Podcasts about museum of modern art

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an insightful interview with artist Ester Hernandez. Ester shares her journey from growing up in a farm town in the San Joaquin Valley to becoming a renowned printmaker. She discusses the impact of growing up in a culturally rich Mexican environment and her experiences at UC Berkeley, where she studied various art forms despite facing challenges as a woman of color. A central focus of the episode is Ester's famous piece, 'Sun Mad', which critiques the use of pesticides in farming and has been displayed in prestigious museums worldwide. She also reflects on her early love for drawing, the inspiration from friends Sandra Cisneros and Alice Walker, and her ongoing effort to document her family's history with cotton farming in a new book. About Artist Ester Hernandez:Ester Hernandez was born in California's San Joaquin Valley to a Mexican/Yaqui farm worker family. The UC Berkeley graduate is an internationally acclaimed San Francisco-based visual artist. She is best known for her depiction of Latina/Native women through her pastels, prints and installations. Her work reflects social, political, ecological and spiritual themes.Hernandez has had numerous national and international solo and group shows. Among others, her work is included in the permanent collections of the National Museum of American Art – Smithsonian; Library of Congress; MoMA, New York; Legion of Honor, San Francisco; National Museum of Mexican Art, Chicago; Museo Casa Estudio Diego Rivera y Frida Kahlo, Mexico City; Museum of Contemporary Native Art, Institute of American Indian Arts, Santa Fe, NM; Victoria and Albert Museum, London.  Her artistic and personal archives are housed at Stanford University.Visit Ester's Website:  EsterHernandez.comFollow Ester on Instagram: @EsterHernandezArt--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_PodcastA Better World: A Comic About Ester Hernandez--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Episode 6O7: Today I talk to Molly Phillips, of the Art on prescription at The Bechtler Museum of Art, where they partner with Novant Health to provide patients with free art. It was created specifically to address loneliness, and create connectivity. I wanted to find out all about it, so I meet her at the […] The post Art on Presciption: The Bechtler Museum of Modern Art Partners With Novant Health to Prescribe Art! appeared first on Let's Talk Art With Brooke.

Probst, Carsten www.deutschlandfunkkultur.de, Fazit

Music Of Our Generation

Shortly after the US election on 5 November, the Smithsonian American Art Museum in Washington opens The Shape of Power: Stories of Race and American Sculpture, a radical new perspective on the history of the discipline from 1792 to now. Ahead of its opening, Ben Luke speaks to Karen Lemmey, a curator of sculpture at the Smithsonian American Art Museum and co-curator of the exhibition. In Warsaw, the Museum of Modern Art—a project 20 years in the making—has partially opened. We speak to its director, Joanna Mytkowska, about the long road to the unveiling and the upheavals in Polish politics along the way. And this episode's Work of the Week is The Lamentation over the Dead Christ (early 1620s) by Jusepe de Ribera. It features in the first survey of the Spanish-born Baroque artist ever staged in France, at the Petit Palais in Paris. The museum's director, Annick Lemoine, tells us more.The Shape of Power: Stories of Race and American Sculpture, Smithsonian American Art Museum, Washington, D.C., 8 November-14 September 2025.The Museum of Modern Art, Warsaw is open now; its full programme will be unveiled in February 2025.Ribera: Shadows and Light, Petit Palais, Paris, until 23 February 2025.The Art Newspaper subscription offer: get three months for just £1/$1/€1. Choose between our print and digital or digital-only subscriptions. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

„Madonna ist ein Gast, die willst du auf deiner Party haben. Aber es ist auch ein großer Druck. Weil Madonna kommt, um zu tanzen. Sie ist sehr, sehr kritisch mit der Musik. Sie ist Madonna und weiß, was sie will.“ Er feiert die Partys, auf die wir alle wollen. Und er macht die Werbekampagnen, die wir alle sehen. Creative Director Thomas Hayo. Seit 30 Jahren lebt er in Manhattan. Im 1. Teil dieser TOMorrow-Doppelfolge hat er von seinem Aufstieg erzählt. Vom Praktikanten zum Popstar der Werbeindustrie. Wie er mit dem legendären John Hegarty eine der coolsten Agenturen der Welt aufbaute. Globale Etats von Levis, Axe bis Sony-Ericsson verantwortete und warum Kampagnen von ihm im Museum Of Modern Art ausgestellt werden. Seine wichtigsten Learnings aus New York. Jetzt nimmt er uns mit in sein Amerika. Wie sich das Land verändert hat. Wie zerrissen es heute ist. Vom Land of Dreams zu Trump-Land. Thomas Hayo hat in den letzten Jahren viele Präsidentschaftswahlkämpfe begleitet und mit seiner Kamera dokumentiert. Das System Donald Trump: Er hat es selbst erlebt. Hier seine spannende Analyse und sein Blick auf die neue Präsidentschaftskandidatin Kamala Harris. Seit Frühjahr hat Thomas Hayo die US-Staatsbürgerschaft und darf damit zum ersten Mal in Amerika wählen. Seine Gedanken dazu: Jetzt hier in TOMorrow. Wenn du mitdiskutieren möchtest: Ich freue mich auf dein Feedback in den Kommentaren oder hier auf Social Media: http://lnk.to/ TOMorrow-Podcast und cool, wenn du den Channel abonnierst.

In this bonus episode, we're joined by the newly appointed director and CEO of the Solomon R. Guggenheim Museum and Foundation, Dr. Mariët Westermann, who is the first female appointed to the role. Mariët oversees the “constellation” of museums—four over three continents united, she says, in one mission, “to create opportunities for anyone to engage with the transformative and connective power of art and artists”. Mariët is inheriting opportunities and challenges, and we delve into some of those, from the back histories to the budgets. She talks to us about the future of the museum—from plans for the opening of the Guggenheim Abu Dhabi to the nuts and bolts of balancing the books. One of the key changes Mariët advocates for is a shift in the institutional mindset. Rather than taking a defensive stance, where the museum might try to address gaps or criticisms reactively, she hopes for a move towards a more open approach. "We are learning communities," she says. "We're full of curious people. Artists are curious." All this and much more in this special episode, which brings to an end our second season.

In this episode we delve into the artistic universe of Refik Anadol, a Turkish-American new media artist renowned for his innovative use of data-driven machine learning algorithms in art. From his early days in Istanbul to his advanced studies and creative endeavors in Los Angeles, we explore the formative experiences that shaped his pioneering approach to digital art. Refik discusses his groundbreaking projects like "Machine Hallucination" and "Virtual Depictions," revealing how he transforms abstract data into immersive, sensory experiences that challenge traditional notions of art and space. The episode also highlights his cultural collaborations and the impact of his work on global art narratives, all while contemplating the evolving role of artists in our technology-driven world. Join us as we journey through Refik Anadol's vision, where data not only informs but also inspires the future of artistic expression.See omnystudio.com/listener for privacy information.

What if you were embroiled in a public workplace controversy? And what happens on the other side of the headlines—would you walk away from your field, or would you reengage with it to try and improve upon it? This very special episode is a break from the norm. In it, we discuss museums and change—and what it takes to get to that change. We're joined by three curators—Mia Locks, director and co-founder of Museums Moving Forward; Fatoş Üstek, curator and former director of the Liverpool Biennial; and Laura Raicovich, writer, curator, and former president and executive director of the Queens Museum. Each of them has been through a public furor. In those moments, they have found a lack of institutional support and, afterwards, each has shifted from their previous career paths. But each has reengaged with the field in more ambitious and ultimately hopeful ways. Museums can't be taken for granted. But what does it take to create change? Tune in now for more. 

This time, we're joined by the artist LaToya Ruby Frazier, just before the opening of her major new exhibition 'Monuments of Solidarity' at the Museum of Modern Art in New York. “This exhibition spiritually uplifts people,” she says. “It inspires people to be the change they need, but it also inspires them to be better human beings. To look beyond the self, to look beyond individualistic desires, to think about the fact that you are connected to an ecosystem and a world around you. People won't be the same. This is a transformative exhibition.” We delve into LaToya's faith and the impact of art on our lives, its power not only to shine light into the darkness, but to move through people and communities and so to create profound, lasting change. Enjoy.

Die Lage am Oresund: ein Traum. Die Ausstellungen zu Kunst, Architektur und Design: hochspannend. Und die Geschichte hinter dem Louisiana Museum of Modern Art: romantisch und ein gewaltiger Neuanfang. In dieser Episode erzählen wir dir in unter 10 Minuten, was dieses Haus und seine Ausstellungen so besonders macht. Interview-Gast: Thomas Bendix, Kurator im Louisiana Museum of Modern Art.

We've had the honor of being asked to host the 2024 Bechtler Museum Gala, and we are so excited to make this a night to remember! In this episode, we sat down with Todd Smith, the Executive Director of the Bechtler Museum of Modern Art in Charlotte, to discuss the gala, the iconic exhibits at the museum, and the legacy of the Bechtler family. Join us on April 19th at 7:00 PM for the 2024 Bechtler Museum Fire + Ice Gala! Click here to get your tickets!   Visit the Bechtler: Website Bechtler Events Fire + Ice Gala   Leave us a voice memo at https://Speakpipe.com/BePowerful! Send us a question to answer on the show, something that resonated with you from an episode, whatever you'd like! We can't wait to hear from you!   Step up your sleep game with Baloo, the leading name in luxury weighted blankets that are eco-friendly, non-toxic, and machine washable! Use code “LIZ” at Baloo to get 22% off your order!   Sakara offers sleek and science-backed nutrition products that will help you feel your best and hit all your wellness goals! Get 20% off at Sakara with promo code “XOLIZHSM”   Some key takeaways from this episode include: We were invited to host the 2024 Bechtler Museum Gala, and were tasked with making the Bechtler weird again! Our goal is to create an environment where people can let their true selves out and feel completely welcome and accepted for it. This year's theme is Fire + Ice as a nod to artist Hildur Ásgeirsdóttir Jónsson, whose exhibit Infinite Space, Sublime Horizons pulls inspiration from Iceland's beautiful landscapes. Even though Charlotte is considered a banking city, it is so rich with art centers like the Bechtler, the Harvey B. Gantt Center, the McColl Center, and the Mint Museum. That balance is essential for a vibrant city!   Hilliard Studio Method takes working out to the next level to produce results that are nothing short of a total mind-body transformation. If you're ready to get in incredible shape, you can work out with us in-person at our Charlotte studio, join classes from home via Zoom, or sign up for our on-demand streaming service! HSM In-Person Classes HSM At Home (Via Zoom) HSM Streaming   Be Powerful with Liz & Lee is focused on helping you find your inner power and for us to share our thoughts on society, culture, and current events. As the team behind Hilliard Studio Method in Charlotte, North Carolina, we love all things wellness and will also share info on how to live your healthiest life mentally, physically, and emotionally.   Podcast contact info: Liz's Instagram  Lee's Instagram Hilliard Studio Method HSM Facebook Liz & Lee's YouTube

Annie Fletcher from the Irish Museum of Modern Art joins Karl Fitzpatrick to discuss how her experiences in Europe have influenced her role in the museum, how she approaches innovation and why she is passionate about promoting Irish artists internationally.https://karlfitzpatrick.ie Hosted on Acast. See acast.com/privacy for more information.

In der Mittagsfolge sprechen wir heute mit Yannick Mayer, COO und Co-Founder von Eternalyst, über Non-Fungible Tokens, deren Akzeptanz in der Bevölkerung und in den Medien sowie über deren Zukunftsaussicht.Eternalyst handelt digitale Kunst, die auf der Blockchain in Form von Non-Fungible Tokens (NFTs) gespeichert ist. Mittlerweile versteigern, besitzen und stellen weltbekannte Akteure, wie die Auktionshäuser Christie's und Sotheby's sowie die Kunsthäuser Museum of Modern Art und die Saatchi Gallery, digitale Kunstwerke aus. Das Startup bietet auf der Grundlage von jahrzehntelanger Erfahrung professionelle Kuration von digitalen Kunstwerken und Kunstsammlungen an. Darüber hinaus hat das Unternehmen eine Expertise im Bereich Blockchain und sorgt für eine sichere Verwahrung digitaler Kunst nach höchsten Sicherheitsstandards. Außerdem gehören die Durchführung sämtlicher Transaktionen, Verwahrung der Zugangs-Codes, Versicherung der Sammlung sowie Performance-Updates zu dem Lösungsportfolio des Unternehmens. Eternalyst wurde im Jahr 2022 von Yannick Mayer, Lucas Pirker und Robert Seyfert in Vaduz gegründet. Das Liechtensteiner Startup hat bereits eine Vielzahl von Kunstsammelnden, Investierenden und Galerien von seinem Service überzeugt. Das übergeordnete Ziel ist es, die zentrale Anlaufstelle für die Bewertung, Kuration, Kauf, Verkauf und die Verwahrung digitaler Kunst zu werden.Digitale Kunst und die damit in Verbindung gebrachten NFTs waren in der Vergangenheit oft Gegenstand negativer Berichterstattungen, in der sie als hochspekulativ und wertlos beschrieben wurden. NFTs sind ein dezentrales Speichermedium, das die Blockchain-Technologie nutzt. Der Kunstwert wird dabei durch das auf dem NFT gespeicherte Werk bestimmt. Viele der negativen Berichterstattungen sind auf NFT-Projekte zurückzuführen, die Bilder und Kunstwerke in Form von NFTs mit geringem Wert veröffentlichten. Im Gegensatz dazu steht eine steigende Anzahl etablierter Künstlerinnen und Künstler, die digitale Kunst entdecken und nutzen. Durch die Speicherung in Form eines NFT auf der Blockchain ist digitale Kunst zudem nachverfolgbar, authentifizierbar und einzigartig.

Paula Baxter was on the show today and she's very interesting, as most of our guests are.  All of our guests have a similar thread of the arts running through their lives in some form or fashion. In her case, it was 1986 when she was in Santa Fe and bought a piece at Ortega's on the Plaza. It was like an epiphany for Paula. She needed to be more aware of this material. Paula has worked as the head curator of art and architecture for the New York Public Library, she worked at MoMA, and she was a humanities professor.  She held these significant positions, but at the end of the day had always wanted to be a writer. I think that's what her gift is to the world. She's done these wonderful books on Native American jewelry. Her most recent book "Navajo and Pueblo Jewelry Design: 1870–1945," is a really great book. In fact, it's been at my bedside for a long time because the material is wonderful, the photos are beautiful, and the timeline she inserted is very helpful. The amazing photographs were taken by her husband, Barry Katzen. So I think this podcast is one that follows the journey of somebody's life, you know, and how they get to where they get and why they're on planet Earth. Palua is clearly here to spread the word and to educate. To tell people that Native American jewelry is such an important art form. It is a form of art that is very close to my heart and it's a privilege that I can wear and appreciate every single day.Anyway, I hope you enjoy the podcast. I know I did. Art Dealer Diaries Podcast episode 271 with Paula A. Baxter.

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This season on VISIONS will explore the content of VISIONS: Volume IV by Future Commerce. VISIONS is an audio-visual Annual Trends report that examines the changes in culture and commerce and their impacts on the technology industry that serves them. VISIONS: Volume IV took place over three months, from April to June 2023, bookended by two events.Today we go live to the first of those events at the Celeste Bartos Theater at the Museum of Modern Art in New York City, where we'll speak with a panel of modern culture reporters, foresight analysts, and media creators and ask them the question, “Where is the counterculture?”Trends are Change{00:04:11} “What we have right now is a lot of interesting niche subcommunities with their own cultures and then countercultures to those. And I think the result of that is it's very hard to know what's trending because trends really exist within these sort of niche subcultures and microspheres. And then by the time they exit, they're no longer a trend, they're more like a trend discourse.” - Daisy Alioto{00:06:47} “You can't really talk about counterculture without talking about the capitalization of it all. You can capitalize on these weird trends, whether it's something like Dimes Square, and then you see a year later, the entire Marc Jacobs campaign for a massive fashion brand is these characters. So is that really counterculture if that's cool now?” - Emily Sundberg{00:09:00} “Sometimes I do get bummed about the lack of existence of new things, and that's why we're going so hard on fashion history because everything feels really referential. But also there's something fun about new combinations and seeing a couch where there's a guy from the White Lotus on it, but there's also a girl that you saw at a party last week.” - Alexi Alario{00:11:26} “Is there counterculture or subculture or monoculture? It's completely dependent upon the sample size in which we're looking at. And for the most part, I think it behooves us to really broaden our aperture of really understanding what's most important to the most amount of people, because if we have to select too small of a sample size, we're just speaking to ourselves and really ignoring the masses.” - Matt Klein{00:16:14} “When we're talking about nostalgia and memory as some of the strongest mechanisms for marketing and the relationship that nostalgia and memory have to certain mediums, like the type of film or camera you were using when you first encountered something or the type of car you were driving when you first encountered something, it's very hard to package that in an authentic way, but if you can, that becomes the brand moat. And that's the thing that allows you to excel past all of your competitors.” - Daisy Alioto{00:24:02} “The thing about de-influencing is, yes, there's a little bit of stoicism of screw it, don't buy this thing, but it's still a form of influencing.” - Matt Klein{00:28:42} “Daisy Alioto: it's also important to remember that, for every counterculture movement, the response to it will be part of the cycle of the next culture, even if it's happening in this very fragmented way now.” - Daisy Alioto{00:35:34} “Nothing gets better without criticism. So I feel like it's okay that everyone is a critic as long as I think it creates a heightened awareness. And especially with algorithms. If you're not a critic, you're just going to let them like run over you.” - Alexi AlarioGuestsDaisy Alioto, CEO and Co-Founder of DirtEmily Sundberg, Writer, Creative Strategist, and Publisher at Feed Me SubstackAlexi Alario, Co-Host of the Nymphet Alumni PodcastMatt Klein, Cultural Theorist and Publisher of ZineHave any questions or comments about the show? Let us know on futurecommerce.fm, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners!

She is one of the most influential graphic designers in the world and Partner at Pentagram. Paula Scher has left an untenable imprint in the design industry - from designing Boston's album cover to developing the brand identity of the Museum Of Modern Art and Tiffany & Co. In this episode of Design Can Kristina May talks to her about the ethical dilemmas of impactful design, the intricate dance between art and design and the principles that have shaped Scher's career.  We also cover: A key challenge that many designers face today How to balance craftsmanship and new technology Changes in the design industry and the latest change due to AI How to handle set-backs and design failures

Nearly a hundred climate activists rallied at the Museum Of Modern Art in NYC on September 15 to call for the removal of board chair Marie-Josée Kravis because of her and her husband's Henry Kravis's ties to the fossil fuel industry. The protest comes before the major September 17 march to End Fossil Fuels in NYC prior to the UN climate summit. Henry Kravis, whose net worth is around $7.8bn, is a co-chief executive of KKR, one of the world's five largest private equity firms. It is heavily invested in fossil fuels in the US, Canada, the UK, Europe and the Middle East. KKR is behind the Coastal GasLink Pipeline being built through Wet'suwet'en territory in Canada. We start off by hearing from some of the Hereditary chiefs from Canada. We later hear among others from Roni Zahavi-Brunner of Planet over Profits and Michael Kink of Strong Economy for all. We then here again from Roni after several dozen activists occupied and shut down MOMA. By Mark Dunlea for Hudson Mohawk Magazine.

In this episode, Eric sits down with author, media personality and art collector; Alvin Hall. They discuss his early beginnings — growing up in Florida during the Jim Crow era, his educational journey and early exposures to art. The artists who inspired him and helped cultivate his knowledge and appreciation for the artistic process. How he began collecting black and white photography and prints, his passion for writing, his career as a financial writer and becoming a patron of the arts. The works in his collection; what motivates his decision making when buying art and how his collection has evolved through the years. They discuss abstract art, art as an investment... the books he has written, his recent podcast series and research on the Green Book, his new book and upcoming projects. For more visit: www.ericsperspective.comGuest Bio: Alvin Hall is an internationally renowned financial educator, television and radio broadcaster, bestselling author and regular contributor to magazines, newspapers and websites. For five years on the BBC, he hosted the highly rated and award-winning series, Your Money or Your Life, on which he offered both practical financial and psychological advice to people about how to take control of and fix their financial problems. His radio program, Jay-Z: From Brooklyn to the Boardroom, won the Wincott Foundation Press and Broadcasting Award for the best radio program for 2006. In the US, he is a regular contributor on personal finance and the economy on NPR's Tell Me More with Michel Martin.Among Hall's bestselling books are: You and Your Money: It's More than Just the Numbers, Your Money or Your Life (winner of the WHSmith 2003 People's Choice Award), What Not to Spend, Getting Started in Mutual Funds 2nd Edition, and Getting Started in Stocks 3rd Edition. His children's book, Show Me the Money, has been published in over 20 foreign-language editions. Hall lives in New York City where he designs and teaches classes about the investment markets for financial services companies, banks, regulatory authorities, as well as information and technology vendors.  He is also on the Acquisitions Committee of the Studio Museum in Harlem.About Eric's Perspective: A podcast series on African American art with Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.For more on Eric's Perspective, visit www.ericsperspective.com#ERICSPERSPECTIVE #AFRICANAMERICAN #ART SUBSCRIBE: http://bit.ly/2vVJkDn LISTEN ON: Apple Podcasts: https://apple.co/2B6wB3USpotify: https://spoti.fi/3j6QRmWGoogle Podcasts: https://bit.ly/3fNNgrYiHeartRadio: https://ihr.fm/2KtYGXv Pandora: https://pdora.co/38pFWAmConnect with us ONLINE: Visit Eric's Perspective website: https://bit.ly/2ZQ41x1Facebook: https://bit.ly/3jq5fXPInstagram: https://bit.ly/39jFZxGTwitter: https://bit.ly/2OMRx33 www.mhanksgallery.comAbout Eric Hanks: African American art specialist and owner of the renowned M. Hanks Gallery, Eric Hanks is one of the leading representatives of Black artists, promoting and selling their works nationally to individual and museum collections, publishing exhibition catalogues, teaching art appreciation classes, and writing articles and essays appearing in prestigious art books and various other publications. 

Winnie Sze and Pim Arts, curators at the Cobra Museum of Modern Art in the Netherlands, carve out the connections between Dutch, Danish, and South African artists like Ernest Mancoba, and see how African masks and sculptures, encountered in European museums, shaped abstract-surrealism in the 20th century. Cobra - Copenhagen, Brussels, Amsterdam - were three cities at the core of a pan-European political art movement, calling for freedom and common humanity in the wake of World War II. Drawing on cubism, expressionism, and surrealism, they shared Pablo Picasso's attraction to African masks and sculpture. Yet, they worked between abstract and figurative art, some seeking to escape the exotification, othering, and orientalism of movements past. Born in British-colonial South Africa in 1904, Ernest Mancoba didn't ‘come into contact' with African sculpture as art until he travelled to ethnographic and colonial museums in Paris and London. Along with artists like Sonia Ferlov and Egill Jacobsen, he became a leading figure in collaborative movements like Linien (The Line) and Helhesten (Hell Horse), based in Denmark. Winnie Sze and Pim Arts curate two of three exhibitions celebrating 75 years of the Cobra art movement (1948-1951), which focus on Scandinavia. They detail the differences between African and Western sculpture, how Danish artists used satire and Degenerate Art in acts of resistance against the Nazi Empire, and why Denmark has been othered in the history of avant-garde art. The three exhibitions of Cobra 75: Danish Modern Art run at the Cobra Museum of Modern Art in the Netherlands until 14 May 2023. For more, you can also read my review of Cobra 75 in gowithYamo: https://www.gowithyamo.com/blog/a-triptych-of-danish-modernism-cobra-and-degenerate-art-in-denmark. WITH: Pim Arts, curator of We Kiss the Earth - Danish Modern Art 1934-1948. Winnie Sze, curator of Je est un autre: Ernest Mancoba and Sonja Ferlov. Both exhibitions are part of Cobra 75: Danish Modern Art. ART: Works from ‘We Kiss the Earth: Danish Modern Art, 1934-1948'. IMAGE: Peter Tijhuis. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

This episode is also available as a blog post: https://thecitylife.org/2023/03/06/the-museum-of-modern-art-and-film-at-lincoln-center-announce-the-complete-lineup-for-the-52nd-edition-of-new-directors-new-films-march-29-april-9/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2023/03/03/the-museum-of-modern-art-announces-signals-how-video-transformed-the-world-a-major-exhibition-exploring-the-intersection-of-video-art-and-social-change/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Visual artist Yve Laris Cohen reflects on his exhibition at The Museum of Modern Art entitled 'Studio/Theater' with Jacob's Pillow Director of Preservation Norton Owen. The exhibition featured remnants of the Pillow's Doris Duke Theatre, which was destroyed by fire in November 2020. This is a sequel to Episode 44 with MoMA curator Martha Joseph and former Pillow Director Liz Thompson. 

The heirs of Fritz Grünbaum, a Jewish cabaret singer and art collector killed during World War II, are suing the Santa Barbara Museum of Art over a prized pencil on paper drawing they say was robbed from their late relative by Hitler's Third Reich. KCSB's Dan Siddiqui has the details.

The remains of the Pillow's Doris Duke Theatre were memorialized in an exhibition at The Museum of Modern Art by visual artist Yve Laris Cohen. In conversation are exhibition curator Martha Joseph and two participants in related performance events, former Pillow Director Liz Thompson and Preservation Director Norton Owen.

This episode is also available as a blog post: https://thecitylife.org/2022/11/13/the-museum-of-modern-arts-15th-annual-film-benefit-presented-by-chanel-to-honor-guillermo-del-toro-on-december-8/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/11/08/the-museum-of-modern-art-announces-a-new-seasonal-lineup-of-onsite-and-online-offerings-for-families/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/11/07/the-museum-of-modern-art-announces-the-2022-line-up-for-the-contenders/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

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Today we have a conversation from the San Francisco Museum of Modern Art with Dr. James Oles, guest curator for the exhibition about Diego Rivera's art from the 1920s to 1940 at the SFMOMA. Dr. James Oles is a specialist in Latin American art, focusing on modern Mexican art and architecture, through the museum as well as academic projects. His books include South of the Border: Mexico in the American Imagination, 1914-1947 (Smithsonian Institution Press, 1993); Art and Architecture in Mexico (Thames & Hudson, 2013), the first survey of its kind in some 50 years; and a monograph on the color photographs of Manuel Alvarez Bravo. Oles is guest curator for Diego Rivera's America, an in-depth exploration of the artist's work of the 1920s, 1930s, and 1940s, which opened at the San Francisco Museum of Art (SFMOMA) in July 2022, and travels to Crystal Bridges Museum of American Art in March 2023. He edited the fully illustrated scholarly catalog that accompanies this exhibition. Oles received his Ph.D. from Yale University in 1996, and now divides his time between the U.S. and Mexico. He is a senior lecturer in the Art Department at Wellesley College, and in 2002 was appointed adjunct curator of Latin American art at the Davis [...]

This episode is also available as a blog post: https://thecitylife.org/2022/08/02/modern-mondays-at-the-museum-of-modern-art/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Patricio del Real, Associate Professor of Art and Architecture at Harvard University, talks about his new book Constructing Latin America: Architecture, Politics and Race at the Museum of Modern Art. It's the fascinating story of how race, gender, politics and even climate control formed the tapestry of Latin American modernist architecture and how it was projected through MOMA.

A New Zealand Horror film is set to be showcased on the global stage at the legendary Museum of Modern Art in New York. The 1993 film called 'Jack Be Nimble' will screen at the museums upcoming summer film series "Horror: Messaging the Monstrous" in July, and the film has been celebrated by the New York Times in an article about the series. The film stars Bruno Lawrence, Sarah Smuts-Kennedy, and American actor Alexis Arquette prior to her transition. Director and writer Garth Maxwell talks to Jesse about the new attention the movie's getting!

There is perhaps no one on the planet with a bigger-picture view on the impact of design—in all of its manifestations—than Paola Antonelli. As the Museum of Modern Art's senior curator of architecture and design as well as its director of R&D, Antonelli consistently expands notions and definitions of what might be considered “design,” and shows how, in no uncertain terms, design connects to practically everything we see, touch, hear, taste, smell, and do. With great passion and energy, she is the ultimate clear-eyed booster of this wide-ranging realm she holds dear. Antonelli's most recent output—the book Design Emergency: Building a Better Future (Phaidon)—is not only an outgrowth of her prolific 28-year career at MoMA (during which she has worked on related projects including the 2005 exhibition “Safe: Design Takes on Risk,” the 2015 book Design and Violence, and the 2019 Triennale di Milano exhibition “Broken Nature: Design Takes on Human Survival”), but also a result of the pandemic. During lockdown in spring 2020, Antonelli, together with the British design critic and writer Alice Rawsthorn, conceived and launched @designemergency on Instagram, a still-ongoing feed that highlights voices central to key global issues, all of them related to improving the world through design. The effort is yet another example of Antonelli's talent for synthesizing a vast array of provocative projects, designers, products, and ideas; bringing them to the forefront; and giving them much-needed attention. On this episode, Antonelli talks with Spencer about time as a frustration, the myth of speed, the importance of going with the flow, and the many design emergencies constantly taking place all around us.Special thanks to our Season 5 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Full transcript[04:15] Museum of Modern Art[04:15] @curiousoctopus[05:38] Objects of Design: From the Museum of Modern Art[06:09] “Machine Art”[12:54] “Humble Masterpieces”[15:44] “Mutant Materials in Contemporary Design”[17:42] “Design and the Elastic Mind”[25:14] “Neri Oxman: Material Ecology”[29:34] Design Emergency[29:34] Alice Rawsthorn[33:43] @design.emergency[45:18] “Items: Is Fashion Modern?”[47:02] The 3,000-Year History of the Hoodie[51:03] “Safe: Design Takes On Risk”[01:04:45] Design and Violence

This episode is also available as a blog post: https://thecitylife.org/2022/04/21/the-museum-of-modern-art-and-neue-galerie-new-york-acquire-rare-color-self-portrait-lithograph-by-german-artist-kathe-kollwitz/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/04/19/the-museum-of-modern-art-announces-sustainability-efforts-ahead-of-earth-day-2022/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/04/16/museum-of-fine-arts-boston-and-san-francisco-museum-of-modern-art-announce-tour-dates-for-frank-bowlings-americas/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2022/04/02/film-at-lincoln-center-and-the-museum-of-modern-art-announce-the-complete-lineup-for-the-51st-edition-of-new-directors-new-films-april-20-may-1/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

All Local for 4pm. 03/15/22

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This episode is also available as a blog post: https://thecitylife.org/2022/02/25/the-museum-of-modern-art-launches-uniqlo-nyc-nights-on-march-4/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

In episode 198 UNP founder and curator Grant Scott is in his shed reflecting on a considered response to the podcast and hearing from Jim Mortram about #PhotoPrintDay. Plus this week photographer Alen MacWeeney on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Born in Dublin in 1939, Alen MacWeeney became a press photographer for a local newspaper in 1952. One of his earliest bodies of work was of the semi-nomadic Irish travellers, images that were also turned into a movie, broadcast on RTÉ and BBC 4, and included in Itinérances, 28th Festival Cinéma d'Alès, which MacWeeney co-directed. MacWeeney left Ireland and moved to New York in 1961 to assist Richard Avedon. His work was getting noticed, resulting in them being shown in the Museum Of Modern Art. After working on glamorous shoots for influential titles such as Vogue and Harper's Bazaar in Paris and New York City, MacWeeney had become disenchanted with the highly stylised nature and limitations of studio photography, and was becoming more interested and influenced by the work of documentary photographers such as Robert Frank and he returned to Ireland in late 1962. He then began an extensive career in commercial and editorial photography. His personal work from the mid-1960s capture the misty streets and cozy pubs of Dublin with Joycean affection. There are also sprawling country landscape views with flocks of sheep and ancient cairns. MacWeeney's best-known work from this period is his series and book Travellers: Tinkers No More. At a time when this centuries-old itinerant culture shifted from horse-drawn conveyance to motor-hauled caravans, the he explored their makeshift camps with his camera and tape recorder. His work is included in the collections of the Museum of Fine Arts Houston, the Museum of Modern Art, New York and the Art Institute of Chicago. MacWeeney's photographs have appeared internationally in magazines and books: among them, The New Yorker, The New York Times Magazine, Esquire, G.Q., Life, The World of Interiors, American Photographer, and Aperture, amongst many others. His work has been published books including: Irish Walls; & Ireland, Stone Walls and Fabled Landscapes, Bloomsbury Reflections, Charleston: A Bloomsbury House and Garden, The Home of the Surrealists, Spaces for Silence, Irish Travellers, Tinkers No More, Once Upon a Time in Tallaght, and, Under the Influence. MacWeeney's archive resides at Cork University and he lives in New York and Sag Harbor, with annual travels to Ireland. www.alenmacweeney.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). Grant's book What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2022

Thank you as always for listening. Please subscribe to the show on Apple Podcasts, Spotify, or Stitcher.Follow us on Instagram and Twitter at @ArtRoomOnLeft or email the show at ArtRoomOnLeft@gmail.comIntro and Outro music provided by the extremely talented Dana T, this song is titled 'NSA'. 

This episode is also available as a blog post: https://thecitylife.org/2021/11/11/the-museum-of-modern-arts-14th-annual-film-benefit-presented-by-chanel-to-honor-penelope-cruz-on-december-14/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2021/10/23/the-museum-of-modern-art-announces-the-2021-line-up-for-the-contenders/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

 Lynne Sachs is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  Lynne's films are now available on the Criterion Channel. STEPHEN VITIELLO (MUSIC):Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art.  ALEX WATERS (PRODUCER):Alex Waters is a media and music producer. He  has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

This episode is also available as a blog post: https://thecitylife.org/2021/10/12/new-appointments-to-lead-pan-institutional-curatorial-affairs-external-affairs-exhibitions-and-collections-and-education-at-the-museum-of-modern-art/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode is also available as a blog post: https://thecitylife.org/2021/10/12/the-north-face-partners-with-san-francisco-museum-of-modern-art-to-launch-the-brands-first-ever-digital-archive-celebrating-more-than-55-years-of-enabling-exploration/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support