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ChamberQUEER highlights LGBTQIA voices in contemporary and historical music and reimagines the classical concert experience as a radically inclusive gathering space and musical community for the 21st century. Founded in 2018 by Jules Biber (cello), Danielle Buonaiuto (soprano), Brian Mummert (baritone), and Andrew Yee (cello), ChamberQUEER operates as a collective of performers, composers, and creators. Suzanne speaks with 3 of the founding members (Jules, Danielle and Brian) about their musical paths led them to a broader community.
Sara Stern is an interdisciplinary artist from New York City. Her recent projects prod histories of urban development with speculative fiction. Stern has exhibited and screened her work in the US and internationally, at venues including SculptureCenter (Long Island City, NY), Anthology Film Archives (New York, NY), the Museum of the Moving Image (New York, NY), The Jewish Museum (New York, NY), Ortega y Gasset Projects (Brooklyn, NY) and the Institute of Contemporary Arts Singapore (Singapore). Stern received a BA in Visual and Environmental Studies from Harvard College and an MFA in Visual Arts from Columbia University. She is the recipient of a Rema Hort Mann Emerging Artist Grant, the Fountainhead Fellowship in the Department of Sculpture + Extended Media at Virginia Commonwealth University, and several residencies at the Fine Arts Work Center in Provincetown, MA. In recent years, Stern has participated in The Watermill Center Artist Residency Program (Water Mill, NY), the Art & Law Program, the Object Movement Residency at The Center at West Park (New York, NY), and the Artist Residency at the Carving Studio and Sculpture Center (West Rutland, VT). Installation view, Sara Stern, "Study for a Scene", 2024, Ortega y Gasset Projects, Brooklyn, NY, curated by Adam Liam Rose. (Center: “The window felt shattered,” 2024, two-channel video (rear and front projection, color/sound), mirror floor, windowed partition, 11:49 min, looped. Right: “Curtain Call,” 2024, Kiln-formed glass, single-channel spotlight video projection, pulley, custom mount, dimensions variable. Left: "Beckett's Chew (Where Credit is Due)," 2024, cast glass, single-channel rear projection (BW/silent), custom mount, 59 sec, looped.) Sara Stern, “Curtain Call,” 2024, Kiln-formed glass, single-channel spotlight video projection, pulley, custom mount, dimensions variable. The window felt shattered (2 min excerpt) from Sara Stern on Vimeo. Excerpt from "The window felt shattered": "The window felt shattered", 2024, single-channel version of two-channel video installation, color/sound, 11:49 min, looped. Credits for The window felt shattered: Director, Editor: Sara Stern, Mime: Bill Bowers, Violin & Viola: Pauline Kim Harris, Sound Design, Mix, Recording, Engineering, Mastering: Kevin Ramsay, Theremin: Sara Stern, Sound recording at Harvestworks - New York City, Excerpt from Dongmae by Pauline Kim Harris, Lauren Cauley, Violin, Annaliese Kowert, Violin, Pauline Kim Harris, Viola, Andrew Yee, Cello, John-Paul Norpoth, Bass, Recorded live at The Stone - New York City (2019). Several lines of text adapted from Naomi Klein's Doppelganger: A Trip Into the Mirror World. Farrar, Straus and Giroux, 2023.
At the recent International Myeloma Society (IMS) Annual Meeting in Athens, Greece, results were presented of the CANOVA study of venetoclax for patients with relapsed/refractory multiple myeloma. After returning from the meeting, Dr. Rahul Banerjee, Assistant Professor of Medicine at Fred Hutchinson Cancer Center and Oncology Data Advisor Editorial Board Member, and Dr. Andrew Yee, Clinical Director for Multiple Myeloma at Massachusetts General Hospital, sat down to reflect on the surprising results of the trial and its implications for the current and future treatment of patients with t(11;14) multiple myeloma.
A behind-the-scenes conversation with Attacca Quartet, the Grammy Award-winning group that composed and performed the haunting string melodies in THE SOUND: Mystery of Havana Syndrome. Lead producer Max Johnson and audio engineer Rebecca Seidel speak with three members of Attacca Quartet—violinist Domenic Salerni, violist Nathan Schram, and cellist Andrew Yee—about how they approached the score, what it was like to hear their music included in the podcast, and what's next for them as a quartet. Learn more about the Attacca Quartet at www.attaccaquartet.com www.soundistheweapon.com The Sound is a Project Brazen production. Subscribe to Brazen+ on Apple Podcasts or at brazen.fm/plus and get exclusive bonus episodes for The Sound and all our shows, as well as ad-free listening and early access to new podcasts. For more fearless storytelling visit brazen.fm, home to all our podcasts, documentaries and newsletters. At Brazen, we show you how the world really works – from espionage and corruption to deal-making and organised crime, we'll take you inside stories from hidden worlds.
Multiple myeloma refers to blood cancer found within the plasma cells of bone marrow. It is a rare cancer, affecting less than one percent of the U.S. population. Currently, there is no cure for multiple myeloma, but there are treatment options that can help people live longer, healthier lives. Stem cell transplant is a standard of care for eligible patients. However, over half of patients newly diagnosed with multiple myeloma are not eligible for transplant due to age or other major health problems, such as heart, lung, liver, or kidney disease. And studies have shown people who are ineligible for transplant have a lower survival rate. Listen as Dr. Yee provides treatment planning options available to patients who are ineligible for transplant. “Overtime these patients can experience significant improvements in quality of life…they can go back to their normal routine.” “Ultimately, there needs to be a shared decision between the patient and the care team in terms of what their goals and priorities are.” – Andrew Yee, MD Andrew Yee, MD Clinical Director Center for Multiple Myeloma at Massachusetts General Hospital Assistant Professor of Medicine Harvard Medical School, Boston, MA This podcast was generously supported by Janssen Oncology. This podcast was developed through a collaboration between The Association of Community Cancer Centers and The Leukemia & Lymphoma Society. Resources: ACCC's Multiple Myeloma Web Page HealthTree Foundation Leukemia & Lymphoma Society National Cancer Institute
At the start of his time with the Artist Propulsion Lab, composer and saxophonist Steven Banks set out to compose a piece of music that explores meditation and mindfulness, and in which the music and meditation were supportive partners. The result is Begin Again, created in collaboration with Ten Percent Happier meditation teacher Matthew Hepburn. Begin Again uses guided meditative exploration and musical composition to lend insight into the ways that we relate to struggles within ourselves and in the world. On the final episode of this year's Artist Propulsion Lab, Steven and Matthew take us inside Begin Again, followed by a performance of the entire piece. Program: Steven Banks and Matthew Hepburn: Begin Again Steven Banks, saxophone; Matthew Hepburn, meditation; Andrew Yee, cello; Xak Bjerken, piano
Cellist and composer Andrew Yee (she/they) presents an audio memoir of identity and belonging through music. For several years, they have been exploring their identity through a recital series called Halfie. This memoir draws on their Halfie recital in the Greene Space, as well as conversations with Andrew, their dad Harry Yee, and their friend, composer and cellist Paul Wiancko. All works performed by Andrew Yee, except where otherwise noted: Leilehua Lanzilotti: kʻou inoa Caroline Shaw: In Manus Tuas Andrew Yee: The Light After Andrew Norman: For Ashley Andrew Yee: The Sea As It Is Paul Wiancko: American Haiku (with Ayane Kozasa, viola) Richard Rodgers and Oscar Hammerstein II: "Oh What a Beautiful Mornin'" from Oklahoma! by arrangement with Concord Music
In deze speciale bonusaflevering gaan we praten over een aantal voorstellingen die we hebben gezien in opdracht van het Holland Festival, het grootste internationale podiumkunstenfestival van Nederland. Holland Festival bestaat dit jaar al 75 jaar! Anousha ging naar Washington DC en Ebissé en Mariam naar Zwitserland.In deel 1 gaan we het hebben over 3 voorstellingen geïnspireerd door bestaande canoniek zoals Moby Dick, de Kersentuin and Deathbed. In de aflevering bespreken we wat het betekent wanneer kunstenaars van kleur bestaand "wit" werk herinterpreteren en bespreken ook representation done well!In deel 2 praten we het over Yemandja van Angélique Kidjo.Voorstellingen die we hebben gezien en over spreken in deze aflevering zijn:Moby Dick or The Whale:Moby Dick is een roman van Herman Melville uit 1851 en gaat over de jacht op de witte potvis Moby Dick[a] door kapitein Achab van de walvisvaarder Pequod, die in een eerdere confrontatie met het dier zijn been heeft verloren. Deze potvis zou zoveel rampen hebben veroorzaakt voor de walvisvaarders dat het dier uitgroeide tot een mythe. De bewerking van Sophia al Maria en Wu Tsang, verweven met het commentaar van een onderbibliothecaris (Fred Moten), gaat in op de onderaardse stromingen in de roman. Daarbij stuiten ze op een weerspannige sociale orde en saamhorigheid onder zeelieden, overlopers en schipbreukelingen (CLR James). De stomme film, geregisseerd door Wu Tsang en met een live uitvoering van de compositie van Caroline Shaw, Andrew Yee en Asma Maroof door BRYGGEN Bruges Strings volgt de witte walvis boven en onder het wateroppervlak en ontwikkelt een visueel universum dat zich verzet tegen de uitbuiting van de aarde onder het imperiale kolonialisme. Wu Tsang is een transgender regisseur en haar werk verkent de queer-transgendergemeenschap. Haar moeder is Zweeds-Amerikaans en haar vader Chinees. Ze identificeert als transfeminine en transguy.Link: https://www.hollandfestival.nl/nl/moby-dickDe Kersentuin:Voor het eerst werkt Rodrigues, Portuguese director, nu met een bestaande, klassieke tekst. Anton Tsjechov schreef zijn tragikomische klassieker De Kersentuin in 1904. Hoewel het stuk gaat over de opoffering van een eeuwenoude boomgaard tijdens de opkomst van het kapitalisme, gaat het voor Rodrigues in de kern over het begin van een nieuwe wereld die nog niemand begrijpt. De wereld verandert sneller dan de familie kan bijhouden. Ieder personage reageert anders op de situatie. Ljoebov (gespeeld door Huppert) klampt zich vast aan het verleden en is radicaal in haar nostalgie en melancholie, terwijl bijvoorbeeld zakenman Lopachin (een rol van Adama Diop) soepel met de ontwikkelingen meebeweegt.link: https://www.hollandfestival.nl/nl/la-cerisaieDeathbed:ChoreograafTrajal Harrell genaamd Porca Miseria Trajell baseert hij op de verhalen en gevechten van zeer verschillende, maar even sterke vrouwen, zoals Maggie uit Tennessee Williams' Cat on a Hot Tin Roof en de Grieks-mythologische Medea. Via hen verkent hij op een meeslepende manier kwesties van identiteit, gender, seksualiteit en macht. Ook doorbreekt Harrell de grenzen tussen dans, theater en beeldende kunst. Het eerste deel is zowel kunstinstallatie als performance , het middendeel is een film en het derde deel is te zien in een theatersetting.https://hollandfestival.nl/nl/porca-miseriaZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Our 4th episode is an exciting one because we have our first ever Asian Soup Podcast guest on the show! We get to chat to our friend Andrew Yee aka Andy! He's a professional storyteller, content creator, journalist, editor, K-POP enthusiast, curator, artist, creative and all-round great guy. He shares his favourite soup with us, some of the challenges of finding his own path, what he's doing now, and what's to come! We also want to say a big big THANK YOU to Andy for wanting to share his story with us and hanging out in general. You can follow him and his work in the links below: Andy's IG: https://www.instagram.com/andysfrnds/ Andy's email: andrewy24@gmail.com Life Without Andy: Contributor https://lifewithoutandy.com/author/an...Mad Love https://lifewithoutandy.com/featured/... Yellow Belly TV: https://www.instagram.com/yellowbellytv/
A conversation with composer, director, artist and Grammy Award winning cellist, Andrew Yee (solo artist, Attacca Quartet) - https://www.andrewyeecellist.com/
Museums all over the world are looking for different and unique ways to engage and welcome people back into their spaces. Recently the San Fransico Museum of Modern Art unveiled an art installation by an internationally recognized artist, JR. He filmed, photographed, and interviewed more than 1,200 people across various San Francisco communities. The final artwork became a digital mural scroll across an enormous LED display. The goal was to bring together faces and untold stories of everyday people. Today I have Jason Helton from SNA Displays and Andrew Yee from Sensory Interactive hanging out with me to give us an inside looking into this art installation at the San Francisco Museum of Modern Art. Link to video timelapse: SNA Displays @ San Francisco Museum of Modern ArtConnect with Jason Helton Executive, Vice President @SNA Displays on LinkedIn HEREConnect with Andrew Yee, Senior Project Management Associate @Sensory Interactive on LinkedIn HERE
In this episode of the “CURE® Talks Cancer” podcast, we’re honoring Multiple Myeloma Awareness Month by speaking with Dr. Andrew Yee about the signs and symptoms of this rare form of cancer, what the current treatment paradigm looks like and what advice he has for newly diagnosed patients.
In this episode, we talk with the incredibly talented cellist, Andrew Yee. Listen in as they talk about creating a space within themselves that allows for an external presentation routed in authenticity.
Playlist: Ólafur Arnalds - nyepiImant Raminsh, Laura Zarina, Arthur Ozolins - AriaCaroline Shaw, Andrew Yee, Nathan Schram - Limestone & FeltJerod Impichchaachaaha Tate, Irina Muresanu - OshtaDon MacDonald, Vancouver Chamber Choir - Tabula RasaBrian Current, Czech National Symphony Orchestra - Concerto for Klezmer ClarinetViktor Kalabis, Ivo Kahanek - Four Enigmas for GrahamZachary Wadsworth, Northwestern University Cello Ensemble - 3 Lacquer PrintsJohn LaMontaine, Slovak Radio Symphony Orchestra - Piano ConcertoLeo Brouwer, Shin-ichi Fukuda - Hika
While self-managed super funds are not for everyone, Andrew Yee, director of HLB Mann Judd, believes they can be a powerful tool in building your property portfolio. In this episode of The Smart Property Investment Show, he joins host Phil Tarrant to delve into the tax advantages of investing in property through your self-managed super fund, the compliance and liquidity challenges of having property in your SMSF, and who this investment method could be best suited to. Andrew breaks down how some promoters use SMSFs as a marketing tool to the detriment of their clients' interests, why he might advise someone to invest their super into asset classes other than property, and the importance of seeking solid, professional guidance in setting up such a fund. If you like this episode, show your support by rating us or leaving a review on Apple Podcasts (The Smart Property Investment Show) and by following Smart Property Investment on social media: Facebook, Twitter and LinkedIn. If you have any questions about what you heard today, any topics of interest you have in mind, or if you'd like to lend your voice to the show, email editor@smartpropertyinvestment.com.au for more insights!
Andrew Yee makes beautiful latte art. Andrew and Kai talk about being half Chinese and their family history (1); Andrew's mom's hearing loss and being able to play music for her (3:40); and how they fell in love with coffee (12). They also discuss their unique approach to jobs (15) and what drives them in music and beyond (29:40).
Christopher Blevins put on a show in Reno and came away with the U23 Cyclocross National Championship. We spoke with him about racing 'cross, putting on a show for fans, his love of poetry and more in our latest audio interview. For more coverage from the 2018 Reno Cyclocross Nationals, see our website at cxmagazine.com. Cover photo is by Andrew Yee and music for this episode is from Edvard Gares.
It's a format as old as time: two guys sit down to play music and talk about it. Soundward, a continuing collaboration between Relevant Tones and Q2 Music, features lively conversation, new releases from composers around the globe and interesting new discoveries. Hosted by Seth Boustead and Phil Kline Produced by Sarah Zwinklis and Hannis Brown Music Canticles of the Holy Wind, mvt. I Sky With Four Suns by John Luther Adams The Crossing chamber choir; Donald Nally, conductor Crumbling Arches by Vytautas Germanavičius Trio Kaskados: Albina Šikšniūtė, piano; Rusnė Mataitytė, violin; Edmundas Kulikauskas, cello A Cosmic Rhythm With Each Stroke: Uncut Emeralds by Vijay Iyer Wadada Leo Smith, trumpet; Vijay Iyer, piano and electronics Songlines by Michael Ippolito Attacca Quartet: Amy Schroeder, violin; Keiko Tokunaga, violin; Nathan Schram, viola; Andrew Yee, cello Canticles of the Holy Wind, mvt. IV Hour of the Doves by John Luther Adams The Crossing chamber choir; Donald Nally, conductor
Despite being one of relatively few chamber music pieces in his catalog, John Adams’s 2008 String Quartet stands among the composer’s most significant compositions and has been solidly adopted into the chamber-music canon. This episode features a live performance of the titanic two-movement piece, performed live at Le Poisson Rouge by the Attacca Quartet. Joining Adams for his on-stage introduction of the piece are violinist Keiko Tokunaga and violist Luke Fleming of the Attacca Quartet. You’ll hear them recount the trial-by-fire circumstances of their first performance, the details of a late-night phone call and how to temper performance anxiety and just groove. This performance of John Adams's String Quartet by the Attacca Quartet features Amy Shroeder and Keiko Tokunaga on violin, Luke Fleming* on viola, and Andrew Yee on cello. John Adams’s String Quartet was featured by permission from Boosey & Hawkes. Visit Boosey on the web at www.boosey.com. *Luke Fleming has since left the quartet to assume the position of artistic director of the Manhattan Chamber Players.