Podcasts about wordy

#philippines #creation #spiritIn these three stories, we learn about Lumawig, the first peoples in the world, the flood story, and finally how annoying brothers in law can be.Source: Philippine Folk Tales by Mabel Cook ColeNarrator: Dustin SteichmannMusic: Igorot Ifugao Traditional Dance by Elder WomenSound Effects: Crickers by Dustin SteichmannPhoto credit: "Banaue Philippines Ifugao-Tribesman-01" by CEphoto, Uwe Aranas is licensed under CC BY-SA 3.0.Podcast Shoutout: Getting Down & Wordy hosted by Russell and HannahListener Shoutout: Kraków officially the Royal Capital City of Kraków, is the second-largest and one of the oldest cities in Poland.

A wise man once said, or rather screamed, "YOU! ARE! A TOY!" But here at Nation of Animation, we're not toys, we're podcasters! We're celebrating 3 decades of the legacy of Toy Story, and 3 decades of our very own Brooke-Erin Smith! Witness the film that put Pixar on the map, and how 30 years has shaped both our friends Buzz & Woody, and our dear darling Brooke. Cut yourself a slice of birthday cake and join in!Follow our bluesky @nationofanimation and our Instagram and Twitter @cartoonbookclub, and follow our hosts@thebrookesmithand @ryanwithcheese on Twitter  http://brookeerinsmith.com http://ryangstevens.com&Support secret projects on Venmo @nationofanimationBIG THANKS TO: Jacob Menke for our themeFollow them @menkemaster&Urvashi Lele for our artLearn more about Urvashi Lele's animations by visiting http://www.sirpeagreenstudios.com and follow their endeavors on instagram at @sirpeagreen and @maisonaudmi The station of animation is Birthday!FILMS DISCUSSED:Toy Story (1995)Subscribe to Brooke's Turning-30 Project, '30, Wordy, and Striving' HERE:https://brookeerinsmith.substack.com/ Real World RecsBrooke: Owala Water BottlesRyan: 'John Proctor Is The Villain' by Kimberly Belflower, on Broadway

Hear that school bell ringing? Drop those textbooks and pick up a tetherball, it's time for RECESS! We talk about the joyful highs and shocking lows of Disney's sociopolitcal school simulation, talk about the charismatic power of Spinelli, pin down the politics of the Ashleys, and give our best pitches for Recess's version of modern political events! What a show, and what a podcast!Follow our bluesky @nationofanimation and our Instagram and Twitter @cartoonbookclub, and follow our hosts@thebrookesmithand @ryanwithcheese on Twitter  http://brookeerinsmith.com http://ryangstevens.com&Support secret projects on Venmo @nationofanimationBIG THANKS TO: Jacob Menke for our themeFollow them @menkemaster&Urvashi Lele for our artLearn more about Urvashi Lele's animations by visiting http://www.sirpeagreenstudios.com and follow their endeavors on instagram at @sirpeagreen and @maisonaudmi The station of animation is Bob!EPISODES DISCUSSED:Season 1, Episode 13B - “Swing On Thru To the Other Side”Season 1, Episode 7A - “First Name Ashley”Season 4, Episode 16A - “Me No Know”Season 3, Episode 1A - “One Stayed Clean”Subscribe to Brooke's Turning-30 Project, '30, Wordy, and Striving' HERE:https://brookeerinsmith.substack.com/ Real World RecsBrooke: Substack, the blogging platform!Ryan: Lucy Dacus' new album 'Forever Is A Feeling'

It's time for March Madness, so break out your brackets and get your parlay ready! Ryan has asssembled a list of 16 eligible fellas from across all of anime, and we're gonna pit them against each other for Brooke's affection! Who will win it all? The answer may surprise you - it sure surprised us!Follow our bluesky @nationofanimation and our Instagram and Twitter @cartoonbookclub, and follow our hosts@whoisbrookeand@ryanstevens on Blueskyhttp://brookeerinsmith.comhttp://ryangstevens.com&Support secret projects on Venmo @nationofanimationBIG THANKS TO:Jacob Menke for our themeFollow them @menkemaster&Urvashi Lele for our artLearn more about Urvashi Lele's animations by visitinghttp://www.sirpeagreenstudios.comand follow their endeavors on instagram at @sirpeagreen and @maisonaudmiThe state of animation is STRONG!Subscribe to Brooke's Turning-30 Project, '30, Wordy, and Striving' HERE:https://brookeerinsmith.substack.com/REAL WORLD RECS:Brooke: Lobster bisqueRyan: Assassin's Creed: Shadows, available on PC, PS5, and Xbox Series X/S

Words are powerful, from small words like “no” to those longwhat exactly do they mean words. When the conversation turns to BDSM, words can become the lyrics of pleasure, pleasurable pain, or just pain. Even words commonly associated with BDSM, submissive for example, can be defined differently, by different people. In this episode, join Edward as he explains why he is so “wordy” while wandering down the rabbit hole of lifestyle words that are pet peeves. So buckle up, sit back, and enjoy this audio adventure which just will make you look at some kinky words with a fresh point of view.

We're talking about Delicious in Dungeons, Volume 2 by Ryoko Kui! The gang is back at it again with giant chia pets, kelpie friends, and non-edible paintings.

Every year, as part of The Retrospective (my annual journalling workshop all about using the joy and energy from the previous year to set intentions for the coming one), I choose a word to guide my year ahead. It's a powerful way to set my intention for the year. The word you choose can't ever be wrong, as it's the right one for you. As long as you connect to it and are clear on what it means to you, it's the one for you!  In this episode I explore why you should choose a word and the difference it can make for your year ahead. If you want to find out more about working with Quiet the Hive in 2025, head to https://quietthehive.com/courses

In her debut podcast, Tarja will showcase AudioCat for iOS. AudioCat is an accessible audiogames platform designed exclusively for iOS, focusing on immersive audio experiences. The app includes a virtual cat companion that users can name and care for, adding to the interactive fun. Currently, AudioCat features two audiogames: “Wordy,” a word-guessing game, and “Echoes of Valor,” an adventure RPG that delves into moral dilemmas. Players can earn coins and XP by playing these games, which can be used to feed their virtual pet and unlock additional content.AudioCat on the App Storehttps://apps.apple.com/us/app/audiocat/id6502510097

I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess… Observation Seven: It's a wordy word day! Up first is Urge versus Craving…    Observation Eight:  Two more words to unveil and listen to:  Depth versus Debt. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess… Observation Seven: It's a wordy word day! Up first is Urge versus Craving…    Observation Eight:  Two more words to unveil and listen to:  Depth versus Debt. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Don't forget to follow/reach us at: X (Formerly Twitter): @SuperGGRadio Email: SuperGGRadio@gmail.com Website: www.superggradio.wordpress.com Facebook: https://www.facebook.com/SuperGGRadio Twitch: Twitch.tv/superggradio Youtube: http://tiny.cc/1xr07y Games Discussed: Tactical Breach Wizard https://store.steampowered.com/app/1043810/Tactical_Breach_Wizards/ Akimbot https://store.steampowered.com/app/1843540/Akimbot/ Fading Afternoon Forspoken Music Credits: Introduction: I Got A Story by DJ Quads Intermission:Chill Jazzy Lofi Hip Hop by DJ Quads End Credits: Show Me by DJ Quads Mixed by Joel DeWitte Edited by Joel DeWitte

Nehemiah 10 Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcast You're the reason we can all do this together! Discuss the episode here Music by Jeff Foote

0:00 - With the Broncos facility getting a new rebrand/name, it's official: sponsorships are too wordy. Whatever happened to catchy sponsorships like Petco Park?15:05 - CSU named a new athletic director. They're committed to growing the football program in a real way right now.34:03 - There's a new TV show coming out that will chronicle the downfall of former Clippers Owner Donald Sterling. Will you tune in for that?

This week the guys are talking, NBA playoffs, NFL Draft MLB is not very good, and we have to talk Wrestling!!  All this and more on this weeks From Corner2Corner!!   Podcast made for everyone.  Sports, Wrestling, Movies, and much much more.  As the Number One Podcast out of Mount Sterling every Thursday and Saturday mornings that drops at 3 am your missing out if you don't listen.   Hosts - Sean Kiper, Neil Payne, Wes Crouch and Adam Muncy. If you would like to help the show!   Cash App: fromc2cpc    Paypal: corner2cornerpc@gmail.com   Follow and Like us on the following Social Media Platforms. https://www.tiktok.com/@fromcorner2corner?lang=en   https://twitter.com/corner2cornerpc   https://www.youtube.com/channel/UCQ1CVW5JlWWXRJLUWzuJc6g   www.fromcorner2corner.com   From Corner2Corner Online Store:   https://fromcorner2corner.itemorder.com/shop/home/    

Seth and Sean react to news of the NFL approving a new kickoff rule, read through it and try to understand it as it's actually quite wordy.

We got to speak with East London's very own cockney poet, writer and journalist Curly Wordy about her experience growing up in East London in the 80's, her journey through every form of writing - from journalist, to teacher, to poet - the strength and empowerment she gets from it, and everything that makes the world worth writing about. #poet #poetry #curlywordy #spokenword #art #journalism

Hey there, welcome back to the Art of Business English podcast. Your podcast to help you get the English language skills to excel in business. Today we will be looking at the art of writing. Writing is a powerful tool that can make or break your communication efforts. Whether you're crafting a sales pitch, sending an email, or creating social media content, your words need to pack a punch. But how do you make sure that your message is impactful without overwhelming your audience with too much information? The answer lies in streamlining your writing. By cutting out unnecessary words and focusing on the essentials, you can create content that is both easy to read and impactful. In today's episode we'll explore the art of saying more with less and share some tips on how to streamline your writing for maximum impact and readability. So, whether you're a seasoned writer or just starting out, grab a cup of coffee and get ready to learn how to make your words count.   You can check out the Effective Written Communication for Business course mentioned in the podcast by clicking this link: https://theartofbusinessenglish.com/product/effective-written-communication-for-business-english/  

In January 2022, Diamond Alvarez's younger brother found her murdered near a field where she'd been walking the family dog, Peanut. Her senseless murder was a trauma for the community.Patreon: https://www.patreon.com/badactspodPodMoth: https://podmoth.network/Ad: Getting Down & Wordy - https://linktr.ee/gettingdownandwordy Episode Source List:https://www.documentcloud.org/documents/21181345-frank-deleon-criminal-complainthttps://www.houstontx.gov/police/nr/2022/jan/nr011822-22.htm https://www.ksat.com/news/texas/2022/01/14/speak-up-houston-girl-16-fatally-shot-as-she-walked-dog/ https://www.cbsnews.com/texas/news/ex-boyfriend-arrested-in-death-of-houston-teen-diamond-alvarez-shot-22-times/ https://abc13.com/diamond-alvarez-public-viewing-houston-15-year-old-shot-22-times-teen-and-killed-by-boyfriend-justice-for-petition/11491652/ https://abc13.com/diamond-alvarez-frank-deleon-jr-teen-killed-bonds/11766866/ https://www.khou.com/video/news/crime/diamond-alvarez-mother-goes-after-killer/285-75119f66-40c5-4043-8bea-d69afe1bb353 https://www.houstonpublicmedia.org/articles/news/criminal-justice/2023/10/17/466949/courtroom-brawl-diamond-alvarez-frank-deleon-harris-county-murder-trial/ https://abc13.com/frank-deleon-jr-charged-with-murder-diamond-alvarez-killed-courtroom-brawl-guilty-plea-deal/13939556/ https://www.click2houston.com/news/local/2023/10/19/diamond-alvarezs-family-speaks-after-man-formally-sentenced/ https://abc13.com/diamond-alvarez-frank-deleon-jr-teen-killed-bonds/13923301/ https://abc13.com/diamond-alvarez-courtroom-brawl-frank-deleon-jr-murder/13965011/ https://people.com/crime/suspect-arrested-charged-with-murder-killing-of-houston-teen-diamond-alvarez/ https://www.integrityforestlawn.com/obituaries/diamond-alvarez 

Dear Songwriter,Ever feel like your songs have too many words? In this episode, I'm delving into my own challenges with writing lyrics that were more wordy than necessary. As a songwriter and mentor, I've come across this hurdle multiple times, and today, I share not only my battle with "wordiness", but also the insights I gained on this creative journey.Through my experience, I've identified two principal reason that led to such verbose lyrics: an overpowering attachment to the melody, and an overwhelming desire to infuse every detail into the song's narrative. We'll address how these tendencies can become obstacles in the process of crafting clear, concise, and efficacious lyrics. I'll guide you through the three transformative steps I undertook to tackle this issue head-on: recognizing the problem, utilizing the "lyric machete" technique to trim needless words, and deciding whether to rewrite lyrics or transition to instrumental sections for greater impact.What You'll Learn in This Episode:The common causes of over-wordy lyrics in songwriting.How attachment to melody and story can interfere with lyric clarity.The three-step process to combat lyric wordiness.The power of the "lyric machete" technique.The impact of creating instrumental spaces in songs for listener understanding and connection.Bottom Line: Don't miss out on this episode, as it equips you with the tools to combat verbosity in songwriting, helping you create lyrics that are catchy, clear, and captivating.Want to spend four days immersed in writing songs, meeting friends along the way, co-writers for life, and leveling up your songwriting? The Green Mountain Songwriting Retreat is happening again, and you won't want to miss it! Start your application here before early bird pricing ends: https://www.connorfrost.com/retreat2024

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Join Nerdy and Claroos on their first read through Brandon Sanderson's Epic Cosmere as they start off in Mistborn Era 1!Originally recorded live on youtube.com/nerdynightly every Tuesday at 11am est!Follow Clarus - ⁠⁠⁠⁠⁠⁠⁠https://www.beacons.page/claruspolaris⁠⁠⁠⁠⁠⁠⁠Follow Nerdy - ⁠⁠⁠⁠⁠⁠⁠https://www.beacons.page/nerdynightly⁠⁠⁠⁠⁠⁠⁠Join the Discord! - ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/sZ2xy2bsea⁠⁠⁠⁠⁠⁠⁠Patreon - https://www.patreon.com/nerdynightlyBusiness Contact - nerdynightly@gmail.com"Nerdy Nightly Theme" by Alex Levitt - @alevitt1990PO Box: ​503-7700 Hurontario St unit 420 Brampton ON Canada L6W 4M3 Hosted on Acast. See acast.com/privacy for more information.

Join Nerdy and Claroos on their first read through Brandon Sanderson's Epic Cosmere as they start off in Mistborn Era 1!Originally recorded live on youtube.com/nerdynightly every Tuesday at 11am est!Follow Clarus - ⁠⁠⁠⁠⁠⁠https://www.beacons.page/claruspolaris⁠⁠⁠⁠⁠⁠Follow Nerdy - ⁠⁠⁠⁠⁠⁠https://www.beacons.page/nerdynightly⁠⁠⁠⁠⁠⁠Join the Discord! - ⁠⁠⁠⁠⁠⁠https://discord.gg/sZ2xy2bsea⁠⁠⁠⁠⁠⁠Patreon - https://www.patreon.com/nerdynightlyBusiness Contact - nerdynightly@gmail.com"Nerdy Nightly Theme" by Alex Levitt - @alevitt1990PO Box: ​503-7700 Hurontario St unit 420 Brampton ON Canada L6W 4M3 Hosted on Acast. See acast.com/privacy for more information.

Episode 28: Curly WordyCockney spoken word poet, play therapist, and author Louise Hale aka Curly Wordy often refers to her tongue as her paintbrush. She is driven by the healing power of words and the unsung stories that live in all of us. Her poetry draws on lived experience to shine a light on brave narratives that speak of thriving through adversity, healing from trauma, finding voice in feelings and all in ups and downs in life that build our bones. Louise draws on a multitude of skillsets - community journalism, teaching and therapy to fuel her poetry.As a poet she has performed headline gigs across the capital. As a play therapist she supports children and young people with their mental health and wellbeing. She recently performed with for women's refuge alongside a choir. She has worked with Kings College and UCL on poetry commissions and lead a campaign for children's mental health with the movement, Thrive LDN.Her new book ‘Hurricane Brain' to support child Bereavement is available to purchase. To find out more about her visit www.CurlyWordy.com#hygystpod #CurlyWordyHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

Releasing a former Patreon Exclusive: Jay and Kay recap episode 2 of Severance: Half Loop. This show is WILD! Join Jay and Kay as they make their way through episode 2. Send your workplace stories to fmwlpod@gmail.com or call the Rant Line at 310-818-3273Pod Promo: Getting Down and Wordy and Decayin With the BoysThanks for listening! F**k My Work Life is a proud member of the PodMoth Media Network. For more great podcasts, visit podmoth.networkFollow us on Threads, Instagram, TikTok, BlueSkyJoin our Discord community MerchNewsly code FWL for 1 free month of premium! Sound effects and music obtained from Zapsplat and Pixabay.

How badly do we all need to expand our type vocabulary‽ This episode starts with Skeleton fonts, a typeface that brings the glom, creative pixelation, and the Goofus and Gallant of font releases, and then the guys rank the definitive* list of type words, phrases, and concepts that everyone should know. Josh just won't let you forget about Blackletter fonts and Kyle is all about those ligatures, but it turns out you probably won't impress people by being able to tell the difference between a dash and a hyphen. And then the 90s came around (heavy sigh)...*Absolutely not definitiveSupport the Words of Type Kickstarter here!Font releases highlighted in this episode:FT Lambert from FrosTypeRoutine from Blaze Type Kyoshi from Alanna Munro Lardent and Dopple from Colophon FoundrySupport the Interrogang and help us expand what Proof&Co. and the Interrogang have to offer!Subscribe to TypeCraft, our sister podcast, for hour long interviews and visual companions from some of the industry leaders in type!Subscribe to the Weekly Newsletter or The Concierge Newsletter for all the independent type news that's fit to email!Get your 2022 Annual Report and Almanac, our data-driven look at the world of independent typography in 2022!Support the show

00:00 Mark Kiszla of The Denver Post joins the show to talk Broncos.14:27 Kalyn Kahler, senior NFL writer for The Ahtletic, joins the show after attending Broncos/Rams joint practice.35:50 The LA Rams have a wordy slogan they put on a t-shirt.

In 1999, country singer Melissa Love (born Melissa Haferman) was on the way home from recording her first album in Nashville when she encountered a burgeoning serial killer. For four and a half years, police had no real leads. That is, until a woman found the body of 24-year-old Amanda Wood in her basement.Patreon: https://www.patreon.com/badactspodPodMoth: https://podmoth.network/Ad: Getting Down & Wordy - https://linktr.ee/gettingdownandwordy Episode Source List:https://www.wave3.com/story/1593030/murder-suspect-in-tennessee-confesses-to-killing-country-singer-in-louisville/ https://www.johnsoncitypress.com/johnson-city-womans-murder-to-be-featured-on-motives-and-murders/article_46d09d4b-4743-597a-8003-ba7e0d584c00.html#google_vignette   https://www.wave3.com/story/1600904/police-man-suspected-of-killing-country-singer-said-he-liked-killing-people/ https://www.newspapers.com/article/52426000/the-daily-tribune/ https://groups.google.com/g/alt.true-crime/c/0B15UMQ4rBs?pli=1 https://alt.obituaries.narkive.com/yMRNt39P/suspect-in-aspiring-country-singer-s-death-found-hanged-in-his-jail-cell “The Ballad of Melissa Love.” Motives & Murders: Cracking the Case. S 4 Ep 9. 26 November 2014.https://www.ancientfaces.com/person/melissa-a-haferman-birth-1978-death-1999-united-st/55157852 Support the show

Wednesday - Kathy Burns and Sally Edmonds from the Pet Alliance of Greater Orlando are in for Animal House with Popit the dog. Reporter Kevin Spears discusses the toxic water series that he has been reporting on in the Orlando Sentinel. Professional golfer Chris DiMarco in the British Open and is career. “LT” from Hard Rock Café Orlando stops by to have us try out the new Messi Chicken Sandwich. Rauce Thoughts on Barbenheimer Plus, WOKE News, Trivia & Last Call.

FEVERBALL 189 by Ladies On Mars + SPECIAL GUEST: DR PACKER FIRST HOUR: FEVERBALL MIX LADIES ON MARS 01. Riton, David Guetta & Jo'zzy - Where You Want (Tommy Glasses Funky Remix) 02. Ladies On Mars - Whitney Save The Day 03. FUNKYBEAT, Angela Johnson - Waiting On A Love (Extended Mix) 04. YolaDisko - Shooting Love 05. Simon Field Adam Griffin James Hurr - You On Red feat. Aya Anne (Extended Mix) 06. Geoff Sturre - Serious (Nu Disco Extended Mix) 07. Dragonette, Sunnery James & Ryan Marciano Cat Dealers Bruno Martini - Summer Thing (Les Bisous Extended Remix) 08. Javier Penna & DiscoRocks - Sure Know Something (Ladies On Mars Extended Remix) [Feverball] 09. Claborg, FabioEsse, Miss Kelli - Get Up (Ladies On Mars Remix) [SPA CLUB] 10. Ultra Naté & Les Bisous - Dangerous (So Dare Me) (Extended Mix) [Armada Music] 11. CeCe Peniston - Finally (Giovi MMXXI Bootleg) 12. Super Disco Club - We Are One (Birdee Remix) 13. DJ Mark Brickman - I Don't Know 14. Dennis Jones - Born To Be Alive (Ladies On Mars Extended Remix) [Feverball] SECOND HOUR: DJ GUEST MIX DR PACKER 01 – Clio – We Got Music [Dr Packer Disco Mix] 02 – Teena Marie – Behind The Groove [Michael Gray Remix] 03 – Lovestation & Joey Negro - Teardrops [Dr Packer Edit] 04 – Wordy's Jam – [Dr Packer Mash Up] 05 – Birdee , Dr Packer feat. Suki Soul – You Know I'm Ready [Tinted] 06 – The Spinners – Could It Be I'm Falling In Love [Ian Ossia Rework] 07 – MAW feat. Luther Vandross – Are You Using Me [Dr Packer Edit] 08 – Ladies On Mars ft. Vanessa Jackson – Voules Vous [Dr Packer Remix] 09 – Massive Attack – Unfinished Sympathy [Dr Packer Edit] 10 – Daft Punk – Give Life Back To Music [Dr Packer Rework] 11 – Joey Montenegro & Dave Lee – Make A Move On Me [Disco Mix] 12 – Dr Packer & Suki Soul – Shot [M2MR] 13 – Soul Scout – Superfly [Dr Packer Remix] FOLLOW TO LADIES ON MARS HERE: Website: https://www.ladiesonmars.com Official Music Store: https://www.ladiesonmars.com/musicstore/ Bandcamp: https://ladiesonmars.bandcamp.com Instagram: https://www.instagram.com/ladiesonmars Facebook: https://www.facebook.com/ladiesonmars Twitter: https://www.twitter.com/ladiesonmars Soundcloud: https://www.soundcloud.com/ladiesonmars YouTube: https://www.youtube.com/ladiesonmars FOLLOW TO DR PACKER HERE: Instagram: https://www.instagram.com/dr_packer/ Facebook: https://www.facebook.com/drpackeredits Soundcloud: https://soundcloud.com/dr-packer FOLLOW TO FEVERBALL HERE: Facebook: https://www.facebook.com/feverball Instagram: https://www.instagram.com/feverball Soundcloud: https://www.soundcloud.com/feverball Mixcloud: https://www.mixcloud.com/feverball Website: https://www.ladiesonmars.com/feverball

After a series of unfortunate events Jesse was finally able to make his way on the show! And instead of a platform fighter we settled on Super Naruto: Clash of Ninja! 4. Wordy title? Yes. Fun game play and awesome community? Also yes. So please enjoy as we talk about this amazing mod of a Japanese exclusive fighting game. Check out the video of us playing HERE! Support Jesse in ALL he does Follow Mikey ⁠@MikeyTabletop⁠ Follow the show ⁠@BDEPod A BIG, SPECIAL THANKS to ⁠HTMLtheBand⁠ for letting us their music for our intro and outro. Here's their bandcamp, check them out, they're sick, and Queens is great ⁠https://htmlband.bandcamp.com/⁠ (They just came out with a new EP last month and it kicks ass) Our discord isn't super active, but we sometimes play Smash Bros, come hang out if you want ⁠⁠⁠⁠⁠https://discord.gg/mmksNZmgk9⁠⁠⁠⁠⁠⁠ Wanna get some sick energy drinks on sale? Use promo code "BDEPod" when purchasing from ⁠⁠⁠⁠⁠glytchenergy.com⁠⁠⁠⁠⁠ to save 10%

This episode covers two unidentified women from England– The Bedgebury Forest Woman and the Baldock Jane Doe. The Bedgebury Forest Woman is the name of a woman found in the Bedgebury Forest, which is South of London, on October 23, 1979. She was found in a homemade dress that had been tailored significantly. She was likely between 30 and 35 years old and had brown, straight, shoulder-length hair, and hazel eyes. She was 5'1 and had a thin build. Investigators believe she was a mother and she was unfortunately pregnant at the time of her death. A trial has taken place for her murder, where Harry Pennells was found not guilty. The Baldock Jane Doe, also known as the Girl in the Afghan Coat, was a young woman who was hit by a car on the A507 highway near London on February 18, 1975. She was hitchhiking, trying to get to London. A couple believes her name was Odile Ludic, a French student that stayed with them for six months. This woman was between 7 and 25 years old, was 5'3 to 5'4, and had blonde hair with hazel eyes. If you know who either of these women are, please contact the UK Missing Persons Unit. Learn more about PodMoth: https://podmoth.network/ Listen to Getting Down and Wordy: https://podcasts.apple.com/us/podcast/getting-down-wordy/id1581316249 Episode Sources: https://docs.google.com/document/d/10fNe9pJ4kECj9msWBTQsS3eo0Yy7pFr9aZ8ucuiJZus/edit?usp=sharing Shop our affiliates: https://hdmedia.company/doe-identify-podcast/#support-the-podcast/ --- Support this podcast: https://podcasters.spotify.com/pod/show/doe-identify/support

We review the book "Wordy Birdy" By Tammi Sauer.Support the show

The first weekend of Coachella is here: Bad Bunny, BLACKPINK, and Frank Ocean will headline for 2023. Coachella is expected to gross well over $100 million with over 100,000+ attendees per day.In this episode, broke it all down withMIDiA Research's Tati Cirisano. Coachella started in 1999 as a niche festival for indie rock and quickly morphed into the biggest brand-name festival in the United States. These days, the Coachella brand is big enough to sell the experience itself, regardless of who's performing — a rarity in the festival business.  Tati and I discuss why that is, the implications, and what the future of Coachella could hold. Here's what we hit on:[1:20] Coachella's brand sells itself[2:19] Festival's origin story[7:09] Advantages and disadvantages of performing at Coachella[9:09] Success by the numbers[11:28] Coachella bump for brands, influencers, and local economy[16:38] Untapped opportunities for future Coachellas[22:02] How individual music show prices influence festival attendance[24:22] Artists that are above playing Coachella[27:08] The festival that's the antithesis of Coachella [31:10] Festival lineups becoming homogeneous [39:36] Predicting Coachella's 2024 headlinersListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Tati Cirisano, @tatianacirisanoEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Tati Cirisano: Being a performer at Coachella has become almost like a badge of honor or like something that goes on your one sheet, you know what I mean? Like, it's something that like gives you leverage as an artist and also is just, I don't know, seen as like it has a certain level of prestige.Like I would compare headlining at Coachella to like, in the same way that a lot of artists would love to get like a rolling stone or a billboard cover, even if like, regardless of whether that's selling or regardless of what that does, just that as a concept has, is just something that's like on a bucket list for most artists.I feel like headlining Coachella, if you're someone who's trying to be a superstar, that's like a bucket list item too. So yeah, it's, interesting How entrenched this festival has become in the music industry when you really think about it.[00:00:43] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:01:25] Dan Runcie Guest Intro: Today's episode is about the business behind Coachella and the unofficial start to music festival season in 2023. Coachella's history is pretty impressive when you think about it. This festival started in 1999. It was announced the week after Woodstock 99, and the shit show that that festival. With just 60 days' notice to then put on this festival that attracted just 25,000 people and ticket prices cost $50 each, and the headliner was Beck and the festival didn't make it money that year.Didn't even make enough to continue in 2000, and it wasn't until its partnership with Golden Voice in 2001 that it was able to get things back on track and slowly build up to the behemoth of a festival that we see today. It's an event that attracts well over a hundred thousand people per day for the six days of the festival itself.Two straight weekends and it attracts some of the biggest artists in the world. And this year they're especially making its footprint scene on the global scene. The headliners include Bad Bunny, Black Pink, Frank Ocean. There's also artists like Burna Boy, Calvin Harris, and many others that are making up this year's lineup.To break it all down, I'm joined by Tati Cirisano from MIDiA Research. We talk about what this festival does well, how it's shaped music culture overall, and its broader impact on music festival culture. Here's our breakdown. Hope you enjoy it.[00:02:55] Dan Runcie: All right. Today's episode is all about festivals and the granddaddy of them all, at least in the US, Coachella. We're here to break it down with Tati Cirisano from MIDiA Research.Tati, welcome back to the pod.[00:03:09] Tati Cirisano: Yeah, thanks for having me, excited to dive in. [00:03:12] Dan Runcie: Yeah. One of the reasons I wanted to talk about this with you is because I feel like Coachella reminds me of some of the conversations we've had about, a lot of these platforms that they, in many ways have become the bigger brand and the destination than the actual creators on some of these platforms. And I feel like Coachella, at least from a music festival perspective, has some of that because at least in the US this is the most popular music festival.We've seen it expand over the past two decades. And while most music festivals do rely so heavily on their headliners, Coachella is one of the ones that it's still able to, in many ways, capture the same audience and just get a consistent following and culture around it. That doesn't seem like it's stood as dependent on the headliners, but they still get big headliners.So how do you think that shapes the festival and how fans themselves interact withthat festival?[00:04:10] Tati Cirisano: Yeah. I mean, just to like prove out what you're saying, I think, I'm pretty sure Coachella tends to sell out or at least sell a lot of tickets before their headliners are even announced or before the lineup is announced at all. So you're totally right. I think it's become a big enough brand in itself that people are just kind of, ready to buy into it. And I think it's because Coachella has It's kind of created a culture. I remember kind of the celebrity era of Coachella when like, you know, Vanessa Hudgeons was like the queen of Coachella and you could go and run into Rihanna and Paris Hilton and like they kind of created that aesthetic of like the hippie style and all of these things.And so, when people buy a ticket, it's like they're buying into a lifestyle and a culture more so than the music itself. I think a lot of people go for that experience and to dress up and like buy into that, that lifestyle, maybe even more so than the music. and it does seem like Coachella over time, maybe because of that.The lineups have become a little bit more like crowd pleaser and mainstream to me. Like I was looking, just in preparation for this episode, like kind of looking at the history of Coachella and I didn't realize that when it started, part of what Paul Tollett wanted to do was create like a more niche festival where you would bring together like a lot of niche artists and hope that they all have big enough individual following that, you know, putting all that together. Would be enough for a festival. and it seems like the complete opposite today. In many ways like I think Coachella still sometimes tends to have like more left of center artists that line up this year is like super diverse and interesting. But it does seem like they've maybe become a little bit more mainstream over time.And maybe it is because the people are going not as much for the music as they're going for, like the vibe of it all.[00:06:02] Dan Runcie: Yeah, and dating back to that first festival, it's kind of crazy that this even became what it is today because it starts in 1999. They announced this festival and put tickets on sale. I think it was two months before the actual festival started, so not that much time. They announced it the same week or the week after Woodstock 99, which is just a complete shit show, which said so much about where people viewed a festival like this and their headliner was Beck. They didn't make as much money, I wanna say like 25,000 people showed. So they couldn't even have a festival in 2000. They had to wait until the next year and do the partnership with Golden Voice and make it happen.And then, yeah, fast forward to where we are today, where it is mainstream pop artists that are doing it. And what was once this niche culture of people that just really enjoyed indie rock music. It now is this mainstream thing. It almost reminds me of something like Comic-Con in that same way where it was this nerd thing with people that you know wanna do live action, role play, and Dungeons and Dragons, or dress up like Zelda.And now every mainstream celebrity is there to promote their movie.[00:07:19] Tati Cirisano: Yeah. And in the same way, you're going to dress up, you're going to like, kind of put on a costume, Coachella, it is kind of a costume for most people and like have that experience regardless of who's playing.so yeah, I totally agree. And I think the other thing, like over time Coachella has gotten to a place because of all that we're talking about, where it has such a, power on the festival market, like written into its contracts, like it has a radius clause that they get to release their lineup first.They are the first festival of the season, mid-April is like pretty early, so there's also now like I think built in ways that Coachella tends to be kind of the North Star for all of the festivals, and so it's just the one that people are going to regardless of, yeah, regardless of who's playing.[00:08:09] Dan Runcie: Yeah. I also feel like because it has a bit more of that brand and that audience command, regardless of who the artist is, I almost feel like it has a little bit of that Super Bowl effect where artists want to be able to perform on that stage because sure, they may bring some fans themselves, but they're likely gonna be reaching a new audience and having exposure to people that may not necessarily have tapped in general compared to, and I think Coachella is similar, but if you compare that to some of these other festivals that are so heavily reliant on that headliner themself. There's a case to be made that, okay, well if the headliner pulled those fans into the festival, then they have to then share those tickets essentially, you know, soft tickets with everyone else.How does that compare to actual hard tickets that they could have done themselves? So, I feel like there's a Coachella advantage there. [00:09:01] Tati Cirisano: And there's also a disadvantage in that you don't get, I mean, I know that I'm pretty sure already, like the data that you get on who's in your seats at shows is pretty minimal. But when you go to a festival, you don't really know who's going to see the festival for you and you don't really know who dis how many people discovered you or how many people came to your set. It's not the same as like if you sell out an arena, you know, the number of seats that were there, you know what I mean? So that's also an interesting thing is like you are probably getting a greater audience and this artist might be the whole reason the festival is selling tickets, but nobody's actually able to quantify that.[00:09:34] Dan Runcie: Right. And I feel like for some artists too, there's almost a bit of risk mitigation that can come with doing a festival. Risk mitigation may be the wrong word, but I think that's certain artists that have a lot of buzz or may have a lot of fanfare, it may be a lot harder for them to sell hard tickets.But if they could perform in front of this large festival crowd, they get a big advance or they get a big guarantee with the, promoter and through their agent as well, they can feel much more confident performing in front of, you know, thousands of fans or maybe even tens of thousands of fans on stage, even though they may not be able to sell, you know, sell out a house of Blues for instance.[00:10:14] Tati Cirisano: Totally. Yeah. No, and it also feels like being a performer at Coachella has become almost like a badge of honor or like something that goes on your one sheet, you know what I mean? Like, it's something that like gives you leverage as an artist and also is just, I don't know, seen as like it has a certain level of prestige.Like I would compare headlining at Coachella to like, in the same way that a lot of artists would love to get like a rolling stone or a billboard cover, even if like, regardless of whether that's selling or regardless of what that does, just that as a concept has, is just something that's like on a bucket list for most artists.I feel like Coachella headlining Coachella, if you're someone who's trying to be a superstar, that's like a bucket list item too. So yeah, it's, interesting How entrenched this festival has become in the music industry when you really think about it.[00:11:02] Dan Runcie: Yeah, let's look at some of the numbers here, cuz I think that's another fascinating piece. So we don't have hard numbers for this. A lot of it is based on past things that have been shared. But in 2017, this festival grossed to 114 million. And they had around 125,000 people coming per weekend.So if you roughly do the math thing, you look at ticket sales, I feel like that's like just under $500, like per attendee that ends up coming to the festival. And we likely saw similar, maybe even greater as well, because that doesn't take into account sponsorships that doesn't take into account these brand activations and other things as well.And I know that Coachella is a festival that has taken some shit for not paying artists well, at least the artists that are further down that list, that have much smaller font size, I think it's seen as paying the headliners. Well, at least I was talking to, someone that understands the business well, and their estimates were that the headliners this year, so you have Bad Bunny, Black Pink, and Frank Ocean.Their thought was, Frank Ocean and Black Pink got 4 million per weekend, so 8 million total and that Bad Bunny likely got 5 million per weekend. So then 10 total and then I believe that Calvin Harris's name was, towards the bottom of that list, like returned to the desert, Calvin Harris, I think he got one and per weekend. And then the artists that are on let second row, like Burna Boy and a few others, I think it was around like seven 50K per weekend but then it's a steep drop off after that, right? I mean, I remember hearing from Cardi B, this was, you know, after invasion of privacy, but still before, you know, she blew up, blew up. Or maybe it was the year before that, I forget. But she talked about how she was paid 70K, but she saw it as an investment in her career as an opportunity to pull up and get more. And obviously she's someone that you know, is now getting a million dollars. Private shows where she's doing 35 minute sets, but I feel like that like plays into that.So I don't know if all of those artists are getting paid, but yeah, I think some of them are willing to take that because of the exposure. [00:13:14] Tati Cirisano: Right. Yeah, I think you're probably right. And the number that I would love to know is like how much money that, cuz I know you, you were also talking about the boost of the local economy and that I think it was400 million, in Coachella Valley. I'm also wondering, like, even outside of that, just the whole business of it, like you mentioned the sponsorships, the influencer deals, you know, H & M having a Coachella section in their store.Like all of these things, I'm almost more fascinated by all of these kind of like satellite businesses around Coachella than the business of Coachella itself like I would love to know the total number for how much revenue this festival is just kind of generating for all these things outside of it, if that makes sense like, cuz it seems to go so far, like e every store has a festival section in March and you know that what they're really talking about is Coachella.[00:14:06] Dan Runcie: Definitely. Yeah. Like, could we look at, I'm sure they wouldn't share this, but if Forever 21 and H & M and those types of stores shared, how much more do they get from, you know, their festival and attire, whether that's, you know, the flower headdresses or whatever, you know, the crowns and the stuff that people wear or just shut general outfits as well. And then I forget the name of the brand, but there's one of those brands that I'm sure many of them do, but they pay for all the hotels that are in Palm Springs, that are in Indio in the general area, put all the influencers there, buy all the clothes for them, and then buy all their tickets and just have them work almost the same way a reporterwould work the festival. [00:14:47] Tati Cirisano: Yeah. like what is the influencer economy around Coachella specifically? Like how much money is there? I would love to know.[00:14:56] Dan Runcie: Yeah, I feel like, because if you count that, I wouldn't be surprised if you're over a billion, especiallylike just when you count the overall impact for sure. [00:15:05] Tati Cirisano: did you happen to see the price of the first Coachella ticket? When you were doing your research, [00:15:12] Dan Runcie: I saw this a while ago, but I forget now. How much was it? [00:15:16] Tati Cirisano: Guess, guess, [00:15:17] Dan Runcie: oh, guess. Okay. I'm gonna guess it's like $75.[00:15:20] Tati Cirisano: It was $50[00:15:22] Dan Runcie: Oh, wow. [00:15:23] Tati Cirisano: Was and this year's was $550 and that's before, so [00:15:28] Dan Runcie: Wow. Wow. What a come up 50 bucks to see all those artists and then only 20 other 25,000 other people there. Wow, that's something crazy. Yeah. I mean, so 10X there, everything's grown. And then even just the expansion, right? Because I think it was around like 2007 or so that they first went to multi-day, then they went to multiple weekends. Yeah[00:15:51] Tati Cirisano: I wouldn't be shocked if they added a third. I think anything more than a third weekend would be kind of overkill and maybe wouldn't be special anymore, but I actually would not be shocked if they made it a three weekend thing. [00:16:02] Dan Runcie: Yeah, [00:16:02] Tati Cirisano: One of these days. [00:16:04] Dan Runcie: I feel like it, because if you look at the opportunity, we can talk about this now, but if you look at the livestream play that's been happening, they've only been expanding that. So this was the first year that. So YouTube has been partnering to livestream this show since 2011, I believe, but this is the first year that all six stages are now gonna have a dedicated stream.And I think the pattern that we've seen now is you have a artist like Beyonce, she obviously gets the full recording of her show. She then sells that to Netflix for 20 million dollars or however much that deal is, and then she ends up monetizing that. I assume that there's likely some compensation or some participation that Coachella and more broadly golden voice get from that piece of it.But what could the stepped up livestream look like further. I mean, I've watched it in past years and it's nice, but could there ever be a Super Bowl level production that goes into at least some particular part of these artists sets? Because they're clearly putting more and more into it as it does become a big stage and you do have a little bit more flexibility of Yeah, it's not a 13 minute set, it's a hour long thing and the higher the production value, the more fans are gonna wanna see it, the more YouTube can get more ad dollars for it and the more goes to Coachella too.[00:17:26] Tati Cirisano: Yeah, no, I think there's definitely an opportunity for that and not just higher production quality of filming the show, but also when you mentioned the Super Bowl, like having like commentators and doing interviews and there's like know what I mean like there's like a halftime like conversation.I could see there being like hosts and like interviewing fans and things like that. I feel like that's probably happened at festivals before. before. I haven't watched that many festival live streams but I'm trying to remember, like Glastonbury's was really good, this past year and it was everywhere like, because they did such a good job with the live stream. There were clips on every social media app I looked at. It was all over the news. Like it really became this cultural moment.so I think, yeah, I think there's definitely an opportunity to like have a higher quality live stream that people will pay for.I also think on the other end of things, I wonder how much more. Like UGC Live streams will come into play. I was thinking about this because, bill Wordy, who's the former, billboard, like editor-in-chief, he has a newsletter, you probably know, what is it called? Full Write No Cap [00:18:28] Dan Runcie: Full Rate, No cap. [00:18:30] Tati Cirisano: Yeah, he spoke recently, or he wrote recently about how so many Taylor Swift fans are live streaming the entire. concert for the Eras tour on TikTok and on YouTube and getting tips for it. And these streams are like pretty low quality and they're often like from the nosebleeds and you can't even see Taylor, but they're getting like thousands of viewers and people are paying them to do it, and he kind of suggested, like what could the opportunity be here, whether that's artists partnering with TikTok to livestream it or what I think is more interesting maybe is like partnering with creators to do this. If they're already doing it, why not create an infrastructure around it? But then I also don't wanna advocate for like, everybody to be at the show live streaming the entire show and like have their phones in their faces and like I know artists hate that.I know fans hate that, I hate that. So it's an interesting question and I don't know exactly how it would look, but I feel like UGC live streams could come into play like on the opposite end of these, like more high production shows or live streams. [00:19:34] Dan Runcie: Yeah, I think so too because you, of course, there's always gonna be something for the high production quality camera that you see, and even that I still do believe is under monetized to a lot of extent. I mean, we don't have public numbers, but I could just assume based on what you see from sports and other rights.But the UGC thing is huge because I just feel like you could have some unique angle. You're getting the experience yourself. I'd love to know like what those tipping numbers do look like. But yeah, I think it's huge because while a tour. I think there may feel like a less scarce aspect for that, and just in the fact that, yeah, you know, Taylor is only doing this once, but she's doing roughly 50 shows, right?But there's only gonna be two of these times that, at least right now, that Frank Ocean is gonna be doing this headline set and it's, you know, when we release this podcast, it'll be right in this timeframe but like that's it. Like there's scarcity around that people wanna see that they're gonna wanna go back and watch it time and time again.So I think there's something there. I feel like we start to see some of this where, I'm sure you've seen it. Artists are starting to record one of the shows from their concert and then have that as something that you could watch on Amazon or something you can watch on HBO Max or Hulu. So we're seeing some of that, but I still feel like there's an opportunity to get more fan, like even if you get fan views in there and get them, have some type of participation from when the doc ends up getting sold or whatever that is. I feel like there's a few interesting ways to do it.[00:21:04] Tati Cirisano: I mean, I even think about like YouTube reaction videos and how like that's such a huge space of people. For all sorts of things, like listening to the new Taylor Swift album and live reacting, and people watched that and I could see a similar thing at a festival like live reaction to the Frank Ocean Set.And then afterwards you're like telling everyone what you thought. Like again, I don't wanna advocate for more phones at shows, but I feel like people are already doing this and so maybe it's a question of like how to support it and make it a better experience. I don't know.[00:21:36] Dan Runcie: Yeah, it'll be interesting to explore. I feel like the other unique thing about Coachella, we can talk a bit about pricing. You mentioned itself the price is 10X'd in 24 years since the first Coachella. But as this festival becomes more expensive as touring itself, especially to see these headliner type artists becomes more expensive.You talked a lot about, or you mentioned how does that impact the actual experience and how does that impact what fans may wanna do? Like how do they justify buying separate tickets to see just one artist versus being able to see multiple ones in a festival?What are your thoughts on that?[00:22:13] Tati Cirisano: Yeah, no, I mean, I think there's multiple factors kind of pushing toward festivals. Being a kind of solution for a lot of fans today. One is, as I've, you know, shouted from the rooftops in so many of our conversations, like listenership is really fragmenting and people tend to listen to way a wider spread of artists today, making it kind of hard to have a mainstream or a superstar, or harder to have a superstar.And they're also focusing more on songs often than artists. and then on top of that, costs for pretty much everything are skyrocketing. So yeah, if you're someone who listens to a wide range of artists and you're more likely to be, to kind of center your fandom around songs than artists themselves, and you also are not maybe able to afford going to five different shows anymore, why would you not rather go to see a festival?And not that festivals aren't expensive, cuz their enormously expensive, especially when you factor in travel and the outfits like we've talked about and all of these things. But I just given all the trends with, listenership that we're seeing, I feel like festivals will become even more popular for consumers.[00:23:23] Dan Runcie: I also think some of this may shift genre by genre, and to some extent I do look at it. A bit bittersweet to some extent because I look at festivals like, let's look at two of them rolling Loud and this Lovers and Friends Festival that I know had been canceled and I know they, had recently had one rolling loud, of course, is primarily rappers and hip hop artists, lovers and friends is more of that R and B that I think that a lot of millennials and even some,younger Gen X folks grew up with.Because those festivals exist in that same way. It's great to be able to bring those artists together. I do wonder though, has that dynamic hurt any of those artists impact to be able to generate not just real fans that may definitely wanna see them by buying hard tickets, but how does that help them grow the fan base in a way that doesn't make them just reliant on doing, rolling loud and then just getting an upfront check to do that as opposed to the long-term gains that could come from. Okay, yeah, you may not be performing for as big of an audience relative to your social following, but what could that build up to down the road? And I think even for some of these legacy artists that are doing lovers and friends fest, I remember I was talking with someone, about this recently and they were like, yeah, you know, as much as you like lovers and friends fest like t hose artists are the more indirect way, seeing them all the way they do now. [00:24:48] Tati Cirisano: Right, like the festival makes a lot of like on paper, logical sense for consumers, but does it make sense for fandom? Like is it actually helping artists nurture fan bases or is it just feeding more into what I was saying about, you know, a lot of people just kind of listening to songs and not artists So yeah, I think that makes a lot of sense and a lot of these artists that are playing. Those smaller, more niche festivals are playing a ton of them. And if it's like Megan Thee Stallion is playing at 10 different festivals, why are you going to buy a ticket to her tour? Like, I think it could kind of cannibalize some of those sales or like diminish people's interests in, going to the tour as well, or maybe they go and they're like, oh my God, Megan was incredible during her shorter set. I want to go see her on tour like, I don't know, maybe it, goes both ways, but I do think that we might see more and more of those smaller and more niche festivals for all of the reasons that I've mentioned.Like I think we've seen more and more, there's so many nostalgia festivals now there's so many, like speaking to a very specific scene, like, I forget what it's called, but there was one that was almost like, it was kind of like emo night, but as a festival, like I think we're, I think we're probably gonna see even more of that, and those are gonna be the ones that don't cost you, you know, two grand to go to Coachella. and it's maybe a little bit more accessible. so yeah, I think, I think we're probably gonna see more of those type of niche ones.[00:26:14] Dan Runcie: Do you think that there's certain artists that don't need Coachella? I know we talked about how it's beneficial for headliners, but I thought a lot about the weekend doing Coachella last year, and he was a late edition, Travis Scott was supposed to be the headliner, but after Astroworld and the tragedy there, he didn't do it the weekend does it?The weekend already had this tour planned. He did that tour in Southern California, he had still performed at SoFi Stadium later on that year. I don't know how the radius and the timeframe works out there, but I'm sure there must have been enough time there. But I wonder if, okay, beyond the $8 million, we could assume that he got from that.I mean, that's roughly what he would make from one of these stadium rougnights that he would do on his own tour. Did that benefit him in the same way? I don't know. I mean, I think I can clearly see the benefit for Black Pink or even Bad Buddy and others where, hey, this is a statement. You're here on one of the biggest stages we have in the US and you aren't from this country and you don't live here.There's a big, influence that that can have, but does it make sense for the weekend, right? I know that people have often talked about when would Taylor Swift do it, and whether that's talking about the Super Bowl or even Coachella, but even if we just talk about Coachella even if you paid Taylor 10 million dollars or 12 million dollars, is that going to be more beneficial for her when she can sell out football stadiums herself doing her own thing?So[00:27:47] Tati Cirisano: Right. It's been more important for Coachella than it is for Taylor Swift. to be at Coachella, I guess.[00:27:54] Dan Runcie: I would think so, because I mean, on one hand, yes, we know Coachella is gonna sell out regardless, but they could get more of those fans that may do participate in other, you know, economic, you know, aspects of the festival.[00:28:08] Tati Cirisano: Totally. Yeah. And they have more control over things and everything. Yeah, I think, you're right, for an artist like The Weeknd or Taylor Swift, it's probably more about like checking off that bucket list item or like having that prestige of performing at Coachella than it is like a material benefit.I think you're probably right to question that, but then you're right. for an artist like Black Pink, it means a lot more and is probably a lot more impactful in terms of like revenue and fan building and things like that.[00:28:35] Dan Runcie: Another topic you brought up about festivals right before we had started recording, you're talking about a festival you had went to recently in Knoxville, Tennessee, and it was spread out across different music venues in the city itself. And you also said you're done with festivals on festival grounds.So can you talk a little bit about that? Cuz I think that could be interesting to dig into a bit.[00:29:01] Tati Cirisano: Yeah, no, it was perfect timing to do this episode because I went to the antithesis of Coachella last weekend, which is, a festival called Big Ears in Knoxville, Tennessee it was a 10 year anniversary of this festival and in terms of the types of performers there, it was a lot of kind of like experimental and independent and folk music, instrumental artists, like Sun Ra Arkestra was one of the performers.I also, my favorite performer was a rock band from Niger called Atron Delea, like it was all these kind of like from all over artists and so that was one part of it that was cool. It was very niche and it was very much a scene, kind of like I'm talking about having these like more niche scene oriented festivals and it was held across the venues in Knoxville, of which there are like, 10 or 15, and they're all about a 10 minute walk from each other.And they also had performances in movie theaters and in cathedrals and in these sort of like non-traditional spaces and. It was just such a more enjoyable experience to me than being locked in a pen in like a parking lot and like, you know, having to pay $10 for water and like feeling very Lord of the Flies for 12 hours like, it was such a better experience and it also struck me how much it could be, you know, a big thing for the venues in that area. It's a big thing for the community and for the culture of the city, like, I don't think you could like turn Coachella into a festival, like across the venues in LA or like New York or something like, I don't think it would work for something at that scale, but it did make me think that, there could be more of, I think, and I'm sure that there are, I'm sure others exist, but that there could be more of these types of festivals that are a bit smaller, a bit more niche, and are held in a city.And you're also bringing the music to consumers rather than people having to travel to someplace like LA like just having these festivals in smaller cities. I just think there's a big opportunity there and also just to innovate the festival experience in general. Like, why do we have to be, you know, in a parking lot and, you know, all that kind of stuff.There's been better. Innovations in like, like I know the food at festivals has gotten a lot better over time. It used to be like frozen pizza was like your only option, and now there's like crazy food tents. But yeah, it just got me thinking about like how to innovate the festival experience and what the future of things looks like.[00:31:23] Dan Runcie: That's a good point because it makes me think of the film festival variety that we see where there's different vibes, but a lot of it is based in existing venues, and it does bring a bit more traffic in general activity to that area, but it's a bit of a different experience, right? Whether it's, you know, Tribeca or even here in San Francisco or in Sundance, I mean you could also get a little bit of a different vibe too, where, okay, if you wanna go skiing in Park City, then you can go to Sundance in January, right? If you want to go on the French Riviera afterward, you can go to Cannes like there's so many different vibes, but I feel like in general, when people think of music festivals, it is wearing that Coachella outfit and being somewhere in an open field with not a lot of shade and, you know, like that type of thing. So I feel like it couldn't then, yeah, it could just bring a little bit more variety to some of these things. And the fact that it already exists is good, but it could probably bring a bit more, you know, boom, to some of these other areas that may want something unique and ideally, if they're not overlapping on headliners, which is another thing that I know is an ongoing challenge with these festivals. I feel like when Outkast did their whole festival run where I forgot how many they did in 2014, that was the first year that stuck out to me where I was like, oh, some of these artists are just going boom, boom, boom.Same festival. Same festival. So you have that some artists that would do it in the same years, but then you also have some artists that will just come back and do the same festival time and time again, and it really isn't that much different.What are your thoughts on that? [00:33:02] Tati Cirisano: Yeah. I wanna say one more thing about the big years thing, really quick before that question, which is, how that kind of festival could expand the audience, like the tam of festival goers like I would say about half of the people at Big Year's were 55 plus, these are not people that are going to Coachella, you know, like, I mean, maybe they are, but I, I think there's other demographics and other age groups that would enjoy going to a festival if there was a bit of a different experience.So I feel like there's a lot of groups that were not hitting with the traditional festival market. and like this venue model could be kind of like that. but yeah, in terms of festival lineups getting a lot more homogenous, I kind of can't help but attribute it to the fragmentation trend that we've been talking about and how much harder it is to create a new mainstream superstar today. Like, y eah, I think that a lot of festivals are finding it harder and harder to find these kind of crowd pleasingheadline acts and there aren't as many new ones coming up. And it also seems like, festivals are kind of continuing to dip into these legacy acts from times when the industry was less congested and less fragmented like the Glastonbury lineup, it's Yeah, Arctic Monkeys, Elton John and Guns N' Roses. And it's like this could be the lineup a decade ago. So it does feel like not only are festival lineups becoming more homogenous, but a lot of them are tending to book legacy acts rather than newer, mainstream stars. Maybe because there aren't as many newer mainstream stars, I don't know.[00:34:43] Dan Runcie: Yeah, I think that, that headline spot is probably where some of, I don't even wanna say contention, but some of that decision making can lie in, maybe a lot of this applies to festivals that aren't like Coachella a bit because they are a bit more reliant on the headliners themselves, and because of that, they're more likely to make, what they feel is safer picks and unfortunately, a lot of these safer picks end up being more male, more white, and more legacy acts that have likely been there before. So if they're like, okay, well we knew that Arctic Monkeys were, you know, huge in 2012, then let's bring them back in so we can try to command some of that same audience that is like, well, you also have local stars and others around the world that don't fit into those same categories that could do it. But they feel like that's a risk, unfortunately, and then if they do invite those folks, it's for less money and their name is smaller and they're not presented as a headliner in the same way. So I think that's one of the downsides of it.And the fact, I think fragmentation plays into this, cuz I think, you know, regardless of who you are, it has just become even harder to have artists break out. The artists that do break out, they're more likely to maybe break out within their particular region. It's harder to have that same global appeal in that same way and I think we've seen maybe a few outlier examples of that more recently.Especially when you look at Coachella's lineup this year with Burna Boy and Black Pink and Bad Bunny all having prominent placement in their festival. I'm curious what that looks like in future years. How do you maintain that? Because even from that perspective, yeah, there's other artists that are huge, but they've already kind of gotten some of the biggest ones that we've at least had at this particular moment.But there's others. I'm curious. I forget if Dual Lipa has headlined one of the big, huge festivals in the world, I don't think she has yet, right?[00:36:41] Tati Cirisano: That's a good question. She hasn't headlined Coachella, she definitely had a big set at Glastonbury, but I don't know if she headlined. I don't know. [00:36:48] Dan Runcie: Right. Yeah. I feel like that may have been a few years ago, but I forget if that was like before or after, [00:36:53] Tati Cirisano: Oh yeah. [00:36:53] Dan Runcie: of Nostalgia tour and then after that, just thinking of other artists that have gotten huge in the past recent years, whether you have Billy Eilish or SZA, I mean, there's a few but.I'd be interested to see whether or not those names have become headliners, maybe we're seeing some of these festivals do this now, where outside Lasnier, which is, you know, right here in my backyard of San Francisco, their most recent poster. Instead of having three headliners, one per day, they have 10 artists that have big font size names, and then they have the other 60 or 70 that all have, you know, smaller, but it's all kind of the same.And, you know, you just look at the names of these artists. I'll just say right now for outside Lasnier, Kendrick Lamar, Foo Fighters, Odessa, Lana Del Ray, the 1975, Megan Thee Stallion, Zed, Janelle Monáe, Maggie Rogers, and Fisher. and I mean, I'm, I'm not shy to be mean, I'm not trying to call anyone out, but there's certain artists on that I just mentioned there that would not headline outside lands if it was presented as, oh, these are the three headliners. And they may not even be on that second row either, but. Is that in some way reflective of where things are, where it may make it easier, and of course you could probably guess based on the order of those names, Kendrick Lamar's name is at the top, you know, of this list. But still like, is this some type of reflection of this fragmentation where you have all these different genres, most of these artists, more modern, current artists, except for, you know, Foo Fighters, a bit more legacy that has continued to play on but I wonder how often we'll see that with other festivals that are maybe closer to outside lands and Coachella where, you know, still a major huge festival, but they're not getting the same headliners that Coachella is.[00:38:42] Tati Cirisano: Yeah. No, I think, you're absolutely right and I think we're gonna see that type of lineup more, at the same time as we're seeing that, there are fewer of these like Beyonce level mainstream stars, we're seeing a growth in the middle tier. We're seeing a lot more of these like, cult stars and also artists on that list who are huge but aren't really at the level of, you know, some of like Madonna or you know, these artists of the past, these icons of the past.So I think it makes more sense rather than having, you know, three headliners to have like six, not as huge artists still have a really big following. I think that makes a lot more sense, for the festival, the people going, and I think we will start to see more of that just because of the way that fragmentation is playing out.Yeah. I also wonder, when we're gonna start to see like the millennial version of legacy artists start to perform, like, was funny when I saw like the lovers and friends line up, I was like, oh my God. when you start getting an nostalgia festival marketed to you, that's when you know you're getting old.That's when you know you're no longer like the youngest And like, I wonder, when we'll start to maybe tap into like 90s and 2000s era. Sort of icons, like I would love to see like Missy Elliot headline, Coachella, like that type of thing. And I wonder if that's gonna be like the next step once we've exhausted all the times that like Foo Fighters can possibly headline a festival [00:40:09] Dan Runcie: I know, right? Like [00:40:10] Tati Cirisano: Who are also that era but, you know, what I mean, like. [00:40:13] Dan Runcie: For sure. For sure. Yeah, because I feel like we saw. Dr. Dre and Snoop Dogg were headliners maybe around 10 years ago, and then they had brought, the Tupac hologram out infamously. You remember that? So, we did have that. And of course, you know, that kind of reminds me of the Super Bowl that, from a couple years ago.But I do feel like there's a sweet spot there, given. Where Usher is right now, the popularity of his residency, I wouldn't be surprised if he jumps back on this circuit and he's doing less of the lovers and friends and he's doing more of the headlining major music festivals [00:40:49] Tati Cirisano: He would be amazing. [00:40:50] Dan Runcie: There's a huge opportunity there.Yeah. Great performer. I think he still does great stuff. I wanted to see if I can go make it to Vegas to go catch this, residency before it ends. But yeah, I I think that there is a sweet spot there for that. I mean, you think about other artists, I think Justin Timberlake has probably done some of these already, so we've seen him do them.I don't know if Britney Spears would probably perform in that same way. But we'll see. I feel like there's a number of artists that they can tap into from that era.[00:41:18] Tati Cirisano: Yeah. Yeah, exactly. [00:41:21] Dan Runcie: And yeah. I guess before we wrap things up, are there any predictions you have then for let's predict what 2024 would look like? Three headliners. Who would you think would most likely be a headliner for Coachella 2024? [00:41:37] Tati Cirisano: I would say SZA, probably, I would say Dua Lipa I think she makes a lot of sense as a headliner too, just in terms of like how, I hate like, I don't wanna say like crowd pleasing or mainstream, but like, cause I feel like that sounds like I'm giving her shade and I'm not. I think she's incredibly talented, but like she would please a, a big swath of people with her music and she's a cool performer and she has some time now, I think, since she's not touring. but, okay. So Du Lipa, SZA, This is about to be an all female headliners. This is a bit of wishful thinking, but I would love to see, cause I don't know if she's ready for this yet, but I would love to see Rosalia, headline Coachella.I think she's getting there and I actually saw her in 2019 at Coachella. She was playing the tiniest stage ever and she treated it like she was in a stadium. Like the production quality and the dancers and just like everything she put into it was incredible. And she's risen a lot over the past few years.So, yeah, that's my trio.[00:42:35] Dan Runcie: Nice. Nice. All right. We have one in common. We have SZA, so I'm gonna go SZA, Madonna, and Usher. I think that's gonna be my prediction, I feel like, Madonna has this tour coming up. Maybe she'll cap things off with a Coachella performance. But I feel like yeah, if you're gonna have this tour, I forget the name of it, you're gonna go back through all her eras.I feel like there's something unique there, so, so, yeah. I know, I know. And we'll have to revisit this. We still have a number of festival lineups to get announced this year, so we'll have to check back in and see how do these continue to develop, what continues to shape in how these festivals continue to evolve over time.So tati, this was great. Thanks for coming on.[00:43:17] Tati Cirisano: Yeah, Thanks for having me. Oh, it's a pleasure.[00:43:19] Dan Runcie: Yeah.[00:43:20] Dan Runcie Outro: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat. Post it in your Slack groups. Wherever you and your people talk, spread the word. That's how capital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcast, Go ahead.Rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.

Welcome to the fourth official episode of the Wordy & Nerdy Podcast! Today we discuss The Last of Us. Subscribe to us on ⁠Youtube ⁠for the video version of the podcast and other monthly vids⁠! Follow us on ⁠⁠Twitch.tv/WordAndNerd⁠⁠ for weekly streams! ⁠

Welcome to the third official episode of the Wordy & Nerdy Podcast! Today we discuss the three Pinocchio adaptations the came out just last year Subscribe to us on ⁠Youtube ⁠for the video version of the podcast and other monthly vids⁠! Follow us on ⁠⁠Twitch.tv/WordAndNerd⁠⁠ for weekly streams! ⁠

Welcome to the second official episode of the Wordy & Nerdy Podcast! Today we discuss Avatar 2: The Way of Water. Subscribe to us on Youtube for the video version of the podcast and other monthly vids⁠! Follow us on ⁠Twitch.tv/WordAndNerd⁠ for weekly streams! ⁠

Introducing the first official episode of the Wordy & Nerdy Podcast! Today we discuss the future of the DCEU and whether we think it can be saved. Follow us on Twitch.tv/WordAndNerd for weekly streams! Subscribe to us on Youtube for monthly vids

Hello and Welcome! This episode Bryan is joined by his co-worker and fellow gamer, Jeri. Jeri has begun to introduce new games to Bryan and most recently they played Bears vs. Babies and A little Wordy. These two games are published by Exploding Kittens games which Bryan frequently avoids because of the odd art style and crude humor. How will he feel about this monster making card game and wordle style card game? Listen to find out! Be sure to check out merch store to help support the show and rep our logo. https://www.teepublic.com/t-shirts?query=gateway+gamers&safe_search=false https://www.redbubble.com/people/PrevRecord/shop

Shot of the Day, Profile This, TV Time with Ted and Headlines

Hello dear listeners! This week, I share an episode of the F**K My Work Life Podcast in which I regale the hosts with some of the craziness experienced at work. It's a hoot! Not for the squeamish, though. Listener discretion is advised! Find more awesome pods on my network! https://podmoth.network/ This week's ad: Getting Down and Wordy! https://podcasts.apple.com/us/podcast/getting-down-wordy/id1581316249 Check out the FMWL podcast! https://podcasts.apple.com/us/podcast/f-k-my-work-life/id1555824690  

This week your three amigos are all by themselves, which is just the way we like it. Bryan shares the story of why we didn't put out an episode last week, we spend 5 minutes talking like a dolphin, and we recap Top Chef Season 6, Episode 11 "Strip Around The World". The Top Chef talk starts at 28:45. ----more---- Subscribe for new episodes every Monday. Rate us 5 stars and let us know what you had for dinner last night in the review! This episode was edited by Bryan A Jackson. The Pod Chef theme song was produced and performed by Jeff Ray.  Pod Chef Links Follow us on Instagram and Twitter - @podchefpodcast Follow Bryan on Instagram - @bjacksonininaction Follow Jamal on Instagram - @hell0newman Our intro was produced and performed by Jeff Ray - https://www.instagram.com/jeffrayfilms/  

Michael and Jack are hashing some stuff out over beers, and who comes to visit, but Michael's mother... Proud members of The PodMoth Network: http://PodMoth.network http://Patreon.com/JackBillings Follow us on Instagram: JackBillingsPresents Follow us on Facebook: Jack Billings Presents Haunted Apartment Complex on the Podmoth Network Follow us on Hive: @MichaelColby Email us: JackBillingsOfficial@Gmail.com Theme song by Kyle Check of the band Devil's Advocate, check them out: http://Facebook.com/DevilsAdvocateMetal Check out our other podcasts: No Time to Binge, Generation Clash, I Love This Terrible Game Mason Amadeus (Zack Doverbranch): PodCube (@PodCube on Twitter) Zack Wiseman and Dylan Terry (Adam Lynch and Marcus Fiasco): http://SomeNobodies.com Gary Williams (Herbert Robert Biloxley): http://BackRoomNetwork.com Poppy Jenkins (Starshimmer Dragonlilly/Dark Wolf Moon 69): T'Pon's Theater on Subspace Kevin Train Moxley (Kevin Train Moxley): Really needs to get a website. Until then, follow him on Twitter @KevinTrainMoxley Zion and Storm (Goliath Hogan and Zion): https://linktr.ee/alloverpod Kathryn (Chug Nasty): https://podcasts.apple.com/us/podcast/saturdays-are-for-the-ghouls/id1570983561 Shelby (Lennox Hall) https://www.addictedtocrime.org Sounds and music By Zapsplat.com and https://www.fesliyanstudios.com/ About today's ad: https://podmoth.network/ Getting Down & Wordy is a podcast about popular music and language. Each episode Russell and Hannah discuss a song and some linguists or etymology topic related to the song with a mix of jokes, games, trivia, and history. Find Getting Down & Wordy anywhere you listen to podcasts.

Mike Allen and his co-authors teach people how to say more with less. Their new book, Smart Brevity, explains why and how to trim words in your writing and get to the point. To learn more about Mike Allen, Jim VandeHe, and Roy Schwartz, visit their website here: https://smartbrevity.com/ (https://smartbrevity.com/) LIMElight with Jessie is part of the WGRT 102.3 FM Podcast Network. For the latest episodes of all of our featured podcasts, visit our website here: https://wgrt-1023-fm-podcast-network.captivate.fm/ (https://wgrt-1023-fm-podcast-network.captivate.fm) WGRT's LIMElight with Jessie is produced by the following team members: Executive Producer: Jessie Wiegand Audio Engineer: George James Administrator: Jessie Wiegand Marketing: Jessie Wiegand Follow Jessie on Instagram here: https://www.instagram.com/wgrt_jessie/ (https://www.instagram.com/wgrt_jessie/)

The last regulation episode of the season is upon us! This week, Scott, Seth, and Diana compete for the last spot in the season seven playoffs in the third elimination match of the Vancouver Rehearsal Tapes division. On the docket this week are games about real life commercial products popping up in pop culture, as well as telling us how to get to Sesame Street with a quiz about the parodies they've employed. All this, plus a lightning round! Our next episode is a special with three special guests from the iFanboy podcast network, and we'll be back two Mondays after that for the season seven playoffs! NOTES ⚠️ Inline notes below may be truncated due to podcast feed character limits. Full notes are always on the episode page.

CONTENT WARNING - In this episode we'll be discussion domestic violence and sexual assault victim advocacy which necessary means discussing those topics. Please keep your mental health in mind and if you can't listen we'll catch you next week. This week we're talking with Rev. Dr. Anne Ard, the Executive Director of Centre Safe, Centre County's domestic violence and sexual assault victim advocacy center. We're getting into the intersections between intimate partner violence and misogyny in the larger world and so much more. And of course we're hexing some things! Don't forget to join us on Patreon at patreon.com/TheNightCaucus. Events State College Pride - a lot of events throughout the coming week, parade with Katie & Gillian 3-5 on 6/11: https://centrelgbtqa.squarespace.com/pride2022main Roaring Springs Pride Walk 2022: https://www.facebook.com/events/1402832006889662

Looking for creative vocabulary activities that aren't boring? Want students to get excited about using words in interesting ways? Check out these colorful vocabulary options for your secondary ELA classroom.  See the images and sign up for the vocabulary quiz templates in the show notes at: https://nowsparkcreativity.com  Come hang out on Instagram @nowsparkcreativity. 

Happy Memorial day, kittens! We are on vaca chilllllling. So enjoy our re-release of our Gemini episode from 2019

If you enjoy the show, and it has helped you, or you just want access to our Post Show Wrap Ups, FREE Guides, Discounts to Courses and Conferences, then I'd invite you to consider supporting  us on Locals starting at just $5 a month!  To check it out, head over to https://thesubscriptionboxshow.locals.com/ There's also some FREE stuff there if you just want to browse first, so check it out and let me know what you think!In this episode, Cindy comes back for her encore performance!  We haven't talked since she last came on the show back on Episode 8 over two years ago!!!  Lots has changed in two years, and boy has her book of the month box grown.  Find out what she's doing, her secrets and tips that can also help out any subbox entrepreneur, regardless of which stage you're at.  Enjoy! Website: https://www.thewordytraveler.com/IG:https://www.instagram.com/thewordytraveler/And Remember, to view our EXCLUSIVE Post-Show Wrap-Ups with all our guests, make sure to visit and join us on Locals, the only place where they're available!  https://thesubscriptionboxshow.locals.com Reaching out to Eric:IG: @thesubscriptionboxshowFB Group: https://www.facebook.com/groups/thesubscriptionboxshowWebsite: https://thesubscriptionboxshow.comEmail: eric@thesubscriptionboxshow.comPrograms & Courses:The Subscription Box Experts Academy:  https://ericmusick.krtra.com/t/jIw4to2rXSoQThe Ultimate Guide for Graphic Design: https://www.thesubscriptionboxshow.com/resourcesJulie Ball's Subscription Box Bootcamp 2.0 Course Link:https://ericmusick.krtra.com/t/h67apnWbBQ9cGary Redmond's Email Experts Academy: https://ericmusick.krtra.com/t/1ljRUMBfHnCp