment-Grade?  14:00 Birkin vs. Stock Market: Where Should You Put Your Money?  16:38 How the Luxus Fund Works  21:00 How to Invest Without Buying a Birkin  23:36 Sourcing Bags Through Private Dealer Networks  27:15 Storing, Authenticating, and Selling the Bags  28:33 How to Become an Accredited Investor  30:07 Is Buying a Birkin a Proxy for Hermès Stock?  32:20 The K-Shaped Economy and Luxury Demand  35:10 The Counterfeit Problem Is Getting Scary  38:18 Luxury Investment Ratings: Watches, Art, Wine, Jewelry  43:05 Secure the Bag: Financial Literacy for Women All investing involves the risk of loss, including loss of principal. This podcast is for informational purposes only and does not constitute financial, investment, or legal advice. Always do your own research and consult a licensed financial advisor before making any financial decisions or investments.

Subscribe to Throwing Fits on Patreon. Our interview with Julie Ragolia is stylish. Julie—reknowed stylist—just came back from being on the road and was kind enough to stop by the stu to talk about her ridiculous month of travel, constantly renegotiating your NYC closet space, shopping games not for the faint of heart, just how underrated is Zegna, which of her famous clientele smells the best, models' pretty privilege of being walking clothes racks, celebs being receptive to her big ideas to push their personal style, how she measures whether a look is a success or not, getting literal death threats for styling Pedro Pascal, styling red carpet vs. runway, our current era of the image maker, being pigeonholed as a woman stylist in menswear, how she started working with Kartik Research and what small brands might be next up, working at MTV in the 2000s, styling crutches and tips, how she defines her own personal style, a summer style state of the union, the Hermès grail that got away, and much more on Julie Ragolia's interview with The Only Podcast That Matters™.