Podcasts about boosey

A taut and gripping thriller, Bartók's one-act opera follows Duke Bluebeard and his newest wife Judith as she opens the seven doors of his castle and discovers increasingly disturbing sights. Opera stars Christian Van Horn and Ekaterina Gubanova bring to life these ill-fated characters. Juxtaposed with this macabre folktale is Beethoven's joyful Second Symphony. Sung in Hungarian with English supertitles. Bluebeard's Castle by arrangement with Boosey & Hawkes, publisher and copyright owner. Learn more: cso.org/performances/24-25/cso-classical/salonen-and-bluebeards-castle

On this edition of the Flavors of Northwest Arkansas podcast, we're talking CHOCOLATE and all sorts of stories with KYYA Founder Rick Boosey, but first in Food News: Zelli Pasta is now... a deli? Yes, hear about Zelli deli from one of the owners. House 1830 is celebrating the Lunar New Year, and you can too. Another longtime Fayetteville bar will be shutting its doors. It's Bentonville Restaurant Week! Get your tickets now to the AACF Soup Sunday! Rick Boosey started KYYA Chocolate after a trip to Uganda where he saw how underprivileged kids in an orphanage were living. He's a serial entrepreneur and decided that was how he was going to help that orphanage. Among other things, cacao (or cocoa beans) is a natural resource in Uganda, and that's how KYYA Chocolate was born. But it wasn't that simple- Rick had to learn to make chocolate and YouTube videos weren't cutting it. Speaking of KYYA Chocolate, how did they come up with that name? After many tries, they started making good chocolate. Hear who bought Rick's first order and for how much! Rick has made several trips to source cacao straight from the farmers to cut out the middleman, and in doing so, has had some close calls and harrowing experiences in South America. He tells those stories. KYYA went from making 25 chocolate bars in a week to having over 300 items and making 5,000 items in a day. Hear about that progression. Rick talks about learning from missteps and even a funny story about buying barcodes from barcodes.com... or eBay (we think). So much storytelling, and you'll hear it on this episode of the Flavors of Northwest Arkansas.

Davian & Dom have a chat with podcasting legend Boosey about shrinkflation, oompa loompas, & various other rum doings.

This week, Dalanie and Katie talk about The Fearless Fund. IN THIS EPISODE PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast SIGN UP FOR OUR MAILING LIST! https://www.classicallyblackpodcast.com/newsletter-sign-up FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com American Composers Orchestra Announces New EarShot Publishing in Partnership with Boosey & Hawkes with Support from the Sphinx Organization https://www.americancomposers.org/earshot-composer-incubator/publishing Boulanger Initiative to Host Festival Celebrating Female Composers https://theviolinchannel.com/boulanger-initiative-announces-2024-woco-fest-to-be-held-in-april/ Gateways Music Festival Makes Debuts in D.C. & Chicago, Where Week of Events Concludes with Full Orchestral Concert Featuring Anthony Parnther & Take 6 https://www.gatewaysmusicfestival.org/202324-chicago Lee Koonce Wins League of American Orchestras' Gold Baton https://theviolinchannel.com/lee-koonce-wins-the-golden-baton-of-the-league-of-american-orchestras/ FROM LAST WEEK: Help get Jakalin to the International Timpani Intensive https://www.gofundme.com/f/help-get-jakalin-to-houston?utm_campaign=p_lico+share-sheet&utm_medium=copy_link&utm_source=customer Register for Notes Noire https://docs.google.com/forms/d/e/1FAIpQLSeN56JaI89cmwv5xDcLq889kE5eRvoBFsh_GRoBfAdkwbYM-A/viewform Help Emanuel attend Violin Making School https://www.gofundme.com/f/help-emanuel-attend-violin-making-school?utm_campaign=p_lico+share-sheet&utm_location=FIRSTTIME&utm_medium=copy_link&utm_source=customer Black Excellence: Rachel Johnson https://memphisjazzworkshop.org/about/mjw-team-staff-teachers/ Piece of the Week: Concerto Grosso - Errolyn Wallen https://youtu.be/k0yazfvsziQ?si=a19UMi4V5UNh6Ols

EPISODE 1934: In this KEEN ON show, Andrew talks to the founder & CEO of Fairly Trained, about the dire consequences of generative AI companies "scraping" data without acknowledging its creators Ed Newton-Rex work sat the intersection of generative AI and music creation. He founded Jukedeck, an AI music generation company that provided music for video, TV, radio, podcasts and games. In 2019, Jukedeck was acquired by ByteDance, where he ran the European AI Lab and later led Product in Europe for TikTok. Most recently he was VP of Audio at Stability AI. Ed was on the founding team of the AI Song Contest, and he is a mentor at Abbey Road Studios' music tech incubator. He writes choral music, which is published by Boosey & Hawkes.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

"The question I had to ask myself was, 'Do you want to change who you are as a composer just so can match a particular sound that is in fashion or is expected of you in the concert hall world or do you want to say true to yourself as an artist?'" Time and time again, whenever this question pops up, it's always you turn towards yourself and ask yourself who you are and you stay true to who you are. You don't change your sound based on what is in vogue in the music world. Be true to yourself. Be the best version of yourself and don't try to be a second-rate version of anyone else."Christopher Tin is a two-time Grammy-winning composer of concert and media music. His music has been performed and premiered in many of the world's most prestigious venues: Lincoln Center, Kennedy Center, Hollywood Bowl, the United Nations, and Carnegie Hall, where he had an entire concert devoted to his music. He has also been performed by ensembles diverse as the Royal Philharmonic Orchestra, National Symphony Orchestra, Metropole Orkest, and US Air Force Band.His song "Baba Yetu", originally written for the video game Civilization IV, is a modern choral standard, and the first piece of music written for a video game ever to win a Grammy Award. His debut album, the multi-lingual song cycle Calling All Dawns, won him a second Grammy in 2011 for Best Classical Crossover Album, and his follow-up release The Drop That Contained the Sea debuted at #1 on Billboard's classical charts, and premiered to a sold-out audience at Carnegie Hall's Stern Auditorium. His third album To Shiver the Sky also debuted at #1, and was funded by a record-breaking Kickstarter campaign that raised $221,415, smashing all previous classical music crowdfunding records. His fourth album, The Lost Birds, is a collaboration with acclaimed British vocal ensemble VOCES8 and was nominated for a Grammy Award in 2023.Tin is signed to an exclusive record deal with Universal under their legendary Decca label, published by Concord and Boosey & Hawkes, and is a Yamaha artist. He works out of his own custom-built studio in Santa Monica, CA.To get in touch with Chris, you can visit his website, christophertin.com, or find him on Instagram (@christophertinmusic) or Facebook (@christophertinmusic).Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Puskás Péter Bécsben született, első zenei oktatását és formáló tapasztalatait a Bécsi Fiúkórusban, valamint gyermekszínészként a bécsi Burgtheaterben szerezte. A Bécsi Konzervatóriumban (Konservatorium der Stadt Wien) végzett zongoratanulmányok különleges érdeklődést váltottak ki a nagyszabású operaprodukciókban való munkavégzés iránt, mint rendezőasszisztens és színpadi menedzser (Wagner Festival Wels, Salzburg Fesztivál). Több éven át együttműködött színpadi tervezőkkel is. 2005-ben Londonba költözött, és több Klasszikus Music Video on Demand üzletnél dolgozott programmenedzserként és programigazgatóként, mielőtt csatlakozott a London Music Team of Arts Council England-hoz. Ebben a minőségében Peter irányította a közfinanszírozási kapcsolatot a londoni székhelyű nemzeti portfóliószervezetekkel (Londoni Filharmonikusok, Philharmonia Orchestra, London Sinfonietta, Orchestra of the Age of Enlightenment) és más támogatási kérelmezőkkel. Péter 2012-ben hozta létre művészmenedzser- és tanácsadó cégét, amely személyre szabott karriermenedzsment- és tanácsadói szolgáltatásokra szakosodott az egész szektorban. Az együttműködési partnerek között szerepel többek között a Universal Edition, a Boosey & Hawkes, az Alban Berg Alapítvány, a SONY, a Deutsche Grammophon, a Bécsi Állami Operaház, a Salzburgi Fesztivál, a Southbank Centre, a Philharmonia Orchestra, A Berlini Rádió Szimfonikus Zenekara és mások. Pétert rendszeresen meghívják vendégelőadásokra a zenei és kulturális menedzsment témakörben az európai egyetemeken. Önkéntes minőségben jelenleg az English Touring Opera igazgatótanácsának tagja, és Európa-szerte számos művészeti szervezet tanácsadója. Péter a Royal Society of Arts tagja. A Puskás International 2012-ben alakult Londonban, mint komolyzenei művészmenedzsment és tanácsadó cég. Válogatott nemzetközi művészeket képvisel, és projektmenedzsment szolgáltatásokat nyújt, amelyek a teljes folyamatot lefedik a koncepciótól kezdve a marketing, a PR és a rendezvényszervezésig. Butikügynökségként szólisták, karmesterek és együttesek menedzselésére és karrierfejlesztésére szakosodtunk, emellett kiemelt figyelmet fordítunk a projektek fejlesztésére és kurátori tevékenységére, beleértve a fesztiválokat, digitális projekteket és turnékat. Együttműködési partnereink közé tartozik többek között a Universal Edition, a Boosey & Hawkes, a Deutsche Grammophon, a Bécsi Állami Operaház, a Salzburgi Ünnepi Játékok, a Southbank Centre, a Philharmonia Orchestra és a Cleveland Orchestra. https://www.jammusiclab.com/de/faculty/peter-puskas?fbclid=IwAR3PMcp5VHPEWwJUBwr7lDDfB9PQPIebnNsr9oe2yfdzpFOwCf_iIiWTJWw https://www.facebook.com/klangkollektivwien https://puskasinternational.com/ https://radiokulturhaus.orf.at/artikel/705285/Jonathan-Powell-spielt-Hans-Winterberg https://remyballot.com/ https://www.youtube.com/@PUSKASINTERNATIONAL 0:00 Beköszönés 1:00 1956 2:00 Zenei gyökerek 4:30 Zongora 5:00 Gyermekként a színpadon (1979-1986 Burgtheater) 11:30 1985. Bécsi Konzervatórium 14:30 Színpadi menedzser, rendezőasszisztens, programmenedzser 16:30 Üzletvezetője egy Zongoraboltnak 19:30 2005. Bécset elhagyva Londonba kerülés 20:30 Vod 23:30 Program igazgatói pozíció 25:00 Ida Haendel-lel közös munka 28:30 Sony 29:20 2012. Művészmenedzser- és tanácsadó cég 32:30 Riga, Lettország 37:30 2023-ban újra Bécsben 41:30 Rémy Ballot 47:30 Dohnányi születésnap 51:30 Rémy Ballot-tal közös munka 55:30 2023.11.21. Jonathan Powell spielt Hans Winterberg 1:02:30 Elköszönés ----

Join us as we dive deep into some hilarious and unexpected topics! We kick things off by discussing the wild and wacky world of the infamous Cocaine Bear (spoiler alert: it's one wild ride!), and then we jump into the fascinating world of Oliver Anthony. Plus, don't miss our epic breakdown of the North Men North of Richmond song lyrics - you won't believe what we uncover!

Join us as we dive deep into some hilarious and unexpected topics! We kick things off by discussing the wild and wacky world of the infamous Cocaine Bear (spoiler alert: it's one wild ride!), and then we jump into the fascinating world of Oliver Anthony. Plus, don't miss our epic breakdown of the North Men North of Richmond song lyrics - you won't believe what we uncover!

Today's guest is 80-year-old Derek Boosey who was born in India and has lived a life full of adventure and accomplishment. He has no intention of being done anytime soon! Though he is an American citizen and lives less than an hour from our headquarters in Southern Utah, he likely has more international athletic experience than most of our guests and listeners, as he has served in some capacity at 9 Olympic Games! In his first Olympic experience, Derek competed in the 1968 Mexico Olympic Games, where he competed in the triple jump for Great Britain. For the next 8 consecutive Olympic Games all the way to the 2000 Sydney Olympic Games, Derek contributed either as a coach for various teams or individual athletes, as an administrator, or a sports marketing contributor. Mr. Boosey has additionally been published 5 times for his expertise in jump-related track and field events and has truly dedicated his life to furthering the sport of Track and Field across the world.

This week have a chat about Carry On Up The Jungle. Plus, we have a quick wee chat about other random crap Deano has found online. Don't forget to share, like, subscribe, and all that bollocks. "Tell your friends about me!" - "Well, us!" Also, don't forget to check out our back catalog, as there's something there to tickle everyone's fancy. Oi oi! Follow us on Instagram, Facebook, and, Twitter. Visit us at https://linktr.ee/podculturevultures

This week have a chat about Carry On Up The Jungle. Plus, we have a quick wee chat about other random crap Deano has found online. Don't forget to share, like, subscribe, and all that bollocks. "Tell your friends about me!" - "Well, us!" Also, don't forget to check out our back catalog, as there's something there to tickle everyone's fancy. Oi oi! Follow us on Instagram, Facebook, and, Twitter. Visit us at https://linktr.ee/podculturevultures

Sara Mohr-Pietsch talks to violinist Nicola Benedetti as she prepares for her inaugural programme as Edinburgh International Festival director, becoming the first Scot to hold the position in the festival's 75-year history. Nicola discusses the challenges of balancing the festival job with life as a performer and sets out her vision for opening up music to a wider audience and deepening the culture of listening. We visit English National Opera to find out about a new staging of Henryk Gorecki's Symphony of Sorrowful Songs, 30 years after the first commercial recording of the piece shot to fame reaching number six in the UK pop album charts. Sara talks to Russian-American conductor Lidiya Yankovskaya and director/designer Isabella Bywater about their new production of the piece and how the operatic setting changes our experience of the music. Baritone Lucia Lucas and composer Tom W Green discuss The World's Wife - a chamber opera from 2017 for string quartet and singer which uses text from the poetry collection by Carol Ann Duffy, who presents world history through the eyes of the wives and partners of the men in the history books. They talk to Sara about the use of material by historic women composers, the power of the poetry, and what it means to rework the piece with a transgender opera singer in 2023. And with stories in the media of a sector in decline, we look at what the numbers tell us about the state of classical music in the UK, with contributions from Anne Torreggiani at The Audience Agency on concert-going, Janis Susskind at Boosey and Hawkes on commissioning and audiences, and Dr Adam Whittaker at Royal Birmingham Conservatoire on uptake of A-levels and grade exams.

American composer Michael Torke joins conductor Devin Patrick Hughes on One Symphony. Michael Torke's music has been hailed as "some of the most optimistic, joyful and thoroughly uplifting music to appear in recent years" by Gramophone, and the composer has been commissioned by such orchestras as The Philadelphia Orchestra, the New York Philharmonic, and the San Francisco Symphony; and  by ballet and opera companies around the world including the Met and the English National Opera. He has been commissioned by Disney and Absolute Vodka, has written incidental music for The Old Globe Theater, and has been composer in residence with the Royal Scottish National Orchestra. Beginning his career with exclusive contracts with Boosey and Hawkes, and Decca Records, he now controls his own copyrights and masters through his publishing company, Adjustable Music, and record company, Ecstatic Records. Hailed as a "vitally inventive composer" by the Financial Times and "a master orchestrator whose shimmering timbral palette makes him the Ravel of his generation" by the New York Times, Michael Torke's recent work, SKY, written for violinist Tessa Lark, was a finalist for the 2020 Pulitzer Prize, and was nominated for a Grammy for best classical instrument solo.   Thank you for joining us for on One Symphony. Thanks to Michael Torke for sharing his music and insights, you can get more info at https://www.michaeltorke.com. Works of his heard today include Ecstatic Orange, Time, Bright Blue Music, Being, Sky, and Four Proverbs. Thank you to all amazing performers featured on today's show including: David Zinman & the Baltimore Symphony Michael Torke and the Michael Torke Orchestra American Modern Ensemble David Alan Miller, Tessa Lark, & the Albany Symphony Lester Flatt & Earl Scruggs Catherine Bott and the Argo Band And thanks to Michael Torke, Ecstatic Records, Albany Records, Columbia Records, and Decca Music Group for making the show possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Thanks to Mary and Diane for making this episode possible! Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

10:00 a.m. service Steadfast By the Rev. Rachel Pedersen _______________________________________ Prelude: Two settings of The Old Year Is Passed Away Music: Marcel Dupré, 1931. Music: ©1932 H.W. Gray Publications, Inc. (a div. of Jubilate Music Group, Brentwood, TN). All rights reserved. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Response: On Those Who Sit in Darkness Text: Michael Perry, 1973, alt. Music: Hal H. Hopson, 1983. Text: ©1973 The Jubilate Group (admin. Hope Publishing Company). Music: ©1983 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem: A New Year Carol Text: Walter de la Mare, 1934. Music: Benjamin Britten, 1936. Music: ©1936 Boosey & Co., Ltd. Music Arr: ©1971 Boosey & Co., Ltd. (a div. of Boosey & Hawkes Music Publishers, Ltd.). All rights reserved. Hymn: Go, Tell It at the Mountain Music Harm. © 1989 Melva Wilson Costen

When Aaron Copland thought of the Far West, he probably didn't have Wisconsin in mind, but Milwaukee was the perfect location to “road test” the new edition of Rodeo. That's where Philip Rothman went for the first rehearsals of a new edition of Copland's masterpiece that I prepared. The Milwaukee Symphony Orchestra, under the direction of music director Ken-David Masur, agreed to play from a brand new set of score and parts to Rodeo. You might wonder, what was wrong with the old edition? Certainly, it's been played from thousands and thousands of times. When the piece was first published in the 1940s, a number of errors and inconsistencies crept into the parts. Although they've been corrected by intrepid orchestra librarians, it was time to get them straightened out once and for all. One reason for the inconsistencies was that the "Four Dance Episodes" from Rodeo, which is the version that most everyone is familiar with, is extracted from the full ballet. That version left a lot to be desired in the engraving department, so, with the support of The Aaron Copland Fund for Music, and in coordination with Boosey & Hawkes, the team at NYC Music Services put it all into modern software and made brand new materials for both the ballet and the Four Dance Episodes, with the goal of clarifying any discrepancies and making everything nice and easy to read. The Milwaukee players were great, and you can read more about it on the Scoring Notes web site. It must have been fate to go there, because in researching this piece, we stumbled across a fascinating interview that Copland gave in 1970 while visiting the University of Wisconsin-Milwaukee. It's thanks to the library archives of that university that we're pleased to bring you that interview here as a Scoring Notes extra. Copland talks with professor John Downey about the iconic ballets like Rodeo, the various people and musical trends which influenced him, and the divergent aspects of his own work throughout his career. You'll also hear him talk about what was current at the time and discuss the future of music. This episode is co-produced with The Aaron Copland Fund for Music, with material kindly provided from the Archives Department, University of Wisconsin-Milwaukee Libraries. More from Scoring Notes: Road report: Copland's Rodeo in Milwaukee

Synopsis The first performance of the “Liebeslieder” – or the “Love Song” Waltzes – for piano four-hands by Johannes Brahms took place on today's date in 1869. The performers were two distinguished soloists: Clara Schumann, widow of composer Robert Schumann, and Hermann Levi, a famous conductor of his day. But in fact, the “Liebeslieder Waltzes” were intended for amateur musicians to play. These popular scores provided Brahms with some steady income, certainly more than he earned from performances of his symphonies, which some of his contemporaries considered difficult “new” music. Brahms wrote to his publisher: “I must admit that, for the first time, I grinned at the sight of a work of mine in print. Moreover, I gladly risk being called an ass if our ‘Liebeslieder' don't give more than a few people pleasure.” Some much more recent piano music designed for amateur performers was collected into a volume titled “Carnegie Hall Millennium Piano Book.” This volume was conceived by composer Ellen Taaffe Zwilich and the artistic director of Carnegie Hall, Judith Arron. They were concerned about the lack of contemporary piano works that intermediate-level piano students could perform, so commissioned ten composers to write suitable piano pieces from composers ranging from Milton Babbitt and Elliott Carte to Chen Yi and Tan Dun. Music Played in Today's Program Johannes Brahms (1833-1897): Liebeslieder Waltz No. 18, Op.52a –Silke-Thora Matthies and Christian Köhn, piano (Naxos 553140) Frederic Rzewski (1938-2021): The Days Fly By –Ursula Oppens, piano (Companion CD to Boosey and Hawkes "The Carnegie Hall Millennium Piano Book" ASIN: B003AG8IUK)

Un 11 de agosto pero de 1943 se estrenaba en Salzburgo el Concierto Nº2 para corno francés y orquesta de Richard Strauss. Strauss, destacado compositor y director de orquesta alemán, compuso esta obra mientras vivía en Viena en 1942. La primera grabación de la pieza se realizó en 1944, por el solista Gottfried von Freiberg y la partitura fue publicada por Boosey & Hawkes de Londres en 1950. La obra fue tomada y popularizada por el trompetista británico Dennis Brain. convirtiéndose en el concierto para corno francés más interpretado y grabado del siglo XX. A continuación escucharemos un fragmento del primer movimiento del este concierto interpretado por Samuel Seidenberg en el corno francés acompañado de la Orquesta Sinfónica de la Radio de Frankfurt dirigidos por Sebastian Weigle.

Seeking a Homeland By the Rev. Rachel Pedersen Download the bulletin here: https://www.bmpc.org/sermons/worship-bulletins/1268-sunday-august-7-2022-10-00-a-m-bulletin-1/file Prelude - At the River Text: Robert Lowry (1826-1899). Music: Traditional Christian hymn; arr. Aaron Copland (1900-1990). ©1954 The Aaron Copland Fund for Music, Inc. Copyright renewed. New transposition: ©2005 The Aaron Copland Fund for Music, Inc. Boosey & Hawkes, Inc. Sole Publisher and Licensee. All rights reserved. Response - Take, O Take Me As I Am Text and Music: ©1995 WGRG, Iona Community (admin. GIA Publications, Inc.) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn - God, Whose Giving Knows No Ending Text: Robert L. Edwards, 1961, alt. Music: The Sacred Harp, 1844; harm. James H. Wood, 1958. Text: ©1961, ren. 1989 The Hymn Society (admin. Hope Publishing Company). Music Harm. ©1958, ren. 1986 Broadman Press (admin. Music Services). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem - From the Rising of the Sun Text: Malachi 1:11 Music: Frederick A. Gore Ouseley (1825-1889); arr. Crawford R. Thoburn. ©2017 St. James Music Press. Reprinted and streamed with permission by St. James Music Press, license #7158. All rights reserved. Hymn - God of Our Life Text: Hugh Thomson Kerr, 1916, alt. Music: Charles Henry Purday, 1860, harm. John Weaver, 1986. Text: ©1928 F.M. Braselman, ren. 1956 Presbyterian Board of Christian Education. (admin. Westminster John Knox Press). Music Harm: ©1990 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Doxology - Praise God, from Whom All Blessings Flow Text: ©1989 Hope Publishing Company. Music Harm: ©1998 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude - Procession Music: Gerald Near, 1974; arr. Steven Heitzer. Music: ©1974 H.W. Gray Publications; (a div. of Jubilate Music Group, LLC, Brentwood, TN). All rights reserved.

Modulations are delighted to welcome back good friend of the podcast, Shadow Factory. "Too Cool For Space" takes us on a sonic journey to the stars, with space inspired music provided from a fine selection of electronic music pioneers. So sit back, relax and take to the stars... Tracklist Artist/Track/Release,Year of release 1 - Nigel Bates - Dawn Of Space C (Easier Birth) - Glistens [Lo Recordings, 2016] / Space [Chappell, 1986] 2 - Desmond Leslie - Mercury, Fleet Messenger OF The Gods (From "Music of the Voids of Outerspace") - Music Of The Future [Trunk, 2005] / [Private Press, 1959] 3 - Desmond Briscoe - Journey Into Space - Listen, Move And Dance No. 4 Moving Percussion And Electronic Sound Pictures [HMV, 1966] 4 - Raymond Scott - Space Mystery (Montage) - Manhattan Reasearch [Basta, 2000] 5 - John Baker - Orbit - The Vendetta Tapes [Burried Treasure, 2015] 6 - Ray Cathode - Waltz in Orbit - Time Beat [Parlophone, 1962] 7 - Jean Jaques Perrey - EVA - Moog Indigo [Vanguard, 1970] 8 - Kraftwerk - Spacelab - The Man Machine [EMI, 1978] 9 - The Time Zone - Space Walker - Music From Patch Cord Productions [Sacred Bones, 2020] 10 - Bruce Haack - National Anthem To The Moon - Farad: The Electric Voice [Stones Throw, 2010] / The Electric Lucifer [Columbia, 1970] 11 - Morton Subotnick - Silver Apples of the Moon - Silver Apples Of The Moon [Nonesuch, 1967] 12 - Leo Muller - A Lunar Adventure In The Year 1985 pt6 - Betty & Bobby Go To The Moon [Happy House, 1966] 13 - Oliver Postgate - Oliver's Special Effects - Clangers Original Television Music [Trunk, 2001] 14 - Gershon Kingsley - The First Step (Sea of Tranquility) - Popcorn The Original Version [Charly, 2018] 15 - Todd Dockstader - Stardrift in Two - Recorded Music For Film, Radio & Television: Electronic Vol.2 [Boosey & Hawkes, 1981] 16 - Philip J Wells - Andromeda - The Last Survivors [Solid Gold, 1978] 17 - Ralph Lundsten With Lovetopia Feelharmonic Orchestra - Cosmic Psalm - The Dream Master [CBS, 1986] 18 - Wavemaker - Lodestar - Where Are We Captain?... [Polydor, 1975] 19 - Otto Luening - Fantasy in Space - Early Modulations Vintage Volts [Caipirinha Productions, 2000] / Tape Recorder Music [Gene Bruck Enterprises, 1955] 20 - Rod Freeman & The Blue Men (Joe Meek) - Valley of the Sardos - I Hear A New World [RPM, 2001]/[Triumph, 1960] 21 - Todd Dockstader - Ion Armada - Recorded Music For Film, Radio & Television: Electronic Vol.2 [Boosey & Hawkes, 1981] 22 - Issao Tomita- The Unanswered Question - Kosmos [RCA, 1978] 23 - Nostromo - Alien - Alien [Bronze, 1979] 24 - BBC Radiophonic Workshop - Space Intruders (With Key Noise) - Hi-Tech FX [BBC Records, 1984] 25 - Suzanne Ciani - Liberator (Atari TV Spot) [Finders Keepers, 2012] 26 - David Cain - Foundation, - Music, Sound Effects And Dialogue Excerpts Part 1 [BBC Radio, 1973] 27 - Space Pilots - Space Computer - Space Music [Vogue, 1978] 28 - John Keating - Starcluster - Space Experience 2 [EMI, 1975] 29 - Peter Howell - The Astronauts - The Astronauts [BBC Records, 1978] 30 - Desmond Leslie - Asteroid (From "Music of the Voids of Outerspace") - Music Of The Future [Trunk, 2005] / [Private Press, 1959] 31 - (Nikki St George) Brian Hodgson - Souls In Space Electronic Music [Standard Music Library, 1969] 32 - Brian Eno With Daniel Lanois & Roger Eno - Always Returning - Apollo Atmospheres & Soundtracks [EG, 1983] 33 - Vangelis - Albedo 039 - Albedo 0.39 [RCA, 1983] 34 - The Wing Thing - Manhattan Reasearch [Basta, 2000] Further listening: https://soundcloud.com/shadow_factory

In this episode, you'll hear from David Brunner, composer of "Yo le Canto Todo el Dia" - available for SA, TTB, and SATB through Boosey & Hawkes. David and I discuss the conception of the piece, the virtuosic piano part, the dangers of rushing, and the usual non-musical banter. Thank you so much for listening and I hope you check out "Yo le Canto Todo el Dia" and David's choral music catalogue! http://davidbrunner.com/ SA - https://www.boosey.com/shop/prod/Brunner-David-Yo-Le-Canto-Todo-El-Dia-SA-piano/698958 TTB - https://www.boosey.com/shop/prod/Brunner-David-Yo-Le-Canto-Todo-El-Dia-TTB-Piano/2072285 SATB - https://www.boosey.com/shop/prod/Brunner-David-Yo-Le-Canto-Todo-El-Dia-SATB-piano/695513

10:00 a.m. Sunday Worship Service A Ray of Darkness Sermon by the Rev. Brian K. Ballard Download bulletin: https://www.bmpc.org/sermons/worship-bulletins/1237-sunday-may-29-2022-10-00-a-m-bulletin/file ----------------------- Response - Christ Our Campanion Text: Susan Palo Cherwien, 1996. Music: Gaelic Melody ©1996 Augsburg Fortress. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem - With a Voice of Singing Text and Music: Martin Shaw, 1923. ©1923 J. Curwen & Sons, Ltd. Admin. G. Schirmer, Inc., Sole Agents for U.S.A. All rights reserved. Offertory Anthem - God Is Gone Up Text: Edward Taylor (1646-1729). Music: Gerald Finzi, 1951. ©1952 Boosey & Co., Ltd. Copyright renewed. All rights reserved. Hymn - For the Healing of the Nations Text: Fred Kaan, 1965. Music: John Francis Wade, c. 1750; harm. Hymns Ancient & Modern, 1861. Text: ©1968 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude - Paean Music: Craig Phillips, 2017. ©2017 Selah Publishing Co., Inc. All rights reserved

"The text is so crucial to my process. I try and derive every little detail -- rhythm and harmony and melody and the overall mood and tone and textures and timbres of the piece -- from the text itself. The text is really at the heart of everything I do."Dale Trumbore is a Los Angeles-based composer and writer whose music has been called "devastatingly beautiful" (The Washington Post) and praised for its "soaring melodies and beguiling harmonies deployed with finesse" (The New York Times). Trumbore's compositions have been performed widely in the U.S. and internationally by the Chicago Symphony's MusicNOW ensemble, Los Angeles Children's Chorus, Los Angeles Master Chorale, Modesto Symphony, Pasadena Symphony, Phoenix Chorale, Tonality, and VocalEssence.​The recipient of ACDA's inaugural Raymond W. Brock Competition for Professional Composers, an ASCAP Morton Gould Award, and a Chamber Music America Classical Commissioning Grant, Trumbore has also served as Composer in Residence for Choral Chameleon. She has been awarded artist residencies at Copland House, the Helene Wurlitzer Foundation, the Tusen Takk Foundation, and Ucross. Her choral works have been commissioned for premieres at national conferences of the American Choral Directors Association, American Guild of Organists, Chorus America, and National Collegiate Choral Organization, and her music is available through Boosey & Hawkes, G. Schirmer, and Graphite Marketplace.Trumbore is passionate about setting to music poems, prose, and found text by living writers. She has  written extensively about working through creative blocks and establishing a career in music in essays for Cantate Magazine, the Center for New Music, and NewMusicBox. Her first book, Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life, was hailed by writer Angela Myles Beeching as a "treasure trove of practical strategies for moving your artistic career forward... not only for composers, but for performers, writers, and any other creatives." Trumbore's short fiction is published or forthcoming from Southern Indiana Review, New Delta Review, and F(r)iction. She is currently working on a collection of short stories.Trumbore holds a dual degree in Music Composition (B.M.) and English (B.A.) from the University of Maryland, as well as a Master of Music degree in Composition from the University of Southern California. A New Jersey native, Trumbore currently lives in Azusa, CA with her spouse and their three cats.To get in touch with Dale, you can visit her website --  daletrumbore.com -- or use her contact form.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

A pathway from violence to flourishing

I Will Not Rest Sermon by Carolyn C. Cavaness, Pastor, Bethel AME Church, Ardmorr, 10:00 a.m., Sanctuary The bulletin can be downloaded here: https://www.bmpc.org/sermons/worship-bulletins/1198-sunday-january-16-2022-10-00-a-m-bulletin/file --------------------- Prelude - Little Melody and Hour of Peace © 1993 and 2020 by G. Schrimer, Inc. All Rights Reserved Hymn - Here in This Place Text and Music: © 1982 GIA Publications, Inc. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Response - With Steadfast Love Text © 2010 Michael Morgan (admin. Congregational Ministries Publishing, Presbyterian Church (U.S.A.)) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem - Al Shlosha D'Varim © 1995 by Boosey & Hawkes, Inc. All rights reserved.

Composer, arranger, and teacher, Christopher Norton is universally regarded as the leader in his field. Born in 1953, he is a New Zealand-born, now Canadian-based composer. His long and fruitful association with Boosey & Hawkes has resulted in the world-famous Microjazz series, the Preludes for piano, 2 Concert Collections for piano and, with his wife Wendy, 30 Micromusicals.In 2005 he wrote Connections for Piano for the RCM. The series is now owned by Christopher and published by his own company, www.80dayspublishing.com. In 2006 he wrote American Popular Piano for Novus Via Publications.Christopher is in high demand for his unique and creative presentations, both live and on line. He offers sessions ranging from improvisation coaching for private teachers to adjudicating non-competitive piano festivals with literally thousands of student entries; from offering personal, intensive master class sessions at all levels to lectures in advanced composition. Everywhere he goes, his fresh and uplifting approach to music never fails to inspire and enlighten all who attend. In the last 5 years, Christopher has written a series of concert works A very well received Jazz Piano Sonata, an Italian Suite for 2 Pianos, a Turkish-Anatolian Suite for 2 pianos and an Idaho Suite for solo piano are among the many new publications from 80dayspublishing.Christopher now lives, with his wife, another published composer, in Stratford, Ontario, Canada.Links:Youtube channel: www.youtube.com/christophermicrojazzWebsite (Boosey & Hawkes) www.christophernorton,comFacebook: facebook.com/christophernortoncomposerSoundcloud: www.soundcloud.com/nortonchristopherTop 5 Songs of Encouragement:1) "I'll See You Again" by Noel Coward, sung by Jeanette MacDonald and Nelson Eddyhttps://www.youtube.com/watch?v=2bA_G1twjCo&t=3s2) "Christ on the Mount of Olives" Op. 85 Hallelujah by Beethoven performed by UCLA Philharmonia, UCLA Chorale,  and Angeles Choralehttps://www.youtube.com/watch?v=5ZKWcn7bqsQ&t=4s3) Debussy Cello Sonata with Cellist Eve-Marie Caravassilis and pianist Jean-Bernard Marie of the London Symphony Orchestrahttps://www.youtube.com/watch?v=NRBNS3PQkww&t=3s4) "So What" by Miles Davishttps://www.youtube.com/watch?v=zqNTltOGh5c5) Prokofiev Piano Concerto No. 3 performed by Martha Agerich with the Singapore Symphonyhttps://www.youtube.com/watch?v=BS0SwRoYAW0&t=143sKeep this podcast Ad Free by going to https://www.buymeacoffee.com/Encouragement today to make a one-time donation or become a monthly member.Support the show (https://www.buymeacoffee.com/Encouragement)

Being and Becoming Sermon by the Rev. Brian K. Ballard Download bulletin here: https://www.bmpc.org/sermons/worship-bulletins/1193-sunday-january-2-2022-bulletin-final/file ------------------- Prelude - Epiphanies for trumpet and organ © 2008 Selah Publishing Co. All rights reserved. Response - On Those Who Sit In Darkness Text © 1973 The Jubilate Group (admin. Hope Publishing Company). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Music © 1983 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem - A New Year Carol © 1936 Boosey & Co. Ltd. All rights reserved. Doxology Text © 1949 Church Pension Fund. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude - Introduction and Finale for trumpet and organ © 2007 Selah Publishing Co. All rights reserved.

The Perfect Adolescent Sermon by the Rev. Leigh DeVries ----------- Prelude - A Host of Carols © 1991 Lorenz Publishing Co. All rights reserved. Hymn - Angels We Have Heard on High Music © 1937, ren. 1965 H. Augustine Smith Jr. (admin. Fleming H. Revell Company, a div. of Baker Publishing Group). All rights reserved. Response - On Those Who Sit In Darkness Text © 1973 The Jubilate Group (admin. Hope Publishing Company). Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Music © 1983 Hope Publishing Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem - Carol of the Candle Music © 1977 Hinshaw Music, Inc. © reassigned to Stephen Paulus in 1998. All rights reserved. Hymn - The Snow Lay on the Ground Music Harm. © 1941 Leo Sowerby. All rights reserved. Offertory Anthem - Lullaby, My Lovely Child © 1988 Boosey & Hawkes, Inc. All rights reserved. Doxology Text © 1949 Church Pension Fund. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Postlude - Joy to the World © 2009 Editions Leupold USA

Angels Appearing Sermon by the Rev. Dr. Agnes W. Norfleet ---------------- Invitational Carol - What Sweeter Music © 1988 Oxford University Press. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Choir Carol - Resonet in Laudibus © 1977 E. C. Schirmer Music Company. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Choir Carol - Star Carol © 1972 Oxford University Press. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Choir Carol - Noel We Sing © 1968 Okemo Music Publishers, Inc. All rights reserved. Choir Carol - O Nata Lux © 1997 Southern Music Publishing Co., Inc. All rights reserved. Offertory Anthem - Lullaby, My Lovely Child © 1988 Boosey & Hawkes, Inc. All rights reserved. Choir Carol - Carol of the Candle Music © 1977 Hinshaw Music, Inc. © reassigned to Stephen Paulus in 1998. All rights reserved.

Trusting the Truth Meditation by the Rev. Brian K. Ballard Download bulletin here: https://www.bmpc.org/sermons/worship-bulletins/1189-tuesday-december-21-2021-7-00-p-m-longest-night-bulletin/file ------------ Prelude © 1936 H. Hérelle & Company. All rights reserved. Lunar Lullaby © 2017 Santa Barbara Music Publishing, Inc. All rights reserved. I Will Light Candles This Christmas Music © 2018 Boosey & Hawkes Music Publishers Ltd. All rights reserved. Text © 1973 Howard Thurman. Published by Friends United Press, reprint 2011. Used with permission. All rights reserved. Hymn - O Come, O Come, Emmanuel Music arr. © 1990 John Weaver. All rights reserved. Hymn - Healer of Our Every Ill Text and Music © 1987 GIA Publications, Inc. All rights reserved. Response - Our Darkness is Never Darkness in Your Sight Text and Music © 1991 Les Presses de Taizé (admin. GIA Publications, Inc.). All rights reserved.

This is not America... Tra-la-la-la-lah. The boys are joined in this unholy audio splurge by Mr L. Boosey.

This is not America... Tra-la-la-la-lah. The boys are joined in this unholy audio splurge by Mr L. Boosey.

Jocelyn Hagen joins us for episode 13 of the Composer Happy Hour. Jocelyn is a prolific composer with many fabulous works, but what I think I admire most about her are her passion and enthusiasm for poetry, and her strong interest in collaboration. Her collaborations with hip-hop artist Dessa and electronic musician Spearfisher bring unexpected voices to choral music, and she performs together with her husband (choral composer Tim Takach) as Nation, an a cappella duo that often performs "pop" music. Her love of poetry is readily apparent just by seeing the poets she has illuminated in her choral music, but hearing her talk about the poems (or even read them aloud) reveals sincere admiration for the work of these other artists. On this episode, we discuss poetry, pop music, and whether or not Frasier is suitable binging material. Jocelyn Hagen composes music that has been described as “simply magical” (Fanfare Magazine) and “dramatic and deeply moving” (Star Tribune, Minneapolis/St. Paul). She is a pioneer in the field of composition, pushing the expectations of musicians and audiences with large-scale multimedia works, electro-acoustic music, dance, opera, and publishing. Her first forays into composition were via songwriting, still very evident in her work. The majority of her compositions are for the voice: solo, chamber and choral. Her melodic music is rhythmically driven and texturally complex, rich in color and deeply heartfelt. In 2019 and 2020, choirs and orchestras across the country premiered her multimedia symphony The Notebooks of Leonardo da Vinci that includes video projections created by a team of visual artists, highlighting da Vinci's spectacular drawings, inventions, and texts. Hagen describes her process of composing for choir, orchestra and film simultaneously in a Tedx Talk given at the Walker Art Center in Minneapolis, now available on YouTube. Her dance opera collaboration with choreographer Penelope Freeh,Test Pilot, received the 2017 American Prize in the musical theater/opera division as well as a Sage Award for “Outstanding Design.” The panel declared the work “a tour de force of originality.” In 2013 Hagen released an EP entitled MASHUP, in which she performs Debussy's “Doctor Gradus ad Parnassum” while singing Ed Sheeran's “The A Team.” She is also one half of the band Nation, an a cappella duo with composer/performer Timothy C. Takach, and together they perform and serve as clinicians for choirs from all over the world. Hagen's commissions include Conspirare, the Minnesota Opera, the Minnesota Orchestra, the International Federation of Choral Music, the American Choral Directors Association of Minnesota, Georgia, Connecticut and Texas, the North Dakota Music Teachers Association, Cantus, the Boston Brass, the Metropolitan Symphony Orchestra and the St. Olaf Band, among many others. Her work is independently published through JH Music, as well as through Graphite Publishing, G. Schirmer, ECS Publishing, Fred Bock Music Publishing, Santa Barbara Music Publishing, and Boosey and Hawkes. www.jocelynhagen.com All Recordings Used by Permission of the Composer: "I Started Out Singing" University of Toledo Rocket Choristers "Look Out Above" Macalester College "Load Poems Like Guns" Conspirare

If the music business is an automobile our next guest is a mechanic, and we're going to take a look under the hood.  That means getting into the nitty gritty, so hunker down.  Edwin Cox is the global CEO of West One Music Group, a production music company with offices and clients all over the world.  He lives in Los Angeles but he grew up and started his career in the UK.  So we'll talk all about the UK licensing collectives and play the acronym game where we'll have Edwin discuss what PRS, MCPS and PPL are.  We'll talk about other foreign societies, income collection issues for publishers and production music catalogs, and the competitive landscape the defines the production music space.  Edwin started his musical journey as a DJ, wearing out his LP records, and working his way into music engineering and producing, finding himself involved in a number of hit records in the UK.He then learned the publishing ropes at Boosey and Hawkes, and was elected to the Board of PRS for Music in the UK. From the hustle of getting noticed to running his own company, this is a pen and paper episode!  And now, Edwin Cox… ========================EDWIN COX / WEST ONE MUSIC- Website:  https://www.westonemusic.com/ - Wikipedia Page:  https://en.wikipedia.org/wiki/West_One_Music_Group- LinkedIn:  https://www.linkedin.com/in/edwincox/========================BRENTON HUND PODCAST   - Facebook:  http://www.facebook.com/brentonhundpodcast- Instagram:  https://www.instagram.com/brentonhundpodcast/- YouTube: https://www.youtube.com/channel/UCLlcyy_X-wYW8MrQLt6JDkg/featured- Email:  brentonhundpodcast@gmail.com========================SOCIAL MEDIA BY:  The Social Sweetheart- Website: https://www.socialsweetheart.co- Email:  thesocialsweetheart@gmail.com========================LOGO DESIGN BY: Taylor Hembree- Website:  https://taylorhembree1993.wixsite.com/ohokmedia

Belonging to the Truth Sermon by the Rev. Dr. Agnes W. Norfleet, 10:00 a.m., Sanctuary Download Bulletin: https://www.bmpc.org/sermons/worship-bulletins/1180-sunday-november-21-2021-10-00-a-m-bulletin/file ---------------------- Prelude - Brass Quintet in F minor © 2018 Paul T. McGraw. Creative Commons Attribution 4.0 International License. All rights reserved. Hymn - At the Name of Jesus Music © 1925 Oxford University Press. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Brass Arrangement © 1998 Richard R. Webster. All rights reserved. Response - Take, O Take Me As I Am Text and Music © 1995 WGRG, Iona Community (admin. GIA Publications, Inc.) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Anthem - “Antiphon” from Five Mystical Songs © 1911 Stainer & Bell, Ltd. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. © 2006 Thorpe Music Publishing Company. All rights reserved. Hymn - Jesus, Lover of My Soul Text © 2011 David Gambrell (admin. Presbyterian Publishing Corp.) Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Offertory Anthem - Psalm 46 © 1989 Morning Star Music Publishers. Reprinted and streamed with permission under ONE LICENSE #A-716211. All rights reserved. Hymn - Lead On, O King Eternal! Brass Arrangement © R. Weiss Postlude - Toccata © 1968 Boosey & Hawkes, Inc. All rights reserved.

For SOUNDTRACK SOUL Episode 16, London-based hip-hop producer and selector JONNY CUBA digs super deep into his massive collection for a nonstop 45 minute set of dope soundtrack sounds from soundtrack greats Dave Grusin, Gil Melle, Stu Gardner, Piero Piccioni, JJ Johnson and more... Jonny Cuba made two LP's for NINJATUNE in their golden age before going on to found international Hip Hop crew Soundsci. As a producer he has recorded a shelf full of records, including music for the legendary UK sound Libraries: KPM, Boosey & Hawkes and Bruton. Jonny's most recent project is 'Other Mirror', a live band encompassing all the influences of a lifetime's digging. Check out his original podcast series “JONNY CUBA & FRIENDS,” on jasoncharles.net Podcast Network and wherever you get your podcasts, featuring exclusive themed DJ sets from his uber-talented crew of fellow UK producers and top selectors. See omnystudio.com/listener for privacy information.

In this episode, you'll hear from Dr. Mark Sirett and learn more about his arrangement of the traditional Irish tune "Carrickfergus". Mark's arrangement is available in TBB from Boosey & Hawkes / Hal Leonard. Mark and I discuss the advantages to the TTB / TBB voicing, the sense of longing and emotion in the text of the folksong, and the usual non-musical banter. Thank you so much for listening and enjoy our conversation! https://www.halleonard.com/product/48019311/carrickfergus http://www.marksirett.ca/

Alex Black worked as a General Manager at Boosey & Hawkes, Managing Director at Imagem Production Music, Global Director at EMI Production Music and became CEO of Sonoton Music last March. With a track record like that we wondered what his plans are with arguably the biggest independent production music label in the world. Enough reasons to ask him to be a guest on Synchronized! Fortunately he said yes and he was willing to share some great insights with us all. Synchronized! is presented by Simon Webb from Music for Sport and Ferry van Beek from All Music Publishing.

Dale Trumbore is a Los Angeles-based composer and writer whose music has been praised by The New York Times for its "soaring melodies and beguiling harmonies." Trumbore's compositions have been performed widely in the U.S. and internationally by ensembles including The Aeolians of Oakwood University, American Contemporary Music Ensemble (ACME), Los Angeles Master Chorale, Los Angeles Children's Chorus, Modesto Symphony, Pasadena Symphony, The Singers – Minnesota Choral Artists, and Tonality. Trumbore has served as Composer in Residence for Choral Chameleon as well as Artist in Residence at Brush Creek Foundation for the Arts, Copland House, and the Helene Wurlitzer Foundation of New Mexico. How to Go On, Choral Arts Initiative's album of Trumbore's choral works, debuted at #6 on Billboard's Traditional Classical Chart. Choral Arts Northwest, The Esoterics, Helix Collective, New York Virtuoso Singers, and soprano Gillian Hollis have also commercially recorded works by Trumbore. Her choral works are available through Boosey & Hawkes, G. Schirmer, and Graphite Marketplace. A big thank you to Juanitos and Scott Holmes for the music featured in this episode. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Dale Trumbore.

Truth and Action Sermon by the Rev. Brian K. Ballard _____________ Hymn 396 – Brethren, We Have Met to Worship – HOLY MANNA Music Harm. © 2011 Alfred V. Fedak. All rights reserved. Anthem – Easter Day – Dominick Argento © 1990 Boosey & Hawkes, Inc. All rights reserved. Hymn 757 – Today We All Are Called to Be Disciples – KINGSFOLD Text © 1989 H. Kenn Carmichael. Reprinted and recorded with permission under ONE LICENSE #A-716211. All rights reserved.

Stravinsky’s interaction with composers shaping the Modern Age is explored, from Debussy, Prokofieff and Bartók through to contemporary music. Music includes De Tijd (Andriessen), Jeux (Debussy), Mikrokosmos (Bartók), Scythian Suite (Prokofieff), Metamorphoses (Britten), Petrushka (Stravinsky).Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

This episode looks at Stravinsky’s works created after his relocation to the New World, embracing jazz, serialism and Disney. Music includes Agon, Ebony Concerto, The Rite of Spring.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

The roles of myth, faith and memory in Stravinsky’s works is explored, from Russian chant to Greek classicism. Music includes Mavra, Symphony of Psalms, Oedipus Rex.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

Stravinsky’s relationship with the stage, both ballet and opera, is examined, including collaborations with Diaghilev, Auden and Balanchine. Music includes Pulcinella, The Rake’s Progress, Apollo.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

Igor Stravinsky’s ongoing significance and influence, a half century after his death, is reassessed from a safe objective distance.Music includes Funeral Song, Requiem Canticles, The Rite of Spring.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

[Spoilers for episodes 1-3 of Talentless Nana] This week we stay on the cutting edge, and talk about new anime Talentless Nana - a Patreon pick. We also talk about Peacock, psychics, X-Men, King Crimson's power, and Lil' Baby Bum. Rate us 5 stars on Apple Podcasts! Check out our Patreon ...and our Twitter, why not

Tom Service talks to one of the most performed living composers by American orchestras - Jonathan Leshnoff. Based in Baltimore, much of his work is inspired by his Jewish faith, including Symphony no. 4 'Heichalos' – recently nominated for a Grammy award – which features a collection of string instruments recovered and rebuilt following the Holocaust - the Violins of Hope. We hear from bassoonist Linton Stephens who shares his views about how classical music can be made more inclusive. On the 100th anniversary of the premiere of Vaughan Williams' The Lark Ascending, Tom hears what the work means to three violinists: the American violinist Tai Murray who has performed the work at the Proms; Thomas Gould who recorded the piece with the Sinfonietta Riga; and Jennifer Pike who recently released a recording of the original version with piano. And the author of a forthcoming biography about Vaughan Williams, Ceri Owen, also explains why she feels the shadow of the First World War hangs over the work. And Tom talks to the Music Publishing Association’s General Manager, Lucie Caswell, and Managing Director at Boosey and Hawkes, Janis Susskind, about how the publishing industry is responding to challenges of COVID-19.

Episode 17, 2020: Britten’s Young Person’s Guide to Orchestra Friday 11 December 2020 For his final year as ANAM’s Artistic Director, Nick Deutsch originally planned to start and end the year performing with the complete ANAM cohort and faculty. However, 2020 had other plans. Yet as he proved, “no pandemic will stand in our way”. In this special episode of ANAM Radio, Phil Lambert (ANAM Music Librarian) talks to the people who took on the mammoth task of putting together ANAM’s 2020 finale video from different living rooms and studios around the world. Nick and Alistair McLean (ANAM Recording and Online Coordinator) share how they worked with ANAM’s faculty and musicians to bring to life a brilliant performance of a piece that poses different challenges in the unusual 2020 set-up for musical performances. The performance you are about the see was premiered in ANAM’s 2020 end of year celebration on Zoom on 29 November 2020. Britten’s Young Person’s Guide to Orchestra is performed by the ANAM Orchestra, and edited by Alistair Mclean and Tom Marley by permission of Boosey and Hawkes Music Publishers Ltd., and all rights administered by Hal Leonard Australia. To watch the full performance, visit https://www.youtube.com/watch?v=Bhurka41l4Y&feature=youtu.be

We launch the first episode of the Band Room Bookshelf with composer and writer, Dale Trumbore, speaking about her book, Staying Composed: Overcoming anxiety and self-doubt within a creative life. Dylan and Dale speak about her background, what inspired her to write the book, the loads of ideas and techniques to help deal with the struggles creatives face and much more!Help Support the Band Room Podcast by Becoming a Patron Through Patreonhttps://www.patreon.com/bandroompodBRP Storehttp://www.bandroompod.com/storeMusic used in this episodeBRP Theme Music: Skyline by EKR HammellPerforming Ensemble: University of Toronto Wind Ensemble, Dr. Gillian MacKay, Conductor About DaleDale Trumbore is a Los Angeles-based composer and writer whose music has been praised by The New York Times for its "soaring melodies and beguiling harmonies." Trumbore's compositions have been performed widely in the U.S. and internationally by ensembles including the American Contemporary Music Ensemble (ACME), Los Angeles Master Chorale, Los Angeles Children's Chorus, Modesto Symphony, Pacific Chorale, Pasadena Symphony, The Singers – Minnesota Choral Artists, and VocalEssence.Trumbore's 2019-2020 season included performances at the NCCO National Conference, the Norton Simon Museum, and Walt Disney Concert Hall. She has served as Composer in Residence for Choral Chameleon as well as Artist in Residence at Brush Creek Foundation for the Arts, Copland House, and the Helene Wurlitzer Foundation of New Mexico.​How to Go On, Choral Arts Initiative's album of Trumbore's choral works, debuted at #6 on Billboard's Traditional Classical Chart. Choral Arts Northwest, The Esoterics, Helix Collective, New York Virtuoso Singers, and soprano Gillian Hollis have also commercially recorded works by Trumbore. Her choral works are available through Boosey & Hawkes, G. Schirmer, and Graphite Marketplace.As a composer who works frequently with words, Trumbore is passionate about setting to music poems, prose and found text by living writers. She has written extensively about working through creative blocks and establishing a career in music in essays for 21CM, Cantate Magazine, the Center for New Music, and NewMusicBox. Her first book, Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life, was hailed by writer Angela Myles Beeching (Beyond Talent) as a "treasure trove of practical strategies for moving your artistic career forward... not only for composers, but for performers, writers, and any other creatives."Trumbore holds a dual degree in Music Composition and English from the University of Maryland and a Master of Music degree in Composition from the University of Southern California. A New Jersey native, Trumbore lives in Azusa, CA with her husband and their two cats.Episode LinksDale's Websitehttps://www.daletrumbore.com/Staying Composedhttps://www.amazon.ca/Staying-Composed-Overcoming-Self-Doubt-Creative/dp/109724864X/ref=sr_1_1?dchild=1&keywords=staying+composed&qid=1606668479&sr=8-1​Follow Dale on Instagramhttps://www.instagram.com/daletrumbore/Support the show (https://www.patreon.com/bandroompod)

Mark Spede is the band director at Clemson University and the current president of the College Band Directors National Association. In this episode he shares his story and talks about CBDNA’s role in funding the aerosol study at the University of Colorado. Topics: Mark’s background and musical origin story. His journey from marching band novice to the director of the Clemson University band. Mark’s path to becoming president of CBDNA and the work that the organization has done with the COVID-19 pandemic. The backstory behind the aerosol study conducted during the summer of 2020.  Links: Mark Spede Clemson Tiger Band Maslanka: Symphony no. 4 Biography: Dr. Mark J. Spede is Professor, Director of Bands, Director of Tiger Band, and Conductor of the Symphonic Band at Clemson University, where he administrates the band program (symphonic, athletic, and jazz bands). Dr. Spede is the recipient of the Clemson University 2009 Dean’s Award for Excellence in Teaching (College of Architecture, Arts and Humanities), and three Clemson University Board of Trustees Awards for Faculty Excellence (2008, 2009, and 2012). He teaches a number of courses, including two for the Calhoun Honors College: aesthetics of music and science of music. In 2012, Dr. Spede conducted the Clemson University Symphonic Band at venues in London, England, for the Summer Olympic Games. Also in 2012, he founded the Clemson Faculty Jazz Quintet, for which he plays drums. Dr. Spede earned a Bachelor of Music from the University of Michigan (1984), a Master of Music from Ball State University (1988), and a Doctor of Musical Arts from The University of Texas at Austin (1998). He has served the College Band Directors National Association (CBDNA) in a number of capacities. From 2003 to 2005, Dr. Spede served as state chair for South Carolina. He also served on the CBDNA “New Era Think Tank” from 2005 to 2007, and served as chair of the “Athletic Band Task Force” from 2005 to 2009. He served as President of the Southern Division of CBDNA (encompassing eleven southern states) and is currently serving as National President. In addition, he has served as president of the Atlantic Coast Conference (ACC) Band Directors Association. Dr. Spede previously served on the faculties at The University of Texas at Austin (1998-1999) and the University of Florida in Gainesville (1989-1995) as Assistant Director of Bands. At Florida, he also taught studio percussion. As a freelance arranger, Dr. Spede has written extensively for high school and college marching bands (over 200 arrangements). His wind band arrangements and transcriptions are published by Peer Music, Schirmer, Boosey and Hawkes, and Carl Fischer, including “D.C. Fanfare” by John Corigliano, “Red Cape Tango” by Michael Daugherty, “Wedding Dances from Bandanna” by Daron Hagen, “Acrostic Song” by David Del Tredici, and “Millennium Canons” by Kevin Puts. He served as Assistant Conductor of the Dallas Wind Symphony, where he also helped produce two of their recordings. His professional performing experience includes orchestra (principal percussion in the Gainesville Chamber Orchestra, Muncie Symphony Orchestra, Ann Arbor Symphony Orchestra, Flint Symphony Orchestra), jazz (performing with such artists as Randy Brecker, Ray Brown, Pete Christlieb, Dennis DiBlasio, Duffy Jackson, Dave Pell, Bobby Shew, Marvin Stamm, Bill Watrous, Ernie Watts and Phil Wilson), as well as at Walt Disney World.

A pathway from violence to flourishing

In today's episode, Tara shares many of the books that she has used in teaching for  different ages and types of singers. She gives you lots of practical resources and where to purchase books so you and your students have a library to choose from. Tara has taken the pain out of trying to look through tons and tons of repertoire and nailing it down to specific music books so that you can spend more time on your teaching and singing and not research!   Please go to Products I recommend to purchase some of these books from Amazon. I am an Amazon affiliate, so doing it this way also helps support this podcast! The Very Beginning singer:   Folksong books:  Folksongs for Solo Singers, Vol 1 and 2, and one of my favs is International Folk Songs for Solo Singers. All of these are by Jay Althaus. In these books, you can find high, low and medium high so it really helps for range. Broadway anthologies for kids:  KIDS' BROADWAY SONGBOOK by Hal Leonard publishing and the KIDS' MUSICAL THEATRE COLLECTION – VOLUME 1 or VOLUME 2 also by Hal Leonard Publishing. Classical songbook: 36 SOLOS FOR YOUNG SINGERS by Joan Boytim     The Teenager beginner-intermediate:   Artsongs and Spiritual songs books: Spirituals for Solo Singers by Jay Althaus or the series entitled Classical Contest Songs by Hal Leonard publishing (Soprano, Mezzo, Tenor and Bass) More classical: LOVERS, LASSES & SPRING (soprano), ROSES, LAUGHTER AND LULLABIES (mezzo) , YOUNG LADIES, SHIPMATES AND JOURNEYS (Tenor and Bass) all by Joan Boytim Broadway books: TUNES FOR TEENS FROM MUSICALS (Young Men's Edition) and (Young Women's Edition) both by Hal Leonard publishing.     The Intermediate singer:   Classical series—Joan Boytim songbooks: THE FIRST BOOK OF SOPRANO SOLOS, THE FIRST BOOK OF MEZZO-SOPRANO/ALTO SOLOS, THE FIRST BOOK OF TENOR SOLOS, THE FIRST BOOK OF BARITONE/BASS SOLOS Classical series—Soprano Songs, Mezzo-Soprano Songs, Tenor Songs, Baritone Songs (all by Boosey and Hawkes) but now in the NEW IMPERIAL EDITION. 24 ITALIAN SONGS & ARIAS OF THE 17TH & 18TH CENTURIES  Schirmer's version but you can get many versions of these. Broadway anthologies: SINGER'S MUSICAL THEATRE ANTHOLOGY by Hal Leonard and edited by Richard Walters.  Jazz standards (American songbook) THE SINGER'S BOOK OF JAZZ STANDARDS - (Women's or Men's Editions),    Places to purchase music online:  amazon.com halleonard.com https://www.jwpepper.com/sheet-music/welcome.jsp   Sheet music: https://www.sheetmusicplus.com/ https://www.musicnotes.com/   Great book for vocal warmups: Building Beautiful Voices by Paul Neshiem and Weston Noble   Sight-singing/Solfegging: Sing at First Sight by Andy Beck, Karen Farnum Surmani, Brian Lewis   For all you teachers who want to brush up on other languages: Diction for Singers by Joan Wall, Robert Caldwell Tracy Gavilanes, Sheila Allen     For an episode on IPA—the International Phonetic Alphabet— please check Episode 023 | Dr. Melody Rich | What is IPA?.   You can subscribe  to THE ENGAGING VOICE on the platform you listen on: Stitcher, Google Podcasts, Spotify, iHeart radio, Youtube and Apple Podcasts. And now, it's also on Amazon Music Audible and PlayerFM too!! AND you can share this episode to social media or with your friends! Give them a gift today by sharing this free podcast with them!  

This week Maino feels like he is always being lied to by women. He wants to know why? Because he is tired of being victimised and being told the pussy is his, when it’s not. (5:00) Maino switches up the conversation to social media and wants to know what would happen if your Instagram was cut off tomorrow like what happened to Boosey, could your survive? Maino and Rick have a message for Mark Zuckenburger before they play 'would you rather', and the question is fame or money.(35:50) Maino’s uncle is coming home soon, he has been in prison for more than 20 years. Maino is finishing up a book he has been writing for a while about the transition back to society from prison. The book is called The Art of Free. (1:08) Maino finishes up with some inspirational words: “Chase your dreams, believe in yourself, keep pushing, never give up.” (1:20). Checkout our sponsor for this week - https://www.dopeboy-couture.com/ Find them on social media at @dopeboy_couture

This week Maino feels like he is always being lied to by women. He wants to know why? Because he is tired of being victimised and being told the pussy is his, when it's not. (5:00) Maino switches up the conversation to social media and wants to know what would happen if your Instagram was cut off tomorrow like what happened to Boosey, could your survive? Maino and Rick have a message for Mark Zuckenburger before they play 'would you rather', and the question is fame or money.(35:50) Maino's uncle is coming home soon, he has been in prison for more than 20 years. Maino is finishing up a book he has been writing for a while about the transition back to society from prison. The book is called The Art of Free. (1:08) Maino finishes up with some inspirational words: “Chase your dreams, believe in yourself, keep pushing, never give up.” (1:20). Checkout our sponsor for this week - https://www.dopeboy-couture.com/ Find them on social media at @dopeboy_couture

In this Justice sermon, Robyn Boosey (Melbourne Anglican Diocese: Preventing Violence Against Women) highlights Jesus’ equal acceptance of all people, irrespective of social standing or gender. We see Jesus’ compassion for the socially distanced, his willingness to listen to the stories of others deemed unworthy by society, his inclusion of the marginalized, and his power to challenge the unjust culture of the day while bringing healing and hope to the darkest of situations.

According to Your Faith Questions from the Congregations Series I'd love to hear about: Faith & Healing Scripture Lesson: Matthew 8:5-13 Sermon by the Rev. Dr. Agnes W. Norfleet Pastoral Prayer by the Rev. Brian K. Ballard With hymn and special music. Shall We Gather at the River © 1954 Boosey & Hawkes, Inc. All Rights Reserved. Reprinted Under Onelicense.net #A-716211.

Welcome to the newest entrant to our Impact Radio USA stable of shows, with "Impact Interviews and Music". The title says it all, as we provide exhilarating interviews with some terrific people and, of course, we augment the interviews with great music! Each episode of "Impact Interviews and Music" airs LIVE every Monday, Wednesday, and Friday at 10:00 am ET, then repeats at 10:00 pm ET on the same date. On today's show, we spoke with Anne McGinty and Claudia Hershman: ANNE McGINTY From Her Own website - McGinty Music  - mcgintymusic.com "Anne McGinty is known throughout the world as the most prolific woman composer in the field of concert band literature, having written more than 225 pieces, with more than 50 of those commissioned by bands across the United States. Thousands of people have played her music and discovered the joy and beauty of playing music that is both educational (helping instrumentalists learn basic musical skills) and also musical, engaging their imagination and encouraging them to stay in the instrumental music program. In addition to concert band, she has written for solo flute with band, solo clarinet with band, brass band, string orchestra, solo flute, flute with piano accompaniment, and music for flute duet, trio, quartet and choir. All of her compositions and arrangements have been published. Her publishers include Queenwood Publications (now Queenwood/Kjos), C. L. Barnhouse Co., Boosey & Hawkes, Hal Leonard Corporation, Kendor Music, Kjos Publications and Southern Music Company. After a successful career spanning 30+ years as both a composer and publisher of educational music, Anne is now writing chamber music for brass and woodwinds, all published by McGinty Music. An expert in writing for wind instruments, Anne is also composing for diverse instrumental combinations to showcase their varied timbral possibilities in modern, tonal music." CLAUDIA HERSHMAN From Her Website - https://www.claudiahershman.com​ "I feel fortunate to be able to experience the joy that comes from being creative. After studying art for many years, learning about different techniques and a variety of media, I decided to forget the rules and experiment.  OBSERVING HOW CHILDREN MAKE ART WITH NO PARAMETERS, I WAS INSPIRED TO EXPLORE MY CREATIVE PROCESS WITH SUCH FREEDOM SPONTANEITY AND JOY. Experimentation and a love of color, shape, and pattern are the focus of my process. My prints and paintings evolve without preconception. When a piece begins to have it’s own life, a dialog between us emerges.  I add marks or collage with color or pencil, and then react to the marks, colors, drips, and accidents, even working with my fingers, to move further into the piece. When all comes together, the piece is finally is finished. Making art, for me, is not about intent, but about the experience itself." And music by the Rolling Stones, Peabo Bryson, Paul Davis, and more! Thank you for stopping in! Enjoy!

On the 8th anniversary of the UK signing the Istanbul Convention, Director of IC Change Robyn Boosey talks to FiLiA's Policy Assistant, Adeline, about why ratifying the Convention could be so life-changing for many women in the UK.Robyn Boosey is the co-director of the IC Change campaign, and Manager of the Anglican Diocese of Melbourne's Preventing Violence Against Women Program. She was previously the policy lead on West and Central Africa at Tearfund.Useful linksSign and share the IC change petition.Read Robyn's blog for FiLiAFollow IC Change on Twitter and Facebook @ICchangeUKFind out more here: www.icchange.co.uk

On the 8th anniversary of the UK signing the Istanbul Convention, Director of IC Change Robyn Boosey talks to FiLiA’s Policy Assistant, Adeline, about why ratifying the Convention could be so life-changing for many women in the UK.Robyn Boosey is the co-director of the IC Change campaign, and Manager of the Anglican Diocese of Melbourne's Preventing Violence Against Women Program. She was previously the policy lead on West and Central Africa at Tearfund.Useful linksSign and share the IC change petition.Read Robyn’s blog for FiLiAFollow IC Change on Twitter and Facebook @ICchangeUKFind out more here: www.icchange.co.uk

Here is our "Impact Classics" episode, which originally aired LIVE on Tuesday, May 5, 2020. Today's show exclusively features the music of ANNE McGINTY, often referred to as the world most prolific female composer EVER for concert band literature! From Anne McGinty's website: "Anne McGinty is known throughout the world as the most prolific woman composer in the field of concert band literature, having written more than 225 pieces, with more than 50 of those commissioned by bands across the United States. Thousands of people have played her music and discovered the joy and beauty of playing music that is both educational (helping instrumentalists learn basic musical skills) and also musical, engaging their imagination and encouraging them to stay in the instrumental music program. In addition to concert band, she has written for solo flute with band, solo clarinet with band, brass band, string orchestra, solo flute, flute with piano accompaniment, and music for flute duet, trio, quartet and choir. All of her compositions and arrangements have been published. Her publishers include Queenwood Publications (now Queenwood/Kjos), C. L. Barnhouse Co., Boosey & Hawkes, Hal Leonard Corporation, Kendor Music, Kjos Publications and Southern Music Company. After a successful career spanning 30+ years as both a composer and publisher of educational music, Anne is now writing chamber music for brass and woodwinds, all published by McGinty Music. An expert in writing for wind instruments, Anne is also composing for diverse instrumental combinations to showcase their varied timbral possibilities in modern, tonal music. Highlights of her career include being the first woman composer commissioned to write for the United States Army Band. That composition, entitled Hall Of Heroes and premiered in March, 2000, with the composer conducting, featured the U.S. Army Band & Chorus and honored the recipients of the U.S. Congressional Medal of Honor, with words based on a poem by Audie Murphy. She was commissioned to write an original composition (To Keep Thine Honor Bright) for the Bicentennial of the United States Military Academy at West Point and another (Victorious) for the United States Continental Army (now TRADOC) Band. Another very special commission (‘Tis A Gift) was for victims of TWA Flight 800 and to help heal the community of Montoursville, Pennsylvania, with music. Music is the most important thing she has ever done or will ever do in her life – composing, conducting, performing and speaking at a wide variety of musical events. Her enthusiasm and passion for music is evident in everything she writes." As you will recall, we provide the very BEST music EVER written, recorded, and performed from all genres. We hope that that the presented music is perfect by which to write, relax, work, clean your house, pay bills, attend to your garden, driving, etc. "Impact Classics" airs LIVE as follows: Tuesdays and Thursdays 12:00 Noon, ET (Repeated on the same days at 3:00 pm, 9:00 pm, Midnight, 3 am, 6 am, and 9 am) Enjoy!

ANNE McGINTY, the most prolific female composer EVER in the world of concert band music, Joined us to discuss her music, her composing thoughts, her music company, special moments in her career, and her ability to compose for beginning band students through seasoned professionals!  From Her Own website - McGinty Music  - mcgintymusic.com "Anne McGinty is known throughout the world as the most prolific woman composer in the field of concert band literature, having written more than 225 pieces, with more than 50 of those commissioned by bands across the United States. Thousands of people have played her music and discovered the joy and beauty of playing music that is both educational (helping instrumentalists learn basic musical skills) and also musical, engaging their imagination and encouraging them to stay in the instrumental music program. In addition to concert band, she has written for solo flute with band, solo clarinet with band, brass band, string orchestra, solo flute, flute with piano accompaniment, and music for flute duet, trio, quartet and choir. All of her compositions and arrangements have been published. Her publishers include Queenwood Publications (now Queenwood/Kjos), C. L. Barnhouse Co., Boosey & Hawkes, Hal Leonard Corporation, Kendor Music, Kjos Publications and Southern Music Company. After a successful career spanning 30+ years as both a composer and publisher of educational music, Anne is now writing chamber music for brass and woodwinds, all published by McGinty Music. An expert in writing for wind instruments, Anne is also composing for diverse instrumental combinations to showcase their varied timbral possibilities in modern, tonal music. Highlights of her career include being the first woman composer commissioned to write for the United States Army Band. That composition, entitled Hall Of Heroes and premiered in March, 2000, with the composer conducting, featured the U.S. Army Band & Chorus and honored the recipients of the U.S. Congressional Medal of Honor, with words based on a poem by Audie Murphy. She was commissioned to write an original composition (To Keep Thine Honor Bright) for the Bicentennial of the United States Military Academy at West Point and another (Victorious) for the United States Continental Army (now TRADOC) Band. Another very special commission (‘Tis A Gift) was for victims of TWA Flight 800 and to help heal the community of Montoursville, Pennsylvania, with music. ​Music is the most important thing she has ever done or will ever do in her life – composing, conducting, performing and speaking at a wide variety of musical events. Her enthusiasm and passion for music is evident in everything she writes.”

Mark Boosey is the founder of the British Comedy Guide (@BritishComedy) a database of all the comedians, TV sitcoms, industry news and more.Stream - http://simoncaine.co.uk/ATI/MarkBooseyiTunes - https://itunes.apple.com/us/podcast/ask-the-industry-podcast/id946220937?mt=2 YouTube - https://youtu.be/DO1-7IWp6cASpotify - https://open.spotify.com/show/12wdMpotKGDpFvShobeaoy Use code ATI when signing up for a BCG Pro account to get £5 off your first years membership. https://www.comedy.co.uk/ProIf you’ve enjoyed the pod please send me (@thismademecool) or Mark a thank you tweet and you can support the pod by…If you’d like to support the podcast please do via - PayPal - http://simoncaine.co.ukOr Patreon - https://www.patreon.com/AskTheIndustryPodcast Buy my book about building your own online community - https://amzn.to/35EWT7B Come see me in Australia or New Zealand - Perth (Feb) - https://fringeworld.com.au/whats_on/simon-caine-every-room-becomes-a-panic-room-when-you-overthink-enough-fw2020Adelaide (Feb) - https://adelaidefringe.com.au/fringetix/simon-caine-every-room-becomes-a-panic-room-when-you-overthink-enough-af2020Wellington (March) - https://fringe.co.nz/show/42461Dunedin (March) - coming soon.OR at the Dog-friendly comedy club at The Bloomsbury (London) - 18th Jan 2020 - https://www.ucl.ac.uk/event-ticketing/booking?ev=19174Glasgow Fringe - 15th, 22nd, 29th March 2020 - http://www.glasgowcomedyfestival.com/shows/2949 See acast.com/privacy for privacy and opt-out information.

When the great American composer Carlisle Floyd wrote his first full-length opera, Susannah, back in the 1950s, he had no way of knowing how the Biblical themes of shame, blame and lust would still resonate today. In this special episode of Aria Code, host Rhiannon Giddens joins soprano Renée Fleming, writer and stage director Thomas Holliday, and feminist writer Leora Tanenbaum to consider the haunting folk aria “The Trees on the Mountains,” and the devastating loss of innocence at the heart of the story. You’ll hear Fleming’s performance from the Metropolitan Opera’s 1999 production of Susannah, as well as Rhiannon Giddens’ version from her new album, there is no Other. The Guests One of the most celebrated singers of our time, soprano Renée Fleming has used her voice to break down the barriers between different genres of music. From opera to Broadway to jazz, and even the movie soundtrack of The Lord of the Rings, this fourteen-time Grammy nominated artist has sung it all.   Stage director and writer Thomas Holliday practically became a member of the Floyd family when he embarked on five years of research and interviews for the comprehensive biography Falling Up: The Days and Nights of Carlisle Floyd. Feminist writer Leora Tanenbaum has been writing books and articles about slut-shaming and the sexual double standard for over 20 years. When she’s not fighting the good fight for gender equality, Leora can be found at Columbia University, where she is Director of Communications. Special thanks to the Metropolitan Opera, Boosey & Hawkes, and Nonesuch Records for the music in this episode. 

This week Boz and Stocky are quizzed on past goalscorers, we talk about the sad news of Justin Edinburgh passing away and the latest signings. Also discussed is the biggest cock-ups, Bozs eating habits and our new ‘Name in the frame’ feature. Up The Gills.

Dr Boosey talks candidly about his experience as a GP Registrar and what he wishes he’d known before choosing this popular medical specialty area.

Composer Brett Dean and librettist Matthew Jocelyn are retelling Shakespeare’s Hamlet as an opera. In this bonus podcast episode, we’re eavesdropping on a specially recorded conversation between actor Samuel West, who has played Hamlet to great acclaim at the Royal Shakespeare Company, and British tenor Allan Clayton who is about to take up the role of the Danish Prince in this new opera version. Recorded February 2017. Presenter: Katie Derham ​​Produced by Katherine Godfrey for Whistledown Productions for Glyndebourne Festival 2017 Musical extracts are from Brett Dean’s From Melodious Lay, commissioned and recorded by BBC Radio 3 and given its world premiere by the BBC Symphony Orchestra conducted by Joshua Weilerstein at the Barbican on Tuesday 1 November 2016. With thanks to the Barbican Centre and the Corporation of London. Music is courtesy of Boosey & Hawkes Music Publishers Limited. Image: Allan Clayton (Hamlet) Photographer: Richard Hubert Smith

Shakespeare’s Hamlet has been realised in thousands of versions. The story of the Danish Prince whose father is murdered by his uncle, who then marries Hamlet’s mother, is perhaps the most fascinating of all Shakespeare’s tragedies. In this podcast, composer Brett Dean and librettist Matthew Jocelyn discuss the creation of their new operatic version of the tale. British tenor Allan Clayton looks forward to playing the title role and Shakespeare scholar Ann Thompson reveals how Hamlet passed into popular culture. Presenter: Katie Derham ​​Produced by Katherine Godfrey for Whistledown Productions for Glyndebourne Festival 2017 Musical extracts are from Brett Dean’s From Melodious Lay, commissioned and recorded by BBC Radio 3 and given its world premiere by the BBC Symphony Orchestra conducted by Joshua Weilerstein at the Barbican on Tuesday 1 November 2016. With thanks to the Barbican Centre and the Corporation of London. Music is courtesy of Boosey & Hawkes Music Publishers Limited. Image: Matthew Jocelyn and Brett Dean in a Hamlet workshop at Glyndebourne. Photographer: Sam Stephenson

Trudy Chan has had a multifaceted career in music. The former Senior Manager of Promotion at Boosey & Hawkes, Trudy now heads her own boutique composer management company, and works as a collaborative pianist, most notably as one half of the Cheah Chan Duo, which puts on six concerts of art song and piano music each season. Trudy and I have been friends for years, and we've had the pleasure of performing together several times. During the course of our conversation, we touched on: Friendship as the basis for working relationships Working for a traditional publisher Approaching performers and ensembles Doing your research The Virtue of Patience Being judicious in mailing materials Preparing for conferences The importance of showing up The dance of building relationships Business partners Some advantages and disadvantages of traditional publishing Submission tips Program notes Follow-up emails Black Tea Music The differences between promotion and publicity Links: Black Tea Music Cheah Chan Duo

Why middle class comics were so shocked by Brexit. After an interrupted start with Copstick in camp in Kenya, back to our normal disjointed style - on the decline of British comedy clubs, the collapse of the Invisible Dot and Chatty Man Alan Carr; the rise of Ivan Brackenbury and Bill Bailey. Plus the Centre for Comedy Studies Research, a threat to break Tim Renkow’s legs, Stephen Bailey rejected by the BBC for being ‘working class’ and the annoying failed Referendum Remainers who moan endlessly but do nothing. John’s quote of the week: “Comedians are sort of out-of kilter with the real public. They’re in kilter with the people who go to comedy clubs (who) tend to be middle class. But they are out-of-kilter with the mass of voters, which is why Brexit was such a shock.” Copstick's quote of the week: “The Twiterati don’t like the working classes. Brexit was, by and large, a working class vote.” http://www.grouchyclub.co.uk You can also download this audio podcast from iTunes https://itunes.apple.com/gb/podcast/grouchy-clubs-mostly-about/id977279883 John Fleming posts occasional blogs at: http://blog.thejohnfleming.com

Despite being one of relatively few chamber music pieces in his catalog, John Adams’s 2008 String Quartet stands among the composer’s most significant compositions and has been solidly adopted into the chamber-music canon. This episode features a live performance of the titanic two-movement piece, performed live at Le Poisson Rouge by the Attacca Quartet. Joining Adams for his on-stage introduction of the piece are violinist Keiko Tokunaga and violist Luke Fleming of the Attacca Quartet. You’ll hear them recount the trial-by-fire circumstances of their first performance, the details of a late-night phone call and how to temper performance anxiety and just groove.  This performance of John Adams's String Quartet by the Attacca Quartet features Amy Shroeder and Keiko Tokunaga on violin, Luke Fleming* on viola, and Andrew Yee on cello. John Adams’s String Quartet was featured by permission from Boosey & Hawkes. Visit Boosey on the web at www.boosey.com. *Luke Fleming has since left the quartet to assume the position of artistic director of the Manhattan Chamber Players.

Rick Boosey shares the story of how a trip to Africa inspired him to create Kyya Chocolate so that he could have a meaningful, sustainable impact for the orphanages he visited in Africa. This led to a real passion for chocolate. Sourcing the coco direct from the farmers who grow it. Truley a unique take on a delicious treat. Richard Bell is the Head Brewer at Core Brewing Company, he has a dream job. Core Brewing co is rapidly becoming a marquee beer brand in Northwest Arkansas and has generously supplied our podcast audience with the chocolate beer they teamed up with Kyya Chocolate to brew. Together Richard and Rick talk about two of our favorite things, beer and chocolate and how they joined forces to make Chocolate Beer.

LPR Live, a new podcast showcasing music recorded live at Greenwich Village's Le Poisson Rouge, launches with a throwback to Steve Reich's seminal 1988 Different Trains for string quartet and tape, performed by the American Contemporary Music Ensemble (ACME). Steve Reich undoubtedly stands as one of America’s most influential composers. He also admits to being one of the most influenced musicians of his generation, combining the disparate sounds of jazz, African drumming, American experimentalism, and more. In Different Trains, written in 1988 and scored for string quartet and pre-recorded tape, Reich adds a deeply personal narrative to this melange of musical influence and creates one of his most affecting musical statements. This episode features performances by Caroline Shaw and Ben Russell, violinists; Nadia Sirota, violist; and Clarice Jensen, cellist, and interviews with Jensen, Shaw and Reich himself. The music was recorded on September 11, 2012; hear the complete show. Steve Reich’s Different Trains was featured on LPR Live by permission from Boosey & Hawkes. Visit Boosey on the web at www.boosey.com.

I am absolutely THRILLED to present this week’s bonus track, an exclusive in-studio performance of Meredith Monk’s transcendent string quartet Stringsongs. Stringsongs is Meredith’s first string quartet. Written in 2005, the piece was premiered by the Kronos Quartet. I am extremely proud to share this piece now, in a performance by the inimitable ACME (American Contemporary Music Ensemble) in the Q2 Music studios. In the Meet The Composer: Meredith Monk episode, we spent a considerable amount of time focusing on the fascinating processes Meredith has employed constructing some of her vocal music — namely, her using her vocal ensemble to workshop ideas in the air. Stringsongs is an example of a completely different working style; these days, Meredith has been writing more and more scored, instrumental music, and Stringsongs was developed very much that way. The piece is in four movements: "Cliff Light," "Tendrils," "Obsidian Chorale," and "Phantom Strings." This work is a gorgeous example of Meredith lending her gilded aesthetic to a very Classical format. The composer’s program note is below: In Stringsongs, my first piece for string quartet, I explored using instruments to create unexpected textures and sounds in much the same way that I have worked with the voice over many years.  I was inspired by the profound musicianship and passionate commitment of the Kronos Quartet. During the rehearsal period, as I got to know the players, the music came to life in surprising ways, colored by the distinctive "voice" of each musician.   Stringsongs is published by Boosey & Hawkes. This recording session was engineered by Irene Trudel.