Podcast appearances and mentions of Caleb Scofield

Keith sits down with Aaron turner to discuss moving from New Mexico to Boston, discovering the local scene, befriending Converge and Cave In, the beginning of Hydra Head Records, the label's visual aesthetic, inner workings and history, signing Botch, releasing "Until Your Heart Stops" by Cave In and the end of the label in 2020. We also discuss the formation of Isis the band, early influences, their progression in sound over the years, the "Oceanic" LP and the creative process behind it, signing with Ipecac Records, their collaboration with Aereogramme, the final LP "Wavering Radiant" and the end of the band. We also discuss Sumac, the ideology behind the band, their unique creative and song writing process, their live performances, band influences, the passing of Caleb Scofield and the subsequent benefit show featuring an Isis the band reunion and Old Man Gloom, what's next for Sumac and more.

Episode 112 Merry Moog 2023 Holiday Music Performed on the Moog and other Synthesizers Playlist   Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. Emerson, Lake & Palmer, “Troika” from I Believe In Father Christmas (1995 Rhino Records). Arranged by, Emerson, Lake & Palmer. Moog and effects by Keith Emerson. Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. Sounds Of Broadcasting 3, “Electronic Tinsel” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. Unknown artist, “God Rest Ye Merry Gentlemen” from Electronic Computer Christmas Music (1990 Silver Bells Music). As the name suggests, this was a label dedication mostly to producing broadcast music for the holidays. They also release several albums of nature sounds. The studio musicians go unnamed. John Baker, “Christmas Commercial” from BBC Radiophonic Music (1968 BBC Radio Enterprises). A short piece used for broadcasting that was created by tape manipulation of the sounds of a mechanical cash register. It was part of collection of short works by BBC Radiophonic composers. “This record has been produced with the intention of entertaining rather than informing: the items chosen do not necessarily represent a survey of the music created at the BBC Radiophonic Workshop. The Workshop at the BBC Music Studios in Maida Vale, London, is equipped with tape recording machines and other electronic equipment for generating and manipulating sound. The composition and realization of this music and sound is done by a small number of specialized creative staff.” Christmas Baubles, “Orch” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track. Sounds Of Broadcasting 4, “Cutesy Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Michael Nyman, “Cream or Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. From Nyman's minimalist era before he became famous for soundtracks. Cabaret Voltaire, “Invocation” from Eight Crepuscule Tracks (1987 Interior Music). This track was originally included on the holiday album Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule), which suggested to me that it should be in this holiday podcast. Any excuse for a CV track. Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. Sounds Of Broadcasting 5, “Christmas Moog Choir” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. Pac-Man, “Snowflakes And Frozen Lakes” from Pac-Man Christmas Album (1982 Kid Stuff Records). Produced, Written by, Dana Walden, Patrick McBride. “A collection of Pac-Man's favorite Christmas songs.” Need I say more? Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. Old Man Gloom, “Valhalla and Christmas Eve Parts I and II from Christmas (2004 Tortuga Recordings). Ambient/Noise band formed in New Mexico by guitarist/vocalist Aaron Turner and drummer Santos Montano. Guitar, Drum Programming, Drums, captured and organized sound, Kurt Ballou; Performed by Aaron Turner, Caleb Scofield, Luke Scarola, Nate Newton, Santos Montano. Sounds Of Broadcasting 6, “The Joyous Moment” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 John & Yoko and The Plastic Ono Band With The Harlem Community Choir (remixed by Thom Holmes in 2001), “Happy Christmas (War is Over)” (1971 Apple Records). I had a CD player that was in disrepair and decided to “perform” this remix using it. I ended up calling this the Lennon and Ono Sliding Moment remix. Opening background music: Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Joy Electric, “Let it Snow” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Christmas Baubles, “Noisy Organ” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track.     Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Keith sits down with Stephen Brodsky to discuss Stephen's move to New York City, the formation of Mutoid Man, the band's creative process and influences, balancing time between Mutoid Man and Cave In during the early years of the band, the passing of Cave in bassist Caleb Scofield which brought Cave In back together to finish and release the "Final Transmission" LP and how Caleb inspired Stephen to make the move to New York where Mutoid Man was born. We also discuss the work Stephen does with BMG Music Group, Cave In's difficult major label experience, the making of Mutoid Man's latest LP "Mutants", the bands' recent addition of Grammy Award winning bassist Jeff Matz of High on Fire and more. Guest co-host: My original co-host Tommy returns and we discuss Cave In's lasting influence, how the band got us into this world of music and more.

This week Jeremy interviews Stephen Brodsky of Cave In On this episode Stephen and Jeremy talk about the album rollout of Heavy Pendulum, Guns N Roses, Ralph Snart, playing saxophone, seeing Primus / U2, his first band and meeting JR, the importance of Nirvana, how he found hardcore, the genesis of Cave In, learning how to record on a four track, meeting Brian McTernan and working together the first time, how the Gambit split got funded, the first show he ever played, discovering and joining Converge, playing on When Forever Comes Crashing, the headspace for Until Your Heart Stops, Caleb's contribution and recording Jupiter, Neurosis's impact, recording Antenna, touring with the Foo Fighters and getting to meet Dave Grohl, recalibrating after being dropped by RCA, the influential spirit of Caleb Scofield, and so much more! SUBSCRIBE TO THE PATREON to hear a bonus episode where Stephen answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

CAVE IN included a Metallica medley as a hidden track (remember those?) on 1998's Beyond Hypothermia and has released ambitious albums for more than 20 years, including the phenomenal Jupiter (2000) and the more recent Heavy Pendulum (2022). Stephen Brodsky (guitar/vocals), Adam McGrath (guitar), and JR Conners (drums) talk discovery, metal, Metallica, late bassist Caleb Scofield, and more. Speak N' Destroy podcast theme by Scott Mellinger. Visit the Speak N' Destroy website and socials HERE. Part of the PopCurse podcast network.

Episode 56 is a conversation with Nate Newton (Converge, Old Man Gloom, Doomriders) that took place over the phone in late March of 2020 during the worldwide Coronavirus pandemic. We talk quite a bit about how this has affected creative people who create for a living, what he's been doing to stay busy and focused. Nate also talks about the great new Old Man Gloom record and what it was like to play his late friend Caleb Scofield's music with Cave In. This episode has some heavy overtones but as always, Nate is a pleasure to talk to and is a great guest for this podcast. 

Episode 207 - One of the most influential bands in both metalcore and post-hardcore, Cave In has been making incredible records since the '90's. Stephen Brodsky, who got his start as the bass player in Converge, took over lead vocal duties for the band, who quickly made their name in the scene with their classic space-rock meets emo-core album "Jupiter". After signing to a major label, it looked like Cave In was bound to take over the rock world with tours with Foo Fighters and Muse. Although that never happened, Cave In still holds their place as one of the most important underground rock bands ever. Stephen discusses the early days of being a high schooler in Converge, becoming a lead singer overnight, and the tragic death of Cave In bass player Caleb Scofield. Learn more about your ad choices. Visit megaphone.fm/adchoices

Drummer JR Conners of Cave in talks the 20 years of the band, the tragic passing of bassist Caleb Scofield and the fortunate sub in Nate Newton of Converge/Doomriders/Old Man Gloom, the process of mixing and releasing the material for Final Transmission from practice space demos, the sonic left turn that was Creative Eclipses and Jupiter, working with Andrew Schneider on both Perfect Pitch Black & Final Transmission, the bloated budget and major label experience of recording Antenna, how the members of Cave In met & formed the band, early drum sets and evolving one’s style throughout the years, our mutual fascination with drummers Chris Pennie and Will Goldsmith, the journey of playing punk rock shows to touring with Muse & Foo Fighters plus much more!

EP103 is with special guest Adam Mcgrath. He is the guitarist for the bands Cave In, Wear Your Wounds and Nomad Stones. We talk about the "Final Transmission" album that Cave In just released with the final recordings from their late bassist Caleb Scofield and what that process was like, we talk Nomad Stones and Wear Your Wounds and we talk a lot about pro wrestling! I had a blast talking with him and I hope you enjoy it! Cheers! For Cave In:  https://cavein.bandcamp.com/ @sonicdeathwall on IG For Wear Your Wounds: https://wearyourwounds.bandcamp.com/album/wyw @wearyourwoundsofficial on IG For Nomad Stones https://wearyourwounds.bandcamp.com/album/wyw @nomadstones on IG Don't forget to like, share & subscribe and follow us on social media Instagram: @rocknrollbeerguy Twitter: @RnRBeerGuy Intro: "Shake my Blood" by Cave In Outro: "All Illusion" by Cave In Sponsors! Check out our friends at Cosmic Eye Brewing on social media @cosmiceye.beer or their website: https://www.cosmiceye.beer Owner/Founder of Cosmic Eye Brewing was on EP04 with Sacha from Intronaut where he talks about the idea of the brewery and his love for metal. So of course Metal Monday is a thing! Wear some metal gear and get $1 off a full pour! Now available in cans too!! PLEASE check out the Patreon page. www.patreon.com/rocknrollbeerguy Support the podcast and earn exclusive content like full audio interviews from Psycho Las Vegas from acts like Andrew WK, Red Fang, CKY  and more.

Just over a year ago, the metal community lost one of our most colossal innovators, Caleb Scofield. An unrestrained creative force, the bassist and singer helped in outlining the blueprint of metalcore in the late 90s in aid of his involvement with alternative metal chieftains, Cave In. A regular collaborator with Converge and Isis, Caleb’s contribution to not only his primary band’s success, but with post-hardcore experimentalists Old Man Gloom and post-sludge revisionists Zozobra, continues to resonate and influence modern players to this day. But while his passing will never fully heal over, the boys from below, Matt and Tom take more of a celebratory retrospective of Scofield’s life and cultural impact. With Cave In’s last ever record with Caleb’s involvement, The Final Transmission, set to drop within the forthcoming weeks, let’s use this opportunity to remember a man with a bass tone like the ringing of Satan’s bells and a voice like...more ringing of Satan’s bells.

In this episode of All Your Things Are Gone, J talks with musician Adam McGrath, most notably of the band Cave In. They talk about how the band started when they were just a bunch of kids from Methuen, MA, their journey as a band in the early days to being courted by major record labels, and about losing his bandmate and friend Caleb Scofield last year. They also chat about the other projects Adam has worked/is working on, what he has been doing outside of music, and how things have changed for him. Links: Caleb Scofield Benefit Cave In Wear Your Wounds Instagram @nomadstones Twitter @adamcmcgrath Intro Music: Untitled by Charlene Outro Music: All Illusion by Cave In --- Support this podcast: https://anchor.fm/aytag/support

Nate Newton of Converge and Old Man Gloom is an essential musical and human element of some of the most iconic American hardcore bands to ever rattle speakers, sear through pits, scream, squall and soothe hearts with their serrated edges and rough-hewn soul. He and his merry bands of riff-wielding musical animals joined forces in the fertile Massachusetts hardcore scene which birthed and cross-pollinated a slew of bands who continue to drive hooks into new listeners. Here we delve into the rich history of Nate's musical trajectory and the underground scene that made these bands, the real story behind some of their most significant records, their spirit animals, their creative journey and the loss of talented and beloved Old Man Gloom bandmate (and Cave In legend) Caleb Scofield and what made him such a special human being. 

On this weeks episode, We look back on the musical legacy of Caleb Scofield. A staple of the post hardcore & alternative metal scene, most associated with the Hydrahead & Profound Lore labels we reflect on bands like Zozobra, Old Man Gloom, of course, Cave In and more.

Chris and Serena in studio spotlighting the new High on Fire and Windhad albums, a few local shows, and the upcoming Caleb Scofield memorial show in California.

Well, it took 'em long enough but the boys over at DSR are finally back with a new episode! In the seventh installment of the official podcast of Dying Scene, AP catches up with LA based political punks, The Shell Corporation before their album (tee shirt release) show to eat some papusas and talk about dongs! Plus, as always, the guys are also slingin’ some scene news that you were probably too lazy to read and playing some fantastic music from bands you were probably too lazy to discover! Stream it 'til your ears bleed. ---------------------------------------------------------------------------- You can also stream from your browser over on our podcast homepage or on iTunes, Stitcher and Google Play. Follow us on Facebook and Instagram for more news, updates, show & fest pics and articles! *In a band? Want to be featured on the podcast? Send your shit to dyingsceneradio@dyingscene.com and if it’s good enough, we’ll probably play it! If you send us some swag, it’ll increase your chances…just sayin’!   Episode 7 Playlist *Don’t wanna listen to two schmucks blabber incessantly just to hear some rad new tunes? We don’t blame you! Look for us on Spotify at Dying Scene Radio for a playlist of songs featured on the show. 100% asshole free! The Linecutters - “Betrayed” BDSGLotE - System Restore - "The Jackal" Long Way Down - “My Own Vegas” The Hempsteadys - “Classic Cars” Screwtape - “Fruitless” Popes of Chilitown - “Get Off/Get On” Moonraker - “The Gangs Returned to Class and Became Honor Students” Jon Creeden and the Flying Hellfish - “Nailbiter” Me The Guts - “Tales of the Muskeg” The Shell Corp - “I Came For the Waters” Spanish Love Songs - “Beer & Nyquil (Hold It Together)” Note To Amy - “Loved Ones” OC45 - “Trainwreck” Symphony of Distraction - “United Failure”   Links to Featured News Stories Jawbreaker coming  out with new music Caleb Scofield from Cave-In Died in a Car Accident Camp Punk in Drublic announced in Ohio RockFest 13 (the good one) Fest announces initial lineup Direct Hit finished tracking new album Local Resident Failure release Punk in Drublic cover album Slapshot announces new album/releases track The Penske File streaming new song 7 Seconds calls it quits Consumed announces new EP Sick of it All and Murphy’s Law announced a tour Elway announces new album

Episode 56 of the RocknRoll Beer Guy Podcast is with Ryan Ratajski owner/founder of Fuzzrocious Pedals. We talk about some new pedals he has in the works, we talk about the music business as a whole, what it takes to run a business like his, the April Fools collaboration with Rigs of Dad and more. I had a blast talking to him and I hope you enjoy! Check out all of his pedals at http://fuzzrociouspedals.com/  This episode is dedicated to the memory of our friend & inspiration Caleb Scofield of the bands Cave In, Zozobra, Old Man Gloom. He tragically passed away this past week, please donate to his memorial fund to help his wife & two kids. You can also purchase some merch w/ 100% of the proceeds going to the Memorial Fund here: https://scofieldbenefit.merchtable.com/ Don't forget to like, share & subscribe and follow us on social media! Instagram: @rocknrollbeerguy Twitter: @RnRBeerGuy Intro: "Heavy with Shadows" by Zozobra Outro: "Tasty Birth" by CAVALE RRBG Logo: Art of Kyle Willis Sponsors:  One Effin Ink Go to http://www.1effinink.com/radart to pick up your official RRBG shirts & hoodies. You can customize the type of shirt, the color & the ink. Support the podcast and pick one up today!

Esta semana traemos un especial dedicado al festival Tótum Revolutum 4.0 con el amigo David, miembro del la organización. Pinchamos y comentamos parte del cartel: On the Raw, Syberia, Oniric Joy, Ursa, Blak, Le Mur, Rooms y Lizzard. Además, el podcast incluye dos novedades discográficas de regalo: 'Vortex' de Toundra y 'Trópico Lumpen' de Perro. Despedimos el programa con un recuerdo al bajista de Cave In, Caleb Scofield, tristemente fallecido el pasado 28 de marzo. Play it loud!

In this episode we have the pleasure of digging in to a bunch of controversies as metal gets political with Anthrax criticizing Apple, Testament visiting Tel Aviv and Watain doing nazi salutes. Kamelot pick a smoother route and make a dystopian music video.Speaking of politics, we also take a look at the nominees for this year's Golden Gods awards.Enjoy and please consider donating to the Caleb Scofield Memorial Fund: https://www.youcaring.com/jenscofield-1149130

Eden is away doing [thing] this week, so we have Cody instead. Of course, I proceed to troll Cody by making the podcast awkward. But hey, we discuss stuff too! We spend a good amount of time discussing Ihsahn's disappointing take on the recent happenings in metal and his complicity (including Emperor drummer Faust's actions). Then how lukewarm we are about the new Dimmu Borgir song. Then the new Alkaloid song, which we both love. Then I try to convince Cody to get into Augury (he messaged me after the episode saying it clicked). We comment on the unfortunate passing of the Cave In bassist Caleb Scofield (crowdfunder here). Finally, we talk about the excellent Toilet ov Hell article on reactionaries in metal and how the scene has become such a mess of edgelords. Then, cool people time. We discuss Cody's favorite movies and then some other random ones, like The Godfather, A Scanner Darkly, Synecdoche New York, Adaptation, Stranger Than Fiction, Premium Rush, The Raid, City of Violence, and more.

Underoath vocalist Spencer Chamberlain is our guest. We discuss the band's new record Erase Me (out April 6th), the decision to make a new record after reuniting to tour, the reason the band decided to call it quits in 2013, the importance of the break-up in hindsight, his past struggles with addiction and the way he beat it, the most irritating thing about the current state of our country and much more. MetalSucks co-founder Vince Neilstein joins Petar, Brandon and Jozalyn to discuss the controversy surrounding Watain: the image that surfaced of their guitarist giving the Nazi salute, frontman Erik Danielsson's response and the people who defend the band. We also talk about the discovery of Inquisition vocalist Dagon's past child pornography charges and the pass that certain artists get despite their heinous past behavior, and we talk about the tragic passing of Caleb Scofield of Cave In and how fans of the band have stepped up to show his family that they aren't alone. Songs: Underoath - “Rapture” Failure - “Dark Speed” Cave In - “Luminance”

Get ready for an epic NFL showdown this weekend by relaxing with an episode of Edgeland podcast. This week on the show Bill plays two recent stand up comedy sets. One that guys relatively well, and one that goes poorly. Both are humorous in their own regard. In the interview section of the show Bill talks With Tim McMahon of Mouthpiece and the blog Double Cross. Tim talks about the early influence of Thrasher magazine, having friends introduce you to so many new things, and the aesthetic appeal of hardcore. In the non edge column Bill talks with Caleb Scofield of Cave In and Old Man Gloom about growing up in suburban New Hampshire, Crossbearer, and how personal the straight edge is. This episode as always is brought to you by the fine folks over at The Hard Times.