Podcasts about Fine Arts Work Center

Day 13: Francisco Márquez reads his poem, “The Bulge,” first published in The Adroit Journal (April 2025).  Francisco Márquez is a poet from Maracaibo, Venezuela, born in Miami, Florida. His work has been featured in the Yale Review, the Brooklyn Rail, the Slowdown podcast, and the Best American Poetry anthology. He has received support from the Tin House Writer's Workshop, The Poetry Project, and the Fine Arts Work Center in Provincetown, where he was a 2019-2020 Poetry Fellow. He works and lives in Brooklyn, New York. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

David Wojahn grew up in St. Paul, Minnesota. He studied at the University of Minnesota and the University of Arizona. Ever since his first collection, Icehouse Lights, was chosen for the Yale Series of Younger Poets award in 1981, Wojahn has been one of American poetry's most thoughtful examiners of culture and memory. His work often investigates how history plays out in the lives of individuals, and poet Tom Sleigh says that his poems “meld the political and personal in a way that is unparalleled by any living American poet.”Wojahn's book World Tree (2011) received the Lenore Marshall Poetry Prize from the Academy of American Poets. His collection Interrogation Palace: New and Selected Poems 1982–2004 (2006), which Peter Campion called “superb” and “panoramic” in a review for Poetry, showcases Wojahn's formal range, the scope of his personal narratives, and his intense, imaginative monologues and character sketches, such as his sonnets on pop culture icons and rock-and-roll musicians in Mystery Train (1990). He is also celebrated for the emotional resonance of his poetry—the ability to, in the words of poet Jean Valentine, “follow … tragedy to its grave depths, with dignity and unsparingness, and egolessness.”In addition to his books of poetry, Wojahn is the author of From the Valley of Making: Essays on the Craft of Poetry (2015) and Strange Good Fortune (2001), a collection of essays on contemporary poetry. He coedited A Profile of Twentieth Century American Poetry (1991), and edited a posthumous collection of his wife Lynda Hull's poetry, The Only World (1995).Wojahn has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Illinois Arts Council, and the Indiana Arts Commission. He teaches poetry at Virginia Commonwealth University and in the low residency MFA in Writing program at the Vermont College of Fine Arts.-bio via Poetry Foundation This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

For years, Jennifer Jean and Hanaa Ahmad Jabr have been exchanging poems from Mosul to Massachusetts and back, and they're now collected into a book, Where Do You Live? with translations by Wadaq Qais and Tamara Al-Attiya. They join us for a special episode at a special time (12pm ET). Dr. Hanaa Ahmad Jabr was born in Mosul, Iraq. She is a prize-winning poet and short story writer who has participated in critical conferences and international poetry festivals. She has a PhD of Philosophy in Arabic Literature. Her books include the poetry collections I Draw My Sorrow from His Collar, and two books of criticism: The Dialectic of Poetry and Prose in Modernist Poetry, and The Poetics of the Prose Poem. Additionally, she's released a children's book: Sultan and Shanidar. Hanaa teaches at the University of Mosul. Jennifer Jean first appeared in episode 76 of the Rattlecast. Her poetry collections include VOZ, Object Lesson, and The Fool. Her resource book is Object Lesson: a Guide to Writing Poetry and she's the editor of the forthcoming anthology Other Paths for Shahrazad: a Bilingual Anthology of Poetry by Arab Women (Tupelo Press, 2026). Jennifer is an organizer for the Her Story Is collective, a faculty member at Solstice MFA, and a senior program manager at the Fine Arts Work Center. Wadaq Qais was born in Basra, Iraq. She received a degree in accounting in 2021. Later, she found her true calling in the Translation Department at the University of Basra, College of the Arts, where she is completing her studies. Reading provided her a gateway to other worlds, allowing her to broaden her perspective and expertise in the disciplines of both literary and business translation. For more information, visit: https://www.arrowsmithpress.com/hanaa-ahmad-jabr-jennifer-jean As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem set in a garden you've only been to once before and include a metaphor. Next Week's Prompt: Write a postcard poem to someone that would be very surprised to hear from you. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Paul Lisicky is the author of the memoir Song So Wild and Blue: A Life with the Music of Joni Mitchell, available from HarperOne. Lisicky is the author of seven books, including Later: My Life at the Edge of the World, The Narrow Door, Unbuilt Projects, The Burning House, Famous Builder, and Lawnboy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence,the New York Times, Ploughshares, and in many other publications. His honors include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the James Michener/Copernicus Society, the Fine Arts Work Center in Provincetown, and the Rose Dorothea Award from the Provincetown Library. He has taught in the creative writing programs at Antioch University Los Angeles, Cornell University, New York University, Sarah Lawrence College, the University of Texas at Austin and elsewhere. He is currently a Professor of English in the MFA Program in Creative Writing at Rutgers University–Camden, where he is Editor of StoryQuarterly. He lives in Brooklyn, New York. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

One fall, I lead a foraging walk with visiting fellows from the Fine Arts Work Center in Provincetown. I pointed out Prickly Pear Cactus — a plant that I've heard you can eat, but that we're not allowed to harvest in Massachusetts, because here it's considered an endangered species.

On Sunday, December 15th, a crowd of 50 people gathered at Zibby's Bookshop to listen to an intimate conversation between Elisa Albert and Zibby Owens. They discussed Elisa's book HUMAN BLUES, her writing process, Zibby's anthology ON BEING JEWISH NOW, and the controversy at the Albany Book Festival about which Elisa wrote a powerful essay entitled, "An Invitation to the Anti-Zionists: You refused to sit on a literary panel with me. I invite you to my Shabbes table instead, so we can actually talk to each other and face her fears." Spoiler: no one accepted her invitation. Bio:Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, the story collection How This Night is Different, and the essay collection The Snarling Girl. Her work has been published in n+1, Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University's School of the Arts, The College of Saint Rose, Bennington College, Texas State University, University of Maine, and the Fine Arts Work Center in Provincetown. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.

Mala Iqbal was born in the Bronx in 1973 and grew up in a household where three cultures and four languages intersected. "The Edge of an Encounter," a solo show of her paintings and works on paper is currently on view at JJ Murphy Gallery in New York until November 9, 2024. Other solo exhibitions were at Soloway Gallery in Brooklyn; Ulterior Gallery, Bellwether Gallery, and PPOW in New York; Taylor University in Upland, Indiana; Twelve Gates Arts in Philadelphia; and Richard Heller Gallery in Los Angeles. Her series of collaborative paintings, made with Angela Dufresne, was shown in October 2021 at the Richard and Dolly Maass Gallery, SUNY Purchase, and at LSU in Baton Rouge in November 2023. Her work has been exhibited in group shows throughout the United States as well as in Australia, China, Europe, and India. Her work has been reviewed in various publications including The New York Times, The Brooklyn Rail, Hyperallergic and The New Yorker. Iqbal has been awarded artist residencies at the MacDowell Colony, Yaddo, The Fine Arts Work Center, and the Hermitage Artist Retreat. She received a Joan Mitchell Fellowship in 2023. Mala Iqbal lives and works in New York City. Animals, 2024 Oil on canvas 12 x 16 inches Ghost Friend, 2024 Gouache and crayon on gray paper 4 x 6 inches. Interrupture, 2024 Oil on canvas 72 x 96 inches.

It's 2006, and S. L. Wisenberg is teaching writing at one of Chicago's great universities and living a busy life when she's gobsmacked by a sudden cancer diagnosis. In small but powerful journal entries, she bemoans friends who've died, expresses disdain for her body, worries about her future, recalls previous adventures, and jokes about the seriousness of her illness. She doesn't let the fear and discomfort stop her from throwing her left breast a farewell party. Now, fifteen years later, SL Wisenberg's journey of self-acceptance, Adventures of Cancer Bitch (Tortoise Books, 2024) has been reissued without page numbers, but with additional entries, notes about her life, and updates about cancer. S. L. Wisenberg was born in Texas and has lived in Chicago, more or less, since she was 18. She is the author of a fiction collection, The Sweetheart Is In; the essay collections Holocaust Girls: History, Memory & Other Obsessions and The Wandering Womb: Essays in Search of Home. In 2009 she published a chronicle, The Adventures of Cancer Bitch, about her breast cancer from diagnosis to post-chemo. On October 15, the book is being re-released as a paperback, revised and updated. She is still cancer free, except for a rare chronic blood cancer, so she remains the Cancer Bitch. Wisenberg has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely, from San Francisco to Sofia, Bulgaria. Wisenberg edits Another Chicago Magazine, an international online literary journal. In the summer she raises Eastern Black Swallowtail butterflies. Year round she walks through Chicago and hypnotizes wild rabbits. She also pulls weeds in public areas and leaves markers proclaiming, The Mad Weeder Strikes Again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It's 2006, and S. L. Wisenberg is teaching writing at one of Chicago's great universities and living a busy life when she's gobsmacked by a sudden cancer diagnosis. In small but powerful journal entries, she bemoans friends who've died, expresses disdain for her body, worries about her future, recalls previous adventures, and jokes about the seriousness of her illness. She doesn't let the fear and discomfort stop her from throwing her left breast a farewell party. Now, fifteen years later, SL Wisenberg's journey of self-acceptance, Adventures of Cancer Bitch (Tortoise Books, 2024) has been reissued without page numbers, but with additional entries, notes about her life, and updates about cancer. S. L. Wisenberg was born in Texas and has lived in Chicago, more or less, since she was 18. She is the author of a fiction collection, The Sweetheart Is In; the essay collections Holocaust Girls: History, Memory & Other Obsessions and The Wandering Womb: Essays in Search of Home. In 2009 she published a chronicle, The Adventures of Cancer Bitch, about her breast cancer from diagnosis to post-chemo. On October 15, the book is being re-released as a paperback, revised and updated. She is still cancer free, except for a rare chronic blood cancer, so she remains the Cancer Bitch. Wisenberg has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely, from San Francisco to Sofia, Bulgaria. Wisenberg edits Another Chicago Magazine, an international online literary journal. In the summer she raises Eastern Black Swallowtail butterflies. Year round she walks through Chicago and hypnotizes wild rabbits. She also pulls weeds in public areas and leaves markers proclaiming, The Mad Weeder Strikes Again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

It's 2006, and S. L. Wisenberg is teaching writing at one of Chicago's great universities and living a busy life when she's gobsmacked by a sudden cancer diagnosis. In small but powerful journal entries, she bemoans friends who've died, expresses disdain for her body, worries about her future, recalls previous adventures, and jokes about the seriousness of her illness. She doesn't let the fear and discomfort stop her from throwing her left breast a farewell party. Now, fifteen years later, SL Wisenberg's journey of self-acceptance, Adventures of Cancer Bitch (Tortoise Books, 2024) has been reissued without page numbers, but with additional entries, notes about her life, and updates about cancer. S. L. Wisenberg was born in Texas and has lived in Chicago, more or less, since she was 18. She is the author of a fiction collection, The Sweetheart Is In; the essay collections Holocaust Girls: History, Memory & Other Obsessions and The Wandering Womb: Essays in Search of Home. In 2009 she published a chronicle, The Adventures of Cancer Bitch, about her breast cancer from diagnosis to post-chemo. On October 15, the book is being re-released as a paperback, revised and updated. She is still cancer free, except for a rare chronic blood cancer, so she remains the Cancer Bitch. Wisenberg has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely, from San Francisco to Sofia, Bulgaria. Wisenberg edits Another Chicago Magazine, an international online literary journal. In the summer she raises Eastern Black Swallowtail butterflies. Year round she walks through Chicago and hypnotizes wild rabbits. She also pulls weeds in public areas and leaves markers proclaiming, The Mad Weeder Strikes Again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

It's 2006, and S. L. Wisenberg is teaching writing at one of Chicago's great universities and living a busy life when she's gobsmacked by a sudden cancer diagnosis. In small but powerful journal entries, she bemoans friends who've died, expresses disdain for her body, worries about her future, recalls previous adventures, and jokes about the seriousness of her illness. She doesn't let the fear and discomfort stop her from throwing her left breast a farewell party. Now, fifteen years later, SL Wisenberg's journey of self-acceptance, Adventures of Cancer Bitch (Tortoise Books, 2024) has been reissued without page numbers, but with additional entries, notes about her life, and updates about cancer. S. L. Wisenberg was born in Texas and has lived in Chicago, more or less, since she was 18. She is the author of a fiction collection, The Sweetheart Is In; the essay collections Holocaust Girls: History, Memory & Other Obsessions and The Wandering Womb: Essays in Search of Home. In 2009 she published a chronicle, The Adventures of Cancer Bitch, about her breast cancer from diagnosis to post-chemo. On October 15, the book is being re-released as a paperback, revised and updated. She is still cancer free, except for a rare chronic blood cancer, so she remains the Cancer Bitch. Wisenberg has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely, from San Francisco to Sofia, Bulgaria. Wisenberg edits Another Chicago Magazine, an international online literary journal. In the summer she raises Eastern Black Swallowtail butterflies. Year round she walks through Chicago and hypnotizes wild rabbits. She also pulls weeds in public areas and leaves markers proclaiming, The Mad Weeder Strikes Again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Matt Bollinger received his BFA from the Kansas City Art Institute and his MFA from the Rhode Island School of Design. His work has been exhibited in solo shows in New York, Los Angeles, Dublin, London, and elsewhere. Recent museum exhibitions have been at the Akron Art Museum (2022), Westmoreland Museum of American Art (2022), South Bend Museum of Art (2020), the Schneider Museum (2018) and Musée d'art moderne et contemporain, Saint-Étienne Métropole (2016). Residencies include the Seven Below Arts Initiative in Burlington, VT, the Fine Arts Work Center in Provincetown, MA, and the Sharpe-Walentas Studio Program in Brooklyn, NY. In 2016 and 2021, he received NYFA fellowships in Painting. He is represented by mother's tankstation and François Ghebaly Gallery. He lives and works in New York state.   LINKS:    mattbollinger.com @mattlbollinger   https://www.instagram.com/fineartsworkcenter     Artist Shout Out:      Lisa YuskavageChuck WebsterAgnes WaldenSimonette QuaminaJames StanleyAlexandria SmithAnne Clare Rogers Sam MesserEzra JohnsonHeidi HahnElizabeth FloodAngela DufresneAmy Brener Taylor BaldwinEllen AkimotoHerman Aguirre Arghavan Khosravi   I Like Your Work Links: Join the Works Membership ! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Day 18: Esther Lin reads her poem "Praise the Scaffold in Rouen Cathedral.” We are honored to be the first publication of this poem.  Esther Lin was born in Rio de Janeiro, Brazil, and lived in the United States as an undocumented immigrant for 21 years. Her forthcoming book _Cold Thief Place_ is the winner of the 2023 Alice James Award. She has been a Writing Fellow at the Fine Arts Work Center, Provincetown and a Wallace Stegner Fellow at Stanford University. She co-organizes the Undocupoets, which promotes the work of undocumented poets and raises consciousness about the structural barriers that they face in the literary community.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 7: Mark Wunderlich reads his poem “No Horse.” We are honored to be the first publisher of this poem.  Mark Wunderlich is the author of four collections of poems, the most recent of which is God of Nothingness published by Graywolf Press.  His other collections include The Earth Avails, winner of the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award.  He has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Amy Lowell Trust, Civitella Ranieri Foundation, and the Wallace Stegner program at Stanford University.  He serves as Executive Director of the Bennington Writing Seminars graduate writing program, and chairs the Writing Committee at the Fine Arts Work Center in Provincetown.  He lives near Catskill, New York.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

About:Safiya Sinclair was born and raised in Montego Bay, Jamaica. She is the author of the memoir How to Say Babylon, winner of the National Book Critics Circle Award in Autobiography, a finalist the Kirkus Prize, and longlisted for the Women's Prize in Non-Fiction and the OCM Bocas Prize for Caribbean Literature. How to Say Babylon was named one of the 100 Notable Books of the year by the New York Times, a Top 10 Book of 2023 by the Washington Post, one of The Atlantic's 10 Best Books of 2023, a TIME Magazine Top 10 Nonfiction Book of 2023, a Read with Jenna/TODAY Show Book Club pick, and one of Barack Obama's Favorite Books of 2023. How to Say Babylon was also named a Best Book of the Year by The New Yorker, NPR, The Guardian, the Los Angeles Times, Vulture, Harper's Bazaar, and Barnes & Noble, among others, and was an ALA Notable Book of the Year. The audiobook of How to Say Babylon was named a Best Audiobook of the Year by Audible and AudioFile magazine.Sinclair's  other honors include a Pushcart Prize, fellowships from the Poetry Foundation, Civitella Ranieri Foundation, the Elizabeth George Foundation, MacDowell, Yaddo, the Bread Loaf Writers' Conference, and the Fine Arts Work Center in Provincetown. Her work has appeared in The New Yorker, Time Magazine, Harper's Bazaar, Granta, The Nation, and elsewhere. She is currently an Associate Professor of Creative Writing at Arizona State University.

In this edition of Madison Book Beat, host Andrew Thomas speaks with poet Daniel Khalastchi about hist new collection The Story of Your Obstinate Survival (2024, University of Wisconsin Press).The Story of Your Obstinate Survival is a propulsive collection. It's very funny, uncannily mundane and starkly surreal. The poems are a collision of juxtapositions and images, each one brimming with a vigor and vitality that demands re-reading, reading aloud, and maybe even setting to music. The lyrical wordplay will stop you in your tracks, either with laughter or with an appreciation for the delightfully weird scenes unfolding before you. The poems speak to an obstinate persistence, to enduring beyond a routinely felt sense of an ending.Daniel Khalastchi is an Iraqi Jewish American. A graduate of the Iowa Writers' Workshop and a former fellow at the Fine Arts Work Center in Provincetown, he is the author of four books of poetry—Manoleria (Tupelo Press), Tradition (McSweeney's), American Parables (University of Wisconsin Press, winner of the Brittingham Prize in Poetry), and The Story of Your Obstinate Survival (University of Wisconsin Press). His work has appeared in numerous publications, including The American Poetry Review, The Believer Logger, Colorado Review, Denver Quarterly, Electric Lit, Granta, The Iowa Review, Poetry Northwest, and Best American Experimental Writing. Daniel has taught advanced writing, literature, and publishing courses at Augustana College, Marquette University, and the University of Iowa, most recently as a Visiting Assistant Professor at the Iowa Writers' Workshop. He currently lives in Iowa City where he directs the University of Iowa's Magid Center for Writing. He is the cofounder and managing editor of Rescue Press.Author photo courtesy of University of Wisconsin Press

Ep. 53 DuEwa interviewed M. Nzadi Keita about her new poetry collection, Migration Letters (2024, Beacon Press). Visit M. Nzadi Keita: Poems and Prose (zeekeita.com). Listen to this ep and past Nerdacity eps at Spotify, Apple, iHeartRadio, Podcast Addict and more! Follow IG @nerdacitypodcast X twitter.com/nerdacitypod1 Subscribe YouTube.com/duewaworld BIO M. Nzadi Keita is a first-generation urban northerner. Her first book of poems, Birthmarks, was published by Nightshade Press. Her work has since appeared on public television, and in anthologies including Bum Rush The Page: A Def Poetry Jam, Beyond the Frontier: African-American Poetry in the 21st Century, and A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry. Her poems appear in MELUS, Poet Lore, and Crab Orchard, among other journals. Grants and fellowships from Yaddo, Fine Arts Work Center, Leeway Foundation, and the Pew Center for Arts and Humanities have supported her writing and community-based arts adventures.   Keita served as an adviser to the documentary, “BaddDDD Sonia Sanchez.” Her essays on Sanchez appear in Impossible to Hold: Women and Culture in The 1960s and the anthology, Peace Is A Haiku Song (Mural Arts Press).    She has collaborated with the Geraldine R. Dodge Foundation, WHYY-TV/ Philadelphia, the Rosenbach Museum, Moonstone Arts Center, Germantown Arts Roundtable, and other initiatives. Keita is a Cave Canem alum and a professor of creative writing and literature at Ursinus College. --- Support this podcast: https://podcasters.spotify.com/pod/show/duewafrazier/support

Sara Stern is an interdisciplinary artist from New York City. Her recent projects prod histories of urban development with speculative fiction. Stern has exhibited and screened her work in the US and internationally, at venues including SculptureCenter (Long Island City, NY), Anthology Film Archives (New York, NY), the Museum of the Moving Image (New York, NY), The Jewish Museum (New York, NY), Ortega y Gasset Projects (Brooklyn, NY) and the Institute of Contemporary Arts Singapore (Singapore). Stern received a BA in Visual and Environmental Studies from Harvard College and an MFA in Visual Arts from Columbia University. She is the recipient of a Rema Hort Mann Emerging Artist Grant, the Fountainhead Fellowship in the Department of Sculpture + Extended Media at Virginia Commonwealth University, and several residencies at the Fine Arts Work Center in Provincetown, MA. In recent years, Stern has participated in The Watermill Center Artist Residency Program (Water Mill, NY), the Art & Law Program, the Object Movement Residency at The Center at West Park (New York, NY), and the Artist Residency at the Carving Studio and Sculpture Center (West Rutland, VT). Installation view, Sara Stern, "Study for a Scene", 2024, Ortega y Gasset Projects, Brooklyn, NY, curated by Adam Liam Rose. (Center: “The window felt shattered,” 2024, two-channel video (rear and front projection, color/sound), mirror floor, windowed partition, 11:49 min, looped. Right: “Curtain Call,” 2024, Kiln-formed glass, single-channel spotlight video projection, pulley, custom mount, dimensions variable. Left: "Beckett's Chew (Where Credit is Due)," 2024, cast glass, single-channel rear projection (BW/silent), custom mount, 59 sec, looped.) Sara Stern, “Curtain Call,” 2024, Kiln-formed glass, single-channel spotlight video projection, pulley, custom mount, dimensions variable. The window felt shattered (2 min excerpt) from Sara Stern on Vimeo. Excerpt from "The window felt shattered": "The window felt shattered", 2024, single-channel version of two-channel video installation, color/sound, 11:49 min, looped. Credits for The window felt shattered: Director, Editor: Sara Stern, Mime: Bill Bowers, Violin & Viola: Pauline Kim Harris, Sound Design, Mix, Recording, Engineering, Mastering: Kevin Ramsay, Theremin: Sara Stern, Sound recording at Harvestworks - New York City, Excerpt from Dongmae by Pauline Kim Harris, Lauren Cauley, Violin, Annaliese Kowert, Violin, Pauline Kim Harris, Viola, Andrew Yee, Cello, John-Paul Norpoth, Bass, Recorded live at The Stone - New York City (2019). Several lines of text adapted from Naomi Klein's Doppelganger: A Trip Into the Mirror World. Farrar, Straus and Giroux, 2023.

Jane Wong joins Let's Talk memoir for a conversation about the challenge of reflection in memoir, writing that teems with the specific and particular, capturing the experience of being a chinese american woman on the page, writing about exes and domestic violence, keeping ourselves safe while creating, constellations in our lives, avoiding sentimentality, and her new memoir which she calls a love song to her mother, Meet Me Tonight in Atlantic City. Also in this episode: -how she's never funny in poems -the super secret Jane Wong's been keeping -finding your people   Books mentioned in this episode: Seeing Ghosts by Kat Chow Tastes like War by Grace M. Cho Crying in H Mart by Michelle Zauner Dictee by Theresa Hak Kyung Cha The Grave on the Wall by Brandon Shimoda  Jane Wong is the author of the debut memoir, Meet Me Tonight in Atlantic City, out now from Tin House (2023). She is also the author of two books of poetry: How to Not Be Afraid of Everything from Alice James (2021) and Overpour from Action Books (2016).    She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, The New York Times, American Poetry Review, POETRY, The Kenyon Review, New England Review, and others. Her essays have appeared in places such as McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and Want: Women Writing About Desire (Catapult).   A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, Harvard's Woodberry Poetry Room, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, UCross, Mineral School, the Barbara Deming Memorial Fund, Loghaven, and others. She grew up in a Chinese American restaurant on the Jersey shore and lives in Seattle.   Connect with Jane: Website: https://janewongwriter.com/ Get Jane's Book: https://tinhouse.com/book/meet-me-tonight-in-atlantic-city/ Instagram: https://www.instagram.com/paradeofcats   — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

James Everett Stanley is a New England-based painter whose work has been exhibited most recently at Sean Horton Presents, New York (2023); Hirschl & Adler Modern, New York (2023); Provincetown Arts Society, Provincetown (2023); EXPO Chicago (2022); Art Basel Miami Beach (2021); Gaa Gallery, Provincetown (2020); and his work is included in the permanent collection of The Studio Museum in Harlem. A graduate of the MFA program at Columbia University, Stanley is the recipient of fellowships from the Sharpe-Walentas Studio Program, Skowhegan School of Painting and Sculpture, and The Fine Arts Work Center in Provincetown. He is associate professor of painting at Massachusetts College of Art and Design in Boston, Massachusetts. LINKS:  jameseverettstanley.com www.instagram.com/jamesestanley I Like Your Work Links: Check out our sponsor for this episode: The Sunlight Podcast at https://www.sunlighttax.com/podcast Chautauqua Visual Arts: https://art.chq.org/school/about-the-program/two-week-artist-residency/ 2-week residency https://art.chq.org/school/about-the-program/ 6-week residency   Join the Works Membership ! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Tune in for the second half of our special two-part podcast featuring Major Jackson, who shared selections from his new book Razzle Dazzle: New & Selected Poems (https://wwnorton.com/books/9781324064909) (W.W. Norton & Co, 2023) at a recent event at APR's home base, the Philadelphia Ethical Society. Major Jackson is the author of six books of poetry, including_ The Absurd Man_ (2020),_ Roll Deep_ (2015), Holding Company (2010), Hoops (2006) and Leaving Saturn _(2002), which won the Cave Canem Poetry Prize for a first book of poems. His edited volumes include: _Best American Poetry 2019, Renga for Obama, and Library of America's Countee Cullen: Collected Poems. He is also the author of A Beat Beyond: The Selected Prose of Major Jackson _edited by Amor Kohli. A recipient of fellowships from the Academy of American Poets, Fine Arts Work Center in Provincetown, John S. Guggenheim Foundation, National Endowment for the Arts, and the Radcliffe Institute for Advanced Study at Harvard University, Major Jackson has been awarded a Pushcart Prize, a Whiting Writers' Award, and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has published poems and essays in _American Poetry Review, The New Yorker, Orion Magazine, Paris Review, Ploughshares, Poetry, Poetry London, and World Literature Today. Major Jackson lives in Nashville, Tennessee where he is the Gertrude Conaway Vanderbilt Chair in the Humanities at Vanderbilt University. He is an elected member of the American Academy of Arts and Sciences and serves as the Poetry Editor of The Harvard Review.

As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Listen to author and critic Erica Wagner in conversation with Rachel Eliza Griffiths, writer of “Promise”, her first novel published by John Murray in 2023. Together, they talk about the singularity of her artistic path, influenced by different creative processes in which writing and visual art complement each other. They also reflect on the deep bond that connects her to her mother who is the main inspiration of her novel.Rachel Eliza Griffiths, Promise, © Rachel Eliza Griffiths, Random House, 2023.Rachel Eliza Griffiths, Promise © John Murray Press, 2023.Kirkus Reviews. © Publisher's Weekly.Seeing the Body by Rachel Eliza Griffiths © 2020 by Rachel Eliza Griffiths, published by W. W. Norton & Company, 2020.© Hurston/Wright Foundation.© Paterson Poetry Prize.© NAACP Image Awards.© Cave Canem Foundation Inc.© Kimbilio.© Fine Arts Work Center in Provincetown.© Yaddo.© The New York Times Company. All rights reserved. Used under license.© The New Yorker.© Tin House.© Sarah Lawrence College.Quote copyright © 2023 by Rachel Eliza Griffiths, from Cover reveal: See the cover for Rachel Eliza Griffiths's Promise, published in LITHUB, February 23, 2023, used by permission of The Wylie Agency, LLC© LITHUB.

As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.Listen to author and critic Erica Wagner in conversation with Rachel Eliza Griffiths, writer of “Promise”, her first novel published by John Murray in 2023. Together, they talk about the singularity of her artistic path, influenced by different creative processes in which writing and visual art complement each other. They also reflect on the deep bond that connects her to her mother who is the main inspiration of her novel.Rachel Eliza Griffiths, Promise, © Rachel Eliza Griffiths, Random House, 2023.Rachel Eliza Griffiths, Promise © John Murray Press, 2023.Kirkus Reviews. © Publisher's Weekly.Seeing the Body by Rachel Eliza Griffiths © 2020 by Rachel Eliza Griffiths, published by W. W. Norton & Company, 2020.© Hurston/Wright Foundation.© Paterson Poetry Prize.© NAACP Image Awards.© Cave Canem Foundation Inc.© Kimbilio.© Fine Arts Work Center in Provincetown.© Yaddo.© The New York Times Company. All rights reserved. Used under license.© The New Yorker.© Tin House.© Sarah Lawrence College.Quote copyright © 2023 by Rachel Eliza Griffiths, from Cover reveal: See the cover for Rachel Eliza Griffiths's Promise, published in LITHUB, February 23, 2023, used by permission of The Wylie Agency, LLC© LITHUB.

The tenth edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] was held at the Metrograph Theater, in New York City. CHANEL and Charlotte Casiraghi, ambassador and spokesperson for the House, invited writer and essayist Siri Hustvedt, author of multiple novels and prestigious award winnings essays, along with novelist, poet and photographer Rachel Eliza Griffiths.Animated by author and critic Erica Wagner, this encounter dedicated to Siri Hustvedt evokes the powers of literature, its capacity to open social outlets and the relationship between the author and the reader. Together, they also discuss the nature of time and the mind-body connection Siri Hustvedt questions in her work.A musical performance by singer-songwriter Sophie Auster, accompanied by pianist Marie Davy, punctuated the conversation.Siri Hustvedt, The Blindfold, © Sceptre, an imprint of Hodder & Stoughton Limited, 2010.THE BLINDFOLD, Copyright © 1992 by Siri Hustvedt Reprinted by permission of Creative Artists AgencySiri Hustvedt, What I Loved, © Sceptre, an imprint of Hodder & Stoughton Limited, 2003.WHAT I LOVED by Siri Hustvedt Copyright © 2003 by Siri Hustvedt Reprinted by permission of Siri Hustvedt and Creative Artists AgencySiri Hustvedt, What I Loved, © Picador US, 2003. All Rights Reserved.Siri Hustvedt, The Blazing World, © Simon & Schuster, 2014.THE BLAZING WORLD, Copyright © 2014 by Siri Hustvedt Reprinted by permission of Creative Artists AgencySiri Hustvedt, Memories of the Future, © Simon & Schuster, 2019.MEMORIES OF THE FUTURE, Copyright © 2019 by Siri Hustvedt Reprinted by permission of Creative Artists AgencySiri Hustvedt, A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind, © Simon & Schuster, 2017.A WOMAN LOOKING AT MEN LOOKING AT WOMEN by Siri Hustvedt Copyright © 2016 by Siri Hustvedt Reprinted by permission of Siri Hustvedt and Creative Artists AgencySiri Hustvedt, Mothers, Fathers, and Others, © Simon & Schuster, 2022.MOTHERS, FATHERS, and OTHERS, Copyright © 2021 by Siri Hustvedt Reprinted by permission of Creative Artists AgencySiri Hustvedt, The Shaking Woman or A History of My Nerves, Copyright © 2009 by Siri Hustvedt.THE SHAKING WOMAN or A HISTORY OF MY NERVES, Copyright © 2009 by Siri Hustvedt Reprinted by permission of Creative Artists Agency© Cornell University. Weill Cornell Medicine.© The Gabarron Foundation.© Fundacion Princesa de Asturias.Rachel Eliza Griffiths, PROMISE, © Rachel Eliza Griffiths, Random House, 2023.Rachel Eliza Griffiths, Seeing the Body, © W.W. Norton Company, 2020.© Hurston/Wright Foundation.© Paterson Poetry Prize.© NAACP Image Award.© Cave Canem Foundation Inc.© Kimbilio.© Fine Arts Work Center in Provincetown.© Yaddo.© The New York Times Company. All rights reserved. Used under license.© The New Yorker.© Tin House.© The Washington Post. All rights reserved.© Royal Crown Cola, All rights reserved.Siri Hustvedt, The Delusions of Certainty, © Simon & Schuster, 2017.THE DELUSIONS OF CERTAINTY by Siri Hustvedt Copyright © 2017 by Siri Hustvedt Reprinted by permission of Siri Hustvedt and Creative Artists Agency.© LITHUB.Rachel Eliza Griffiths in Cover reveal: See the cover for Rachel Eliza Griffiths's Promise, © LITHUB, February 23, 2023.Toni Morrison, Beloved, Penguin, 2004.Sophie Auster – “Hey, Girlfriend” © Sophie Auster, Nick Block, 2022.Excerpted from: Uses of the Erotic by Audre Lorde/ SISTER OUTSIDER – Essays and Speeches by Audre Lorde, published by Crossing Press/Penguin RandomHouse Inc. New York, © 1984,2007 by Audre Lorde. Used by permission of the Charlotte Sheedy Literary Agency.

On the final episode of our Provincetown series, we talk with Naya Bricher! Naya is an artist, represented by the Four Eleven Gallery, and the Administrative Director at the Fine Arts Work Center. We explore the education development and programs offered at the Fine Arts Works Center, what to look out for as a new generation of artists emerges and so much more!

Today, Jane Wong reads from her new memoir, Meet Me Tonight in Atlantic City, and discusses transforming her collection of essays into a non-linear memoir, “Wongmom.com,” working in poetry and prose, “writing up to the present,” writing the hard stuff, tonal shifts, and more!  Jane Wong is the author of How to Not Be Afraid of Everything from Alice James Books (2021) and Overpour from Action Books (2016). Her debut memoir, Meet Me Tonight in Atlantic City, is forthcoming from Tin House in May, 2023. She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, The New York Times, American Poetry Review, POETRY, The Kenyon Review, New England Review, and others. Her essays have appeared in places such as McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and This is the Place: Women Writing About Home. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, Harvard's Woodberry Poetry Room, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, SAFTA, Mineral School, the Barbara Deming Memorial Fund, Loghaven, and others. The recipient of the James W. Ray Distinguished Artist Award for Washington artists, her first solo art show “After Preparing the Altar, the Ghosts Feast Feverishly” was exhibited at the Frye Art Museum in 2019. Her artwork will also be a part of “Nourish,” an exhibition at the Richmond Art Gallery in 2022. A scholar of Asian American poetry and poetics as well, you can explore "The Poetics of Haunting" project here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to S. L. Wisenberg about her book The Wandering Womb: Essays in Search of Home (U Massachusetts Press, 2023). As a child, S. L. Wisenberg worried about being outside, not being able to breathe, and Nazis coming through the window of her Houston home. In this remarkable collection of essays, she recalls chasing popularity, taking a Neiman Marcus sponsored class about fashion at age eleven. She tells funny but poignant stories about her travels in Paris, Vienna, and Poland, including a numbing visit to Auschwitz. In one essay Wisenberg searches through family records and history books and conducts interviews to learn more about Selma, Alabama, where her great grandparents ended up after leaving Lithuania. In another she describes going through sorority rush when she's twenty-nine and teaching at the university. This is a moving, sometimes hilarious exploration of love, life, history. As the reviewer in the Southern Review of Books wrote,” This luxe tapestry of stories and ideas creates a vivid image of Wisenberg as a woman, as Jewish, and as a thinker in the world…. This book is at once intellectual, deeply personal, and delightful.” S.L. Wisenberg is the author of a fiction collection, The Sweetheart Is In; the essay collection Holocaust Girls: History, Memory & Other Obsessions; and a chronicle, The Adventures of Cancer Bitch. She has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely. Wisenberg lives in Chicago, where she edits Another Chicago Magazine. When she's not writing, she's walking through her Chicago neighborhood, fixing a stir-fry, or collecting grocery lists that people leave behind. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to S. L. Wisenberg about her book The Wandering Womb: Essays in Search of Home (U Massachusetts Press, 2023). As a child, S. L. Wisenberg worried about being outside, not being able to breathe, and Nazis coming through the window of her Houston home. In this remarkable collection of essays, she recalls chasing popularity, taking a Neiman Marcus sponsored class about fashion at age eleven. She tells funny but poignant stories about her travels in Paris, Vienna, and Poland, including a numbing visit to Auschwitz. In one essay Wisenberg searches through family records and history books and conducts interviews to learn more about Selma, Alabama, where her great grandparents ended up after leaving Lithuania. In another she describes going through sorority rush when she's twenty-nine and teaching at the university. This is a moving, sometimes hilarious exploration of love, life, history. As the reviewer in the Southern Review of Books wrote,” This luxe tapestry of stories and ideas creates a vivid image of Wisenberg as a woman, as Jewish, and as a thinker in the world…. This book is at once intellectual, deeply personal, and delightful.” S.L. Wisenberg is the author of a fiction collection, The Sweetheart Is In; the essay collection Holocaust Girls: History, Memory & Other Obsessions; and a chronicle, The Adventures of Cancer Bitch. She has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely. Wisenberg lives in Chicago, where she edits Another Chicago Magazine. When she's not writing, she's walking through her Chicago neighborhood, fixing a stir-fry, or collecting grocery lists that people leave behind. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Today I talked to S. L. Wisenberg about her book The Wandering Womb: Essays in Search of Home (U Massachusetts Press, 2023). As a child, S. L. Wisenberg worried about being outside, not being able to breathe, and Nazis coming through the window of her Houston home. In this remarkable collection of essays, she recalls chasing popularity, taking a Neiman Marcus sponsored class about fashion at age eleven. She tells funny but poignant stories about her travels in Paris, Vienna, and Poland, including a numbing visit to Auschwitz. In one essay Wisenberg searches through family records and history books and conducts interviews to learn more about Selma, Alabama, where her great grandparents ended up after leaving Lithuania. In another she describes going through sorority rush when she's twenty-nine and teaching at the university. This is a moving, sometimes hilarious exploration of love, life, history. As the reviewer in the Southern Review of Books wrote,” This luxe tapestry of stories and ideas creates a vivid image of Wisenberg as a woman, as Jewish, and as a thinker in the world…. This book is at once intellectual, deeply personal, and delightful.” S.L. Wisenberg is the author of a fiction collection, The Sweetheart Is In; the essay collection Holocaust Girls: History, Memory & Other Obsessions; and a chronicle, The Adventures of Cancer Bitch. She has received a Pushcart Prize, and awards and fellowships from the National Endowment for the Humanities, Illinois Arts Council, and the Fine Arts Work Center in Provincetown. The former co-director of the MA/MFA program at Northwestern University, she has taught workshops and read and lectured widely. Wisenberg lives in Chicago, where she edits Another Chicago Magazine. When she's not writing, she's walking through her Chicago neighborhood, fixing a stir-fry, or collecting grocery lists that people leave behind. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Bridget Mullen is a visual artist who grew up in Minnesota. She received her BAE from Drake University and her MFA from Massachusetts College of Art. She has been awarded many residencies including Skowhegan School of Painting and Sculpture, The Fine Arts Work Center, The Jan Van Eyck Academie, The Lighthouse Works, The Sharpe Walentas Studio Program, and MacDowell. Bridget has exhibited in the US and abroad at Shulamit Nazarian, LA; Helena Anrather, NY; Nathalie Karg, NY; Annet Gelink, Amsterdam, Netherlands; Fahrenheit Madrid, Madrid, Spain; Anne Barrault, Paris, France; Wild Palms, Düsseldorf, Germany; and Bosse & Baum, London, UK. She is the 2022 recipient of the Chiaro Award from Headlands Center For the Arts and a 2021 recipient of a painting fellowship from The New York Foundation for the Arts. Reviews of her work can be found in Artforum, Hyperallergic, Juxtapoz, and The Brooklyn Rail. Upcoming projects include a book of her “Birthday Series” paintings, a print project with Avant Arte, and a solo presentation at The Armory Show, NY in the fall of 2023. Bridget lives and works in Brooklyn, NY and is represented by Shulamit Nazarian in Los Angeles, CA.

Sandi Wisenberg joins Let's Talk Memoir for a conversation about finding home, the structure our books need, her career as a journalist, negotiating a legacy of woman shame and Jewish shame, writing what you have to, and her new collection of memoiristic essays, The Wandering Womb.   Also in this episode: -looking for home -not wrapping our writing up too neatly -a closer look at “the wandering Jew” trope   Further reading about The Wandering Jew trope from rootsmetals.com: https://www.rootsmetals.com/blogs/news/the-wandering-jew-trope   Books mentioned in this episode: The Berlin Stories by Christopher Isherwood The Company She Keeps by Mary McCarthy A Chorus of Stones by Susan Griffin Woman and Nature: The Roaring Inside Her by Susan Griffin Books by Phillip Lopate   S.L. Wisenberg is the author of the forthcoming book, The Wandering Womb: Essays in Search of Home, winner of the Juniper Prize in creative nonfiction. It will be published March 31, 2023, by the University of Massachusetts Press. She's also the author of a short-story collection, The Sweetheart Is In; an essay collection, Holocaust Girls: History, Memory, & Other Obsessions; and a nonfiction chronicle, The Adventures of Cancer Bitch. She is a fourth-generation native Texan who lives in Chicago and edits Another Chicago Magazine. She has an MFA in fiction from the University of Iowa Writers' Workshop and a BSJ from the Medill School of Journalism at Northwestern University. She was a feature writer for the Miami Herald and has published prose and poetry in The New Yorker, Ploughshares, Narrative, Prairie Schooner, New England Review, Michigan Quarterly Review, Colorado Review, and many other places. Her anthologized work is in Short Takes: Brief Encounters with Contemporary Nonfiction, Creating Nonfiction: A Guide and Anthology, Imaginative Writing: The Elements of Craft, Life is Short--Art is Shorter, and a number of other books. For ten years she was co-director of Northwestern's then-MA/MFA in Creative Writing program and was a graduate faculty recipient of a Distinguished Teacher Award. She has been the literary editor of TriQuarterly, the creative nonfiction editor of Another Chicago Magazine. and is now the editor of ACM. She's received a Pushcart Prize, and fellowships from the Illinois Arts Council, Fine Arts Work Center in Provincetown, National Endowment for the Humanities, and Chicago Department of Cultural Affairs and Special Events. She was the Coal Royalty Chair for a semester at the University of Alabama, teaching in the MFA program. Wisenberg has read her work and lectured at many universities and colleges, including Brown, Creighton, Minnesota State, Texas A&M, University of Tampa, Ripon, and Lafayette. Besides Northwestern, she has taught at DePaul, Roosevelt, Western Michigan, North Park University, and the School of the Art Institute of Chicago. She is working on a collection of short stories that are pre- and post-Holocaust and have a connection to old movies and Houston. One of these was runner-up in Narrative Magazine's Fall 2021 contest, and another won Narrative's Spring 22 contest.    Connect with Sandi: https://www.facebook.com/sandi.wisenberg Sandi Wisenberg @SLWisenberg slwisenberg.com Sandi's first three books: https://bookshop.org/books?keywords=wisenberg Sandi's forthcoming book:  https://www.indiebound.org/book/9781625347350 or Barnes and Noble: https://www.barnesandnoble.com/w/the-wandering-womb-s-l-wisenberg/1142599024?ean=9781625347350 -- Ronit Plank is a writer, teacher, and editor whose work has been featured in The Atlantic, The Washington Post, The New York Times, Writer's Digest, The Rumpus, American Literary Review, Hippocampus, The Iowa Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named a 2021 Best True Crime Book by Book Riot and was a Finalist in the National Indie Excellence Awards, the Housatonic Book Awards, and the Book of the Year Awards. Her fiction and creative nonfiction have been nominated for Pushcart Prizes, the Best of the Net, and the Best Microfiction Anthology, and her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' Eludia Award. She is creative nonfiction editor at The Citron Review and lives in Seattle with her family where she is working on her next book.   More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd Follow on Instagram: https://www.instagram.com/ronitplank/ More about WHEN SHE COMES BACK, a memoir: https://ronitplank.com/book/ More about HOME IS A MADE-UP PLACE, a short story collection: https://ronitplank.com/home-is-a-made-up-place/ Connect with Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo: Canva Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Episode 173 Notes and Links to Rachel Heng's Work       On Episode 173 of The Chills at Will Podcast, Pete welcomes  Rachel Heng, and the two discuss, among other things, her love of reading and her early relationships with the written word and multilingualism, her research and the family stories concerning Singapore's transformation and its history of ethnic diversity and kampong culture, the book's “complications” concerning the ways in which “The Great Reclamation” played in on micro- and macro levels for the people of Singapore, her beautiful portrayals of change, grief, and guilt, and her inspirations for writing the book.   Rachel Heng is the author of the novels The Great Reclamation (Riverhead, 2023) and Suicide Club (Henry Holt, 2018), which has been translated into ten languages worldwide and won the Gladstone Library Writer-In-Residence Award. Rachel's short fiction has appeared in The New Yorker, McSweeney's Quarterly, One Story, Kenyon Review, and has been recognized by anthologies including Best American Short Stories, The Pushcart Prize, Best Small Fictions and Best New Singaporean Short Stories. She was recently longlisted for the 2021 Sunday Times Short Story Award, “the world's richest and most prestigious prize for a single short story.” Her non-fiction has been listed among Best American Essays' Notable Essays and published in Al Jazeera, Guernica, BOMB Magazine, The Rumpus and elsewhere. She has received fellowships from the National Endowment of the Arts, Vermont Studio Center, Sewanee Writers' Conference, Fine Arts Work Center and the National Arts Council of Singapore. Rachel received her MFA in Fiction and Playwriting from the Michener Center for Writers, UT Austin, and her BA in Comparative Literature & Society from Columbia University.     Buy The Great Reclamation   Rachel Heng's Webpage   Rachel Speaks about The Great Reclamation on NPR's Weekend Edition with Scott Simon   Oprah Daily Cover Reveal and Article about The Great Reclamation     At about 7:50, Rachel discusses her mindset and emotions as her book tour begins with a March 28 event with Kirstin Chen and the book is published on March 28    At about 8:55, Pete asks about Rachel's early relationship with the written word and multilingualism; Rachel talks about a heavy diet of British writers in school in Singapore and her route to becoming a writer   At about 12:40, Rachel discusses seeds for the book and research done for the book, including how the book came from a “curiosity to revisit that time” often referenced by older family members   At about 14:35, Rachel speaks to the ethnic makeup of Singapore, and how British colonialism affected Singapore's ethnic history   At about 16:40, Pete reads the book's epigraph and Rachel explains its connection to themes from the book, including Singapore's look to the future   At about 19:10, The two characterize the Lee family    At about 20:25, Pete cites the wonderful opening line of the book and asks Rachel about the meanings and personal significance of the kampong    At about 23:55, Rachel expands upon ideas of the “kampong spirit” and the communal “national fabric” of Singapore for the duration of the book and now   At about 25:40, Pete wonders if there any connection between recent pushes toward MAGA and her book's subject matter   At about 26:50, Pete and Rachel discuss Uncle's character and sympathies for him   At about 27:25, The two lay out early events in the book with Ah Boon and family locating ethereal islands and Rachel gives background on how POV and a key throughline inspired the beginning of the book   At about 30:00, Pete talks about the slow inevitability of change in the book and asks Rachel about Pa's parenting style   At about 31:40, Rachel gives background on Siok Mei, her family life, and what draws her and Ah Boon to each other   At about 33:55, Pete highlights the powerful and beautiful flashbacks in the book   At about 34:45, Pete cites Rachel's skill with recognizable yet dynamic characters   At about 35:15, Pete quotes from the book to provide background on Ma and her marriage to Pa   At about 35:50, Pete and Rachel discuss the significance of the Japanese occupation in 1942 and its aftereffects   At about 38:30, Pete describes an important decision that Pa and Uncle are faced with during the Japanese occupation   At about 39:25, Pete and Rachel discuss “The Disappearing Years” and the post-war attitude exhibited by Ah Boon and Singaporeans    At about 42:15, The two discuss student protests that came about when Siok Mei and Ah Boon reacted to the real-life controversial case involving Nadra   At about 44:30, Rachel talks about the “Gah Men” and the ways in which they acted and were perceived by the public   At about 46:45, Natalie is discussed as representative of the government, especially with regard to diction like “greater good,” and Rachel describes parts of Singaporean history as “complicated” and “an interesting case study”    At about 50:20, Rachel talks about the environmental effects of The Great Reclamation    At about 51:25, Class division is described as a book theme through an anecdote from Natalie   At about 52:30, Pete quotes government officials from the book and ideas of “greater good”   At about 53:00, Pete compliments Rachel's depictions of grief and she speaks to inspirations for these depictions   At about 54:40, Rachel explains a quote of hers regarding her perspective in writing this book while living in the US    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.   Please tune in for Episode 174, another episode dropping today, March 28, celebrating pub day for Allegra Hyde.  Allegra Hyde is a recipient of three Pushcart Prizes and author of ELEUTHERIA, named a "Best Book of 2022" by The New Yorker. She's also the author of the story collection, OF THIS NEW WORLD, which won the John Simmons Short Fiction Award, and her second story collection, THE LAST CATASTROPHE, is her new one. The episode will go live around noon on March 28.

Kim Coleman Foote, a 2022-23 Writing Fellow at the Fine Arts Work Center in Provincetown merges fiction and fact through a creative interpretation of her family's journey from the US south to New Jersey during The Great Migration.

EPISODE 1388: In this KEEN ON show, Andrew talks to HAPPILY author Sabrina Orah Mark about how to write a memoir built around fairy tales Raised in Brooklyn, NY, Sabrina Orah Mark earned a BA from Barnard College, Columbia University. She also earned an MFA from the Iowa Writers' Workshop, and a PhD in English from the University of Georgia. She is the author of the poetry collections Tsim Tsum, and The Babies (winner of the Saturnalia Book Prize). Her collection of stories, Wild Milk, won the Georgia Author of the Year Award for Short Story and was a finalist for the Townsend Prize for Fiction. Mark's accomplishments include a National Endowment for the Arts Fellowship, a Sustainable Arts Foundation Award, a fellowship from the Fine Arts Work Center, and a Creative Capital Award. She lives in Athens, Georgia, with her husband, Reginald McKnight, and their two sons. “Happily,” her collection of essays on fairytales and motherhood which began as a monthly column in The Paris Review, lands on March 14, 2023 via Penguin Random House and is now available for pre-order. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Harding won the 2010 Pulitzer Prize for Fiction for Tinkers, ''an astringent meditation on loss, family ties, and the presence of the past'' (The Guardian) in which a dying elderly man wanders through the rooms of his life's large and quiet moments. He is also the author of the novel Enon and is an accomplished musician. The director of the MFA in Creative Writing & Literature at Stony Brook University, Harding is the recipient of a Guggenheim Fellowship and the PEN/Robert W. Bingham Prize. Based on the true story of one of the first integrated towns in the Northeast, This Other Eden tells the multigenerational story of an isolated island community off the coast of Maine. Referred to by Yiyun Li as ''one of the most unique voices in American literature,'' Hanna Pylväinen is the author of the Whiting Award-winning debut novel We Sinners, the story of a devout but fragmented Midwestern family. A faculty member of Warren Wilson College's MFA writing program, she has earned fellowships from Princeton University's Lewis Center for the Arts and the Fine Arts Work Center in Provincetown, among others. Her work has been published in numerous periodicals, including Harper's Magazine, The New York Times, Chicago Tribune, and The Wall Street Journal. In The End of Drum-Time, Pylväinen weaves the love story of a reindeer herder and a minister's daughter on the remote 19th century Scandinavian tundra. (recorded 2/23/2023)

One fall, I lead a foraging walk with visiting fellows from the Fine Arts Work Center in Provincetown. I pointed out Prickly Pear Cactus — a plant that I've heard you can eat, but that we're not allowed to harvest in Massachusetts, because here it's considered an endangered species.

Hannah Perrin King, 2022-23 Writing Fellow at the Fine Arts Work Center in Provincetown, explores the sixth mass extinction on earth as part of her fellowship.

Inner Moonlight is the monthly poetry reading series for the Wild Detectives in Dallas. We make poetry magic on the second Wednesday of every month. We have returned to the Wild Detectives in person, but fret not, podcast fans! We will be releasing recordings of the live show every month for y'all. On 1/11/23, we featured poet Laura Neal. Laura Neal is a poet, greatly influenced by social and environmental narratives. She earned an MFA from the University of Maryland College Park and a BA from Bowie State University. Her work is published in Academy of American Poets and Birmingham Poetry Review, among others. She has received fellowships from the Fine Arts Work Center, CALLALOO, and the Juanita Craft Artist-in-Residence Program. Her poetry has been nominated for a Pushcart Prize and finalist for the Cave Canem Poetry Prize. She currently teaches creative writing at the University of Texas at Dallas and is a contributing writer for Southwest Contemporary magazine and BURNAWAY magazine. She is also co-member of the artist collaborative, CALCIUM. Presented by The Writer's Garret https://writersgarret.org/ www.logencure.com/innermoonlight

Mary Gilliland is the author of two award-winning collections: The Ruined Walled Castle Garden (2020) and The Devil's Fools (2022), with poems, anthologized most recently in Rumors Secrets & Lies: Poems on Pregnancy, Abortion & Choice; Nuclear Impact: Broken Atoms in Our Hands; and Wild Gods: The Ecstatic in Contemporary Poetry and Prose. She is a past recipient of the Stanley Kunitz Fellowship from the Fine Arts Work Center and a Cornell University Council on the Arts Faculty Grant. https://marygilliland.com/ https://www.codhill.com/product/the-devils-fools/ https://twitter.com/newsthatstays https://www.youtube.com/channel/UCK6j5jNA5jTFAb9qV6QsTGw https://sunypress.edu/Books/T/The-Devil-s-Fools

Akil Kumarasamy is the author of the novel, Meet Us by the Roaring Sea (FSG, 2022), and the linked story collection, Half Gods, (FSG, 2018), which was named a New York Times Editors' Choice, was awarded the Bard Fiction Prize and the Story Prize Spotlight Award, and was a finalist for the PEN/Robert W. Bingham Prize. Her work has appeared in Harper's Magazine, The Atlantic, American Short Fiction, BOMB, among others. She has received fellowships from the University of East Anglia, the Fine Arts Work Center in Provincetown, Yaddo, and the Schomburg Center for Research in Black Culture. She is an assistant professor in the Rutgers University-Newark MFA program. Get to know her with 11 Questions! Follow @11QuestionsPod on Instagram & Twitter for more. #11Questions #AkilKumarasamy #HalfGods #MeetUsByTheRoaringSea

Joan Kwon Glass is the mixed-race, Korean American author of NIGHT SWIM (Diode Editions, 2022) & three chapbooks. She serves as Editor-in-Chief for Harbor Review, as a Brooklyn Poets Mentor, is a proud Smith College graduate & has been a public school educator for 20 years. She serves on the faculty of Hudson Valley Writers Center & the Fine Arts Work Center of Provincetown. Her work has won or been finalist for several prizes & her poems have been nominated for the Pushcart Prize & Sundress Anthology Best of the Net. Joan's poems have been published or are forthcoming in Prairie Schooner, Asian American Writer's Workshop (The Margins), RHINO, Rattle, Dialogist & elsewhere, and she is available for manuscript consultations, reading and workshops. Please follow her on Twitter @joanpglass and see her website at www.joankwonglass.com. She lives in Connecticut with her family. Find much more here: https://joankwonglass.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a list poem of choices, each line/choice ending with the line “and I will die on this hill.” It could be funny like “A bar of soap is better than any kind of body wash, and I will die on this hill.” Or heavier things. Another option is to write a longer poem detailing a choice which ends with the line. Next Week's Prompt: Victoria Chang radically changes the way in which we regard obituaries by writing an entire poetry collection using obits as form. Write an obituary for one of the following: a previous version of yourself, a friendship or romantic relationship, a body part, your adult child's childhood, or for someone who has not died but that you've lost (read “One Year After My Dying Father and I Stop Speaking to Each Other Again” by Eugenia Leigh in Split This Rock for inspiration!) The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Elizabeth McCracken is the author of eight books: Here's Your Hat What's Your Hurry, The Giant's House, Niagara Falls All Over Again, An Exact Replica of a Figment of My Imagination, Thunderstruck & Other Stories, Bowlaway, The Souvenir Museum and Hero of This Book. She's received grants and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Liguria Study Center, the American Academy in Berlin, the Fine Arts Work Center in Provincetown, and the Radcliffe Institute for Advanced Study. Thunderstruck & Other Stories won the 2015 Story Prize. Her work has been published in The Best American Short Stories, The Pushcart Prize, The O. Henry Prize, The New York Times Magazine, and many other places. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joyce Manalo, founder of Kala Health and Wellness, is a Certified Health Coach who is an advocate for diabetes and mental health awareness. Formerly a Community Health Worker in Dallas, TX, Joyce has an important perspective on health inequities and with the recent Supreme Court's decision related to women's health, some important thoughts on the state of women's health in Texas. Here's her YouTube channel!Bad news! The radio station's mechanism that records all the content failed halfway through the show and I lost the conversation with Chloe, Sari and Aileen about their uteruses, how they've impacted their lives and how the medical establishment has failed them. I wanted to share their backgrounds with you so that you can go out and get their memoirs which go into loads more details from what they shared during our conversation. We talked about how women's stories, now more than ever, are important to ensuring the truth about and support for women's bodies is shared with others.Chloe Caldwell is the author of three books: I'll Tell You in Person, Women, and Legs Get Led Astray. Her essays have been published in The New York Times, Bon Appétit, The Cut, The Strategist, BuzzFeed, NYLON, VICE, Longreads, and many anthologies. Her essay “Hungry Ghost” was listed as Notable in The Best American Nonrequired Reading 2017. She lives in Hudson, New York, and teaches creative writing online at Writing Workshops, LitReactor, and the Fine Arts Work Center. Find out more at www.chloesimonne.com. Her latest, The Red Zone is a searching, galvanizing memoir about blood and love: how learning more about her period, PMS, PMDD, and the effects of hormones on moods transformed her relationships—to a new partner, to family, to non-blood kin, and to her own body.Sari Botton is a Gen-X writer and editor living in Kingston, NY. Her work has appeared in the New York Times, the Guardian, and elsewhere. She is a contributing editor at Catapult, and the former Essays Editor for Longreads. She edited the award-winning, bestselling anthologies Goodbye to All That: Writers on Loving and Leaving New York and Never Can Say Goodbye: Writers on Their Unshakable Love for New York. She teaches creative nonfiction at Wilkes University, Catapult, and Bay Path University. She publishes the newsletters Oldster Magazine, Memoir Monday, and Adventures in Journalism.Her new memoir, And You May Find Yourself... is about “finding” yourself later in life—after first getting lost in all the wrong places. As Botton discovers, the wrong places famously include her own self-suppression and misguided efforts to please others (mostly men). In a series of candid, reflective, sometimes humorous essays, Botton describes coming to feminism and self-actualization as an older person, second (and third and fourth) chances—and how maybe it's never too late to find your way...assuming you're lucky enough to live long. Sari was last on the show talking about Oldster Magazine at the end of 2021. In Sari's memoir she has a chapter, "My Hysterectomy, a Love Story," which reflects on her journey to conceive and what she learned when she reach the end.Aileen Weintraub is the author of Knocked Down: A High-Risk Memoir, a laugh-out-loud story about a commitment-phobic Brooklyn girl who, after a whirlwind romance, finds herself living in a rickety farmhouse, pregnant, and faced with five months of doctor-prescribed bed rest because of unusually large fibroids. Publishers Weekly says, “Love, marriage, and a harrowing pregnancy yield a haunting story of survival in this gripping account.” Aileen has written for  the Washington Post, Glamour, Parents, Al Jazeera, Huff Post,NBC, Lit Hub and AARP among others. She is also the author of the middle-grade social justice books, Never Too Young! 50 Unstoppable Kids Who Made a Difference, which won a Parents Choice Award, and We Got Game! 35 Female Athletes Who Changed the World, A Mighty Girl Best Book of the Year. Aileen was recently chosen as Erma Bombeck's Humor Writer of the Month for Knocked Down. Find her on Twitter @aileenweintraub or drop her a note at Aileenweintraub.com Aileen was last on the show in February to talk about her book. In light of the recent Supreme Court decision, I am excited to hear her thoughts about the future of women's health and personal freedom.Today's show was engineered by Ian Seda from Radio Kingston.We also heard music from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.orgLeave me a voicemail with your thoughts or a few words about who has what you want and why! (845) 481-3429** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFY | STITCHERITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCASTITCHER: https://www.stitcher.com/podcast/she-wants/i-want-what-she-has?refid=stpr'Follow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcastTWITTER * https://twitter.com/wantwhatshehas

Donika Kelly is the author of The Renunciations (Graywolf), winner of the Anisfield-Wolf book award in poetry, and Bestiary (Graywolf), the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award for Poetry and the Kate Tufts Discovery Award. Kelly's poetry has been a finalist for the National Book Critics Circle Award, the Publishing Triangle Awards, the Lambda Literary Awards, and longlisted for the National Book Award.  A Cave Canem graduate fellow and member of the collective Poets at the End of the World, she has also received a Lannan Residency Fellowship, and a summer workshop fellowship from the Fine Arts Work Center. She earned an MFA from the University of Texas at Austin and a PhD in English from Vanderbilt University. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and elsewhere. Donika lives in Iowa City with her wife, the nonfiction writer Melissa Febos, and is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing. donikakelly.com Twitter: @officialdonika “Self Portrait as a Body, a Sea” was originally published in the Sewanee Review, 2017.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

Darrel Alejandro Holnes is the author of the poetry collection Stepmotherland (University of Notre Dame Press). It is the winner of the Andres Montoya Poetry Prize. Holnes is an Afro-Panamanian American writer and is the recipient of a National Endowment for the Arts Literature Fellowship in Creative Writing (Poetry). His poems have previously appeared in the American Poetry Review, Poetry, Callaloo, Best American Experimental Writing, and elsewhere. Holnes is a Cave Canem and CantoMundo fellow who has earned scholarships to the Bread Loaf Writers' Conference, Fine Arts Work Center in Provincetown, Postgraduate Writers Conference at Vermont College of Fine Arts, and residencies nationwide, including a residency at MacDowell. His poem "Praise Song for My Mutilated World" won the C. P. Cavafy Poetry Prize from Poetry International. He is an assistant professor of English at Medgar Evers College, a senior college of the City University of New York (CUNY), where he teaches creative writing and playwriting, and a faculty member of the Gallatin School of Individualized Study at New York University. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Hope Wabuke and special guests Safia Elhillo and Ladan Osman for a celebration of Wabuke's new book The Body Family. The Body Family is a song of memory and revelation; it is the sublime unearthing of what has been hidden by silence and erasure. This lyrical and imagistic poetry collection tells the story of a family's journey to flee the murderous reign of Uganda's Idi Amin only to land in a racist American landscape. Wabuke excavates personal and ancestral history to bring these poems to wrenching life, articulating what it means to be a Black girl becoming a Black woman while navigating a diaspora haunted by British colonization and American enslavement. Get The Body Family from Haymarket: https://www.haymarketbooks.org/books/1872-the-body-family --------------------------------------------------------------------- Speakers: Hope Wabuke is a Ugandan American poet, essayist, and writer. She is the author of the forthcoming memoir Please Don't Kill My Black Son Please. Hope has published in The Guardian, The Root, Los Angeles Review of Books, and NPR among others. She is an Assistant Professor of English and Creative Writing at the University of Nebraska-Lincoln, and a founding board member and former Media & Communications Director for the Kimbilio Center for African American Fiction. Safia Elhillo is the author of The January Children (University of Nebraska Press, 2017), Girls That Never Die (One World/Random House, 2021), and a forthcoming novel in verse (Make Me A World/Random House, 2021). Co-editor of the anthology Halal If You Hear Me (Haymarket, 2019), she is a Wallace Stegner Fellow in poetry at Stanford University. Ladan Osman is the author of Exiles of Eden (2019), winner of the Hurston/Wright Legacy Award and The Kitchen-Dweller's Testimony (2015), winner of the Sillerman Prize. A 2021 Whiting Award winner, she has received fellowships from the Lannan Foundation, Cave Canem, the Michener Center, and the Fine Arts Work Center. Watch the live event recording: https://youtu.be/XACbmEh1F8k Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Kate Clark is a sculptor who lives in Brooklyn, NY. Her first solo exhibit was at Claire Oliver Gallery in New York in 2008. Since then she has exhibited in museum shows at the Aldrich Museum, Islip Art Museum, Bellevue Arts Museum, MobileMuseum, MOFA: Florida State, Cranbrook Art Museum, Frist Center for the Visual Arts, Winnepeg Art Gallery, GlenbowMuseum, Musée de la Halle Saint Pierre, Cleveland State University, Hudson Valley Center for Contemporary Art, Nevada Museum of Art, Brown University, Newcomb Museum, Hilliard Museum, Bemis Center, Biggs Museum, Royal Melbourne Institute of Technology and the J. Paul Getty Museum.    Kate's work is collected internationally and she has collaborated with Claudia Rankine for Claudia's book Citizen, and Kanye West and Desiigner for the video Panda. Kate attended Cornell University and Cranbrook Academy of Art, and received fellowships and grants from the Jentel Artists Residency, The Fine Arts Work Center, Marie Walsh Sharpe, The Virginia Groot Foundation and NYFA.   Clark's sculptures have been featured in the NYTs, New York Magazine, Art21, Village Voice, PAPERmag, The Atlantic, NYArts, BBC, Time Out, ID Paris, Cool Hunting, Wallpaper, Huffington Post, and the WSJ. National Geographic did a documentary on Kate's work in 2015.

Jeremy Hobson speaks with Sterling HolyWhiteMountain, a writing fellow at the Fine Arts Work Center in Provincetown, MA, about his upbringing on the Blackfeet Reservation in Montana, and his writing career. His fiction piece, Featherweight, was recently published in the New Yorker Magazine.

Dear lovers and frenemies—we're marching along through the end of this season. Our latest offering is a lovely conversation with Jane Wong with whom we discuss food, framings and frontiers. Phew. JANE WONG is the author of How to Not Be Afraid of Everything from Alice James Books and Overpour from Action Books. A Kunidman fellow, she is the recipient of a Pushcart prize and fellowships and residencies from the US Fulbright program, Artist Trust, 4Culture, The Fine Arts Work Center, Bread Loaf, Hedgebrook, and more. WILD FIRE SEASON: An old fashioned with palo santo bitters and a singed orange rind.

Salami lovers, soup slurpers, and salad spinners—this week Jane Wong served up the one and only Gwendolyn Brooks. In this episode, you'll hear us eat up Brooks' "when you have forgotten sunday: the love story" JANE WONG is the author of How to Not Be Afraid of Everything from Alice James Books and Overpour from Action Books. A Kunidman fellow, she is the recipient of a Pushcart prize and fellowships and residencies from the US Fulbright program, Artist Trust, 4Culture, The Fine Arts Work Center, Bread Loaf, Hedgebrook, and more. GWENDOLYN BROOKS is one of the most highly regarded, influential, and widely read poets of 20th-century American poetry. She was a much-honored poet, even in her lifetime, with the distinction of being the first Black author to win the Pulitzer Prize. She also was poetry consultant to the Library of Congress—the first Black woman to hold that position—and poet laureate of the State of Illinois. Many of Brooks's works display a political consciousness, especially those from the 1960s and later, with several of her poems reflecting the civil rights activism of that period. Her body of work gave her, according to critic George E. Kent, “a unique position in American letters. Not only has she combined a strong commitment to racial identity and equality with a mastery of poetic techniques, but she has also managed to bridge the gap between the academic poets of her generation in the 1940s and the young Black militant writers of the 1960s.” (read the rest here)