Podcasts about museum of modern art

„Madonna ist ein Gast, die willst du auf deiner Party haben. Aber es ist auch ein großer Druck. Weil Madonna kommt, um zu tanzen. Sie ist sehr, sehr kritisch mit der Musik. Sie ist Madonna und weiß, was sie will.“ Er feiert die Partys, auf die wir alle wollen. Und er macht die Werbekampagnen, die wir alle sehen. Creative Director Thomas Hayo. Seit 30 Jahren lebt er in Manhattan. Im 1. Teil dieser TOMorrow-Doppelfolge hat er von seinem Aufstieg erzählt. Vom Praktikanten zum Popstar der Werbeindustrie. Wie er mit dem legendären John Hegarty eine der coolsten Agenturen der Welt aufbaute. Globale Etats von Levis, Axe bis Sony-Ericsson verantwortete und warum Kampagnen von ihm im Museum Of Modern Art ausgestellt werden. Seine wichtigsten Learnings aus New York. Jetzt nimmt er uns mit in sein Amerika. Wie sich das Land verändert hat. Wie zerrissen es heute ist. Vom Land of Dreams zu Trump-Land. Thomas Hayo hat in den letzten Jahren viele Präsidentschaftswahlkämpfe begleitet und mit seiner Kamera dokumentiert. Das System Donald Trump: Er hat es selbst erlebt. Hier seine spannende Analyse und sein Blick auf die neue Präsidentschaftskandidatin Kamala Harris. Seit Frühjahr hat Thomas Hayo die US-Staatsbürgerschaft und darf damit zum ersten Mal in Amerika wählen. Seine Gedanken dazu: Jetzt hier in TOMorrow. Wenn du mitdiskutieren möchtest: Ich freue mich auf dein Feedback in den Kommentaren oder hier auf Social Media: http://lnk.to/ TOMorrow-Podcast und cool, wenn du den Channel abonnierst.

In this bonus episode, we're joined by the newly appointed director and CEO of the Solomon R. Guggenheim Museum and Foundation, Dr. Mariët Westermann, who is the first female appointed to the role. Mariët oversees the “constellation” of museums—four over three continents united, she says, in one mission, “to create opportunities for anyone to engage with the transformative and connective power of art and artists”. Mariët is inheriting opportunities and challenges, and we delve into some of those, from the back histories to the budgets. She talks to us about the future of the museum—from plans for the opening of the Guggenheim Abu Dhabi to the nuts and bolts of balancing the books. One of the key changes Mariët advocates for is a shift in the institutional mindset. Rather than taking a defensive stance, where the museum might try to address gaps or criticisms reactively, she hopes for a move towards a more open approach. "We are learning communities," she says. "We're full of curious people. Artists are curious." All this and much more in this special episode, which brings to an end our second season.

In this episode we delve into the artistic universe of Refik Anadol, a Turkish-American new media artist renowned for his innovative use of data-driven machine learning algorithms in art. From his early days in Istanbul to his advanced studies and creative endeavors in Los Angeles, we explore the formative experiences that shaped his pioneering approach to digital art. Refik discusses his groundbreaking projects like "Machine Hallucination" and "Virtual Depictions," revealing how he transforms abstract data into immersive, sensory experiences that challenge traditional notions of art and space. The episode also highlights his cultural collaborations and the impact of his work on global art narratives, all while contemplating the evolving role of artists in our technology-driven world. Join us as we journey through Refik Anadol's vision, where data not only informs but also inspires the future of artistic expression.See omnystudio.com/listener for privacy information.

What if you were embroiled in a public workplace controversy? And what happens on the other side of the headlines—would you walk away from your field, or would you reengage with it to try and improve upon it? This very special episode is a break from the norm. In it, we discuss museums and change—and what it takes to get to that change. We're joined by three curators—Mia Locks, director and co-founder of Museums Moving Forward; Fatoş Üstek, curator and former director of the Liverpool Biennial; and Laura Raicovich, writer, curator, and former president and executive director of the Queens Museum. Each of them has been through a public furor. In those moments, they have found a lack of institutional support and, afterwards, each has shifted from their previous career paths. But each has reengaged with the field in more ambitious and ultimately hopeful ways. Museums can't be taken for granted. But what does it take to create change? Tune in now for more. 

This time, we're joined by the artist LaToya Ruby Frazier, just before the opening of her major new exhibition 'Monuments of Solidarity' at the Museum of Modern Art in New York. “This exhibition spiritually uplifts people,” she says. “It inspires people to be the change they need, but it also inspires them to be better human beings. To look beyond the self, to look beyond individualistic desires, to think about the fact that you are connected to an ecosystem and a world around you. People won't be the same. This is a transformative exhibition.” We delve into LaToya's faith and the impact of art on our lives, its power not only to shine light into the darkness, but to move through people and communities and so to create profound, lasting change. Enjoy.

Die Lage am Oresund: ein Traum. Die Ausstellungen zu Kunst, Architektur und Design: hochspannend. Und die Geschichte hinter dem Louisiana Museum of Modern Art: romantisch und ein gewaltiger Neuanfang. In dieser Episode erzählen wir dir in unter 10 Minuten, was dieses Haus und seine Ausstellungen so besonders macht. Interview-Gast: Thomas Bendix, Kurator im Louisiana Museum of Modern Art.

We've had the honor of being asked to host the 2024 Bechtler Museum Gala, and we are so excited to make this a night to remember! In this episode, we sat down with Todd Smith, the Executive Director of the Bechtler Museum of Modern Art in Charlotte, to discuss the gala, the iconic exhibits at the museum, and the legacy of the Bechtler family. Join us on April 19th at 7:00 PM for the 2024 Bechtler Museum Fire + Ice Gala! Click here to get your tickets!   Visit the Bechtler: Website Bechtler Events Fire + Ice Gala   Leave us a voice memo at https://Speakpipe.com/BePowerful! Send us a question to answer on the show, something that resonated with you from an episode, whatever you'd like! We can't wait to hear from you!   Step up your sleep game with Baloo, the leading name in luxury weighted blankets that are eco-friendly, non-toxic, and machine washable! Use code “LIZ” at Baloo to get 22% off your order!   Sakara offers sleek and science-backed nutrition products that will help you feel your best and hit all your wellness goals! Get 20% off at Sakara with promo code “XOLIZHSM”   Some key takeaways from this episode include: We were invited to host the 2024 Bechtler Museum Gala, and were tasked with making the Bechtler weird again! Our goal is to create an environment where people can let their true selves out and feel completely welcome and accepted for it. This year's theme is Fire + Ice as a nod to artist Hildur Ásgeirsdóttir Jónsson, whose exhibit Infinite Space, Sublime Horizons pulls inspiration from Iceland's beautiful landscapes. Even though Charlotte is considered a banking city, it is so rich with art centers like the Bechtler, the Harvey B. Gantt Center, the McColl Center, and the Mint Museum. That balance is essential for a vibrant city!   Hilliard Studio Method takes working out to the next level to produce results that are nothing short of a total mind-body transformation. If you're ready to get in incredible shape, you can work out with us in-person at our Charlotte studio, join classes from home via Zoom, or sign up for our on-demand streaming service! HSM In-Person Classes HSM At Home (Via Zoom) HSM Streaming   Be Powerful with Liz & Lee is focused on helping you find your inner power and for us to share our thoughts on society, culture, and current events. As the team behind Hilliard Studio Method in Charlotte, North Carolina, we love all things wellness and will also share info on how to live your healthiest life mentally, physically, and emotionally.   Podcast contact info: Liz's Instagram  Lee's Instagram Hilliard Studio Method HSM Facebook Liz & Lee's YouTube

Annie Fletcher from the Irish Museum of Modern Art joins Karl Fitzpatrick to discuss how her experiences in Europe have influenced her role in the museum, how she approaches innovation and why she is passionate about promoting Irish artists internationally.https://karlfitzpatrick.ie Hosted on Acast. See acast.com/privacy for more information.

In der Mittagsfolge sprechen wir heute mit Yannick Mayer, COO und Co-Founder von Eternalyst, über Non-Fungible Tokens, deren Akzeptanz in der Bevölkerung und in den Medien sowie über deren Zukunftsaussicht.Eternalyst handelt digitale Kunst, die auf der Blockchain in Form von Non-Fungible Tokens (NFTs) gespeichert ist. Mittlerweile versteigern, besitzen und stellen weltbekannte Akteure, wie die Auktionshäuser Christie's und Sotheby's sowie die Kunsthäuser Museum of Modern Art und die Saatchi Gallery, digitale Kunstwerke aus. Das Startup bietet auf der Grundlage von jahrzehntelanger Erfahrung professionelle Kuration von digitalen Kunstwerken und Kunstsammlungen an. Darüber hinaus hat das Unternehmen eine Expertise im Bereich Blockchain und sorgt für eine sichere Verwahrung digitaler Kunst nach höchsten Sicherheitsstandards. Außerdem gehören die Durchführung sämtlicher Transaktionen, Verwahrung der Zugangs-Codes, Versicherung der Sammlung sowie Performance-Updates zu dem Lösungsportfolio des Unternehmens. Eternalyst wurde im Jahr 2022 von Yannick Mayer, Lucas Pirker und Robert Seyfert in Vaduz gegründet. Das Liechtensteiner Startup hat bereits eine Vielzahl von Kunstsammelnden, Investierenden und Galerien von seinem Service überzeugt. Das übergeordnete Ziel ist es, die zentrale Anlaufstelle für die Bewertung, Kuration, Kauf, Verkauf und die Verwahrung digitaler Kunst zu werden.Digitale Kunst und die damit in Verbindung gebrachten NFTs waren in der Vergangenheit oft Gegenstand negativer Berichterstattungen, in der sie als hochspekulativ und wertlos beschrieben wurden. NFTs sind ein dezentrales Speichermedium, das die Blockchain-Technologie nutzt. Der Kunstwert wird dabei durch das auf dem NFT gespeicherte Werk bestimmt. Viele der negativen Berichterstattungen sind auf NFT-Projekte zurückzuführen, die Bilder und Kunstwerke in Form von NFTs mit geringem Wert veröffentlichten. Im Gegensatz dazu steht eine steigende Anzahl etablierter Künstlerinnen und Künstler, die digitale Kunst entdecken und nutzen. Durch die Speicherung in Form eines NFT auf der Blockchain ist digitale Kunst zudem nachverfolgbar, authentifizierbar und einzigartig.

Paula Baxter was on the show today and she's very interesting, as most of our guests are.  All of our guests have a similar thread of the arts running through their lives in some form or fashion. In her case, it was 1986 when she was in Santa Fe and bought a piece at Ortega's on the Plaza. It was like an epiphany for Paula. She needed to be more aware of this material. Paula has worked as the head curator of art and architecture for the New York Public Library, she worked at MoMA, and she was a humanities professor.  She held these significant positions, but at the end of the day had always wanted to be a writer. I think that's what her gift is to the world. She's done these wonderful books on Native American jewelry. Her most recent book "Navajo and Pueblo Jewelry Design: 1870–1945," is a really great book. In fact, it's been at my bedside for a long time because the material is wonderful, the photos are beautiful, and the timeline she inserted is very helpful. The amazing photographs were taken by her husband, Barry Katzen. So I think this podcast is one that follows the journey of somebody's life, you know, and how they get to where they get and why they're on planet Earth. Palua is clearly here to spread the word and to educate. To tell people that Native American jewelry is such an important art form. It is a form of art that is very close to my heart and it's a privilege that I can wear and appreciate every single day.Anyway, I hope you enjoy the podcast. I know I did. Art Dealer Diaries Podcast episode 271 with Paula A. Baxter.

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This season on VISIONS will explore the content of VISIONS: Volume IV by Future Commerce. VISIONS is an audio-visual Annual Trends report that examines the changes in culture and commerce and their impacts on the technology industry that serves them. VISIONS: Volume IV took place over three months, from April to June 2023, bookended by two events.Today we go live to the first of those events at the Celeste Bartos Theater at the Museum of Modern Art in New York City, where we'll speak with a panel of modern culture reporters, foresight analysts, and media creators and ask them the question, “Where is the counterculture?”Trends are Change{00:04:11} “What we have right now is a lot of interesting niche subcommunities with their own cultures and then countercultures to those. And I think the result of that is it's very hard to know what's trending because trends really exist within these sort of niche subcultures and microspheres. And then by the time they exit, they're no longer a trend, they're more like a trend discourse.” - Daisy Alioto{00:06:47} “You can't really talk about counterculture without talking about the capitalization of it all. You can capitalize on these weird trends, whether it's something like Dimes Square, and then you see a year later, the entire Marc Jacobs campaign for a massive fashion brand is these characters. So is that really counterculture if that's cool now?” - Emily Sundberg{00:09:00} “Sometimes I do get bummed about the lack of existence of new things, and that's why we're going so hard on fashion history because everything feels really referential. But also there's something fun about new combinations and seeing a couch where there's a guy from the White Lotus on it, but there's also a girl that you saw at a party last week.” - Alexi Alario{00:11:26} “Is there counterculture or subculture or monoculture? It's completely dependent upon the sample size in which we're looking at. And for the most part, I think it behooves us to really broaden our aperture of really understanding what's most important to the most amount of people, because if we have to select too small of a sample size, we're just speaking to ourselves and really ignoring the masses.” - Matt Klein{00:16:14} “When we're talking about nostalgia and memory as some of the strongest mechanisms for marketing and the relationship that nostalgia and memory have to certain mediums, like the type of film or camera you were using when you first encountered something or the type of car you were driving when you first encountered something, it's very hard to package that in an authentic way, but if you can, that becomes the brand moat. And that's the thing that allows you to excel past all of your competitors.” - Daisy Alioto{00:24:02} “The thing about de-influencing is, yes, there's a little bit of stoicism of screw it, don't buy this thing, but it's still a form of influencing.” - Matt Klein{00:28:42} “Daisy Alioto: it's also important to remember that, for every counterculture movement, the response to it will be part of the cycle of the next culture, even if it's happening in this very fragmented way now.” - Daisy Alioto{00:35:34} “Nothing gets better without criticism. So I feel like it's okay that everyone is a critic as long as I think it creates a heightened awareness. And especially with algorithms. If you're not a critic, you're just going to let them like run over you.” - Alexi AlarioGuestsDaisy Alioto, CEO and Co-Founder of DirtEmily Sundberg, Writer, Creative Strategist, and Publisher at Feed Me SubstackAlexi Alario, Co-Host of the Nymphet Alumni PodcastMatt Klein, Cultural Theorist and Publisher of ZineHave any questions or comments about the show? Let us know on futurecommerce.fm, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners!

She is one of the most influential graphic designers in the world and Partner at Pentagram. Paula Scher has left an untenable imprint in the design industry - from designing Boston's album cover to developing the brand identity of the Museum Of Modern Art and Tiffany & Co. In this episode of Design Can Kristina May talks to her about the ethical dilemmas of impactful design, the intricate dance between art and design and the principles that have shaped Scher's career.  We also cover: A key challenge that many designers face today How to balance craftsmanship and new technology Changes in the design industry and the latest change due to AI How to handle set-backs and design failures

Nearly a hundred climate activists rallied at the Museum Of Modern Art in NYC on September 15 to call for the removal of board chair Marie-Josée Kravis because of her and her husband's Henry Kravis's ties to the fossil fuel industry. The protest comes before the major September 17 march to End Fossil Fuels in NYC prior to the UN climate summit. Henry Kravis, whose net worth is around $7.8bn, is a co-chief executive of KKR, one of the world's five largest private equity firms. It is heavily invested in fossil fuels in the US, Canada, the UK, Europe and the Middle East. KKR is behind the Coastal GasLink Pipeline being built through Wet'suwet'en territory in Canada. We start off by hearing from some of the Hereditary chiefs from Canada. We later hear among others from Roni Zahavi-Brunner of Planet over Profits and Michael Kink of Strong Economy for all. We then here again from Roni after several dozen activists occupied and shut down MOMA. By Mark Dunlea for Hudson Mohawk Magazine.

In this episode, Eric sits down with author, media personality and art collector; Alvin Hall. They discuss his early beginnings — growing up in Florida during the Jim Crow era, his educational journey and early exposures to art. The artists who inspired him and helped cultivate his knowledge and appreciation for the artistic process. How he began collecting black and white photography and prints, his passion for writing, his career as a financial writer and becoming a patron of the arts. The works in his collection; what motivates his decision making when buying art and how his collection has evolved through the years. They discuss abstract art, art as an investment... the books he has written, his recent podcast series and research on the Green Book, his new book and upcoming projects. For more visit: www.ericsperspective.comGuest Bio: Alvin Hall is an internationally renowned financial educator, television and radio broadcaster, bestselling author and regular contributor to magazines, newspapers and websites. For five years on the BBC, he hosted the highly rated and award-winning series, Your Money or Your Life, on which he offered both practical financial and psychological advice to people about how to take control of and fix their financial problems. His radio program, Jay-Z: From Brooklyn to the Boardroom, won the Wincott Foundation Press and Broadcasting Award for the best radio program for 2006. In the US, he is a regular contributor on personal finance and the economy on NPR's Tell Me More with Michel Martin.Among Hall's bestselling books are: You and Your Money: It's More than Just the Numbers, Your Money or Your Life (winner of the WHSmith 2003 People's Choice Award), What Not to Spend, Getting Started in Mutual Funds 2nd Edition, and Getting Started in Stocks 3rd Edition. His children's book, Show Me the Money, has been published in over 20 foreign-language editions. Hall lives in New York City where he designs and teaches classes about the investment markets for financial services companies, banks, regulatory authorities, as well as information and technology vendors.  He is also on the Acquisitions Committee of the Studio Museum in Harlem.About Eric's Perspective: A podcast series on African American art with Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.For more on Eric's Perspective, visit www.ericsperspective.com#ERICSPERSPECTIVE #AFRICANAMERICAN #ART SUBSCRIBE: http://bit.ly/2vVJkDn LISTEN ON: Apple Podcasts: https://apple.co/2B6wB3USpotify: https://spoti.fi/3j6QRmWGoogle Podcasts: https://bit.ly/3fNNgrYiHeartRadio: https://ihr.fm/2KtYGXv Pandora: https://pdora.co/38pFWAmConnect with us ONLINE: Visit Eric's Perspective website: https://bit.ly/2ZQ41x1Facebook: https://bit.ly/3jq5fXPInstagram: https://bit.ly/39jFZxGTwitter: https://bit.ly/2OMRx33 www.mhanksgallery.comAbout Eric Hanks: African American art specialist and owner of the renowned M. Hanks Gallery, Eric Hanks is one of the leading representatives of Black artists, promoting and selling their works nationally to individual and museum collections, publishing exhibition catalogues, teaching art appreciation classes, and writing articles and essays appearing in prestigious art books and various other publications. 

Winnie Sze and Pim Arts, curators at the Cobra Museum of Modern Art in the Netherlands, carve out the connections between Dutch, Danish, and South African artists like Ernest Mancoba, and see how African masks and sculptures, encountered in European museums, shaped abstract-surrealism in the 20th century. Cobra - Copenhagen, Brussels, Amsterdam - were three cities at the core of a pan-European political art movement, calling for freedom and common humanity in the wake of World War II. Drawing on cubism, expressionism, and surrealism, they shared Pablo Picasso's attraction to African masks and sculpture. Yet, they worked between abstract and figurative art, some seeking to escape the exotification, othering, and orientalism of movements past. Born in British-colonial South Africa in 1904, Ernest Mancoba didn't ‘come into contact' with African sculpture as art until he travelled to ethnographic and colonial museums in Paris and London. Along with artists like Sonia Ferlov and Egill Jacobsen, he became a leading figure in collaborative movements like Linien (The Line) and Helhesten (Hell Horse), based in Denmark. Winnie Sze and Pim Arts curate two of three exhibitions celebrating 75 years of the Cobra art movement (1948-1951), which focus on Scandinavia. They detail the differences between African and Western sculpture, how Danish artists used satire and Degenerate Art in acts of resistance against the Nazi Empire, and why Denmark has been othered in the history of avant-garde art. The three exhibitions of Cobra 75: Danish Modern Art run at the Cobra Museum of Modern Art in the Netherlands until 14 May 2023. For more, you can also read my review of Cobra 75 in gowithYamo: https://www.gowithyamo.com/blog/a-triptych-of-danish-modernism-cobra-and-degenerate-art-in-denmark. WITH: Pim Arts, curator of We Kiss the Earth - Danish Modern Art 1934-1948. Winnie Sze, curator of Je est un autre: Ernest Mancoba and Sonja Ferlov. Both exhibitions are part of Cobra 75: Danish Modern Art. ART: Works from ‘We Kiss the Earth: Danish Modern Art, 1934-1948'. IMAGE: Peter Tijhuis. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

This episode is also available as a blog post: https://thecitylife.org/2023/03/06/the-museum-of-modern-art-and-film-at-lincoln-center-announce-the-complete-lineup-for-the-52nd-edition-of-new-directors-new-films-march-29-april-9/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2023/03/03/the-museum-of-modern-art-announces-signals-how-video-transformed-the-world-a-major-exhibition-exploring-the-intersection-of-video-art-and-social-change/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Visual artist Yve Laris Cohen reflects on his exhibition at The Museum of Modern Art entitled 'Studio/Theater' with Jacob's Pillow Director of Preservation Norton Owen. The exhibition featured remnants of the Pillow's Doris Duke Theatre, which was destroyed by fire in November 2020. This is a sequel to Episode 44 with MoMA curator Martha Joseph and former Pillow Director Liz Thompson. 

The heirs of Fritz Grünbaum, a Jewish cabaret singer and art collector killed during World War II, are suing the Santa Barbara Museum of Art over a prized pencil on paper drawing they say was robbed from their late relative by Hitler's Third Reich. KCSB's Dan Siddiqui has the details.

The remains of the Pillow's Doris Duke Theatre were memorialized in an exhibition at The Museum of Modern Art by visual artist Yve Laris Cohen. In conversation are exhibition curator Martha Joseph and two participants in related performance events, former Pillow Director Liz Thompson and Preservation Director Norton Owen.

This episode is also available as a blog post: https://thecitylife.org/2022/11/13/the-museum-of-modern-arts-15th-annual-film-benefit-presented-by-chanel-to-honor-guillermo-del-toro-on-december-8/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/11/08/the-museum-of-modern-art-announces-a-new-seasonal-lineup-of-onsite-and-online-offerings-for-families/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/11/07/the-museum-of-modern-art-announces-the-2022-line-up-for-the-contenders/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

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Today we have a conversation from the San Francisco Museum of Modern Art with Dr. James Oles, guest curator for the exhibition about Diego Rivera's art from the 1920s to 1940 at the SFMOMA. Dr. James Oles is a specialist in Latin American art, focusing on modern Mexican art and architecture, through the museum as well as academic projects. His books include South of the Border: Mexico in the American Imagination, 1914-1947 (Smithsonian Institution Press, 1993); Art and Architecture in Mexico (Thames & Hudson, 2013), the first survey of its kind in some 50 years; and a monograph on the color photographs of Manuel Alvarez Bravo. Oles is guest curator for Diego Rivera's America, an in-depth exploration of the artist's work of the 1920s, 1930s, and 1940s, which opened at the San Francisco Museum of Art (SFMOMA) in July 2022, and travels to Crystal Bridges Museum of American Art in March 2023. He edited the fully illustrated scholarly catalog that accompanies this exhibition. Oles received his Ph.D. from Yale University in 1996, and now divides his time between the U.S. and Mexico. He is a senior lecturer in the Art Department at Wellesley College, and in 2002 was appointed adjunct curator of Latin American art at the Davis [...]

This episode is also available as a blog post: https://thecitylife.org/2022/08/02/modern-mondays-at-the-museum-of-modern-art/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Patricio del Real, Associate Professor of Art and Architecture at Harvard University, talks about his new book Constructing Latin America: Architecture, Politics and Race at the Museum of Modern Art. It's the fascinating story of how race, gender, politics and even climate control formed the tapestry of Latin American modernist architecture and how it was projected through MOMA.

A New Zealand Horror film is set to be showcased on the global stage at the legendary Museum of Modern Art in New York. The 1993 film called 'Jack Be Nimble' will screen at the museums upcoming summer film series "Horror: Messaging the Monstrous" in July, and the film has been celebrated by the New York Times in an article about the series. The film stars Bruno Lawrence, Sarah Smuts-Kennedy, and American actor Alexis Arquette prior to her transition. Director and writer Garth Maxwell talks to Jesse about the new attention the movie's getting!

There is perhaps no one on the planet with a bigger-picture view on the impact of design—in all of its manifestations—than Paola Antonelli. As the Museum of Modern Art's senior curator of architecture and design as well as its director of R&D, Antonelli consistently expands notions and definitions of what might be considered “design,” and shows how, in no uncertain terms, design connects to practically everything we see, touch, hear, taste, smell, and do. With great passion and energy, she is the ultimate clear-eyed booster of this wide-ranging realm she holds dear. Antonelli's most recent output—the book Design Emergency: Building a Better Future (Phaidon)—is not only an outgrowth of her prolific 28-year career at MoMA (during which she has worked on related projects including the 2005 exhibition “Safe: Design Takes on Risk,” the 2015 book Design and Violence, and the 2019 Triennale di Milano exhibition “Broken Nature: Design Takes on Human Survival”), but also a result of the pandemic. During lockdown in spring 2020, Antonelli, together with the British design critic and writer Alice Rawsthorn, conceived and launched @designemergency on Instagram, a still-ongoing feed that highlights voices central to key global issues, all of them related to improving the world through design. The effort is yet another example of Antonelli's talent for synthesizing a vast array of provocative projects, designers, products, and ideas; bringing them to the forefront; and giving them much-needed attention. On this episode, Antonelli talks with Spencer about time as a frustration, the myth of speed, the importance of going with the flow, and the many design emergencies constantly taking place all around us.Special thanks to our Season 5 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Full transcript[04:15] Museum of Modern Art[04:15] @curiousoctopus[05:38] Objects of Design: From the Museum of Modern Art[06:09] “Machine Art”[12:54] “Humble Masterpieces”[15:44] “Mutant Materials in Contemporary Design”[17:42] “Design and the Elastic Mind”[25:14] “Neri Oxman: Material Ecology”[29:34] Design Emergency[29:34] Alice Rawsthorn[33:43] @design.emergency[45:18] “Items: Is Fashion Modern?”[47:02] The 3,000-Year History of the Hoodie[51:03] “Safe: Design Takes On Risk”[01:04:45] Design and Violence

This episode is also available as a blog post: https://thecitylife.org/2022/04/21/the-museum-of-modern-art-and-neue-galerie-new-york-acquire-rare-color-self-portrait-lithograph-by-german-artist-kathe-kollwitz/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/04/19/the-museum-of-modern-art-announces-sustainability-efforts-ahead-of-earth-day-2022/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/04/16/museum-of-fine-arts-boston-and-san-francisco-museum-of-modern-art-announce-tour-dates-for-frank-bowlings-americas/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/04/02/film-at-lincoln-center-and-the-museum-of-modern-art-announce-the-complete-lineup-for-the-51st-edition-of-new-directors-new-films-april-20-may-1/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

All Local for 4pm. 03/15/22

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This episode is also available as a blog post: https://thecitylife.org/2022/02/25/the-museum-of-modern-art-launches-uniqlo-nyc-nights-on-march-4/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

In episode 198 UNP founder and curator Grant Scott is in his shed reflecting on a considered response to the podcast and hearing from Jim Mortram about #PhotoPrintDay. Plus this week photographer Alen MacWeeney on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Born in Dublin in 1939, Alen MacWeeney became a press photographer for a local newspaper in 1952. One of his earliest bodies of work was of the semi-nomadic Irish travellers, images that were also turned into a movie, broadcast on RTÉ and BBC 4, and included in Itinérances, 28th Festival Cinéma d'Alès, which MacWeeney co-directed. MacWeeney left Ireland and moved to New York in 1961 to assist Richard Avedon. His work was getting noticed, resulting in them being shown in the Museum Of Modern Art. After working on glamorous shoots for influential titles such as Vogue and Harper's Bazaar in Paris and New York City, MacWeeney had become disenchanted with the highly stylised nature and limitations of studio photography, and was becoming more interested and influenced by the work of documentary photographers such as Robert Frank and he returned to Ireland in late 1962. He then began an extensive career in commercial and editorial photography. His personal work from the mid-1960s capture the misty streets and cozy pubs of Dublin with Joycean affection. There are also sprawling country landscape views with flocks of sheep and ancient cairns. MacWeeney's best-known work from this period is his series and book Travellers: Tinkers No More. At a time when this centuries-old itinerant culture shifted from horse-drawn conveyance to motor-hauled caravans, the he explored their makeshift camps with his camera and tape recorder. His work is included in the collections of the Museum of Fine Arts Houston, the Museum of Modern Art, New York and the Art Institute of Chicago. MacWeeney's photographs have appeared internationally in magazines and books: among them, The New Yorker, The New York Times Magazine, Esquire, G.Q., Life, The World of Interiors, American Photographer, and Aperture, amongst many others. His work has been published books including: Irish Walls; & Ireland, Stone Walls and Fabled Landscapes, Bloomsbury Reflections, Charleston: A Bloomsbury House and Garden, The Home of the Surrealists, Spaces for Silence, Irish Travellers, Tinkers No More, Once Upon a Time in Tallaght, and, Under the Influence. MacWeeney's archive resides at Cork University and he lives in New York and Sag Harbor, with annual travels to Ireland. www.alenmacweeney.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2022

In 1950, a modest glass-walled Modernist house designed by Gregory Ain was on exhibit in the Museum of Modern Art's garden, another in the Museum's series of full scale builds of Modernist houses.  A system of movable walls made flexible spaces even though there were only two-bedrooms.  But once the exhibition closed, the entire house, and any knowledge of it, disappeared. Countless people over the decades searched for it. The New York Times published an article in 2017 extolling the mystery and highlighting efforts from filmmakers, academics, and the Museum to find it.  Our George Smart solved this Modernist mystery, and today we'll hear from guests Emily Ain, Cornelia Cotton, Soni and Lisa Bell, David Stevens, Shaun Kelly, and New York Times reporter Eve Kahn. Later on, musical guest Alice Peacock, for which we swoon.  

On this day in 1961, the director of exhibitions at New York's Museum of Modern Art realized that a picture had been hanging upside down for the past 57 days. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Melbourne, Australia: Heide Museum of Modern Art is delighted to open the much anticipated Healing Garden within the museum grounds on Tuesday 23 November 2021. Inspired by Heide founder Sunday... LEARN MORE The post Heide Museum of Modern Art appeared first on Sunday Arts Magazine.

Thank you as always for listening. Please subscribe to the show on Apple Podcasts, Spotify, or Stitcher.Follow us on Instagram and Twitter at @ArtRoomOnLeft or email the show at ArtRoomOnLeft@gmail.comIntro and Outro music provided by the extremely talented Dana T, this song is titled 'NSA'. 

In this episode we take a look at how the situation with Leon Black and MoMa unfolded and how the fallout from his relationship with Epstein led to his ouster. (Commercial at 31:45)To contact me: Bobbycapucci@protonmail.comSource:https://www.thedailybeast.com/moma-braces-for-a-showdown-over-epstein-pal-leon-blackLeon

This episode is also available as a blog post: https://thecitylife.org/2021/11/11/the-museum-of-modern-arts-14th-annual-film-benefit-presented-by-chanel-to-honor-penelope-cruz-on-december-14/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

West Coast Radio welcomes you to its 99th episode. This is the sixth solo broadcast and the program contains all the interesting things that have occurred in the past week(ish). REAL QUICKLY! If you like WCR please help us grow and tell a friend about the show! Show Open: Tom Brady's 600th Touchdown PassHaiku of the Week: Crypto AstronautClips of the Week: American Extremism- "When Do We Get To Kill People"This Week's Notable Individual: Alec Baldwin. Actor, Producer, Accidental Shooter.Close: Respect on the name of OnlyFans Artists WestCoastRadioPodcast.ComInstagram: @WestCoastRadio_  

This episode is also available as a blog post: https://thecitylife.org/2021/10/23/the-museum-of-modern-art-announces-the-2021-line-up-for-the-contenders/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

 Lynne Sachs is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  Lynne's films are now available on the Criterion Channel. STEPHEN VITIELLO (MUSIC):Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art.  ALEX WATERS (PRODUCER):Alex Waters is a media and music producer. He  has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

This episode is also available as a blog post: https://thecitylife.org/2021/10/12/the-north-face-partners-with-san-francisco-museum-of-modern-art-to-launch-the-brands-first-ever-digital-archive-celebrating-more-than-55-years-of-enabling-exploration/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2021/10/12/new-appointments-to-lead-pan-institutional-curatorial-affairs-external-affairs-exhibitions-and-collections-and-education-at-the-museum-of-modern-art/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

I invested energy, time and focus into the storytelling ethos within the craft of DJing and that investment keeps paying off. Back in 2005 I asked the HBO Special Events brain trust to have me approach their events with this mindset and they said yes…they're still saying yes. Thank you, HBO!  Qool DJ Marv Live at the Finale Event for the HBO series Scenes from a Marriage - October 10 2021 - Museum of Modern Art - New York City Lotta LoveLove BalladDon't Make Me Wait Too LongRise Baby Come BackI'll Be AroundYou'll Never Find Another Love Like Mine When I Think of You Everything She WantsWork To DoIt's Too LateHow LongWhat A Fool BelievesDreams Here Comes The Rain AgainOwner of a Lonely Heart It's My Life Don't Leave Me This WayThinkAin't No Mountain High EnoughCan't Take My Eyes Off YouSay a Little PrayerYou're The Biggest Part of MeSteal Away I Feel For YouG'night T'nightYou & ILove HangoverWho's That LadyLove is the MessageWithout LoveGypsy WomanYou Send MeHigher LoveThe Captain of Her Heart Includes versions, remixes and re-edits by Ole Smokey, Kygo, Jay-k, Mike Dominico, The Reflex, Funkskool, Dmitiri from Paris, Young Pulse, Conan Liquid, Scrimshire & Joey Negro https://www.hbo.com/scenes-from-a-marriagehttps://linktr.ee/qooldjmarv

Die vielfach preisgekrönte Leipziger Zeichnerin Anna Haifisch veröffentlicht einen dritten Band mit ihrem schlaksigen geschnäbelten Helden The Artist. Der hat sie international bekannt gemacht und bis ins Museum Of Modern Art gebracht, diesmal wird der dürre Vogel mit seiner sensiblen Künstlerseele endlich reich und berühmt. Aber wird er auch glücklich? www.deutschlandfunk.de, Themenportal Corso Direkter Link zur Audiodatei

SLO Museum of Modern Art is Up & Adam in the Morning! Adam saw this "invisible" sculpture recently sold for $18.000, and had to ask SLOMA's Leann Standish about it. She also shares the great reopening story of SLO Museum of Modern Art and how it's improving the vibe of downtown at a time it really needs it! Visit the museum www.sloma.org

Episode 41 Sounds for Museums Sound Art to Accompany Exhibits Playlist François Baschet, Bernard Baschet, and Jacques Lasry, “Sonatine (3 Mouvements)” from Structures for Sound (1965 BAM). The exhibition 'Structures For Sound-Musical Instruments' by François and Bernard Baschet was shown at The Museum of Modern Art, New York, from October 4 to December 5, 1965. Although not heard in the exhibit, this set of compositions was co-marketed by the museum and BAM and clearly intended as a takeaway souvenir. The recordings were made in France, and released there as Les Structures Sonores Lasry-Baschet, then repackaged for the US market and exhibit. The piece was written by Jacques Lasry. Various Artists, Art By Telephone (1969 Museum Of Contemporary Art Chicago). Artists were asked to phone-in instructions for a work of art to be exhibited at Art by Telephone, held at the Museum of Contemporary Art Chicago. The museum released a recording of the phone calls and sold it at the exhibit. Here are four excerpts by John Giorno, Dick Higgins, Sol Lewitt, Richard Serra, and Jack Burnham. In total, 38 artists provided instructions that were included on the album. Audio Arts: Volume 3 No 4 Side A (1977 Audio Arts). Excerpts from a radio work by John Carson broadcast by Downtown Radio, Belfast in 1977. The program was a compilation of recordings made in June 1977 at Documenta VI, an international exhibition of contemporary art in Kassel, West Germany. We hear two excerpts, the first from artist Wolf Vostell which opens with the sound of bubbling water and the second a sound work by Achim Freyer. These audio works played in the exhibit. Other portions of the complete cassette recordings alternated between statements/interviews and sound environments/installations. Audio Arts was a magazine in continuous publication for 33 years and ran to 24 volumes, each of four issues. Various artists, from Sound (1979 Los Angeles Institute of Contemporary Art). Four of the tracks from this collection are included: Terry Fox, “Labyrinth Scored For II Cats” (1979); Jim Gordon, “Piece For Synthesizers, Computers And Other Instruments” (1979); Doug Hollis, “Aeolian Harp” (1975-76), composed 1975-76 at the San Francisco Exploratorium; Bill Fontana, “Kirribilli Wharf” (1979). Album produced for SOUND. An exhibition of sound sculpture, instrument building and acoustically tuned spaces. Los Angeles Institute of Contemporary Art July 14-August 31, 1979. P.S.I. New York, September 30-November 18, 1979. Jeff Gordon, “Everyone's An Artist” (1984). Vocal Jeff Gordon and Mug Maruyama; Programming, Graham Hawthorne; Emulators/Keyboards, Jeff Gordon. Gordon produced Revolutions Per Minute (The Art Record), a collection of audio tracks by artists released as a double LP. This track by Gordon was not included in that release but I think was used for a traveling exhibition featuring sound, The RPM Touring Exhibitions, designed by Gordon and his wife Juanita, that toured the US and Europe for over four years, including The Tate Museum in London. Laurie Anderson, “The telephone,” “The polaroid,” “The sheet,” “The wedding dress,” “The bathrobe” from La Visite Guidée (1994). Music: Laurie Anderson; Voice: Sophie Calle. Exhibition catalogue consisting of artist's book and Audio CD published in conjunction with the show held March 27- 29, 1994. The work consisted of a total of 21 short compositions. We hear five consecutive tracks from the collection. This audio was provided on a cassette for the exhibit, which visitor's played on a Sony Walkman while taking a guided tour of the Sophie Calle's exhibition Absent. Steven Vitiello. World Trade Center Recordings: Open House Bounce (1999). A recording from the 91st floor of the World Trade Center, Tower One made with contact microphones placed on the inside of the windows. This recording was only published as part of a CDR sold at an Open House Exhibition in the fall of 1999. Various recordings were made during a 6-month residency. This one in particular picked up a number of passing planes and helicopters. Various artists, Whitney Biennial 2002 (2002 Whitney Museum Of American Art). A CD was included with the 292-page hardcover catalogue "Whitney Biennial 2002" published for the same-titled exhibition at the Whitney Museum Of American Art, March 7-May 26, 2002. Four tracks are heard: Maryanne Amacher, “A Step Into It, Imagining 1001 Years Entering Ancient Rooms” (excerpt); Meredith Monk, “Eclipse,” with performers Ching Gonzalez, Katie Geissinger, Meredith Monk, Theo Bleckmann; Marina Rosenfeld, “Delusional Dub;” Tracie Morris, “Slave Sho' To Video A.k.a. Black But Beautiful.” 33 RPM: Ten Hours of Sound From France (2003 235). Exhibition companion compilation to San Francisco Museum of Modern Art, Sept. 6-14, 2003, listening room program. 33 RPM consisted of ten one-hour segments that were played on a rotating schedule at the museum during the exhibition. This was the fourth installment of an ongoing series at the museum that presented sound art scene in a variety of countries. We include the following tracks from this compilation: Kasper T. Toeplitz, “PURR#2” (2003); Jean-Claude Risset, “Resonant Sound Spaces/Filters” (2002); Mimetic, “evolution” (2003); and Lionel Marchetti, “À rebours” (1989). Jane Philbrick, "Voix/e" (2003-04 SW Harbor Songline). Installation two lightboxes, with color Duratrans (large-format backlit color transparency film), 48 x 24 x 6; two inset Alpine speakers, synthesized voice track, 9 1/2 mins. looped.; two companion LCD-screen DVDs. On view at Real Art Ways, Hartford, CT, and Consolidated Works, Seattle (2004). Audio work created by Jan Philbrick at the Center for Spoken Language Understanding, Oregon Graduate Institute. The piece consists of Philbrick's reading of the "Song of Solomon," modified and edited using voice-gendered speech synthesis to speak bride, groom, and companion parts. Marko Timlin, “Audible Light” (2017), Created by Marko Timlin, a Finnish sound artist whose work has frequently been integrated into museum installations. This installation, Audible Light, created sound directly out of light, “work inspired by Evgeny Sholpo's Variophone instrument developed in 1930.” Solo exhibition, Oksasenkatu 11 in Helsinki. Not to be confused with the 2000 museum exhibition called Audible Light at the Museum Of Modern Art, Oxford, to be featured in a future podcast. Opening montage: sounds from the recordings of Art By Telephone (1969 Museum Of Contemporary Art Chicago) and Audio Arts: Volume 3 No 4 Side A, cassette (1977 Audio Arts). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Podcast SummaryLyrics & Lattes is a self-development podcast that uses hip-hop lyrics to inspire and encourage you to show up as your best self and live a more fulfilled life. We release a full episode every Monday and a mini-episode every Thursday.Episode SummaryThe team at the National Museum of African American History & Culture invited to us to host a live show during the Museweb international conference.   MuseWeb is the largest museum innovation and technology conference in the world. Over 40 countries participate each year and have 80,000 community members. So during the conference, attendees have been leaving notes about their experience here on a graffiti wall and we’ll be sharing some here and some lyrics that go along with them. Stay ConnectedIs there a song that encouraged you or changed your perspective? Explain it via voice note at  LyricsAndLattes.com and we'll play it on the show!  IG: @LyricsAndLattesHosts: @JasonWallaceDC and @LostinDesauss 

La mostra Capolavori della fotografia moderna 1900-1940 La collezione Thomas Walther del Museum of Modern Art, New York presenta oltre 200 lavori fotografici della prima metà del XX secolo

Museums all over the world are looking for different and unique ways to engage and welcome people back into their spaces. Recently the San Fransico Museum of Modern Art unveiled an art installation by an internationally recognized artist, JR. He filmed, photographed, and interviewed more than 1,200 people across various San Francisco communities. The final artwork became a digital mural scroll across an enormous LED display. The goal was to bring together faces and untold stories of everyday people. Today I have Jason Helton from SNA Displays and Andrew Yee from Sensory Interactive hanging out with me to give us an inside looking into this art installation at the San Francisco Museum of Modern Art. Link to video timelapse: SNA Displays @  San Francisco Museum of Modern ArtConnect with Jason Helton Executive, Vice President @SNA Displays on LinkedIn HEREConnect with Andrew Yee, Senior Project Management Associate @Sensory Interactive on LinkedIn HERE

On this episode of Hello CMS, we're exploring Youth Arts Month with Dr. Chilcutt and art partners from The Bechtler Museum of Modern Art and The Charlotte Symphony.  The Bechtler Museum of Modern Art will provide virtual and guided tours of its collection while employing visual thinking strategies to help students build a deeper understanding of the work. The Charlotte Symphony will provide a virtual performance of its “One Musical Family” education concert. The concert features music from a diverse group of composers.

Confira os destaques do caderno Na Quarentena desta sexta-feira (27/11/20)See omnystudio.com/listener for privacy information.

Listen as Satellite Films founder and WE MAKE THINGS host Kuang Lee talks with Erin Fleming, Content Producer for the San Francisco Museum of Art. Find out what a producer creates for one of the most respected Modern Art Institutions in the world.  (Erin's views expressed are her own and do not necessarily represent the views of the SFMOMA).

Barry Bergdoll, Phillip Johnson Chief Curator of Architecture and Design at MoMA talks about the intellectual origins of the museum building and the development of the sculpture garden. 

We continue the conversation with the highly acclaimed feminist, experimental filmmaker, and poet, Lynne Sachs about her latest feature-length documentary film, FILM ABOUT A FATHER WHO.FILM ABOUT A FATHER WHO is perhaps one of Lynne’s most personal works and the longest of her collaborations. Filmed over a period of 35 years, Lynne Sachs collected interviews with her father, her siblings, and other family members in an attempt to understand the web that connects a child to their parent and a sister to their siblings. With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory, views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately ensconced in secrets. In the process, Sachs allows herself and her audience inside to see beyond the surface of the skin, the projected reality. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.Film critics and programmers have described FILM ABOUT A FATHER WHO as “a divine masterwork of vulnerability that weaves past and present together with ease.” I definitely consider this film essential viewing for filmmakers who lean towards the personal. FILM ABOUT A FATHER WHO had its world premiere at Slamdance Film Festival in Park City, Utah. It then went on the screen at the Museum of Modern Art in New York City as part of Documentary Fortnight and will be having its international premiere at Sheffield Doc/Fest in Autumn. Lynne also briefly speaks about her writing process, and her book, Year by Year Poems.

Clare's Rec: SFMOMAListen to Frameform: Apple Podcasts | Spotify--Subscribe now for great recommendations, Monday through Friday!

07/15 The cancel culture strikes hard at the New York Times and the San Francisco Museum of Modern Art. And apparently, nudity might be coming soon to the Minneapolis park system, because all other problems in the Minneapolis park system have obviously been solved.

I visited The Tokyo National Museum of Modern Art in Tokyo. This museum is also known by the English acronym MOMAT (National Museum of Modern Art, Tokyo), and is known for its collection of 20th-century art and includes Western-style and Nihonga artists. --- Send in a voice message: https://anchor.fm/daniel-andersson9/message

Heide Museum of Modern Art will celebrate the centenary of Australian modernist artist Joy Hester (1920-1960) with a major survey of her distinctive oeuvre. Joy Hester: Remember Me is the first solo exhibition of Hester’s […] http://media.rawvoice.com/joy_sundayartsmagazine/p/joy.org.au/sundayarts/wp-content/uploads/sites/276/2020/06/Morgan.mp3 Podcast: Play in new window | Download (Duration: 16:08 — 18.5MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Heide Museum of Modern Art Re-Opening 30 June 2020 appeared first on Sunday Arts Magazine.

In episode 058, Paul Holdengräber is joined by Pulitzer Prize-winning art critic Christopher Knight. They examine current funding models for museums and the inherent inequities which have been made particularly visible during this pandemic. Paul and Christopher also discuss the solace that can be found in art and the ways in which COVID-19 has forced us all to become more conscious when interacting with others out in the world.Christopher Knight, art critic for the Los Angeles Times, received the 2020 Pulitzer Prize in Criticism. Knight also received the Lifetime Achievement Award in Art Journalism from the Rabkin Foundation in 2020, and the 1997 Frank Jewett Mather Award for Distinction in Art Criticism from the College Art Association, the first journalist to win the award in more than 25 years.

Paola Antonelli, the senior curator in the department of architecture and design of New York’s Museum of Modern Art, speaks with us about design’s vital role in the midst of emergency, and how, by simply showing more respect, we will be remembered in a better way.

O Museum of Modern Art (MoMA), referência em arte moderna e um dos museus mais visitados do mundo, apresentou grandes mudanças em seu projeto de curadoria em 2019. No total, foram investidos US$ 450 milhões nessas transformações, que resultaram na reforma de áreas de convivência e em uma nova disposição dos trabalhos artísticos. Luiz Camillo Osorio comenta essas diferenças na curadoria do museu norte-americano e explica as razões que levam as instituições a repensarem a maneira de contar a história da arte moderna na atualidade.

We are back! In this interview, I sat down with Nectar Knuckles to talk about trends in the world of art curation, the role of a curatorial fellow, and Nectar's journey majoring in art history at Barnard College.

The Museum of Modern Art in NYC displayed a famous painting upside down for 47 days and 100,000 visitors before someone noticed... but without that mistake, we never would have heard of it.

For this week's episode Alice and Amy finally went on their 'sister trip' up to Edinburgh, where they checked out the 'Beyond Realism | Dada and Surrealism' exhibition at The National Scottish Museum Of Modern Art. We do love a bit of surrealism and it was great finding some familliar artists work and learning about some new ones (well, new to us because surrealism is an old movement).

Paola Antonelli is the Museum of Modern Art’s Senior Curator in the Department of Architecture & Design, as well as the institution’s Director of R&D. She’s also — like me — a fan of the beloved arts organization Eyebeam. This month, Eyebeam celebrates its 20th anniversary, and Antonelli will be the keynote speaker at the celebration. I sat down with this leading curator to discuss the world of design, tech, and what organizations like Eyebeam are doing to change the landscape. A special thanks to Newborn Huskies for the music to this week’s episode. You can listen to that and more at newbornhuskies.bandcamp.com and on other streaming services.

This past Monday, over a hundred members of UAW Local 2110, the largest of the Museum of Modern Art’s five unions, staged a walkout just days before negotiations were set to resume. The union members, who are employed in almost every department at MoMA, have been working over 80 days without a contract. I invited two members of UAW Local 2110 to talk to Hyperallergic and tell us what the state of negotiations is with one of the world’s leading museums of modern and contemporary art. I asked them about the sticking points and challenges of the negotiations this time around. And then I talk with Apsara DiQuinzio, curator of modern and contemporary art at the Berkeley Art Museum and Pacific Film Archives (BAMPFA) in Berkeley, California, about the Bay Area’s evolving art scene, her current exhibition featuring two artists associated with the Mission School (Alicia McCarthy and Ruby Neri), and I ask her, how truly liberal is the art world? A special thanks to Hellrazor for the music to this week’s episode, which features their latest album, Satan Smile. You can listen to that and more at lkhellrazor.bandcamp.com and other streaming services.

WE CAN’T EAT PRESTIGE! We joined the picket line in front of the Museum of Modern Art to greet the guests at their annual fundraiser “Party in the Garden” The MoMA workers organized their own “Party on the Pavement” to amplify their demand for a fair labor contract. We say hi to our friends Jeff … Continue reading "DISPATCH – MoMA Local 2110’s Party on the Pavement"

René Magritte The Fifth Season May 19–October 28, 2018 (Text from SFMOMA) René Magritte (1898–1967) was one of the most intriguing painters associated with Surrealism, but he did not fully find his voice until after breaking ties with the movement. This exhibition, the first to look exclusively at Magritte’s late career, examines his most important bodies of work from the 1940s through the 1960s, and shows how they marked a fundamental shift in painting from Modernism to our own time. Featuring more than 70 artworks in nine immersive, thematic galleries, René Magritte: The Fifth Season explores how Magritte balanced irony and conviction, philosophy and fantasy, to illuminate the gaps between what we see and what we know. Together, the works reveal Magritte as an artist acutely attuned to the paradoxes at work within reality, and an enduring champion of the role of mystery in life and art.

On June 8, 1968, three days after the assassination of Senator and Democratic presidential candidate Robert F. Kennedy, his body was carried by a funeral train from New York City to Washington, D.C. for burial at Arlington National Cemetery. Just two months after the assassination of Martin Luther King, Jr. and five years after President John F. Kennedy’s death, Robert Kennedy’s passing united diverse communities grieving the loss of a politician who had represented hope for much of the nation during a tumultuous decade.

We take a look (experience) at the Living Wall at the San Francisco Museum of Modern Art.

MoMA’s 1942 Wartime Housing exhibition demonstrated that housing contributed to the war effort. Through innovative display, the museum proposed that new materials, modern techniques, and community planning would create lively permanent communities.

The 1938 exhibition, Three Centuries of American Art, on display in Europe and the United States.

"With great power, comes great responsibility." As the Creative Director of Advertising and Graphic Design at MoMA in New York, Julia Hoffmann leads a creative team that designs and implements the institution’s powerful visual communications. While Julia was hosting a workshop with us, Gestalten.tv took the opportunity to speak with Julia and bring you insights into her works with Tim Burton, her views on visitors’ hidden creativity, and her "ego-less" approach to making art shine like a star.

Charles Bernstein and A.E. Stallings read at the Museum of Modern Art.

The biggest surprise behind the revolutionary creation of the Museum of Modern Art is that the characters who put it together were almost as colorful as the art they championed. Tag along as we peek behind the canvas of New York's oldest temple of the avant garde. PLUS: We debut our first Bowery Girl! www.boweryboyspodcast.com

The biggest surprise behind the revolutionary creation of the Museum of Modern Art is that the characters who put it together were almost as colorful as the art they championed. Tag along as we peek behind the canvas of New York's oldest temple of the avant garde. PLUS: We debut our first Bowery Girl! www.boweryboyspodcast.com Support the show.

2006 NMC Center of Excellence Award recipient San Francisco Museum of Modern Art, Education Department. Recognized for their innovation and creativity in expanding the boundaries of informal learning and how we think about art.