Podcasts about hot tin roof

Charlie is a native Pittsburgher and a proud graduate of Carnegie Mellon University, where he studied Acting. As an actor, select stage credits include the NY Public Theatre's “Shakespeare in the Park” (All's Well That Ends Well, Measure for Measure), the Pearl Theatre Company (Richard II), the Hudson Valley Shakespeare Festival (King Lear, The Three Musketeers, Romeo and Juliet, Love's Labour's Lost), The Shakespeare Theatre of DC (Richard II, Henry V, As You Like It, Mrs. Warren's Profession), Middlebury Actor's Workshop (Cat on a Hot Tin Roof), The Arts Center of Coastal Carolina (The Unexpected Guest), and Chautauqua Theatre Company (Much Ado About Nothing, Vaidehi, Ah, Wilderness!).  In 2015, Charlie co-founded Esperance Theater Company — a company that produced classical-based work here in NYC. With Esperance, Charlie produced and performed in 12th Night, Macbeth, Romeo and Juliet, and Breitwisch Farm. As a teacher, Charlie has been working with MTCA (Musical Theater College Auditions) for over 20 years, where he is now a Director of the company alongside Leo Ash Evens. Charlie has also taught for Texas State University, PACE University, The Performing Arts Project (TPAP), Broadway Dreams, the City University of New York, Carnegie Mellon's Pre-College program, and the Hudson Valley Shakespeare Festival. As a Teacher and Director, he is able to do two of his favorite things in life: help students to find their authentic selves as artists, and help them find their best fit in their collegiate journey. Charlie also hosts the “Mapping The College Audition” podcast, where he continues that work, and helps demystify this daunting audition process for listeners around the world. Charlie is also the proud father to a precocious toddler, partner to an amazing Tony-nominated + Grammy-winning Actress, and a humble Broadway Show League Softball MVP. Want to try our Broadway fitness program for free? ⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

U Guys, star of the stage and screen, and cast member of the upcoming Broadway musical Just In Time, Emily Bergl is here! Emily Bergl is a true Broadway vet, having done eight Broadway shows, from classic works like Cat On a Hot Tin Roof, to playing opposite Sean Hayes in the critically acclaimed play Good Night, Oscar as June Levant. In this episode, we dive into her amazing career, as she shares about her experience as an actor both on the Broadway stage and in front of the camera on shows like The Marvelous Mrs. Maisel, Shameless, and Desperate Housewives. She touches on the importance of learning as you grow, and how her life has changed since becoming a mother. We talk about working alongside your idols, and how to cultivate longevity in a career in the arts. Emily is truly one of the best, U don't wanna miss this episode! Follow Emily on Instagram: @emilybergl Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Dana and Tom with 13x guest, Kieran B (Host and Creator of the Best Picture Cast; @bestpicturecast) discuss the adaptation of John Steinbeck's famous novel, The Grapes of Wrath (1940) for its 85th anniversary: directed by John Ford, written by Nunnally Johnson, ainematography by Gregg Toland, music by Alfred Newman, starring Henry Fonda, John Carradine, and Jane Darwell.Plot Summary: The Grapes of Wrath, directed by John Ford and based on John Steinbeck's novel, follows the Joad family, struggling to survive during the Great Depression. After being evicted from their Oklahoma farm, they journey west to California in search of work and a better life. Led by Tom Joad (Henry Fonda), the family faces hardship, exploitation, and disillusionment as they encounter the harsh realities of migrant labor. Despite suffering immense loss, their resilience endures, with Ma Joad (Jane Darwell) embodying the family's unwavering hope. The film is a poignant exploration of poverty, injustice, and the strength of the human spirit.Guest:Kieran B (10x Member Club)Host and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Letterboxd - PersonalPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, 12 Angry Men (1957) Revisit, The Shawshank Redemption (1994) Revisit, Saw (2004), Up in the Air (2009), Bad Day at...

NEWS 00:00:00SickBaking and yard workNemeth Jr vs PunkSpeedball coming to AEW!Taskmaster Live!Q 00:33:50Weekly fantasy update! - first 5 star bonusONEY LORCONNECT RETURNSREVIEWS: 00:57:57Dynamite / CollisionPaul endures more WWE (Ricky Saints and Big Brother Dwayne)MOVIES 01:49:20The ApprenticeSeptember 5I'm Still HereAnora A Real PainTV 02:07:00Taskmaster s14SeveranceThe White LotusSeverance S2ParadiseShrinkingMy Wife and KidsGAMES 02:19:40Avowed

Episode 091: Cat on a Hot Tin Roof by Tennessee Williams Host: Douglas Schatz Guest: Arifa Akbar Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Tennessee Williams's third great play Cat on a Hot Tin Roof is a blistering drama of family conflict and repressed sexuality. The play opened on Broadway in 1955 to rapturous reviews, and the film that followed with Elizabeth Taylor and Paul Newman was a box-office hit, despite its egregious watering down of the play's sexual trauma and family strife. As we record this episode a stunning new production of the play is on at the Almeida Theatre in London, and I am delighted to talk about this classic with Arifa Akbar, the Guardian newspaper's chief theatre critic.

Tyler discusses and reviews the Best picture winner Gigi as well as the best pic nominees, Auntie Mame, Seperate Tables, The Defiant Ones and Cat on a Hot Tin Roof

Dana and Tom with frequent guest, Kieran B. (Host and Creator of the Best Picture Cast), discuss Bad Day at Black Rock (1955): directed by John Sturges, written by Millard Kaufman and John McGuire, music by Andre Previn, starring Spencer Tracy, Robert Ryan, Walter Brennan, Ernest Borgnine, and Lee Marvin.Plot Summary: In Bad Day at Black Rock, director John Sturges crafts a taut, sun-scorched thriller that unfolds with the precision of a coiled spring. When John J. Macreedy (Spencer Tracy), a stoic, one-armed stranger, arrives in a remote desert town, his quiet inquiries about a man named Komoko rattle the fragile veneer of its close-knit community. Suspicion and hostility mount as the town's residents, led by the menacing Reno Smith (Robert Ryan), close ranks to protect a dark secret buried beneath the dusty, desolate landscape.Guest:Kieran BHost and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Letterboxd - PersonalPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, 12 Angry Men (1957) Revisit, The Shawshank Redemption (1994) Revisit, Saw (2004), Up in the Air (2009)Chapters:00:00 Introduction and Welcome to Kieran02:35 Cast and Recognition for Bad Day at Black Rock04:15 Relationship(s) with Bad Day at Black Rock10:09 What is Bad Day at Black Rock About?14:14 Is Historial Context Needed to Appreciate the Film?22:04 Plot Summary for Bad...

Megan is the founder of Glass Bottom Games, as the lead developer on SkateBIRD, Hot Tin Roof, Spartan Fist, and Jones on Fire. She's now working on BIRDahoy. Early in her career she was a programmer on LEGO Universe. Part 2 of 2. Music by Danny Baranowsky

Megan is the founder of Glass Bottom Games, as the lead developer on SkateBIRD, Hot Tin Roof, Spartan Fist, and Jones on Fire. She's now working on BIRDahoy. Early in her career she was a programmer on LEGO Universe. Part 1 of 2. Music by Danny Baranowsky

One of this month's hottest tickets in London is a new production of the Tennessee Williams play CAT ON A HOT TIN ROOF at the Almeida Theatre. This new staging of the classic American play, directed by Rebecca Frecknall (Cabaret at the Kit Kat Club, A Streetcar Named Desire) stars Daisy Edgar-Jones as Maggie and Kingsley Ben-Adir as Brick. Check out this full review to find out what Mickey-Jo thought of the new production, and whether we might see it transfer to the West End... • 00:00 | introduction 01:43 | the play 10:01 | the production 19:20 | the performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

It's the rape trial that has shocked the world. Gisèle Pelicot's ex-husband Dominique was sentenced yesterday to 20 years in prison for her rape, alongside 50 other men. We hear Gisèle's own words, and Anita Rani was joined by the BBC's Andrew Harding who has covered the trial from the beginning, and French journalist and founder of The Women's Voices website Cynthia Illouz. Anne-Marie Duff joined Nuala McGovern to talk about her latest stage role in The Little Foxes at London's Young Vic Theatre. It's a family drama where she plays Regina Hubbard, an ambitious woman who is thwarted by her position in Alabama society in the early 1900s, where her less financially savvy brothers have the power and autonomy to run the family business. Anne-Marie discusses playing ruthless characters and the stage roles that place women front and centre.A recent report by the National Council for the Training of Journalists found that 91% of UK journalists come from white ethnic groups. This has increased by 3% since last year. Amid large numbers of job cuts within the sector, what can be done to help keep female black and minority ethnic journalists within the profession? Nuala was joined by Habiba Katsha, a freelance journalist considering an alternative career, and award-winning writer and journalist Afua Hirsch.Daisy Edgar-Jones and her co-star Paul Mescal rocketed into the public gaze in the BBC adaptation of Sally Rooney's novel Normal People. Following a couple of notable film performances Daisy is now on stage as the formidable, if unhappy, Maggie in Cat on a Hot Tin Roof. She joined Anita Rani live in the Woman's Hour studio.Noel Streatfield's classic children's book Ballet Shoes was written in 1936, and had never been staged - until now. The National Theatre's production of Ballet Shoes is directed by Katy Rudd and tells the story of the three Fossil sisters, Pauline, Petrova and Posy, who were given their name because they were all “discovered” as babies on the travels of adventurer Great Uncle Matthew and then abandoned to his Great Niece Sylvia, or Garnie, played by Pearl Mackie. Anita was joined by Katy and Pearl to discuss this children's classic.Would you ask your friends to describe you in one word? Comedian Sophie Duker did. She joined Nuala to talk about their responses and how it influenced her new standup show, But Daddy, I Love Her.Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt

Daisy Edgar-Jones and her co-star Paul Mescal rocketed into the public gaze in the BBC adaptation of Sally Rooney's novel Normal People. Following a couple of notable film performances Daisy is now on stage as the formidable, if unhappy, Maggie in Cat on a Hot Tin Roof. She joins Anita Rani live in the Woman's Hour studio.It's the rape trial that has shocked the world. Gisèle Pelicot's ex-husband Dominique was sentenced yesterday to 20 years in prison for her rape, alongside 50 other men. We hear Gisèle's own words, from the BBC's Andrew Harding who has covered the trial from the beginning, and French journalist and founder of The Women's Voices website Cynthia Illouz. Anita then speaks to Dr Caroline Copeland, senior lecturer in pharmacology and toxicology at King's College London, about the term chemical submission, which has gained more recognition during the trial.Hundreds of women in labour are being diverted from their birth hospital of choice. Exclusive research done by the Health Service Journal found some were sent hundreds of miles from home to different hospital Trusts. The main reason was because of staff shortages or because midwifery teams lacked the right skill-mix for a delivery to be safe for the baby and the mother. Anita is joined by Health Service Journal Senior Correspondent Emily Townsend who carried out this investigation and Gill Walton, Chief Executive of the Royal College of Midwives, to discuss.Bryony Page, Olympic medallist and trailblazer for British gymnastics, made history at the Paris 2024 Olympics by winning Team GB's first ever trampoline gold. Known for her resilience and determination, she reflects with Anita on the achievements and challenges of her career, and shares her hopes for the Los Angeles Olympics in 2028.

Boyd Hilton and Arifa Akbar join Tom to review: Better Man, the Robbie Williams biopic with a twist – he's depicted as a Monkey. Cat on a Hot Tin Roof, the Almeida theatre's new production of Tennesee Williams' play with Daisy Edgar-Jones and Kingsley Ben-Adir.And How to Make Millions before Grandma Dies, a new film from Thai director Pat Boonnitipat about family relationships, memories, death and inheritance. Presenter: Tom Sutcliffe Producer: Corinna Jones

What We've Been Watching - Sparkle: Breaker Morant available on Amazon Prime and MaxThe Big Heat available on CriterionHow the Grinch Stole Christmas available on PeacockA Very Merry Muppet Christmas available on PeacockMuppet Christmas: Letters to Santa available on Disney+Mississippi Masala available on Max and CriterionEvita available for rentalHot Frosty available on NetflixThe Christmas Toy available on Peacock Twin Peaks available on Paramount+Arcane available on NetflixDune: Prophecy available on MaxEvil available on Paramount+   Joel: They Drive By Night available on Max and CriterionThe Man Who Wasn't There available for rentalAnora available in theatersWicked available in theatersCat on a Hot Tin Roof available for rentalWaiting for John available on Kanopy Man on the Inside available on Netflix

Dana and Tom with returning 5x Club members Kieran B (Host and Creator of the Best Picture Cast) and Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss Up in the Air (2009) for its 15th anniversary: written and directed by Jason Reitman, with Sheldon Turner, music by Rolfe Kent, starring George Clooney, Vera Farmiga, Anna Kendrick, JK Simmons, and Zach Galifinakis.Plot Summary: Ryan Bingham (George Clooney) is a corporate downsizer who spends most of his life traveling for work, reveling in the freedom of a rootless existence. Obsessed with achieving a coveted ten-million-mile frequent flyer goal, Ryan avoids emotional entanglements and personal commitments. However, his carefully constructed life is disrupted when a young efficiency expert, Natalie Keener (Anna Kendrick), proposes a cost-cutting plan that could ground his lifestyle. Simultaneously, Ryan begins an unexpected relationship with fellow traveler Alex Goran (Vera Farmiga), forcing him to confront the emptiness of his transient life. Up in the Air is a poignant exploration of connection, loneliness, and the value of relationships in a disconnected world.Chapters:00:00 Introduction and Welcome to Our Guests07:58 Cast and Recognition for Up in the Air09:25 Relationship(s) with Up in the Air13:37 What is Up in the Air About?21:00 Why Isn't Up in the Air More Popular?28:42 Plot Summary for Up in the Air29:51 Did You Know?31:36 First Break35:39 What's Up with Kieran and Peterson42:27 Ask Dana Anything48:26 Best Performance(s)01:04:06 Best/Favorite/Most Indelible01:17:55 Second Break01:18:36 In Memoriam01:20:56 Best/Funniest Lines01:26:20 The Stanley Rubric - Legacy01:35:02 The Stanley Rubric - Impact/Significance01:42:47 The Stanley Rubric - Novelty01:51:50 The Stanley Rubric - Classicness01:57:05 The Stanley Rubric - Rewatchability02:04:30 The Stanley Rubric - Audience Score and Final Total02:06:08 Remaining Questions02:23:07 Thank Yous to Our Guests and Final Thoughts02:28:24 CreditsGuests:Kieran BHost and Creator of the Best Picture Cast; @bestpicturecast on X, IG, Letterboxd - BPC, Letterboxd - PersonalPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953),

Dana and Tom with returning guests Kieran B (Host and Creator of the Best Picture Cast) and Jaylan Salah Salman (Film Critic for In Session Film, Geek Vibes Nation, and Keith Loves Movies) discuss the horror film Saw (2004) for its 20th anniversary: directed by James Wan, written by Leigh Whannell, music by Charlie Clouser, starring Cary Elwes, Danny Glover, and Ken Leung.Plot Summary: Saw is a horror film that takes a grim pleasure in its own sadism, positioning itself as both a grisly thriller and a twisted morality tale. At its core, the movie revolves around two men, Adam and Dr. Lawrence Gordon, who wake up in a dingy bathroom, chained to opposite sides of the room. They soon discover they are the latest victims of a deranged figure known as Jigsaw, a serial killer with a perverse mission: he doesn't just murder his victims—he forces them into life-or-death games where survival is determined by how far they are willing to go to save themselves.Director James Wan revels in pushing the audience's discomfort, presenting a relentless series of traps that are as much about mental anguish as physical pain. The characters' desperation is palpable, yet their choices feel less like genuine human decisions and more like pawns being moved by the screenwriter's hand. The result is a film that thrives on tension and shock but leaves little room for reflection.Chapters:00:00 Introduction to the Podcast and Guests02:47 Cast and Recognition for Saw04:54 Relationship(s) with Saw12:00 What is Saw About?20:45 Why Do People Like Horror Movies?28:37 Are There Any Good Horror Sequels?32:23 Plot Summary for Saw34:06 Did You Know?35:17 First Break36:10 What's Happening with Kieran and Jaylan39:46 Ask Dana Anything51:12 Best Performance(s)01:02:36 Best/Favorite/Indelible Scene(s)01:09:42 Second Break01:10:41 In Memoriam01:14:58 Tom Rant01:16:46 Best/Funniest Lines01:20:23 The Stanley Rubric - Legacy01:30:38 The Stanley Rubric - Impact/Significance01:38:05 The Stanley Rubric - Novelty01:41:58 The Stanley Rubric - Classicness01:50:48 The Stanley Rubric - Rewatchability01:57:43 The Stanley Rubric - Audience Score and Final Total02:00:18 Remaining Questions for Saw02:10:10 Thank You to Our Guests and Final ThoughtsGuests:Kieran BHost and Creator of the Best Picture Cast; @bestpicturecast on X, IG, LetterboxdPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003),

On this episode of Queer As Fliuch, we sit down with activist, writer and the Captain of the Cork LGBT Archive ship, Orla Egan.Orla was born and reared in Cork City, and has been involved in the LGBT community since the 1980s. She has some brilliant stories to share.You can buy Orla's book "The Diary Of An Activist" (illustrated by Megan Luddy O'Leary) here, and you can find out more about (and support) the Cork LGBT Archive here.This podcast is Produced and Researched by Emer McGinnity, and hosted by Acast. Hosted on Acast. See acast.com/privacy for more information.

Dana and Tom with returning guest, Kieran B (host, Best Picture Cast) revisit The Shawshank Redemption (1994): written and directed by Frank Darabont, score by Thomas Newman, cinematography by Roger Deakins, starring Tim Robbins, Morgan Freeman, Bob Gunton, and Clancy Brown.Plot Summary: In the somber corridors of Shawshank Prison, where hope is a rare commodity and despair is a constant companion, Andy Dufresne (Tim Robbins), a quiet and introspective banker, finds himself wrongfully convicted of the brutal murder of his wife and her lover. Sentenced to life in the unforgiving confines of Shawshank, he is thrust into a world where the human spirit is tested daily.Andy's journey is one of quiet resilience and unyielding hope. He befriends Ellis “Red” Redding (Morgan Freeman), a seasoned inmate known for his ability to procure contraband. Through Red's eyes, we witness Andy's transformation from a man broken by circumstance to a beacon of hope for his fellow prisoners. Andy's ingenuity and determination lead him to uncover the corrupt practices of the prison warden, using his financial acumen to expose the rot within Shawshank's walls.In the end, Andy's journey is not just a tale of escape, but a testament to the enduring power of hope and friendship. His story delves into the depths of human suffering and emerges with a profound sense of resilience and triumph.Guest: Kieran BHost and Creator of the Best Picture Cast; @bestpicturecast on X, IG, LetterboxdPrevious Episodes: Cat on a Hot Tin Roof (1957), Lost in Translation (2003), Gran Torino (2008), Stalag 17 (1953), Shane (1953), A Fistful of Dollars (1964), The Best Years of Our Lives (1946) Revisit, and 12 Angry Men (1957) Revisit.Chapters:00:00 Introduction and Guest Introductions03:59 Cast and Recognition for The Shawshank Redemption10:17 Relationship(s) to The Shawshank Redemption16:53 What is The Shawshank Redemption About?19:07 Why is The Shawshank Redemption so Universal?23:54 Is The Shawshank Redemption the Best Film of 1994?26:25 Plot Summary for The Shawshank Redemption28:19 Did You Know?29:49 First Break30:29 What's Up With the BPC?34:09 Ask...

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

pWotD Episode 2687: James Earl Jones Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,070,030 views on Monday, 9 September 2024 our article of the day is James Earl Jones.James Earl Jones (January 17, 1931 – September 9, 2024) was an American actor known for his film roles and for his work in theatre. Jones has been described as "one of America's most distinguished and versatile" actors for his performances on stage and screen. He has also been called "one of the greatest actors in American history". He was inducted into the American Theater Hall of Fame in 1985. He was honoured with the National Medal of Arts in 1992, the Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement Award in 2009, and the Honorary Academy Award in 2011.Born in Arkabutla, Mississippi in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. His deep voice was praised as a "stirring basso profondo that has lent gravel and gravitas" to his projects. Jones made his Broadway debut in 1957 in Sunrise at Campobello (1957). He gained prominence for acting in numerous productions with Shakespeare in the Park including Othello, Hamlet, Coriolanus, and King Lear. Jones worked steadily in theatre, winning the Tony Award for Best Actor in a Play for his role as a boxer in The Great White Hope (1968), which he reprised in the 1970 film adaptation, earning him Academy Award and Golden Globe nominations.Jones won his second Tony Award for Best Actor in a Play for his role as a working class father in August Wilson's Fences (1987). He was a Tony award nominee for his roles as the husband in Ernest Thompson's On Golden Pond (2005) about an ageing couple, and as a former president in the Gore Vidal play The Best Man (2012). His other Broadway performances included Cat on a Hot Tin Roof (2008), Driving Miss Daisy (2010–2011), You Can't Take It with You (2014), and The Gin Game (2015–2016). He received a Special Tony Award for Lifetime Achievement in 2017.Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include parts in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021). On television, Jones won two Primetime Emmy Awards for his roles in TNT thriller film Heat Wave (1990) and the crime series Gabriel's Fire (1991). He was Emmy-nominated for East Side West Side (1963), By Dawn's Early Light (1990), Picket Fences (1994), Under One Roof (1995), Frasier (1997), and Everwood (2004). He also acted in Roots (1977), Jesus of Nazareth (1977), and Homicide: Life on the Street (1997).This recording reflects the Wikipedia text as of 08:28 UTC on Tuesday, 10 September 2024.For the full current version of the article, see James Earl Jones on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Gregory.

Lynn & Carl first speak to theater royalty from The Tennessee Williams Festival St. Louis (8/8-18) - Kari Ely & Peter Mayer about "Cat on a Hot Tin Roof" and director Brian Hohlfeld about the festival's "Life Upon a Wicked Stage." Next, R-S Theatrics partners with the Showboat Community Theatre & Half Act Theatre Company to start the Riverside Theatre Project, for their first season, they will be producing The Sound of Music at the historic Showboat Theatre in Hermann, Missouri (thru 8/4). They speak with Christina Rios, Molly Stout & Bryce Miller from the production.

In this episode of St. Louis In Tune, we have a conversation about the Tennessee Williams Festival-St. Louis with guests Carrie Houk, the festival's Executive Artistic Director, and Tom Mitchell, Scholar in Residence and Associate Professor Emeritus from the University of Illinois. The festival, founded in 2015 and recognized with 13 awards from the St. Louis Theater Circle, offers a rich array of events. Highlights include a discussion about Williams's works, his influence, and the upcoming festival events, including performances of 'Cat on a Hot Tin Roof' and 'Lie Upon the Wicked Stage.' The episode also touches on how Williams's life and experiences shaped his writing, and the significance of maintaining live theater.[00:00] Introduction to the Tennessee Williams Festival[00:35] Meet the Hosts and Guests[01:13] Carrie and Tom's Journey with Tennessee Williams[03:22] Tom's Early Interest in Tennessee Williams[08:17] Exploring the Festival's Productions and EventsCAT ON A HOT TIN ROOF - Directed by Michael Wilson. August 8-18, 2024; Grandel Theatre; 7:00 pm Thursday-Saturday, 3:00 pm Sunday.LIE UPON THE WICKED STAGE-ONE ACTS BY TW - Directed by Brian Hohlfield. August 10-18, 2024; Curtain Call Lounge, Grand Center, 1:00pm and 3:00pm Saturday and Sunday[10:12] The Scholars Panels and Walking TourSCHOLARS PANELS - Presented by resident scholar Tom Mitchell August 10, 2024; Beginning at 9:00amWalking Tour of the Grand Avenue Theatre District Sunday, August 11 at 10:00am; Meeting place: Front of Grandel TheatreTennessee Williams Festival OPEN MIC Sunday, August 11 at 7:00pm; Curtain Call Lounge, Grand Center[13:59] Parking and Venue Details[17:49] Carrie's Reflections on the Festival's Success[23:37] Tom's Background and Connection to Tennessee Williams[26:22] Exploring Tennessee Williams' Language[26:59] Revisions and Rewrites: Williams' Process[29:34] Impact of Performers on Williams' Work[30:47] Upcoming Events and Festival Highlights[33:50] Fun Facts and Observances[40:58] Closing Thoughts and FarewellTWStL Facebook PageTennessee Williams Biography from TWStLTennessee Williams FestivalThis is Season 7! For more episodes, go to stlintune.com#twstl #tennesseewilliams #playwrights #stlouistheatre #theatre #catonahottinroof #oneactplay #tennesseewilliamsfestival

This week on the Pixel Pizza Podcast we bird up

Hillsborough Mayor Mark Bell spoke with 97.9 The Hill's Andrew Stuckey on Tuesday, July 2. He discussed some recent business news, including the owners of downtown restaurant Nomad taking over the space formerly occupied by Hot Tin Roof. He also discussed summer activity possibilities in Hillsborough, and more. The post Hillsborough: Nomad Takes Hot Tin Roof Space, Summer Activities in Hillsborough, and More appeared first on Chapelboro.com.

Today TTP is thinking about...Pride Month In honor of Pride month, We are re-running a podcast from 2021 - Theater before and after Stonewall. Mark Spina and Harry Patrick Christian share their observations about changes in theater and film over the course of their lifetimes.Credits:Thanks for listening to this episode of “The Theater Project thinks about”.   Our Audio Engineer was Gary Glor and Our Theme music was by Gail Lou and Demien De SandiesVisit TheTheater Project.org to sign up for our mailing list, as well as check out all the links and resources in the show notes. And if you enjoyed what you heard, please consider leaving a comment on our FB or IG page.That's all for this episode, we'll see you next time!References:https://www.history.com/topics/gay-rights/the-stonewall-riotshttps://www.pridecenter.org/The Drag: https://stageagent.com/shows/play/22881/the-dragThe Nance: https://www.dramatists.com/cgi-bin/db/single.asp?key=4884Cat on a Hot Tin Roof: https://www.sparknotes.com/drama/cat/character/brick/A Streetcar Named Desire: https://www.sparknotes.com/lit/streetcar/quotes/theme/sexuality/Picnic: https://stageagent.com/shows/play/6305/picnicSeparate Tables: https://www.concordtheatricals.com/p/8967/separate-tablesTea And Sympathy: https://www.concordtheatricals.com/p/1038/tea-and-sympathyWho's Afraid of Virginia Woolf: https://www.dramatists.com/cgi-bin/db/single.asp?key=1623Take Me Out: https://www.dramatists.com/cgi-bin/db/multiple.asp?indexm=25&start=1&limitResult=all&options=all&limitResult1=allgenres&total=all&male=all&female=all&keysearch=take%20me%20outThe Front Runner: https://www.amazon.com/Front-Runner-Patricia-Nell-Warren/dp/0964109964Christopher Durang: http://www.christopherdurang.com/Nicky Silver: https://en.wikipedia.org/wiki/Nicky_SilverWill And Grace: https://en.wikipedia.org/wiki/Will_%26_GraceThe Boys in the Band: https://www.concordtheatricals.com/p/2499/the-boys-in-the-band-original-versionRoots: https://en.wikipedia.org/wiki/Roots_(1977_miniseries)Bent: https://www.concordtheatricals.com/p/2618/bentAngels in America: https://en.wikipedia.org/wiki/Angels_in_America_(miniseries)Michael Riedel: https://en.wikipedia.org/wiki/Michael_Riedel_(journalist)The Inheritance: https://theinheritanceplay.com/

Hillsborough Mayor Mark Bell spoke with 97.9 The Hill's Andrew Stuckey on Tuesday, May 7. He gave an update on the ongoing projects to upgrade Internet access in Hillsborough, which has resulted in crews working throughout town. He also talked about the closing of Hot Tin Roof, sharing that there have been several applications for businesses to go into that space. He talked about the general health of downtown businesses, and more. He also talked about Orange County Sportsplex and more. The post Hillsborough: Fiber Update, Downtown Businesses, Sportsplex appeared first on Chapelboro.com.

Welcome to the Instant Trivia podcast episode 1142, where we ask the best trivia on the Internet. Round 1. Category: Dead Precedents 1: In 1943 the Supreme Court overruled a 1940 decision and said students couldn't be required to salute this. the flag. 2: In 1987 the Supreme Court overruled an 1861 decision that courts couldn't do this, order a suspect handed over to another state. extradite. 3: Agostini v. Felton reversed a 1985 ruling that prohibited public school teachers from teaching in these schools. parochial. 4: 1961's Mapp v. Ohio overturned a 1949 ruling and said this amendment bars illegally seized evidence from state courts. the 4th Amendment. 5: This controversial 2010 decision overruled a precedent that had barred certain political contributions. Citizens United. Round 2. Category: Hot Films, Cool Films 1: George Kennedy won an Oscar in part for beating the heck out of Paul Newman in this movie. Cool Hand Luke. 2: A brutal murder is solved in this 1967 Oscar winner. In the Heat of the Night. 3: Judith Anderson played Big Mama Pollitt, the matriarch of a greedy Southern family, in this film. Cat on a Hot Tin Roof. 4: After "Body Heat" steamed up the screen, Lawrence Kasdan cooled down and directed this movie next. The Big Chill. 5: As Rev. Clayton Brooks, Dick Van Dyke led a townwide effort to quit smoking in this 1971 film. Cold Turkey. Round 3. Category: Take The Kids! 1: Toon Lagoon at Universal Studios Florida boasts a white-knuckle raft ride named for Bluto and this sailor. Popeye. 2: In part of Disney's Animal Kingdom, no glass separates you from the giant fruit type of this flying mammal. Bat. 3: The kids love "Pecos Goofy's Frontier Revue" at this Asian city's Disneyland. Tokyo. 4: At Nepal's Royal Chitwan National Park, watch out for the marsh-mugger type of this gator relative. Crocodile. 5: This West Coast city boasts museums devoted to Asian art, cartoon art and cable cars. San Francisco. Round 4. Category: I Learned It Online 1: freetranslation.com taught me "Your eyes shine like oysters" in this language--"I suoi occhi brillano come le ostriche". Italian. 2: wendys.com informed me that the "3/4 lb. triple with" this has 980 calories, but plenty of calcium. cheese. 3: americanheart.org tells us that a "hands-only" version of this procedure is fine --no need for rescue breaths. CPR. 4: howstuffworks.com told me each Apache one of these can carry 16 Hellfire missiles--cool. a helicopter. 5: The "This Day in History" feature on history.com taught me Dec. 25 is the day in 1991 when he quit as Soviet leader. Mikhail Gorbachev. Round 5. Category: 2 Types Of China 1: Shallow 7-letter dish used to serve food; maybe we should have served you the clue on one. a platter. 2: It's the animal of the Chinese year beginning in 2008. the rat. 3: In the Chinese Civil War, 1945 to 1949, it was the Communists versus these. the Nationalists. 4: In 1998 this Chinese org. abbreviated PLA was ordered to sell off all its non-defense assets. the People's Liberation Army. 5: Henry James compared his character Miss Pansy Osmond to a China figurine from this German city. Dresden. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Tennessee Williams hated this adaptation of his play Cat on a Hot Tin Roof so much that he went up to people standing in line for it and said, “This movie will set the industry back 50 years. Go home!” Our episode won't do that, but we agree with him on the movie. It's been awhile since we had a flick where the Hays Code made it completely pointless to even try, but rarely with such incredibly good looking people as Paul Newman and Elizabeth Taylor.

Michael Lavine is a Broadway Performance Coach and Sheet Music Expert. He has also worked as a musical director, pianist, vocal coach and singer all over the world. He is very much; a Music Man!Michael gives master classes on auditioning in New York, Los Angeles, Australia and Martha's Vineyard. He has worked several times at the Shanghai Theatre Academy. Accompanying many artists, he has worked regularly with Heather MacRae on her show about her father, Gordon and has accompanied Broadway and television star Bryan Batt in New Orleans, at 54 Below, Feinstein's and the Metropolitan Room. He musically directed Bryan's show Batt on a Hot Tin Roof at the Adelaide Cabaret Festival in Australia, touring subsequently to Melbourne and Sydney. Michael regularly plays for the Outer Critics Circle Awards and musically directed the Broadway Cares Teddy Bear Auction for its entire 15-year run. Michael has conducted orchestras in Wichita, Kansas, Traverse City, Michigan, and Beverly, Mass., among other cities. He co-produced and musically directed the American premiere recording of HONK! at the York Theatre. Michael served as musical director for the Comden & Green musical Billion Dollar Baby starring Kristin Chenoweth, Marc Kudisch and Debbie Gravitte and the Burton Lane/Alan Jay Lerner musical Carmelina. He has shared the stage with Mimi Hines and Peter Howard (his mentor) at the Kennedy Center in a Rodgers & Hart revue, This Funny World. Michael is known for owning one of the largest privately held sheet music collections in the world, and is frequently called upon for his extensive knowledge, and is celebrated for preserving and archiving the musical theatre and American songbook.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Some of the finalists of last year's THINK FAST competition sit with Mark Spina to give us their take on the pros and cons of these programs.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:THE PANELISTS:Teddy Durgin https://www.facebook.com/teddy.durgin  Michael Towers  https://www.facebook.com/michael.towers.395/Curt Stricklandhttps://pwcenter.org/profile/curt-stricklandhttps://curtsview.com/Helen Chang Maohttps://www.linkedin.com/in/helencmaoCindy Samson Braffhttps://www.facebook.com/cindi.sansonebraffOTHER PLAY COMPETITIONS:Short and Sweet Play Festivalhttps://shortandsweet.org/New City Playershttps://newcityplayers.org/labRated S Sketch Comedyhttps://www.stagecoachtc.com/rated-s-sketch-comedy/Secret Theatrehttps://secrettheatre.com/Play Submission Helperhttps://playsubmissionshelper.com/New York City Playwrightshttps://www.nycplaywrights.org/Think Fast Festivalhttps://www.thetheaterproject.org/think-fast-short-play-competitionSpark Theatrehttps://emergingartiststheatre.org/spark/Playwright's Centerhttps://emergingartiststheatre.org/spark/Manhattan Repertory Theatrehttps://www.manhattanrep.com/Baltimore Playwright's Festivalhttps://www.baltplayfest.org/International Playwriting Festivalhttps://en.wikipedia.org/wiki/International_Playwriting_FestivalSilver Spring Stagehttps://www.ssstage.org/OTHER REFERENCES:Lesley's Playwriting Mastershttps://lesley.edu/academics/graduate/creative-writingFell's Point Corner Theatrehttps://www.fpct.org/Rachel Feeney-Williamshttps://www.facebook.com/search/top?q=rachel%20feeney%20williamsAugust Wilsonhttps://en.wikipedia.org/wiki/August_WilsonLloyd Richardshttps://en.wikipedia.org/wiki/Lloyd_RichardsTennessee Williamshttps://en.wikipedia.org/wiki/Tennessee_WilliamsElia Kazanhttps://en.wikipedia.org/wiki/Elia_KazanThe Glass Menageriehttps://en.wikipedia.org/wiki/The_Glass_MenagerieA Streetcar Named Desirehttps://en.wikipedia.org/wiki/A_Streetcar_Named_DesireCat on a Hot Tin Roofhttps://en.wikipedia.org/wiki/Cat_on_a_Hot_Tin_Roof

How does the owner of an animal that caused damage by eating pay for that damage? Specifically when the animal turns its head to eat from the side - even though it's a public domain kind of damage. Also, a new mishnah: what happens when a dog or a goat jump from a roof and damage vessels upon landing? What if they fell, instead of jumping? What if they had no option to land elsewhere? Who, if anyone, is liable for damages?

"Ruby's Groovy Journey: Cannabis, Music, and the Deadhead Show"Larry Mishkin  shares his excitement about the birth of his granddaughter, Ruby. He discusses how the song "Ruby Waves" by the band Phish may have inspired her name and how the family is already introducing her to great music. Larry also dives into Grateful Dead, sharing details about a 1979 concert from the Spectrum in Philadelphia and highlighting the song "Jack Straw."Larry then talks about recent Grateful Dead releases and encourages listeners to consider subscribing to annual releases for access to exclusive content. He provides insights into the song "Jack Straw," its lyrics, and the band's performance of it throughout the years. The episode also features the Jerry Garcia Band's song "Rubin and Cherise" and its connection to the love story of Ruby..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast  INTRO:                  Ruby Waves                                Phish                                July 14, 2019                                Alpine Valley, East Troy, WI                                Phish - 7/14/2019 - Ruby Waves - YouTube                                0:09 – 1:35                 Part of today's show is in honor of my first grandchild, Ruby, born late last month in Georgia.  My son Matt  is a huge Phish fan and his wife Elena enjoys them too if not quite to the same degree.  But they both love this song which may or may not have been the inspiration for their daughter's name.  Regardless, Ruby is wonderful and her father is already playing this clip by her bassinet – she lays there and smiles! Phish first played the song on June 18, 2019 at the Budweiser Stage in Toronto.  Of the 164 Phish shows since that debut, the band has only performed it a total of 27 times (less than 2% of the Phish shows played since its debut), most recently October 11, 2023 at the Erwin Nutter Center on the campus of Wright State University in Dayton, OH.  So not only was seeing this song a rarity, but this version is particularly well known as it is from a legendary show at Alpine Valley a few years ago. This particular version of Ruby Waves runs an incredible 38 minutes and was only one of the many highlights from that show (which featured a huge Olivia's Pool breakout among other big moments).  Check out the clip, check out the show, and when you hear Ruby Waves think of little Ruby making her appearance into the world. DeadAlso featuring the Dead from The Spectrum in Philly 44 years ago today.  A year of big transition, Jim Marty's first Dead show, and some almost under the radar amazing shows, including this one.  An eleven song first set followed up by a four song second set (plus drums and space;  who do these guys think they are, Phish?) and strong encore.  Here is how it all started SHOW #1:                           Alabama Getaway                                                Track No. 1                                                0:10 – 1:35                 This is only the second time the Dead played this song in concert, the first being two nights earlier on Nov. 4th at the Providence Civic Center in Rhode Island.  Song would first be released six months later (4.28.1980) on Dead's album, Go To Heaven.  Ultimately played by the Dead 143 times, with an almost five year gap from 1990 – 1994, Jerry brought it back to the stage for a handful of performances in 1995, including the last one on June 2, 1995 at Shoreline Amphitheatre in Mountain View, CA.                  Great cultural references to Alabama's complicated legacy, Bill Bojangles, the Twenty Third Psalm from the Bible and more. Great up-tempo tune usually played as a show opener, although it was known to move around from time to time.                 Extended this clip to catch the Brent breakout during the jam.  Still new to the group Brent was not shy and made his presence known with authority even in the first year.  SHOW #2:                         Jack Straw                                          Track No. 10                                           3:16 – 4:47                 One of the highlights of this show, fantastic version of this crowd pleaser and great jamming tune.  Brent again jumping into the mix with his backing vocals and his strong keyboard work filling in the gaps.                 Written by Bobby and Robert Hunter, was never released on a studio album but was released on Europe '72 album.                Originally, Bobby sang all the vocals, but at a show in Paris on May 3, 1972, Bobby and Jerry began trading off vocals on different verses and it stayed that way until the end.  The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse. Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.                 Long a staple of live Dead shows, the song was first heard live on October 19, 1971 at Northrop Auditorium in Minneapolis (another legendary show due to it being Keith Godchaux's first show with the band AND the large number of breakout tunes including Tennessee Jed, Mexicali Blues, Comes  A Time, One More Saturday Night, and Ramble On Rose – continuation and new wrinkles to their Americana style that began a year earlier with the releases of American Beauty and Workingman's Dead and now reflected Keith's newly introduced input from the grand piano).                 Ultimately played by the Dead a total of 476 times putting it very high up on the list of most played Dead tunes.                Last played on July 8, 1995 at Soldier Field in Chicago.  Time for more Ruby SHOW #3:                        Ruben and Cerise                                         Grateful Dead                                         March 17, 1991                                         Cap Center, Landover, MD                                         Grateful Dead Live at Capitol Centre on 1991-03-17 : Free Borrow & Streaming : Internet Archive                                         2:05 – 2:29               Sweet Ruby dressed in Red is one of the main characters in this Garcia/Hunter song that was first released in April as the opening tune on the JBG's only studio album, Cats Under The Stars (Run For The Roses is considered a “studio album”). Although played with some frequency by the Jerry Garcia Band (76 times), the Grateful Dead only played it four times in concert, this clip being their breakout.  Last played on June 19, 1991 at Buckeye Lake Music Theater in Thornville, OH.  A classic tale of love found and lost set in the Carnival season in New Orleans.  Beautiful lyrics for a sad and cautionary tale.  Sorry to say I never saw it live by the Dead or JGB.  I have seen it since by Phil, JRAD and others. Nice but not close to the same.  Back to the Dead SHOW #4:                        Terrapin Station                                         Track No. 12                                         8:00 – 9:31               Beautiful Hunter/Garcia epic mulit-part suite with Hunter composing the lyrics during a single sitting one night during a rare Bay Area lightning storm.On the same day, driving across the Richmond–San Rafael Bridge, lead guitarist Jerry Garcia was struck by the idea for a singular melodic line. He turned his car around and hurried home to set it down in notation before it escaped him. Hunter said "When we met the next day, I showed him the words and he said, 'I've got the music.' They dovetailed perfectly and Terrapin edged into this dimension."[10] Hunter based the lyrics for the "Lady with a Fan" section on a traditional English folk song known variously as "The Lady of Carlisle", "The Bold Lieutenant" and "The Lion's Den". The ballad is No. 396 on the Roud Folk Song Index. It is also O 25 on the Laws list, which synopsizes "The lady decides to choose between two brothers who love her by determining which is braver. She tosses her fan into a lion's den and asks them to retrieve it."[11] Hunter, who was also influenced by Sir Walter Scott, had composed "Terrapin Station" in two parts, the second never recorded or performed by the Grateful Dead.Drummer Bill Kreutzmann ironed out the arrangement, explaining "We sat down and mapped it out. I said, 'This is how the song goes.' I showed [Mickey] all the parts that I felt worked really well, he added a couple, and that's what the song is today. We went back into the studio the next night and got it right. With the drum parts worked out, everything else snapped together like puzzle pieces.            As the opener of a four song second set, this is a strong version, jammed out, but not too much is a show highlight.  Barely two years old (Terrapin Station album released on July 27, 1977, first performed a few months earlier on Feb. 26, 1977 at the Swing Auditorium in San Bernardino, CA) at this point, you can still hear Garcia playing around with the timing of the lyrics. Ultimately played in concert by the Dead 303 times with the last rendition on July 8, 1995 in Chicago.         An song for fans of fun tales of all ages, I suspect young Ruby will become quite familiar with this tune over time!  OUTRO:                      Goodbye Ruby Tuesday                                    Rolling Stones                                    Live – 1991                                    The Rolling Stones - Ruby Tuesday (Live) - Official 1991 - YouTube                                         1:52 – 3:12

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] The year is 1959 and the nominees are: 1. Susan Hayward - I Want to Live! 2. Deborah Kerr - Separate Tables 3. Shirley MacLaine - Some Came Running 4. Rosalind Russell - Auntie Mama 5. Elizabeth Taylor - Cat on a Hot Tin Roof - In 1959 Susan Hayward won the Oscar for her portrayal of alleged murder accomplice Barbara Graham and her eventual execution in a gas chamber. Hayward was known for delivering top shelf performances dealing with dark subject matter and she does not disappoint in, I Want to Live! Baby Shirley MacLaine received her first Oscar nomination for Some Came Running playing an uneducated naive girl from Chicago who falls in love with Frank Sinatra. Deborah Kerr gave a brief but memorable performance in Separate Tables, one of two films this year that had to be adjusted for the Hollywood Production code as to avoid discussing topics of homosexuality (Cat on a Hot Tin Roof being the second). Rosalind Russell delivers an amazing performance as the eccentric aunt (perhaps a precursor to Travels with my Aunt with Maggie Smith) known for her quirky lifestyle and outgoing personality. Finally, Elizabeth Taylor plays Paul Newman's wife desperately trying to get him to love her again (even physically (same girl)) in Cat on a Hot Tin Roof. Who do you think should have won? Join host Kyle Brownrigg with guest host Joe Arsenal as they discuss.

Meow. Do you like cats? You better. This week is cat week on To Kill A Delibird. Cat week is kind of like shark week but not as wet. And cuter. We are back deep into the Pokemon Indigo League Anime reviewing Ep. 72, “Go West Young Meowth” and Ep. 73, “To Master the Onixpected!”. Graham's wife Shauna joins to give a cat enthusiasts viewpoint on “Go West Young Meowth”, which Graham, Shauna, and Kellan all consider a top tier Pokemon anime episode. It has the five food groups of good television: love, loss, crime, drama, and cats. “To Master the Onixpected!” features Onix (obviously) and the Elite Four leader Bruno whose chest spans most of the pacific northwest. The episode features anime stew, so you know it is worth watching (preferably with your eyeballs). If you don't listen to this TKAD episode, you are committing a crime against animals. Click away! Subscribe to get every new episode of To Kill a Delibird in your subscription feed. Welcome to "To Kill A Delibird", the Pokemon anime rewatch podcast that combines a love of literary puns and analytics with pure Pokemania. Join Graham (Pokemon expat/video game and manga fanatic) and Kellan (hard boiled Pokemon die hard) as they discuss the Pokemon anime and hopefully construct some fun sentences along the way. Intro/outro music "Synthwave 80's" by AlexiAction Thanks to Bulbapedia and TVTropes for our ongoing research. Follow the podcast on spotify: https://open.spotify.com/episode/1yQ3EQ2P91mE6Bq0i4I3EY on Apple: https://podcasts.apple.com/us/podcast/to-kill-a-delibird/id1667957767 Amazon: https://music.amazon.com/podcasts/b37371a4-331d-4254-999b-e21fc0fdd837/to-kill-a-delibird Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9kOTQ2MmUyMC9wb2RjYXN0L3Jzcw Stitcher: https://www.stitcher.com/show/1054965 for more half baked content: https://www.twitch.tv/hydraleech Tiktok is essential for new creators so: https://www.tiktok.com/@hydraleeches #pokemon #ashketchum #pikachu #misty #brock #anime #indigoleague #teamrocket #existentialism #comedy #meowth 0:00 Intro 11:13 Go West, Young Meowth 49:16 To Master the Onixepected

When it comes to creative partnerships, Standard Issue fave Helen Lewis is more interested in The Krankies than Beyoncé and Jay Z. In this week's podzine, she got on the Zoom with Hannah to talk about the second series of her Radio 4 show Great Wives, as well as the upcoming 2024 US election. Meanwhile, Mick chats to theatremaker Elisabeth Gunawan about dark clowning, mail order brides, cultural stereotypes and her award-winning play, Unforgettable Girl. In Jenny Off The Blocks, there's World Cup fever, as well as the cycling world championships. And in Rated or Dated, a melodramatic masterpiece and some objectifiable eyes, as the team revisits 1958's Cat on a Hot Tin Roof. Plus there's dodgy policing and dated Disney in the Bush Telegraph.Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.

Get your beer (or scotch or coffee) and popcorn or peanuts and join us as we discuss A Friend in Deed.  We chat about Rosemary Murphy's career, the Riviera Club, Future Shock, Cat on a Hot Tin Roof and more.    Other books & magazines & movies we discussed: -A Delicate Balance -Cat on a Hot Tin Room -Looking for Mr. Goodbar -Man of La Mancha   We have EXCLUSIVE content available on Patreon!  Get video recordings of the podcast & monthly updates & behind the scenes. Head to https://patreon.com/trenchcoatcigar to join today!   If you'd like to add to our conversation, you can email us at trenchcoatcigar@gmail.com.  Follow us on Instagram at @trenchcoatcigar to see photos from today's episode.   Get podcast merch on RedBubble: https://www.redbubble.com/people/trenchcoatcigar/shop?asc=u  

One year after our rain dance to conquer the death of cinema, film critic/novelist/historian David Thomson welcomes me back for a dreamy convo about the spiritual treasures and booby traps of noir, the western, and the screwball comedy -- three worlds of movieland he has realized and reinvented in his enchanting fiction trilogy SUSPECTS, SILVER LIGHT, and the upcoming CONNECTICUT.     This is Part 1. For the forthcoming Part 2, and dozens of other subscriber-only episodes, become a patron at patreon.com/filthyarmenian to support the show and follow the full twisted adventure.   Please rate, review, spread the word and follow us on twitter/instagram @filthyarmnian   Story Board: Willa Cather, Irene Selznick, black and white, Billy The Kid, Wyatt Earp, Tarantino, Once Upon a Time in Hollywood (the last great western), Shirtless Pitt, Robert Towne, Heaven's Gate, the self-expression of driving, light therapy, the importance of addiction, sports, San Francisco, gold rush, Red River, Searchers, Noah Cross, Trump, Chinatown, John Huston, Wes Anderson, Mullholland Dr., Montgomery Clift, A Place in the Sun, Elizabeth Taylor, the problem with Paul Newman, Cat on a Hot Tin Roof, Sydney Lumet, Otto Preminger, Eddie Mueller, Raymond Chandler vs James Ellroy, The Big Sleep, Didion, Babitz, studio system, film set romance  

Book Vs. Movie: Cat on a Hot Tin RoofThe 1955 Play Vs. the 1958 Classic FilmThe Margos are feeling very Southern in this episode devoted to the work of Tennessee Williams and his personal favorite work--Cat on a Hot Tin Roof. The 1955 play was based on his 1952 short story “Three Plays of a Summer Game” and won the Pulitzer Prize for Drama during its Broadway debut. The story of the Pollitt family in the Mississippi Delta and their personal grievances and torturous secrets was considered incredibly raw and racy for the conservative 1950s. The 1955 play was directed by Elia Kazan and starred future Dallas star Barbara Bel Geddes as Maggie “The Cat” Pollitt and Ben Gazzara as Brick Pollitt. Burl Ives (“Big Daddy”) and Madeleine Sherwood (“Sister Woman”) would go on to star in the film adaptation in 1958. Bel Geddes and Kazan were nominated for the Tony Award in the original production, and the themes of homophobia, family bonds, and sexism excited audiences then and to this day. The film was directed and adapted by Richard Brooks during a time known as the “Hays Code,” which meant the homosexual yearnings expressed by Brick Pollitt (played by Paul Newman in the movie) for his recently deceased best friend Skipper had to be downplayed. Also, the character of Maggie (Elizabeth Taylor in an Academy Award-winning performance) is more toned down and “likable” to ensure not to offend movie-goer sensitivities. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Tennessee Williams and how this particular story evolvedThe censoring of the original work to filmWhy the play endures.The cast of the 1958 film: Elizabeth Taylor (Maggie Pollitt,) Paul Newman (Brick Pollitt,) Burl Ives (“Big Daddy” Pollitt,) Jack Carson (Gooper Pollitt,) Judith Anderson (“Big Momma” Pollitt,) Madeleine Sherwood (“Sister Woman” Pollitt,) Larry Gates (Dr. Baugh) and Vaughn Taylor as Deacon Davis.Clips used:Maggie & Brick talk about SkipperCat on a Hot Tin Roof (1958 trailer)Ben Gazarra and 1955 clip Cat on a Hot Tin RoofBrick and Big Daddy“Mendacity”Music: Charles Wollcott Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: Cat on a Hot Tin RoofThe 1955 Play Vs. the 1958 Classic FilmThe Margos are feeling very Southern in this episode devoted to the work of Tennessee Williams and his personal favorite work--Cat on a Hot Tin Roof. The 1955 play was based on his 1952 short story “Three Plays of a Summer Game” and won the Pulitzer Prize for Drama during its Broadway debut. The story of the Pollitt family in the Mississippi Delta and their personal grievances and torturous secrets was considered incredibly raw and racy for the conservative 1950s. The 1955 play was directed by Elia Kazan and starred future Dallas star Barbara Bel Geddes as Maggie “The Cat” Pollitt and Ben Gazzara as Brick Pollitt. Burl Ives (“Big Daddy”) and Madeleine Sherwood (“Sister Woman”) would go on to star in the film adaptation in 1958. Bel Geddes and Kazan were nominated for the Tony Award in the original production, and the themes of homophobia, family bonds, and sexism excited audiences then and to this day. The film was directed and adapted by Richard Brooks during a time known as the “Hays Code,” which meant the homosexual yearnings expressed by Brick Pollitt (played by Paul Newman in the movie) for his recently deceased best friend Skipper had to be downplayed. Also, the character of Maggie (Elizabeth Taylor in an Academy Award-winning performance) is more toned down and “likable” to ensure not to offend movie-goer sensitivities. What are the other differences between the original play and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:Playwright Tennessee Williams and how this particular story evolvedThe censoring of the original work to filmWhy the play endures.The cast of the 1958 film: Elizabeth Taylor (Maggie Pollitt,) Paul Newman (Brick Pollitt,) Burl Ives (“Big Daddy” Pollitt,) Jack Carson (Gooper Pollitt,) Judith Anderson (“Big Momma” Pollitt,) Madeleine Sherwood (“Sister Woman” Pollitt,) Larry Gates (Dr. Baugh) and Vaughn Taylor as Deacon Davis.Clips used:Maggie & Brick talk about SkipperCat on a Hot Tin Roof (1958 trailer)Ben Gazarra and 1955 clip Cat on a Hot Tin RoofBrick and Big Daddy“Mendacity”Music: Charles Wollcott Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

That scene between Brenda and Kelly felt so intense that Tori and Jennie reveal what was going on BTS that likely added to the TENSION! Inspired by the Cat on a Hot Tin Roof auditions, we get some insight in to what auditioning was like for Tori and Jennie IRL and a little acting class. And we get the answer to this question, who would you have cast in the play....Brenda, Kelly or Laura?! Speaking of Laura, do we like her with Steve or does it just seem weird? And, our award for most ludicrous...the fight scene at the hotel party with Brandon!  What in the world!??!?!See omnystudio.com/listener for privacy information.

Marja Harmon plays Angelica Schuyler on the "And Peggy" tour of Hamilton. Her Broadway credits include Book of Mormon, Cat on a Hot Tin Roof, and New York City Center's Merrily We Roll Along. She starred as Nala in the national tour of The Lion King, as well as regional productions of Aida, Ragtime, Hairspray, Dreamgirls, Grease, and more. Her TV appearances include God Friended Me, Murphy Brown, and Jessica Jones. Stay up-to-date with Marja by visiting her @marjaharmony on Instagram or her website at marjaharmon.me.

In this episode speak with author Charles Casillo regarding his book "Elizabeth and Monty: The Untold Story of Their Intimate Friendship". Violet-eyed siren Elizabeth Taylor and classically handsome Montgomery Clift were the most gorgeous screen couple of their time. Over two decades of friendship they made, separately and together, some of the era's defining movies--including Cat on a Hot Tin Roof, The Misfits, Suddenly, Last Summer, and Cleopatra. Yet the relationship between these two figures--one a dazzling, larger-than-life star, the other hugely talented yet fatally troubled--has never truly been explored until now. Doug Hess is the host!

It's Easter! The world has the children down. Drusilla takes a date to Forest Lawn Cemetery because of The Loved One. It's a country club for dead people.  Drusilla watched Cat on a Hot Tin Roof. They play down the homosexuality so much! She also watched Martin Scorsese's Mean Streets for the first time. Josh did a mini marathon of movies from 1980: Cruising, which brought out his internalized homophobia, and then they go on a Brian De Palma Dressed to Kill rant. Josh also watched The Fog, one of John Carpenter's best films.  From wiki: “ Only Lovers Left Alive is a 2013 fantasy comedy-drama film written and directed by Jim Jarmusch, starring Tilda Swinton, Tom Hiddleston, Mia Wasikowska, Anton Yelchin, Jeffrey Wright, Slimane Dazi and John Hurt. An international co-production of the United Kingdom and Germany, the film focuses on the romance between two vampires, and was nominated for the Palme d'Or at the 2013 Cannes Film Festival.In 2016, the film was ranked among the BBC's 100 Greatest Films of the 21st Century by 177 critics around the world.[5] In late 2019, it was named the fourth greatest film of the 2010s by The Hollywood Reporter's chief film critic Todd McCarthy.[6] NEXT WEEK: Night Tide (1961) Website: http://www.bloodhauspod.com Twitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com         Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/ Joshua's Twitter: https://twitter.com/JoshuaConkel  Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel  

It took us 61 episodes but we finally have an episode based on a play!  This week we are discussing the play, and the very heavily censored movie, Cat On A Hot Tin Roof.  Two of the most beautiful people in hollywood adapting a Tennessee Williams play- you'd think we wouldn't have anything negative to say.....well, you'd be wrong. From no-neck monsters to snowman talking to salad dressing, we cover it all.  Want more? Follow us on Instagram (@pagetoscreenpod) and TikTok (@page.to.screen.podcast) 

In this episode, Jose speaks to Matt de Rogatis, the star/producer of Cat on a Hot Tin Roof. De Rogatis talks about fundraising for the first Off-Broadway production of Cat, why he wanted to play Tennessee William's "trinity" (Stanley from A Streetcar Named Desire, Tom from The Glass Menagerie, and Brick from Cat), and how he uses his passion for psychology to dig deep into the characters he plays.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We finally read a play by Volunteer State Williams! Cat on a Hot Tin Roof is a rumination on a family falling apart in the South. It's also an interesting example of how revisions and rewrites can shape a story's legacy. Our theme music was composed by Nick Lerangis. Advertise on OverdueSee omnystudio.com/listener for privacy information.

This week, we are celebrating the birthdays of two very important dames, our own Karen Peterson, and most especially Elizabeth Taylor. Join us as we chat about Father of the Bride (1950), A Place in the Sun (1951), and of course, Cat on a Hot Tin Roof (1958). Plus we spend a few minutes talking about the very non-Liz Taylor movie, M3GAN.

The Stockton Kings are the G-League affiliate of the NBA's Sacramento Kings and play their home games at the Stockton Arena. Head coach and former Sacramento Kings star Bobby Jackson joins Wes and Amy to talk about how he got into coaching after his playing career and what it's been like to coach minor league basketball. Aaron Morales, the VP of Business Operations for the Stockton Kings, joins the show later on to discuss his professional background, the team's community involvement, and the different promotions you can look forward to as we move through the G-League season. Event Dates: From January 19th-February 5th: Cat on a Hot Tin Roof at the Stockton Civic Theatre January 19th: University of the Pacific Women's Basketball vs. Gonzaga January 21st: University of the Pacific Men's Basketball vs. Gonzaga January 21st: Stockton Symphony: Pictures - at Atherton Auditorium January 28th: David Garibaldi - Paint With Purpose at the Bob Hope Theatre The Stockton Kings Visit Stockton This Is Stockton Website This Is Stockton Instagram This is Stockton is part of the Destination Marketing Podcast Network. It is hosted by Wes Rhea, Amy Alpers, and Anthony Esteves and produced by the team at Relic. To learn more about the Destination Marketing Podcast network and to listen to our other shows, please visit https://thedmpn.com/. If you are interested in becoming a part of the network, please email adam@relicagency.com.

Merriam-Webster's Word of the Day for November 9, 2022 is: bilious • BILL-yus • adjective Bilious has several meanings, including "angry or bad-tempered" and "sickeningly unpleasant to look at." Its earliest use describes things that are "of or relating to bile." // The actor has come under fire for his bilious commentary. // The new homeowners immediately painted over the bilious color scheme. See the entry > Examples: "Inserting a character inspired by Big Daddy Pollitt in Tennessee Williams's 'Cat on a Hot Tin Roof' into a scenario patched together from three William Faulkner works, Orson Welles so thoroughly dominates 'The Long, Hot Summer' as Will Varner, the bilious magnate of Mississippi small town, that the other actors struggle to make themselves known." — Scott Tobias, The New York Times, 11 Oct. 2022 Did you know? Bilious is one of several words whose origins trace to the old belief that four bodily humors (black bile, yellow bile, phlegm, and blood) control temperament. Just like phlegmatic ("of a slow and stolid phlegm-driven character"), melancholy ("experiencing dejection associated with black bile"), and sanguine ("of a cheerful, blood-based disposition"), bilious suggests a personality associated with an excess of one of the humors—in this case, yellow bile. Such a personality may also be described as unreasonable, peevish, or ill-tempered, as typified by Charlotte Brontë in her 1849 novel, Shirley: "These two men, of hard, bilious natures both, rarely came into contact but they chafed each other's moods."

From brilliant New Yorker cartoonist, illustrator, and children's book author James Stevenson comes this darkly hilarious reimagining of iconic animated characters - now "over the hill" and waiting out their golden years at a seedy retirement community in Los Angeles.   Directed by Tony nominee Dana Ivey (The Last Night of Ballyhoo, "Boardwalk Empire"), EVENING AT ANAHEIM features Richard Kind (The Producers, "Spin City", "American Dad!"), Karen Ziemba (Tony winner for Contact), Emily Bergl ("Gilmore Girls," Cat on a Hot Tin Roof), Brandon Uranowitz (Falsettos), Carson Elrod (Peter and the Starcatcher), Peter Maloney (Requiem for a Dream), and Tom Alan Robbins (The Lion King). Stay tuned after the play for a high spirited conversation with the cast, director, and Playing on Air founder and consulting director Claudia Catania. EVENING AT ANAHEIM was co-presented with Playwrights Horizons and recorded live in New York City.